Podcasts about kemper art museum

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

Ep.205 Kahlil Robert Irving was born in San Diego, in 1992, but spent most of his youth in St. Louis, Missouri. He attended the Kansas City Art Institute, where he received his BFA, and earned his MFA from the Sam Fox School of Design and Visual Art at Washington University in St. Louis. Irving's work has been featured in numerous group exhibitions at the Whitney Museum of American Art, the Mass MOCA, the New Museum, and the Contemporary Art Museum St. Louis. In February of 2024, Irving opened concurrent exhibitions at the Nerman Museum of Contemporary Art (AnticKS & MOdels + My theater to your eyes) and Archeology of the Present at the Kemper Art Museum in Saint Louis and both will be on view until July. Like many artists today, Irving works in many media, including sculpture, painting, and collage. His collages are largely influenced by contemporary digital culture. He gathers different pieces of digital material ranging from photographs he takes, to items he sees online to assemble these works. While appearing chaotic at times, he uses this method to subtly describe a view of how to navigate being Black in the United States. Irving's range of ideas and materials shine through his practice—as he combines contemporary memes with evolved ceramic techniques, he shows how different ceramic materials can be fashioned into looking like objects from life. Throughout his practice, Irving focuses on Black joy while also shedding a light on violent white people and their ideologies. Photo credit: Andrew Castañeda Artist https://www.kahlilirving.com/ Nerman Museum https://nermanstaging.jccc.edu/exhibitions/2024-02-09-kahlil-irving.html Kemper Art Museum https://www.kemperartmuseum.wustl.edu/on-view/on-view/kahlil-robert-irving-archaeology-of-the-present-20232024 MoMA https://www.moma.org/calendar/exhibitions/5396 Walker Art Center https://walkerart.org/calendar/2023/kahlil-robert-irving St. Louis Magazine https://www.stlmag.com/culture/visual-arts/kahlil-robert-irving-returns-to-washington-university-for-ar/ Art Review https://artreview.com/kahlil-robert-irving-excavating-the-recent-past-walker-art-center-bold-tendencies/ River Front News https://www.riverfronttimes.com/arts/kahlil-robert-irving-reflects-on-the-built-world-in-kemper-exhibition-41948583 St. Louis Post Dispatch https://www.stltoday.com/life-entertainment/local/art-theater/art-by-kahlil-robert-irving-gets-a-special-platform-at-mildred-lane-kemper-museum/article_14b149ee-cf92-11ee-b349-3fef347f28cf.html ARTnews https://www.artnews.com/art-news/artists/kahlil-robert-irving-walker-art-center-interview-1234663240/ Culture Type https://www.culturetype.com/2023/10/15/on-view-at-walker-art-center-kahlil-robert-irvings-site-specific-installation-reinterprets-the-notion-of-street-art/ Star Tribune https://www.startribune.com/ceramic-artist-kahlil-robert-irving-wants-us-to-stay-in-the-present-walker-art-center-minneapolis/600261276/ NPR https://www.stlpr.org/arts/2024-03-13/st-louis-artist-kahlil-robert-irving-explores-modern-life-and-loss

Episode No. 647 is a holiday weekend clips episode featuring artist Kahlil Robert Irving. The Kemper Art Museum at Washington University in Saint Louis is presenting "Kahlil Robert Irving: Archaeology of the Present" through July 29. "Archaeology of the Present" is a presentation of new Irving sculptures, video, and found objects. Irving has situated his sculptures and other items within a large plywood platform, resembling a stage. Viewers can move onto the structure to encounter both artworks and manufactured objects alike. The episode was taped in 2023 when Irving was included in “I'll Be Your Mirror: Art and the Digital Screen” at The Modern Art Museum of Fort Worth. The exhibition was an examination of the screen's vast impact on art from 1969 to the present. It was curated by Alison Hearst. Concurrently, the exhibition now at the Kemper had just opened at the Walker Art Center in Minneapolis. It was curated by William Hernández Luege. At the Kemper, the show was curated by Meredith Malone. Irving's assemblages of images and replicas of every day objects challenge constructions of Western identity and culture. His ceramic sculptures incorporate neglected objects that represent a historical moment, as do his room-sized, image-driven installations. Irving has had solo exhibitions at the Museum of Modern Art, New York and the Contemporary Art Museum Saint Louis; he's been featured in group exhibitions at the Carnegie Museum of Art in Pittsburgh, MASS MoCA in North Adams, Mass., the Whitney Museum of American Art in New York, and more.

Kahlil Robert Irving makes sculptures at his spacious studio in South St. Louis that he exhibits around the world. His latest show, an innovative mix of ceramics and digital collage, is at the Kemper Art Museum.

Sabine Eckmann joined the Kemper Art Museum as curator in fall 1999 and also regularly teaches seminars in the Department of Art History & Archaeology in Arts & Sciences. Eckmann, a native of Nürnberg, Germany, is a specialist in 20th and 21st-century European art and visual culture with a particular focus on the intersection of art and politics, ranging from exile art and cold-war aesthetics to European post-unification art. Other research interests include avant-gardism, new art forms, media, critical theory and cultural studies.

Natalie Frank was born in Austin, TX and received her Master of Fine Arts in 2006 from Columbia University, New York, NY and her Bachelor of Arts in 2002 from Yale University, New Haven, CT. In 2004, Frank was awarded a Fulbright Scholarship to the National Academy of Fine Art, Oslo, Norway. Natalie has been the subject of recent solo exhibitions at Miles McEnery Gallery, New York, NY; the Kemper Museum of Contemporary Art, Kansas City, MO; Brattleboro Museum & Art Center, Brattleboro, VT; Madison Museum of Contemporary Art, Madison, WI; Salon 94, New York, NY; Lyles & King, New York, NY; Half Gallery, New York, NY; Lora Reynolds Gallery, Austin, TX; Rhona Hoffman Gallery, Chicago, IL; University of Kentucky Art Museum, Lexington, KY; ACME., Los Angeles, CA; Galleria Marie-Laure Fleisch, Rome, Italy; Blanton Museum of Art, University of Texas, Austin, TX; and The Drawing Center, New York, NY. She has been included in group exhibitions at numerous international institutions including the Bowdoin College Museum of Art, Brunswick, ME; Brattleboro Museum of Art, Brattleboro, VT; The Corcoran, Washington, D.C.; FLAG Art Foundation, New York, NY; London Museum of Design, London, United Kingdom; The Metropolitan Museum of Art, New York, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; National Academy Museum, New York, NY; New York Academy of Art, New York, NY; Wellin Museum of Art, Hamilton College, Clinton, NY; Tang Teaching Museum, Skidmore College, Saratoga Springs, NY; Weatherspoon Art Museum, University of North Carolina, Greensboro, NC; and the Yale University Art Gallery, New Haven, CT, among others. Her work may be found in the collections of the Art Institute of Chicago, Chicago, IL; Blanton Museum of Art, University of Texas, Austin, TX; Bowdoin College Museum of Art, Brunswick, ME; Brooklyn Museum of Art, Brooklyn, NY; The Bunker, Beth Rudin DeWoody Collection, Palm Beach, FL; Everson Museum of Art, Syracuse, NY; Tang Teaching Museum, Skidmore College, Saratoga Springs, NY; Kemper Art Museum, St. Louis, MO; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Weatherspoon Art Museum, University of North Carolina, Greensboro, NC; Whitney Museum of American Art, New York, NY; Williams College Museum of Art, Williamstown, MA; the Yale University Art Gallery, New Haven, CT, and elsewhere.

Episode No. 587 features curators Jed Morse and Perrin Lathrop. Morse is the curator of "Mark di Suvero: Steel Like Paper" at the Nasher Sculpture Center in Dallas. The exhibition surveys di Suvero's career with a special focus on di Suvero's in-studio practice, such as his drawings and his little-considered modestly scaled sculptures (which make up the vast majority of his oeuvre). It is the most extensive survey of di Suvero's work in over 30 years, and the largest museum exhibition of such since 1975. "di Suvero" is on view through August 27. The excellent catalogue was published by the museum. Along with Nikoo Paydar and Jamaal Sheats, Lathrop is a co-curator of "African Modernism in America, 1947-67" at the Fisk University Galleries in Nashville. The exhibition investigates the connections between African artists and American patrons, artists, and cultural organizations such as the Harmon Foundation, the Museum of Modern Art, and HBCUs during the early Cold War. It also features The Politics of Selection, a commission from Lagos-based sculptor Ndidi Dike that interrogates the collecting histories presented in the exhibition. "African Modernism" is on view through February 12, after which it will travel to the Kemper Art Museum at Washington University, Saint Louis; the Phillips Collection in Washington; and the Taft Museum of Art in Cincinnati. The outstanding catalogue was published by the American Federation of Arts. Amazon and Indiebound offer it for about $45.

Meredith Malone, Curator at the Mildred Lane Kemper Art Museum, stopped by to talk with Nancy about the happenings at the museum. -----  As Curator at the Mildred Lane Kemper Art Museum, Meredith Malone conducts research on the Museum's permanent collection, propose new acquisitions, and conceptualize scholarly exhibitions of modern and contemporary art that enrich learning and research for the Washington University community and beyond. She is particularly interested in diversifying the Museum's collections to include greater parity (race, ethnicity, gender, geographic location) and examining critical histories and theories of race, class, and gender in relation to the production, reception, and interpretation of art. Currently, she is working on exhibitions of artwork by two US-based contemporary artists who critically address issues of race and representation in their work: Nicole Miller, who explores the transformative capabilities of the moving image to recalibrate interpretations of self and culture; and Adam Pendleton, whose conceptual works draw on historical and aesthetic visual content to explore the ways context influences meaning. Meredith is also coordinating an exhibition from the National Portrait Gallery that includes work by artists from across the country offering perspectives on cultural identity, race, immigration, and mass incarceration, among other pressing topics. -----   

Episode No. 539 features artist Stephanie Syjuco and historian Kate Wilson. Stephanie Syjuco's work is featured in several exhibitions around the United States. The Amon Carter Museum in Fort Worth is presenting "Stephanie Syjuco: Double Vision," a site-specific commission that builds from the Carter's collection to investigate historical and art historical narratives around American imperialism in the West. The project was curated by Kristen Gaylord and will be on view through January 2023. Syjuco is also in "Futures," a 32,000-square-foot pan-Smithsonian exhibition on view at the Smithsonian's Arts & Industries building through July 6; "Constellations: Photographs in Dialogue" at the San Francisco Museum of Modern Art through August 21; and "Stephanie Syjuco: Latent Images" at New York's Ryan Lee Gallery through March 12. Syjuco works across media such as installation and photography to investigate how images have helped build racialized, exclusionary narratives that have helped construct history and determine citizenship. Among the institutions that have presented her projects and solo exhibitions of her work are the Baltimore Museum of Art, the Blaffer Art Museum, the Contemporary Art Museum Saint Louis, the University of Kentucky, the Cantor Arts Center at Stanford University, and the Asian Art, Havana and Bucharest biennials. Wilson is a senior lecturer in the Department of Classics in Arts & Sciences at Washington University in St. Louis. Last semester she taught a class called "Race and Identity in Greco-Roman Antiquity." Concurrently she organized a teaching gallery exhibition in Wash U's Kemper Art Museum titled, "Colonizing the Past: Constructing Race in Ancient Greece in Rome." The project was the rare presentation of whiteness studies-informed exhibition in American art museum. Instagram: Stephanie Syjuco, Tyler Green. 

When I have a client who has been successful, I like to share that success. So, today I am excited to share the success of Brittany Rotskoff.When I first met Brittany during the summer of 2021, she was a young stay-at-home mom who had quit her teaching job because of COVID. She was worried about going back to in-person instruction because she had a baby at home, and she did not want to risk her health or the health of her child.A National Board Certified Teacher, Brittany was always clear that her career change should be part-time to start because she didn't want to leave her baby too much of the time. She was also very clear that she wanted to work in a museum or library. But she wasn't sure how to make that happen.She took the Jumpstart Your Job Search Course that I offer, and with the help she gained from that program on how to best position herself for a new job search, and with the help of her sister who helped her with introductions, she has landed a new job as a Part-Time Visitor Experience Associate at the Kemper Art Museum which is associated with Washington University in St. Louis, Missouri. The job is exactly what she was looking for. You can hear her talk about it and her job hunting experience in this episode of Teachers in Transition.If you would like to learn more about Kitty's Jumpstart Your Job Search Program, check out this link on her website https://teachersintransition.com/jumpstart-your-job-search-2-0-program. If you would like to learn if the program is right for you, make an appointment with Kitty for a complimentary Discovery Session at https://teachersintransition.com/calendar.For more information or with suggestions for other topics, email Kitty at kittyboitnott@gmail.com.

The internationally renowned political dissident and artist Ai Weiwei is presenting a major exhibition at the Kemper Art Museum. The artworks examine questions related to the horrors of war and various forms of violence. Many of the pieces are being presented in the United States for the first time.

Washington University's Kemper Art Museum has re-opened after a major expansion. Exhibition space has increased by 50 percent, and a new facade of polished stainless steel heightens the museum's presence on campus and in the neighborhood.

Guest Sabine Eckmann, William T. Kemper Director & Chief Curator of the Kemper Art Museum, stops in to discuss all of the big changes in the works in and around the museum and details the upcoming exhibition by international artist Ai Wei Wei.

Guest Sabine Eckmann, Director & Chief Curator of the Mildred Lane Kemper Art Museum, sheds light on the history of the museum and how it came to have one of the strongest collections art of any University. 

Richard Flood, chief curator at the New Museum, and curatorial associate Benjamin Godsill discuss a selection of works in the exhibition Rivane Neuenschwander: A Day Like Any Other, on view at the Mildred Lane Kemper Art Museum from October 8, 2010 to January 10, 2011.

The artist exposed maps of New York state counties to the elements during the rainy season in Belo Horizonte, Minas Gerais, Brazil, alluding to the mutability of geography over time. After drying, the maps were painted, further taking on a transformed state.

The miniature sculptures that make up this series were created by various people during conversations in bars and restaurants. Collected by the artist, these modest assemblages effectively constitute semi-conscious traces of social activities and verbal exchange.

Visitors are invited to describe their first love to a police sketch artist. The title of this work is borrowed from a novella by Samuel Beckett.

This video, the title of which pays homage to the 1976 Roman Polanski film of the same name, follows the trajectory of a soap bubble as it floats through the empty rooms of a house under renovation. The soundtrack has been constructed out of found and synthesized sound by the Brazilian duo O Grivo.

Inspired by the 1974 film by Francis Ford Coppola of the same name, this installation is an exploration of surveillance techniques and the paranoia they engender. To create this work, a series of covert listening devices were professionally installed under the wallpaper and beneath the carpeting. The artist and her team then went through the space, ripping it apart in an effort to locate the devices. The sound of this process of discovery and destruction was recorded by the bugs and now plays over the small speakers visible in the disrupted space.

Heather Woofter, assistant professor of architecture at Washington University and curator of Metabolic City at the Kemper Art Museum discusses the exhibition, on view through January 4, 2010.

Anthony Huberman, curator at the Contemporary Art Museum St. Louis, talks about the exhibition For the blind man in the dark room looking for the cat that isn't there, on view through Jan. 3, 2010.

Olivia Lahs-Gonzales, director of the Sheldon Art Galleries, talks about the current and upcoming exhibitions and programs at the Sheldon.

Curator Francsca Herndon-Consagra talks about the exhibition Urban Alchemy: Gordon Matta-Clark opening at the Pulitzer Foundation for the Arts on Friday, October 30, 2009.

Artist Roberley Bell is interviewed onsite at Laumeier Sculpture Park and discusses her work in the Inside Out exhibition, flower blobs, her influences, and more.

An interview with Philip Hu, associate curator of Asian art at the Saint Louis Art Museum, discussing the exhibition Five Centuries of Japanese Screens: Masterpieces from the Saint Louis Art Museum and the Art Institute of Chicago, which opens on Sunday, October 18.

Curator Meredith Malone discusses the exhibition Chance Aesthetics, opening at the Kemper Art Museum on Friday, September 18.

Featuring a roundtable discussion with artists in the Kemper Art Museum's 2009 MFA Thesis exhibition.

Local artist Tom Huck of Evil Prints and professor Liz Childs, organizer of the Kemper Art Museum's current Teaching Gallery exhibitionThe Political Eye: Nineteenth Century French Caricature and the Mass Media, discuss the art of printmaking and caricature in society. Students: Dennis Sweeney and Emily Silbur

David Brinker, assistant director of the Museum of Contemporary Religious Art at St. Louis University, talks about MOCRA and its spring exhibition Good Friday.

Bill Appleton, assistant director of public programs at the Saint Louis Art Museum, will discuss Power and Glory: Court Arts of China's Ming Dynasty and related programs. Student: Emma Dent

Olivia Lahs-Gonzales, director of the Sheldon Art Galleries, will discuss the Sheldon and its spring 2009 exhibitions. Student: Caitlin Lusch

Juan William Chavez, director of Boots Contemporary Art Space, talks about Boots, Bootprint, his own work, and his current exhibition Bad Moon Rising. Student: Nicole Keller

Peter MacKeith and Eric Mumford discuss Eero Saarinen and the Shaping the Future and On the Riverfront exhibitions at the Kemper Art Museum and Sam Fox School. Student: Winn Chen

Film professor Todd Decker will discuss film and music of the 1950s. Student: Vara Lyons

Kim Humphries and Mike Venso talk about Laumier Sculpture Park and the John Waters exhibition. Student: Emily Burns

Curator Anthony Huberman discusses the art of curating, contemporary art, and recent exhibitions and programs at the Contemporary Art Museum St. Louis. Student: Vara Lyons

White Flag Projects will open an exhibition of work by the artist Brock Enright on November 1 2008. Brock Enright is joined by White Flag's director Matthew Strauss. Student: Nicole Keller

Charlotte Eyerman, curator of modern art at the St. Louis Art Museum, discussed the exhibition Action/Abstraction opening October 19, 2008. Student: Emma Dent

Patrick Burke discusses the era of California cool jazz in relation to the Birth of the Cool exhibition. Student: Nicole Keller

Meredith Malone discusses the Kemper Art Museum's fall 2008 exhibition Birth of the Cool: California Art, Design, and Culture at Midcentury. Student: Kaitlin Lusch

John Curley discusses Willem de Kooning's Saturday Night (1956), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

John Curley discusses Willem de Kooning's Saturday Night (1956), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Meredith Malone discusses Alexander Calder's Five Rudders (1964), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Meredith Malone discusses Alexander Calder's Five Rudders (1964), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Josef Albers's Homage to the Square: Aurora (1951-55), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Josef Albers's Homage to the Square: Aurora (1951-55), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Marsden Hartley's The Iron Cross (1915), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Carmon Colanglo discusses On the Margins to provide context and commentary on selected works in the spring 2008 exhibition.

Michael Murawski discusses Marsden Hartley's The Iron Cross (1915), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 9/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 1/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 6/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 4/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 4/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 5/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 5/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 2/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 1/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition.

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 3/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 7/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 7/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 8/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 8/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 9/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 2/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 3/9

Bryna Campbell discuss Joseph Jones's Landscape (1932), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the February Spotlight Series essay and gallery talk. February 5, 2008.

Bryna Campbell discuss Joseph Jones's Landscape (1932), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the February Spotlight Series essay and gallery talk. February 5, 2008.

A short walkthrough of the Kemper Art Museum's winter 2008 special exhibition Beauty and the Blonde.

A short walkthrough of the Kemper Art Museum's winter 2008 special exhibition Beauty and the Blonde.

Andrea Fraser leads a walk-through of her work featured in the Kemper Art Museum exhibition Andrea Fraser, "What do I, as an artist, provide?" May 11, 2007

Andrea Fraser leads a walk-through of her work featured in the Kemper Art Museum exhibition Andrea Fraser, "What do I, as an artist, provide?" May 11, 2007