Podcast appearances and mentions of Paul Nash

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Goshka Macuga talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.Macuga was born in 1967 in Warsaw, Poland. Her deep research into multifarious subjects manifests in the form of installations, sculpture, tapestry, photography, video and more. As well as making objects, she occupies a role that relates closely to that of a curator and historian, often weaving together her creations with existing materials, including artworks and archival documents. Place has enormous significance in her practice, whether it is the museum or gallery, the city or the country in which she is presenting her ideas. After exploring her site and engaging in lengthy research, she fuses her own subjective interest with objective material, to produce absorbing and often complex environments that provoke broad meanings and reactions. She discusses the transformative impact of seeing the work of Christo in an art magazine; her interest in Paul Nash and Eileen Agar—and the personal importance to her of a work by Agar that is in her studio; how the subversive strategies used by Stanisław Lem when he was writing science fiction in Communist Poland have influenced her practice; and how, during Covid, she created a club for dancing in her studio. Plus, she gives insight into her rituals and disciplines and answers our usual questions, including, “what is art for?”Goshka Macuga: Born from Stone, London Mithraeum Bloomberg SPACE, until 18 January 2025. Hosted on Acast. See acast.com/privacy for more information.

8e émission de la 60e session...Cette semaine, hard bop et post-bop! En musique: The Mike Mainieri Quartet sur l'album Blues On The Other Side  (Argo, 1962); Hampton Hawes sur l'album For Real!  (Contemporary, 1961); Louis Smith Quintet sur l'album Prancin'  (SteepleChase, 1979); Chico Freeman sur l'album Destiny's Dance  (Contemporary, 1982); Paul Nash sur l'album Second Impression  (Soul Note, 1985); Lux Quartet sur l'album Tomorrowland  (Enja, 2024); Warren Wolf sur l'album History Of The Vibraphone  (Cellar Music, 2024); Immanuel Wilkins sur l'album Blues Blood  (Blue Note, 2024)...

Support the show and get 50% off MCT oil with free shipping – just leave us a review on iTunes and let us know!Ageism is the last acceptable prejudice - and it's costing us years of our lives. Dr. Paul Nash, a leading expert on gerontology, reveals how our negative perceptions of aging aren't just hurtful – they're actively harming our health and shortening our lifespans.Join us as Dr. Nash debunks the most pervasive aging myths and shares eye-opening truths about the longevity revolution. You'll learn why loneliness is more lethal than obesity (or smoking 15 cigarettes!), how to make your surroundings "age-proof," and why embracing your inner "crotchety old man" may be the secret to a longer, vibrant life."We're actually prejudicing against our future selves. It makes literally zero sense." ~Dr. Paul NashAbout Dr. Paul Nash:Dr. Paul Nash is a professor of gerontology at the USC Leonard Davis School of Gerontology and an internationally recognized expert on ageism. His research focuses on the causes and consequences of ageism at the individual and societal level, with a special emphasis on the intersection of ageism with other forms of discrimination.Dr. Nash earned his PhD in psychology from the University of Glamorgan. He has worked with the World Health Organization on its global aging initiatives and serves as co-chair of the Aging Caucus for the Los Angeles County Commission on HIV. He's the author of "Critical Questions for Aging Societies," a user-friendly guide to navigating the challenges and opportunities of an aging world. When Dr. Nash is not championing the anti-ageism cause, you can find him irritating the youth at his local pub.Resources:Discover the groundbreaking ESS60 molecule, proven to extend life by 90%, at MyVitalC.comGet Paul Nash's book, “Critical Questions for Aging Societies”: https://a.co/d/2c0LaIA Connect with Paul Nash:- Website: https://gero.usc.edu/faculty/paul-nash-phd/ - Twitter: https://x.com/paulnash84 Connect with Christopher Burres- Website - https://www.myvitalc.com/- Website - https://www.livebeyondthenorms.com/- Instagram - https://www.instagram.com/chrisburres/- TikTok - https://www.tiktok.com/@myvitalc - LinkedIn - https://www.linkedin.com/in/chrisburres/ 

In this episode, artist Olivia Fraser offers a personal glimpse inside the incandescent life and art of her great aunt Eileen Agar, a pioneering figure in Surrealism. At once a painter, collagist, photographer, sculptor, hatmaker and more, Eileen Agar moved fluidly between what she called ‘the different facets of my artistic personality'. Her long and vibrant life spanned Buenos Aires, Paris and London, and was enriched by friendships and relationships with other major cultural figures, including Paul Nash, Lee Miller, Henry Moore, Man Ray, Pablo Picasso, Salvador Dalí and Ezra Pound. In this podcast episode, artist Olivia Fraser remembers Agar as an insatiably imaginative figure whose kaleidoscopic studio was its own work of art. Olivia shares how beachcombing was a powerful source of inspiration for Agar, and how themes of chance and coincidence played into her work. Living through two World Wars, Agar retained an incredible resilience and an innate capacity for joy. She had, in Olivia's words, an ability ‘to see the surreal in everything'. Out now, 'A Look at My Life' is a new edition of Eileen Agar's life story in her own words.

From Iraq and Afghanistan and news headlines today back to earlier battles in the Spanish Civil War and World War Two, the relationship between war, photography and the press has affected attitudes towards conflicts. In the annual Remembrance discussion organised in partnership with the Imperial War Museum, Free Thinking presenter Anne McElvoy's panel are: Toby Haggith Senior Curator, Department of Second World War and Mid 20th Century Conflict; Irish Iraqi artist Jananne Al-Ani, whose work explores surveillance, aerial reconnaissance and exodus after warfare; Charlie Calder-Potts, who was an official war artist with the British Army in Afghanistan 2013/14; and Caroline Brothers, author of War and Photography: A Cultural History. The Blavatnik Art, Film and Photography Galleries at IWM London include around 500 works from the museum collections including John Singer Sargent's painting Gassed, Steve McQueen's response to the 2003 war in Iraq, Queen and Country, and works by artists including Paul Nash, Laura Knight, Peter Jackson, Olive Edis and Omer Fast. Charlie Calder-Potts works with aluminium, wasli, wood panel and vellum (calf skin); combining photography, painting and drawing and has worked in Afghanistan, Iraq, Pakistan, Iran and Russia. Jananne Al-Ani is an Irish Iraqi artist who teaches at the University of the Arts London. Her video piece Timelines which was on display at the Towner Art Gallery Eastbourne last year and has recently been seen at the Ab-Anbar Gallery, London, explores Armistice Day 1918 in the town of al-Hindayyah in what is now modern-day Iraq. Caroline Brothers is the author of War and Photography A Cultural History. Producer: Torquil MacLeod You can find a collection of episodes exploring war and conflict on the Free Thinking programme website which include past discussions organised in partnership with the IWM.

Paul Nash in conversation with David Eastaugh http://www.thedansesociety.com/ In June 2018 the band release an EP, The FUTUR1ST, including a cover of NIN's "Hurt" dedicated to the Sophie Lancaster Foundation, and the tracks "One Thought in Heaven" and "Scream" featuring drummer Joss Rylance who replaced Iain Hunter, and who has subsequently been replaced by Tom Davenport. September 2020 saw the release of the bands 7th Studio album Sailing Mirrors whilst celebrating their 40 years anniversary. And the band are currently in production of their 8th studio album 'The Loop' due to be released late 2023.

What can War Art and the work of Official War Artists tell us about the experience of the Great War and the landscape of the Western Front? We examine this through the work of three war artists: John Nash, CRW Nevinson, and Paul Nash.Support the show

The Essex coastline once had eleven Martello Towers built in the early 1800's to protect Britain from invasion. Five of the towers remain. Some are clearly visable while one is a little bit hidden. Tower F has had a varied history. From a military fort, to a coastguard look out. Once a zoo and now the Tower Tea Rooms. The owner, Paul Nash welcomed Owen to the tower to find out more. If you've got a story, Owen would like to hear from you! Email essexbytheseapodcast@gmail.com Join him on social media: Instagram, Facebook, Twitter and TikTok. Support with a small donation via ko-fi.com/essexbythesea

Looking to Sea is an alternative history of Britain in the twentieth century, told through the prism of ten iconic artworks of the sea, one for each decade. 'We see nothing truly until we understand it.' John Constable An alternative history of Britain in the twentieth century, Looking to Sea is an exquisite work of cultural, artistic and philosophical history. From Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s that tackle ideas of class and deprivation, Looking to Sea embraces ideas from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. Looking to Sea is an astonishingly perceptive portrait of the twentieth century. Art critic Lily Le Brun brings a fresh eye, acute observation and challenges the listener to find a new way to look at the history of our island nation.

Langley Vale Wood is a really special place. Created as part of the Trust's First World War Centenary Woods project, it's a natural living legacy for the fallen that symbolises peace and hope. Memorials offer space to remember in an evocative and moving tribute. As well as these important reflections on the past, the site has a bright future. Previously an arable farm that became non-viable, nature is now thriving, with butterfly, bird and rare plant numbers all up. Join site manager Guy Kent and volunteer David Hatcher to explore the ‘Regiment of Trees', the ‘Witness' memorial and Jutland Wood. Discover too how the site is being transformed into a peaceful oasis for people and nature and why some of these fields are internationally important. Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk Transcript Voiceover: You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Adam: Hello! I've got to start by telling you this. I have driven to Langley Vale today and I've been driving through suburban London, really not very much aware of my surroundings, and you come up this hill and suddenly everything falls away and you burst out onto the top of the hill and it's all sky and Epsom Downs. And the racecourse is just ahead of you! And it dramatically changes. So, it's quite, it's quite an entrance into the Langley Vale forest area. I've come to meet, well, a couple of people here. I've drawn up next to a farm, I don't really know where they are, but it gives me a moment to tell you a little bit about the Langley Vale project which is amazing. It's a lovely thought behind it, because it is about honouring those who died in the First World War, and of course, there are many ways in which we honour and remember the people whose lives were changed forever during that global conflict. There are war memorials, headstones, poetry and paintings – and those man-made accolades – they capture all the names, the dates, the emotions and the places. And of course, they are vital in recording and recounting the difficult and very harrowing experiences from that conflict. But, what this venture, I think, wanted to achieve with its First World War Centenary Woods Project was a natural, living legacy for the fallen. Flourishing places that symbolise peace and hope, as well as remembering and marking the dreadful events of war, but doing that in the shape of nature and hope for the future. Both now and for many, many generations to come, providing havens for wildlife and for people – and I'm one of those people – and so it's a great project, it's in its very early stages, but it's a great opportunity, I think, to have a look around today. So, oh! There's two people wandering down the road there in shorts, I think they're hikers, I don't think they are who I am seeing. [Pause] Adam: So, Guy you're the site manager here, just tell me a little bit about the site. Guy: So, we are on the North Downs here in Surrey. It's a huge ridge of chalk that runs along southern England and down through Kent, it pops under the channel and pops up again in France. And this chalk ridge has got very special habitats on it in terms of woodland, chalk grassland, and we're very thrilled here that we've been able to buy, in 2014, a formerly intensively managed arable farm that was actually not very productive. The soils are very thin here on the hills the chalk with flints, so, pretty poor for growing crops, and we were very lucky to buy it as part of our First World War Centenary Woods project as England's Centenary Wood. Adam: So, tell me a bit about the Centenary Woods part of this. Guy: So, the idea of the project was to put a new woodland in each country of the United Kingdom, that being Northern Ireland, Wales, Scotland and England. This is the England site, and it is the largest of the four sites. We've actually planted 170,000 trees here. We did go through a full Environmental Impact Assessment and this enabled us to find out where we could plant trees because there are some special habitats here, and there is a national character to the North Downs – national character being that much of the woodland is planted on the high ground and much of the lower land is actually open space, be that for arable use or pasture. Adam: This is a Centenary Wood, so, is this just an ordinary woodland planted in the name of those who died during the First World War? Guy: Yes. The difference is… one of the reasons this site was selected was because we do actually have history here from the First World War. We've got a number of memorials that I hope to show you today. One of which commemorates a day in January 1915. Lord Kitchener inspected 20,000 troops here that had gathered and recently joined, taking up the call to join his new army. So, there were many sorts of civilians here in civilian clothing. They got up at 4am in the morning, I'm told, to all assemble here for him arriving at 10am with his equivalent French minister, and they inspected the troops for a very short period of time because they had other troops to go and inspect nearby. But many of those 20,000 actually then ended up going over, obviously, over to the frontline and many were not to return. Adam: Shall we have a walk down? And what is there then to commemorate that? Are there, are these just trees planted in memory of that occasion, or have you got a sort of statue or something? Guy: Yeah, well, the Regiment of Trees as we're just about to see, as you go around the corner… An artist, we commissioned an artist called Patrick Walls who has actually created some statues for us replicating that event. So, we have men standing to attention carved out of sandstone… Adam: Wow, yes. Just turning around the corner here and you can see this, yes, individual soldiers standing proud of a field of, actually, white daisies just emerging made from that sandstone you say? Guy: Yes sandstone. Adam: Sandstone soldiers. We are just walking up to them now, but behind that is all, I mean, I'm assuming this is a statue, but a statue made of trees. Guy: Indeed, what you're looking at there Adam is a memorial that we've called Witness. It's actually created by an artist called John Merrill and it is made up of parts of oak trees that have been assembled and it's inspired by the World War One painter Paul Nash, who was a cubist artist, and a particular painting of his called ‘Trees on the Downs' and that's inspired by that. And we're very lucky to have included within the memorial part of an oak out of Wilfred Owen's garden. Adam: Wow! Guy: Yeah so it's constructed to look like trees that have been obliterated, effectively, on the frontline, very evocative. Adam: Yes, you get very evocative pictures of a single tree either, you know, scarred black or sometimes actually still alive in a field of chaos. Guy: That's right yeah. And that's kind of trying to illustrate that in our memorial here, and what you can do, the public can actually walk through it. We've got a couple of benches within it, actually, where people can sit and contemplate, and actually written on the inside of some of these beams that go up are actually excerpts from poems from First World War poets. Adam: So, this first statue we're actually standing by it's sort of transformed in the flow of the statue – so it comes out of the ground as a sort of textured rock and as you go up 5 foot, 6 foot the statue also transforms into a man, but this man is wearing a suit and flat cap, so is a civilian. Guy: Indeed, and that's kind of trying to illustrate the fact that many of them are just joined up and a number of them haven't even got their uniform yet. Adam: So, let's move on, ahead of us, there's this sort of city gent on the left but looks a bit grander, but on the right, there are obviously… these look like officers. Guy: Yeah, the best, how I can best describe this is, that we've actually got 12 statues here and they're actually sitting among standard trees that were planted. So, we've got birch here, we've got beech, we've got whitebeam and we've got maple. But, these statues, the twelve of them, are in four lines. The guys at the back have only just joined up and they haven't had their uniform yet. And what the artist wanted to illustrate was the fact that all classes joined up at the same time. So, we have a working-class guy with his flat cap down the end there, we have our middle-class guy here with his hat on, and then we have the upper classes as well – it's meant to illustrate that everybody was in it together and joined in. Adam: I thought this was an officer, but I can see from his insignia he's a corporal. Guy: Indeed, and if you look at the statues Adam, as we go nearer the front to where Kitchener would have inspected, they all put the guys at the front who had all their webbing, all their uniform already, and as we move back through the lines it was less and less uniform and equipment. Adam: It's very evocative, I have to say, it's much more emotional than I thought it would be. Shall we go over to the sculpture? Guy: Yes let's. Adam: So, this is called ‘Witness'. Guy: So, this is ‘Witness' yes, and this is… John Merrill created this, he's got a yard in Wales where he works wood of this size. As you can see, it's quite a structure. Adam: So, yes as you say this size… So, I'm very bad at judging, six… I am trying to think, how many six-foot men could you fit under here? Six, twelve, I dunno thirty foot high? Was that fair? Guy: I tend to work in metres, I don't know about you, but I'm going to say about six metres at its highest point. Adam: So, it's made of, sort of, coming into it… it's… actually, it's quite cathedral-like inside. Small but is that a fair description? Guy: Yeah, I think so. Adam: *inaudible* Now, every second tree here has a line of First World War poetry etched into it rather beautifully. Do you want to read just a couple out for us? Guy: Yes… so here we have one saying: “And lying in sheer I look round at the corpses of the larches. Whom they slew to make pit-props.” [editor: Afterwards by Margaret Postgate Cole]. “At evening the autumn woodlands ring with deadly weapons. Over the golden plains and lakes…” [editor: Grodek by Georg Trakl]. Adam: Amazing, it's an amazing place. There are a couple of benches here and these are… Guy: These are the names of the poets. So, we have W Owen here, we have E Thomas, J W Streets, M P Cole, amongst others. Adam: Very moving, very moving. Okay, well it's a big site isn't it, a big site. So, where are we going to go to next? Guy: Well, we can walk through now Adam, we can see a new community orchard that we planted in 2017. Adam: So, we've come into, well a big part of, well there are a huge number of trees here. So, is this the main planting area? Guy: Yes, this is the main planting area. There are approximately 40,000 trees in here. Adam: We're quite near a lot of urban areas, but here they've all disappeared, and well, the field goes down and dips up again. Is that all Woodland Trust forest? Guy: That's right, what you can see ahead of us there is actually the first planting that we did on this site in 2014, on that hillside beyond. Adam: 2014? So, eight, eight… Guy: Eight years old. Adam: [laughs] Thank you, yes mental maths took me a moment. So, the reason I was doing that, is that they look like proper trees for only eight years old. Guy: It just shows you that obviously, you think that when we're planting all these trees now – that none of us will perhaps be here long enough to enjoy them when they're mature trees, but I think you can see from just by looking over there that that woodland is eight years old and it's very much started to look like a woodland. Adam: Very much so, well, brilliant. Well, very aptly I can see, starting to see poppies emerging in the fields amongst the trees. They do have this sort of sense of gravestones, in a way, don't they? They're sort of standing there in regimented rows amongst the poppy fields. So, where to now? Guy: So, we'll go to Jutland Wood, which is our memorial to the Battle of Jutland. Adam: The famous sea battle Guy: Yes, it was the largest battle of the First World War which raged over two days, the 31st of May to the 1st of June 1916. We're going to meet our volunteer, lead volunteer, David Hatcher now, who's been working with us on the site for a number of years, and he's going to tell you about this memorial that we've got to the Battle of Jutland. Adam: Right, I mean, here it's, it's different because there are these rather nice, actually, sculpted wooden stands. What are these? Guy: Yeah, these are… actually commemorate… we've got what we call naval oaks. So, we've got a standard oak planted for each of the ships that were lost in that particular battle and we've also, between them, we've got these port holes that have been made by an artist called Andrew Lapthorn, and if I can describe those to you, they are sort of a nice piece, monolith of wood with a porthole in the middle of…, a glass porthole, that indicates how many lives were lost and it has the name of the ship. Adam: So, this is HMS Sparrowhawk where six lives were lost, 84 survivors, but HMS Fortune next door, 67 lives lost, only ten survivors, and it just goes on all the way through. Guy: As you walk through the feature Adam, the actual lives lost gets a bit more, bigger and bigger, and by the end it's… there were very few survivors on some of the ships that went down, and they are illustrated on these nice portholes that commemorate that. Adam: And this is all from the Battle of Jutland? Guy: Battle of Jutland this is yeah. Adam: And just at the end here HMS Queen Mary, 1,266 lives lost, only 20 survivors from 1913. Very, very difficult. [Walking] Guy: This memorial, actually illustrates…, is by a lady called Christine Charlesworth, and what we have here is a metal representation of a sailor from 1916 in his uniform. And that faces the woodland here, where you can see ancient semi natural woodland that would have been here in 1916. So, this sailor is looking to the past and our ancient woodland. If we look to the other side of the sailor, we have a sailor from 2016 in his uniform and he's looking in the opposite direction, and he's looking at our newly planted trees – looking to the future. Adam: Let's walk through here, and at the end of this rather… I mean it is very elegantly done but obviously sombre. But, at the end here we're going to meet David who's your lead volunteer. So, David, so you're the lead volunteer for this site? And, I know that's, must be quite a responsibility because this is quite a site! David: That's very flattering - I'm a lead volunteer - I have lots of brilliant colleagues. Adam: Really? So, how many of you are there here? David: About seven lead volunteers, there are about one hundred volunteers on the list. Adam: And what do you actually do here? David: Ah well it's a whole range of different things. As you know this was an intensively farmed arable site. And there were lots of things like old fences and other debris. It was also used as a shooting estate, so there were things left over from feeding pheasants and what have you. Adam: Right. David: A lot of rubbish that all had to be cleared because it's open access land from the Woodland Trust, and we don't want dogs running into barbed wire fences and things like that. Adam: And it's different from, well I think, almost any other wood. It has this reflection of World War One in it. What does that mean to you? David: Well, it actually means a lot to me personally, because I was the first chairman of the Veteran's Gateway. So, I had a connection with the military, and it was brilliant for me to be able to come and do something practical, rather than just sitting at a desk, to honour our veterans. Adam: And do you notice that people bring their families here who have had grandfathers or great grandfathers who died in World War One? David: Yes, they do and in particular we have a memorial trail in November, every year, and there's a wreath where you can pick up a little tag and write a name on it and pin it to this wreath, and that honours one of your relatives or a friend, or somebody like that, and families come, and children love writing the names of their grandpa on and sticking it to the wreath. Adam: And do you have a family connection here at all? David: My father actually served in the, sorry, actually my grandfather served at the Battle of Jutland. Adam: Wow and what did he do there? David: He was a chief petty officer on a battleship, and he survived I am happy to say, and perhaps I would never have been here had he not, and all of my family – my father, my mother, both my grandfathers were all in the military. Adam: And do you remember him talking to you about the Battle of Jutland? David: He didn't, but what he did have was, he had a ceremonial sword which I loved, I loved playing with his ceremonial sword. Adam: Gotcha. And you are still here to tell the tale! [Laughter] David: And so are all my relatives! [Laughter] Adam: Yes, please don't play with ceremonial swords! [Laughter] That's amazing. Of course, a lot of people don't talk about those times. David: No. Adam: Because it's too traumatic, you know… as we've seen how many people died here. David: Yes. Adam: Well look, it's a relatively new woodland and we're just amongst, here in this bit, which commemorates Jutland, the trees are really only, some of them, poking above their really protective tubes. But what sort of changes have you seen in the last seven, eight odd years or so since it's been planted? David: It's changed enormously. It's quite extraordinary to see how some trees have really come on very well indeed, but also a lot of wildflowers have been sown. We have to be very careful about which we sow and where because it's also a very valuable natural wildflower site, so we don't want them getting mixed up. Adam: So, what's your favourite part of the site then? David: Ah well my favourite part…, I'm an amateur naturalist, so there's the sort of dark and gloomy things that are very like ancient woodland. We call them ancient semi-natural woodland. So there is Great Hurst Wood which is one of the ancient woodlands. Adam: Here on this site? David: Yes, on this site. It's just over there, but we have another couple of areas that are really ancient semi-natural woodland, but actually, I love it all. There's something for everybody: there's the skylarks that we can hear at the moment; the arable fields with very rare plants in; the very rare fungi in the woods. Actually, that line of trees that you can see behind you is something called the Sheep Walk, and the Sheep Walk is so-called because they used to drive sheep from all the way from Kent to markets in the west of the county, and they've always had that shelterbelt there – it's very narrow – so they've always had it there to protect the sheep from the sun, or the weather, or whatever. And it's the most natural bit of ancient woodland that there is, even though it's so narrow and it's fascinating what you can find under there. Adam: And I saw you brought some binoculars with you today. So, I mean, what about sort of the birds and other animals that presumably have flourished since this was planted? David: It's getting a lot better. The Woodland Trust has a general no chemicals and fertiliser policy and so as the soil returns to its natural state then other things that were here before, sometimes resting in the soil, are beginning to come up. We, I think, we surveyed maybe 20 species of butterflies in the first year… there are now over… 32! And there are only 56 different species over the country, so we have a jolly good proportion! We have two Red List birds at least here – skylarks and lapwings nesting. It's all getting better; it's getting a lot better under new management. Adam: [chuckle] Fantastic! Well, it's a real, a real joy to be here today. Er so, we're here in the Jutland woodland. Where, where are we going to next do you think? Where's the best place…? David: We're going to have a look at one of the wonderful poppy fields. Adam: Right. David: Because the poppies come up just as they did in Flanders every summer and it's, it really is a sight to behold. Adam: And is this peak poppy season? David: It's just passed… Adam: Just passed. David: So, we hope they are still there and haven't been blown away. Adam: It would be typical if I have got here and all the poppies have gone. Forget it, alright, let's go up there. So, well this is quite something! So, we've turned into this other field, and it is a field, well never in my life have I seen so many poppies! Mainly red poppies, but then there are…, what are these amongst them? Guy: Yeah. So, what you can see is a number of species of poppies here. The main one you can see, it's the red Flanders poppy. Adam: And is this natural or planted because of the First World War reference? Guy: No, it's mostly…, we did supplement this with some…, we've actually planted some of these poppy seeds, but most of them are natural and it's a direct result of the fact that we continue to cultivate the land. One of the most important conservation features we have here on site is rare arable plants. Bizarrely, these plants were once called arable weeds, but when intensification of farming began in the mid-20th century, the timing of ploughing was changed, the introduction of herbicides, all these things meant that these so-called arable weeds actually became quite rare and they were just hanging on to the edges of fields. What we've been able to do here is to continue to cultivate the land sympathetically for these plants and we now have much, much better arable plant assemblages here. We have rare arable plants here now, that mean that some of these fields are of national importance and a couple of them are of international importance, but a by-product of cultivating the land every year for these is that we get displays of poppies like this every year. Adam: And when you cultivate, you're talking about cultivating the land, you're planting these poppies, or what does that mean? Guy: No, it's almost like replicating the fact…, it's as if we're going to plant a crop, so we actually plough the field and then we roll it as if we're going to prepare a crop. Adam: But you don't actually plant a crop. Guy: No, no exactly. And then we leave it fallow and then naturally these arable plants tend to actually populate these fields. Poppies are incredibly nectar-rich, they're actually quite short-lived… Some of you may know poppies that grow in your garden, and they could be out in bloom one day and completely blown off their petals the next day. They don't, like, last very long, but they do pack a powerful punch for nectar, so definitely invertebrates… Because we don't use chemicals here anymore which would have been used constantly on this farm – and what that means is that many of these arable plants, they require low fertility otherwise they get out-competed by all the things you'd expect like nettles, docks and thistles. So as the land improves so will hopefully arable plant assemblages making them even more impressive than they already are. Adam: But actually, as the, as the soil improves isn't that a problem for things like poppies ‘cause they'll get out-competed by other plants which thrive better? Guy: It's a fair point, but what is actually crucial – is that to actually increase biodiversity in these fields it actually requires low nutrients. In terms of a lot of these fields, as well, we have, from years of chemical application, we have a lot of potassium, we have a lot of magnesium in them, and they have a lot of phosphorus too now. Magnesium and potassium tend to leach out of the soil so they will improve naturally, phosphorus tends to bind the soil and sticks around for a long time. So, we're trying to get these chemicals down to acceptable levels to make them more attractive for rare plants and therefore increasing biodiversity. Adam: Well, it is, it is like a painting and I'm going to take a photo and put it on my Twitter feed. I just, [gasp] so if anyone wants to see that, head over there. But it is beautiful, properly beautiful. I mean, so we were walking by this extraordinary painting of a poppy field to our right. It's a site which has been revolutionised because it was all arable farming less than a decade ago. What has that done for biodiversity here? Guy: Well, as we can imagine these fields, it's quite difficult to imagine them as we walk through them now, but these would have all been bare fields that were basically in crop production and there's clearly been an explosion of invertebrate activity here. We've got increasing butterfly species every year, our bird numbers are starting to go up, but also importantly we've got certain areas where habitats are being allowed to develop. So, we have a former arable field here that is now developing, it has been planted up with hazel coppice in a system we call ‘coppice with standards', where we plant… Adam: Coppice with standards? Guy: Coppice with standards yeah. Adam: Oo, well very grand! Guy: It is! It's an old forestry practice where they planted lots of hazel trees that would have been worked and then periodically in amongst them, there will be oak trees that would be allowed to grow longer and then harvested at a later date. What this has meant is that we've got long grass now that is growing between these trees and that's making it much more attractive for small mammals on site. Adam: Like what? What sort of small mammals? Guy: Things like voles, wood mice, field voles, these sort of things that make sort of tracks and sort of tunnels within the grass. And what that has meant is, as we go up the food chain is, that that's become more attractive now on the site for raptors. A nice story from two years ago - we have a volunteer that works with us who is a BTO bird ringer, and he sort of approached us to say “you've got barn owls nearby and your site is starting to develop nicely. How do you fancy putting up some raptor boxes to see if we can attract them in?” So, which was great, and we managed…, the local bird club donated some barn owl boxes, we put the barn owl boxes up in this field we have just talked about – the hazel coppice field – and the expert said “well they probably won't nest in it this year. They'll come and have a look…” Anyway, we put it up…, two months later… it was being used and we were able to ring those three chicks that came from that and they've been breeding ever since. Adam: Wow, how amazing! Must be very heartening to be working on the site which is growing like that so quickly. Guy: It is, it's amazing and when you consider that we're within the M25, we're very close to London, but we've got this site that is growing and it's only going to get better as we manage it sympathetically for the wildlife that it hosts. Adam: We're just coming round the bend and back to almost where we started into this field of standing soldiers amongst the growing trees, and the cathedral-like tree sculpture there which will take us back to the beginning. So we've just done a little tour… Guy: Yeah, Adam: So, I dunno half an hour, 40 minutes or so. Presumably, we skirted the edges of this… Guy: You certainly have Adam! It's a fraction of the site. We are 640 acres in size and we're just at the top part of it. This area that we've largely walked around today is very much focused on World War One and our memorials, but much of the rest of the site is, actually, is quite a bit quieter, there are fewer people around and the focus is definitely more on wildlife. Adam: Yes, well, it has been an amazing trip, I have to say, I've been to lots of different Woodland Trust woods all the way up the country, to the far stretches of Scotland. I have to say I think this is my favourite. It's quite, quite a site! And the memorial is done really tastefully and fits in with the landscape. I think this is quite, quite a site for you to manage, it's quite a thing. Guy: It's incredible and we are just so proud of it and we just can't wait to be able to open our car park and invite people from further afield, and not just locals who get to enjoy it as is the case at the moment. Adam: Absolutely. Well look, thank you! It started this morning, bright sun, it looked like I shouldn't need to bring a coat then all of a sudden, I thought “Oh my goodness”, we're standing under a completely black cloud but it has not rained, it is not raining, we're in running distance of the car so… Guy: Somebody's looking down on us Adam, at least for a couple of hours. Adam: They are indeed, well thank you very much! Voiceover: Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners and volunteers and don't forget to subscribe to the series on iTunes, or wherever you're listening to us, and do give us a review and a rating. And why not send us a recording of your favourite woodland walk to be included in a future podcast? Keep it to a maximum of five minutes and please tell us what makes your woodland walk special. Or send an email with details of your favourite walk and what makes it special to you. Send any audio files to podcast@woodlandtrust.org.uk and we look forward to hearing from you.

The Mainstone Press publishes beautifully crafted books and limited edition prints on a range of British artists, who worked in the first half of the 20th century, artists such as Eric Ravilious, Edward Bawden, Paul Nash, and John Piper. We speak to Tim Mainstone, who runs this independent publisher. about the appeal of Ravilious and these other artists.

Paul's Publications That's great! You can tell us how you are feeling' – Mark, a recently severely physically disabled 11-year-old boy with a brain tumor in G. Fitchett and S. Nolan (eds), Case Studies in spiritual care.  (with Liz Bryson and Sally Nash).   JKP, 2018 Chapter Holding the whispers in the dark in Skills for children's work SCM  2019. What do pediatric chaplains do? Developing a taxonomy of chaplaincy with children and young people. (With Emma Roberts et al) Journal for Healthcare Chaplaincy, summer 2018. Coeditor, Skills for Pediatric chaplaincy, (with Mark Bartell and Sally Nash) JKP, April 2018. What is the distinctiveness of pediatric chaplaincy? Findings from a systematic review of the literature. (with Wilf McSherry) Health and Social Care Chaplaincy, 2017. A Machine Learning Approach to Evaluating Illness-Induced Religious Struggle (With Daniel Grossoehme et al) Biomedical Informatics Insights 2017. Chaplaincy with children and young people (with Nigel Roberts) Grove Youth Series, 2016. Editor, Supporting Families with Sick Children.  Red Balloon Resources, 2016. Reflections on using metaphors in exploring spiritual and religious needs with young people with cancer and their families (with Sally Nash) Journal for the Study of Spirituality, 2015. The Chaplains – Reflecting on the BBC Two Television Series.  Health and Social Care Chaplaincy, 2015. Spiritual care with sick children and young people (with Kathryn Darby and Sally Nash).  JKP 2015. Multifaith care for sick and dying children:  a multidisciplinary guide (with Madeleine Parkes and Zamir Hussain) JKP 2015. Parents' Spiritual and Religious Needs in Young Oncology (with Kathryn Darby and Sally Nash).  Cancer Nursing Practice, May 2014.   Understanding and responding to the spiritual and religious needs of young people with cancer (with Kathryn Darby and Sally Nash.  Cancer Nursing Practice, March 2014.   Birmingham Children's Hospital: Pediatric end of life care and bereavement pathway in Spirituality and End of Life Care (ed Peter Gilbert), Pavilion, 2013. The spiritual care of sick children:  reflections from a pilot participation project (with Kathryn Darby and Sally Nash).  International Journal of Children's Spirituality, 2013. Editor Working with children and young people: Good Practice Guidelines for Healthcare Chaplains Red Balloon Resources, 2013. Coping through prayer, an empirical study in implicit religion concerning prayers for       children in hospital (with Tania Ap Sion).  Mental Health, Religion and Culture, 2013. Supporting Dying Children and their Families, SPCK 2011. Tools for Reflective Ministry (with Sally Nash) SPCK 2009. Skills for Collaborative Ministry (with Sally Nash and Jo Pimlott) SPCK 2008. What Theology for Youth Work?  Grove Youth Series, 2007.

This week I had 4 fellow collage enthusiasts join me for a great roundtable about contemporary collage: Curator, Kathy Greenwood and Artists, Ginnie Gardiner, Todd Bartel and Michael Oatman. If you love collage, aka "the finding, minding & binding," (thanks, Todd!) then you'll love this episode. And my obsesh w/ glue became next level as we explored both its physical and metaphysical properties. This episode was recorded during a live Clubhouse event 2/8/22 and was held in conjunction with "Echo," an exhibition of collage at the Albany Airport. Exhibition info: "Echo" w/ Ginnie Gardiner & Amy Talluto, Curated by Kathy Greenwood at the Albany International Airport (pre-security, 3rd fl) Web: https://albanyairportartandcultureprogram.com/ and IG: @albanyairportartandculture More about my guests: Ginnie Gardiner: https://ginniegardiner.com/ Todd Bartel: https://toddbartel.com/ Michael Oatman: https://massmoca.org/event/michael-oatman-all-utopias-fell/ Kathy Greenwood: https://www.instagram.com/greenwoodkart/ Additional reading: Kolaj Magazine IG @kolajmagazine and Web http://kolajmagazine.com/ Maxomatic' "The Weird Show" Blog and Podcast: https://theweirdshow.info/ Todd's writings on collage: https://issuu.com/toddbartel Jiří Kolář glossary of collage terms: https://en.wikipedia.org/wiki/Ji%C5%99%C3%AD_Kol%C3%A1%C5%99 "The Americans: The collage" a book by Linda L. Cathcart: https://www.google.com/books/edition/The_Americans/FI00AQAAIAAJ?hl=en Paul de Jong's Mall of Found Residency (now Mount Lebanon Residency): https://mtlebanonresidency.org/History "Complex Muses" curated by Todd Bartel May 18-Sept 4 at Art Complex Museum in Duxbury, MA: https://artcomplex.org/exhibitions/ Collage Artists mentioned (w/ instagram tags where available): Mary Delaney, Picasso, Braque, Cubists, Max Ernst, Hannah Hoch, Dada, Eileen Agar, Paul Nash, Henri Matisse, Romare Bearden, Nancy Spero, Joseph Cornell, Maxomatic @maxomatic, The Weird Show @theweirdshowofficial, Andrea Burgay @andreaburgay, Ric Kasini Kadour @kasini & his “Decentralized Community” idea, Cathleen Daly & her "interlocking collage" idea, John Gall @llagj, Andrea Mortson @doingvsdreaming, Jack Felice @jackfelice, John Hundt @johnhundtblueyes, Red Wizard Collage @red_wizard_collage (tiktok @redwizardcollage & podcast "Cut It Out!"), Paula Wilson @paulalights, Carrie Moyer @carrie.moyer.studio, Ann Toebbe @anntoebbe, Twin Cities Collage Collective @twincitiescollagecollective, Tiko Kerr @tikokerr, Clive Knights @knightsclive, Janice McDonald @janicemcdonaldart, Kira E Wong @kiraewong_art, Kurt Schwitters' “Merzbau” (building for making psychological collages), Julie Heffernan @julie_heffernan_, James Rosenquist, Mark Tansey, Lorna Simpson @lornasimpson, Courtney Puckett @courtneygpuckett, Jiří Kolář and Elaine Lustig Cohen Glue Talk™: Todd Bartel uses: Yes! Paste, Lineco Document Repair Tape and anything at hand Michael Oatman uses: 3M™ Super 77™, 30x40 in adhesive paper sheets and rubber cement Ginnie Gardiner uses: Neschen gudy® 870 Mounting Adhesive I use: Yes! Paste, UHU Stick and Matte Medium Support the Peps by making a Donation, reviewing us on Apple Podcasts or following us on Instagram to see more images illustrating this episode: @peptalksforartists. All licensed music is from Soundstripe. --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Jonathan Freedland, Sarah Churchwell and Leila Latif review Adam McKay's satire Don't Look Up, with a stellar cast including Jennifer Lawrence and Leonardo DiCaprio, and Around the World in 80 Days starring David Tennant, one of the BBC's Christmas TV offerings. Cutting it Fine is a new exhibition in Salisbury, showcasing the art of British wood engraving - those small, black-and-white prints we see in books as well as in picture frames. Great artists including Eric Ravilious, Paul Nash and Gertrude Hermes have been attracted to the medium. Tom visits the exhibition as well as the studio of the wood engraver Howard Phipps, who shows him how the details and textures are achieved. Presenter: Tom Sutcliffe Producer: Sarah Johnson

I was delighted to have Paul Nash guitarist of Death/Extreme Metal band Senzar on the show. Paul is a veteran of the Irish Metal Scene, having his own rehearsal studios in Dublin and playing with Metal bands like Clay Pigeon and Coldwar; whose ashes that Senzar emerged from. Naturally there was a rich history of the Irish Metal Scene to explore with Paul who thankfully had no issues going back over the early years of Coldwar, American tours and the formation of Senzar. So if you're a fan of old school metal or just interested in the Irish Metal Scene you will love this episode. Thanks for the support and subscribe if you enjoy the episode. Richie. Song: CIV (Sky Burial) © Senzar, all rights reserved. 2018 Senzar Links: https://senzarband.bandcamp.com https://www.facebook.com/senzarband

The Newbies well and truly take over this week as Stephen is joined by Paul Nash of Blackadders Corporate team with a focus on all things data protection. We look at why it is important for employers to be aware of their data protection obligations from the outset and throughout a recruitment process and offer our top tips on the main areas which can give rise to problems. We also find out about the first album Paul owned and Stephen partly reveals his one true claim to fame, as they process some of their own personal data!

Paul is the Chaplaincy manager and Spiritual Care Lead at Birmingham Women's and Children's Hospital in England. He is co-founder of the Paediatric Chaplaincy Network, Centre for Paediatric Spiritual Care and Convenor of the Grove Youth Series.Here's a link for the videos of the books narrated by Bear Grylls.  https://paediatric-chaplaincy-network.org/resources/pcn-videos/

This week it's the turn of one of our year six classes to take you through what they've been up to. This week Mississippi talked about the WWI artist Paul Nash, some of the struggles of being in year six, tag rugby, algebra and if they were stranded on a desert island what song, book and one other item would they take.

We continue our conversation with Dr. Paul Nash, Associate Professor in Gerontology at USC. In Part 2 of this discussion about ageism, host Duran Rutledge and Paul dive into the harmful stigma surrounding sex and aging, particularly for people at the intersections of various identities and life experiences. 

In this episode, we talk with Dr. Paul Nash, Associate Professor in Gerontology at USC. His research spans over a decade and focuses on ageism, discrimination, sexual health, and the built environment.  He partners with several non-profit organizations on his research into HIV and aging as well as ageism and intergenerational communication. Paul currently serves as a Commissioner on the Los Angeles County Commission on HIV, and he consults with the World Health Organization on ageism. He is active in teaching and recently published the book, Critical Questions for Ageing Societies.

Gerontologist Dr. Paul Nash explains the latest research and the truth on ageism, discrimination and stereotypes experienced by older adults around the world. He exposes the challenges as well as opportunities an older population may face throughout the years. Now let me introduce my favorite professor…Dr. Paul Nash from the USC Leonard Davis School of Gerontology where I am currently studying for my Masters of Gerontology. I am halfway through this program and honestly, the course I took on the Mind Body Connection with Dr. Nash was THE most fascinating and practical for me yet. Today we are going to discuss the topics from his book “Critical Questions for Ageing Societies” such as ageism, intersectionality, intergenerational conflict and the discrimination and prejudices against older adults. And we get to learn why positive attitudes to aging may help us live up to 7 years longer! Originally from the UK, Dr. Nash has a PhD in psychology and for the past 3 years is an instructional associate professor at USC. Before he came to USC, he ran the Masters of Science in Ageing Studies program at Swansea University and taught masters and PhD students. Swansea University is famous for their Centre for Innovative Ageing (CIA), which is THE largest gerontology research centre in Wales and one of the largest in the UK. Dr Nash has coordinated national research projects in Wales, working with private and public organizations and older people to create publications and reports to influence government policy. He has held several leadership positions in the UK including being the Honorary Secretary for the British Society of Gerontology and working with the World Health Organization on ageism. He has been appointed to the Global Social Initiatives on Ageing taskforce for the International Association of Gerontology & Geriatrics. He is partnering with several non-profit organizations on his research into HIV and ageing as well as ageism and intergenerational contact. Dr. Nash is now bringing all his work into practice with his current position as a Commissioner on the Los Angeles County Commission on HIV. DISCLAIMER: All opinions aired are those of Dr Nash personally and do not represent the views held or expressed by the University of Southern California, The Los Angeles County Commission on HIV or their affiliates. Contact Dr. Paul Nash Twitter: https://twitter.com/paulnash84?lang=en Facebook: https://www.facebook.com/paul.nash.7543653 LinkedIn: https://www.linkedin.com/in/paul-nash-03676564 Email: pnash@usc.edu Book: Critical Questions for Ageing Societies – Bristol University Press website Join the Hack My Age community on: Facebook : http://facebook.com/hackmyage Instagram: http://instagram.com/hackmyage Website: http://www.hackmyage.com Clubhouse: @hackmyage (Club: Biohacking Women 50+) Hack My Age VIP Group: http://patreon.com/hackmyage Email: zora@hackmyage.com Newsletter: http://www.hackmyage.com/newsletter This podcast is edited by jonathanjk.com --- Send in a voice message: https://anchor.fm/hackmyage/message Support this podcast: https://anchor.fm/hackmyage/support

Instructional Associate Professor of Gerontology Paul Nash joins Professor George Shannon for a conversation on the impacts of ageism, intersectionality and LGBTQ+ issues in aging, and the importance of talking about sexual health with older adults. Quotes from the Episode On stereotypes and the impacts of ageism Well, there are some huge implications when it comes to ageism. So when we look on an individual level, we know that those people who have internalized ageism, so when they've acquired ageist attitudes across the life course, and then they reach older age themselves and they start to internalize those negative perceptions. We know that people that do that tend to walk slower, they tend to be more unstable on their feet, more likely to fall. They also have reduced cognitive functioning. So we actually start to see these stereotypes as we call it embodied. So we call it the stereotype embodiment theory, and we know that older adults have this more negative opinion of aging and being older themselves also have an average life expectancy that is about seven and a half years, less than those people that have a positive attitude about aging. When we look at society, we know that older adults make a huge contribution to society. We talk about billions of dollars a year in things like informal caregiving, even in terms of paid work, but also within the volunteer sector as well. So older adults make a continued service to society and to the economy, but it's often something that is not really discussed this often. So it's not really met. And when we start to prejudice against old people, we actually discriminate against their engagement in society. And as such what we're doing is actually making things an awful lot worse for ourselves. So what we need to do is start to actively embrace older adults and their diversity and understand accurate perceptions of aging rather than these stereotype myths that are widely held. Ageism is essentially prejudice against your future selves. So if we set up an ageist society, now when we read later life for ourselves, then we're going to be living and growing old in that age of society. So we need to start to challenge that younger people need to appreciate that actually having no wrinkles having gray hair or whatever, having wrinkles and gray hair is not a bad thing. Being older is not a bad thing. When we start to see all these anti-aging serums, well, that's kind of a fallacy. It's not going to stop you from aging. Every moment that we're alive, we are aging. Therefore, really the alternative to aging is death. And I don't think many people would like to wish that upon themselves either. When it comes to the wider social problems and the stigmas and things that I think we need to try and do is we need to be very much aware of our own language. And language, as you know, is incredibly powerful. So for example, we might see ageist stereotypes in greeting cards, and we will have a bit of a giggle about that, but, well, that reinforces the stereotypes. That adds to the issues that older people think that well, okay, I'm 60, I'm 70 I'm 80 as well, I must have cognitive impairment. Well, indeed, what we need to do is start to challenge these stereotypes. We have this assumption, or we paint this mental image in our head that all older people are going to be frail. All older people are going to have cognitive impairment. That's just not true. The majority of older adults, even the age of 80 are not going to be living with cognitive impairment. It's a disease state. Yes. We understand that people who, as they age are more likely to develop dementia, but the majority still don't. On intersectionality and LGBT issues in aging We know that the majority of older adults within the LGBT community are likely to be single. They're also less likely to have a biological family, so children of their own. And they're also more likely to be estranged from their own family, which has led really to the development of what we call family of choice, which is really where people surround themselves by friends and friends basically take that role of family within your own life. But that can be kind of challenging unless we have intergenerational family or intergenerational families of choice, because it may, be for example, that a group of people at the same age all start to require support and help at the same sort of times. We have to be very, very conscious of this. And then as I mentioned before, with that intersectionality, when we look at how racism and sexism and homophobia has developed across the last 50 years, we can start to understand then why, for example, gay women of color, and especially trans women of color are subject to the most forms of discrimination, which leads to problems in terms of accessing services, because they don't have faith in healthcare services, in support services, in any formal structure. So we have to make sure that there are targets and health messages. We need to make sure that we are removing some of these intersectional barriers so we can try and aim for a more equitable society. One of the problems that we have within the LGBT community is that there are very few quote-unquote safe spaces. And these often revert around bars around nightclubs, around places, for example, that you might meet with loud music and as an older adult, that might not necessarily be your ideal situation, especially if you're living with cognitive impairment, if you're living with a visual impairment or indeed issues with hearing as well. So we find that older adults often feel slightly isolated from these particular groups, which leads to larger issues with their social network, having reduced social networks and indeed self-isolate. And we start seeing then the problems around social isolation and loneliness that you mentioned earlier, George. And these are huge issues, not just within the LGBT community, but within the older adult population as well. But before we go down that rabbit hole, it is worth mentioning that older adults are not the most lonely in society.  Actually, that is something that we can pass off to the younger generation, which arguably is partly down to that social comparison with social media. On the importance of talking about sex and older adults One of the problems that we've got and this really pervades through research as well, is we have this wide-standing assumption that older adults don't have sex. So as soon as you reach 50 ok and say, you're done, you never have sex again. We know this to be untrue, but research and mostly policy also stopped collecting data about older adults and their sexual health and their sexual behavior as well. So there's a lot of data that we just don't have on this population. So when it comes to sex and sexual health, what we need to do is make sure one, we're engaged in the older adult population and saying, well, we know you're having sex, but let's make sure we can do it in a safe way. We also need to make sure that sexual health screening is available for older adults because we have targeted interventions for youth groups,  for hard-to-reach communities, but we don't have sexual health screening that goes around residential care, for example. And there's no reason why we build that. We also have to be very, very aware that older adults have different relationship styles. So gone are the days where every older adult is in the same relationship that they were in when they were 20 years of age. Indeed,  now we're seeing increased divorce rates. We're seeing open relationships, polyamorous relationships, the same as we're seeing across other age groups as well. So we have to be very aware that for example, condoms, aren't just there to prevent pregnancy, but they're also there for sexual health. And we can take that across to, for example, HIV, where we see now that over 50%, nearly 60% of all those people living with HIV are older adults. And within this population, those are people over the age of 50. And that's been a real challenge, both in terms of healthcare providers also in terms of policy. So really what we need to do is open our minds and address some of these ageist assumptions that we have around older adults, and actually start to work with older adults as well, rather than making these assumptions about this homogenous group, which is exactly the opposite. It's the most heterogeneous group that you're going to get and actually work with them to understand some of these intricacies and understand some of these challenges that have been faced. So again, what we can do is try to make sure that these health messages are targeted and available for these specific groups. If we make these assumptions, the old people don't have sex well, we're automatically cutting them off from research or automatically cutting them off from health services. So really, I think one of the key lines is something that we used very, very widely in the UK. When working with older adults, we should be saying nothing about us without us. We should have that participating in inclusion work with older adults. Don't make assumptions around them and what aging actually entails when actually we've got these experts in the field, as it were, that are largely ignored from social policy and from research.

Paul’s Publications1.     That’s great! You can tell us how you are feeling’ – Mark, a recently severely physically disabled 11-year-old boy with a brain tumor in G. Fitchett and S. Nolan (eds), Case Studies in spiritual care.  (with Liz Bryson and Sally Nash).   JKP, 20182.     Chapter Holding the whispers in the dark in Skills for children’s work SCM  2019.3.     What do pediatric chaplains do? Developing a taxonomy of chaplaincy with children and young people. (With Emma Roberts et al) Journal for Healthcare Chaplaincy, summer 2018.4.     Coeditor, Skills for Pediatric chaplaincy, (with Mark Bartell and Sally Nash) JKP, April 2018.5.     What is the distinctiveness of pediatric chaplaincy? Findings from a systematic review of the literature. (with Wilf McSherry) Health and Social Care Chaplaincy, 2017.6.     A Machine Learning Approach to Evaluating Illness-Induced Religious Struggle (With Daniel Grossoehme et al) Biomedical Informatics Insights 2017.7.     Chaplaincy with children and young people (with Nigel Roberts) Grove Youth Series, 2016.8.     Editor, Supporting Families with Sick Children.  Red Balloon Resources, 2016.9.     Reflections on using metaphors in exploring spiritual and religious needs with young people with cancer and their families (with Sally Nash) Journal for the Study of Spirituality, 2015.10.  The Chaplains – Reflecting on the BBC Two Television Series.  Health and Social Care Chaplaincy, 2015.11.  Spiritual care with sick children and young people (with Kathryn Darby and Sally Nash).  JKP 2015.12.  Multifaith care for sick and dying children:  a multidisciplinary guide (with Madeleine Parkes and Zamir Hussain) JKP 2015.13.  Parents’ Spiritual and Religious Needs in Young Oncology (with Kathryn Darby and Sally Nash).  Cancer Nursing Practice, May 2014.  14.  Understanding and responding to the spiritual and religious needs of young people with cancer (with Kathryn Darby and Sally Nash.  Cancer Nursing Practice, March 2014.  15.  Birmingham Children’s Hospital: Pediatric end of life care and bereavement pathway in Spirituality and End of Life Care (ed Peter Gilbert), Pavilion, 2013.16.  The spiritual care of sick children:  reflections from a pilot participation project (with Kathryn Darby and Sally Nash).  International Journal of Children’s Spirituality, 2013.17.  Editor Working with children and young people: Good Practice Guidelines for Healthcare Chaplains Red Balloon Resources, 2013.18.  Coping through prayer, an empirical study in implicit religion concerning prayers for             children in hospital (with Tania Ap Sion).  Mental Health, Religion and Culture, 2013.19.  Supporting Dying Children and their Families, SPCK 2011.20.  Tools for Reflective Ministry (with Sally Nash) SPCK 2009.21.  Skills for Collaborative Ministry (with Sally Nash and Jo Pimlott) SPCK 2008.22.  What Theology for Youth Work?  Grove Youth Series, 2007. 

Começamos a nossa manhã refletindo sobre a pintura "Três Salas" de Paul Nash. VEJA A PINTURA: https://www.wikiart.org/en/paul-nash/three-rooms-1937 Gostou? Faça um PIX: https://nubank.com.br/pagar/20vwm/aw4Nx3K6S9 Fotografias para Decoração: https://holdorf.com.br/comprar-fotografias-arte-decoracao-online/ CURSO ONLINE: CRIE O SEU PORTFÓLIO: https://holdorf.com.br/curso-online-como-criar-um-lindo-portfolio-artistico-sem-dificuldades/ OFICINA ONLINE | DESCUBRA O SEU ESTILO: https://holdorf.com.br/oficina-online-fotografia-arte-descubra-o-seu-estilo/ CURSO ONLINE | FOTOGRAFIA BÁSICA COM O CELULAR: https://holdorf.com.br/curso-online-fotografia-basica-com-o-celular/ EXERCÍCIOS DE FOTOGRAFIA: https://holdorf.com.br/2021/02/09/exercicios-de-fotografia-para-transformar-o-seu-olhar/ https://holdorf.com.br/newsletter/ @jonathanholdorf holdorf.com.br

When visiting the Essex coast, you may be looking for things to do. How often have you put into an internet search "things to do in x place"? Well one Clacton man, has made a successful buisness out of doing just that. Paul Nash, used to run a petting zoo in Clacton and noticed a trend in how the visitors where finding out about the attraction. He speaks to Owen Ward about how he went from zoo owner to a fast expanding website entrepreneur. Paul's website is www.thingstodoinclacton.co.uk If you've got a story, Owen would like to hear from you! Email essexbytheseapodcast@gmail.com Join him on social media: Instagram, Facebook and Twitter

Começamos a nossa manhã refletindo sobre a pintura "As Pirâmides no Mar" de Paul Nash VEJA A PINTURA: https://www.italianways.com/de-chirico-archaeologists-and-dreams-of-the-ancient-past/ Gostou? Faça um PIX: https://nubank.com.br/pagar/20vwm/aw4Nx3K6S9 Fotografias para Decoração: https://holdorf.com.br/comprar-fotografias-arte-decoracao-online/ OFICINA ONLINE | DESCUBRA O SEU ESTILO: https://holdorf.com.br/oficina-online-fotografia-arte-descubra-o-seu-estilo/ CURSO ONLINE | FOTOGRAFIA BÁSICA COM O CELULAR: https://holdorf.com.br/curso-online-fotografia-basica-com-o-celular/ EXERCÍCIOS DE FOTOGRAFIA: https://holdorf.com.br/2021/02/09/exercicios-de-fotografia-para-transformar-o-seu-olhar/ https://holdorf.com.br/newsletter/ @jonathanholdorf holdorf.com.br

Começamos a nossa manhã refletindo sobre a pintura "Paisagem de um Sonho" de Paul Nash. VEJA A PINTURA: https://www.tate.org.uk/art/artists/paul-nash-1690 Gostou? Faça um PIX: https://nubank.com.br/pagar/20vwm/aw4Nx3K6S9 Fotografias para Decoração: https://holdorf.com.br/comprar-fotografias-arte-decoracao-online/ OFICINA ONLINE | DESCUBRA O SEU ESTILO: https://holdorf.com.br/oficina-online-fotografia-arte-descubra-o-seu-estilo/ CURSO ONLINE | FOTOGRAFIA BÁSICA COM O CELULAR: https://holdorf.com.br/curso-online-fotografia-basica-com-o-celular/ EXERCÍCIOS DE FOTOGRAFIA: https://holdorf.com.br/2021/02/09/exercicios-de-fotografia-para-transformar-o-seu-olhar/ https://holdorf.com.br/newsletter/ @jonathanholdorf holdorf.com.br

In this unmissable episode, writer Eliza Apperly joins in conversation with Andy Friend, author of ‘John Nash: The Landscape of Love and Solace’, and Sara Cooper, Head of Collections and Exhibitions at Towner Eastbourne, to explore the extraordinary life and work of 20th-century painter John Nash. Younger brother of Paul Nash, John’s remarkable life was marked both by great tragedy and by deep, enduring love. This episode offers insight into the traumatic deaths of his mother and young son, his experience of frontline horror in the First World War, his nearly 60-year marriage to Christine Kühlenthal – which allowed for ‘outside loves’ – plus the rich network of artists who were John’s friends and contemporaries, and how John found refuge in his art and in the bucolic British landscape. ‘John Nash: The Landscape of Love and Solace’ by Andy Friend and David Dimbleby is available at: https://thamesandhudson.com/john-nash-the-landscape-of-love-and-solace-9780500022900 The Towner Eastbourne’s retrospective exhibition of the same name will run from 1 May to 26 September 2021. More info can be found at: https://www.townereastbourne.org.uk/exhibition/john-nash-the-landscape-of-love-and-solace/ This episode was produced and presented by Eliza Apperly and edited by Benjamin Nash.

Join Daniel Rayner and Paul Nash, Principal Consultant at Dear Watson Consulting, as they discuss all areas of business process management. ✅ Why is process documentation so important? ✅ Why is it important to have a standardised notation to document processes? ✅ How does BPMN 2.0 bridge the gap between business and IT? These are just a few of the questions they tackle as they explore what needs to be considered when implementing BPM in an organisation. Tune in for great advice on how a process architecture can link your detailed processes to your organisations strategy! Process Pioneers is a community of professionals who strive to equip their organisation with effective business process management. Get involved into a lively exchange of knowledge and experiences in our LinkedIn Group: https://www.linkedin.com/groups/13859327/ and follow us on Instagram: https://www.instagram.com/process_pioneers/ Twitter: https://twitter.com/ProcessPioneers or Facebook: https://www.facebook.com/processpioneers/

'Dreams are collisions of Memories'. On this episode Tony sits down with returning co-host Ken Reynolds and discusses the brilliant 'Black Dog. The Dreams of Paul Nash' by podcast favourite Dave McKean. This is a comic of many styles and many themes. Breath-taking in art and writing. If you haven't read it you really need to rectify that! Right now! You can find more out about Ken's comics and prose projects here and follow him on Twitter here. Many thanks for listening.

Margaret MacMillan is a distinguished historian, known for her masterly grasp of her subject matter as well as her gift for vivid storytelling. In November 2020 she came to Intelligence Squared Plus to discuss war, a topic which, she argues, we should be talking about more than we currently are.MacMillan explained how war has shaped our societies and our very concept of ourselves. Once you embark on war you need structures and soldiers. You need people to give orders and to take orders. All that requires societal organisation. And from war we get many of our political institutions, our values and ideas. Our very language, our public spaces, our private memories, and some of our greatest cultural treasures have been influenced by war – from Homer to the paintings of Paul Nash.Drawing on the themes of her new book, 'War: How Conflict Shaped Us', MacMillan examined the benefits that war has brought us, from votes for women to the mass availability of penicillin, and (arguably) nuclear power. And debated such questions as: When did war first start? Does human nature doom us to fight one another? Why has war been described as the most organised of all human activities? Why are warriors almost always men? Is war ever within our control?In conversation with bestselling historian of The Silk Roads Peter Frankopan, MacMillan revealed the many faces of war – the way it has determined our past, and will continue to shape our future. To find out more about the book click here: https://www.amazon.co.uk/War-How-Conflict-Shaped-Us/dp/1984856138 Support this show http://supporter.acast.com/intelligencesquared. See acast.com/privacy for privacy and opt-out information.

Sarah Fletcher: Sarah is a life long educator, an ex secondary school headteacher, and now oversees a group of schools. We talk about growing up in the '80s in an army town in the midst of a council estate and the violence of the era and how it shaped her. Her interest in art, literature, and surrealism has helped her consider life in a nuanced way from different perspectives. The thread that runs through everything is her passion and commitment to education and helping create better life opportunities for young people. Show Note Links: Paul Willis, British Social Scientist - https://en.wikipedia.org/wiki/Paul_Willis Paul Nash, British Surrealist Painter - https://en.wikipedia.org/wiki/Paul_Nash_(artist) Frida Kahlo, Mexican Folk Art Painter - https://en.wikipedia.org/wiki/Frida_Kahlo --- Send in a voice message: https://podcasters.spotify.com/pod/show/ravinol/message

Imagina você ir para Primeira Guerra Mundial, ver tudo que aconteceu, perder pessoas e entender quem você é como artista? Essa é a história de Black Dog, uma graphic novel que conta a história de Paul Nash, um artista britânico que foi a guerra e a partir dela deu e mostrou a importância da arte para o mundo.(https://amzn.to/32FQdqW) Agradecimentos: Theus Jackson, para você não desistir de ser quem você é. Campanha: apoia.se/termineicast Twitter: @termineicast

Welcome to our first lockdown podcast! And forgive us for our imperfect audio sins, but boy do we have a bumper catch up on our hands. We kick off with some virtual viewing reviews: Picasso on Paper, Andy Warhol at the Tate Modern, Quentin Blake at Hastings Contemporary, Google Arts and Culture Tours, and the Virtual Viewing Rooms at Frieze New York. And to feed the lockdown boredom, we have a feast of documentary suggestions, and some creative inspiration courtesy of the The Artist Support Pledge and The Isolation Art School. Believe it or not, but there are news stories in the art world that have nothing to do with Covid-19, and we found two of them. We discuss the controversial plans to demolish the buildings that host Picasso's murals in Oslo, and reviews of the 2020 BP Portrait Award winner and why people fixate on her label as a 'self taught' artist. This episode's Artist Focus is war artist Paul Nash. Best known for his striking modernist landscapes of the trenches, Nash was an official war artist in both World Wars. We discuss the changes in his works between the two wars, how witnessing death and destruction influenced his work, and his inter-war experimentation in Surrealism. SHOW NOTESPicasso on Paper at the Royal Academy: https://www.youtube.com/watch?v=oOOY6GbV9KsAndy Warhol at the Tate Modern: https://www.youtube.com/watch?v=ZjgAd6Z-dd0Quentin Blake ‘We live in worrying times' at Hastings Contemporary: https://www.hastingscontemporary.org/exhibition/quentin-blake-we-live-in-worrying-times/Google Arts and Culture Tours: https://artsandculture.google.com/story/10-top-museums-you-can-explore-right-here-right-now/igKSKBBnEBSGKgThe Virtual Viewing Room at Frieze New York: https://frieze.com/fairs/frieze-viewing-roomBecoming Matisse documentary: https://www.bbc.co.uk/programmes/m000hqt7Lee Miller - A Life on the Front Line documentary: https://www.bbc.co.uk/programmes/m000hy2pThe Artist Support Pledge: visit @artistsupportpledge on Instagram The Isolation Art School: visit @isolationartschool on Instagram Grayson's Art Club on Channel 4: https://www.channel4.com/programmes/graysons-art-club The Cel del Nord Virtual Residency: https://celdelnord.com/virtual-residencyPicasso's Murals in Oslo are at the Centre of a Major Controversy: https://www.architecturaldigest.com/story/picasso-murals-oslo-major-controversyJiab Prachakul - Will Gompertz reviews BP Portrait Award Winner: https://www.bbc.co.uk/news/entertainment-arts-52592969Paul Nash, The Landscape of Modernism, film: https://henitalks.com/talks/paul-nash-the-landscape-of-modernism/Review: Propaganda, Power and Persuasion at the British Library: https://www.independent.co.uk/arts-entertainment/art/reviews/exhibition-review-propaganda-power-and-persuasion-british-library-london-8632201.html

Dave McKean talks to Giuseppe Castellano about being a writer, illustrator, filmmaker, and all around “creativo”; what his first impression was of Neil Gaiman; why he dislikes being called “artist” and “genius”; and how he managed to talk to artist Paul Nash—an early-20th-century British Modernist who passed in 1946.

Elliot does a quick 7 Questions with Paul Nash, the founder of The Search Site; Things To Do In: Essex, London, Clacton, Colchester, Brentwood and many others. With international Things To Do In now growing too. Find out what the big man has to say in this short chat.

Interview with Paul Nash

Trees have captured the imagination of some of Britain’s most important landscape painters, with artists including John Constable and Paul Nash inspired by their diversity of form, character and symbolic significance. Here, in discussion with David in his role as an Ambassador for the Woodland Trust, art historian Christiana Payne and artist Angela Summerfield celebrate the majestic beauty of our woodland and the role of trees in inspiring some of our greatest artworks. “The Art Of Trees” was recorded live at The Times and The Sunday Times 70th Cheltenham Literature Festival in October 2019 and was supported by The Woodland Trust. See acast.com/privacy for privacy and opt-out information.

In this episode of Chip Chat, Paul Nash, Product Manager Compute Engine on Google Cloud Platform at Google, discusses the industry trends impacting IaaS and how Google Cloud Platform together with Intel are driving innovation in the cloud. Together Google and Intel are optimizing hardware to support enterprise workloads including developing solutions for SAP HANA. Google Cloud Platform is also announcing a new family of instances that leverage Intel Optane DC Persistent Memory. Learn more about the benefits this new memory tier offers Google's customers along with more information on all the new instances being announced at Google Next 2019. For more information visit google.cloud.com. Intel technologies' features and benefits depend on system configuration and may require enabled hardware, software or service activation. Performance varies depending on system configuration. No product or component can be absolutely secure. Check with your system manufacturer or retailer or learn more at intel.com. Intel, Optane, and the Intel logo are trademarks of Intel Corporation or its subsidiaries in the U.S. and/or other countries. *Other names and brands may be claimed as the property of others. © Intel Corporation

Themes of food and crime knit seamlessly together in this month’s crop of sketches, written by you! This month, Sketch Please was written by: Kristie McNiel, Joe Young, Chris Ballard, Leonie Rachel, Henrik Persson, Paul Nash and Patrick Robinson. It stars... Ruby Martin, a stand-up and podcast host: Monthly arts and craft comedy night Wednesday 20th March Comical Comedy @comical_comedy Trashfiremag.com for her honest funny takes on how we’re all bad people @rubymartinart @nsfwriting for her smutty fan fiction podcast Phoebe Batteson-Brown, an actor, performer, voice artist and one half of sketch duo Ladylikes: @ladylikescomedy ladylikescomedy.com phoebebattesonbrown.com Check out her show Top Secret House Party Plus Sketchy Ladies on Thursday 21st March at the Water Poet, London, 7pm Katerina Robinson is an actor, stand-up comedian and writer: @misskaterinar www.katerinarobinson,com You can star in Sketch Please too. Just send in your name or sketch with the subject title ‘performer’ or ‘sketch’ to sketchplease@podcastpioneers.com. You can follow our host Katharine Kerr @katkerrradio on Twitter. This month’s sketches in order: Kristie McNiel - Come Dine with Me Spoof Joe Young - Adventurous Dining Chris Ballard - DIY Sketch Leonie Rachel - Wellness R Us Henrik Persson - Foxhole Paul Nash - Mugger Rugger

Conhecido por sua colaboração com Neil Gaiman — na série Sandman e em Sinal e Ruído, Mr. Punch e Violent Cases, Dave McKean assombra o universo dos quadrinhos desde a sua estreia nos anos 1980. Agora, a DarkSide® Books apresenta a nova graphic novel do legendário multiartista, baseada na vida de Paul Nash, pintor inglês surrealista que combateu na Primeira Guerra Mundial. BLACK DOG: OS SONHOS DE PAUL NASH aborda, sobretudo, esse período delicado e determinante na vida do pintor, que iria marcar profundamente sua produção artística posterior, e compõe, através das lembranças de Nash e seus companheiros de batalha, um painel multifacetado e tocante sobre como a guerra e situações extremas nos modificam e como lidamos com toda a dor, a perda e o trauma que ela provoca. http://fanzine.com.br/black-dog-os-sonhos-de-paul-nash/

Black Dog – The Dreams of Paul Nash: To coincide with Armistice Week, Panel Borders presents a Q and A originally recorded at Graphic Brighton (University of Brighton, 2016).Alex Fitch talks to graphic novelist and filmmaker Dave McKean about his book and multimedia live production Black Dog – The Dreams of Paul Nash which dramatises […]

Nesta edição do podcast, nós entrevistamos o quadrinista, ilustrador e cineasta britânico Dave McKean, que esteve no Brasil para o lançamento de sua mais nova graphic novel, “Black Dog: Os Sonhos de Paul Nash“. Na conversa com o cinematório, ele fala sobre o desenvolvimento da HQ, como transforma sonhos e fantasias em imagens, opina sobre o uso […] O post Dave McKean: Cinema e Quadrinhos :: cinematório café expresso apareceu primeiro em cinematório.

Nesta edição do podcast, nós entrevistamos o quadrinista, ilustrador e cineasta britânico Dave McKean, que esteve no Brasil para o lançamento de sua mais nova graphic novel, “Black Dog: Os Sonhos de Paul Nash“. Na conversa com o cinematório, ele fala sobre o desenvolvimento da HQ, como transforma sonhos e fantasias em imagens, opina sobre o uso […] O post Dave McKean: Cinema e Quadrinhos :: cinematório café expresso apareceu primeiro em cinematório.

Dave McKean, artist, writer, illustrator, cartoonist, designer, director, composer, and all-around creative force, joins the show to talk about how the story dictates the medium, why comics-making shouldn't be taught, the balancing act of collaborative and solo work, the missed opportunity of Tundra Publishing, his forays into theater and film with the WildWorks team and how they taught him to give up his control-freak nature, the influence of his jazz background, why it's okay sometimes to judge a book by its cover, the problem-solving nature of a long walk, how the early loss of his father plays out in his work, his tendency to start every project with a complete failure of confidence, and the confluence of forces that led to his amazing new book, Black Dog: The Dreams of Paul Nash. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

1962 – 1974: Onder die Suid-Afrikaanse sporthoogtepunte wat deur die Afrikaanse Radiodiens van die SAUK uitgesaai en in die program ingesluit is, is die Springbokke se dramatiese kriekettoetsreeks van 1964 in Australië, die eerste droommyl wat in Suid-Afrika gehardloop is, Karen Muir se wêreldswemrekord in 1967, Paul Nash se atletiekwêreldrekord in die 100-meter, en die Springbokke se rugby-toetsreeks teen Brian Lochore se All Blacks in 1970. Daar word ook hulde gebring aan sportkommentators soos Johan de Bruyn, AW Labuschagne, Pierre Marais, Edwill van Aarde, Hendrik du Bruyn, Jan Snyman en Gerhard Viviers.

An immersive audio experience which explores the history and landscape of Maiden Castle through three interconnected narratives. Follow the writer Thomas Hardy, painter Paul Nash and imagined Iron Age storyteller Nonna as they lead you on a journey which connects time, place and imagination.

Paul Nash, Group Product Manager for Compute Engine at Google Cloud, joins us to discuss being the first company to bring the Intel® Xeon® Scalable platform to the cloud. Google Cloud is an Infrastructure as a Service (IaaS) offering that delivers to consumers some of the cloud technologies that Google developed to power services like Google Search and Gmail. In this interview, Nash talks about the decade-long collaboration history between Google and Intel, the Intel Xeon Scalable platform features that have Google most excited, and the benefits customers already are seeing with Intel Xeon Scalable processors and workloads like genomics, weather forecasting, financial services, and scientific visualization. For more information on Google Cloud, please visit https://cloud.google.com/intel and https://cloudplatform.googleblog.com/. For more information on the Intel Xeon Scalable platform, please check out the Intel Xeon Scalable platform launch at https://launchevent.intel.com, learn more at https://intel.com/xeonscalable, and look for #XeonScalable on Twitter.

"I’m in the studio almost every day, and usually begin the day with two to three hours of thinking, almost as if I’m finding or retracing my way back into a painting.." You were recently in a group show called "Part II: The Turning World" Curated by Zavier Ellis at CHARLIE SMITH LONDON. Could you tell us about that show?The show was a three-person show about contemporary landscape painting and included Barry Thompson, Sam Douglas and myself obviously. Zavier Ellis, the Director of Charlie Smith Gallery, came to my studio a while back, just for a nose I think, and I have a vague idea that, although landscape is just one genre I use, (constitutes about a quarter of what I make), the show may have evolved as a result of a conversation we had about a group of landscapes that I had made or that were on the go, something about a tension between a fiction and a realism dichotomy - finding ‘a realism’ through ‘a fiction’. I think Zavier expanded and layered this idea and curated the whole thing, and presented three painters that occupy three very different and distinct positions with regard to landscape painting, and for me, the show did aim to constitute something of a tension between fiction and realism.Could you tell us a bit about yourself? How long have you been a practising artist and where did you study?I studied at Kingston University in the mid eighties and have been painting since then. I’ve also worked as a curator, mainly for independent project spaces, and I have written about painting. I founded Turps Banana with Marcus Harvey in 2005 (although I left three years ago), and I also founded the painting gallery The Lion and Lamb (which closed three years ago). "Part II: The Turning World", CHARLIE SMITH LONDON 2017 The Hand Glider, 2017 The Passage, 2012 'milo's muzzle' 2011 Tell us a bit about how you spend your day/studio routine? What is your studio like?I’m in the studio almost every day, and usually begin the day with two to three hours of thinking, almost as if I’m finding or retracing my way back into a painting or paintings. I usually make a body of work of between twelve to twenty paintings simultaneously. Some paintings might be finished or close to being finished and they will influence or define ideas about other paintings that are in progress, which in turn will suggest new paintings. Some days I’ll paint for seven to eleven hours straight without a break, other days I’ll make drawings or just sit and think for hours – it really depends on the developing consciousness of the work.My studio is at Standpoint Studios in Hoxton, London and I’ve been there for seventeen years. Standpoint, in my opinion, is quite a unique set-up in the sense that it is well run, everyone just gets on with their work, but there is also a lot of humour and friendship. The top sections of my studio walls are covered with drawings that serve the development of ideas for paintings. I have a ‘main’ wall on which I hang the paintings that ‘I’m painting’ and the rest of the paintings that are on the go are hung on other walls as if they are waiting their turn for attention. The scale of paintings varies from twelve inches to six-foot stretchers - in my opinion scale is dictated by content. There are a lot of books in the studio, some on work surfaces, others on the studio floor along with loads of notebooks, sketchbooks of drawings, more drawings and block prints. 'the pot' 2011 'in that large book that overhangs the earth' 2016 'the pragmatic smokeman' 2016 What artwork have you seen recently that has resonated with you?For me, resonance is really about what contributes to and extends your thinking at a given time, and in that sense, I look at a lot of painting from many different periods. More specifically though, in terms of what or who I constantly go back to and think about I’d have to say medieval illuminated manuscript paintings, the northern and southern renaissance painters (particularly Breugel and Titian), Degas, Monet, early Cubism (particularly Braque), the late Andre Derain paintings and some of Guston’s paintings. I did see a Neo Rauch show a while back which I thought was disappointing, and the recent Paul Nash retrospective, which I thought was one of the best shows I’ve seen for a while. With regards to particular works that resonate with me, I have to single out Hunters in the Snow by Breugel, The Death of Acteon by Titian and The Painter’s Family by Andre Derain.Where has your work been headed more recently?I finished a group of fifty-three paintings about eighteen months ago that took me five or six years to complete. Although most of them have been in shows over the years it has been important to me to see the group as an entirety, almost as if that group defines my range and intellectual and emotional structure. My objectification of what that group of paintings is about propelled me into a new group of paintings that feeds off the collapse of a long-term relationship and the death of my dog Milo last year, and they in turn refer, on an abstract level, to thoughts about the content and pictorial significance of Breugel’s Hunters in the Snow. "Part II: The Turning World", CHARLIE SMITH LONDON 2017 "Part II: The Turning World", CHARLIE SMITH LONDON 2017 How do you go about naming your work?Naming paintings is very important to me. I constantly remind myself of a quote from Shakespeare, “and gives to airy nothingness a local habitation and a name”. Objectification is always in play. All the titles of the paintings that were in The Turning World show refer to what is depicted, to ‘ the language of the painting’ and to words that might be used to describe a painting, such as The Passage, The Edge, The Field or The Hand Glider. The Passage emphasizes the light and space in the picture. The ‘painting’ in The Hand Glider implies ‘a gliding’ across the surface of the painting and the picture plane, almost as if the picture is suspended ‘within the surface’.Is there anything new and exciting in the pipeline you would like to tell us about?Yes, a solo show in October at Emma Hill’s gallery, and The Eagle Gallery in Clerkenwell, London. charliesmithlondon.comAll images courtesy of the artist and CHARLIE SMITH LONDONInterview published 01/06/17

Earlier this month the nominees for the 2017 Eisner Awards were announced at the Comic-Con International website, and as Andy and Derek like to do every year, they're devoting a full episode of The Comics Alternative to a discussion of the nominations. On this week's show, the Two Guys give their impressions of the various nominees, both as a whole and on a category-by-category basis, making observations and trying to understand any trends underlying this year's selections. However, Derek and Andy resist the urge to play armchair quarterbacks, so they don't second-guess the six-member panel of judges or focus on what they would have chosen if they had been on the selection committee. As diligent comics scholars, they judicial and discerning in their commentary. At the same time, they don't shy away from pointing out a few inconsistencies and a few head-scratchers when trying to make sense of this year's nominations. You can find a complete list of the 2017 Eisner Award nominees below. So as you listen to this week's episode, please feel free to scroll down and follow along!   Eisner Awards Nominations 2017 Best Short Story “The Comics Wedding of the Century,” by Simon Hanselmann, in We Told You So: Comics as Art (Fantagraphics) “The Dark Nothing,” by Jordan Crane, in Uptight #5 (Fantagraphics) “Good Boy,” by Tom King and David Finch, in Batman Annual #1 (DC) “Monday,” by W. Maxwell Prince and John Amor, in One Week in the Library (Image) “Mostly Saturn,” by Michael DeForge, in Island Magazine #8 (Image) “Shrine of the Monkey God!” by Kim Deitch, in Kramers Ergot 9 (Fantagraphics) Best Single Issue/One-Shot Babybel Wax Bodysuit, by Eric Kostiuk Williams (Retrofit/Big Planet) Beasts of Burden: What the Cat Dragged In, by Evan Dorkin, Sarah Dyer, and Jill Thompson (Dark Horse) Blammo #9, by Noah Van Sciver (Kilgore Books) Criminal 10th Anniversary Special, by Ed Brubaker and Sean Phillips (Image) Sir Alfred #3, by Tim Hensley (Pigeon Press) Your Black Friend, by Ben Passmore (Silver Sprocket) Best Continuing Series Astro City, by Kurt Busiek and Brent Anderson (Vertigo/DC) Kill or Be Killed, by Ed Brubaker and Sean Phillips (Image) The Mighty Thor, by Jason Aaron and Russell Dauterman (Marvel) Paper Girls, by Brian K. Vaughan and Cliff Chiang (Image) Saga, by Brian K. Vaughan and Fiona Staples (Image) Best Limited Series Archangel, by William Gibson, Michael St. John Smith, Butch Guice, and Tom Palmer (IDW) Briggs Land, by Brian Wood and Mack Chater (Dark Horse) Han Solo, by Marjorie Liu and Mark Brooks (Marvel) Kim and Kim, by Magdalene Visaggio and Eva Cabrera (Black Mask) The Vision, by Tom King and Gabriel Walta (Marvel) Best New Series Black Hammer, by Jeff Lemire and Dean Ormston (Dark Horse) Clean Room, by Gail Simone and Jon Davis-Hunt (Vertigo/DC) Deathstroke: Rebirth, by Christopher Priest, Carlo Pagulayan, et al. (DC) Faith, by Jody Houser, Pere Pérez, and Marguerite Sauvage (Valiant) Mockingbird, by Chelsea Cain and Kate Niemczyk (Marvel) Best Publication for Early Readers (up to age 8) Ape and Armadillo Take Over the World, by James Sturm (Toon) Burt's Way Home, by John Martz (Koyama) The Creeps, Book 2: The Trolls Will Feast! by Chris Schweizer (Abrams) I'm Grumpy (My First Comics), by Jennifer L. Holm and Matthew Holm (Random House Books for Young Readers) Narwhal: Unicorn of the Sea, by Ben Clanton (Tundra) Best Publication for Kids (ages 9-12) The Drawing Lesson, by Mark Crilley (Watson-Guptill) Ghosts, by Raina Telgemeier (Scholastic) Hilda and the Stone Forest, by Luke Pearson (Flying Eye Books) Rikki, adapted by Norm Harper and Matthew Foltz-Gray (Karate Petshop) Science Comics: Dinosaurs, by MK Reed and Joe Flood (First Second) Best Publication for Teens (ages 13-17) Bad Machinery, vol. 5: The Case of the Fire Inside, by John Allison (Oni) Batgirl, by Hope Larson and Rafael Albuquerque (DC) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Monstress, by Marjorie Liu and Sana Takeda (Image) Trish Trash: Roller Girl of Mars, by Jessica Abel (Papercutz/Super Genius) The Unbeatable Squirrel Girl, by Ryan North and Erica Henderson (Marvel) Best Humor Publication The Further Fattening Adventures of Pudge, Girl Blimp, by Lee Marrs (Marrs Books) Hot Dog Taste Test, by Lisa Hanawalt (Drawn & Quarterly) Jughead, by Chip Zdarsky, Ryan North, Erica Henderson, and Derek Charm (Archie) Man, I Hate Cursive, by Jim Benton (Andrews McMeel) Yuge! 30 Years of Doonesbury on Trump, by G. B. Trudeau (Andrews McMeel) Best Anthology Baltic Comics Anthology š! #26: dADa, edited by David Schilter and Sanita Muizniece (kuš!) Island Magazine, edited by Brandon Graham and Emma Rios (Image) Kramers Ergot 9, edited by Sammy Harkham (Fantagraphics) Love Is Love, edited by Sarah Gaydos and Jamie S. Rich (IDW/DC) Spanish Fever: Stories by the New Spanish Cartoonists, edited by Santiago Garcia (Fantagraphics) Best Reality-Based Work Dark Night: A True Batman Story, by Paul Dini and Eduardo Risso (Vertigo/DC) Glenn Gould: A Life Off Tempo, by Sandrine Revel (NBM) March (Book Three), by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf) Rosalie Lightning: A Graphic Memoir, by Tom Hart (St. Martin's) Tetris: The Games People Play, by Box Brown (First Second) Best Graphic Album—New The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Black Dog: The Dreams of Paul Nash, by Dave McKean (Dark Horse) Exits, by Daryl Seitchik (Koyama) Mooncop, by Tom Gauld (Drawn & Quarterly) Patience, by Daniel Clowes (Fantagraphics) Wonder Woman: The True Amazon, by Jill Thompson (DC Comics) Best Graphic Album—Reprint Demon, by Jason Shiga (First Second) Incomplete Works, by Dylan Horrocks (Alternative) Last Look, by Charles Burns (Pantheon) Meat Cake Bible, by Dame Darcy (Fantagraphics) Megg and Mogg in Amsterdam and Other Stories, by Simon Hanselmann (Fantagraphics) She's Not into Poetry, by Tom Hart (Alternative) Best U.S. Edition of International Material Equinoxes, by Cyril Pedrosa, translated by Joe Johnson (NBM) Irmina, by Barbara Yelin, translated by Michael Waaler (SelfMadeHero) Love: The Lion, by Frédéric Brémaud and Federico Bertolucci (Magnetic) Moebius Library: The World of Edena, by Jean “Moebius” Giraud et al. (Dark Horse) Wrinkles, by Paco Roca, translated by Erica Mena (Fantagraphics) Best U.S. Edition of International Material—Asia The Art of Charlie Chan Hock Chye, by Sonny Liew (Pantheon) Goodnight Punpun, vols. 1–4, by Inio Asano, translated by JN PRoductions (VIZ Media) orange: The Complete Collection, vols. 1–2, by Ichigo Takano, translated by Amber Tamosaitis, adaptation by Shannon Fay (Seven Seas) The Osamu Tezuka Story: A Life in Manga and Anime, by Toshio Ban and Tezuka Productions, translated by Frederik L. Schodt (Stone Bridge Press) Princess Jellyfish, vols. 1–3, by Akiko Higashimura, translated by Sarah Alys Lindholm (Kodansha) Wandering Island, vol. 1, by Kenji Tsuruta, translated by Dana Lewis (Dark Horse) Best Archival Collection/Project—Strips (at least 20 years old) Almost Completely Baxter: New and Selected Blurtings, by Glen Baxter (NYR Comics) Barnaby, vol. 3, by Crockett Johnson, edited by Philip Nel and Eric Reynolds (Fantagraphics) Chester Gould's Dick Tracy, Colorful Cases of the 1930s, edited by Peter Maresca (Sunday Press) The Realist Cartoons, edited by Paul Krassner and Ethan Persoff (Fantagraphics) Walt & Skeezix 1931–1932, by Frank King, edited by Jeet Heer and Chris Ware (Drawn & Quarterly) Best Archival Collection/Project—Comic Books (at least 20 Years Old) The Complete Neat Stuff, by Peter Bagge, edited by Eric Reynolds (Fantagraphics) The Complete Wimmen's Comix, edited by Trina Robbins, Gary Groth, and J. Michael Catron (Fantagraphics) Fables and Funnies, by Walt Kelly, compiled by David W. Tosh (Dark Horse) Trump: The Complete Collection, by Harvey Kurtzman et al., edited by Denis Kitchen and John Lind (Dark Horse) U.S.S. Stevens: The Collected Stories, by Sam Glanzman, edited by Drew Ford (Dover) Best Writer Ed Brubaker, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image) Kurt Busiek, Astro City (Vertigo/DC) Chelsea Cain, Mockingbird (Marvel) Max Landis, Green Valley (Image/Skybound); Superman: American Alien (DC) Jeff Lemire, Black Hammer (Dark Horse); Descender, Plutona (Image); Bloodshot Reborn (Valiant) Brian K. Vaughan, Paper Girls, Saga (Image) Best Writer/Artist Jessica Abel, Trish Trash: Roller Girl of Mars (Papercutz/Super Genius) Box Brown, Tetris: The Games People Play (First Second) Tom Gauld, Mooncop (Drawn & Quarterly) Tom Hart, Rosalie Lightning: A Graphic Memoir (St. Martin's) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Best Penciller/Inker or Penciller/Inker Team Mark Brooks, Han Solo (Marvel) Dan Mora, Klaus (BOOM! Studios) Greg Ruth, Indeh (Grand Central Publishing) Francois Schuiten, The Theory of the Grain of Sand (IDW) Fiona Staples, Saga (Image) Brian Stelfreeze, Black Panther (Marvel) Best Painter/Multimedia Artist (interior art) Federico Bertolucci, Love: The Lion (Magnetic) Brecht Evens, Panther (Drawn & Quarterly) Manuele Fior, 5,000 km per Second (Fantagraphics) Dave McKean, Black Dog (Dark Horse) Sana Takeda, Monstress (Image) Jill Thompson, Wonder Woman: The True Amazon (DC); Beasts of Burden: What the Cat Dragged In (Dark Horse) Best Cover Artist (for multiple covers) Mike Del Mundo, Avengers, Carnage, Mosaic, The Vision (Marvel) David Mack, Abe Sapien, BPRD Hell on Earth, Fight Club 2, Hellboy and the BPRD 1953 (Dark Horse) Sean Phillips, Criminal 10th Anniversary Special, Kill or Be Killed (Image) Fiona Staples, Saga (Image) Sana Takeda, Monstress (Image) Best Coloring Jean-Francois Beaulieu, Green Valley (Image/Skybound) Elizabeth Breitweiser, Criminal 10th Anniversary Special, Kill or Be Killed, Velvet (Image); Outcast by Kirkman & Azaceta (Image/Skybound) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Laura Martin, Wonder Woman (DC); Ragnorak (IDW); Black Panther (Marvel) Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel) Best Lettering Dan Clowes, Patience (Fantagraphics) Brecht Evens, Panther (Drawn & Quarterly) Tom Gauld, Mooncop (Drawn & Quarterly) Nick Hayes, Woody Guthrie (Abrams) Todd Klein, Clean Room, Dark Night, Lucifer (Vertigo/DC); Black Hammer (Dark Horse) Sonny Liew, The Art of Charlie Chan Hock Chye (Pantheon) Best Comics-Related Periodical/Journalism The A.V. Club comics coverage, including Comics Panel, Back Issues, and Big Issues, by Oliver Sava et al., www.avclub.com Comic Riffs blog, by Michael Cavna and David Betancourt, www.washingtonpost.com/new/comic-riffs/ Critical Chips, edited by Zainab Akhtar (Comics & Cola) PanelPatter.com, edited by Rob McMonigal WomenWriteAboutComics.com, edited by Megan Purdy and Claire Napier Best Comics-Related Book blanc et noir: takeshi obata illustrations, by Takeshi Obata (VIZ Media) Ditko Unleashed: An American Hero, by Florentino Flórez and Frédéric Manzano (IDW/Editions Déesse) Krazy: George Herriman, A Life in Black and White, by Michael Tisserand (Harper) The Life and Legend of Wallace Wood, vol. 1, edited by Bhob Stewart and J. Michael Catron (Fantagraphics) More Heroes of the Comics, by Drew Friedman (Fantagraphics) Best Academic/Scholarly Work Brighter Than You Think: Ten Short Works by Alan Moore, with essays by Marc Sobel (Uncivilized) Forging the Past: Set and the Art of Memory, by Daniel Marrone (University Press of Mississippi) Frank Miller's Daredevil and the Ends of Heroism, by Paul Young (Rutgers University Press) Pioneering Cartoonists of Color, by Tim Jackson (University Press of Mississippi) Superwomen: Gender, Power, and Representation, by Carolyn Cocca (Bloomsbury) Best Publication Design The Art of Charlie Chan Hock Chye, designed by Sonny Liew (Pantheon) The Complete Wimmen's Comix, designed by Keeli McCarthy (Fantagraphics) Frank in the Third Dimension, designed by Jacob Covey, 3D conversions by Charles Barnard (Fantagraphics) The Realist Cartoons, designed by Jacob Covey (Fantagraphics) Si Lewen's Parade: An Artist's Odyssey, designed by Art Spiegelman (Abrams) Best Webcomic Bird Boy, by Anne Szabla, http://bird-boy.com Deja Brew, by Taneka Stotts and Sara DuVall (Stela.com) Jaeger, by Ibrahim Moustafa (Stela.com) The Middle Age, by Steve Conley, steveconley.com/the-middle-age On Beauty, by Christina Tran,  sodelightful.com/comics/beauty/ Best Digital Comic Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology) Edison Rex, by Chris Roberson and Dennis Culver (Monkeybrain/comiXology) Helm, by Jehanzeb Hasan and Mauricio Caballero, www.crookshaw.com/helm/ On a Sunbeam, by Tillie Walden, www.onasunbeam.com Universe!, by Albert Monteys (Panel Syndicate)

There's a revival of Peter Shaffer's play Amadeus at London's National Theatre. It's the story of Mozart's supposed rivalry with fellow composer Salieri and it has a live orchestra on stage accompanying and acting in the play Werner Herzog's latest film Lo and Behold considers the history and future, the successes and failures of the world wide web Israeli author David Grossman's novel A Horse Walks Into A Bar is a story about an edgy stand-up comedian who's playing strange confessional games with his audience Tate Britain has an exhibition of the work of Paul Nash, from his times as a war artist in both world wars and his surrealist paintings to his less well known assemblages The BBC's new period drama has been in the planning stages for a long time; The Moonstone is based on Wilkie Collins' novel, acknowledged as the first and greatest of English Detective novels. Tom Sutcliffe's guests are Abigail Morris, Rajan Datar and Maev Kennedy. The producer is Oliver Jones.

Jude Law stars as a young dogmatic pontiff in Oscar winning director Paolo Sorrentino's new television drama The Young Pope. John Wilson speaks to actor and director about papal politics, football playing nuns and working on the small screen.As Tate Britain opens their retrospective of Paul Nash we speak to curator Emma Chambers and comic artist Dave McKean, who has created a graphic novel inspired by Paul Nash's dreams, about why Nash was such an important artist both on and beyond the battlefield.As libraries are closing around the country South Shields opens a new one which goes way beyond books and shelves. The Word is a state of the art cultural venue and the National Centre for the Written Word. John hears from Tanya Robinson, who has steered the project, and writer Tom Kelly about his ongoing interactive exhibition Lost Dialects, seeking to bring local words back to life, and find new ones.The ballet critic Luke Jennings thinks the art is in crisis because even when the dance is new, the stories are always old. He, David Nixon, Artistic Director of Northern Ballet, and John Wilson discuss this - if it is true, why and what might be done to allow classical ballet to address the times in which we live.Producer: Julian May.

Artist Dave McKean on the way Paul Nash's dreams have inspired a graphic novel.Ahead of the 60th anniversary of the Hungarian Revolution, Philip speaks to poet George Szirtes, who left the country as a boy in 1956, and writer Tibor Fischer, whose parents came to Britain that same year. They are joined by historians Nora Berend and Simon Hall to discuss the revolt, the history of Islam in Hungary and the political debates going on today. Paul Nash runs at Tate Britain from 26 October 2016 – 5 March 2017Dave McKean has created a graphic novel, Black Dog, based on the dreams of Paul Nash which forms part of the 14-18 Now arts programme.George Szirtes is the co-editor of the Hungarian Anthology The Colonnade of Teeth published by Bloodaxe Books and the title of his own new poetry collection is Mapping the Delta. Tibor Fischer is the author of numerous works, including the Booker Prize-nominated Under The Frog.Dr Nora Berend is Reader in European History, University of Cambridge, and author of books including At the Gate of Christendom: Jews, Muslims and "Pagans" in Medieval Hungary c. 1000-c. 1300Professor Simon Hall, University of Leeds, is the author of 1956: The World in Revolt. He is giving a public lecture on The Hungarian Revolution and the Refugee Experience, 1956-2016, in Leeds on Thursday 24 November.

CAPÍTULO #82... NOTICIAS [00:07:10] Marvel Now! nuevos Divided y teaser final Segundo vídeo de la serie Pantera Negra Alpha Flight y el Primer Ministro One artist con Nuevo actor para Superman en CW Warner Bros revela los primeros paneles de la SDCC AMC Renueva Preacher para una segunda temporada Declan Shalvey habla de Nick Furia, Moon Knight y Viuda en Civil War II Iban Coello habla de su entrada en Deadpool Avance de novedades Yermo y ECC Previews Marvel y DC para septiembre NOVEDADES [01:02:39] Actualidad Grapa Marvel Grandes autores de la JLA: Geoff Johns, El día del juicio Wonder Woman: ¿Quién es Wonder Woman? Batman. Tierra de nadie #1 Grandes Autores de Batman: Dennis O'Neil. Chamán Last hero Inuyashiki Green Lantern #2 de Geoff Johns Top 10 Hellblazer de Mike Carey #1 Actualidad Grapa DC Grandes autores de Batman: Paul Pope. Año 100 Superman: Paz en la Tierra Chiisakobee ANÁLISIS: ÉRASE UNA VEZ EN FRANCIA [02:03:14] Fabien Nury y Sylvain Vallée nos traen una dura historia en la que conoceremos la 2º Guerra mundial desde otra perspectiva. La historia nos acercará a Joseph Joanovic, un hombre que sabe moverse dentro del conflicto para hacer crecer un imperio a partir de la venta de chatarra, aprovechándose del terrible conflicto que azota Europa. Los autores nos mostraran la biografía de este polémico personaje. ENTREVISTA: DAVE MCKEAN [02:35:02] Entrevistamos al artista Dave McKean, creador de obras como ‘Casos Violentos’, ‘Cages’, ‘Señal y ruido’y artista de las impresionantes portadas de Sandman, en la presentación de su futuro trabajo: ‘Black Dog: The Dreams of Paul Nash’. OYENTES [02:46:07] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETE a nuestro canal de Youtube También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com

CAPÍTULO #82... NOTICIAS [00:07:10] Marvel Now! nuevos Divided y teaser final Segundo vídeo de la serie Pantera Negra Alpha Flight y el Primer Ministro One artist con Nuevo actor para Superman en CW Warner Bros revela los primeros paneles de la SDCC AMC Renueva Preacher para una segunda temporada Declan Shalvey habla de Nick Furia, Moon Knight y Viuda en Civil War II Iban Coello habla de su entrada en Deadpool Avance de novedades Yermo y ECC Previews Marvel y DC para septiembre NOVEDADES [01:02:39] Actualidad Grapa Marvel Grandes autores de la JLA: Geoff Johns, El día del juicio Wonder Woman: ¿Quién es Wonder Woman? Batman. Tierra de nadie #1 Grandes Autores de Batman: Dennis O'Neil. Chamán Last hero Inuyashiki Green Lantern #2 de Geoff Johns Top 10 Hellblazer de Mike Carey #1 Actualidad Grapa DC Grandes autores de Batman: Paul Pope. Año 100 Superman: Paz en la Tierra Chiisakobee ANÁLISIS: ÉRASE UNA VEZ EN FRANCIA [02:03:14] Fabien Nury y Sylvain Vallée nos traen una dura historia en la que conoceremos la 2º Guerra mundial desde otra perspectiva. La historia nos acercará a Joseph Joanovic, un hombre que sabe moverse dentro del conflicto para hacer crecer un imperio a partir de la venta de chatarra, aprovechándose del terrible conflicto que azota Europa. Los autores nos mostraran la biografía de este polémico personaje. ENTREVISTA: DAVE MCKEAN [02:35:02] Entrevistamos al artista Dave McKean, creador de obras como ‘Casos Violentos’, ‘Cages’, ‘Señal y ruido’y artista de las impresionantes portadas de Sandman, en la presentación de su futuro trabajo: ‘Black Dog: The Dreams of Paul Nash’. OYENTES [02:46:07] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETE a nuestro canal de Youtube También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com

CAPÍTULO #81... NOTICIAS [00:06:37] Dead No More: The Clone Conspirancy Nueva serie Mosaic Marvel NOW! Teasers ‘Divididos…’ Revelados los personajes principales de Krypton Metrópoli Gijón 2016 Creación de la agencia Europe Comics Black Hammer lo último de Lemire en Image Presentación de Black dog: the dreams of Paul Nash de Dave Mckean V Jornadas del cómic de Valencia NOVEDADES [00:45:33] Marvel Saga. Asombroso Spiderman #3 Metabaron #1 Reinventar el cómic Una chica Dior Marvel Gold. Los 4 Fantásticos #1 Miracleman de Neil Gaiman Los Archivos de Spirit #24 Museum #2 Matanza #1 Abe Sapiens #5 AIDP integral #5 Low #2 Ciencia Oscura #3 Millarworld ESPECIAL: BAT-VILLANOS [01:35:53] Batman es uno de los personajes con una de las galerías de villanos más interesantes en el mundo del cómic. Haremos un repaso de grandes villanos del murciélago y recomendaremos obras en las que la personalidad, y la locura, de estos personajes esté mejor representada. ¿Te atreves a adentrarte en los rincones más oscuros de Gotham? OYENTES [02:48:25] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETE a nuestro canal de Youtube También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com

CAPÍTULO #81... NOTICIAS [00:06:37] Dead No More: The Clone Conspirancy Nueva serie Mosaic Marvel NOW! Teasers ‘Divididos…’ Revelados los personajes principales de Krypton Metrópoli Gijón 2016 Creación de la agencia Europe Comics Black Hammer lo último de Lemire en Image Presentación de Black dog: the dreams of Paul Nash de Dave Mckean V Jornadas del cómic de Valencia NOVEDADES [00:45:33] Marvel Saga. Asombroso Spiderman #3 Metabaron #1 Reinventar el cómic Una chica Dior Marvel Gold. Los 4 Fantásticos #1 Miracleman de Neil Gaiman Los Archivos de Spirit #24 Museum #2 Matanza #1 Abe Sapiens #5 AIDP integral #5 Low #2 Ciencia Oscura #3 Millarworld ESPECIAL: BAT-VILLANOS [01:35:53] Batman es uno de los personajes con una de las galerías de villanos más interesantes en el mundo del cómic. Haremos un repaso de grandes villanos del murciélago y recomendaremos obras en las que la personalidad, y la locura, de estos personajes esté mejor representada. ¿Te atreves a adentrarte en los rincones más oscuros de Gotham? OYENTES [02:48:25] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETE a nuestro canal de Youtube También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com

CAPÍTULO #63... NOTICIAS [00:06:42] Rebirth. anuncios y cancelaciones Civil War II. Axel Alonso y Bendis Premios Angouleme 2016 Spaceman Project Cancelaciòn del Caballero Negro Expansiòn universo Sandman Avatar presenta la nueva serie Cinema Purgatorio, de Alan Moore y Kevin O´Neill Black Dog The Dreams of Paul Nash, de Dave McKean verá la luz en Marzo Avances editoriales, Norma, Medusa, Ivrea y Panini NOVEDADES [00:40:57] Repaso grapa de Marvel Alix. Más Allá del Estigia Lefranc. Misión Antártica Mundo de Batalla #6 X-Men #59. Magneto Kiss me Satan Repaso grapa Star wars Kanan: El último Padawan ANÁLISIS: YO, ASESINO DE ANTONIO ALTARRIBA Y KEKO [01:08:23] Analizaremos la obra de Altarriba y Keko, ‘Yo asesino’, una obra en la que nos metemos en la mente de un asesino y la, tan especial concepción, que tiene de sus crímenes. Veremos que nos ofrece esta obra , que ha recopilado en su corta trayectoria bastantes premios. ALL-NEW HYPE: SANDMAN OBERTURA [01:29:32] Acaba de publicarse el último número de ‘Sandman Obertura’, precuela de la obra original, realizada por Neil Gaiman y J.H. Williams III. Veremos si la espera ha merecido la pena y debatiremos que nos ha parecido la calidad general de la obra. OYENTES [01:45:47] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETEa nuestro canal de Youtube www.youtube.com/c/tomosygrapascomic APÓYANOS también con nuestro Crowdfunding También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com Participa también y publica en nuestra web! escríbenos a tomosygrapas@gmail.com

CAPÍTULO #63... NOTICIAS [00:06:42] Rebirth. anuncios y cancelaciones Civil War II. Axel Alonso y Bendis Premios Angouleme 2016 Spaceman Project Cancelaciòn del Caballero Negro Expansiòn universo Sandman Avatar presenta la nueva serie Cinema Purgatorio, de Alan Moore y Kevin O´Neill Black Dog The Dreams of Paul Nash, de Dave McKean verá la luz en Marzo Avances editoriales, Norma, Medusa, Ivrea y Panini NOVEDADES [00:40:57] Repaso grapa de Marvel Alix. Más Allá del Estigia Lefranc. Misión Antártica Mundo de Batalla #6 X-Men #59. Magneto Kiss me Satan Repaso grapa Star wars Kanan: El último Padawan ANÁLISIS: YO, ASESINO DE ANTONIO ALTARRIBA Y KEKO [01:08:23] Analizaremos la obra de Altarriba y Keko, ‘Yo asesino’, una obra en la que nos metemos en la mente de un asesino y la, tan especial concepción, que tiene de sus crímenes. Veremos que nos ofrece esta obra , que ha recopilado en su corta trayectoria bastantes premios. ALL-NEW HYPE: SANDMAN OBERTURA [01:29:32] Acaba de publicarse el último número de ‘Sandman Obertura’, precuela de la obra original, realizada por Neil Gaiman y J.H. Williams III. Veremos si la espera ha merecido la pena y debatiremos que nos ha parecido la calidad general de la obra. OYENTES [01:45:47] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, Habla pueblo Habla! Muchas gracias por escucharnos y todo vuestro apoyo y participación! SUSCRÍBETEa nuestro canal de Youtube www.youtube.com/c/tomosygrapascomic APÓYANOS también con nuestro Crowdfunding También en iTunes Síguenos @TomosyGrapas www.tomosygrapas.com Participa también y publica en nuestra web! escríbenos a tomosygrapas@gmail.com

As part of Radio 3's 'Music in the Great War' season, Michael Berkeley's guest is John Keane, who was appointed the official British War Artist during the first Gulf War. The job involved travelling with the British forces - a task he approached with enthusiasm, but also considerable apprehension. The paintings that came out of that conflict are now part of the permanent collection at the Imperial War Museum, along with an array of paintings from The First World War by artists including Paul Nash and Christopher R. W Nevinson. John talks to Michael about the role of the war artist and how it has changed since The First World War. He describes his experience of working on conflict zones, not just in The Middle East, but in Northern Ireland, Nicaragua and Angola too. What is it that a war artist can communicate that we can't see in photographs? His music choices include Bach, Beethoven and Britten, and the famous rendition of Star Spangled Banner by Jimi Hendrix at Woodstock in 1969, which uses amplifier feedback to convey the sounds of war. John also chooses 'the music they'll play in heaven', which for him is Dance IX from Philip Glass's In The Upper Room. Producer: Jo Coombs A Loftus Production for BBC Radio 3.

EPISODE SIX. YES, REALLY, EPISODE SIX. WELCOME, JOIN US. . . It’s a packed episode this month, what with dead forgers, dodgy priests, predatory older women and their jealous houseboys, Gimbert’s Verbal Auction, Eric’s burgeoning love affair with Lady Jane, a Summertime Fry, and much, MUCH more. Paul Nash and Dan Nash splish-splash in the […]

GET OFF THE NEST, IT’S PART TWO OF EPISODE FIVE! WELCOME TO EPISODE FIVE (PART TWO)… The aftermath of the lovely Lady Jane Felsham getting jumped! Shooters! Madness! Antiques! Duels! A blazing Ian McShane (almost)! Paul Nash and Dan Nash continue to delve uncomfortably deep into the adventures of perma-tanned antiques lothario and 80s/90s Sunday […]

SORRY – WE’RE BACK>>>> WELCOME TO EPISODE FOUR… Forgery, obsession, romance, bad yank / good yank, bad-overdubbing, Manx Romans, GIMBERT in a swimming pool and a piping hot fish supper. All washed down with a big slurp of Ian McShane. Paul Nash and Dan Nash delve ever further into the adventures of perma-tanned antiques lothario […]

BBRRRUVVVJOOOOOYYYYY!>>>> WELCOME TO EPISODE THREE… Which finds Paul Nash and Dan Nash still babbling on (and on) about the adventures of perma-tanned antiques lothario and 80s/90s Sunday evening TV great “LOVEJOY”. LISTEN…[audio https://bruvjoy.files.wordpress.com/2013/04/bruvjoy_ep3.mp3 ] LINK: Bruvjoy Episode 3 # Like comics and Lovejoy? Why not point your browser here? (Thanks to Ian Edhouse.) # Like poems […]

Is nostalgia for an idea of the NHS is inhibiting clear-eyed debate? Samira Ahmed is joined by columnist Ian Birrell and campaigning GP Jonathon Tomlinson to discuss. Alexandra Harris reviews an exhibition of Paul Nash's work at the Pallant House Gallery. Geneticist and writer Adam Rutherford discusses his latest exploration of the origin and future of life. And the television commissioner and producer John Yorke, whose work includes Life on Mars, Shameless and EastEnders, explores television and storytelling.

Three guys whose sports opinions couldn't be farther apart cover the highlights and lowlights of the past week and tell you what to look for in the week ahead. MLB Hall of Fame Ballot New MLB Playoff Format NHL Realignment NBA Free Agency Fire and Ice Musical Artist Paul Nash College Football Bowls

In this lunchtime lecture John Haldane, philosopher and art writer, will discuss the artist's career in relation to conceptual art and also explore the resonances with English modernism as represented by Paul Nash, Eric Ravillious and others.