Podcast appearances and mentions of Patricia Cornelius

The team get off to a bumpy start; for Weird Science, Dr Susi Seibt gives the hard shell on cooking the perfect egg; playwright Patricia Cornelius unmasks her new play, Truth and Oliver Coleman takes care of (personal) business. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/ Facebook:  https://www.facebook.com/Breakfasters3RRRFM/ X: https://x.com/breakfasters

SmartArts takes over the Triple R Performance Space for a very special broadcast to celebrate the show's 20th anniversary!Richard Watts OAM first brought Triple R's flagship morning arts program to life in December 2004, hosting hundreds of conversations every year with local artists, established talent and international touring legends from across the visual and performing arts spectrum. Listen back to this celebration of twenty years on the airwaves, broadcast live from the Triple R Performance Space, featuring an assortment of talent including: A live stand-up set and interview with comedian Tom Ballard. Berlin's "prince and pricess of art rock and Europop" Otto & Astrid who perform their track Tasty Snak. Bernard Caleo chooses his favourite comics of the year. An interview with photographer and visual artist Pia Johnson. Actor and theatremaker Candy Bowers performs YO MAMA SO PHAT from her show 'Australian Booty' (with music by Busty Beatz). Theatre icons Susie Dee and Patricia Cornelius read from Patricia's play SHIT, and chat theatre with reviewer Anne-Marie Peard. An interview with MTC's Artistic Director Anne-Louise Sarks. Comedian and musician Geraldine Quinn performs The Peel from 'The Last Gig in Melbourne'. Tai Snaith chooses her favourite exhibition of the year, and the past 20 years! And a chat with MQFF Program Director Cerise Howard. To listen back to the whole broadcast, including live music from Peggy Frew and Guy Blackman and the GBs, head to the Triple R website: https://www.rrr.org.au/explore/programs/smartarts/episodes/31949-smartarts-20th-anniversary-special

Nicci Wilks is a sharp and very physical actor and circus performer who has collaborated with major figures in Australian theatre, including Patricia Cornelius, Angus Cerini and Susie Dee. Her new show traces the life of a rodeo clown. The surprisingly heart-wrenching one-person show, called Rodeo Clown, is at this year's Darwin Festival.Also, having lost the support of their host university, the National Institute of Circus Arts (NICA) announces a new partnership with Collarts, Nadine Garner reads from Jane Austen's Pride and Prejudice with two superstar classical musicians, and we meet a couple with no dance experience planning an elaborate duet for their wedding day.

The team discuss the tradition of standing ovations at the Cannes Film Festival; Megan McKeough reviews Tran Anh Hung's The Taste of things; Michael Harden talks about the ethics and significance of milk; writer Patricia Cornelius chats about the play The Audition currently showing at La Mama theatre; book reviewer Laura Pietrobon talks about The Tower by Flora Carr; and Olivia Swain tells us about the new emus at La Trobe's Nangak Tamboree Wildlife Sanctuary. With presenters Monique Sebire, Daniel Burt & Nat Harris.Website: https://www.rrr.org.au/explore/programs/breakfasters/Facebook: https://www.facebook.com/Breakfasters3RRRFM/Twitter: https://twitter.com/breakfasters

Ania Reynolds & Alisa Tanaka-King join Richard to talk about their show 'Dumplings Darling' and their approach to cultural sharing; being un-pretentious and inclusionary, using the cultural cross-section that is made up of food, music and storytelling.Joining Richard next is Anna Louey, the creator of 'A Dodgeball Named Desire', a show set up as a dodgeball game between theatre performers and professional sportspeople that playfully investigates the competition between theatre and sport in Australia and delves into the divide between high art (theatre) vs high spectacle (sports).Lastly, but definitely not leastly, playwright Patricia Cornelius & actor Darcy Kent talk about Patricia's new work 'In The Club', which makes a case study of and interrogates the idea of 'pack mentality' and the power it holds in society, especially in so-called 'Australian' culture. The show is also designed as a vehicle to bear witness to the bad behaviour that comes with pack mentality.Hosted by Richard Watts

Karlee Misipeka, Jonathan Homsey, Patricia Cornelius interviews with James McKenzie.  Karlee Misipeka and Jonathan Homsey join James in the studio to chat about their camp Melbourne Fringe show Shower Thots in the water at Melbourne City Baths, October 14 and 21. Features Jayden Wall on the 21st.  Jonathan Homsey  Patricia Cornelius discusses her play In the Club at Theatre Works, October 26 to November 11.  Interview starts 36:17.  Content warning.  For support: 1800 806 292 (Victoria) or 1800 737 732 (Australia-wide).  Home | Theatre Works  3CR broadcasts from the stolen lands of the Kulin Nation.

Have you ever wondered how a musical is written? At this year's Adelaide Cabaret Festival, the composer and lyricist Eddie Perfect is hosting an event that brings us into that process. Eddie joins us with Gillian Cosgriff whose new musical The Fig Tree will have a work-in-progress showing at the festival.Also, in Patricia Cornelius's play Do Not Go Gentle, now on at the Sydney Theatre Company, we are out on the Antarctic ice with Robert Falcon Scott on his fateful expedition of 1912. But in this play Scott and his team are all in their 80s and we soon realise that nothing is what it seems.

Have you ever wondered how a musical is written? At this year's Adelaide Cabaret Festival, the composer and lyricist Eddie Perfect is hosting an event that brings us into that process. Eddie joins us with Gillian Cosgriff whose new musical The Fig Tree will have a work-in-progress showing at the festival. Also, in Patricia Cornelius's play Do Not Go Gentle, now on at the Sydney Theatre Company, we are out on the Antarctic ice with Robert Falcon Scott on his fateful expedition of 1912. But in this play Scott and his team are all in their 80s and we soon realise that nothing is what it seems.

Theatre-maker Liv Satchell and actor Emily Tomlins discuss their upcoming plays ‘The Grief Trilogy' for La Mama Courthouse; Veteran theatre practitioners Patricia Cornelius and Susie Dee explain their film adaptation of their play ‘Sh*t', premiering at the Melbourne Women In Film Festival 2023; and Artistic Directors Jonathan Homesy and Emily Sexton talk about the launch of FRAME: a biennial of dance program. With presenter Richard Watts.

Live on stage at Melbourne's iconic La Mama Theatre, newly rebuilt following a devastating fire, we look at the history of independent Australian theatre and its impact on our culture, and we discuss the path ahead for small theatres in the wake of the pandemic.

Live on stage at Melbourne's iconic La Mama Theatre, newly rebuilt following a devastating fire, we look at the history of independent Australian theatre and its impact on our culture, and we discuss the path ahead for small theatres in the wake of the pandemic.

Live on stage at Melbourne's iconic La Mama Theatre, newly rebuilt following a devastating fire, we look at the history of independent Australian theatre and its impact on our culture, and we discuss the path ahead for small theatres in the wake of the pandemic.

Theatre First Episode 272Stream podcast episodes on demand from www.bitesz.com (mobile friendly). RUNT (fortyfive downstairs, Melbourne Australia) One small woman takes on the world. Following their incredibly successful and multi award-winning collaboration on SHIT, Susie Dee, Patricia Cornelius and Nicci Wilks have re-teamed to create RUNT, a play about the runts of the world: the lesser, the unwanted, the weak, those without clout, the insignificant; all the unders. Runt, a small, undernourished woman has endured enough of the misery of being the runt of the litter. She toughens up and attempts to take power, to lead the oppressed, to rise up and fight, for equality, for decency and what's right. She liberates sack after sack after sack of miserable runts. And she grows. She feels herself reaching eight foot or more. She gets a taste for what it means to be great. Trouble is, ‘greatness forgets runtness‘. For more information visit https://fortyfivedownstairs.com/event/runt/ Theatre First RSS feed: https://rss.acast.com/theatre-first  Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts, Spotify, Google Podcasts, Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc. If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you. #theatre #stage #reviews #melbourne #australia  See acast.com/privacy for privacy and opt-out information.

For decades, Patricia Cornelius has been writing tough, passionate plays about people who are rarely seen or heard in Australian theatres. Through those years, she's often had director Susie Dee alongside her. Their new play is called Runt.Also, The Twins reunites comedian Greg Fleet and documentary maker Ian Darling more than 40 years after they starred in a school play together and Opera Australia's new production of Bluebeard's Castle by Béla Bartók confronts the work's uncomfortable themes.

For decades, Patricia Cornelius has been writing tough, passionate plays about people who are rarely seen or heard in Australian theatres. Through those years, she's often had director Susie Dee alongside her. Their new play is called Runt. Also, The Twins reunites comedian Greg Fleet and documentary maker Ian Darling more than 40 years after they starred in a school play together and Opera Australia's new production of Bluebeard's Castle by Béla Bartók confronts the work's uncomfortable themes.

For decades, Patricia Cornelius has been writing tough, passionate plays about people who are rarely seen or heard in Australian theatres. Through those years, she's often had director Susie Dee alongside her. Their new play is called Runt. Also, The Twins reunites comedian Greg Fleet and documentary maker Ian Darling more than 40 years after they starred in a school play together and Opera Australia's new production of Bluebeard's Castle by Béla Bartók confronts the work's uncomfortable themes.

For decades, Patricia Cornelius has been writing tough, passionate plays about people who are rarely seen or heard in Australian theatres. Through those years, she's often had director Susie Dee alongside her. Their new play is called Runt. Also, The Twins reunites comedian Greg Fleet and documentary maker Ian Darling more than 40 years after they starred in a school play together and Opera Australia's new production of Bluebeard's Castle by Béla Bartók confronts the work's uncomfortable themes.

In this episode, leading  academics and artists reflect on the importance of diversity in the creative and cultural industries. 

In this episode, leading  academics and artists reflect on the importance of diversity in the creative and cultural industries. 

Alison Croggon, Susie Dee, Patricia Cornelius and Nicci Wilks at the Wheeler Centre Warning: This recording contains some repeated coarse language. Patricia Cornelius, Susie Dee and Nicci Wilks have been making radical and confronting theatre together for decades. ‘I've never believed the bullshit about how audiences don't like risk,' Cornelius has said. 'They actually really do. I've seen it.' Long-term collaborators, their work has more often found a home in innovative independent companies than in establishment state theatres. Yet their provocative Australian stories, dealing especially with issues of class and power, have brought them huge admiration among audiences and critics. Their admirers, it turns out, extend far beyond Australian shores. In 2019, Patricia Cornelius was named among the winners of the lucrative Windham-Campbell Prize, administered by Yale University. Two of her plays – SHIT and LOVE – were staged at the Venice Biennale in July that year. Those two productions were also shown in Melbourne at fortyfivedownstairs, directed by Dee and starring Wilks. Before they hit the road for Venice, we presented a conversation with the powerhouse trio at the Wheeler Centre. Join them as they speak with Alison Croggon about politics, performing arts and the power of making audiences squirm in their seats.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

The writers of Who's Afraid of the Working Class? reunite for Anthem, choreographer Hofesh Shechter brings his Grand Finale back to Australia, we travel to the Komische Oper Berlin to find out how to make opera for everyone, and British comedian Sarah Millican takes control.

The writers of Who's Afraid of the Working Class? reunite for Anthem, choreographer Hofesh Shechter brings his Grand Finale back to Australia, we travel to the Komische Oper Berlin to find out how to make opera for everyone, and British comedian Sarah Millican takes control.

Patricia Cornelius is a celebrated Australian playwright who writes about class, love, capitalism and the cruel things we do to each other. Her plays include LOVE, Savages, SHIT, Do Not Go Gentle and Who's Afraid of the Working Class? In this conversation, Patricia tells me about her working class upbringing, her journey through feminism to Marxism, her time in the radical Melbourne Workers Theatre and reflects on whether today's middle-class and staid theatre can still be a voice for class-conscious politics. Also we revel in the joy of some filthy swearing.  Come see me record a LIVE SHOW as Greens MP Adam Bandt returns on Tuesday December 10th, 7pm – all funds raised go to the ASRC I'm bringing my show ENOUGH to the 2020 Adelaide Fringe in March, tickets on sale now  My new show GRANDILOQUENT is on at the 2020 Brisbane Comedy Festival in March, tickets on sale now JOIN THE BRAND NEW LIKE I’M A SIX-YEAR-OLD GROUP ON FACEBOOK! WOW!  If you’ve got the means please support this show by becoming a Patron I want to do an AMA episode of the show: please get in touch with your questions, email tom@tomballard.com.au @pmcorn ARTICLE: Patricia Cornelius: Not going gently by Harry Windsor Patricia's piece on swearing for The Wheeler Centre Anthem is playing at the 2020 Sydney Festival  Do Not Go Gentle is on at Malthouse Theatre in 2020 SHIT on AustralianPlays.org Cause of the Week: Ilbijjeri Theatre Company (ilbijerri.com.au)

21 years after Who's Afraid of the Working Class?, Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela reunite for Anthem at the Melbourne Festival, The Shadow Whose Prey the Hunter Becomes by Back to Back Theatre shines a light on the shadows of prejudice, and we meet the team behind the most ambitious work at this year's Brisbane Festival: 59 Productions and Rambert's Invisible Cities, inspired by Italo Calvino's novel.

21 years after Who's Afraid of the Working Class?, Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela reunite for Anthem at the Melbourne Festival, The Shadow Whose Prey the Hunter Becomes by Back to Back Theatre shines a light on the shadows of prejudice, and we meet the team behind the most ambitious work at this year's Brisbane Festival: 59 Productions and Rambert's Invisible Cities, inspired by Italo Calvino's novel.

Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Theatre First Episode 199Shit  (fortyfivedownstairs, Melbourne, Australia) (review)Winner of four Green Room awards: best production, best writing, best set and costume, and best ensembleBilly, Bobby and Sam are coming back after a sold-out season of SHIT in 2016. These girls don’t believe in anything. They’re mean, foul-mouthed, downtrodden, hard-bitten, utterly damaged and the kind of women most would see on the street and decide to walk the other way. They’re neither salt of the earth nor sexy. They love no one and no one loves them. They believe the world is shit, that their lives are shit, that they are shit.The first Australian artists ever to be invited to the Teatro Biennale di Venezia in 2019, award-winning writer/director team Patricia Cornelius and Susie Dee bring SHIT and LOVE to fortyfivedownstairs for limited seasons before traveling to Venice to present at the 47th International Festival of Theatre.For more information visit  https://chapeloffchapel.com.au/show/ghosted/ Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews  Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia #fortfivedownstairs Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Stream podcast episodes on demand from www.bitesz.com (mobile friendly).Theatre First Episode 195 Love by Patricia Cornelius (fortyfive downstairs, Melbourne, Australia) (review)LOVE is an unapologetic exploration of love and addiction. Tanya, Annie and Lorenzo are from the bottom of the heap. They’ve been abused, they’re abusive, and they’re difficult to like, let alone love, but it’s love in all its distorted and mutated forms that holds them together.For more information visit  www.fortyfivedownstairs.com/wp2016/event/love-by-patricia-cornelius/ Theatre First RSS feed:   https://feeds.megaphone.fm/ivetheatrereviews  Subscribe, rate and review Theatre First at all good podcatcher apps, including Google Podcasts, Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, CastBox.FM, Podbean, ACast etc.If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you.#theatre #stage #reviews #melbourne #australia Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

This week Richard is first joined in the studio with Patricia Cornelius and Susie Dee to discuss their double bill of plays. Next up, actors Chris Ryan and Mike McLeish swing by to talk about Lazarus, a musical like no other. Followed by Andrew Pogson, MSO’s special projects manager talking about their latest project, Casino Royale in concert. 

20 years since it last appeared on their stage, Tim Winton's Cloudstreet returns to the Malthouse Theatre under the direction of Matthew Lutton, theatre critic Tim Byrne reviews Sydney Theatre Company's new production of Cat on a Hot Tin Roof, Aboriginal Australian performers Vicki Van Hout and Joel Bray use humour (and powdered sugar) to wrestle with their Indigenous heritage at Yirramboi, and playwright Patricia Cornelius shares her Best Advice.

20 years since it last appeared on their stage, Tim Winton's Cloudstreet returns to the Malthouse Theatre under the direction of Matthew Lutton, theatre critic Tim Byrne reviews Sydney Theatre Company's new production of Cat on a Hot Tin Roof, Aboriginal Australian performers Vicki Van Hout and Joel Bray use humour (and powdered sugar) to wrestle with their Indigenous heritage at Yirramboi, and playwright Patricia Cornelius shares her Best Advice.

Acclaimed Australian playwright Patricia Cornelius has been awarded the Windham-Campbell Prize for drama, US playwright Clare Barron's Dance Nation follows a group of teens in the throes of adolescence finding their place in a hyper-sexualised and competitive world of dance, and we speak with playwright and performer Nakkiah Lui about her new satirical play at the Sydney Theatre Company — How to Rule the World.

Jasmine Moseley of the The Australian Ballet joins us for Intermission and Coming Soon - featuring the Head On Photo Festival and virtual reality in Canberra. This month's shows discussed are De Stroyed by Jillian Murray and Suzanne Chaundy Director at fortyfivedownstairs and The House of Bernarda Alba - an Australian reimagining of the Federico Garcia Lorca play, by Patricia Cornelius and Leticia Ines Caceres at Melbourne Theatre Company.

Stream podcast episodes on demand from www.bitesz.com (mobile friendly). The House of Bernarda Alba (An MTC Production) With their mining-mogul father dead, the Alba household is in mourning. All four daughters have been called home by their matriarch mother to pay their respects and bunker down in the family home. The future seems wildly uncertain for all but the eldest sister, who has inherited a fortune and is engaged to the local heartthrob. But as tensions rise and tempers flare, will any of them have the power to alter their destiny? Renowned playwright Patricia Cornelius takes Federico García Lorca’s classic tragedy out of the villages of Spain and into the heat of rural Western Australia to explore themes of passion, repression, and isolation in an exhilarating adaptation directed by Leticia Cáceres. For more details, visit: http://www.mtc.com.au/plays-and-tickets/season-2018/the-house-of-bernarda-alba/ Theatre First RSS feed: https://audioboom.com/channels/4839371.rss Subscribe, rate and review Theatre First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, audioBoom, CastBox.FM, Podbean etc. If you're enjoying Theatre First podcast, please share and tell your friends. Your support would be appreciated...thank you. #theatre #stage #reviews #melbourne #australia #mtc #thehoseofbernardaalba #livetheatre #theater Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

One of Australia's most awarded playwrights, Patricia Cornelius isn't afraid to go where other writers won't. With titles like SHIT and SLUT, Patricia pushes her audience to pay attention to some of society's most visceral issues. In The Club was specially commissioned for the State Theatre Company of South Australia, and it shines a blinding light on accounts of sexual violence in one of our most beloved national sports. Patricia sat down with us to discuss her life in the theatre, and just what inspired her to write this uncompromising new work. In The Club runs as part of the Adelaide Festival 2018 from the 23rd of Feb to the 18th of March. Find tickets and further details here. Our thanks to Patricia and the State Theatre Company.If you want to support Deviant Women, follow us on: PatreonTwitter @DeviantWomenFacebook @deviantwomenpodcastInstagram @deviantwomenpodcast See acast.com/privacy for privacy and opt-out information.

Patricia Cornelius came in to talk about her new play Big Heart, writer Shashi Tharoor talked about his new book Inglorious Empire: What The British Did To India. Simon Hinkley chatted about the Lord Howe Island stick insect, and the team also talked horse competitions, and taking home tadpoles hoping they turn into frogs. With Sarah Smith, Jeff Sparrow, and Geraldine Hickey.

Recorded live at the AWG's Write Like A Man event at King's Cross Hotel, Donna Abela interviews award-winning playwright Patricia Cornelius. She is known for her confronting plays that often deal with people living on the margins of society, struggling with poverty and prejudice.  Patricia has written over 25 plays, including SHIT, Savages, Slut, The Call amongst many more. Patricia's many awards include a Gold AWGIE, numerous other AWGIEs, a Green Room Award and Patrick White Playwrights' Award.  

This weeks guests include Patricia Cornelius & Candy Bowers, choreographer Lucy Guerin, andFringe artists Kyle Davey & Stephanie Osztreicher.

Playwright Patricia Cornelius and novelist Toni Jordan create very different work, but here they talk about something close to both their hearts - swearing. And yes, they do swear. #writing #fiction #stage

In our first episode we discuss Melbourne Theatre Company's Neon Season - the "Festival of Independent Theatre". We cover Gary Abrahams/Dirty Pretty Things "The Lonely Wolf", Patricia Cornelius' "SHIT" and Elbow Rooms "We Get It".

"I think [the larger companies] should be forced to take more risks.” - Melissa Reeves “Nurture the audacious. The works that you remember are works with audacity.” - Patricia Cornelius And... we're back! Fleur and Jana are talking to theatre-makers from Australia and abroad, with Kieran behind the mixing desk. Our second season will tackle the topic of responsibility. ‘Responsibility’ is a word that comes up a lot in art but its meaning is as multifaceted as the artists who use. It can mean ‘duty of care’ to your fellow practitioners, ‘responsibility’ to deliver the product the subscribers are paying for or not traumatising an audience who did not consent to be traumatised. But it can also mean responsibility to be brave. Brave enough to tell the hard stories. To press on wounds that need pressing. Sometimes the old adage that art ‘holds a mirror up to society’ is far to passive. Sometimes that mirror needs smashing. In this, the second season of Audio Stage, we are talking ‘responsibility in art’. Over the course of the next ten weeks we will be in dialogue with various practitioners, programmers and thinkers about what ‘responsibility’ means to them and how we remain ethical in art. Our first guests are playwrights Patricia Cornelius and Melissa Reeves. We talk about responsibility in playwrighting: the words we use, the stories we tell, the people we stage, and the playwrights we give money to. “I’ve never believed the bullshit about how audiences don’t like risk. They actually really do. I’ve seen it. I’ve been in enough audiences that are asleep and I’ve seen them wake up when there is something that unsettles them... I think an audience is dying to be offended.” - Patricia Cornelius Discussed in this episode: Andrew Bovell; academic research and ethics procedures; Aboriginal and white theatre-makers; rulebooks for making ethical art: Y/N?; telling real-life stories: 'how did you know my first wife was a hair-dresser?'; Diane Brimble; identifying with characters; the whitest story ever told about Kenya; Steven Sewell; why white women are so much more concerned about their responsibilities than white men; why a lion is always played by a black actor; Jana's students at the VCA; Myall Creek Massacre; George Brandis; and Melbourne Workers' Theatre. "I remember reading this fantastic poem by this Aboriginal woman, and it said: 'If you're writing this because you want to help me, you know, just fuck off. But if you're writing this because your liberation is bound up in my liberation, then, you know, go ahead, come with me'. And it was a beautiful invitation." - Melissa Reeves Stay tuned: we have more exciting and intellectually rigorous conversations to come. Podcast bibliography: Ben Neutze: Who's Afraid of Patricia Cornelius? (The Daily Review, May 27, 2014) Simon Caterson: Cold War Confidential (The Age, 17 February 2007) If you are interested in Melissa Reeves and Patricia Cornelius, you can read their plays at AustralianPlays.org: Melissa Reeves' plays here, and Patricia Cornelius' plays here.