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4 episodes with art21
2 episodes with art21
2 episodes with art21
2 episodes with art21
2 episodes with art21
4 episodes with art21
2 episodes with art21
2 episodes with art21
Ted speaks with Alexander Rokoff of Rokoff Studio who shares his artistic journey, influenced by his family's artistic background and his father's legacy. He discusses his transition from cartooning to fine art, the impact of European art on his perspective, and the challenges he faced pursuing art as a career. Alexander emphasizes the importance of passion in art, the role of travel in shaping his work, and his current ventures in Hawaii, highlighting the significance of reinventing oneself as an artist. and the pride he takes in his work. TOPICS DISCUSSED01:10 Introduction to Alexander Rokoff and His Artistic Journey02:05 The Influence of Family and Early Artistic Development05:05 Transitioning from Cartooning to Fine Art07:25 Finding Success in Jewelry and Art11:00 The Impact of European Art on Alexander's Perspective15:10 Reinventing Oneself as an Artist17:35 Overcoming Adversity: The 2008 Economic Crisis19:20 Rediscovering Passion and Purpose in Art21:30 The Role of Travel and Cultural Exposure in Art26:15 Current Ventures and Future Aspirations in Hawaii27:30 Artistic Influences and Limited Palettes29:00 Life in Hawaii: A New Artistic Journey30:40 The Beauty of the Big Island's Landscapes34:30 Personal Reflections: Art and Family Legacy36:30 Creating Art with Pride and Purpose36:35 Participatory Art: Engaging Clients in the Process47:30 Buying Art: Trusting Your Instincts50:15 Future Aspirations: Large-Scale Projects in Hawaii CONNECT WITH GUESTAlexander RokoffWebsiteFacebookInstagramKEY QUOTES FROM EPISODE"Art is an addiction.""I never left the easel.""What would you do if nobody paid you?"
Episode 463 / Rose Nestler (b. 1983, Spokane, WA) is a mixed media sculptor who lives and works in Brooklyn, NY. She holds an MFA from Brooklyn College and BA in Art History from Mount Holyoke College. Recent solo and two-person exhibitions include Public, London, UK (2024), Pangeè, Montreal, QC (2023); Mrs., New York, NY (2022); and Carvalho Park, New York, NY (2022) Selected group exhibitions include Asya Geisberg, New York, NY (2025), Plains Art Museum, Fargo ND (2024); Chart, New York, NY (2024), (The University of Leeds' Stanley & Audrey Burton Gallery, Leeds, UK (2023); Boston University, Boston, MA (2023); Rugby Art Gallery and Museum, Rugby, UK (2022); Perrotin, New York, NY (2022); Hesse Flatow, New York, NY (2021), and Frye Art Museum, Seattle, WA (2021); She was an artist in residence at the Joan Mitchell Center in New Orleans in 2022. Nestler has also conducted residencies at The Fores Project, London, UK, and The Lighthouse Works, Fishers Island, NY, among others. Her work is part of the permanent collection of the Frye Art Museum, Seattle, WA, USA and has been featured and reviewed on Art21, in The Brooklyn Rail, BOMB Magazine, Hyperallergic and New York Magazine. She is part time faculty at Parsons School of Design and College of Staten Island (CUNY).
Welcome to episode 2 of Art21 x The Art Career: Behind the Lens—a series dedicated to the curators and filmmakers who create the magic behind Art21's iconic documentaries and publications. Art21 is the world's leading source to learn directly from the artists of our time.In this episode, host Emily McElwreath sits down with Senior Producer for Art21, Ian Forster.As a producer and director, Ian Forster creates documentary content for Art21's various digital and broadcast programs. Since joining the organization in 2009, he has worked on six seasons of Art in the Twenty-First Century, most recently directing and producing “London” from the tenth season and “Johannesburg” from the ninth season. Additionally, he worked on the Peabody Award-winning film William Kentridge: Anything Is Possible and has overseen the digital series Extended Play since 2012, producing over 100 short artist portraits. Forster created the online video series Artist to Artist in 2013, which featured artists in conversation with their peers at international biennials.His films have screened at festivals internationally, including DC Shorts, DOC NYC, and Artecinema, and have been honored with a Vimeo Staff Pick and as a Webby Award Honoree. He graduated from the Newhouse School at Syracuse University with a B.S. in Television, Radio, and Film.About Behind the LensThis season, we're spotlighting the often-unsung visionaries—curators and filmmakers—who shape the stories behind today's most influential contemporary artists. Behind the Lens offers a rare glimpse into how Art21's groundbreaking films and publications come to life, bridging the gap between artists and audiences.About Art21Art21 is a celebrated nonprofit organization dedicated to inspiring a more creative world through the works and words of contemporary artists. Through their award-winning documentary series, educational programs, and digital resources, Art21 brings audiences closer to today's leading artists and their processes. Learn more at art21.org. Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here: Download NowLinks: theartcareer.comArt21 – Art21Follow Ian: https://www.instagram.com/ianjforster/Follow us: @theartcareerHost: @emilymcelwreath_artProduction + Creative Direction @soniaruscoeEditing: @benjamin.galloway Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at theartcareer.com Never miss an episode! Subscribe & leave us a review on Apple Podcasts & Spotify
For the first time ever, my podcast comes full circle—finally featuring a guest from my home city, Hong Kong! Meet May Yeung: teaching artist, founder of the charity Art of My Family, cancer survivor, and proud mom of an energetic 14-month-old. While Hong Kong is famous for finance, May proves art can be just as powerful—reshaping lives, advocating for mental health, and championing sustainability. And as a bonus, our youngest guest yet (her toddler!) makes an appearance. Stay tuned for a heartwarming and paint-splattered conversation!Key Highlights of Our Interview:3:17—From Wall Scribbles to Ceramics: A Childhood Steeped in Art“From the time I was around two years old, I would draw on walls before I could even write my name. By five, my father and I were creating ceramics together. At age 12, my fascination with dadaism and pop art gave me the conviction to become an artist.”"I met Professor Jeff Oppenheimer who gave a lecture on integrating art into daily life, and daily life into art, and the contents of this lecture really helped to form the framework and direction of my art to this day."6:00—Where Art Meets Music: How Music Has Influenced Her Art Creation 8:41—From Crunching Numbers to Crafting Impact: How Finance Led May to Art and Social Change11:20—Faith Over Fear: How Battling Cancer Transformed a Perfectionist into a Celebrator of Life's Small Wins"I think the cancer experience really let me feel a greater sense of conviction to serve the underprivileged"16:25—Art for Archer: How Motherhood and Heritage Shape Her Creations18:09—Dim Sum and Chinese Checkers: Weaving Hong Kong's Culture into Every Piece of Art21:34—Memorable Art Pieces “What If” and “Blossom Love”: Sculpting Bridges Between Cultures and Endless Possibilities23:19—From Corporate CSR to Creative Compassion: The Birth of Art of My Family30:00—May's Life Mission to Inspire the Next Generation: The Three C's of Art Education and the Role of a Teaching Artist______________________Connect with us:Host: Vince Chan | Guest: May Yeung______________________--**Chief Change Officer**--Change Ambitiously. Outgrow Yourself.Open a World of Deep Human Intelligence for Growth Progressives, Visionary Underdogs,Transformation Gurus & Bold Hearts.6 Million+ All-Time Downloads.Reaching 80+ Countries Daily.Global Top 3% Podcast.Top 10 US Business.Top 1 US Careers.>>>100,000+ subscribers are outgrowing. Act Today.
In this powerful conversation, I sit down with Emily McElwreath—art advisor, independent curator, educator, and host of The Art Career Podcast. With nearly two decades of experience, Emily has worked with some of the most influential figures in the art world, from Andy Warhol to Alice Neel. She shares how artists can reclaim their power, normalize ambition, and take control of their careers. We also explore what collectors are looking for today, how to navigate the art market, and the evolving role of art advisors. Emily offers practical networking strategies for artists and industry leaders, insights on working with high-profile guests, and details on her recent Art21 collaboration. Plus, she introduces her must-have resource for emerging artists, Navigating the Art World: A Practical Guide for Artists. Whether you're an artist looking to elevate your career or a collector seeking guidance, this episode is filled with expert insights and actionable strategies to help you thrive. Key Takeaways: Artists must reclaim their power—they are at the center of the art ecosystem. Ambition is not a dirty word—owning your career is essential for success. Networking isn't about chasing opportunities—it's about building authentic relationships. Art collectors should buy what they love but also stay informed about the market. The art world is unregulated, making it crucial to work with trusted advisors. Artists should not rely solely on galleries—direct sales and relationships matter. Emily's free artist guide, Navigating the Art World, is a must-have resource for emerging artists. Sound Bites:
On this episode I'm joined by Taylor Renee Aldridge. Taylor Renee Aldridge is a writer and curator based in Detroit, Michigan. In 2014, with writer Jessica Lynne, she co-founded ARTS.BLACK, an online journal of art criticism from Black perspectives. In Fall 2024, she assumed the role of Executive Director at the Modern Ancient Brown Foundation. In the episode we discuss her return to her native Detroit, the importance of ancestral practice, why there's a lack of art criticism today, and what she's excited about for the future. Taylor has edited and contributed to numerous exhibition catalogs, including Enunciated Life (CAAM, 2021) and Mario Moore | Enshrined: Presence + Preservation (Charles H. Wright Museum, 2021). Her writing has appeared in Artforum, The Art Newspaper, Art21, ARTNews, CanadianArt, Contemporary&, Detroit Metro Times and SFMOMA's Open Space. She has organized exhibitions with the California African American Museum (CAAM), Detroit Institute of Arts, and Cranbrook Art Museum, including the critically acclaimed Simone Leigh (2024, CAAM & LACMA). Taylor is the recipient of the 2016 Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short Form Writing and the 2019 Rabkin Foundation Award for Art Journalism. She holds an MLA from Harvard University with a concentration in Museum Studies and a BA from Howard University with a concentration in Art History.
We're launching Season 7 of The Art Career Podcast with a special collaboration, Art21 x The Art Career: Behind the Lens—a series dedicated to the curators and filmmakers who create the magic behind Art21's iconic documentaries and publications. Art21 is the world's leading source to learn directly from the artists of our time. In this season's premiere, host Emily McElwreath sits down with curator Jurrell Lewis to explore Artists and the Unknown, a compelling new book from Art21 that delves into the mysteries, curiosities, and uncertainties that drive contemporary art. From the supernatural to the speculative, Artists and the Unknown captures how artists navigate the limits of human knowledge, embracing the unknown as a space for creativity and transformation. Jurrell Lewis brings his curatorial insight to this conversation, offering a deep dive into the book's themes, featured artists, and the ways in which art helps us interpret the unexplainable. Artists and the Unknown is available HERE from Art21. About Behind the Lens This season, we're spotlighting the often-unsung visionaries—curators and filmmakers—who shape the stories behind today's most influential contemporary artists. Behind the Lens offers a rare glimpse into how Art21's groundbreaking films and publications come to life, bridging the gap between artists and audiences. About Art21 Art21 is a celebrated nonprofit organization dedicated to inspiring a more creative world through the works and words of contemporary artists. Through their award-winning documentary series, educational programs, and digital resources, Art21 brings audiences closer to today's leading artists and their processes. Learn more at art21.org. Free Resource for Artists! Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here: Download Now Links: theartcareer.com Art21 – Art21 Follow us: @theartcareer Host: @emilymcelwreath_art Production + Creative Direction @soniaruscoe Editing: @benjamin.galloway Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at theartcareer.com Never miss an episode! Subscribe & leave us a review on Apple Podcasts & Spotify
It is time for the November mailbag, and Amanda Heyn is back with Tim to answer listener questions and offer advice. They begin with some recommendations for art-related streaming shows, then move on to a conversation on how we keep multiple classes aligned on the curriculum schedule. Finally, they tackle the debate on whether we should be taking of points when students turn in their work past the due date. And stick around for some of Amanda's unhinged food takes during This or That: Thanksgiving Foods Edition. Resources and Links Find and Join the Art of Ed Community Between the Folds documentary See the Art21 website Made You Look on Netflix And the corresponding Made You Look podcast Get The Picture by Bianca Bosker What to Do When You've Only Got a Pencil and Paper Resources from AOEU on One-Day Lessons Resources from AOEU on Parent-Teacher Conferences
Amanda Carol Show NotesIn this episode of The Artist Stoop, host Jillian Zepeda interviews Amanda Carroll, an inspiring artist and designer who transitioned from a successful career in interior design to painting during the pandemic. Amanda shares her unique approach to art, which involves using vintage frames as a starting point for her paintings. The conversation delves into her creative process, the impact of COVID-19 on her artistic journey, and the importance of play and emotional connection in her work. Amanda also discusses the challenges of navigating the art business, overcoming criticism, and protecting her artistic integrity.Website: https://amandacarolcollection.com/Instagram: https://www.instagram.com/amandacarolofficial/Chapters00:00 Introduction to Amanda Carroll03:05 The Journey from Interior Design to Art06:02 The Unique Process of Using Vintage Frames08:58 The Impact of COVID-19 on Creativity12:01 Rediscovering Passion Through Painting15:02 Navigating the Art World and Business17:49 The Role of Color and Emotion in Art21:09 Overcoming Criticism and Self-Doubt24:07 The Importance of Play in Creativity27:03 Protecting Artistic Integrity29:56 Final Thoughts and Where to Find Amanda's Work Get full access to The Artist Stoop at jillianzepedaguzman.substack.com/subscribe
This conversation between Shana Moulton and e-flux Film curator Lukas Brašiškis was recorded live at e-flux following a screening on Thursday, April 4, 2024. Weaving feminist undertones with surrealist imagery and sound, Shana Moulton's work explores the nuances of the contemporary psyche. Her Whispering Pines series, in particular, delves into the intricacies of self-help culture, the quest for spiritual meaning, and the often comedic absurdity of personal wellness rituals. In her performances, videos, and installations, Moulton, through the experiences of her alter ego, Cynthia, writes a narrative that is both personal and universally resonant, probing the boundaries between the mundane and the mystical in the time of global digital capitalism. The screening featured a selection of Shana Moulton's works: Whispering Pines Zero (2002, 6 minutes, a collaboration with Jacob Ciocci), Whispering Pines 1 (2002, 2 minutes), Whispering Pines 2 (2003, 4 minutes), Whispering Pines 5 (2005, 6 minutes), Repetitive Stress Injuries (2008, 12 minutes), The Galactic Pot Healer (2010, 8 minutes), Every Angle is an Angel (2016, 6 minutes), and the film-opera Whispering Pines 10 (2018, 35 minutes, a collaboration with Nick Hallett). Moulton has had solo exhibitions at international institutions including Palais De Tokyo in Paris, Yerba Buena Center for the Arts in San Francisco, Kunsthaus Glarus in Switzerland, the Museum of Fine Arts in St. Petersburg, and the Museum of Modern Art in New York. Her work has been featured in Artforum, the New York Times, Art in America, Flash Art, BOMB, and Frieze, among others. Her work has been featured on Art21 and her single-channel videos are distributed by Electronic Arts Intermix. An edited version of this conversation was published on e-flux Film Notes. Film Notes, launched in June, features conversations with artists and filmmakers, scripts, and experimental writing on the moving image.
What happens when an artist's "unit" of work is rooted in "trouble"? Join us as we explore this fascinating concept through the insights of Amy Sillman, uncovered in an enlightening Art21 episode. We dive into the gripping narrative of how tension and contradiction can be both a hurdle and a muse, shaping the creative grammar that artists use to articulate their vision. By reflecting on Sillman's methodology and the wisdom of experienced artists, we uncover the power of understanding and defining our own unique artistic foundations.Have you ever thought about the intimate relationship between an artist and their materials? Our journey continues as we traverse the dynamic landscape of artistic mediums, from the smell of fresh paint to the thrill of finding the perfect object in a thrift store. We emphasize the importance of experimentation, pushing boundaries, and feeling the materials in your hands. Like relationships tested through trials and imperfections, the artist's connection to their mediums evolves, leading to unexpected innovations and a renewed passion for creation.Can embracing imperfections in your work actually propel you forward? We wrap up by reflecting on the significance of documentation and the evolution of one's artistic journey. Drawing inspiration from unconventional tools and the stories of transforming unsold pieces, we highlight the beauty of unpredictable art-making. By documenting progress and embracing both control and spontaneity, artists can continuously improve and grow. Balancing moments of struggle with bursts of inspiration, we stress the need to stay energized and committed, always pushing the boundaries of our creative potential.Watch the Art21 video here: Amy Sillman Art 21Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
Exploring Birmingham's Art and ArchitectureIn Episode 153 of the podcast, Jamie and Kurt discuss various topics, including their experiences with live streaming and podcasting upgrades. They touch on Jamie's brother's music production and their plans for the AIA National Conference. The duo also reminisce about past events like the Pachacucha presentation at the Texas Society of Architects conference. The episode delves into two of Jamie's sketches from a recent trip to Birmingham, Alabama: one capturing a Rodin sculpture and the other a historic building. They explore the historical and architectural significance of Birmingham and the importance of capturing these stories in sketches. The conversation weaves through topics of architecture, art, and personal anecdotes, leading up to the announcement of a special guest for the next episode.00:00 Kicking Off with Episode 153: Behind the Scenes and Music Vibes02:20 Tech Updates and AIA Conference Anticipation04:12 Coffee Talk: Tasting Notes and Artist Collaborations08:13 Sketching Out Future Plans and Podcast Dynamics13:08 Reflecting on Past Conferences and the Joy of Presenting13:32 The Pachacucha Experience: Big Screens and Bigger Memories16:02 From Texas-Sized Screens to Michigan Talks: A Contrast in Experiences16:25 The Allure of Texas-Sized Everything: From Screens to Toast17:03 Diving into Cuisine: From Texas Toast to Whataburger18:42 Sketching Through the Lens of Travel and Art21:15 Exploring Birmingham: Architecture, History, and Rodin Sculptures27:48 The Significance of Sketching and Urban Exploration35:12 Concluding Thoughts and Looking Forward to the Next Episode Support the Show.Buy some Coffee! Support the Show!https://ko-fi.com/coffeesketchpodcast/shop Our Links Follow Jamie on Instagram - https://www.instagram.com/falloutstudio/ Follow Kurt on Instagram - https://www.instagram.com/kurtneiswender/ Kurt's Practice - https://www.instagram.com/urbancolabarchitecture/ Coffee Sketch on Twitter - https://twitter.com/coffeesketch Jamie on Twitter - https://twitter.com/falloutstudio Kurt on Twitter - https://twitter.com/kurtneiswender
The 365 Days of Astronomy, the daily podcast of the International Year of Astronomy 2009
Nimbly combining the tools of art and science, SETI Institute Artist in Residence Xin Liu expresses what it means to be human through a diverse body of work that includes frost-coated sculptures, a bubbling fountain of crude oil, and a performance in outer space. In a new body of sculptures exhibited at Pioneer Works in New York City, the artist considers her fears around having her eggs frozen, creating warped, skeletal, frost-covered sculptures that propose a human body transformed through a cryogenic process. Through art, Liu centers the human experience in the face of technologies and developments motivated by efficiency, productivity, and optimization. Art21 is the world's leading source to learn directly from the artists of our time. A nonprofit organization, the mission of Art21 is to educate and expand access to contemporary art, producing documentary films, resources, and public programs. Learn more at http://Art21.org Join SETI Artist in Residence Program Director Bettina Forget as she chats with Emma Nordin from Art21, premieres Xin Liu's video, and then speaks with her about this latest show and its scientific concepts. We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs. Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too! Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations. Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.
Nimbly combining the tools of art and science, SETI Institute Artist in Residence Xin Liu expresses what it means to be human through a diverse body of work that includes frost-coated sculptures, a bubbling fountain of crude oil, and a performance in outer space. In a new body of sculptures exhibited at Pioneer Works in New York City, the artist considers her fears around having her eggs frozen, creating warped, skeletal, frost-covered sculptures that propose a human body transformed through a cryogenic process. Through art, Liu centers the human experience in the face of technologies and developments motivated by efficiency, productivity, and optimization. Art21 is the world's leading source to learn directly from the artists of our time. A nonprofit organization, the mission of Art21 is to educate and expand access to contemporary art, producing documentary films, resources, and public programs. Learn more at http://Art21.org. Join SETI Artist in Residence Program Director Bettina Forget as she chats with Emma Nordin from Art21, premieres Xin Liu's video, and then speaks with her about this latest show and its scientific concepts.
Superpowers School Podcast - Productivity Future Of Work, Motivation, Entrepreneurs, Agile, Creative
The Power of Creativity: Making Art That SellsToday's guest Carina Gardner, a successful designer and author shares her insights into the world of art, design and creativity. She highlights the undervalued state of art departments in universities and stresses the importance of combining artistic and business skills. She introduces her book 'Make Art that Sells', and outlines her formulated strategy for successful art-making which includes sales vehicles, volume, time and pivots or adjustments. Carina also mentions her successful ventures in the realm of digital design and her advocacy for manual, hand-drawn art over AI-created artwork. She provides advice for aspiring creatives, maintains that AI cannot match human creativity and urges for art to be made more humanizing. Claim your FREE masterclass by entering the code MAKEART at the following website: https://www.designsuitecourses.com/makeartthatsells00:00 Introduction: The Struggles of Art Students01:33 Carina's Background and Journey into Art02:20 The Importance of Art in Everyday Life04:36 The Inspiration Behind Carina's New Book04:57 The Challenges Faced by Art Students05:20 The Importance of Business Skills in Art06:57 The Make Art That Sells Formula09:01 Understanding Your Customers14:33 The Role of AI in Art21:00 The Future of Creativity in the Age of AI27:42 Conclusion: The Power of CreativityCarina Gardner (Craft Designer)Carina is a surface pattern and craft designer turned CEO, who teaches hobbyists to make money as designers. As a former university professor (Ph.D. from the University of Minnesota) and creative director of a scrapbooking company (Cartabella Paper Co.), her expertise led her to build a multimillion dollar brand in 2 years. She teaches quilters, makers, struggling designers, card makers, fine artists, mixed media artists, and Cricut/Silhouette crafters to create income with the hobbies they already invest time in. Carina is a fabric designer for Riley Blake Designer and a die cut designer for Silhouette and can speak as well on working with manufacturers and getting contracts. Her favorite topic, however, is on helping designers create steady income from selling their work digitally. Her program Design Suite grew to a multimillion dollar business in less than 3 years due to Carina emphasizing community building, listening to members needs, and building coursework/awards that members love. She loves creative entrepreneurship and helping designers make money.Carina's links: Website: https://carinagardnershop.myshopify.com/Youtube: https://www.youtube.com/@carinagardnerInstagram: https://www.instagram.com/carinagardner/TikTok: https://www.tiktok.com/@carinagardnerPodcast: https://makeanddesign.com/⚡️ In each episode, Paddy Dhanda deep dives into a new human Superpower to help you thrive in the age of AI.
This is Emma Uranga's Guest Mix for Draw The Line Radio Show, presented by Jacki-E, which was first transmitted on Echo Radio on Friday, 15th December 2023. Emma Uranga is a techno DJ from Paris. She's been passionate about electronic music since her teens with a fascination for hypnotic grooves and old school atmospheres and, as you can hear from her mix, her sound is where rhythm becomes a captivating and energising experience. Links for Emma Uranga:- Soundcloud:- https://soundcloud.com/emma-urg Instagram::- https://instagram.com/emmaurng Track list:- Emma Uranga - An exclusive guest mix for Draw The Line Radio Show. 1. Viels - Pursuit of Perversion (original mix) Edit Select. 2. Oxygeno – Convulsive (original mix) Illegal Alien Records. 3. Michel Lauriola - Deep Value (original mix) R3volution Records. 4. Developer - No Traitors (original mix) Modularz. 5. Eleck – Blackout (original mix) ART21. 6. The Scan – Unfolding (original mix) Blue Hour Music. 7. Benales – Unite (original mix) Construct Re-Form. 8. Thanos Hana - Het Hoog (original mix) Pleistocene Future. 9. Developer - Gypsy Theme (original mix) Modularz. 10. DJT -1000 – Metra (original mix) 11. Ricardo Garduno - Unexpected Answers (original mix) Dead Rose Records. 12. Adriana Lopez – Cavok (original mix) Translucent. 13. Oliver Rosemann – Drall (original mix) Konsequent. 14. Ecilo - Bajo Space Army (original mix) 15. Dave Wincent – Excitement (original mix) Form Music. 16. Cirkle – Deedo (original mix) Autonome Records. 17. Eleck – Blackout (original mix) ART21. 18. Ecilo - Internal Function (original mix) AsymetriK. 19. Mike Kings – Voodoo (original mix) Tanira Records. 20. Humate - Love Stimulation (original mix) MFS
This is Draw The Line Radio Show with Jacki-E, presenting the best music from female producers and DJs. Helping me Draw The Line this week, with her guest mix in the second hour, it's Emma Uranga, a techno DJ from Paris. She's been passionate about electronic music since her teens with a fascination for hypnotic grooves and old school atmospheres and, as you can hear from her mix, her sound is where rhythm becomes a captivating and energising experience. Links for Emma Uranga:- Soundcloud:- https://soundcloud.com/emma-urg Instagram::- https://instagram.com/emmaurng In my all female mix in the first hour I'm playing tracks by Charlotte de Witte, Sama' Abdulhadi, Ailen DC, Mila Chiral, Cinquedea & lots more. If you like the tracks we play, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production. Track list 1st hour mixed by Jacki-E:- 1. Sama' Abdulhadi – Reverie (original mix) CircoLoco. 2. Enomia – Escape From Reality (original mix) 3. Alien Izz – Alien Signals (original mix) Space Bunny Records. 4. Lady Caro'zart - To Move (original mix) Archon Records. 5. Calvin Harris, Ellie Goulding – Miracle (James Hype remix) Free Download https://soundcloud.com/jameshypethedj/calvin-harris-ellie-goulding-miracle-james-hype-vip 6. Sama' Abdulhadi, Walaa Sbait – Well Fee (original mix) Fabric Records. 7. Ailen DC – Alternate Universe (original mix) Redlof Records. 8. Maze DK – Haunted Dream House (original mix) Glanz & Elend. 9. Pitch! - Boiling Blood (Isabela Clerc remix) Dolma Records. 10. Lilly Palmer – My Fantasy (original mix_ Spannung Records. 11. Charlotte de Witte – High St. (Astrix remix) KNTXT. 12. Ida Bux – Exotic Detroit (original mix) Tooflez Muzik. 13. Ailen DC – Metatron (original mix) Redlof Records. 14. Alys LF – Seize (original mix) Children of Tomorrow. 15. Mila Chiral – Times Changing (original mix) Glanz & Elend. 16. Cinquedea – Come On Up (original mix) Keep On Techno Records. 17. Charlotte de Witte – High St. (Amazingblaze remix) KNTXT. 18. Marie Vaunt – Dark Room (original mix) Drumcode. 19. Bullzeye – Podrobotic (Simina Grigoriu remix) Movement Recordings. 20. CC Luna, MarAxe – Glitch (original mix) Støk Recordings. 2nd hour Emma Uranga - An exclusive guest mix for Draw The Line Radio Show. 1. Viels - Pursuit of Perversion (original mix) Edit Select. 2. Oxygeno – Convulsive (original mix) Illegal Alien Records. 3. Michel Lauriola - Deep Value (original mix) R3volution Records. 4. Developer - No Traitors (original mix) Modularz. 5. Eleck – Blackout (original mix) ART21. 6. The Scan – Unfolding (original mix) Blue Hour Music. 7. Benales – Unite (original mix) Construct Re-Form. 8. Thanos Hana - Het Hoog (original mix) Pleistocene Future. 9. Developer - Gypsy Theme (original mix) Modularz. 10. DJT -1000 – Metra (original mix) 11. Ricardo Garduno - Unexpected Answers (original mix) Dead Rose Records. 12. Adriana Lopez – Cavok (original mix) Translucent. 13. Oliver Rosemann – Drall (original mix) Konsequent. 14. Ecilo - Bajo Space Army (original mix) 15. Dave Wincent – Excitement (original mix) Form Music. 16. Cirkle – Deedo (original mix) Autonome Records. 17. Eleck – Blackout (original mix) ART21. 18. Ecilo - Internal Function (original mix) AsymetriK. 19. Mike Kings – Voodoo (original mix) Tanira Records. 20. Humate - Love Stimulation (original mix) MFS
Iki lapkričio 6 d. Žemės ūkio ministerija kviečia teikti pasiūlymus, formuojant Lietuvos poziciją dėl Dirvožemio stebėsenos ir atsparumo direktyvos. Kaip sako ŽŪM ministro patarėja Kristina Simonaitytė, svarbu, kad direktyvoje būtų išsikelti ambicingi tikslai, bet, tuo pačiu, kad jie būtų įgyvendinami ūkininkams. Lietuvos agrarinių miškų ir mokslų centro mokslininkas Gediminas Staugaitis teigia, kad, formuojant direktyvą, yra svarbu atlikti dirvožemio tyrimai, tačiau jų vis dar stinga. Šia tema taip pat diskutuos Šakių r. ūkininkas Augustas Masevičius, VDU ŽŪA mokslininkas Vaclovas Bogužas ir agromaisto inovacijų dirbtuvių „ART21“ savininkas Augustas Alešiūnas.Rubrikoje „Verta žinoti“ išgirsite apie Tado Ivanausko sodybą „Obelynė“ Kauno rajone. Sužinosite, kodėl šis sodas yra unikalus iš visų 25 ištyrinėtų paveldo sodų Lietuvoje bei kokia obelis šį sezoną dosniausia derliumi. Papasakos Kauno rajono muziejaus direktorius Zigmas Kalesinskas.
A conversation with Tina Kukielski, the Susan Sollins Executive Director and Chief Curator for Art21. Art21 is a leader in art-focused content that includes television series, films, publications, digital programs and a wide variety of educational resources. Most famously, Art21 is responsible for the production of the Peabody Award-winning PBS-broadcast television series “Art in the Twenty-First Century”. The conversation includes the history of the organization, the goals of their programming, the challenges they face and the upcoming 11th season of “Art in the Twenty-First Century” which debuts April 7 at 10pm ET on all PBS outlets.https://art21.org/https://www.instagram.com/art21/
In this episode of the Artist Business Plan we sit down with Kelly Olshan, to discuss the art service organizations and partnerships. Learn about the way NYFA provides resources to artists when you tune into this lovely episode.Guest: Kelly Olshan is an arts manager and visual artist passionate about providing fiscal and professional development resources for creative practitioners. At NYFA, she manages a host of programs for artists of all disciplines, including NYFA Coaching and Doctor's Hours, as well as co-facilitates the Artist as Entrepreneur Program. She graduated Valedictorian from UNC Asheville, where she holds a BFA in Painting, and earned an MA in Arts Administration from Columbia University. Her research on professional development programs for artists has been published in the Journal of Arts Management, Law, and Society. Prior to joining NYFA, she served as the Program Manager for Queens Council on the Arts, where she oversaw the organization's artist commissioning, portfolio and professional development programs, as well as authored the book How You Can Commission Art. Previously, she has held roles at Americans for the Arts, Art21, Artforum, and Creative Capital. In 2019, she participated in NYFA Learning's own Emerging Leaders program. She currently serves on the Advisory Committee of the DOT Public Art program and as a frequent panelist for NYC's Percent for Art Program. As a practicing visual artist, her sculptural oil paintings invite the viewer to navigate towards an unattainable space, and have been exhibited nationally.www.kellyolshan.comFor more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit www.superfine.world IG: @superfineartfairIG: @kellyolshanfineartIf you want to submit a listener question you can email it to joshua@superfine.world for a chance of it being answered by Alex, James, and our guest!Hosted and Executive Produced by James Miille and Alexander MitowExecutive Producer/Producer : Joshua GuicheritWritten by: Joshua Guicherit, Alexander Mitow, and James MiilleAudio Edited by: Esteban del Sol
The latest Run it Red from July is now available to check! Full tracklist below (support the artists!), and don't forget to check the archive, 90+ shows of upfront Techno and beyond! If you're enjoying the show, and have the means, drop a donation to some worthy charities in the link below. Stay Safe, Sims x Charity Link: biglink.to/Charities Subscribe: >>> fanlink.to/runitred Send your music >>> promos@djbensims.com Spotify Playlist: bit.ly/RUNITREDSPOTIFY BEN SIMS pres RUN IT RED 91. July 2022 1. Oisel - SLK2. EVOD 2. Fadi Mohem - Locked Groove 13. Spandau20 3. Samuel L Session & Van Czar - Motion. Hardgroove 4. Mark Broom - Revival. Rekids 5. Vinicius Honorio - Leap of Faith. Liberta 6. George Cross - WTF. UKR 7. Talismann - Manoeuvre. Talismann 8. Pushmann - Felleus. Hardgroove 9. Samuel L Session & Van Czar - Butterfly. Hardgroove 10. DJ Bruce Lee - Stop Skreamin. Unreleased 11. Uncertain - Affection. Kneaded Pains 12. FJAAK - Locked Groove 19 . Spandau20 13. Marco Lenzi - Taboo (Jeroen Search). Molecular 14. Yant - Red Eye Jedi. Hardgroove 15. Kr!z - Havoc. SK Eleven 16. Harvey McKay - Bump. Kneaded Pains 17. Uncertain - Hustle. EI8HT 18. Gimenö - Old Trib. Tutu 19. Claus Schoening - Locked Groove 07. Spandau20 20. Kr!z - Decoy. SK Eleven 21. Vil & Cravo - Sonica. Be As One 22. FLAWS - 4000 bc. ANAOH 23. Rene Wise - Shaman Whistle. Blueprint 24. Yant - Looking For Light. Hardgroove 25. Mark Broom - HF2. Rekids 26. Dani Vegas (ARG) - Examinando. Primitive State 27. Pushmann - 2000´s Era. Unreleased 28. Thanos Hana - Ringer 1. TH Tar Hallow 29. Benales - Dissect. Ket Robinson 30. Jeroen Search & Flaws - Coherent Thoughts. Illegal Alien 31. Alexander Johansson & Mattias Fridell - Kulminationen. Symbolism 32. Kr!z - No Return. SK Eleven 33. Pushmann - The Deal (Gene Richards Jr Mix). End of Dayz 34. ANNĒ - Sunbeam. Hardgroove 35. Talismann - Tanan. Talismann 36. Yant - Gas Supply. Hardgroove 37. Juan Sanchez - Rapax. Newrhythmic 38. Zisko - Telepathic Connection (Alarico Remix). Bipolar Disorder 39. Talismann - Yaw. Talismann 40. Dajusch - Locked Groove 11. Spandau20 41. ANNĒ - Selenic. Hardgroove 42. B. Riley - Thought Lost (Gabriella Vergilov Remix). CMND CTRL 43. Perc - Metamorphic. The Third Room 44. Rene Wise - Knock Motion. Blueprint 45. Fadi Mohem - Locked Groove 14. Spandau20 46. Dark Comedy - The Bar (MB Edit). Unreleased 47. Yant - Hot Water. Hardgroove 48. Kr!z - The Tunnel. SK Eleven 49. Talismann - Matam. Talismann 50. ANNĒ - Motif. Hardgroove 51. Marcelo Antonio - Chronicle V. Float 52. Danniie - Active Voice. Primitive State 53. Inox Traxx - Jungle. Unreleased 54. Alexander Johansson & Mattias Fridell - Vingla. Symbolism 55. Alexander Johansson & Mattias Fridell - Katalast. Lomsk 56. Romain Richard - Perséides. Subsist 57. Tensal - Psychic Radio . Khidi 58. Operator - Carbon Towers. Unreleased 59. Paula Cazenave - Sleep Paralysis. Symbolism 60. Nørbak & Jonas Kopp - Slower Than This One. Norbak 61. Paula Cazenave - Otto . Symbolism 62. Truncate - Basal 1. Truncate 63. Alexander Johansson & Mattias Fridell - Hopprep. Illegal Alien 64. Gonzalo MD - XX 7. Molecular 65. Lady Tazz - Submit to Me (Tensal Remix). Mind Medizin 66. Splinter (UA) - Pheromone Trail. Newrhythmic 67. VYN•1 - Guada Across the Aconcagua. ART21 68. Translate & Pulso - Relative 0.. EVOD 69. L.F.T. - Hypothetical Revenge. Bpitch 70. Ben Sims - Stone Cold. The Third Room 71. Christian Smith - Collateral Force. Symbolism
01 - SUPERPITCHER_Tell Me About It (0'00) (Kompakt / 2005) 02 - FELIX DA HOUSECAT_Happy Hour (Feat MISS KITTIN) (5'30) (Founders Of Filth / 2017) 03 - BLOT!_A Desire Of Suitors (10'30) (Seven Villas / 2022) 04 - GUI BORATTO_Take My Breath Away (14'40) (Kompakt / 2020) 05 - ATELIER FRANCESCO_All This Is For A Jump (19'20) (Cocoon Recordings / 2016) 06 - MAYA JANE COLES_Colours (26'50) (Dogmatik Records / 2009) 07 - JOCHEN KLING_And Feel (DJ EMERSON Remix) (30'30) (Faces / 2021) 08 - FORT ROMEAU_Sequence In D (36'40) (Cocoon Recordings / 2017) 09 - JAMES HOLDEN_A Break In The Clouds (40'50) (Border Community / 2003) 10 - SANDWELL DISTRICT_Falling The Same Way (47'40) (Sandwell District / 2011) 11 - CHAOTIK RAMSES_Crying 202 (53'20) (F-Comm / 2007) 12 - JON HOPKINS_Singularity (ANNA Remix) (58'30) (Domino / 2018) 13 - CAPRICORN_20 Hz (65'30) (R&S Records / 1997) 14 - GREEN VELVET_Destination Unknown (70'00) (Relief / 1999) 15 - ALEX UNDER_Tormenta De Cerebros (76'30) (Trapez / 2005) 16 - DIJUMA_Carrying The Weight (82'10) (Entourage Concept / 2022) 17 - VIELS_Contra Fidem (86'00) (Edit Select / 2022) 18 - DORIAN GRAY_Arcadia (92'00) (Art21 / 2022) 19 - EMMANUEL TOP_Acid Phase (97'00) (Attack Records / 1994) 20 - JOHANNES HEIL_The World (101'00) (Data / 2004)
Kate Clark is a sculptor who lives in Brooklyn, NY. Her first solo exhibit was at Claire Oliver Gallery in New York in 2008. Since then she has exhibited in museum shows at the Aldrich Museum, Islip Art Museum, Bellevue Arts Museum, MobileMuseum, MOFA: Florida State, Cranbrook Art Museum, Frist Center for the Visual Arts, Winnepeg Art Gallery, GlenbowMuseum, Musée de la Halle Saint Pierre, Cleveland State University, Hudson Valley Center for Contemporary Art, Nevada Museum of Art, Brown University, Newcomb Museum, Hilliard Museum, Bemis Center, Biggs Museum, Royal Melbourne Institute of Technology and the J. Paul Getty Museum. Kate's work is collected internationally and she has collaborated with Claudia Rankine for Claudia's book Citizen, and Kanye West and Desiigner for the video Panda. Kate attended Cornell University and Cranbrook Academy of Art, and received fellowships and grants from the Jentel Artists Residency, The Fine Arts Work Center, Marie Walsh Sharpe, The Virginia Groot Foundation and NYFA. Clark's sculptures have been featured in the NYTs, New York Magazine, Art21, Village Voice, PAPERmag, The Atlantic, NYArts, BBC, Time Out, ID Paris, Cool Hunting, Wallpaper, Huffington Post, and the WSJ. National Geographic did a documentary on Kate's work in 2015.
When we say "I don't have a medium I'm good at" what are we really saying? In this episode I'll talk about common blocks around technical mastery and getting started. The good news: you DO have a medium ... you just haven't discovered your technique yet. +++ Sign up for our Artist Speed Dating event! Sunday October 10th, 12-1pm Central. The artist I mention in this episode is El Anatsui. Here's an Art21 episode about his work. --- Support this podcast: https://anchor.fm/amightypractice/support
Per chi fa informazione, domandare è lecito e doveroso.
Per chi fa informazione, domandare è lecito e doveroso.
So sehen Vorreiter aus: Schon seit zwanzig Jahren zeigt die amerikanische Plattform art21.org filmische Porträts, in denen sich zeitgenössische Künstlerinnen und Künstler vorstellen. Die großen Namen, aber auch Neulinge der Szene. Ob in drei oder fünfzig Minuten: Die Videos bringen dem Publikum die Künstlerpersönlichkeiten und ihre Werke ganz nah. So kann man sich Kunst aus der Welt nach Hause holen.
The medium video art gives artists the freedom to create works outside the gallery or museum space, opening avenues to record, document their performances and to be own producers and distributors. For female artists, incorporating video art into their performance works becomes a means of self-expression and the exploration of female imagery. .Resources for this episode include Jillian Mayer website, Martha Rosler website, PBS Art Assignment, Art21, Tate Museum, Museum of Modern Art, Miami New Times writer Hans Morgenstern, writer Emily Dinsdale. .Video Excerpts foudn on Youtube include: Jillian Mayer, "I Am Your Grandma," (2011)Bill Viola, "The Raft," (2004)MOMA has video excerpts for Joan Jonas "Vertical Roll," 1972 and Martha Rosler, "Semiotics of the Kitchen," 1975 You can also see images/videos discussed at my website: beyondthepaint.net
The medium video art gives artists the freedom to create works outside the gallery or museum space, opening avenues to record, document their performances and to be own producers and distributors. For female artists, incorporating video art into their performance works becomes a means of self-expression and the exploration of female imagery. .Resources for this episode include Jillian Mayer website, Martha Rosler website, PBS Art Assignment, Art21, Tate Museum, Museum of Modern Art, Miami New Times writer Hans Morgenstern, writer Emily Dinsdale. .Video Excerpts foudn on Youtube include: Jillian Mayer, "I Am Your Grandma," (2011)Bill Viola, "The Raft," (2004)MOMA has video excerpts for Joan Jonas "Vertical Roll," 1972 and Martha Rosler, "Semiotics of the Kitchen," 1975 You can also see images/videos discussed at my website: beyondthepaint.net
PavadinimasGimtoji žemė Pavadinimas (LRT.LT)Gimtoji žemė. Ar ateityje bus įmanoma ūkininkauti be skaitmenizacijos? Dalies pavadinimas R Laidos pavadinimasGimtoji žemė Įrašo versijos tipasLaidos įrašas Galima publikuoti Yra Mediatekoje Publikuoti podcast Rodyti tik Lietuvoje KanalasLRT RADIJAS W Transliacijos data10/9/2020 Transliacijos laikas06:07:00 Mediatekoje nuo Mediatekoje iki Transliacijos tipasLive Skiriama Sezonas Web trumpas aprašasLietuvoje kuriamas Europos skaitmeninių inovacijų centras. Rugsėjo pabaigoje susibūrusios net 8 organizacijos pasirašė sutartį ir įsteigė konsorciumą, kuris sutelks pajėgas įgyvendindamas iniciatyvą „Pramonės, žemės ūkio ir energetikos sektorių skaitmeninė transformacija Lietuvoje. Anot, agro ir maisto technologijų įmonės ART21 direktoriaus Augusto Alešiūno, šiuo metu šalyje yra tik apie 20 proc. skaitmenizuotų ūkių. Kokie sunkumai kyla ūkininkams einant skaitmenizacijos link ir kokia to nauda ateities perspektyvoje kalbėsimės su inovacijų centro vienais iš kūrėjų ir žemdirbiais.Ved. Rūta Katkevičienė
This episode, we speak to Tina Kukielski, the Executive Director and Chief Curator of Art21, one of the leading global producers of films and content about contemporary artists. Each month, more than 300,000 people from around the world tune in to Art21 to watch their Peabody Award Winning films with artists including Zanele Muholi, Theaster Gates, Luchita Hurtado, Jordan Casteel, and Pedro Reyes. In addition to leading Art21, Tina is also an active and widely respected curator. She was a co-curator of the acclaimed 2013 Carnegie International, bringing together 35 established and emerging artists from 19 different countries, including Sarah Lucas, Phyllida Barlow, Mark Leckey, and Nicole Eisenman. During her time at the Whitney Museum of American Art from 2002–2010, she worked to acquire and mount exhibitions by a wide range of celebrated contemporary artists. As lead curator on the Hillman Photography Initiative at the Carnegie Museum of Art, Kukielski launched a number of digital initiatives and films series. In 2014, Kukielski co-produced a documentary film about Andy Warhol in partnership with artist Cory Arcangel documenting a digital conservation project which brought renewed attention to nearly forgotten artworks that Warhol made on an Amiga personal computer in 1985. She is now working on the upcoming Front Triennial in Cleveland Ohio, which will open slightly delayed in 2022. The Triennial's title, Oh, Gods of Dust and Rainbows, is derived from a Langston Hughes poem. Some artists covered in this episode: Pedro Reyes Song Dong and Yin Xiuzhen Xu Bing Phyllida Barlow Postcommodity
Run it Red 69 time. Before you check the show, if you’re feeling anything I’m doing at the moment then please check out the link to charities on all my pages and consider donating to some good causes in return. Also, Run it Red’s home, NTS, is currently launching a subscription service to help them do their thing without being reliant on external funding - head to the NTS site to check for more details and support their excellent work if you can. Charity Link: biglink.to/Charities Subscribe: >>> fanlink.to/runitred Send your music >>> promos@djbensims.com Spotify Playlist: bit.ly/RUNITREDSPOTIFY Next show >>> Midnight (UK Time) 9th/10th October www.nts.live 1. 30Drop - Brain Reset. Koryu Budo 2. Sigha - Relief. ANGLS 3. Hertz Collision - Sphere. Truncate 4. Lisa Oakes - Expansion. TechnoVinyls 5. Industrialyzer - Snake Whisperer. Groove Matters 6. Red Rooms - Floating. Corpus Black 7. Pfirter - Time Loop . Mord 8. Electric Rescue - Einoeino (TWR72 Remix). Arkham Audio 9. Translate and Pulso - Adapting Sequence. Inguma 10. Alexander Johansson & Mattias Fridell - Heter Inget. N&N 11. A Thousand Details - Forzgar. ATD 12. Divide - Ritardo (Nørbak Remix). Hayes 13. Temudo and CRAVO - ESAD 07. Hayes 14. James Ruskin - The Lake. Tsunami 15. Kernel Existence - Octone (WHT MOTH Remix). Konsequent 16. Lester Fitzpatrick & DJ Stretch - E Beat. UKR 17. Divide - Processo (Pfirter Remix). Hayes 18. Deep Dimension - Lack of Control. Planet Rhythm 19. Fergus Sweetland - The Virus Desire. Hayes 20. Amotik - Chauwan. Amotik 21. Neznan - Trans Formacije. EVOD 22. Mike Storm - Into A Human Mind. Warm Up 23. Linear System - Space Exploration Part.8. Edit Select 24. Translate - Hayes. Hayes 25. Translate and Pulso - Diagonal Circuit. Inguma 26. Pfirter - Control. ANGLS 27. Antonio De Angelis - Forte 4 . KSR 28. Louk - Brake Fluid (Paul Mac 6am Version). Syntax 29. Nørbak - She Screams. Hayes 30. Romain Richard - Eternal Life. West Rules 31. Mike Storm - Constant Battle. Warm Up 32. Antony Doria - Untitled. Unreleased 33. Franz Jäger - Processed Hammer. Hayes 34. Tetelepta - My Way. Eshu 35. FU-5 - Zel. Newrhythmic 36. Filip Xavi - Macrodosing. Art21 37. Oruam Zior - Narrow Gear. Mind Burn 38. Pfirter - Void. Mord 39. Steve Parker - Resonate. Planet Rhythm 40. James Bong - Surgeon. Hayes 41. 30Drop - Go-Dama. Axis Dgital 42. DORHG - Coalescence (Sarf Remix). ATROC 43. Seleccion Natural - SQMD3. Pole Group 44. Sleeparchive - Stuffed Birds. Sigma5 45. 4NYØN3 - Decomposed (Unkle Fon Remx). Newrhythmic 46. Yan Cook - Displaced. Planet Rhythm 47. Hemka - Come To capture. Symbolism 48. Dornen - Plastic Surgery. Unknown 49. Salbany - Below The Sea. Corpus Black 50. Pushmann & Tegar - That Funk Alliance 2. Unreleased 51. Linear Search - Cerebrum. Eternal Friction 52. VYN·1 - Saqra. Primitive State 53. Nkx & Hannah Addams - Pandemonium (Ricardo Garduno Remix). Casanova Bar 54. A Thousand Details - Disprakt. ATD 55. Yanamaste - Modulation. INNSIGN 56. Cari Lekebusch -Sticky Fingers. Lehmann 57. Metrocat - Observe Don't Absorb. Taro 58. James Vernon - I'm Leaving The House. Uzmire 59. Dany Rodriguez - Hypnotica Hunter (James Ruskin Remix). RMR
Sculptor, Site-Specific Installation and Multidisciplinary Artist, Designer, Architect, Engineer, Educator and Provocateur - Abigail De Ville - calls in to The Junk and Jam Hour to catch up with Host and fellow High School of Art and Design Alumnus - Christopher Albert - to largely discuss her journey to becoming an artist who unabashedly manufactures, emotive pieces of three-dimensional work, rooted in the stirring themes of the history of racist violence, gentrification, and lost regional history. Her provocative, site-specific installations are purposefully sourced from objects and materials found from the streets of the surrounding areas of her exhibition sites - with the aim to highlight the stories behind such found objects, and the interconnections between our shared, messy histories. On topic is the inspiration she gained from her late grandmother, who inadvertently instilled in her a deep appreciation/curiosity for the stories aligned with cast aside items; our everyday fascination with the accumulation of stuff; and the irony of her work - bringing outside debris into pristine, sanitary galleries, hopefully planting the seeds of more divergent, compassionate thoughts in otherwise unaffected art-goers. She also talks about the processes, challenges and successes of some of her most notable, renowned work, - including Harlem River Blues, No Space Hidden (Shelter), and New Migration - an installation centered on the theme of the Great Migration of African Americans who fled north during the Jim Crow era, attracting some controversial attention. Despite the seeming weight of these subjects - this informative interview is terrifically fun! For more info, visit www.Art21.org/Artist/Abigail-Deville/ Originally aired live on Radio Free Brooklyn, www.RadioFreeBrooklyn.org Also visit www.JunkandJam.com Background Music by www.FreeBeats.io
Alexandra N Sherman talks about the importance of getting out there, finding your working rhythm, and the exquisite balance of that line between ugliness & beauty, as well as pain & delight. Alexandra explores the landscape of the mind in her art through watercolor, installations, and collage. She seeks to give the viewer an intimate experience through small-scale, evocative watercolors and collages that explore the human existence, our sense of connection, and the responsibility we have to ourselves, others, and the environment. She has been a curator as well as worked in several frame ateliers learning conservation framing techniques and the French paper art of cartonnage. Earning her BA in Philosophy of Religion from Elon University, she continued her studies at the Corcoran College of Art. Alexandra received her MFA in drawing and painting from the University of Wisconsin, Madison, has held artist residencies in Washington, DC and Buenos Aires, Argentina and has taught experimental and experiential watercolor and collage classes. Alexandra’s work has been exhibited in galleries and museums, and can be found in private collections and institutions. Favorite Artist: Kara Walker. Find out more about this artist on Art21.org She can be found on Instagram @alexandransherman, Facebook @AlexandraNSherman and her website at www.ansherman.com
Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Caroline Woolard. [Live show recorded: April 22, 2020.] CAROLINE WOOLARD employs sculpture, immersive installation, and online networks to imagine and enact systems of collaboration and mutual aid. Her work has been commissioned by and exhibited in major national and international museums, including MoMA, the Whitney Museum, and Creative Time. Recent scholarly writing on her work has been published in The Brooklyn Rail (2018); Artforum (2016); Art in America (2016); The New York Times (2016); and South Atlantic Quarterly (2015). Woolard’s work has been featured twice on New York Close Up (2014, 2016), a digital film series produced by Art21 and broadcast on PBS. She is the 2018–20 inaugural Walentas Fellow at Moore College of Art and Design and the inaugural 2019–20 Artist in Residence for INDEX, a new initiative at the Rose Museum. Woolard co-founded barter networks BFAMFAPhD.com (http://bfamfaphd.com/) (since 2014), and the NYC Real Estate Investment Cooperative (since 2016). Recent commissions include The Meeting, with a rolling premiere at The New School, Brandeis University, The School of the Art Institute of Chicago, and Moore College of Art and Design, Philadelphia, PA (2019); WOUND, Cooper Union, New York, NY (2016); and Capitoline Wolves, Cornell University, Ithaca, NY (2016), and Exchange Café, MoMA, New York, NY (2014). She is the recipient of a number of awards and fellowships including at Moore College of Art and Design (2019), Pilchuck (2018), the Lower Manhattan Cultural Council (2016), the Queens Museum (2014), Eyebeam (2013), Rockefeller Cultural Innovation Fund (2010), Watermill (2011), and the MacDowell Colony (2009). Caroline Woolard is Assistant Professor at the University of Hartford, and the Nomad/9 Interdisciplinary MFA program. Making and Being, her book about interdisciplinary collaboration, co-authored with Susan Jahoda, was published in the fall of 2019.
January 19 – March 10, 2016Kathleen O. Ellis GalleryGallery Talk: Wednesday, January 27, 6pmReception: Wednesday, January 27, 5-7pmLight Work is pleased to present Mass and Obstruction, a solo exhibition of work by artist Mary Mattingly.Mary Mattingly creates photographs, sculpture, video and large-scale public art projects ostensibly about climate change but revealing deeper focus on survival and endurance in the face of ecological degradation and violence. Describing photography as the universal language of storytelling, Mattingly blurs the line between fact and fiction, present and future. Using her camera both to document and fictionalize over thirteen years of her environmental art and activism, she creates images by digitally collaging together multiple locations. These fictional, non-specific locations often look strangely futuristic and allow for a conversation about the earth and our impact on it. For Mattingly the “location” is the world’s ecosystem. She looks at the big picture and forces us as viewers to confront our own culpability and the ethics of our choices, a fundamentally important pre-requisite for personal or political change. For the exhibition Mass and Obstruction, the artist presents images and objects that emerge from an unflinching scrutiny of her own consumption and life style as an artist.lg.ht/MaryMattingly—In conjunction with her exhibition at Light Work, Mary Mattingly will be presenting Human and Object, a selection of video works at Urban Video Project (UVP) at the Everson Museum of Art. The exhibition will be on view January 20-30, from dusk-11pm.urbanvideoproject.com—Mary Mattingly is an artist based in New York. Her work has been exhibited at the Brooklyn Museum of Art, The Kitchen, Museo National de Belles Artes de la Habana, International Center of Photography, The Seoul Art Center, The Bronx Museum of the Arts, The New York Public Library, deCordova Museum and Sculpture Park, and The Palais de Tokyo. She participated in smARTpower, an initiative between the U.S. Department of State and the Bronx Museum of the Arts in the Philippines. She has been awarded grants and fellowships from the James L. Knight Foundation, A Blade of Grass, Eyebeam Center for Art and Technology, Yale University School of Art, The Harpo Foundation, NYFA, The Jerome Foundation, and The Art Matters Foundation. Her work has been featured in Aperture Magazine, Art in America, Artforum, Sculpture Magazine, The New York Times, New York Magazine, Le Monde Magazine, The New Yorker, The Wall Street Journal, on BBC News, MSNBC, Fox News, NPR, NBC, as well as on Art21’s “New York Close Up” series. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled Nature, edited by Jeffrey Kastner, Triple Canopy’s Speculations, the Future Is… published by Artbook, and Henry Sayer’s A World of Art, 8th edition, published by Pearson Education Inc. Mattingly participated in Light Work’s Artist-in-Residence program in November 2014.marymattingly.com—Special thanks to Marcia Dupratmarciaduprat.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgMusic: Blue Dot SessionsMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.
Twentieth-century, American, feminist artist fearlessly breaks with artistic traditions of the female figure, compellingly experiments the narrative of women's lives, their pain, both visible and invisible in installations and formats outside of the flat, framed rectangle or square hooked on the wall.View all the images discussed on my website www.beyondthepaint.net. References used for this episode include Worcester Art Museum, Art21 (www.art21.org) and Bomb Magazine.
Twentieth-century, American, feminist artist fearlessly breaks with artistic traditions of the female figure, compellingly experiments the narrative of women's lives, their pain, both visible and invisible in installations and formats outside of the flat, framed rectangle or square hooked on the wall.View all the images discussed on my website www.beyondthepaint.net. References used for this episode include Worcester Art Museum, Art21 (www.art21.org) and Bomb Magazine.
Mary Mattingly is a visual artist. She founded Swale, an edible landscape on a barge in New York City to circumvent public land laws. Swale helped co-create the "foodway" in Concrete Plant Park, the Bronx in 2017. The "foodway" is the first time New York City Parks is allowing people to publicly forage in over 100 years. Mattingly recently completed a sculpture “Pull” with the International Havana Biennial with the Museo Nacional de Bellas Artes de la Habana and the Bronx Museum of the Arts. In 2018 she worked with BRIC Arts to build "What Happens After" which involved dismantling a military vehicle and deconstructing its mineral supply chain. Mattingly is currently artist in residence at the Brooklyn Public Library and is working towards an Ecotopian Library, a learning center for art and creativity in the face of climate change. Her work has also been exhibited at Storm King, the International Center of Photography, the Brooklyn Museum, and the Palais de Tokyo. Her work has been featured in Aperture Magazine, Art in America, Artforum, Sculpture Magazine, The New York Times, New York Magazine, Le Monde Magazine, New Yorker, and on BBC News, NPR, on Art21. Her work has been included in books such as MIT Press Documents of Contemporary Art series titled “Nature”, and Henry Sayre’s A World of Art, published by Pearson Education Inc. Along the Lines of Displacement, Storm King, 2018 Swale, Concrete Plant Park, Bronx, 2017
This is a recording of the panel conversation from Textile Society of America’s New Professionals Convening: Envisioning Textiles Futures, held on July 27, 2019 at the Fabric Workshop and Museum in Philadelphia. Panelists include Joy Davis, Regan de Loggans, Lynnette Miranda and Karen Hampton. The panel was moderated and organized by Caroline Hayes Charuk. Program Description: At the Fabric Workshop and Museum in Philadelphia, TSA presented a panel discussion devoted to envisioning a field that approaches cultural production with justice and equity, and to examine the ways that structures within museums, universities, and informal spaces can support or hinder movement towards a vibrant future in line with these goals. Panelists: Karen Hampton has shown her woven and stitched narrative artwork nationally since 1994 and has been teaching college since 2008. Her specialties are surface design, embroidery, weaving and courses that address Art and the African Diaspora. Karen is currently an Assistant Professor of Fiber at MassArt, and a board member of the Textile Society of America. Pronouns: she/her Regan de Loggans (Mississippi Choctaw/ Ki’Che’ Maya) is an art historian, curator, and educator based in Brooklyn on Lenape land. Their work relates to decolonizing, indigenizing, and queering institutions and curatorial practices. They are also one of the founders of the Indigenous Womxn’s Collective: NYC. Pronouns: they/themme Lynnette Miranda’s ongoing research focuses on the social and cultural impact of contemporary art and media, critically examining social practice, contemporary craft, performance, new media and video work. She is passionate about centering artists and practitioners of color, not only through representation, but through building support systems and redistributing resources. Lynnette is currently the Program Manager at United States Artists in Chicago. She has worked at leading arts institutions including Creative Time, ART21, and the Art Institute of Chicago. Pronouns: she/her Joy Davis is an independent scholar of fashion and cultural studies. She has B.A.s in History and Media Theory from University of Maryland Baltimore County (UMBC). She is a pending Masters candidate at FIT’s Fashion Studies program. In 2016 she joined Unravel Podcast as a host and producer. In 2018 she launched her own contemporary gallery in Baltimore, MD that has a majority focus on artists of color. She writes about subject matter that is underdeveloped in academia and with the public. Her work transcends many fields of study which includes: fashion, history, art, media, and performance among people of color through history. Her current research focuses on fashion and race analysis in Spanish colonial paintings. www.wallergallery.com www.unravelpodcast.com Moderator: Caroline Hayes Charuk approaches sculpture, printmaking and video from a background in textiles, ceramics, and hobbyist craft materials. She is a former member of CTRL+SHFT Collective in Oakland, CA, a studio and exhibition space focused on supporting women, nonbinary and trans-spectrum artists. She has taught workshops at the Berkeley Arts Museum, the De Young Museum, Richmond Art Center, and numerous other community arts organizations. She is currently the General Manager of the Textile Society of America. Pronouns: she/her
Joy and Jasmine discuss their summers, self care as fashion scholars and Joy's experience on the TSA panel "New Professionals ConVening: Envisioning Textiles Futures." Image: textilesocietyofamerica.org For more information about the panel and the TSA: https://textilesocietyofamerica.org/community/event-list/#!event/2019/7/27/tsa-new-professionals-convening-envisioning-textiles-futures Panelists: Karen Hampton has shown her woven and stitched narrative artwork nationally since 1994 and has been teaching college since 2008. Her specialties are surface design, embroidery, weaving and courses that address Art and the African Diaspora. Karen is currently an Assistant Professor of Fiber at MassArt, and a board member of the Textile Society of America. Pronouns: she/her Regan de Loggans (Mississippi Choctaw/ Ki'Che' Maya) is an art historian, curator, and educator based in Brooklyn on Lenape land. Their work relates to decolonizing, indigenizing, and queering institutions and curatorial practices. They are also one of the founders of the Indigenous Womxn's Collective: NYC. Pronouns: they/themme Lynnette Miranda’s ongoing research focuses on the social and cultural impact of contemporary art and media, critically examining social practice, contemporary craft, performance, new media and video work. She is passionate about centering artists and practitioners of color, not only through representation, but through building support systems and redistributing resources. Lynnette is currently the Program Manager at United States Artists in Chicago. She has worked at leading arts institutions including Creative Time, ART21, and the Art Institute of Chicago. Pronouns: she/her Joy Davis is an independent scholar of fashion and cultural studies. She has B.A.s in History and Media Theory from University of Maryland Baltimore County (UMBC). She is a pending Masters candidate at FIT's Fashion Studies program. In 2016 she joined Unravel Podcast as a host and producer. In 2018 she launched her own contemporary gallery in Baltimore, MD that has a majority focus on artists of color. She writes about subject matter that is underdeveloped in academia and with the public. Her work transcends many fields of study which includes: fashion, history, art, media, and performance among people of color through history. Her current research focuses on fashion and race analysis in Spanish colonial paintings. www.wallergallery.com www.unravelpodcast.com Moderator: Caroline Hayes Charuk approaches sculpture, printmaking and video from a background in textiles, ceramics, and hobbyist craft materials. She is a former member of CTRL+SHFT Collective in Oakland, CA, a studio and exhibition space focused on supporting women, nonbinary and trans-spectrum artists. She has taught workshops at the Berkeley Arts Museum, the De Young Museum, Richmond Art Center, and numerous other community arts organizations. She is currently the General Manager of the Textile Society of America. Pronouns: she/her Find us here: Website: www.unravelpodcast.comPatreon: www.patreon.com/unravelpodcast PayPal: www.paypal.me/unravelpodcast Instagram: @unravelpodcast Twitter:@unravelpodcast Facebook: www.facebook.com/unravelpodcast/ Pinterest: Unravel: A Fashion Podcast www.pinterest.com/afashionpodcast/ Stitcher: www.stitcher.com/podcast/unravel-podcastWaller Gallery Website www.wallergallery.com/ Waller Gallery Instagram: @wallergallery Jasmine's Nicaragua Instagram: @recuerdosdenicaragua
Nick Ravich, director of production for Art21 in New York, talks about: His approach as both a producer and a director of Art21 artist docs, which are produced in both shorter form as well as longer form on their most well-known platform, Art in the 21st Century, which is broadcast on PBS; the variation in artists’ approaches and responses to being subjects of Art21, and how inevitably they’re often made to be vulnerable, at the least by having a camera on them in their studio for an entire day (if not more); how Art21 survives as an institution, particularly with all of the other video-about-contemporary-art platforms that have sprung up since they launched; the affirmative dynamic Art21 has towards its artists, and how the process of choosing artists works (the artists almost always say yes); a bizarre experience he had with the photographer Kay Grannan when they were on a shoot and staying at a Las Vegas motel off the strip; and Nick launches into an insightful analysis of the differences between podcasts and video in terms of to what extent someone (artists in particular) will open up.
Image Courtesy of Ka-Man Tse for @TSqArts Saya Woolfalk has exhibited at PS1/MoMA; Deitch Projects; Contemporary Art Museum, Houston; Contemporary Arts Center, Cincinnati; the Brooklyn Museum; Asian Art Museum, CA, Museum of Contemporary Art, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; has been written about in the New Yorker, Sculpture Magazine, Artforum, Artforum.com, ARTNews, The New York Times, Huffington Post and on Art21’s blog; and has also worked with Facebook and WeTransfer. Her first solo museum show The Empathics was on view at the Montclair Art Museum in the Fall of 2012. Her second solo museum exhibition ChimaTEK Life Products was on view at the Chrysler Museum of Art in the fall 2014. She recently completed a video installation commission for the Seattle Art Museum, and is a recipient of a NYFA grant in Digital/Electronic Arts. She is currently working on a solo museum exhibition commission for the Nelson Atkins Museum in Kansas City, MO and is represented by Leslie Tonkonow Artworks + Projects, NYC and teaches in the BFA and MFA programs at Parsons: The New School for Design.
Josephine Halvorson grew up on Cape Cod, where she first studied art on the beaches of Provincetown and at the School of the Museum of Fine Arts in Boston. She received her BFA from The Cooper Union in 2003, she attended Yale Norfolk in 2002, and got her MFA from Columbia University in 2007. Josephine has been awarded a number of prestigious residencies including a Fulbright Fellowship to Austria, a Harriet Hale Woolley Scholarhip at the Fondation des États-Unis in Paris, Moly-Sabata in Sablons, France, and the Robert Rauschenberg Foundation in Captiva, Florida. She was also the first American to receive the Rome Prize at the French Academy at the Villa Medici, Rome, Italy. Halvorson’s work has been exhibited widely. In 2015 she presented her first museum survey exhibition, Slow Burn, at the Southeastern Center for Contemporary Art in Winston-Salem, NC, curated by Cora Fisher. In 2016 she exhibited large-scale painted sculptures at Storm King Art Center, as part of the “Outlooks” series curated by Nora Lawrence. Her work has been written about extensively in various publications and she is one of the subjects of Art21's documentary series, New York Close Up. Josephine Halvorson has taught at The Cooper Union, Princeton University, the University of Tennessee Knoxville Columbia University, and Yale University. In 2016 Halvorson joined Boston University as Professor of Art and Chair of Graduate Studies in Painting. She lives and works in Western Massachusetts. Brian met Josephine at the site of her solo show at Sikemma Jenkins and they spoke about her youth in Cape Cod, hip hop and grunge, painting in plein air and much more.
We watched an Art21 movie on three artists. Katarina Grosse makes gigantic sculptural paintings involving trees, dirt, and the space of the art gallery itself. Joan Jonas makes performance drawings involving dancers, musicians, and herself in her installations. Omer Fast makes experimental/journalistic-like movies about Drone Pilots or Porn Actors. We agree that performance art is problematic. Becoming the body that is viewed as the art is a little bit problematic. Where is the line? How much of that happens out of peer pressure? My definition of art is pretty broad and I would not say performance is "not art" however, I would definitely say that I cannot engage in it the same way that I would with physical space. http://www.art21.org/artists/katharina-grosse
Mark suggested we watched Diana Al-Hadid, a young artist of Syrio-american artist on Art21. Al-Hadid gives a tour of the Venice Biennale https://www.youtube.com/watch?v=AqZ9B5L_5vY .I worked on self-publishing my paintings in a book, it's not perfect but it's cute. http://www.blurb.com/b/7656667-kow-and-zibraHappy New Year and Bonne Année 2017
Mark did some computer programming and he liked that, it's a creative program solving that he likes. Stan Douglas of Vancouver brings us inside the old neighbourhood he grew up in. He did a show called "Les détroits" of photography and prints of Detroit. He is focussed on Urban Decay. Diana Thater produces installations that are movie based, or influenced by film. Abstraction in film for her is abstraction of time. Diana Thater builds a maquette, she photographs the animals that she displays.As viewers of videos on the Art21 website, we are really fascinated with the process of art making. As viewers we are seeing the complete arc of artmaking from the development of ideas in the studio to the actual installation of the pieces, to interviews with the artists during the exhibition. Immersive installations because they involve all the senses and the space require so much knowledge and also so much money to get the right kind of equipment, they might not be the easiest thing to get into. However... it can be done!Opening song: Ratatat Loud PipesPhoto : Diana Thater, Knots and Surfaces (2001)For more information on all these awesome videos we are talking about: www.art21.org
Today we watched the Art21 website and we both picked an artist to view and we discussed these artists. Mark went for the work of Matthew Barney who made a film series called "The Cremaster" which he started in 1995. I believe he made 4 movies based on his study of Male Sexuality. We also watched Liz Magor talk about her gloves that she is casting and we saw an aluminum house on stilts in Coal Harbour British Columbia. Amazing work. Matthew Barney's work, I must admit to not understanding and it almost seems like the biggest extension of a man's ego I have ever seen, short of the Trump Tower... but maybe I am missing the point. Who knows? Opening Theme: Blink 182 I miss youImage: Liz Magor Being this 2012 http://catrionajeffries.com/artists/liz-magor/works/#25
Svetlana Kitto is a writer, teacher and oral historian. Her fiction, articles and interviews have been featured in Salon, VICE, Art21, Plenitude Magazine, OutHistory, Surface, Queen Mobs Teahouse and the New York Observer among other publications, and the books Occupy (Verso, 2012) and the Who, the What and the When (Chronicle, 2014). She has contributed oral histories to projects and exhibitions at the Brooklyn Historical Society, the Mashantucket Pequot Museum, the Museum of Arts and Design and the gallery Know More Games. She co-curates the reading and performance series Adult Contemporary in NYC. Currently, she is at work on a novel called Purvs, which means “swamp” in Latvian, and is the name of that country's first gay club. Born in St. Thomas, U.S.V.I. and raised in Apopka, Florida, Nicole Sealey is a Cave Canem graduate fellow and the recipient of an Elizabeth George Foundation Grant. She is the author of The Animal After Whom Other Animals Are Named, winner of the 2015 Drinking Gourd Chapbook Poetry Prize, forthcoming from Northwestern University Press. Her other honors include the Stanley Kunitz Memorial Prize from The American Poetry Review, a Daniel Varoujan Award and the Poetry International Prize. Her work has appeared in Best New Poets, Copper Nickel, Ploughshares, Third Coast and elsewhere. Nicole holds an MLA in Africana Studies from the University of South Florida and an MFA in creative writing from New York University. She is the Programs Director at Cave Canem Foundation.
Art21, a nonprofit contemporary art organization, is entering the fifth installment of its year-long professional development initiative, Art21 Educators. This case study represents the perspectives of both the institution and a partcipating educator.
Ep 7 John Hogan & Christina Ondrus: The People Sunday, September 15, 2013 The People with Insert Blanc Press Editor and Publisher Mathew Timmons and Insert Blanc Artist Ben White. The People features the voices and ideas of The People that make up the cultural landscape of Los Angeles, the west coast, and beyond on KCHUNG 1630AM every 3rd Sunday at 3pm. The People is me, The People is you, The People is we, and You Can Too! … like a Broken Record magically repaired. Christina Ondrus is a Los Angeles Artist. In 2010 she was an artist fellow with the Terra Foundation for American Art in Giverny, France. A forthcoming publication entitled "An Invisible Way" will present a documentation of her experiences at that residency. She's had work at Artist Curated Projects, Public Fiction, and Los Angeles Contemporary Exhibitions. Christina is also the founding director of the artist run initiative KNOWLEDGES. John P. Hogan is also a Los Angeles artist. Most recently his performance, Song of Yourselves, premiered at Automata Los Angeles. A publication in association with Song of Yourselves is forthcoming from Golden Spike Press this fall. A related written work and series of drawings are available for purchase through Material press as part of their Limited Editions series. Hogan has exhibited and performed at venues including MCASD, Yerba Buena Center, Fritz Haeg's Sundown Salon, MAK Center, and Machine Project. He has written for Art21 and his essay on the work of painter Ben White is included in the forthcoming book Ruin Upon Ruin from Insert Blanc Press.
This week: The second installment of our pirate radio sessions, recorded live from NADA 2011! We are joined by local heroes The Museum of Contemporary Art, Chicago curators Michael Darling and Naomi Beckwith. Naomi Beckwith is a curator at the Museum of Contemporary Art, Chicago. Beckwith joined the curatorial staff in May 2011. A native Chicagoan, Beckwith grew up in Hyde Park and attended Lincoln Park High School, going on to receive a BA in history from Northwestern University in Evanston, Illinois. She completed an MA with Distinction from the Courtauld Institute of Art in London, presenting her master's thesis on Adrian Piper and Carrie Mae Weems. Afterward, she was a Helena Rubenstein Critical Studies Fellow at the Whitney Museum Independent Study Program in New York. Beckwith was a fall 2008 grantee of the Andy Warhol Foundation for the Visual Arts and was named the 2011 Leader to Watch by ArtTable. She serves on the boards of the Laundromat Project (New York) and Res Artis (Amsterdam). Prior to joining the MCA staff, Beckwith was associate curator at The Studio Museum in Harlem. Preceding her tenure at the Studio Museum, Beckwith was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia, where she worked on numerous exhibitions including Locally Localized Gravity (2007), an exhibition and program of events presented by more than 100 artists whose practices are social, participatory, and communal. Beckwith has also been the BAMart project coordinator at the Brooklyn Academy of Music and a guest blogger for Art21. She has curated and co-curated exhibitions at New York alternative spaces Recess Activities, Cuchifritos, and Artists Space. Beckwith curated the exhibition 30 Seconds off an Inch, which was presented by the Studio Museum in Harlem November 12, 2009 – March 14, 2010. Exhibiting artworks by 42 artists of color or those inspired by black culture from more than 10 countries, the show asked viewers to think about ways in which social meaning is embedded formally within artworks. Michael Darling (born 1968) is the James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago (MCA). Darling joined the MCA staff in July 2010. Darling received his BA in art history from Stanford University, and he received his MA and PhD in art and architectural history from the University of California, Santa Barbara. Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly. Darling frequently serves as a panelist, lecturer, and guest curator on contemporary art and architecture. Prior to joining the MCA, Darling was the Jon and Mary Shirley Curator of Modern and Contemporary Art at the Seattle Art Museum (SAM), where he was awarded SAM's Patterson Sims Fellowship for 2009-10. In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or underappreciated artists from around the globe. Artist Enrico David, who exhibited as part of SAM Next, has since been nominated for the Turner Prize. Darling curated the SAM exhibitions Target Practice: Painting Under Attack 1949-78 (June 25 – September 7, 2009), and Kurt (May 13 – September 16, 2010). Target Practice showcased the attacks painting underwent in the years following World War II. Kurt explored Kurt Cobain’s influence on contemporary artists. Darling was associate curator at the Museum of Contemporary Art, Los Angeles, before joining SAM. He co-curated The Architecture of R.M. Schindler (2001), which won the International Association of Art Critics “Best Architecture or Design Exhibition” award. The exhibition also won merit awards for interior architecture from the Southern California American Institute of Architects and the California Council of the American Institute of Architects.
Sarah Simonson, Brian Wolf, Jaroslaw Kapucinski, and Erik Flatmo discuss the PBS film "Anything is Possible" featuring South African artist, William Kentridge. The panel discusses Kentridge's work at the nexus of film and performance. (November 10, 2010)
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