Podcast appearances and mentions of Roy Fox

When a prized debutante makes her debut, one heir is determined not to miss it.November 1933, one of the most prized debutantes of this season Virginia Kent has her first coming out ball. To not miss out, John Jacob Astor VI, aka “Jakey,” charters a vehicle to bring a crew to the party. Will a love match be made?Other people and subjects include:Princess Barbara Hutton Mdivani, Doris Duke, James H.R. Cromwell aka “Jimmy,” Eva Stotesbury, “Jakey” John Jacob Astor VI, Daisy Van Alen, William “Sam” Van Alen, Elizabeth “Betty” Kent, Woolworth “Woolie” Donahue, “Alfy” Alfred Vanderbilt, Jr., Atwater “Atty” Kent, Jr., Virginia “Ginnie” Kent, Atwater Kent, Mabel Lucas Kent, Jonathan Kent, George Vanderbilt, Mrs. Margaret Emerson Vanderbilt Baker Amory, Raymond Guest, Winston Guest, Dorothy “Dottie” Fell, Louise Brooks Howard, Pola Negri, Elsa Maxwell, Virginia “Birdie” Graham Fair Vanderbilt, Helen Dinsmore Astor, Isabel Dodge Sloane, Margaret “Peggy Dorrance, Charlotte Dorrance, Jane Johnson – future Mrs. Heminway, Mademoiselle Louise Millet of Paris, Mrs. Donner, Mrs. Barklie – the Barklies, the Houstons / the Hustons / the Houstons, the Lorimers, Pierre Barbey, Jr., Screven Lorillard, Richard “Dick” deRahm, Joseph Earle Stevens Jr., Ludlow Stevens, Eleanor “Ellie” Gould, Caroline Astor, British Queen Mary, Prince Albert – Duke of York – future King George VI, colorful debutante fashion trends, study abroad, Fermata school, Veiled Prophet Queen, bow at Court of St. James, Africa big game trip, African hunting expedition, polo, horse races, scavenger hunt, gag gift, Waldorf-Astoria, Bridlespur Hunt Club, Deer Creek Country Club, Barclay Hotel, Bellevue-Stratford Hotel, Aquitania oceanliner, Kenya Colony, New York City, Philadelphia, Paris, Africa, St. Louis, Missouri, Baltimore Sun, the Philadelphia Inquirer, St. Louis Dispatch, Atwater Kent Radio, Amos & Andy, Rudy Vallee, Ellie Kemper, Phillips Carlin, President Harry Truman, United Nations, costume parties, Halloween, fresh vegetables appetizer – celery & carrots with dip, Metropolitan Opera, Atwater Kent Radio Hour, NBC & CBS radio stations, Veiled Prophet Parade and Ball, Veiled Prophet Queen of Love and Beauty, post Civil War – Reconstruction era, John G. Priest, Suzanne “Suzie” Slayback, parade floats, Jinn, Bengal lancers, Louisiana Purchase, Mother Goose, racial tensions, Percy Brown, ACTION (the Action Council to Improve Opportunities for Negroes), robber Russell Hayes, historian Thomas Spencer, protests, Mexican entourage, Irish immigrants, African American Veiled Prophet Queen, Veiled Prophet – Grand Oracle, American Birthday Parade, class warfare, trade unions, St. Louis Republican – Missouri Republican newspaper, socialist newspaper St. Louis Labor, secret society, secret organization, Ku Klux Klan – KKK, Joseph Dacus, Frank James, Jesse James, misappropriation of image, photography, printing images, woodcut, idea of perfection, stress of perfections, cracks, pressures, scandal, 1958 film The Reluctant Debutante, Vincent Minelli, Sandra Dee, Rex Harrison, Queen Elizabeth II, Edward McLean, Washington Post, Jeff Bezos, Amazon, red flags, the need of friends and family,…--Extra Notes / Call to Action:Charisma on Command, YouTube Episode: $120,000 Was Stolen From Me… It Was My “Friend”https://www.youtube.com/watch?v=4VPfz49JqrIShare, like, subscribe --Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: Sweet Sixteen And Never Been Kissed by Blue Mountaineers, Albums The Great Dance Bands & Play Hits of the 30sSection 2 Music: As Time Goes By by Adelaide Hall, Album – Elegance 2Section 3 Music: I've Got An Invitation To Dance by Roy Fox, Album The Great Dance Bands Play Hits of the 30sEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands--https://asthemoneyburns.com/X / TW / IG – @asthemoneyburnsX / Twitter – https://x.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Facebook – https://www.facebook.com/asthemoneyburns/

Fox News is paying $787M to end its defamation lawsuit from its 2020 election coverage, so we're looking at what you can say and what you can't. Taco Bell just opened the door to its secret food laboratory — And it turns out they have a formula for creativity. And after 300 years of China on top, India now has the most people on earth… but India's economy is missing one big thing.  $YUM $FOX $MCD Want merch, a shoutout, or got TheBestFactYet? Go to: www.tboypod.com Follow The Best One Yet on Instagram, Twitter, and Tiktok: @tboypod And now watch us on Youtube Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stan Freberg starts us off with his version of The Banana Boat song.. 'too loud man.' Freberg was a comedian, musician, puppeteer, advertising creative director but, above all, satirist. Check out his version of John and Marsha. We have a bit of a British Dance Band fest- Geraldo- That lovcely weekend, vocals Dorothy Carless, Ernie Goldin- Making Whoopie, Roy Fox and his band- You Rascal You( vocals Nat Gonella, possibly Al Bowlly) Georgia on my mind, Nat Gonella and his Georgians- Georgia's gorgeous girl. I love Gonella's vocals. Harry Parry- Don't be that way and Bounce me brother with a solid four. Edmundo Ros- Rhumba Royale. Ros Lived to be a 100 and was one of the big promoters of Latin American music in Britain. Percival Mackay and his Kitcat band- Time will tell. Harry Parry played in Mackay's band.  Primo Scala's Acordion Band- Hilly Billy medly. Primo Scala was very popular and did 100s of performances on BBC radio during the 30s and 40s. The man behind the band was Harry Bidgood. Harry Roy's Tiger Ragamuffins- Where did Robinson Crusoe take Friday on a Saturday night. Great version. We finish on a favourite. Mel Torme- Mountain Greenery.    

Sven Mika is the Reinforcement Learning Team Lead at Anyscale, and lead committer of RLlib. He holds a PhD in biomathematics, bioinformatics, and computational biology from Witten/Herdecke University. Featured ReferencesRLlib Documentation: RLlib: Industry-Grade Reinforcement LearningRay: DocumentationRLlib: Abstractions for Distributed Reinforcement LearningEric Liang, Richard Liaw, Philipp Moritz, Robert Nishihara, Roy Fox, Ken Goldberg, Joseph E. Gonzalez, Michael I. Jordan, Ion StoicaEpisode sponsor: AnyscaleRay Summit 2022 is coming to San Francisco on August 23-24.Hear how teams at Dow, Verizon, Riot Games, and more are solving their RL challenges with Ray's RLlib.Register at raysummit.org and use code RAYSUMMIT22RL for a further 25% off the already reduced prices.

All they want is love. Everyone else wants their fortune. Second Anniversary Bonus Recap and Future Storylines.Date: Great DepressionLocation: worldwideEvent: masquerade ballCharacters: Barbara Hutton, Doris Duke, Louise Van Alen, Prince Alexis Mdivani, Jimmy Cromwell, Cobina Wright, Alice Vanderbilt, Marjorie Merriweather PostHistorical mentions: Al Capone, Rudolph Valentino, Catwoman Julie NewmarArchival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: I've Got An Invitation To Dance by Roy Fox, Album The Great Dance Bands Play Hits of the 30sSection 2 Music: Swinging at Maida by Benny Carter & His Orchestra, Album Jazz Age!Section 3 Music: Ooh! That Kiss! by Carroll Gibbons, Album Elegance 2End Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands

Shellac Stack No. 260 goes on a spree with Irving Mills and His Swyngphonic Orchestra. We dance along with Waring's Pennsylvanians, Frank Westphal, Abe Lyman, Paul Specht, and Roy Fox. We also hear from the New Dixie Demons, Norman Phelps' Virginia Rounders, Clayton McMichen — and take a little time out with cantor Josef Rosenblatt. … Continue reading »

Publish Date: September 16, 2021Length: 21:43Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: Skirts by Billy Cotton, Album The Great Dance Bands Play Hits of the 30sSection 2 Music: Red Sails In The Sunset by Casani Club Orchestra, Album The Great Dance Bands Play Hits of the 30sSection 3 Music: I've Got Beginner's Luck by Roy Fox, Album The Great British Dance BandsEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsPast Perfect Vintage Musicwww.pastperfect.com

George Formby- When I'm cleaning windows, Oi- Flanagan and Allen, actually that turns into Underneath the arches. Their most famous song. Roy Fox, vocals Buddy Clark The treasure of Sierra Madre. This is the theme song from the Humprey Bogart film. Bob Crosby and Marion Mann with Never knew Heaven could speak and Speak to me of love. Jimmie Rodgers- Everyone's doing it in Hawaii and Frankie and Johnny. The magnicent Sophie Tucker with Life begins at forty and Nellie Lutcher with Hurry on down. Both delightfully naughty. Jack Hylton, Hoagy Carmichael, George Wettling, Hutch and Italian Samba from Tino Vailati. Johnny Duncan with The last train to San fernado. We finish with a uncharacteristically slow and moody number from Mugsy Spanier- Lonesome Road. One of my favourites from the 100s of records I've played on Forgotten Songs.

Dennis Potter's seminal TV 1978 drama was choc full of great music and songs from the 1930s, largely from British dance bands and orchestras. Bob Hoskins, Cheryl Campbell and Gemma Craven starred and did a great job of lip syncing to the likes of Al Bowlly, Roy Fox , Lew Stone, Bert Ambrose, Arthur Tracey, Maurice Winnick, Jack Paine, Jack Hylton, Billy Cotton and Henry Hall. They all feature in this episode, as does George Hall, with Roll along Prairie Moon  and Flannigan and Allen with Shine on harvest moon. Other songs are Goodnight Vienna, We'll all go riding on a rainbow, Wednesday night hop, Stage coach, Man of my dreams, Home of the range, The waltz you saved for me, In the valley of the moon, Night and day, Life is empty without love, My Wild Oat, Its only a paper moon, Moon over Miami and You rascal you.  

On the 100th anniversary of KDKA Radio, Larry and Kevin talk to Roy Fox about his time with KDKA.  See omnystudio.com/listener for privacy information.

We start with two versions  of the same song. Ted Heath and his music gives us an instrumental version of Mountain Greenery and then Mel Torme sings the definitive version of the song. Not forgotten Mel but is not celebrated enough. He was bizarrely known as The Velvet Frog.  Fantastic lyrics from Lorenz Hart- 'How-how-how-how-how we love sequestering..' What's not to love there? Classics from Artie Shaw, Tommy Dorsey, The Andrew Sisters and our old friend Leslie Hutchinson, Hutch. We have both sides of a Charlie Barnet record- Pumpton Turnpike and Swinging on Nothing. Charlie was one of the first band leaders to integrated his band. Massive fan of Basie and Ellington. Oscar Rabin plays a great version of Cherokee. He was a Latvian born English band leader. Sentimental Journey from Paul Fenoulhet, vocals Doreen Lundy Slightly mad track from Bill Snyder, Drifting Sands, vocals by Ralph Stirling. Our oldest track is Driftwood from Leo F Reisman from 1924. Bebe Daniels sings Imagination. She was an all round entertainer but is best remembered in Britain as being in the long running radio series Life with the Lyons, with husband Ben Lyon. Archie Lewis is a new discovery for me. Known as the Crosby of the Caribbean. He was one of the first black singers to front a big band in Britain, Geraldo's band. A pioneer and very popular in the 1940s and yet forgotten now it would seem. We get romantic with our last two. Roy Fox with vocals by Denny Dennis On the beach at Bali Bali and Carroll Gibbons, vocals by Leslie Douglas gives us I don't want to set the world on fire. Lovely version of a classic song. Stay safe out there.   Thanks to Jessica Parkman for many of the records in this episode

The whole episode is from a charity/ thrift shop haul. Some familiar artists amongst them- Georgia Gibbs, Mugsy Spanier, Eve Boswell, Billy Banks and Teresa Brewer. Otherwise some great discoveries. Shirley Abicair sings the title song from the 1956 film, 'Smiley.' She was Australian, played the zither and came to Britain in 1952. Still with us at the age of 92. Harry James is hardly forgotten but this is a pared back sound from the trumpeter and band leader, Feet dragging blues. Josh White, folk singer and political activist sings I'm gonna move to the outskirts of town. Another of the recordings in did in London in 1950. Tino Rossi, despite his Italian sounding name was a hugely successful French singer of the 1940s and 50s and sold 30 million records world wide.  Roberto Murolo, champion high diver, sings La Mogliera. He specialised in Neopolitan songs. Love this one. The Four bright sparks sing about dreaming in 1930. Orchestras and bands next. John Kirkby with Fifi's Rhapsody from 1941. He was a double bass player and champion of the chamber jazz style. Early 1950s R&B big band sound from Earl Bostick, Lou Preager Orchestra, from the Hammersmith Palais. with The night the floor fell in. Vocals by Paul Rich. My record of the day is the Roy Fox band from The Kit Kat Restaurant, London in 1933. The Denver born bandleader directs Sid Buckman singing My Wild Oats and the vocals of Peggy Dell on We're all riding riding on a rainbow. Peggy Dell was born in Ireland as Margaret Tisdall. Its an unusual voice for a British big band of the time. Happy listening. Stay safe.  

Its not all 78s this time round. Two vinyl pieces of magic from Eatha Kitt from the splendid 1956 LP, 'That bad Earth.' Freddy Randall, part of the post war trad jazz revival in Britain. Illinois Jacquet and his honking and screeching sax. Light classics from Bill Snyder, actually its rather good and laid back 'Chicago Blue.' Roy Fox and his band from 1934. Very brief vocals for Al Bowlly. A cheesey three, notable for the Walter Huston's September Song. Raymond Dance, Hal McIntyre and the banjo of Len Fillis from 1928. Record of the episode the rather naughty and suggestive Tiny Bradshaw. There's more of course.

In Your Own Sweet Way.-JAZZANIVERSARIO.-tubby hayes - the eighth wonder-1959 .-JAZZACTUALIDAD.-GUSTAVO DIAZ QUINTETO-INCIPIT VITA NOVAIn Your Own Sweet Way.-JAZZANIVERSARIO.-tubby hayes - the eighth wonder-1959 .-JAZZACTUALIDAD.-GUSTAVO DIAZ QUINTETO-INCIPIT VITA NOVA PROG.Nº 596.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “In Your Own Sweet Way” JAZZ RECUERDO ANIVERSARIO. tubby hayes - the eighth wonder-1959 – Este CD toma su nombre de un antiguo Tempo Ep de Tubby, en el que toca todos los instrumentos, excepto el bajo y la batería. Todos los números de ese disco, una distracción interesante y un testimonio de la versatilidad del hombre, están presentes y son correctos, pero la mayoría de las pistas provienen de Tubby's Groove, su último álbum para el jazz de Decca, la banda Tempo, y su primer álbum desde el último concierto. arriba de los mensajeros de jazz. De hecho, la alineación es la de la encarnación final de los Couriers menos Ronnie Scott. Este CD es un buen ejemplo de hard bop británico de 1959. Tubby Hayes ?– The Eighth Wonder Sello: Jasmine Records ?– JASCD 611 Formato: CD, Compilation País: UK Fecha: 2000 Género: Jazz Estilo: Pistas 1 Blues For Those Who Thus Desire 5:45 2 Time Was 3:35 3 The Eighth Wonder 2:39 4 Tin Tin Deo 9:33 5 Tin Tin Deo (Alternate Take) 7:44 6 Embers 5:11 7 Like Someone In Love 5:50 8 The Surrey With The Fringe On Top 6:12 9 Sunny Monday 7:42 Créditos • Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Vibraphone, Piano – Tubby Hayes • Bass – Jeff Clyne (tracks: 4 to 12), Phil Bates (tracks: 1 to 3) • Drums – Bill Eyden (tracks: 1 to 3), Phil Seamen (tracks: 4 to 12) • Piano – Terry Shannon (tracks: 4 to 12) • Producer – Tony Hall (4) Edward Brian "Tubby" Hayes (30 de enero de 1935 [1] - 8 de junio de 1973 [2]) fue un multi-instrumentista de jazz inglés , mejor conocido por su saxofón tenor tocando en grupos con su compañero saxofonista Ronnie Scott y con el trompetista Jimmy Deuchar . • Vida temprana [ editar ] Hayes nació en St Pancras, Londres , y se crió en Londres. Su padre era un violinista de estudio de la BBC que le dio clases de violín a su hijo desde una edad temprana. A la edad de diez años, Hayes tocaba el piano y comenzó a tocar el saxo tenor a los 11. Dizzy Gillespie fue una de las primeras influencias: [3] Siempre solía escuchar música de swing a principios de los años cuarenta y, de hecho, solo era un niño en ese momento. Realmente no tenía la intención de convertirme en un tenor, aunque siempre me gustó el tenor. Creo que tal vez Dizzy me influenció más que a Parker porque era más accesible, llamó más tu atención. En lo que respecta a mis influencias a lo largo de los años, Getz estuvo en una etapa del proceso, y más tarde Rollins, Coltrane, Hank Mobley y, en menor grado, incluso Zoot [Sims]. Una historia muy repetida sobre la carrera temprana de Hayes fue contada por Ronnie Scott . Scott estaba jugando en un club en Rose Hill, cerca de Sutton, y se le preguntó si le importaba si un jugador local se sentaba: "Este niño pequeño no era mucho más grande que su saxo tenor. De manera más condescendiente, sugerí un número y se fue. Me asustó hasta la muerte ". Hayes asistió a la Escuela Rutlish en Merton Park , al sur de Londres, donde su profesor de música era Roy Howard. Después de un período de tocar con varias bandas semiprofesionales en Londres, Hayes dejó el colegio y comenzó a tocar profesionalmente a la edad de 15 años. Carrera [ editar ] En 1951, con 16 años, Hayes se unió al sexteto de Kenny Baker , y más tarde tocó para líderes de grandes bandas como Ambrose , Terry Brown, Tito Burns , Roy Fox , Vic Lewis y Jack Parnell . En 1955, formó su propio octeto, con el que realizó una gira por el Reino Unido durante 18 meses. Hayes tomó el vibráfono a principios de 1957, después de haber probado el instrumento de Victor Feldman en un concierto. Aunque las vibraciones eran un doble clave en su arsenal instrumental, finalmente se cansó de tocarlas, grabando su último solo en el instrumento en 1966. De 1957 a 1959, se unió a Ronnie Scott para co-liderar un quinteto, The Jazz Couriers , quizás el más recordado de los grupos británicos de jazz moderno. Hayes tomó la flauta en 1958, haciendo su debut de grabación en el instrumento un año más tarde. Continuó presentando la flauta durante el resto de su vida. Posteriormente, Hayes reformó su cuarteto y realizó una gira por Alemania con Kurt Edelhagen . Luego, en 1961, fue invitado a jugar en el Club Half Note en la ciudad de Nueva York; un nuevo acuerdo de la Unión de Músicos Transatlánticos significó que, a cambio, Zoot Sims jugó en el de Ronnie Scott. Mientras se encontraba en los Estados Unidos, Hayes grabó ( Tubbs In NY ) con Clark Terry , Eddie Costa y Horace Parlan , y regresó en 1962 para otra visita, ¡esta vez grabando Return Visit! con James Moody , Roland Kirk , Walter Bishop Jr , Sam Jones y Louis Hayes. Tocó en el Half Note de nuevo en 1964, y en el Boston Jazz Workshop el mismo año, y en el Manne-Hole de Shelly Manne en Los Ángeles en 1965. De vuelta en Londres, Hayes formó su propia gran banda, trabajando en televisión, cine y radio, e incluso teniendo sus propias series de televisión (1961–1962 y 1963). Él representó a Paul Gonsalves en febrero de 1964 (con quien también grabó dos veces: Just Friends grabó en febrero de 1964 y Change of Setting grabado un año más tarde), cuando la orquesta de Ellington tocó en el Royal Festival Hall . Además de dirigir sus propias bandas y grabar bajo su propio nombre, Hayes también aparece en grabaciones de otros músicos de jazz del Reino Unido, como Harry South Big Band, Ian Hamer Sextet y más tarde sesiones de estudio de Ted Heath's Orchestra. Hayes también fue un músico de sesión prolífico en muchos géneros. Entre sus muchos créditos, Hayes fue uno de los músicos de la sesión en Music in a Doll's House , el álbum debut de 1967 de la banda de rock Family , en el que Mike BattArreglamos las cuerdas y el latón. Batt le da crédito a Hayes por guardar su arreglo en la canción "Old Songs for New Songs", que fue su primera sesión de grabación importante como arreglista. En la primera toma, descubrió que inadvertidamente había anotado las partes en la clave equivocada, pero Hayes y su Los colegas, al darse cuenta de su error, transpusieron discretamente sus partes al oído para que coincidieran con la pista de acompañamiento. [4] Hayes apareció en varias películas, incluyendo All Night Long (1961) con Dave Brubeck y Charles Mingus , y (con su grupo) en A King in New York dirigida por Charlie Chaplin (1957), The Beauty Jungle (1964) y Dr La casa del terror de los horrores(1965). También tocó en festivales de jazz, como Reading , Windsor , Antibes , Lugano , Viena y Berlín . A mediados de los años sesenta, los músicos de jazz británicos eran más difíciles de encontrar en los conciertos regulares; Primero rock and roll , y luego rhythm & blues y The Beatles.había alterado el panorama musical y, como resultado, Hayes ahora rara vez trabajaba en clubes de Londres como 'The Flamingo' y 'The Marquee' en los que había sido un habitual en el cartel a finales de los años cincuenta y principios de los sesenta. Las cosas se empeoraron por una combinación de problemas de relación, alcohol y narcóticos, que en 1968 habían comenzado a afectar públicamente su carrera. Fue arrestado en agosto de 1968 por posesión de heroína y se le dio una sentencia suspendida. A finales del año siguiente, había comenzado a experimentar dificultades respiratorias cuando jugaba, lo último en una larga serie de aflicciones. En 1970, Hayes pasó 15 semanas en un hospital con una infección grave de sus órganos internos. En julio de 1971, se sometió a una cirugía a corazón abierto para reemplazar la válvula mitral. Esta operación fue un éxito y pudo comenzar a actuar nuevamente en diciembre de 1971.Noruega , Suecia y Finlandia. Hayes murió en 1973, durante una segunda operación de corazón en Hammersmith , a la edad de 38 años. Fue incinerado y las cenizas se enterraron en el Crematorio de Golders Green , donde hay una placa conmemorativa de piedra blanca pegada a una de las paredes. El epitafio lee "Viva su memoria y su música". Hayes dejó un legado de grabaciones que se convirtieron en artículos de colección muy buscados, casi todos los cuales han sido reeditados en CD. A pesar del rumor de que la compañía descartó algunas de las primeras cintas tempo de Tempo que son propiedad de Decca , [5] se descubrió que ciertos masters aún existían, incluidos los de uno de los mejores álbumes de Hayes, Tubby's Groove , grabado en 1959. esta sesión se envió a Blue Note Records para una audición en 1960, pero posteriormente se perdió hasta que se redescubrió en 2008. Se incluyeron en el álbum Tubby's New Groove , publicado por Candid en 2011. En 2015, fue publicada por Equinox Publishing una biografía completa, La larga sombra de El pequeño gigante: La vida, el trabajo y el legado de Tubby Hayes por Simon Spillett . El libro recibió elogios tanto de la prensa especializada como no especializada, y fue nominado entre los mejores libros de 2015 por The Guardian . Spillett también ha catalogado el archivo privado de cintas de Hayes y ha organizado el lanzamiento de muchas sesiones de Hayes que no se habían escuchado anteriormente en sellos como Art Of Life, Rare Music, Harkit, Tentoten, Savage Solweig, Gearbox, Candid, Jasmine, Proper, Acrobat, Fantastic Voyage, Avid y Real Gone Jazz. Un documental en DVD, Tubby Hayes: A Man In A Hurry , dirigido por Lee Cogswell y producido por Mark Baxter, con la narración del actor Martin Freeman , se lanzó en 2015. Contiene material de archivo y entrevistas con otros músicos, amigos, familiares y fanáticos. de Hayes. JAZZ ACTUALIDAD.- Esta semana tendremos a Gustavo Diaz Quintet, con su álbum INCIPIT VITA NOVA Gustavo Díaz Quinteto Ref.: Youkali 158 Después de lanzar Cromatonal” (Youkali Music, 2016), un debut lleno de audacia y originalidad, marcado por la experimentación y la búsqueda de sonoridades innovadoras, el joven saxofonista, pianista y compositor toledano GUSTAVO DÍAZ, presenta, también en formato de quinteto, “Incipit Vita Nova”, su segundo disco como líder, para el cual ha vuelto a rodearse de un selectísimo grupo de músicos de lo más sobresaliente de la escena jazzística actual, integrado por Mario Quiñones a la Guitarra, Jorge Castañeda al piano, Ander García en el Contrabajo y Shayan Fathi a la Batería. Y, si la investigación y la exploración de nuevas vías en los campos de la composición y de la improvisación fueron el motory el elemento principal en la aventura sonora de “Cromatonal”, este nuevo “Incipit Vita Nova” muestra, en cambio, como imprescindible hilo conductor la decidida persecución de la Melodía, a través de envolventes y coloristas paisajes sonoros. Paisajes sobre los que GUSTAVO DÍAZ y sus siempre eficientes e inspiradísimos acompañantes delimitan un territorio sonoro propio y genuino, imaginando laberintos rítmicos, fundiendo lo clásico y lo contemporáneo, lo latino con lo cool, o mirando al Blues desde ópticas inéditas… Standards para el futuro.

Nos chers inspecteurs se souviennent-ils du mois de mai 1968?... PLAYLIST:MAI 1968 -MARIANNE FAITHFULL : sunny goodge street. -NINA SIMONE : why the king of love is dead. -JACQUES LE GLOU : il est cinq heures, Paris s’éveille. -RED NOISE : petit précis d’instruction civique/Sarcelles c’est l’avenir. -ROY FOX & HIS ORCHESTRA : let’s face the music and dance. - LES REED : extrait de la B.O.F « Girl on a Motocycle ». -FRANÇOIS TUSQUES : libérez Michel Lebris. -GEORGETTE PLANA : rugby marche. -NICO : Vega. -JAMES BROWN : say it loud I’m black and i’m proud. -COLETTE MAGNY : Répression. -TRUST : dialogue de sourds. -RAMONES feat. TRACY LORDS : somebody to love. -BAD BRAINS : destroy Babylone. -BARNEY WILEN : Dear prof. Leary. -LES CHARLOTS : je m’énerve. -STÉPHANE GRAPPELLI : Extrait de la B.O.F Milou en Mai. -SLEAFORD MODS : job seeker. -ALFRED PANOU : je suis un sauvage. - B.O.F « Moi y en a vouloir des sous » : Marche des syndicats (Michel Magne). -SYD BARRETT : terrapin. -BLACK FLAG : spray paint. -LÉO FERRÉ : Paris je ne t’aime plus. -THE EXECUTIVES : moving in a circle.

Nos chers inspecteurs se souviennent-ils du mois de mai 1968?...PLAYLIST:MAI 1968-MARIANNE FAITHFULL : sunny goodge street.-NINA SIMONE : why the king of love is dead.-JACQUES LE GLOU : il est cinq heures, Paris s'éveille.-RED NOISE : petit précis d'instruction civique/Sarcelles c'est l'avenir.-ROY FOX & HIS ORCHESTRA : let's face the music and dance.- LES REED : extrait de la B.O.F « Girl on a Motocycle ».-FRANÇOIS TUSQUES : libérez Michel Lebris.-GEORGETTE PLANA : rugby marche.-NICO : Vega.-JAMES BROWN : say it loud I'm black and i'm proud.-COLETTE MAGNY : Répression.-TRUST : dialogue de sourds.-RAMONES feat. TRACY LORDS : somebody to love.-BAD BRAINS : destroy Babylone.-BARNEY WILEN : Dear prof. Leary.-LES CHARLOTS : je m'énerve.-STÉPHANE GRAPPELLI : Extrait de la B.O.F Milou en Mai.-SLEAFORD MODS : job seeker.-ALFRED PANOU : je suis un sauvage.- B.O.F « Moi y en a vouloir des sous » : Marche des syndicats (Michel Magne).-SYD BARRETT : terrapin.-BLACK FLAG : spray paint.-LÉO FERRÉ : Paris je ne t'aime plus.-THE EXECUTIVES : moving in a circle.

Shellac Stack No. 104 recalls New Year's Eves past with recordings made on either December 30 or December 31 between 1908 and 1947. We hear from Frank Crumit, Johnny Marvin, Gene Austin, Roy Fox, Meade “Lux” Lewis, Bob Wilber, and many more. From ragtime songs to salon orchestras to dance bands to hot trad jazz, … Continue reading »

Did you know that media (words and images) influence how we think about food, and ourselves? Join Food Sleuth Radio host and Registered Dietitian, Melinda Hemmelgarn, for her interview with  Roy Fox, Ph.D., Professor Emeritus and former Chair of the Department of Learning, Teaching & Curriculum at the University of Missouri, and author of “Harvesting Minds: How TV Commercials Control Kids.” Fox talks about his groundbreaking study which explored how kids respond to the TV commercials they watched as part of Channel One – commercial programming in public school. After interviewing 200 kids in rural Missouri schools that receive the Channel One broadcast, Fox concludes that such commercials influence kids’ thinking, language, and behavior, shaping them into more active consumers.  Fox will define media literacy, and describe his recent work using writing and imagery to handle trauma. Related website: https://education.missouri.edu/person/royfox/

How can art and creative expression help us cope with and heal from trauma? NWP Radio talked with Roy Fox, author of Facing the Sky: Composing Through Trauma in Word and Image, who argues that personal writing is valuable both because of it helps students build critical thinking and composition skills, and because it helps them come to terms with trauma.

All of us experience trauma at various points throughout our lives. On one end of the spectrum, we have negative experiences from which we tend to think we can recover quickly. This might include a fight with a friend or an hurtful comment made in passing. On the other end of the spectrum, we have those experiences that induce so much anger, sadness, fear, or disgust that we readily acknowledge our difficulty moving forward. These are everything from the death of loved one to the diagnosis of a disease to an instance of sexual abuse. How might creative expression help with the healing process? What can we learn and teach others from the writing and artwork that emerge from these traumas? How might we come to value personal writing as worthy of increased scholarship? In Facing the Sky: Composing Through Trauma in Word and Image (Parlor, 2015), Roy Fox, shares his reflections based on years spent developing a graduate course that asks students to come to terms with the most difficult moments in their lives. Fox joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him via email at foxr@missouri.edu. You can reach the host on Twitter at @tsmattea. Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached at info@trevormattea.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

All of us experience trauma at various points throughout our lives. On one end of the spectrum, we have negative experiences from which we tend to think we can recover quickly. This might include a fight with a friend or an hurtful comment made in passing. On the other end of the spectrum, we have those experiences that induce so much anger, sadness, fear, or disgust that we readily acknowledge our difficulty moving forward. These are everything from the death of loved one to the diagnosis of a disease to an instance of sexual abuse. How might creative expression help with the healing process? What can we learn and teach others from the writing and artwork that emerge from these traumas? How might we come to value personal writing as worthy of increased scholarship? In Facing the Sky: Composing Through Trauma in Word and Image (Parlor, 2015), Roy Fox, shares his reflections based on years spent developing a graduate course that asks students to come to terms with the most difficult moments in their lives. Fox joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him via email at foxr@missouri.edu. You can reach the host on Twitter at @tsmattea. Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached at info@trevormattea.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

All of us experience trauma at various points throughout our lives. On one end of the spectrum, we have negative experiences from which we tend to think we can recover quickly. This might include a fight with a friend or an hurtful comment made in passing. On the other end of the spectrum, we have those experiences that induce so much anger, sadness, fear, or disgust that we readily acknowledge our difficulty moving forward. These are everything from the death of loved one to the diagnosis of a disease to an instance of sexual abuse. How might creative expression help with the healing process? What can we learn and teach others from the writing and artwork that emerge from these traumas? How might we come to value personal writing as worthy of increased scholarship? In Facing the Sky: Composing Through Trauma in Word and Image (Parlor, 2015), Roy Fox, shares his reflections based on years spent developing a graduate course that asks students to come to terms with the most difficult moments in their lives. Fox joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him via email at foxr@missouri.edu. You can reach the host on Twitter at @tsmattea. Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached at info@trevormattea.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

All of us experience trauma at various points throughout our lives. On one end of the spectrum, we have negative experiences from which we tend to think we can recover quickly. This might include a fight with a friend or an hurtful comment made in passing. On the other end of the spectrum, we have those experiences that induce so much anger, sadness, fear, or disgust that we readily acknowledge our difficulty moving forward. These are everything from the death of loved one to the diagnosis of a disease to an instance of sexual abuse. How might creative expression help with the healing process? What can we learn and teach others from the writing and artwork that emerge from these traumas? How might we come to value personal writing as worthy of increased scholarship? In Facing the Sky: Composing Through Trauma in Word and Image (Parlor, 2015), Roy Fox, shares his reflections based on years spent developing a graduate course that asks students to come to terms with the most difficult moments in their lives. Fox joins New Books in Education for the interview. To share your thoughts on the podcast, you can connect with him via email at foxr@missouri.edu. You can reach the host on Twitter at @tsmattea. Trevor Mattea is an educational consultant and speaker. His areas of expertise include deeper learning, parent involvement, project-based learning, and technology integration. He can be reached at info@trevormattea.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Music Of British dance bands of the 1930s, including: Bert Ambrose, Jack Jackson, Ray Noble, Billy Cotton and Roy Fox. Songs include: Too Marvelous For Words, Dinah, The Sweetest Music This Side of Heaven, The Bouncing Ball and Embassy Stomp.

Your host for this edition of Radio Free Gunslinger is L. Ron Hubbard.The ContentFirst Sequence:Roy Fox & His Orchestra (Peggy Dell, voc.) - Without That Certain ThingLouis Levy & His Orchestra (Eve Beck, voc.) - Says My HeartCarroll Gibbons & The Savoy Hotel Orpheans (Harry Bentley, voc.) - Better Think TwiceAmbrose & His Orchestra (Elsie Carlyle, voc.) - The Clouds Will Soon Roll ByJack Payne & His BBC Dance Orchestra (Billy Scott-Coomber, voc.) - Down Sunnyside LaneSecond Sequence:Ike Turner & The Kings of Rhythm - The GulleyRitchie Adams - I Can't Escape from YouThe Greatest Little Soul Band - Somethin' for My PeopleCandy & The Kisses - Out in the Streets AgainAdam's Apples - Don't Take It Out On This WorldThird Sequence:Kate Kuhl - MatrosenleidComedian Harmonists - Wenn der Wind weht über das MeerWeintraubs Syncopators (w. Rudolf Nelson) - Wenn du Meine Tante SiehstAnna Sten - Ich weiß nicht, zu wem ich gehöreMax Hansen - Ich bin vom Rockefeller grad das GegenteilFourth Sequence:Dixieland Jug Blowers - BanjorenoWhistler & His Jug Band - The Jug Band Special (tkB)Phillips' Louisville Jug Band - Sing, You SinnersEarl McDonald's Original Louisville Jug Band - Melody March CallThe Red Devils - Tiger RagSummation:George Perkins & The Silver Stars - Cryin' in the Streets

Roy Fox

Big Band Serenade presents Great British Dance Bands from the 1930s. The Music on this program is listed in order of play; 1)Its Psycological- Al Bowlly, 2)It Can't Be Wrong (Anne Shelton)-Ambrose, 3)We're a Couple of Soldiers-1932-Billy Cotton & His Band, 4)Room-Five-Hundred-And-Four-Carroll Gibbons, 5)Oh! You Sweet Thing-1935-Harry Roy,6)I like to Go Back in the Evening-1936-Jack Jackson, 7)Seein' is Believin'-Lew Stone, 8)Noel Coward Medley Part 1-1932-Noel Woward, 9) Let's Face the Music & Dance-1936-Roy Fox,10)Palais de Dense-1937-Sid Phillips and His Orchestra, 11)Dreamy Serenade-1939-Al BowllyOnline Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast  

Big Band Serenade presents Jack Hylton and His Orchestra. The songs from this episode are listed in order of play.1)"I've Told Every Little Start"-1933 vocal-Pat O'Malley,2)"If I had A Talking Picture of You"-1929 vocal-Sam Browne,3)"Button Up Your Overcoat"-1929 vocal Sam Browne,4)"Handsone Gigolo"-1939 vocal Pat O'Malley,5)"Did I Remember?"-1936 vocal-Pat O'Malley,6)"There's A Small Hotel"-1937 vocal-Jewel Faye,7)"She Shall Have Music"-1936 vocal Sam Costa,8)"Gentlemen Perfer Blondes"-1926 vocal Jack Hylton,9)"Nothing On Earth"-1935 film "She Shall Have Music" vocal-June Clyde w/Jack Hylton on piano,10)"I'll Never Say "Never Again" Again"-1935 vocal Brian Lawrence, 11)"My First Thrill"-1935 film "She Shall Have Music" vocal-Brian Lawrence, 12)The Bands That Matter, Massed Band of Ambrose,Roy Fox, Jack Hylton,and Lew Stone-"Don't Blame Me" directed by Jack Hylton, "Isn't It Heavenly?" directed by Lew Stone, "Lazybones" directed by Roy Fox, "Let's Call It A Day" directed by Ambrose

Roy Plomley's castaway is bandleader Roy Fox. Favourite track: Whispering by Roy Fox and his Orchestra Book: Volume of crossword puzzles Luxury: Radio receiver