Podcasts about Wave Hill

Sixty years ago this week, Gurindji elder Vincent Lingiari led 200 Aboriginal stockmen and their families in the Wave Hill Walk-Off. They were protesting pitiful pay and conditions and demanding the return of traditional lands. The Walk-Off was the start of a brave eight-year struggle. In this episode, we also look at the brutality of the killing times at Wave Hill.Support Forgotten Australia for a few bucks per month for ad-free early and exclusive bonus episodes and the chance to win prizes.Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaEmail: forgottenaustraliapodcast@gmail.comCheck out my books!They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.html Hosted on Acast. See acast.com/privacy for more information.

60 years ago, 200 Gurindji, Mudburra and Warlpiri people walked off a remote cattle station in the Northern Territory, the Wave Hill Walk-Off the start of the modern Aboriginal Land Rights movement.

Hundreds have gathered in Kalkarindji in the Northern Territory this weekend to celebrate the Freedom Day Festival, a marking the 60th anniversary of the Wave Hill walk-off.

This month on Arts in the City… we soak in the scenery at Wave Hill; go for gold at the American Museum of Natural History; check out a drama program that pairs Holocaust survivors with High School students at Witness Theater; explore the clocks that make NYC tick; and chat with the directors and cast from the Tony Award-winning musical Cats: The Jellicle Ball.

Cristina Ataíde, Viseu, 1951, vive e trabalha em Lisboa. Licenciada em Escultura pela ESBAL, Lisboa, frequentou o Curso de Design de Equipamento da mesma instituição.Foi diretora de produção de Escultura e Design da MadeIn, fabrica de transformação de mármore em Alenquer de 1987 a 1996, onde trabalhou com vários artistas nacionais e estrangeiros e onde criou centenas de objetos de design em pedra e outros materiais. Fundadora (2005) do coletivo artístico Laboratório Terra que fez vários projetos expositivos em Portugal. A sua obra, feita muitas vezes em viagem, é materializada em diversos suportes desde a escultura, o desenho, passando pela fotografia e vídeo. Trabalha com e na natureza com fascínio pela experimentação, deixando que os elementos naturais intervenham como coautores dos seus trabalhos e pesquisas. Preocupa-se com a sua preservação da natureza e sustentabilidade. A estética relacional está cada vez mais presente nas suas intervenções publicas, interagindo com as comunidades por onde expõe e viaja.Foi distinguida com os diversos prémios, nas artes plásticas e no design e foi bolseira da SEC, Fundação C. Gulbenkian, FLAD e Fundação Oriente. O seu trabalho está publicado em vários livros e catálogos e está representada em importantes coleções publicas e privadas como:CAM, Lisboa; CACE, Coleção de Arte Contemporânea do Estado; Culturgest, Lisboa; MNAC, Lisboa; Fundação PLMJ, Lisboa; Fundação Victor e Maria da Graça Carmona e Costa; MAC-CCB, Lisboa; MACE, Coleção António Cachola, Elvas; Coleção MACAM, Lisboa; Coleção Berardo; Unión Fenosa, A Coruña, ES; Centre d'Art Contemporain d'Essaouira, MC; MACS, Sorocaba, Brasil; Museu Afro Brasil, São Paulo; MAMAM, Recife.Expõe regularmente em Portugal e no estrangeiro destacando: MNAC, Lisboa; Museu Coleção Berardo, CCB, Lisboa; CAM, Lisboa; Culturgest, Lisboa; Museu Soares dos Reis, Porto; Museu de Serralves, Porto; MIEC, Sto Tirso; MAMAM, Recife; Museu Afro Brasil, São Paulo; Fiep, Curitiba; Mosteiro de S. Bento, São Paulo; Centro de Arte Caja de Burgos; CentroCentro, Palácio Cibeles, Madrid; Faro de Cabo Mayor, Santander; Alcobendas, Madrid; MEIAC, Badajoz; Sala de las Atarazanas, Valencia; Glyndor Gallery, Wave Hill, New York; CCE, Miami; The Shed Space, Brooklyn, USA; Museu Azabu Kogei Kan, Tóquio; Museum Center, Baku, AZ; Moravian Museum, Brno, CR; Interno 14, Roma; Kunsttempel, Kassel. Links: https://www.cristinataide.com/ https://contemporanea.pt/edicoes/07-08-09-2021/cristina-ataide-dar-corpo-ao-vazio https://www.youtube.com/watch?v=Vh8a8c1ibUQ https://www.youtube.com/watch?v=iRIiv2qLa5U https://expresso.pt/cultura/artes_plasticas/2023-09-16-Exposicoes-Cristina-Ataide-liga-os-mundos-no-Chiado-c2e0477f Episódio gravado a 13.03.2026 Créditos introdução e final: David Maranha http://www.appleton.pt Mecenas Appleton:HCI / A2P / MyStory Hotels / JD Collection Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

Based in Brooklyn, NY (b. 1986, Taishan, China), Ye Zhu is an interdisciplinary artist focused on painting, public art, and social practice. He has presented solo exhibitions at DIMIN (2023) and Harkawik (2022) in New York, NY; at Moskowitz Bayse (2021) in Los Angeles, CA; and at the Andrew Freedman Home in the Bronx, NY (2022). His work has been included in group exhibitions at The Sugar Hill Museum in Harlem, NY (2022–23), Gavlak Gallery in Los Angeles (2023), Galerie Marguo in Paris, Harper's (2023, 2021), and James Fuentes (2021) in New York. Over the past year (2024–25), he completed residencies at the Lower Manhattan Cultural Council (LMCC), Dieu Donné Workspace in Brooklyn, and Wave Hill in the Bronx. Zhu has created numerous public projects, including a tribute installation for healthcare workers at the Yale School of Medicine (2022), a billboard project with Kingsgate Project Space in London (2021), A Universe in Strafford, NH (2021), and CONSTELLATION on Governors Island (2021), featured in The New York Times. He is a founding member of Haven Arts Park (2020–2023), an initiative dedicated to transforming contaminated land into an art park, and was a recipient of the Andrew W. Mellon Foundation grant (2022–2023). The Cosmos of Seeds, 144″ x 96″ Ego Decay, 96″ x 48″ Star Studded Snail, 42 x 39

Today on the show I get to spend time with Koyoltzintli. She is an interdisciplinary artist and educator living in Ulster County, New York. She was raised on the Pacific coast and in the Andean mountains of Ecuador. Her work revolves around sound, ancestral technologies, ritual, and storytelling, blending collaborative processes with personal narratives. Nominated for the Prix Pictet in 2019 and 2023, her work has been exhibited at the National Portrait Gallery in Washington, DC, the United Nations, the Parrish Art Museum, Princeton University, the Aperture Foundation in NYC, and Paris Photo. She has had two solo shows at Miyako Yoshinaga Gallery and a solo show at Leila Greiche in 2023. Koyoltzintli has taught at CalArts, SVA, ICP, and CUNY. She has received multiple awards and fellowships, including at the Musée du Quai Branly in Paris, NYFA, We Women, the Latinx Artist Fellowship by the US Latinx Art Forum (USLAF), and most recently, the Anonymous Was a Woman award. Her first monograph, Other Stories, was published in 2017 by Autograph ABP. Her work was featured in the Native issue of Aperture Magazine (no. 240) and included in the book Latinx Photography in the United States by Elizabeth Ferrer, former chief curator at BRIC. She is part of Flow States – LA TRIENAL 2024, El Museo del Barrio's second large-scale survey of Latinx contemporary art.Koyoltzintli has performed at venues such as the Whitney Museum, Wave Hill, Socrates Park, Brooklyn Museum, and Queens Museum. Recently, she performed at Performance Space in NYC, curated by Guadalupe Maravilla, at Dia Chelsea for the closing event of Delcy Morelos' El Abrazo, and at Ann Street Gallery in Newburgh, NY.During our conversation, Koyo shares about her family, her childhood, how her travels with her father and the rooting into her ancestral lands with her mother helped to shape who she is today. We learn about her dear elders who she both photographed and studied with, and how they played a role in the work she does today with clay and indigenous sounds. While Koyo shares some of the stories of her days as a photojournalist, it would seem that we barely scratched the surface of all that flows from and through her. You can follow along with her offerings and creations by way of her website and social media. Stay tuned for details of an upcoming show in April! Here's the info on her Egg Cleansing Ritual at Spiral Mirror on February 16th.Here are your Full Moon vibes.Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast

It's been a pleasure to welcome a sequence of popular country trainers to the podcast lately and we're going “bush” again in our first interview for 2026.  Our guest is respected horseman Paddy Cunningham who's currently the only trainer based at the Glen Innes racecourse in the NSW New England district. He and wife Kathy achieve consistent results with a team of just twelve horses, and are happy to travel long distances to find the right races for them. Paddy Cunningham put together a tidy record as a race rider before ongoing weight problems saw him transition to the training ranks. After two lengthy stints at Grafton and another at Caloundra, Cunningham returned to his native Glen Innes in 2016  and you'd need the army to shift him again. Paddy talks about the well appointed property he and Kathy share close to the Glen Innes track. He looks back on his early days at Ben Lomond, a unique little village situated so far above sea level that snow isn't uncommon in the winter months. Paddy talks of his parents and siblings and the little pony that first introduced him to the sensation of speed on horseback. He looks back on the circumstances that led him to an apprenticeship with local trainer Hunter Kilner and the unforgettable thrill of his very first day of race riding at an Inverell meeting. He made a spectacular start. Paddy talks of consecutive Armidale Cup wins very early in his career.  The jockey turned trainer says he quickly tired of continual wasting and ventured to the Northern Territory in search of a complete change of environment. He found employment at the famous Wave Hill station. Paddy talks of his return to Glen Innes after a two year sabbatical and a resumption of trackwork duties for his old boss Hunter Kilner. He talks of the mare who regenerated his interest and motivated his return to race riding. The same mare would later provide his first winning ride at Royal Randwick. Paddy says he couldn't believe his luck when another winner came along at Canterbury the very next day. Two weeks later the same horse was involved in a spectacular fall at Canterbury. Paddy was lucky to escape serious injury. He remembers a wild ride he had on a Grafton Cup day in the 1970's. Despite doing everything wrong the horse in question was able to score an amazing win. Paddy talks about “the one that got away”. He regarded a horse called Final Say as the  best he'd ever ridden and was bitterly disappointed when the gelding went amiss. He says unstable weight eventually hastened his retirement from race riding but has never regretted his brief but exciting few years in the saddle. Paddy unhesitatingly nominated the  country jockey who inspired him the most. He looks back on the low key beginning to his training career. Surprisingly he can't remember his first win as a solo trainer.  Cunningham talks of his training career to date- two stints at Grafton and a decade on the Sunshine Coast. His move to Caloundra coincided with daughter Kylie's decision to become an apprentice jockey. Paddy says he often travelled to faraway Queensland destinations in search of the right races for his horses. He looks back on a return to Grafton in 2010. The winners flowed over a six year stint but he decided on yet another move when synthetic training tracks came to Grafton. He's pretty vocal in his opposition to them. Paddy elaborates on the talents of several nice horses who helped to forge his reputation as a very serious horse trainer. He talks of Jodi Worley who rode work for the stable for close to five years before deciding to become a jockey. Paddy signed her up and the young rider got away to a spectacular start. Paddy has always been one to support the jockeys who've supported him. He makes mention of a few special favourites. Paddy pays tribute to best mate and devoted supporter wife Kathy whose behind-the-scenes work for Cunningham Racing has been unwavering.  He and Kathy are the proud parents of four daughters. He brings us up to date on the whereabouts and current activities of the girls. This is a laid back chat with a dedicated country horseman who can't imagine a life away from horses.

In 1992, the High Court handed down a ruling that shattered centuries of denial. Eddie Mabo’s fight for recognition overturned the legal fiction of terra nullius and forever changed Australia’s relationship with its First Peoples. This landmark decision not only rewrote the nation’s story but also paved the way for the Native Title Act, reshaping law, land, and history. In this episode of Crime Insiders Judgements, we’ll explore the journey of Eddie Mabo, the High Court battle, and its legacy. Aboriginal and Torres Strait Islander listeners are advised that this episode contains the names of people who have passed away.See omnystudio.com/listener for privacy information.

This year, Wave Hill in Riverdale is commemorating its 60th anniversary. Gabriel de Guzman, Wave Hill Director of Arts and Chief Curator, reflects on the anniversary, guides us through the history of the horticultural space, and previews Celebrate! Arts in the Garden: Wave Hill at 60 happening later this month on Sept. 20-21.

Tras casi una década de lucha, en 1975, el entonces primer ministro australiano Gough Whitlam le otorgó al pueblo gurindji el arrendamiento de una parcela de tierra en la estación ganadera de Wave Hill, en el Territorio del Norte.

Tuần này đánh dấu kỷ niệm 50 năm ngày trao trả đất đai cho người Gurindji, một bước ngoặt lịch sử đối với quyền sở hữu đất đai của người Thổ dân Úc. Sau gần một thập niên tranh đấu, vào năm 1975 Thủ tướng Gough Whitlam đã đổ cát vào tay Vincent Lingiari, một người đàn ông Gurindji và cấp cho bộ tộc nầy, một hợp đồng thuê một mảnh đất tại trại chăn nuôi gia súc Wave Hill ở Lãnh thổ phía Bắc. 50 năm sau, người dân từ khắp nơi trên nước Úc, đã tụ họp tại ‘Lễ hội Ngày Tự Do Gurindji', diễn ra hàng năm từ ngày 22 đến ngày 24 tháng 8, để kỷ niệm ngày trao trả đất đai và tưởng nhớ những sự kiện mang tính biểu tượng của Cuộc Tuần Hành Wave Hill năm 1966.

Mini-podcast about an event on this day in working class history.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History.  AcknowledgementsWritten and edited by Working Class History.Theme music by Ricardo Araya. Check out his YouTube channel at youtube.com/@peptoattackBecome a supporter of this podcast: https://www.spreaker.com/podcast/on-this-day-in-working-class-history--6070772/support.

Kalkarindji celebrates 50 years since the Wave Hill land handback. Locusts rapidly moving north-west in Queensland.

Margaret Cogswell- In Mother's yukata, giving presentation on my work in Japanese at the opening for my mixed media installation- Karasu to Issyoni Kaerimasyo: A River of Memories in Ichinomiya, Japan- 8/24/2024. Margaret Cogswell is a mixed-media installation artist residing in West Shokan, New York. Cogswell is the recipient of numerous awards, including the John Simon Guggenheim Memorial Foundation Fellowship (2009),  Pollock-Krasner Foundation (2017-18, 1991 & 1987) and the New York Foundation for the Arts (2007, 1993). Cogswell's most recent project (2024), “ Karasu to Issyoni Kaerimasyo:  A River of Memories”, was made possible by a generous grant from The Tree of Life Foundation. Cogswell was born in Memphis, Tennessee, and raised in Japan where she lived until she was 13 years old. Since 2003, the main focus of Cogswell's work has been an ongoing series of RIVER FUGUES projects exploring the interdependency of people, industry and rivers. RIVER FUGUES began in Cleveland, Ohio with Cuyahoga Fugues, a mixed-media installation inspired by and incorporating generations of stories reflecting the life and dreams embodied by the Cuyahoga River.  Expanding on this idea, Moving the Waters: Ashokan Fugues was created for a solo exhibition at the Cue Art Foundation in NYC in 2014, and re-created in 2016 for a solo exhibition at the Kleinart /James Center for the Arts, Woodstock, NY. RIVER FUGUES have been commissioned by museums and art centers for exhibitions nationally and internationally including  Moving the Water(s):  Croton Fugues, at Mid-Manhattan Library of New York Public Library, in New York, NY ( solo 2017); Water Soundings, for the Zendai Zhujiajiao Art Museum, China (solo 2014);  Wyoming River Fugues at the Art Museum, University of Wyoming, Laramie (solo 2012);  Hudson River Fugues at Tang Museum, Skidmore College, Saratoga Springs, NY, (group 2009-2010); River Fugues for a traveling group exhibition at the BOZAR Centre for Fine Arts, Brussels, Belgium (2007), the Monaco Ministry of Culture (2008) and Chicago Field Museum (2009); Mississippi River Fugues, Art Museum, University of Memphis, Tennessee (solo 2008); Buffalo River Fugues at Hallwalls Contemporary Arts Center, Buffalo, NY (solo 2006); Hudson Weather Fugues at Wave Hill, NYC (group 2005), and Cuyahoga Fugues at SPACES Gallery, Cleveland, Ohio (solo 2003). All RIVER FUGUES mixed-media installation projects include a parallel body of works on paper. Recent exhibitions of such works include In the Elements at Kentler International Drawing Space in Brooklyn, NY (2022);  Fragile Rainbow at Williamsburg Art and Historical Center, Williamsburg, NYC, NY (2022).  Upcoming in March, 2023, Cogswell's work will be included in an exhibition titled This Earth at the Concord Center for the Visual Arts (Concord, Massachusetts) for artists who were awarded residencies at the Montello Foundation in the Great Basin of Nevada in 2022. Margaret Cogswell, Karasu to Issyoni Kaerimasyo: A River of Memories (2024)Mixed-media installation: sunset “painted” with tulle; river= fishing nets over wire fencing mesh; LED candles on river; fishing nets on floor; black shadow on veneer board; fishing pole with bamboo & wire; photo in white fishing net; grey acrylic ground cloth on walls & bamboo structure; crows painted with sumi on washi paper stitched onto tulle and stretched over bamboo circle frame. Margaret Cogswell, Karasu to Issyoni Kaerimasyo: A River of Memories (2024) Detail of photo of artist at 4 years old with playmate in swing in hometown of Marugame, Japan. Margaret Cogswell, Departing - Fearlessly Buoyant (2024) Collaged watercolor, sumi ink, acrylic ink & color pencil on paper. 26” x 47” (unframed dimensions)

Mini-podcast about an event on this day in working class history.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History.  AcknowledgementsWritten and edited by Working Class History.Theme music by Ricardo Araya. Check out his YouTube channel at youtube.com/@peptoattack

In questo episodio di "15 tesori nascosti di New York", ti porto alla scoperta di 15 gemme nascoste di New York che spesso sfuggono all'attenzione dei viaggiatori.Da giardini segreti e oasi di tranquillità come Wave Hill nel Bronx, a sorprendenti installazioni artistiche come The Earth Room a SoHo, ogni luogo offre un'esperienza unica e affascinante.Immagina di passeggiare attraverso The Cloisters, di volare sul Roosevelt Island Tramway, e di esplorare la vecchia stazione della metropolitana di City Hall.Preparati a scoprire un lato inedito della Grande Mela che ti lascerà senza fiato. Non perderti questo viaggio straordinario attraverso i tesori nascosti di New York!Leggi anche l'articolo su ViaggiNewYork.it

LoVid is a NY-based interdisciplinary artist duo working collaboratively since 2001. LoVid's practice focuses on aspects of contemporary society where technology seeps into human culture and perception. Throughout their interdisciplinary projects over two decades, LoVid has maintained their signature visual and sonic aesthetic of color, pattern, and texture density, with disruption and noise. LoVid's work captures an intermixed world layered with virtual and physical, materials and simulations, connection and isolation.LoVid's process  includes home-made analog synthesizers, hand-cranked code, and tangible materials; their videos, textile works, performances, net-art, installations, and NFTs have been exhibited worldwide for over two decades. LoVid's work has been presented internationally at venues including: Museum of Modern Art (MoMA), Standard Vision X Vellum LA, Wave Hill, Brookfield Arts, RYAN LEE Gallery, Art Blocks Curated, Postmasters Gallery, bitforms Gallery, Honor Fraser Gallery, Unit London, http://Verse.work, http://Expanded.Art, Art Dubai, New Discretions, And/Or Gallery, Klaus von Nichtssagend Gallery, Anthology Film Archives, Issue Project Room, The Science Gallery Dublin, The Jewish Museum, The Kitchen, Daejeon Museum, Smack Mellon, Netherland Media Art Institute, New Museum, and ICA London. LoVid's projects have received grants and awards from organizations including: The Robert Rauschenberg Foundation, Graham Foundation, UC Santa Barbara, Signal Culture, Cue Art Foundation, Eyebeam, Harvestworks, Wave Farm, Rhizome, Franklin Furnace, http://Turbulence.org, New York Foundation for the Arts, Lower Manhattan Cultural Center, Experimental TV Center, NY State Council of the Arts, and Greenwall Foundation.LoVid's videos are distributed by EAI and their work is in the collection of the Whitney Museum, The Museum of Moving Image, The Parrish Museum, Thoma Foundation, Watermill Center, Butler Institute of American Art, Heckscher Museum, NFT Museum of Digital Art, Museum of Nordic Digital Art, and more.

Iconic Wave Hill station in the Victoria River District of the Northern Territory is now under the care of only its fourth owner in 140 years. At the heart of Wave Hill's 1.25 million hectares are the people living and working there under the MacLachlan Pastoral Group banner.See omnystudio.com/listener for privacy information.

This week on the podcast, Maureen is joined by Elisabeth Smolarz, who created the Encyclopedia of Things. They discuss the items that define our lives and why we keep them. Related Episodes:Episode 187: Building a Story with the Ancestry.com AppEpisode 180: Photos, Memories, and English Genealogy with Emma Jolly Links:Elisabeth SmolarzSign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Elisabeth Smolarz was born in Poland and emigrated to Germany as a teenager. She creates photography, video, and social interactions investigating how consciousness, perception, identity, and value are formed by one's cultural milieu.Smolarz has exhibited her work nationally and internationally for two decades. Her most recent solo exhibition, the “Encyclopedia of Things,” was presented at the Morgan Lehman Gallery resulting from a multi-year project supported by National Endowment for the Arts; the Queens Council on the Arts; and the City Artist Corps Grants program, and featured on PBS on 03/14/20. The German publisher Spector Books published a monograph with a selection of 120 portraits from the “Encyclopedia of Things” in the summer of 2022. The monograph was reviewed by Brooklyn Rail this Spring. Additionally, her work has been presented in venues including The Bronx Museum of Art, The Elizabeth Foundation for the Arts, EYEBEAM Center for Art + Technology, Lesley Heller Gallery, NARS Foundation, The Sculpture Center, Smack Mellon, The Queens Museum of Art, and Wave Hill, all New York City; Museum of Modern Art, Warsaw, Poland; Oberwelt e.V Stuttgart, Germany; Baden Württembergischer Kunstverein, Stuttgart, Germany; Photography Triennial Esslingen, Germany; Independent Museum of Contemporary Art, Cyprus; Reykjavik Photography Museum, Iceland; Espai d'art contemporani de Castelló, Spain; the Moscow Biennale, and others.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

Hosts Jodi Hoffman and Nick Abraham are in the studio chatting about the Voice Referendum and The anniversary of the 1966 Wave Hill walk-off led by Vincent Lingiari, Gurindij Elder and land rights leader. Later on they're joined by musician/actor Zac James or Mongeeya they chat about his most recent single that just released the track is called Try. Zac James also talks about his upcoming short film Marlu Man. Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am. You can also catch Moorditj Mag on 100.9fm Noongar Radio and Great Southern FM on Fridays

Hosts Jodi Hoffman and Nick Abraham are in the studio chatting about the Voice Referendum and The anniversary of the 1966 Wave Hill walk-off led by Vincent Lingiari, Gurindij Elder and land rights leader. Later on they're joined by musician/actor Zac James or Mongeeya they chat about his most recent single that just released the track is called Try. Zac James also talks about his upcoming short film Marlu Man. Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am. You can also catch Moorditj Mag on 100.9fm Noongar Radio and Great Southern FM on Fridays.

Uli Lorimer is director of Horticulture at Garden In The Woods, in Framingham, Massachussettes. Previously, he was curator of Brooklyn Botanic Garden's Native Flora Garden until early 2019. The Delaware native grew up with an interest in all things green, and after receiving an honors degree from the University of Delaware in landscape horticulture, he moved to New York City to become the woodland gardener at Wave Hill. 

Succulents: You probably already grow some perennial ones in your garden, and perhaps others that aren't hardy are among your favorite houseplants. But what if some of those indoor types started playing seasonal roles in the garden, too? That's what Harnek Singh, a longtime gardener at Wave Hill in New York City, has been thinking about and experimenting with lately, to pretty stunning effect. It helps if you have a spare garden area to experiment in like they do at Wave Hill, where what's called the Paisley Bed – because it's shaped like a giant paisley -- is planted in a whole new theme each year. This year, until sometime in October, it's all about succulents, and the design includes many of the plants in the cacti and succulent collection that Harnek cares for in Wave Hill's conservatory, just one part of his overall horticultural role there. He's here to recommend some favorite succulents for indoors and outdoors, with tips on how to grow them, and use them, and even which ones are easy to propagate more of.

Raymond Saá in his studio Raymond Saá is a Cuban-American artist born in New Orleans and raised in Miami. He graduated from the New World School of the Arts in 1991, received his B.F.A. from the Maryland Institute College of Art in 1995, and studied at the Kunstakademie Dusseldorf in 1996. In 1997, he earned an M.F.A. from Parsons School of Design. Selected exhibitions include White Columns, the Islip Museum, Wave Hill, the Museum of Art Puerto Rico, and El Museo del Barrio. Saá received a 2019 Fellowship from the New Jersey State Council on the Arts, in addition to awards from Public Art for Public Schools, the Pollack Krasner Foundation, the Joan Mitchell Foundation, and New Jersey Fellowship in Art. The artist lives and works in New Jersey. The Blue Bird, 2023 Raymond Saá Morgan Lehman Gallery 'The Blue Bird' series, 2023 Size: 30 x 24 in Medium: gouache collage on sewn paper 'The Blue Bird' series, 2023 Size: 30 x 24 in Medium: gouache collage on sewn paper 'The Blue Bird' series, 2023 Size: 30 x 24 in Medium: gouache collage on sewn paper

Ep. 154 features Eto Otitigbe. He recovers buried narratives and gives form to the unseen. He is a polymedia artist whose interdisciplinary practice includes sculpture, performance, installation, and public art. His public art intersects history, community, and biophilic design by using parametric modeling and generative design to transform historical and cultural references into biomorphic forms. Otitigbe's public works include temporary installations in Socrates Sculpture Park (Queens, NY) and Randall's Island Park (New York, NY). His current public commissions include: Peaceful Journey (Mt. Vernon, NY, 2022); Cascode (Philadelphia, PA); Emanativ (Harlem, NY); Invasive Species (Philadelphia, PA). He was a member of the Design Team for the Memorial to Enslaved Laborers at UVA (Charlottesville, VA) where he contributed to the creative expression on the memorial's exterior surface. Otitigbe's work has been in solo and group exhibitions that include 2013 Bronx Calling: The Second AIM Biennial, organized by the Bronx Museum and Wave Hill; Abandoned Orchestra, Sound Sculpture installation and performance with Zane Rodulfo, Guggenheim Museum, New York, NY; The Golden Hour, Oakland Cemetery, Atlanta, GA, curated by Oshun D. Layne; and Bronx: Africa, Longwood Gallery, Bronx, NY, curated by Atim Oton and Leronn P. Brooks. Otitigbe's fellowships and awards include the CEC Artslink Project Award for travel and cultural projects in Egypt and the Smithsonian Artist Research Fellowship at the National Museum of African Art where he explored the intersection of Urhobo language and historical objects. His curatorial projects include directing the es ORO Gallery in Jersey City, NJ (2007-09) and co-curating, alongside Amanda Kerdahi, the Topophilia Exhibition in Nees, Denmark (2017) as part of the ET4U Meetings Festival in Denmark. He is the founder of eo Studio, which received the Creative Capital Grant in 2023 for the project Tankugbe Incubation Lab. He is an Assistant Professor of Sculpture in the Art Department at Brooklyn College. He received a B.S. in Mechanical Engineering from MIT, an M.S. in Product Design from Stanford University (M.S.) and an MFA in Creative Practice from the University of Plymouth. Photo credit: Anthony Artis Artist https://www.etootitigbe.com/ Cascode https://www.dashboard.us/cascode Transart Institute https://www.transartinstitute.org/people/eto-otitigbe Brooklyn Botanic Garden https://www.bbg.org/feature/birdhouses/eto_otitigbe Surface Magazine https://www.surfacemag.com/articles/eto-otitigbe-morton-fine-art-materiel-remains/ Morton Fine art https://www.mortonfineart.com/artist/eto-otitigbe Creative Capital https://creative-capital.org/artists/eo-studio-tankugbe-incubation-lab/eto-otitigbe/ Brooklyn. Cuny http://www.brooklyn.cuny.edu/web/academics/schools/mediaarts/undergraduate/art/faculty_details.php?faculty=1372 Slippage https://slippage.org/eto-otitigbe Arts Westchester https://artswestchester.org/art-matters/artist-eto-otitigbe-wins-sculpture-commission-in-mount-vernon/

This last week of April, we enjoy an art of the garden conversation with artist, historian, gardener and environmental advocate Rebecca Allan. Bronx-New York-based, Rebecca is “known for her richly layered and chromatically nuanced abstract paintings. Her work investigates watershed environments and landscapes and is inspired by her deep interest in botany and land conservation. In 2018 Rebecca established Painterly Gardens, a firm specializing in sustainable garden design. From January through June of 2023, Rebecca's solo show, Cultivating Eden is featured at Wave Hill House & Garden. The exhibit presents Rebecca's recent paintings focused on the labor of gardeners and their spaces. By artistically highlighting working process—both visible and unnoticed—her series praises the devoted care that the gardeners provide on a daily basis. She sees Wave Hill as “a special place where art and horticulture are intertwined. Both practices require tenacity, refined skill and historical curiosity.” As an artist and gardener Rebecca notes that one motivation behind her work is “a desire to nurture the world by envisioning and then enacting spaces where beauty is revealed.”

Kristin Biddle is a horticulturalist, Trustee, and Chair of the Horticultural Committee at Andalusia Historic House, Gardens, and Arboretum. Biddle earned a degree in Horticulture from Temple University, Ambler, Pennsylvania, and brought her passion for gardening to several public gardens, including The Brooklyn Botanic Garden, Wave Hill, The Mt. Cuba Center, and Historic Bartram's Garden. She then served as a trustee on the boards of The Mt. Cuba Center, Bartram's Garden, and The Ambler Arboretum. Biddle has worked at Andalusia since 2005 and focuses on maintaining its historic gardens, manages the Garden Volunteer Program, and sometimes gets to garden.   --- Support this podcast: https://podcasters.spotify.com/pod/show/plantatrilliontrees/support

Sally Morgan Lehman is the founder and director of Morgan Lehman Gallery, which has been based in Chelsea since 2005. Ms. Lehman has a diverse background in the visual arts, which includes museum education, exhibitions design, state and citywide public art placement, and private and corporate collections management. Ms. Lehman is an active member of Art Table, POWArts and NADA, and has served as a visiting critic and juror at Wave Hill, Guttenberg Arts, the Wassaic Project and the Hunter MFA program among many others. She has been invited to participate in panel discussions about the current state of the art world, and is a regular guest presenter to art and art history students at FIT, the New School and Pratt. MORGAN LEHMAN is a contemporary art gallery representing a small group of emerging and mid-career American artists working across media. Founded by Sally Morgan and Jay Lehman, the gallery opened in 2002, and has continuously provided a platform for original and press worthy exhibitions. Gallery artists have consistently received coverage in the New York Times, the Wall Street Journal, The New Yorker, Art in America, Hyperallergic, and The Brooklyn Rail among others. In addition to its represented artists, the gallery collaborates directly on exhibitions and public projects with many other artists, and offers extensive art advisory services to curators, art consultants, designers and corporate and private collectors. Links: www.morganlehmangallery.com   Instagram: @morganlehmangallery     I Like Your Work Links: https://www.ilikeyourworkpodcast.com/retreat Notions of Beauty Exhibition Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

This episode is also available as a blog post: https://thecitylife.org/2023/02/23/ddc-project-at-wave-hill-public-garden-cultural-center-receives-design-award-from-the-society-of-american-registered-architects/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Denise Treizman is a Chilean-Israeli artist, currently based in Miami. Her work has been exhibited at PROTO GOMEZ Gallery, New York, New York; Wave Hill, Bronx, New York; Hybrid Art Fair, Madrid, Spain; Penn State University, Pennsylvania; Latino Arts, Milwaukee, Wisconsin; LVL3 Gallery, Chicago, Illinois; The Bronx Museum of the Arts, Bronx, New York; Cuchifritos Gallery/Artist's Alliance, New York, New York, Soho20 Gallery, New York, New York and PROTO Gallery, Hoboken, New Jersey, among others. Treizman has completed artist residencies at Mass MOCA, North Adams, Massachusetts; NARS Foundation International Artists Residency, Brooklyn, New York; Triangle Workshop, Salem, New York; ACRE Residency, Steuben, Michigan; Ox-Bow Residency, Saugatuck, Michigan; and Vermont Studio Center, Johnson, Vermont, among others. 
In 2015, she was a fellow at the Bronx's Museum Artist in the Marketplace program, culminating with “The Bronx Calling”, a biennial exhibition at the museum. That same year, Treizman was awarded a studio residency at the Elizabeth Foundation for the Arts Studio Program in New York City, where she developed her work until 2019.  In 2016, Treizman created an interactive public artwork at Randall's Island Park in New York, commissioned by the NYC Parks Alliance and the Bronx Museum for the Arts.
Treizman earned an MFA from the School of Visual Arts, New York, and is currently a studio resident at Laundromat Art Space in Miami, Florida.  Having lived in many densely populated cities over the years—Santiago, London, San Francisco, New York City, Haifa, and now Miami—her practice has stemmed from and benefited from throwaway culture. Sound & Vision is sponsored by Golden Artist Colors, Fulcrum Coffe Roasters and the New York Studio School. The School welcomes artists from around the world to join the 5-Day Virtual Intersession Drawing Marathon entitled “Drawing on Your Past / The Mind's Eye” with Graham Nickson & Guests, held from Thursday, March 23rd – Monday, March 27th, 2023. Rigorous and immersive, the Studio School's legendary Marathons present an extensive range of artmaking strategies, comprehensive critiques, and inspirational discussions. Expansive first-hand discoveries in Marathons propel artists to relate to drawing, painting, and sculpture as direct methodologies for understanding their experience in the world; the profound impact of which continues far beyond each Marathon's conclusion. Visit nyss.org to apply today!

When Wave Hill Station was sold in a $104 million dollar deal, Jumbuck Pastoral and its consortium of partners became the 4th ever owner of the iconic station in its 140 year history. It was a sale that said “watch this space”. In this episode, we sit down with Matt and Connie Wood, who we last heard from in episode 123, as they prepared to leave their job as managers at Blina Station in the Kimberley, also owned by Jumbuck Pastoral, to move to Wave Hill Station and take on the mammoth job of managers. In this episode, Matt and Connie fill us in on the busiest 12 months of their life - which included a new baby, lockdowns, a significant amount of capital expenditure on development works, and all the adventures that have come with it.See omnystudio.com/listener for privacy information.

Art has long been a lever for working class solidarity and social justice. It's also a collaborative form of labor that props up some workers and devalues others. This week, we're taking a long, hard look at two works of art: Rodrigo Valenzuela: New Works for a Post Worker's World, an exhibition on view at BRIC House through December 23rd, and 7 MINUTES, a play produced by Waterwell that premiered at HERE Arts Center last spring. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Justin Bryant, Elizabeth Ferrer, Marc Enette, Waterwell, Lee Sunday Evans, Arian Moayed, Andrew Tilson, and Matthew Munroe aka Superlative Sain. • LINKSBorn in 1982, Santiago, Chile; based in Los Angeles, CA Rodrigo Valenzuela has presented solo exhibitions at the New Museum and Asya Geisberg Gallery, both NY; Light Work, Syracuse, NY; University of South Florida, Tampa, FL; Santa Cruz Museum of Art and History, CA; Orange County Museum of Art, Santa Ana, CA; Museum of Art and History, Lancaster, CA; Luis de Jesus, Los Angeles, CA; Jordan Schnitzer Museum of Art, Eugene, OR; and the Portland Art Museum and UPFOR, both Portland, OR. He has participated in group exhibitions at The Kitchen, The Drawing Center, Wave Hill, and CUE Art Foundation, all NY; Museum of Contemporary Art North Miami, FL; Bemis Center for Contemporary Arts, Omaha, NE; Frye Art Museum, Seattle, WA; and The Museum of Fine Arts, Houston, TX, among others. He has also exhibited his work in solo shows internationally at Arróniz Arte Contemporáneo, Mexico City; Peana Projects, Monterrey, NL, Mexico; Galería Patricia Ready and Museo de Arte Contemporàneo, Universidad de Chile, Santiago, Chile; and Galerie Lisa Kandlhofer, Vienna, Austria. Valenzuela has participated in residencies at Dora Maar, Fountainhead, Light Work, MacDowell, Glassell School of Art, Bemis Center for Contemporary Arts, Kala Art Institute, Vermont Studio Center, Center for Photography at Woodstock, and the Skowhegan School of Painting and Sculpture. He is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship in Photography, the Smithsonian Artist Research Fellowship, and the Joan Mitchell Fellowship. His work is included in numerous public and private collections, including those of the Whitney Museum of American Art, J. Paul Getty Museum, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, The Nelson-Atkins Museum of Art, Frye Art Museum, Tacoma Art Museum, and The Center for Photography at Woodstock. He is an Associate Professor and Head of the Photography Department at UCLA. Valenzuela received his BFA in Art History and Photography from the University of Chile, his BA in Philosophy from Evergreen State College, and his MFA in Photo/Media from the University of Washington.Ebony Marshall-Oliver is an actress, singer, and storyteller. She began singing in church as a little girl. After being cast in her first musical- Bubbling Brown Sugar- in her mid twenties, she decided that acting would be her career. She enrolled in the Integrated Program at AMDA NY. Her first professional job after graduating was Seussical the Musical with TheatreWorksUSA. With this role, she became a member of Actors Equity Association. Broadway credits include Ain't No Mo' and Chicken and Biscuits. Off Broadway theaters she's worked at are Waterwell, Clubbed Thumb, The Public Theater, to name a few. She can be seen on season 2 of The Ms. Pat Show (BET+) and season 3 of Evil (Paramount+).Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. Their critically-acclaimed work has been seen at The Bushwick Starr, Waterwell, The Shed, Shakespeare's Globe, Woolly Mammoth, Theaterworks Hartford, Belgium's Festival de Liege, the Edinburgh Fringe, Beijing Int'l Festival, among others. Awards include LPTW Josephine Abady award and the inaugural Lily Fan Director Lilly Awards. They are an Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.Sarah Hughes has played many roles in her short time in the labor movement, including steward, officer, organizer, and workshop facilitator. She has worked for the National Education Association (NEA), the Professional Staff Congress at the City University of New York (AFT), and university labor studies programs, including CUNY's NY Union Semester. She has also taught a variety of workshops to city workers, electricians, women workers, and others. She holds a masters in labor studies from UMass Amherst. Prior to joining the Labor Notes staff in 2021, Sarah had been a long time fan, subscriber, volunteer trainer and donor. She attended her first Labor Notes conference in 2008, and is excited for many more. She lives in Flatbush with her labor lawyer husband and their toddler, who also loves picket lines. Waterwell is a group of artists, educators and producers dedicated to telling engrossing stories in unexpected ways that deliberately wrestle with complex civic questions. Founded by Andrew Tilson, the Workers Unite Film Festival, now in its 11th season, is a celebration of Global Labor Solidarity.  The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice.Superlative, meaning the best of, and Sain meaning to bless, is a multi-talented creative, born in the UK (United Kingdom, England) and raised in Hollis Queens, New York. Born Matthew Munroe, Sain always connected with music by singing with his mother, a vocalist in a church choir who grew up singing. As a child, art was always a passion of Sain's life. Art was always a staple in his life, from drawing full-length comic books to designing logos. Picking up the art of rapping in his early college years, Sain continued with his love of the arts and always wanted to bring his friends with Him wherever he went. Co-creating the creative collective group OGWN with long-time friend Diverze Koncept, he began expanding his ever-growing catalog simply because he loved making music. While pursuing music, he also manages his visual company MMunroeMedia, directing, filming, and editing music videos for other artists, capturing the moment and enhancing the vision with graphics and photography. Superlative Sain takes the term "Artist" to an entirely new level by designing his merch/clothing line, "Be|SUPERLATIVE," Check out this talented artist and be a part of his Rise.• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

The MTA is the New York-based agency that plans, regulates, and supervises a vast transportation network, from the Long Island Railroad to the Staten Island Ferry and the myriad of Metro Area subway lines. With automobile traffic choking highways in the crowded Northeast, the MTA presents quicker and cheaper travel alternatives and even offers escorted tours to places like the wineries and breweries of Long Island. Hear about the vintage train parades, pocket parks, and such attractions as Governor's Island, Wave Hill, and the Intrepid Sea, Air & Space Museum when Donna Haynes of the MTA joins TRAVEL ITCH RADIO on Thursday, November 3. Listen live on iTunes or BlogTalkRadio.com at 8p EDT as Dan Schlossberg and Maryellen Nugent Lee learn about the MTA's connection to Broadway, the New York Historical Society, and even Katz' Deli, home of the 1904 sandwich. This will be episode #482 as TRAVEL ITCH almost wraps its 11th season.

Ep.120 features Tammy Nguyen, a multimedia artist whose work spans painting, drawing, printmaking and book making. Intersecting geopolitical realities with fiction, her practice addresses lesser-known histories through a blend of myth and visual narrative. She is the founder of Passenger Pigeon Press, an independent press that joins the work of scientists, journalists, creative writers, and artists to create politically nuanced and cross-disciplinary projects. Born in San Francisco, Nguyen received a BFA from Cooper Union in 2007. The year following, she received a Fulbright scholarship to study lacquer painting in Vietnam, where she remained and worked with a ceramics company for three years thereafter. Nguyen received an MFA from Yale in 2013 and was awarded the Van Lier Fellowship at Wave Hill in 2014 and a NYFA Fellowship in painting in 2021. She was included in Greater New York 2021 at MOMA PS1 and has also exhibited Smack Mellon, Rubin Museum, The Factory Contemporary Arts Centre in Vietnam, and the Bronx Museum, among others. Her work is included in the collections of Yale University, the Philadelphia Museum of Art, MIT Library, the Seattle Art Museum, the Walker Art Center Library, and the Museum of Modern Art Library, among others. She is an Assistant Professor of Art at Wesleyan University and represented by Lehmann Maupin, New York, Seoul, London. Photo by Annie Ling Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and LondonPhoto by Annie Ling Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London Photo by Annie Ling Courtesy the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London Artist https://tammynguyenstudio.com/ Passenger Pigeon Press https://www.passengerpigeonpress.com/ Lehmann Maupin https://www.lehmannmaupin.com/index.php/artists/tammy-nguyen/featured-works Hess Flatow https://hesseflatow.com/artworks/1219-tammy-nguyen-realm-of-nous-2021/ https://hesseflatow.com/news/33-tammy-nguyen-chosen-for-moma-ps1-2021-greater-moma-ps1-reveals-artist-list-for-2021-greater/ Lit Hub https://lithub.com/author/tammynguyen/ MoMA PS1 https://www.moma.org/artists/133740 Carnegie Council https://www.carnegiecouncil.org/people/tammy-nguyen Marguo https://www.marguo.com/artists/67-tammy-nguyen/ Smack Mellon https://www.smackmellon.org/exhibition/tammy-nguyen-freehold/ Hyperallergic 2017 https://hyperallergic.com/398645/tammy-nguyen-potrait-of-a-young-artist-from-new-york-to-vietnam-and-back/

In this episode, we talk with Thomas Christopher, horticulturist, author and podcaster, about environmentally friendly gardening. The plant profile is on Beautyberry and we share what's going on in the garden as well as some upcoming local gardening events. This episode is sponsored by Nature's Lawn and Garden. ~ Plants and Gardens Happy Hour #1 https://connect.ahsgardening.org/ahs--gardencomm-webinar-series ~ Garden Revolution by Larry Weaner and Thomas Christopher https://amzn.to/3TmGqh9 ~ Nature into Art: The Gardens of Wave Hill by Thomas Christopher https://amzn.to/3dV6W0Z ~ The New American Landscape by Thomas Christopher with Doug Tallamy. Rick Darke, and more https://amzn.to/3AOpNE2 Disclosure: the books linked here are linked to an Amazon affiliate account, so if you click on them and order any, Washington Gardener Magazine gets a few pennies added to the account for the referral. Our full Amazon storefront is at: https://www.amazon.com/shop/wdcgardener BTW, YOU can become a listener supporter for as little as $0.99 per month! See how at: https://anchor.fm/gardendc/support. The SHOW NOTES will be posted on 8/30. If you liked this episode, you may also enjoy listening to: ~ GardenDC Podcast Episode 22: Fruit Trees, Crape Myrtle, and Low-Maintenance Lawn Alternatives https://washingtongardener.blogspot.com/2020/08/gardendc-podcast-episode-22-fruit-trees.html ~ GardenDC Podcast Episode 101: Sustainable Lawn Care https://washingtongardener.blogspot.com/2022/04/gardendc-podcast-episode-101.html Recorded on 8-27-2022. We welcome your questions and comments! You can leave a voice mail message for us at: https://anchor.fm/gardendc/message Note that we may use these messages on a future episode. And be sure to leave us a 5-star review on your favorite platform so other gardeners can find us too! Episode Credits: Host and Producer: Kathy Jentz --- Support this podcast: https://anchor.fm/gardendc/support

John Schaefer, host of WNYC's New Sounds, talks about what music events and concerts to look forward to this summer — especially outdoors, as the city is dealing with yet another wave of COVID cases. Hear about some of the events at BRIC Celebrate Brooklyn, Sunset Wednesdays at Wave Hill in the Bronx, Forest Hills Stadium in Queens and the Rite of Summer Music Festival on Governors Island.

Augustus Jenkins Farmer III is a renaissance plantsman. Born into a family of artists, musicians, and farmers, he fell in love with the natural world early in his childhood. Later he went on to pursue a formal education in Plant and Environmental Sciences at Clemson University and Botanical Garden Design at the University of Washington.For the last twenty years Jenks has led teams responsible for establishing two of South Carolina's major botanical gardens. He's presented lectures for groups such as the North Carolina State Agricultural Faculty, the Smithsonian, Wave Hill, Master Gardener clubs and, of course his grandmother's Allendale Ladies Afternoon Reading Club. His designs for homes, museums, and businesses have received recognition and awards while delighting hundreds of thousands of visitors with the joyful, easy exuberance of hand-crafted gardens.An avid writer, Jenks has been publishing since 1990. His essays have been featured in magazines such as Rodale's Organic Gardening, Fine Gardening, Horticulture, Botanic Gardens Conservation International, and The Public Garden. His stories appear in GreenPrints and Bare Essential Wildlife Journal of Australia.Jenks's books often interweave different facts, lessons, and moments from his life that he combines with the knowledge he's gained over the years.Deep Rooted Wisdom; Stories and Lessons from Generations of Gardeners. 2014 Timber PressFunky Little Flower Farm. 2019 Artisan Creative Group. Crinum: Unearthing the History and Cultivation of the Worlds Largest BulbAs the former director of Riverbanks Botanical Garden and founding horticulturist of Moore Farms Garden, Jenks has a true talent and passion for inspiring people of all ages and from all walks of life to go outside and get their hands dirty. 

Augustus Jenkins Farmer III is a renaissance plantsman. Born into a family of artists, musicians, and farmers, he fell in love with the natural world early in his childhood. Later he went on to pursue a formal education in Plant and Environmental Sciences at Clemson University and Botanical Garden Design at the University of Washington.For the last twenty years Jenks has led teams responsible for establishing two of South Carolina's major botanical gardens. He's presented lectures for groups such as the North Carolina State Agricultural Faculty, the Smithsonian, Wave Hill, Master Gardener clubs and, of course his grandmother's Allendale Ladies Afternoon Reading Club. His designs for homes, museums, and businesses have received recognition and awards while delighting hundreds of thousands of visitors with the joyful, easy exuberance of hand-crafted gardens.An avid writer, Jenks has been publishing since 1990. His essays have been featured in magazines such as Rodale's Organic Gardening, Fine Gardening, Horticulture, Botanic Gardens Conservation International, and The Public Garden. His stories appear in GreenPrints and Bare Essential Wildlife Journal of Australia.Jenks's books often interweave different facts, lessons, and moments from his life that he combines with the knowledge he's gained over the years.Deep Rooted Wisdom; Stories and Lessons from Generations of Gardeners. 2014 Timber PressFunky Little Flower Farm. 2019 Artisan Creative Group. Crinum: Unearthing the History and Cultivation of the Worlds Largest BulbAs the former director of Riverbanks Botanical Garden and founding horticulturist of Moore Farms Garden, Jenks has a true talent and passion for inspiring people of all ages and from all walks of life to go outside and get their hands dirty. 

Jia Sung is an artist and educator, born in Minnesota, raised in Singapore, now based in Brooklyn.
Her paintings and artist books have been exhibited across North America, including the Knockdown Center, RISD Museum, Wave Hill, EFA Project Space, Lincoln Center, Yale University, and MOMA PS1. Her work has been published in The Paris Review, Emergence Magazine, Hyperallergic, Jacobin Magazine, and Asian American Writers Workshop, and collected by the Met, SFMOMA, and the Special Collections at Yale, SAIC, and RISD. She has taught at organizations like the AC Institute, Abrons Arts Center, Children's Museum of the Arts, and Museum of Chinese in America. She was a 2018-2019 Smack Mellon Studio Artist and Van Lier Fellow, and is currently an adjunct professor at RISD, where she received her BFA in 2015.

Sometimes, the simplest ingredients make the most glorious food. Bread definitely falls into that category. Essentially, we're talking about flour, yeast, water and salt. You work it into a dough, some magic happens, and you've got one of the world's most perfect foods. This week on Seasoned, we're talking about that magic with expert bread makers. Carrie Brisson, head bread baker at King Arthur Baking, is with us to boost your confidence and troubleshoot your wonky loaves. Plus, local bakers Kevin Masse from Small State Provisions in West Hartford and Tim Topi of Wave Hill Breads in Norwalk share their bread wisdom, too. This show was produced by Robyn Doyon-Aitken and Catie Talarski with technical help from Gene Amatruda. Our interns are Sara Gasparotto and Michayla Savitt. GUESTS: Kevin Masse: Owner of Small State Provisions in West Hartford, Conn. (@smallstate) Carrie Brisson: Head bread baker at King Arthur Baking in Norwich, Vermont (@kingarthurbaking) Tim Topi: Master baker/owner of Wave Hill Breads in Norwalk, Conn. (@wavehillbreads) Seasoned is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Support the show: https://www.wnpr.org/donate See omnystudio.com/listener for privacy information.

Photo of Nicolás by Wadi Céspedes Raful / Courtesy of Nicolás Dumit Estévez Raful Espejo Ovalles Nicolás Dumit Estévez Raful Espejo Ovalles treads an elusive path that manifests itself performatively through creative experiences that he unfolds within the quotidian. He has exhibited or performed at Madrid Abierto/ARCO, The IX Havana Biennial, PERFORMA 05/07, IDENSITAT, Prague Quadrennial, Pontevedra Biennial, Call/Walks, Queens Museum, MoMA, Printed Matter, P.S. 122, Hemispheric Institute of Performance Art and Politics, Princeton University, Anthology Film Archives, El Museo del Barrio, Center for Book Arts, Longwood Art Gallery/BCA, The Smithsonian National Museum of the American Indian, Franklin Furnace, and Lower Manhattan Cultural Council. Nicolás has received mentorship in art in everyday life from Linda Mary Montano, a historic figure in the performance art field. Residencies attended include P.S. 1/MoMA, Yaddo and MacDowell. Nicolás holds an MFA from Tyler School of Art, Temple University, Philadelphia, PA, where he studied with Coco Fusco; and an MA from Union Theological Seminary in the City of New York. Born in Santiago de los Treinta Caballeros, Dominican Republic, in 2011 he was baptized as a Bronxite; a citizen of the Bronx. Since 2006, he has pursued trainings with key people in the healing, somatic movement, and writing fields. Nicolás is the founding director of The Interior Beauty Salon, a space working at the intersection of creativity and healing. Learn more and follow The Interior Beauty Salon on Instagram. Nicolás Dumit Estévez Raful In Bed with the Tropicals, 2015, inaction Photo: Frances Pollitt / Courtesy of Nicolás Dumit Estévez In Bed with the Tropicals consisted of a five-hour stopover by a sleeping subject in Wave Hill's conservatory, NY. This dormant being rested uninterruptedly, side by side with the vast array of orchids, lichens, air plants and ferns that make up the lush greenhouse's collection. In this exercise, which relied on inaction, the cessation of the most visible movements on behalf of the sleeper were meant to put him on a par with the imperceptible activity generated by the plant world around him. In Bed with the Tropicals was meant to conjure images of hibernation, catalepsy, the Dormition of the Virgin, and the continuous interplay between life and death. It also signaled the urgent call for what deep ecology activist Joanna Macy refers to as the “greening of the self” or the eco-self; an awareness for one's inextricable interdependence with all living beings irrespective of the lesser status “humans” have assigned to them. Rhina Valentin and Nicolás Dumit Estévez Raful with Michael Max Knobbe and Angel RodríguezThe Metropolitan Portal, 2020, art in everyday lifePhoto: Argenis Apolinario / Courtesy of Nicolás Dumit EstévezNicolás Dumit Estévez Raful Espejo invites Rhina Valentín, who in turn invites Master Percussionist Angel Rodríguez to represent her spiritual guide, and BronxNet Executive Director, Michael Max Knobbe to represent her connection to community. They step into Rhina's everyday portal through the shopping district of Parkchester, reminiscent of the walk she would take to get to the train when she lived there with her Mother—through improvisational ritual choreography that launches near the fountain of Parkchester and processes through Metropolitan Avenue. Mantras, colors, and drum beats are all part of the portal through which Rhina skillfully takes the group: a magical field. She eventually leads all involved out into the day-to-day buzz of the City to enjoy the echo of any transformations experienced during the action. This action is part of Performing the Bronx. Performing the Bronx is an expansion of Nicolás's on-going efforts to generate work with and within different communities in the Bronx. It is also representative of his interest in recovering, reclaiming and remembering histories of the area's inhabitants that run the risk of being effac...

"What do you want to talk about when we tape our next podcast segment, I asked Ken Druse the other day, and his answer was succinct. "Monocots," he said. To which I said, "What?"  "I want to talk about monocotyledons," he said, using the unabbreviated name of one of the two groups that all flowering plants fit into, the other being dicots. And so we will. And yes, it's geeky, but also a lot more revealing than you'd imagine. And also a hint that seemingly esoteric facts like the taxonomic relationships between plants can make for fun themes for a plant collection, or even a concept for a bed or border or display of grouped containers. Ken Druse is an old friend and a garden writer with 20 books to his credit, and most recently, one about fragrance called “The Scentual Garden,” and another called “The New Shade Garden.” He made a visit the other day to Wave Hill, the renowned public garden in New York City, where they have a whole monocot border that was in its glory, and hence our topic today: plants that are monocots and why to care.

Episode 77 features Adrienne Elise Tarver, an interdisciplinary artist, educator, and administrator with a practice that spans painting, sculpture, installation, photography, and video. Her work addresses the complexity and invisibility of the black female identity in the Western landscape--from the history within domestic spaces to the fantasy of the tropical seductress. She has exhibited nationally and abroad, including solo or two-person exhibitions at the Aldrich Museum of Contemporary Art in Connecticut; Atlanta Contemporary in Atlanta, Georgia; Victori+Mo (now Dinner Gallery) in New York; Ochi Projects in Los Angeles; Hollis Taggart in New York; Wedge Curatorial in Toronto, Canada; Wave Hill in the Bronx, NY; BRIC Project Room in Brooklyn; and A-M Gallery in Sydney, Australia. She has been commissioned for projects through the New York MTA, the Public Art Fund, Google, Art Aspen, and Pulse Art Fair and has been featured in online and print publications including the New York Times, Brooklyn Magazine, ArtNet, Blouin ArtInfo, Whitewall Magazine, and Hyperallergic, among others. She is currently the Director of Programs at the National Academy of Design. Previously she was the Associate Chair of Fine Arts at SCAD Atlanta, and prior to that was the Director of Art & Design for the Harlem School of the Arts. She received her MFA from the School of the Art Institute of Chicago and BFA from Boston University. Portrait photo credit Eley photo Artist website http://www.adriennetarver.com/ The Aldrich https://thealdrich.org/exhibitions/adrienne-elise-tarver Atlanta Contemporary https://atlantacontemporary.org/exhibitions/adrienne-elise-tarver The Armory https://www.thearmoryshow.com/ Culture Type https://www.culturetype.com/2021/09/07/on-view-adrienne-elise-tarver-the-sun-the-moon-and-the-truth-at-aldrich-contemporary-art-museum-in-ridgefield-conn/ Dinner Gallery https://dinnergallery.com/adrienne-elise-tarver White Wall https://whitewall.art/art/art-aspen-awards-adrienne-elise-tarver-with-inaugural-artist-commission Hollis Taggert Youtube https://www.youtube.com/watch?v=wft8TmSFnvE See Great Art https://www.seegreatart.art/adrienne-elise-tarver-the-sun-the-moon-and-the-truth/ Boston University https://www.bu.edu/articles/2020/gallery-adrienne-elise-tarver/

Austin Thomas is an artist, curator, and community builder and is currently the exhibitions manager at FIT. A graduate of NYU, she has received numerous residencies and fellowships, including Wave Hill, Guttenberg Arts, The Elizabeth Foundation for the Arts, and Smack Mellon. From 2007 to 2014, she directed the influential Pocket Utopia gallery. In 2016, New York City unveiled her permanent public sculpture for a new park in Brooklyn. She has also done public commissions for the Public Art Fund and Grinnell College. Thomas's work is in the book Living and Sustaining a Creative Life: Essays by 40 Working Artists and its sequel, The Artist as Culture Producer: Living and Sustaining a Creative Life, edited by Sharon Louden. In addition, Thomas's work has been shown nationally and internationally and written about in the New York Times, New Yorker, Art in American, The Brooklyn Rail, The Paris Review, and Hyperallergic. She is a seminar instructor at the New School, where she teaches the "Artist as Entrepreneur. " During the COVID shutdown, Thomas became a New York City history buff, walking her city and discovering it anew. She is a nature lover and enjoys nature writing, most recently reading Visualizing Nature, Essays on Truth, Spirit, and Philosophy edited by Stuart Kestenbaum. Austin Thomas "COVID-19 Sequence," 24x42 in., ink on paper Crane's Blue Stationery Austin Thomas "COVID Sketchbook," 5x7 in., 2020 Pen, pencil, and collage

Powerline infrastructure is so outdated in some parts of south-west Victoria, many farms and families are buying generators to ensure they have enough energy to keep the lights on.

Geoff introduces Alec Kruger's Alone on the Soaks by recounting the yarns of an 11 year old spending 3 summer months keeping the water in the soaks open to cattle and a near death experience as an adult stock rider on a horse. The book provides background for the Wave Hill walk off, being commemorated 50 years ago today

This month marks the 55th anniversary of the Wave Hill Walkoff — when Vincent Lingiari led more than two hundred Aboriginal stockmen and domestic workers walked off the Wave Hill Cattle Station in the Northern Territory. 

Next week, Australians will look back at one the most significant moments in the struggle for Indigenous rights. August 23 marks the 50th anniversary of the Wave Hill walk-off when Vincent Lingiari led a group of 200 Aboriginal workers and their families off a Northern Territory pastoral station in protest against their exploitative pay and working conditions. Labor's spokesperson for human services, Linda Burney, who at the election became the first Indigenous woman to win a seat in the lower house, tells Michelle Grattan the events of Wave Hill were incredibly important and continue to be. Burney says the actions of Lingiari and the Gurindji people at Wave Hill were “heroic” and should be “fundamental to everyone's education in Australia through the school curriculum”. Burney also traces the modern land rights movement to the walk-off. “The Gurindji with the support of unions and many others - non-Aboriginal people - came to the south and presented their case about living conditions, about rights to country, rights to culture, and the south and the north came together and over a long period of time eventually delivered land rights to the Gurindji,” she says. Consititutional recognition of First Australians Acknowledging roadblocks in the way of constitutional recognition of Indigenous Australians, Burney says she doesn't want to “entertain the notion that it can't happen”. “I am very disappointed that the Referendum Council has now taken the view that they can't deliver a report until mid next year.” “I am still very optimistic that there will be a referendum. It will not be for the 50th anniversary [of the 1967 referendum]. That symbolism is lost but I do think there is still an appetite for a referendum at some point. I am sick of this being kicked down the road. If the Referendum Council says ‘mid next year' then lets for heaven's sake set a definite date so we know what we're working towards and get a set of words, a question, so we know what we're going to be talking about,” she says.

My guest this week is Hilary Lorenz and in 2010 she founded in Abiquiu, NM. Abiquiu is located in the high desert and that's where Hilary built by hand a large studio out of stone, mud, wood and tin. It's a space that she has also created for a select group of artists to come and create each year and we discuss her process for doing this in our convo. Each year Hilary splits her time between New York City and New Mexico... She spends several months in Abiquiu deeply engaged in her practices -art, running, mountaineering. She is a multidisciplinary artist who explores intersections of running, nature, and solitude and a highly accomplished artist. Her recent exhibitions include Nomadic Geographies (2014), Wave Hill, NY, In the Spirit (2014), Pioneer Bluff, KS, Tracing Nature, Muriel Guepin, NY (2012). Group exhibitions include, Influencers (2014) Print Center of NJ, Corridor Gallery, (2012) Brooklyn, NY and many more. She is also a Fulbright Fellow and the NEA-MidAtlantic Fellow. In 2011 Hilary had the pleasure of running on Track and Field, Allora and Calzadilla sculpture at the 54th Venice Biennale Lorenz received an M.A. and M.F.A. from University of Iowa and is a Professor at Long Island University-Brooklyn, NY. She was definitely one I wanted to talk to about time management since she has a lot on her plate. Stonetrigger Press Topics Discussed The value of storytelling in selling products How a 30-day creating and blogging challenge helped propel Etsy sales early on Art exhibits vs. craft fairs ...and much much more Resources Mentioned - a comprehensive resource for the printmaking community - great place for finding free or low cost shipping supplies. Just find your local market and start searching. Best ways to reach Hilary Email: Hilary [at] HilaryLorenz [dot] com Etsy shop: Social media: Website: Blog: Hilary's Etsy Shop Shoutout - listen in to hear how this Etsy seller uses a very creative and unique selling technique that has garnered her almost 30,000 sales to date and be sure to check out her Etsy shop... Let her know Hilary sent you! Please take a minute to subscribe and leave an honest review of the podcast in and . That really helps to get the word out about the show. Connect With Me: Twitter: Follow Facebook Group: - This is where I'm connecting with you after the podcast. Lots of fun convos here too! Facebook: Like the Pinterest: Instagram: Google+: Email: Use the OR interview [at] convome [dot] com