Podcast appearances and mentions of nancy spero

In this episode of The Art Career, Emily travels to Galerie Lelong & Co in Chelsea to sit down with gallerist Mary Sabbatino. Mary Sabbatino is Vice President and Partner of Galerie Lelong & Co., New York. She was appointed director of the New York location of Galerie Lelong & Co. in 1991 and became a gallery partner in 2007. In 2021, she was awarded the prestigious Chevalier de L'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) from the Government of France. Championing a diverse roster of contemporary artists from throughout the world, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. Contributing to the overarching contemporary art scene, she served on the boards of ArtTable and the Executive Board of the Art Dealers' Association of America, during which she initiated and co-authored the ADAA's first code of ethics. Sabbatino served on the Selection Committee for Art Basel Miami Beach (2013-2020), the Art Basel Joint Selection Committee, and is a founding member of the Council for the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum, New York. In 2020, along with colleagues from international galleries, she initiated the platforms Galleries Curate and SOUTH SOUTH. In addition to fostering the careers and legacies of the gallery's artists, Sabbatino co-curated Art from Brazil in New York (1995) which presented the first solo exhibitions of the region's most vital figures—Waltercio Caldas, Cildo Meireles, Hélio Oiticica, Mira Schendel, and Tunga—and curated Juan Downey: Video Installations and Drawings (1995), at the Museo Bellas Artes, Santiago, Chile. The gallery is proud to have represented leading contemporary artists and estates for over twenty years, including Petah Coyne, Andy Goldsworthy, Jane Hammond, Alfredo Jaar, Cildo Meireles, the Estate of Ana Mendieta, Jaume Plensa, Kate Shepherd, the Estate of Nancy Spero, Ursula von Rydingsvard, and Krzysztof Wodiczko.About Galerie Lelong & CoSince 1991, Galerie Lelong & Co., New York, has championed a diverse roster of contemporary artists from throughout the world. Led by Mary Sabbatino, Vice President and Partner, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. The gallery's programming is noted for its political acuity and museum-quality exhibitions that include contemporary sculpture and installations, as well as its work with artists to help develop large-scale public art commissions beyond the gallery's walls. In tandem with the gallery's artists who present works that examine the human condition and collective consciousness, Galerie Lelong & Co. demonstrates its commitment to social justice and good citizenship through charitable initiatives and collaborations. Galerie Lelong & Co. is a member of the Art Dealers' Association of America, the most esteemed organization of art galleries in the United States.Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here:⁠⁠ Download Now⁠⁠Links: ⁠⁠theartcareer.com⁠⁠Follow Galerie Lelong & Co: https://www.instagram.com/galerielelong/?hl=enFollow Mary Sabbatino: ⁠https://www.instagram.com/mary_sabbatino/?hl=enFollow us: ⁠⁠@theartcareer⁠⁠Host: ⁠⁠@emilymcelwreath_art⁠⁠Production + Creative Direction ⁠⁠@soniaruscoe⁠⁠Editing: ⁠⁠@benjamin.galloway⁠⁠ Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at ⁠⁠theartcareer.com⁠⁠ Never miss an episode! Subscribe & leave us a review on ⁠⁠Apple Podcasts⁠⁠ & ⁠⁠Spotify⁠⁠

Hablamos sobre una de las mejores dibujantes de todo el siglo XX. Fue una luchadora por los derechos de la mujer dentro del mundo del arte y mediante una arriesgada decisión personal logró llevar a todos los límites al papel y el dibujo. Recuerda que tienes este pódcast con imágenes en mi canal de Youtube.

Elaine A. King was born in Oak, Park, Illinois and grew up in the Chicago area.  She was a Professor, at Carnegie Mellon University teaching the History of Art/Theory/Museum Studies.  King received an interdisciplinary Ph.D. from Northwestern University in 1986 from the School of Speech (Theory and Culture) and History of Art. Dr. King holds a joint Masters Degree in Art History and Public Policy, from Northern Illinois University and her B.A. was awarded from Northern Illinois University in Art History and American History [Pre-Law]. In 2002 she received a Certificate of Fine Arts and Decorative Arts Appraisal New York University.  In May 2011 she was invited to become a member of the National Press Club in Washington, DC. She is a freelance critic who frequently writes for Sculpture, ARTES, Grapheion and the Washington Post. Dr. King served as the Executive Director and Curator of the Carnegie Mellon Art Gallery [1985-1991, and was the Executive Director and Chief Curator of the Contemporary Arts Center in Cincinnati, [1993-1995] following the Robert Mapplethorpe debacle. Throughout her career as a curator she organized over forty-five art exhibitions, including a wide range of one-person exhibitions and catalogues for artists, Barry Le Va, Martin Puryear, Tishan Hsu, Gordan Matta-Clark, Elizabeth Murray, Mel Bochner, Nancy Spero, Robert Wilson, David Humphrey, and Martha Rosler. In addition, she has curated a wide range of group exhibitions including Light Into Art: Photography to Virtual Reality, New Generations, New York, Chicago, The Figure As Fiction, Abstraction Today, Drawing in the Eighties, and Art In the Age of Information. In February 2007 she was the guest curator for the Maria Mater O'Neill mid-career survey exhibition for the Museo of Art Puerto Rico, San Juan that opened in February 2007 and compiled a catalogue titled Artist Interrupted, 1986-2006.  In the fall of 2009 she was a guest curator at the Mattress Factory, in Pittsburgh for the exhibition titled Likeness: Transformation of Portrayal After Warhol's Legacy. King has been the guest curator several times for the Hungarian Graphic Arts Biennial in Gyór between 1993-2005. The International Studies Art Program American University's selected her to be the distinguished Art Historian/Critic in-residence to teach in Corciano, Italy, in the fall 2006.  Additionally Elaine King and Kim Levin were asked to nominate artists for the Venice Biennale. She has been awarded numerous grants from diverse agencies including: United States Office of Information –Curatorial Grant for the American Section of the Master of Graphic Arts Biennial, Györ Hungary [shipping] Pennsylvania Arts Council Grant, Art Criticism Fellowship, The Trust for Mutual Understanding, Rockefeller Foundation, (research in Slovakia) The National Endowment for the Arts (In 1989,1988,1985, 1983) Museum s/catalogues, Hillman Foundation, Warhol Foundation, Richard K. Mellon Foundation Grant, French International Fund from Artists' Action, for the Michel Gerard exhibit, American Association of Museums, Award of Merit for the Tishan Hsu catalogue Award of Distinction, American Association of Museums for the Mel Bochner catalogue. She was awarded an IREX grant to do research in Prague on changes in contemporary art after the fall of the wall. King was part of a panel discussion on Censorship and the Culture Wars at the Ann Arbor Film Festival and a reviewer for Bullfrog Films. In September 2006, Allworth Press published the anthology titled Ethics and the Visual Arts that she and Gail Levin co-edited. Elaine King. In 2001 she was awarded a Senior Research Fellowship by the Smithsonian Institution's American Art Museum to research contemporary portraiture.  Also King was awarded a Short-term Research Fellow in 2003 from the Smithsonian Institution National Portrait Gallery as well as a Short-term Fellowship at the Smithsonian Archives of American Art.

This week I had 4 fellow collage enthusiasts join me for a great roundtable about contemporary collage: Curator, Kathy Greenwood and Artists, Ginnie Gardiner, Todd Bartel and Michael Oatman. If you love collage, aka "the finding, minding & binding," (thanks, Todd!) then you'll love this episode. And my obsesh w/ glue became next level as we explored both its physical and metaphysical properties. This episode was recorded during a live Clubhouse event 2/8/22 and was held in conjunction with "Echo," an exhibition of collage at the Albany Airport. Exhibition info: "Echo" w/ Ginnie Gardiner & Amy Talluto, Curated by Kathy Greenwood at the Albany International Airport (pre-security, 3rd fl) Web: https://albanyairportartandcultureprogram.com/ and IG: @albanyairportartandculture More about my guests: Ginnie Gardiner: https://ginniegardiner.com/ Todd Bartel: https://toddbartel.com/ Michael Oatman: https://massmoca.org/event/michael-oatman-all-utopias-fell/ Kathy Greenwood: https://www.instagram.com/greenwoodkart/ Additional reading: Kolaj Magazine IG @kolajmagazine and Web http://kolajmagazine.com/ Maxomatic' "The Weird Show" Blog and Podcast: https://theweirdshow.info/ Todd's writings on collage: https://issuu.com/toddbartel Jiří Kolář glossary of collage terms: https://en.wikipedia.org/wiki/Ji%C5%99%C3%AD_Kol%C3%A1%C5%99 "The Americans: The collage" a book by Linda L. Cathcart: https://www.google.com/books/edition/The_Americans/FI00AQAAIAAJ?hl=en Paul de Jong's Mall of Found Residency (now Mount Lebanon Residency): https://mtlebanonresidency.org/History "Complex Muses" curated by Todd Bartel May 18-Sept 4 at Art Complex Museum in Duxbury, MA: https://artcomplex.org/exhibitions/ Collage Artists mentioned (w/ instagram tags where available): Mary Delaney, Picasso, Braque, Cubists, Max Ernst, Hannah Hoch, Dada, Eileen Agar, Paul Nash, Henri Matisse, Romare Bearden, Nancy Spero, Joseph Cornell, Maxomatic @maxomatic, The Weird Show @theweirdshowofficial, Andrea Burgay @andreaburgay, Ric Kasini Kadour @kasini & his “Decentralized Community” idea, Cathleen Daly & her "interlocking collage" idea, John Gall @llagj, Andrea Mortson @doingvsdreaming, Jack Felice @jackfelice, John Hundt @johnhundtblueyes, Red Wizard Collage @red_wizard_collage (tiktok @redwizardcollage & podcast "Cut It Out!"), Paula Wilson @paulalights, Carrie Moyer @carrie.moyer.studio, Ann Toebbe @anntoebbe, Twin Cities Collage Collective @twincitiescollagecollective, Tiko Kerr @tikokerr, Clive Knights @knightsclive, Janice McDonald @janicemcdonaldart, Kira E Wong @kiraewong_art, Kurt Schwitters' “Merzbau” (building for making psychological collages), Julie Heffernan @julie_heffernan_, James Rosenquist, Mark Tansey, Lorna Simpson @lornasimpson, Courtney Puckett @courtneygpuckett, Jiří Kolář and Elaine Lustig Cohen Glue Talk™: Todd Bartel uses: Yes! Paste, Lineco Document Repair Tape and anything at hand Michael Oatman uses: 3M™ Super 77™, 30x40 in adhesive paper sheets and rubber cement Ginnie Gardiner uses: Neschen gudy® 870 Mounting Adhesive I use: Yes! Paste, UHU Stick and Matte Medium Support the Peps by making a Donation, reviewing us on Apple Podcasts or following us on Instagram to see more images illustrating this episode: @peptalksforartists. All licensed music is from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Deborah Frizzell is an artist turned curator turned Art Historian and Art Professor whose life has been dedicated to the Visual Arts. Her sculptures and time working as an artist were steeped with researching Art History to inform what she made. Her life as a curator led to the orchestration of shows and artists that remind that there were those who highlighted Black and female artists for the past 3+ decades, rather than just in the last couple of years. She worked directly with the likes of Barkley L. Hendricks, Nancy Spero, and so many more. Her work as an Art Professor invited students directly into the art world to give them an intensive education of the art history that they were becoming part of alongside a hands on practical experience where she invited students directly into working artists' studios, foundations, and galleries. She continues to write for "Cultural Politics," a Duke University Press publication in her retired life and overall can't help but still advocate for and participate in the art world. --- Send in a voice message: https://anchor.fm/thestolenhourspodcast/message

Kunsthistoriker Cecilie Tyri Holt snakker med kunstnerkritikerne Tommy Olsson og Hedda Grevle Ottesen om utstillingene til Nancy Spero på Lillehammer Kunstmuseum, Wendimagegn Belete på Oppland Kunstsenter, og Tarald Wassvik på Elephant Kunsthall. Episoden er opptak fra Diatribe #8 på Lillehammer Kunstmuseum 17. oktober 2020.    See omnystudio.com/listener for privacy information.

Robbie Conal is a legendary American guerrilla poster artist noted for his gnarled, grotesque depictions of U.S. political figures of note. Topics: Kamala Harris, Oceanside Museum Street Art Event, Baseball, My Parents were communists..., Covid Family updates, The heyday of Haight and Ashbury, Beatnicks, LSD trip stories, Robbie on Andy Warhol, The Factory was toxic, Nancy Spero, Leon Golub.

Twentieth-century, American, feminist artist fearlessly breaks with artistic traditions of the female figure, compellingly experiments the narrative of women's lives, their pain, both visible and invisible in installations and formats outside of the flat, framed rectangle or square hooked on the wall.View all the images discussed on my website www.beyondthepaint.net. References used for this episode include Worcester Art Museum, Art21 (www.art21.org) and Bomb Magazine.

Twentieth-century, American, feminist artist fearlessly breaks with artistic traditions of the female figure, compellingly experiments the narrative of women's lives, their pain, both visible and invisible in installations and formats outside of the flat, framed rectangle or square hooked on the wall.View all the images discussed on my website www.beyondthepaint.net. References used for this episode include Worcester Art Museum, Art21 (www.art21.org) and Bomb Magazine.

This week Dionna is interviewing Lexie Coulum. Lexie is a young, inspiring photographer and artist. She currently has been working professionally as a retoucher while exploring and expanding her craft post college. This episode is full of lessons about professional boundaries, expanding yourself as an artist, and fighting against perfectionism.As always, thanks for listening! Rate/Review/Subscribe and Share with a friend! For more on Lexie, visit www.lexiecoulum.com and find her on Instagram @lexielouphotoFor more about Dionna, visit www.dionnaeshleman.com and find her on Instagram @thenourishedactorFor full show notes, visit thenourishedactor.buzzsprout.comThis show is sponsored by my Beautycounter business! To support the podcast AND upgrade to safer, healthier skincare and makeup, shop with me through Beautycounter. Swapping out toxic personal care products is a simple, easy way to start creating a healthier, sustainable lifestyle. Click here to support the podcast.From the show:Check out the exhibition Lexie talked about at MOMA Ps.1- Paper Mirror by Nancy Spero thru June 23rd.The Four Tendencies by Gretchen RubinThe 4s Collective on Instagram SubmittableStone AppThis episode description contains affiliate links so if you click and shop through the link, I may get a small financial kickback. That said, shopping through these links is another great way to support The Nourished Actor Podcast.

Nancy Spero war eine politische Künstlerin, eines ihrer großen Themen war die Geschlechtergerechtigkeit und die Unterdrückung von Frauen. Andrej Klahn hat die erste europäische Retrospektive gesehen.

Nancy Spero war eine politische Künstlerin, eines ihrer großen Themen war die Geschlechtergerechtigkeit und die Unterdrückung von Frauen. Andrej Klahn hat die erste europäische Retrospektive gesehen.

In this episode, I talk to the Boston based artist Crystalle Lacouture about her work, her experience working as a longtime assistant to Nancy Spero & Leon Golub, collecting artwork and working as an arts consultant.   Crystalle is a painter based in Boston and North Adams, MA and received her Bachelor’s degree in Painting/Printmaking from Skidmore College in 2000.   During the 10 years she lived in NYC, Crystalle was a longtime assistant to activist artists Nancy Spero and Leon Golub. She also worked at the Lower East Side Printshop, for the installation artist Phoebe Washburn and at the Academic Arts Agency, College Art Association.   In addition to her full-time studio practice Crystalle has worked as a private art consultant, and curates art programming and acquisitions at TOURISTS, a hotel and resort newly opened near Mass MoCA in North Adams, MA. She is represented by Beth Kantrowitz from BK Projects in the Boston area.   In 2018 several of her paintings were acquired by Fidelity, she participated in a Vermont Studio Center residency, and had a two person show with the artist Helena Wurzel. This fall she will be in a 3 person show at Drive-By Projects in Waltham, MA. She is also the mother to three elementary-age children and an avid gardener.   LINKS: https://www.instagram.com/crystallelacouture/ https://crystallelacouture.com/home.html http://bkartprojects.com/ https://www.touristswelcome.com/

Bienvenue dans Un podcast, une œuvre, le podcast du Centre Pompidou qui explore les œuvres à la lumière de questions de société. Pour Nancy Spero, sexe masculin et violence sont liés. Dans les années 1970, elle dessine des bombes sanglantes et phalliques qui crient sur le papier : elle s’engage ainsi contre la guerre au Vietnam et fait de son art un cri, à une époque où les rapports de genre dans l’art et dans la société commencent à changer.. ..Écriture et réalisation : Elsa DaynacLectures des textes de Nancy Spero : Astrid AdverbeLectures de Judith Butler et Hamda Khamis : Claire OlivierHabillage musical : Nawel Ben Kraiem et Nassim KoutiExtraits musicaux : Miossec, Fabienne, Eddy de Pretto, Angèle et Clara Lucciani Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

What do you get when you cross images of sexual bondage with lush, botanical illustration and mythical/fairytale references of transformation? Give up? Well, artist Fay Ku has some answers for you, but first let’s take a look at where she’s coming from. Born in Taiwan, Ku came to the States at the young age of three. Ku studied Literature and the Visual Arts at Bennington College (1996) and earned an MS Art History and an MFA Studio Art from Pratt Institute (2006). Ku’s cleverly re-mastered and remixed fractured fairy tales have been the subject of twenty-one solo shows from Hong Kong to Hawaii and included in numerous group shows, most recently at Wave Hill’s Glyndor Gallery in Riverdale, The Bronx (Outcasts: Women in the Wilderness, 2017) alongside the works of Nancy Spero and at the cutting edge Lodge Gallery on Manhattan’s Lower East Side (Latent Content Analysis, 2017). But back to the bondage, it’s not what you think, or what we think you think, or what we think you think the artist thinks, Ku has her own reasons for what she does. Curious? Then you’ll have to tune in because we’re not telling, Ku is, and about so much more. All shall be revealed, or some of it, or some of all of it, or all of some of it. You get the picture. Support the show (https://paypal.me/TMARTNY?locale.x=en_US)

The next instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Nancy Spero's Let the Priests Tremble, at the Reina Sofía in Madrid