Podcasts about Pennies from Heaven

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

It's Friday, it's a holiday break, so the long weekend starts here. Ron Johnson is back and he has more concerns about the "Big Beautiful Bill". And yeah, it's that we aren't cutting enough. The Felon President had a dinner last night with all of his favorite sycophants including a man from China worth billions was there! Jimmy Kimmel had some thoughts on this event. But back to the Big Beautiful Blob, it turns out tanning beds aren't the only thing they want to make great again...we won't stay silent on this one. And wrapping up the hour, we want to know; what do you think of the penny? Would you miss it? As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 9 -11 am across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice, they go a long way! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show!

Let's Chat!! In this episode of C3: Crystals, Cauldrons, & Cocktails, we dive into the mystical art of after-death communication with ancestors. From candle rituals and dreamwork to ancestral altars, we explore powerful ways to connect with those who have passed. Whether you're seeking guidance, comfort, or a deeper bond with your lineage, we've got witchy tips and tricks to help you open the veil safely. Grab your favorite drink, light a candle, and join us for a spirited discussion! Support the showUntil then, Stay Witchy!!River's Etsy Store: www.batsandbaublesinc.etsy.comWebsite: www.c3witchypodcast.comMerch: www.c3witchypodcastmerch.comOur wonderful logo is done by: www.nellamarinadraws.etsy.comIntro and Outro Audio:podcast intro & outro music:Góða Nótt by Alexander NakaradaLink: https://filmmusic.io/song/4754-g-a-n-ttLicense: https://filmmusic.io/standard-liceSound from Zapsplat.com – Witches Cauldrons bubbling

Sintonía: "Just In Time" - The Oscar Peterson Trio"Mean to Me" - "Pennies From Heaven" - "One O´ Clock Jump" - "She´s Funny That Way" - "I Found A New Baby". Músicas extraídas del álbum "Pres & Sweets" (Verve 1955), del saxofonista Lester Young y el trompetista Harry Edison "You Make Me Feel So Young" - "Come Dance With Me" - "The Tender Trap" - "It Happened In Monterey" - "I Get A Kick Out Of You" - "How About You". Músicas extraídas de "A Jazz Portrait Of Frank Sinatra" (Verve 1959), del pianista Oscar PetersonEscuchar audio

Coming up right now on season 2, episode 25, the season 2 finale of Let's Chat with Kat and Pat, Kat spills her money saving secrets!  From free flights, to maximizing credit card rewards, to saving thousands of dollars annually at grocery and drug stores, one thing is for sure!!!  Kat never pays full price for anything, and Pat is a very lucky man!  All that and so much more coming up right now on the season 2 finale of Let's Chat with Kat and Pat!

Sintonía: "Harlem Joys" - Willie ´The Lion´ Smith"Stretching Out", "Now Will You Be Good", "Pennies From Heaven", "King Porter Stomp", "Ain´t Misbehavin´" y "Bee Kay", extraídas del álbum "Stretching Out" (1958)"A Blues (What´s On Your Mind)" y "Trav´lin´Light", extraídas del álbum "Kansas City Revisited" (1958)Ambos discos compilados en cd por Jazz Beat en el 2007Todas las músicas de "Stretching Out" interpretadas al saxo tenor por Zoot Sims y al trombón por Bob BrookmeyerTodas las músicas de "Kansas City Revisited" interpretadas al saxo tenor por Al Cohn y Paul Quinichette, y al trombón por Bob BrookmeyerEscuchar audio

Shea and Stacy take a trip from the North Pole to NYC with ELF [2003]. Join the Discord! https://discord.gg/MVjxRD9M Show some love for Ebert: https://shorturl.at/vBFU5 Check out our website: https://www.blockbusterwivespodcast.com/home Subscribe to our Patreon for our first ever Side Quest; Laguna Beach! https://www.patreon.com/blockbusterwives Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support #blockbuster #podcast #movies #comedy #elf #funny #review #christmas #willferrell #zooeydechanel #bbw #wives #theme #themes #santa #buddy #elf #departmentstore #love #story #family #studio #newyork #northpole #nyc --- Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support

In this episode of Drive-In Double Feature Podcast, Nathan and Ryan dive into the hauntingly unique world of the 1981 musical-drama Pennies from Heaven. Starring Steve Martin in a rare dramatic turn alongside Bernadette Peters and Christopher Walken, this visually stunning film juxtaposes the bleak realities of the Great Depression with surreal musical sequences inspired by classic tunes of the 1930s. The hosts explore the film's bold artistic choices, the tragic romance at its heart, and how it defied the conventions of both musicals and dramas of its time. Is this a misunderstood masterpiece, or was it doomed to be a cult favorite from the start? Join us as we unpack this ambitious gem!

Joel and Andy discuss the odd and incredibly dark Steve Martin musical Pennies From Heaven, which they both found utterly delightful.

Join Psychic Medium Laura Lee on an enlightening episode as she connects with Kathy's spirit guide, sharing profound financial advice and insights. Discover how Kathy receives "pennies from heaven," symbolic signs guiding her life direction. Don't miss this unique opportunity to explore the intersection of spirituality and finance! Want to be our next caller?Sign up at RadioMediumLauraLee.com and join the conversation!FOLLOW US:Facebook:   / radiomedium  Instagram:   / radiomediumlauralee  YouTube:    /@radiomediumlauraleeThank you for subscribing, rating and sharing the show!

Grabaciones recientitas de Gizelle Smith con The Mighty Mogambos, Lake Street Dice, The Oscillators, Rod Stewart, Gaby Moreno o Van Morrison. Y buscando maravillas: Jazz Crusaders, Rufus Wainwright, Carly Simon o Gino Vannelli. Todo con vientos y metales para alegrar la jornada.  DISCO 1 JAZZ CRUSADERS Elephant Walk DISCO 2 VAN MORRISON Choppin’ WoodDISCO 3 GABY MORENO Cheek To CheekDISCO 4 RUFUS WAINWRIGHT Oh What A WorldDISCO 5 BOBBIE GENTRY Mississippi DeltaDISCO 6 QUINCY JONES & CHAKA KHAN Keep Reaching’DISCO 7 GINO VANNELLI Nightwalker DISCO 8 CARLY SIMON & JAMES TAYLOR Mockingbird DISCO 9 LAKE STREET DIVE Party On the RoofDISCO 10 THE OSCILATORS Pull One Down DISCO 11 GIZELLE SMITH & The Mighty Mocambos Nothing For NothingDISCO 12 ROD STEWART JOOLS HOLLAND Pennies From HeavenDISCO 13 DAVID McCALLUM Call Me (ESCA) Music: A Bit More Of MeEscuchar audio

Send us a textThis week, the Bad Piano Player introduces a lyricist-slash-songwriter we've featured before, but never in his own episode. The wonderful Johnny Burke, he of "Pennies From Heaven" and "Moonlight Becomes You" fame gives us six of his best! Tune in and smell the music. 

This session shares my conversation with Franklin resident and volunteer Bo Kinney conducted in the Franklin Public Radio Station on Tuesday, August 27, 2024. Bo tells the story of his kidney stone which led to a discovery of prostate cancer and the journey he has been on and how he has dealt with it. This is his “public service announcement” on his lessons learnedThe recording runs about 59 minutes, so let's listen in.---------------------------We are now producing this in collaboration with Franklin.TV and Franklin Public Radio (wfpr.fm) or 102.9 on the Franklin area radio dial. This podcast is my public service effort for Franklin but we can't do it alone. We can always use your help.How can you help?If you can use the information that you find here, please tell your friends and neighborsIf you don't like something here, please let me knowThrough this feedback loop we can continue to make improvements. I thank you for listening.For additional information, please visit Franklinmatters.org/ or www.franklin.news If you have questions or comments you can reach me directly at shersteve @ gmail dot comThe music for the intro and exit was provided by Michael Clark and the group "East of Shirley". The piece is titled "Ernesto, manana" c. Michael Clark & Tintype Tunes, 2008 and used with their permission.I hope you enjoy!------------------You can also subscribe and listen to Franklin Matters audio on iTunes or your favorite podcast app; search in "podcasts" for "Franklin Matters"

This week on the blog, a podcast interview with Ari Kahan, who assembled and oversees the most complete compendium of on-line information on Brian DePalma's classic rock music horror classic, Phantom of the Paradise. LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/The Swan Archives: https://www.swanarchives.org/Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastINTERVIEW TRANSCRIPTDo you remember when you first saw it? What were the circumstances? How old are you? What was your reaction? ARI KAHAN: Sure. I first saw it when I was 12. It was double billed with Young Frankenstein. This would have been in early 1975, and my mom took me to see Young Frankenstein, which was okay. It was pretty good, but I was really enamored with the second feature on the bill, which was Phantom. And I've been in love with it ever since.Did you know anything about it before you went in? ARI KAHAN: Nothing. Nothing at all. So, what has been the attraction for you for that film, low those many, many years ago?ARI KAHAN: It may have just hit me at an impressionable time. But I think that, you know, being 12 and being kind of a nerd, I probably identified with Winslow and his fervent belief that if the world could only hear from his heart, and especially if all the girls in school could only hear from his heart, then they would love him and not the jerk that they always went out with.So, there's probably some of that. There was certainly, I do remember very, very clearly that the direction in some respect stood out to me. I had seen a lot of movies when I was 12, and I remember even today, thinking when I was 12, that there was a moment where the Phantom is rising up into the rafters in the foreground as Beef is descending in the background. And I looked at that and I thought, boy, that's complex. Anybody else would have done a shot of the Phantom starting to climb a rope, and then cut away, and then come back to him up in the rafters. This guy is trying to do things that are more interesting than he needs to and I thought that was really fun.After seeing Phantom I went back and saw Sisters.Which was no mean feat back then. ARI KAHAN: Yeah, I know and in fact, I had to see Sisters by buying a 16-millimeter print of it. That was the only way I could. I had fixed up a couple of—this is probably a year or two later—I had fixed up a couple of 16-millimeter projectors that my school was discarding, so I could even do changeovers in my bedroom. And I got a copy of Sisters just so I could see it because it was unseeable otherwise. Well, kudos to you for finding Sisters, because it took me a long time. I imagine it showed up at the Film society at the university or something finally. So getting to see William Findlay in a markedly different role and also seeing, oh, okay, this is a director who likes split screen. Although I probably would have gotten that from Carrie, because I'm sure I saw Carrie first. He's accused of doing stuff like that just for showing off. In fact, I think it's always for a cinematic or emotional reason. And Sisters is the best example of that. The suspense of getting rid of that dead body before they get to the door is enhanced by the fact that you're watching two things happen at the same time. ARI KAHAN: Yeah, I think in Sisters and Phantom both, it works really well. And I think, and I think even DePalma would agree that it didn't work as well in Carrie. Because the split screen calls for intellectualizing on the part of the audience. And it takes you out emotionally and wasn't really working that well. I understand why he did it, because it'd be boring to like, cut to Carrie's face, cut the things happening, cut back to Carrie's face, blah, blah, blah, blah. But I think both he and Paul Hirsch, the editor, feel it would have been better off to do something else.But anyway, after Phantom, you know, every new De Palma film to come out—all the way through Domino—has been a much anticipated event for me, you know, and I'm in the theater on the first day. And there have been a couple of disappointments along the way, but by and large, it's been awesome. Since you've seen Phantom so many times, were there any surprises that popped up over the years as you've watched again and again and things that you hadn't seen or hadn't realized?ARI KAHAN: It took me a really long time to notice that there was a frame or two of Jessica Harper being one of the backup singers on stage when Beef's performing life at last and only because I think it was unavoidable to use those frames. I think somebody figured out in editing that it didn't make any sense for her to be one of those backup singers and then in a white dress. So that took a while. It also was only within the past couple of years that I realized that a lot of the sort of classical, but silent movie sounding music that I had always thought was composed by the guy who did the incidental music was actually Beethoven. Oh, really?ARI KAHAN: Because Beethoven's not credited. So that little like a little violin thing that happens …ARI KAHAN: Or when Swan is going into phoenix's dressing room. When Winslow is escaping from prison. Well, it's Beethoven piano trios for the most part. So, you don't need to get permission from the Beethoven estate on that…ARI KAHAN: Well, I think that they would have had to pay the orchestra involved and I can easily imagine them omitting credit to avoid doing that. Hoping nobody would notice. And nobody did, obviously.Until you've just brought it up. ARI KAHAN: Yeah, sorry. That's okay. It's not, it's not our problem. One of the things that, that I found the Swan Archives to be so helpful on—well, lots of things, uh, when I discovered it years ago and I've returned to it as new things have popped up or I've dug a little deeper—was your explanation of the Swan Song debacle. As a frequent viewer of the movie. I wasn't noticing truncated shots. That I didn't notice until you showed us those shots. But obviously the mattes, particularly at the press conference, are really, really terrible. If I'm noticing them, they're bad. Can you just give us a brief history of why they had to do that? ARI KAHAN: Sure. So, it goes to Beef electrocution. In the early seventies, there was a band called Stone the Crows, whose guitarist was a guy named Les Harvey and Peter Grant, who would later manage Led Zeppelin, managed Stone The Crows. And Les Harvey was—in a freak accident—electrocuted on stage. I think his guitar was badly grounded or something along those lines, in 1971 or 72.And when Peter Grant learned that there was a film coming out in which a rock guitarist is electrocuted on stage, he assumed, that it was making fun of what had happened to his friend, Les Harvey. And by that time he was managing Led Zeppelin. I should say in De Palma's defense that Beef's electrocution shows up in early drafts of the script that were written before Les Harvey suffered his accident. So, this was life imitating art, imitating life, you know, rather than the other way around. De Palma clearly did not take that plot and probably didn't even know about what had happened to Les Harvey. But anyway, by the time Peter Grant got wind of this, Phantom had already been shot, but not yet released. This was in the summer of 1974. And by sheer absolute sheer coincidence, Peter Grant and Led Zeppelin had just gotten a trademark on Swan Song for their record label. And the first record to come out on the Swan Song label was Bad Company's first record, and that was in somewhere around June of 1974. So that's when their trademark was perfected, and Phantom was scheduled to be released a few months later at the end of October.And Peter Grant went to 20th Century Fox, which had just purchased Phantom from Ed Pressman and DePalma. You know, it's important for the story to know that Phantom was independently produced. It wasn't financed by Fox. Pressman and DePalma raised money to make this movie in the hopes that they would then sell it to some distributor for more than they had paid to make it.And it turned out that there was a, quite a bidding war among several studios, which Fox won. And Fox paid more for Phantom than anyone had ever paid for an independent film to that point in history. They had very high expectations for it. So that sale had just closed, but Pressman and De Palma and everyone else hadn't been paid yet by Fox.And of course, they had run out of money and owed everybody money, everyone who had worked on the film. So, they were in kind of a desperate situation. And Peter Grant went to Fox and said, “I'll sue you and prevent release of this film.” And the only thing that Fox could do was to tell Pressman and De Palma, you need to fix this.And the only way they could fix it was by removing all of the references to Swan Song, so that Peter Grant wouldn't have grounds for his claim, because he obviously can't claim you can't have a film with an electrocution of a rock star. Really, all he had was the Swan Song thing. And so that was done very, very hastily. They were still working on it in early October, even though the film was scheduled for release at the end of October. And so, basically, Fox signed a deal with Led Zeppelin saying we won't release the film with any of this Swan Song prominently shown. Which is a very stupid resolution really because Peter Grant in the end did not prevent distribution of a film with an electrocution of a rock star, which was his original concern.All he really managed to do was mangle somebody else's. And so the end result is that the film that we've all been watching for the last 50 years, there's a little bit cut out of it. There's some lovely crane shots that you missed because what the DePalma had done through the film was start on this Swan Song logo or the Swan name and then move away from it to whatever was going on. So that you have the impression that Swan was everywhere. And so that whole thing was lost and, you know, as you and everybody else noticed, some of it's very noticeable, particularly the bird at the airport. Which is too bad.I understand that you have a secret print of the film in which all those logos had been restored. In addition to fixing the crane shots and having shots that no longer have the terrible matte on them, is there anything else in that version that we wouldn't have seen before? ARI KAHAN: It's not a secret print, really. It was just reconstructing the film the way that it was intended to be, using footage that had been assumed to have been destroyed decades ago, but which I eventually found and digitized. And then with the help of a couple of other folks, put the movie back together. The most challenging part: there's a couple of challenging parts to that.You know, it's not just a matter of sticking things in. The footage was without sound. And so, if you're making a scene a few seconds longer, for example, and there's music underlying that scene, what are you going to do? Are you going to start the music a little bit later? Are you going to end it a little bit earlier?Are you going to play it a little bit slower so that it fills up these extra seconds? Are you going to loop it? Are you going to find some other piece of music that was probably intended to go there in the first place? So there's that problem. And then the podium scene, which is the worst offender—at the airport—the original, they actually worked on the negative to put the dead bird on. And so, the original footage for that podium didn't exist. But we knew what the podium was supposed to look like, because there's a photo that was used for the German promotional campaign—created obviously months before the film is released—and that still shows the podium the way that it's supposed to look. So, I got my friend, Steve Rosenbaum, who is a special effects supervisor. He won Oscars for Forrest Gump and Avatar, I think. And he's about to win an Emmy—I will bet you a box of donuts—he's about to win an Emmy for his work on Masters of the Air. I gave him this image and the footage that's shown, you know, in the theater normally, and he reconstructed the podium for me. So that's how we did the podium. But the other thing that was that if you go see the film now in the theater projected from DCP, the DCP master—which is the same master that we've used for the current blu rays—it was done by a company called Reliance Media Works in Burbank. And, I don't know what 17 year olds they had working on it, but they did the coloring and grading the way it's fashionable to do when they did it, you know, 10 years ago, which was a lot of orange, teal and the blacks are crushed so that anything that's really dark gray or dark brown, just black, so that the colors pop more, but you lose a lot of the detail, and to my eye it looks terrible.And so, I used an earlier master of the film that looks more like it looked in the 70s as the base for the reconstruction. And then color matched the replacement footage to that. It sounds beautiful. ARI KAHAN: It's gorgeous. The only other thing that I suppose we could have done, but didn't, is there's originally footage of Winslow's face coming out of the record press looking all mangled. And I have that footage, but I didn't put it back in because that footage that DePalma deemed not appropriate to the tone of the film that he was making. And so, since the object of this game was to restore the film to the way that he would have wanted it, I let that out. I think that was a wise choice. You know, I talked to Pete Gelderblom, who did the Raising Cainreconstruction. And it's a beautiful piece of work that he did. He was more constrained than you, because he was only allowed to use the footage which was there, and he just had to rearrange it. He repeats one shot, but he got it as close to the original shooting script as he could. I don't think Paul Hirsch was particularly thrilled with it, but De Palma was and has referred it as his director's cut. Did De Palma see your version and did he like it? ARI KAHAN: Yeah. I did a cast and crew sort of screening in Los Angeles and Paul Williams came to that and Archie Hahn and so on. Ed Pressman, the producer. And there was tremendous enthusiasm, because none of them had ever seen the film that they made the way that it was supposed to be.And I sent a copy to Paul Hirsch and I'm not sure whether DePalma heard about it from Pressman or from Paul Hirsch, but he asked to see it. And I sent it to him and I got a nice note from him saying, you know, that it was great, good job, la la la, it's great to see the film the way that it was, you know, the original cut.So. Yes, he is. Definitely. He's seen it. He's happy with it. And Ed Pressman, in particular, wanted to have that version released on home video or in some other way. And we went to Fox. This is before Disney. It was still Fox. And Fox said, well, you know, we could consider doing that under two conditions. First, Mr.DePalma approves. Well, yes, check box checked there. He does. And second, we made this deal with Led Zeppelin back in 1974, where we agreed not to do this. And if you can get them to waive their rights under that agreement, then yeah, sure. So, I worked with Ed Pressman and we put together a bunch of testimonials from people that we thought Led Zeppelin might respect, like Brett Easton Ellis and I think Guillermo del Toro and others, and sent a package off to Led Zeppelin through their lawyers. And God bless them, they got back to us in less than a week and said no. At least they didn't leave you hanging. ARI KAHAN: At least they didn't leave us hanging. That's right. So, your archive is amazing and is hour's worth of fun to go through it. ARI KAHAN: It's a rabbit warren. Yeah, I wish it were a little better organized.How did it get started? Well first, when did you start collecting memorabilia and then how did that grow into the archive? ARI KAHAN: I started collecting memorabilia right after I saw the film when I was 12. And that was obviously pre internet and pre-eBay. And it was a lot harder to get stuff. Bt I would frequent science fiction conventions and horror conventions and comic book shops.And there were a whole bunch of people who knew me as that kid who's always looking for Phantomstuff. And I was the kind of nerd who kept a log with the what everybody else was also looking for. And so, if I were at some convention and the guy who was collecting Olivia Newton, John's stuff, if I saw something interesting—not that there is anything interesting about it, but anyway—if I saw something interesting about Olivia Newton, John, I would run to the pay phone and call him and say, Hey, you want this? And I would pick it up for him. And so, there was a lot of returning of favorites where there would be people who were going to cons that I wasn't going to. And if they saw Phantom stuff, they would pick it up for me and that kind of thing. And so, you know, that became the way to get the posters from every country in the world that it was released in and the lobby cards and everything else and it started filling up, taking up more and more space over time and grew into, you know, trailers and magazines and everything else.And then when the site came out in around 2006, I put up the first version of the site. People who either had worked on the film or had something interesting would get in touch with me and say, “You know, I have this. I see you have a good home for it. Do you want it?” And of course, you know, eBay was a way to fill in some gap.Is there, within what your current collection holds, is there a prized possession that, you know, if there was a fire and you only grabbed one of those pieces, what would you take with you? ARI KAHAN: Yeah, absolutely. You know, in every dorm room and every apartment and every house I've ever lived in has hung John Alvin's art from the one sheet, and it's the same art that's on the cover of the soundtrack album. I just thought that was beautiful piece of art. And I think it was his second movie poster he painted. The first one would be for Blazing Saddles. And then he did Young Frankenstein, and if you look at the Young Frankenstein poster and the Phantom poster, you can see that there's a lot of stylistic similarities there.But he went on to do, you know, E. T. and, you know, 130 odd other posters. And at some point, he and I started corresponding and he finally said, “You know, I have something that I think you should have. Give me your mailing address.” And a few days later what showed up was his original painting, the comp painting for that poster, which he had had all this time. And so that would be the prize possession for sure. Well, that qualifies, I think. Is there a Holy Grail out there that you're still looking for? ARI KAHAN: The original art for the Corbin poster. Which is the “he's been maimed and framed, beaten, robbed, and mutilated.” That artwork would be a Holy Grail. As well as, well, the Phantom's original helmet. Now, it turns out there's a couple of them, at least. And one of them Guillermo del Toro now has. He just bought the Phantom's costume after it failed to sell at auction at Bonham's. And the other helmet the Pressmanfamily has, so those would be a grail. There's a lot of things that I'm sure no longer exist that would be the grail, like, you know, the Phantom's contract.Any number of props would be fun, but there's not very many known to still exist. I think Peter Elbling still has—or I think his son has it right now—the microphone that he used with a knife on it. And Garrett Graham still has his guitar strap, Beef's guitar strap. And I think he may still have the plunger.But not the antler belt? ARI KAHAN: No, not as far as I know. That'd be tough to ship. It would be. Yes. Dangerous to keep around the house. You could bump into it. On the site you kindly show all kinds of different memorabilia that you have or that exists around the world. And you also have a section called Inexplicable Crap. Is there one piece in there that just stands out for you as what in the world were they thinking? ARI KAHAN: Maybe the Death Records pillow. Like I can understand why they did. They made prototypes that never went out for sale. Why anybody would want it, you know, a dead bird, probably somebody wants a dead bird pillow, but the market would be limited.When the DVD for Phantom Palooza 2 came out, I bought that and then heard you talking somewhere about getting Jessica Harper to sing Old Souls, which is on the DVD. We just see the very end of her singing it. I'm guessing there were some technical problems or something with that. ARI KAHAN: It wasn't technical problems. It was the Paul Williams rider, which required that the show not be recorded. And I think that midway through Jessica singing, somebody might have said, or actually I think that's an audience--t might be an audience shot thing that we have. There's probably lots and lots of cell phone video out there of the show, but nobody related to who worked on Phantom Palooza—and I was one of the people who worked on Phantom Palooza—is going to be out there distributing anything that we agreed with Paul we would not even shoot. But, but yes, Jessica was absolutely a highlight of the show there. I was surprised that she went full force on the end of that song. ARI KAHAN: Well, there were no plans for her to perform. And the morning of the rehearsal, I said, “Hey, Jessica, you want to go down and watch Paul rehearse?” And I took her over to the auditorium and I was hoping that, you know, seeing that and being a performer at heart, she might be inspired to maybe, you know, participate. And she decided she would do Old Souls with Paul's band. And then she went back to the hotel and practiced the song, I think, all day in her hotel room and then, you know, knocked it out of the park that night. That's how I remember it. And then she came off stage and said, you know, now I know how Mick Jagger feels. It's a pretty stunning debut for her in that movie, to come from essentially nowhere—although she'd done things before that. And then the run that she had in the seventies, pretty unequaled when it comes to being the, um…ARI KAHAN: The queen of cult. Yeah. The queen of cult. And just the range, from Suspiria to My Favorite Year. You don't get a much broader range than that. ARI KAHAN: Pennies From Heaven. Yes, just phenomenal. Even just the wheat speech in Love and Death is worth the price of admission alone. ARI KAHAN: She played, uh, Gary Shandling's wife on The Gary Shandling show in the last season, named Phoebe, of all things. And in, I'm pretty sure it was the last episode of that show, she's held hostage by a phantom who lives under the set, who threatens to sabotage Gary's show, unless she will sing his song. And she ends up singing his song, which turns out to be YMCA. Wearing a dress that is very, very reminiscent of the one she wore to sing Old Souls in. And they even make a Pennies From Heaven joke. So, it's very inside baseball, I should say. Speaking of actors from that, I've always been blown away by William Finley's performance in the movie. I think it was Paul Williams who said something like, you know, he spends three quarters of the movie acting with one eye and metal teeth, and that's all he's got. And it's just flawless and so heartbreaking.And I'm just sorry we didn't get to see him in more movies. He's delightful in The Fury in a very small part. He's all over the early films. And I got the sense since I read somewhere that you did a eulogy for him, that you must have developed a friendship over the years. ARI KAHAN: Yeah. And, before we get to that, you say heartbreaking, right?And I think that that's one of the things about Phantom that was so ballsy. It's obviously a spoof of many things, but while being a spoof, it tries to get you to care about the characters. If, if you were not, you know, devastated at the end when Winslow dies just before Phoenix recognizes that it was him all along, you know, the film has failed.Whereas in other spoofs, you know, Rocky Horror doesn't ask you to care whether Brad and Janet will get back together after their experience or anything like that. Nobody asked you to care about the characters at all. And I think it's a huge risk that DePalma took in making a film like this: while simultaneously being a parody and a satire and a spoof and everything else, he wants you to care about the outcome. As far as Finley, I got to know Bill a little bit towards the end of his life after meeting him at Phantom Palooza. I went to New York and spent a little time with him and now I know his wife Susan pretty well and his son Dash a little bit. And when he died, Susan asked If I would put together some kind of a video montage for the funeral, which wasn't that—it's a celebration of life was what she was calling it. And I did that. And every time I had it finished—and, you know, I had like a day and a half to do this. And then I had to take the red eye to New York from California for this, for this event—every time I had it finished, she would send me a few more pictures and I'd have to, you know, redo it.And then she asked, could you set it to music? Could it be set to Faust? You know, okay. You know, you don't say no to a widow, right? And I was working at the time too. So, when I finally flew to New York, I was completely exhausted. And I got to the chapel I guess a couple of hours before the ceremony was supposed to start, so that we could make sure that this thing would play on their equipment and so on.And I'm taking a nap on one of the pews and Susan showed up with, you know, programs under her arm. And I picked up a program and saw that, right after Garrett Graham and Jessica Harper was supposed to speak, I'm supposed to speak. But I this was the first I was hearing about it. And so, I spent the first, unfortunately, the first part of the ceremony—where I really wanted to be paying full attention—kind of scrambling together what I was going to say.I have no idea what I said at this point. I hope it did Bill justice and didn't offend anybody, but I couldn't tell you now a single word of what I ended up saying there. And it's in front of, you know, various of the icons of my childhood, right, are in that chapel. So it's kind of like all of the nightmares of going to school and realizing that there's a test in the subject that you never took, and that you're not wearing pants, and all your ex-girlfriends are there laughing at you. Because I have my own podcast that has to do with my series of books, and like your site, I want to make it perpetual. But there's really no way to do that unless I set up a fund so that after I die they keep paying the site to keep running it. Because as soon as that site shuts down, the podcast goes away. And the same thing will happen to the archive. Whoever is hosting it, unless they're paid, it's gonna go away. I'm wondering, do you have a plan in place for all that information? ARI KAHAN: When I go, it goes.Oh, I feel like I set you up for that. Okay. Can I propose an alternate ending to that? ARI KAHAN: Sure. You essentially have a book there. You just have it in web form. You should put that together so that when it is done, when you are done, it can just be put into a book because it already reads like a book.ARI KAHAN: People have suggested that, and I've resisted doing a book because every now and then, some new fact comes to light that shows that something I had in there was wrong. And everything in there—virtually everything—is based on conversations that I've had with participants or material that came out at the time. None of it is taken from someone else's book or anything. So it's all fairly firsthand, but people have fallible memory. So, for example, the guy who made the phantom's helmet assured me that he had made only one. And it's crazy, because every production wants to have multiple copies of any key prop, because if something happens to the prop during shooting, shooting would have to, you know, it's an incredibly expensive problem to stop shooting waiting for another one.But as it turns out, he's, he's wrong. He made more than one. There is more than one. And so, every now and then, I have to correct something on the site. And if I put it out in book form, these books would be wrong. Potentially, something could come out in the future that that would make something with my name on it. Wrong. Imagine a book with a mistake. I can't imagine. ARI KAHAN: Exactly. And I can't abide that. So, it exists in electronic form so that I can edit it and improve it. Well, I would argue that you can do the ebooks, but that's, you know, that's your circus. It's not my circus. But you do raise an interesting question about misconceptions. I know that one of the biggest misconceptions is that it ran in Winnipeg forever and it didn't. I can—as someone who lived here in Minneapolis when Harold and Maude ran at the Westgate Theater for two and a half years—I can assure you it ran there for two and a half years, because I was there those two and a half years. So that was real. Is there another misconception out there about the movie that you just can't—like a whack a mole—get rid of? ARI KAHAN: So many. In fact, um, I think on my FAQ page, I list some of them. Is there an egregious one that just gets under your skin? ARI KAHAN: Yeah. The idea that it was only popular in Winnipeg and a couple other places is just completely wrong. It was big in Japan. It eventually became a big in Los Angeles. It never did anything in New York. Where it was actually biggest was not Winnipeg, it was El Salvador, where the songs hit number one on the radio. More than once. And it was brought back and revived many times. I get more mail from El Salvador than from anybody else.As we wrap up here, my favorite scene in the movie is the closing credits. I just love the music. I love what Paul Hirsch did with the assembly of that. And for years, I was living under the mistaken impression that in the credits, when it said Montage by Paul Hirsch, that that's what I was looking at was that montage. That's a montage. Then I was disabused of that in an interview with him—which I clarified with him. It was very nice to get back to me on Facebook when I said, “Am I correct in my understanding that the montage in the middle of the movie, the writing montage, you never saw that until the film was done? You had to put all the timing of that together, the animation of the writing, the placement of Phoenix's face on this part of the screen, and the Phantom and that, all the dissolves, all that timing?” And he said, “Yes it was a one-shot thing.” And I think for that he does deserve a special “Montage by Paul Hirsch,” because even today, with all the stuff we have, that would still be a challenging thing to do. And then not to be able to see the end result.But even with that, I just still love the closing credits. It's a combination of music, it allows me to revisit all my favorite scenes in the movie and a lot of my favorite shots. Do you have a favorite scene? ARI KAHAN: Well, I actually like those closing credits too, because most of the shots in those closing credits aren't actually in the film. Most of them are outtakes. And so, for example, in those closing credits, you have Swan splashing in the tub. There's Archie Han twirling around like this. And most of them, alternate takes. And they're clearly things that Paul Hirsch thought were charming and wanted to include that he couldn't put in the film.I suspect that you've held 35-millimeter film in your hands and cut shot A to shot B. I've only done that in 16mm. To keep a piece of film that short, hanging on a hook somewhere going, “I know I'm going to want to use that later.” Then finding that. I don't think people today understand what skill level was involved in, you know, that sort of thing, or the TIE Fighters in Star Wars that he did, or all that connection of little pieces, and tracking that and knowing that that's going to go there and that's going to go. It's so much easier today. And you had to make firmer decisions then earlier in the process than you do now, right? And fixing things was much more arduous. ARI KAHAN: You know, I think if they had to fix the Swan Song stuff out of Phantom and they were doing it using digital technology today, obviously, it'd be much faster and so on, but, uh, doing it on film. And having to send each change into the processing house, and then getting it back a few days later, and, uh, you know, it's a lot of work. It'd be horrible.But favorite scenes: The Goodbye Eddie number just remains a favorite. Do you know why? It's not fancy DePalma. It's a wide shot, two shot, a single. ARI KAHAN: That's right. It's the most conventionally shot thing in the film, but Archie Han is just so great in it. His delivery boy in My Favorite Year—when he does the punching—he just does the exact right thing at the right time. And I wish there'd been bigger movies with more Archie Han in them than what we got. ARI KAHAN: So does Archie. Okay, last question. If you take Phantom of the Paradise out of the mix, what would you say is your favorite De Palma movie?ARI KAHAN: Well, I'm not sure that Phantom of the Paradise is my favorite De Palma movie. It is a sentimental childhood favorite. But I go back and forth between Carlito's Way, Casualties of War, Femme Fatale, Carrie. And Raising Cain.I think that Femme Fatale is probably the one that came closest to his intention.It's the one that I think of as being, like, the most successfully realized, and I love it for that reason. Carlito's Way is just, by, I think, any objective standard, probably his best work. Then I love Blow Out. I'm not on the Blow Out train as much as everybody else. Maybe because it just, it goes so dark.ARI KAHAN: That's what I love about it is the devastating ending. I really love Peet Gelderboom's version of Raising Cain. Given all that, and given that you're 12 years old in 1974, 75, somewhere in there, and you're you're a movie freak at this point, which is a really good time in film history from that era. Is there a favorite? ARI KAHAN: So, I was really lucky that I was when I was 15 or 16, I was working at a theater called the UC theater in Berkeley, which was a repertory house that showed a different double bill every night. And any night that I wasn't working, I was there seeing movies.So, I saw lots and lots and lots of movies. And despite all that and all the weird stuff I saw, my favorites are probably the same things that every 70s kid's favorites were: Star Wars, Harold and Maude, The Godfather. I loved Harold and Maude so much that I bought an old hearse at one point.Okay, you win. ARI KAHAN: And I didn't keep it for long. It got like, I don't know how many gallons per mile. It was just not economical to have as a car, but it was fun for a while. I was very lucky when they hit the two-year mark here in Minneapolis, and I was a junior in high school, maybe. I happen to know the son of the local movie critic for the paper, and the critic knew that I was a big fan of Harold and Maude. And so he took me along on his press junkets. So, I had dinner with Bud Cort, got to chat with him. I got to hang out with Ruth Gordon for the day. ARI KAHAN: The only one I can propose to top that would be when I was in high school, I was writing for the school paper. Actually, I had stopped going to high school. I was the entertainment editor for the school paper, and I had stopped going to high school. I dropped out, but I kept submitting articles to the paper. And at some point, the newspaper staff changed my title from Entertainment Editor to Foreign Correspondent. And on the strength of that—when Tim Curry's first record, Read My Lips, came out, and he was coming to town to sign autographs at Tower Records—myself and a writer from the Berkeley Bar, which was a newspaper back then, had lunch with him around the corner from Tower Records just before he went off to do his autographing. And I was a huge Tim Curry fan. And I had to try to keep that under wraps and, you know, not ask any Rocky Horror related questions. And that was my claim to fame until all of the Phantom nonsense started.

Un saludo queridos amigos y mecenas. Antes de tratar de la influyente obra de Max Weber vamos a hacer un alto y repasar a otros historicistas que profundizaron el relativismo modernista de Dilthey, tal es el caso de Windelband, Simmel o Spengler. Troeltsch y Meinecke representan un cierto esfuerzo por salir del túnel de tal relativismo dando una importancia objetiva a la religión. En cuanto a Spengler, nacionalista convencido, enemigo de las democracias liberales y admirador de Mussolini, nos habla de la incompatibilidad de las civilizaciones (a diferencia de las fantasías socialdemócratas de la alianza de civilizaciones de la que fue "embajador" el ex presidente español José Luis Rodríguez Zapatero). 📗ÍNDICE COMPLETO 0. Resumen y definiciones. 1. WINDELBAND Y SU DISTINCIÓN METODOLÓGICA (no metafísica). 2. RICKERT: LA RELACIÓN DE LOS VALORES DE LA CIVILIZACIÓN Y EL HECHO HISTÓRICO. 3. SIMMEL: EL HISTORIADOR ES EL JUEZ DE LA HISTORIA. 4. SPENGLER: SI CAE ALEMANIA, CAE OCCIDENTE. 5. TROELTSCH: LA OBJETIVIDAD DE LA RELIGIÓN. 6, MEINECKE: HAY QUE NEUTRALIZAR EL VENENO DEL HISTORICISMO. Aquí puedes escuchar la introducción al Neokantismo del XIX >>> https://go.ivoox.com/rf/128446079 Aquí puedes escuchar una introducción al historicismo alemán del XIX >>> https://go.ivoox.com/rf/129410137 🎼Música de la época: 📀 Tema inicial: concierto para violín op. 36 de Arnold Schönberg concluido en 1936, año del fallecimiento de Spengler. 📀 Tema final: Pennies From Heaven, banda sonora de la película de título homónimo y que fue nominada al óscar a la mejor canción original en 1936. 🎨Imagen: Oswald Spengler (29 de mayo de 1880-Múnich, 8 de mayo de 1936) fue un filósofo e historiador alemán. Es recordado principalmente por su obra La decadencia de Occidente (Der Untergang des Abendlandes). 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

HANK MOBLEY NO ROOM FOR SQUARES Englewood Cliffs, NJ, October 2, 1963No room for squares, Me ‘n youLee Morgan (tp) Hank Mobley (ts) Andrew Hill (p) John Ore (b) Philly Joe Jones (d) DAVID HAZELTINE BLUES FOR GERRY Astoria, NY, December 1, 2022Blues for Gerry, Firm roots. Body and soulDavid Hazeltine (p,comp) Peter Washington (b) Joe Farnsworth (d) NICK FINZER LEGACY c., 2023Say When, Pennies From Heaven, Lament, That ThingNick Finzer (tbn) Renee Rosnes (p) Rufus Reid (b), Lewis Nash (dr) Continue reading Puro Jazz 13 de junio, 2024 at PuroJazz.

HANK MOBLEY NO ROOM FOR SQUARES Englewood Cliffs, NJ, October 2, 1963No room for squares, Me ‘n youLee Morgan (tp) Hank Mobley (ts) Andrew Hill (p) John Ore (b) Philly Joe Jones (d) DAVID HAZELTINE BLUES FOR GERRY Astoria, NY, December 1, 2022Blues for Gerry, Firm roots. Body and soulDavid Hazeltine (p,comp) Peter Washington (b) Joe Farnsworth (d) NICK FINZER LEGACY c., 2023Say When, Pennies From Heaven, Lament, That ThingNick Finzer (tbn) Renee Rosnes (p) Rufus Reid (b), Lewis Nash (dr) Continue reading Puro Jazz 13 de junio, 2024 at PuroJazz.

A sheet-music salesman's life spirals out of control during the Great Depression, but that doesn't stop him from daydreaming about a better life through song. A film noir plot dressed up as a big, Busby Berkeley-style musical comedy, this remake of a British tv series was a massive box-office bomb, but has become a cult favorite. Starring Steve Martin, Bernadette Peters, Jessica Harper, and Christopher Walken. Written by Dennis Potter. Directed by Herbert Ross.

link Трек-лист: 01. Sto zvířat — Nikdy Nic Nebylo 02. Saint Chaos — Ghosts & Monsters 03. Dubstar — I Will Be Your Girlfriend 04. Louis Prima — Pennies From Heaven 05. Fontaines D.C — Starbuster 06. Созвездие Отрезок — Клещ 07. Kenya Grace — Strangers 08. Pixie Paris — Bitte bitte 09. Ramos, Supreme … Продолжить чтение Lofstrom loop 373 (10.05.2024)

Bernadette Peters co-starred in the movie Pennies From Heaven. In this Sondheim Adjacent episode Will C. White returns to discuss if this is a successful musical and the lost art of movie choreography. William's website: http://www.willcwhite.comWilliam's Twitter: https://twitter.com/willcwhiteWilliam's YouTube: https://www.youtube.com/user/willcwhiteSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Episode 115: The gang talks about dogs and other furry friends. Steve has some updates on the testbed. Elissa reports that Japan's about to land on the moon. Ben discusses stainless steel corrosion. Stephen closes with an “ICYMI” on everything we may have missed with the Boeing situation. Connect with the Manufacturing Industry here www.amtonline.org/events Discover the past, present, and future of American manufacturing with www.mmsonline.com/madeintheusapodcast Explore, watch, read, learn, join, and connect at www.imts.com/ Tune in to the AM Radio podcast www.additivemanufacturing.media/zc/am-rad…o-podcast For the latest in Manufacturing Technology news www.amtonline.org/resources Produced by Ramia Lloyd

Harley is joined by returning friends Kristen Ashly and Mr. Warren Hayes to discuss the women's action at AEW Revolution! Does the character work of "Timeless" Toni Storm hinder her ability to wrestle to her full potential?  Where does Deonna Purrazzo go from here?  What are Stokely Hathaway's intentions?  Could increasing the number of pay-per-views give women like Thunder Rosa, Hikaru Shida, and Serena Deeb actual things to do?  Will the imminent arrival of Mercedes Moné change anything with the booking of the women's division?  Is Skye Blue the Igor of the House Of Black?

In this episode, Mary Ann and Luanne continue talking about some of the spiritual lessons Mary Ann has learned since her husband sustained a traumatic brain injury several months ago and about the many ways God can speak to us if we have ears to hear. And you won't want to miss Luanne's own rather amazing “pennies from heaven” story.  Luanne's newest book, “Spiritual Warfare and the Armor of God,” is available for order through her website (see below) and on amazon.com, as is Mary Ann's book, “Live. Learn. Laugh!” You can learn more about Luanne and Mary Ann, order the books they've written, and read Mary Ann's newspaper columns on their websites: www.luannebotta.com and www.maryanncrum.com . Also check out their podcast Facebook page: “Unquenchable Hope.” You can contact the ladies at luannebotta@gmail.com and maryanncrum@gmail.com .

Could the pennies she keeps finding be from loved ones who have passed on? Could it be a sign that they're still near? Or is it just a coincidence? If you have a real ghost story or supernatural event to report, please write into our show or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming a Premium Subscriber.  Subscribe here: http://www.ghostpodcast.com/?page_id=118 or at http://www.patreon.com/realghoststories Watch more at: http://www.realghoststoriesonline.com/ Follow Tony: Instagram: HTTP://www.instagram.com/tonybrueski TikToc: https://www.tiktok.com/@tonybrueski Facebook: https://www.facebook.com/tony.brueski

More discussions of Waits's unreleased recordings brings us to the 1980s, featuring several demos, a bunch of covers, and significant collaborations with other musicians, both big and small. Highlights this week include his contribution to a poetry documentary, a live Ewan MacColl cover, and his evening of collaborations with The Replacements. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Purple Avenue / Empty Pockets, live recording, Expo Theatre, Montreal Canada (3 July 1981) Smuggler's Waltz / Bronx Lullaby, from Poetry In Motion, dir. Ron Mann (1982) Carnivalins, unreleased recording, Frank's Wild Demos (1986?) Vegas Theme, unreleased recording, Frank's Wild Demos (1986?) Downtown Train (alt take), NME's Big Four 7" EP, Tom Waits (1986) Harlem Shuffle, Dirty Work, The Rolling Stones (1986) I Forgot More Than You'll Ever Knew (About Her), live recording, Beverly Theatre, Los Angeles CA, Tom Waits with Elvis Costello and Lou Reed, w. Cecil Null (4 October 1986) Papa's Got A Brand New Bag, live recording, Massey Hall, Toronto Canada, w. James brown (7 October 1987) Mack The Knife, live recording, Freie Volksbuhne, Berlin Germany, w. Bertolt Brecht / Kurt Weill (8 December 1987) Big Rock Candy Mountain, from the film Ironweed, dir. Hector Babenco (1987) Once More Before I Go, from the film Candy Mountain, dir. Robert Frank and Rudy Wurlitzer (1988) Date To Church, single b-side, The Replacements / Tom Waits (1989) Lowdown Monkey Blues, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) If Only You Were Lonely, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) I Can Help, studio outtake / Dead Man's Pop, The Replacements / Tom Waits, w. Billy Swan (1989/2019) We Know The Night - Rehearsal Version, Dead Man's Pop, The Replacements / Tom Waits (1989/2019) Take It As It Comes, live recording, Wiltern Theatre, Los Angeles CA, w. The Doors (31 December 1988) Pennies From Heaven, live recording, Wiltern Theatre, Los Angeles CA, w. Arthur Johnston and Johnny Burke (31 December 1988) Dirty Old Town, live recording, Wiltern Theatre, Los Angeles CA, w. Ewan MacColl (31 December 1988) Hound Dog, live recording, Wiltern Theatre, Los Angeles CA, w. Jerry Leiber and Mike Stoller (31 December 1988) Dirty Old Town, Rum Sodomy and The Lash, The Pogues (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Producer Renee Piano "Pennies From Heaven"https://www.buzzsprout.com/562090/13975393VoiceRenee@charter.net

This week on Bad Behavior: Twin Comedians Annabel and Sabina Meschke talk about Triplet Auditions and seeing a couples counselor. Then, Annabel and Sabina play a game of Heaven or Hell inspired by their short film, “Pennies From Heaven.” Plus, they'll share a morally ambiguous story about sharing a driver's license in high school. Will Annabel and Sabina be deemed good or bad? Leave a voice message or text your morally questionable story and YOU could be feature on Bad Behavior: (929) 390-1436 Connect with Bad Behavior: Instagram | TikTok | Sterling and Blair on Instagram | Sterling and Blair on TikTok Original music by HoliznaCC0 and Serge Quadrado. Licensed under Creative Commons: By Attribution 4.0 License.

Traffic Copters and seagulls Don't Mix, Pennies From Heaven and Is Pete In The Dog House?

House music at its best! Let Dave Baker take you on a journey of discovery and aural pleasure as he brings you the hottest and freshest funky, deep and tech house releases every week. It's been a massive week for new releases, promos and white labels, so much so that only 4 tracks in this week's mix have been released at the time this episode goes out! We kick off with nice grooves from Jac & Hutch who take a “classic” Boz Scaggs song from 1976 (you know, from the Silk Degrees album that you must all have at home!); Damarii Saunderson remixes his dad's huge 90's anthem Pennies From Heaven; we have the title track from James Juke's awesome Fantasy & Joy EP; we also have something for the old ravers from Farayen & Liam Parkins (unashamedly shoehorned into the mix!); and we finish with a couple of melodic white label edits of classic London Grammar and Adele songs. Keep an eye out for another bonus episode as there's so many big tracks that couldn't fit into this set. Please share, rate, review and subscribe wherever you can to help the podcast reach more house music lovers. You can also leave comments for episodes you like on the Hot House Hours Soundcloud page. All tracks released on October 6 unless shown below. Website: https://www.djdavebaker.com Instagram: https://www.instagram.com/djdavebaker Facebook: https://www.facebook.com/hothousehours 1. [HOT PROMO] What Can I Say - Jac & Hutch [White Label] RELEASE DATE TBC

Jon Perry joins Larry and Marty to talk about an event he is holding for his charity, Pennies from Heaven. 

Songs from the movies: Show Boat, Swingtime, Rose Marie, Follow the Fleet, Pennies From Heaven and Gold Diggers of 1937 Performers include: Paul Robeson, Bing Crosby, Helen Forest, Fats Waller, Jeannette McDonald and Fred Astaire.

On this week's very special bonus episode hosts Aviv and Matt dive into the mailbag and play another round of the game that Matt despises - listener submitted snack or wack. All this and more!Give us a rate and review wherever fine podcasts are sold, tweet at us @svupodcast (which we cannot stress enough is the official Twitter handle of Law and Order SVU, and you can take that to the bank, the blood bank senator!) and for longer or weirder stuff, or tweet sized emails because fuck Elon Musk, send us an email specialviewingunit@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5621744/advertisement

We often talk about a "starter marriage," believing that maybe the second go-round will go better, but for actress Kaley Cuoco, that's not how it happened. The Big Bang Theory star walked down the aisle - and then into divorce court - twice, and while she seems to have sworn off marriage as a result, that doesn't mean she hasn't found true love. Want early, ad-free episodes, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Sponsors This episode is brought to you by BetterHelp. Visit Betterhelp.com/trashy and get 10% off your first month when you sign up at the link! Mau Pets. Get 5% off your cat's new favorite cat tree, cave, ledge, scratching post, and more, while also giving your room a glow up! Visit maupets.com/trashy. To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TrashyDivorces. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bonjour mes amis.... Joe and Dan here...your incorrigiable Old F*cks, back with another All Elite Weekly pod reviewing AEW Dynamite from April 5th. Topics include: - We both thought this show flew - We like Jay and Juice but not the Bullet Club - We don't get the Keith Lee thing - The MJF Day segment was everything that was good about wrestling - What is up with Ethan Page's booking? - Bryan Danielson really helps the BCC presentation - Joe got worked ; PEACE

Episode 85: Grief Bubble Today on the podcast I speak of a recent Grief Bubble that inconveniently showed up while I was working out at the gym a few weeks ago. That grief can be tricky! Never know when it's gonna strike!! It was an energetically charged and emotional week for me! Take a listen in to hear my stories from that week. I love how close my mom really is. It's awesome how she shows up for me and still nurtures me from the other side.  To learn more about me (Karen) and the work that I do, go to rebalancewithreiki.com - if you are local to Northern NJ and you'd like to check out my store front you can visit my page moonmagicwellness.com. For more information about my online course Spiritual Seekers 101 go here. For more info and to book a distance healing session with me go here.

First broadcast on FAB RADIO INTERNATIONAL at 19:00 on February 26th 2023 This week we welcome back our old friend SANDY McGREGOR to look at another series of the more serious and dramatic telly that he tends to be rather fond of joining us for a chat about. For this week's show, SANDY has been watching PENNIES FROM HEAVEN, DENNIS POTTER'S acclaimed, BAFTA award winning six-part musical drama serial from 1978, directed by the late PIERS HAGGARD, and which was one of several collaborations POTTER had with Producer KENITH TRODD. Acting-wise, the serial stars BOB HOSKINS, CHERYL CAMPBELL, and GEMMA CRAVEN, alongside an astonishingly vivid turn from KENNETH COLLEY as the Accordion Man, and a whole host of amazing and very familiar acting talent. It's a complex story of longing for another life, love and death, and the inevitability of fate, all accompanied by an extraordinary soundtrack of the popular tunes from the 1920s and 1930s, and represents the first – but not the last – time DENNIS POTTER would require his actors to mime and dance along to the tunes in often breathtaking sequences that attempt to show the inner lives, hopes and dreams of his characters in stark contrast to the mundane disappointments in their humdrum everyday existences. This is the story of sheet music salesman ARTHUR PARKER (played by Bob Hoskins in a career-making role) who is unhappily and frustratingly married to Gemma Craven's JOAN. As the serial begins, they are living in an art deco suburban hell, but, because ARTHUR lives the “on the road” life of a commercial traveller, he has a fateful encounter with EILEEN EVERSON, a Gloucestershire schoolmistress with hidden depths, played by CHERYL CAMPBELL, which has the effect of changing both of their lives in surprising and sometimes very dark ways. As both of their destinies become intertwined in a tale of scandal, deceit, and murder, the narrative finds new and intriguing ways to pick at the various scabs of society, including politics, education, and the legal system, before going inevitably to a very dark conclusion that, perhaps surprisingly, then pulls one or two extraordinary narrative twists from out of the bag. About a decade later, POTTER's other masterpiece THE SINGING DETECTIVE would, in some ways, cover very similar ground in parts, and so PENNIES FROM HEAVEN is often considered a prototype, or a trial run, for that later work, even though its story actually goes off in a very different direction. And PENNIES FROM HEAVEN is an astonishing piece in its own right, although, perhaps because it was unavailable on British TV screens for a long time for legal reasons, sometimes it doesn't get quite as much love as it deserves. Sadly, since we recorded this conversation, the director of the series, the prolific and multi-talented PIERS HAGGARD, who also directed the final QUATERMASS serial for EUSTON FILMS in 1979, has passed on from this realm, but, rather strangely, and regrettably, SANDY and I failed to talk about his contribution in the enthusiastic and frantic hour that follows, so I hope that by at least acknowledging him now, you'll forgive our ridiculous lapse of judgment. PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.

That was the mantra passed to Jennifer from her father, and the direction was clear: GET THEMESSAGE OUT. You will be completely mesmerized as she shares the powerful wisdom herfather revealed about his PHYSICAL life with dementia, as well as his new SPIRITUAL life on theother side. Jennifer knew she would only fulfill this calling if she were to step away from her 20-year management career, become her own boss and consequently be able to change her client'slives for the better. Now known as ‘the Sagittarius Coach' Jennifer helps all kinds of clients pushthrough to transformation by being her truth-seeker, get-to-the-core, direct Sagittarius self.Jennifer's Favourite album: Faith by George MichaelWebsite: www.jenniferdawn.netFacebook: https://www.facebook.com/jenniferdawn333Instagram: https://www.instagram.com/sagittariuscoach/Dad's Pennies From Heaven (book): https://www.amazon.ca/Dads-Pennies-HeavenJennifer-Dawn/dp/B0BMSVRFL2Contact: info@jenniferdawn.net

In this episode, Colden introduces Jon to Pennies from Heaven, where Jon goes on a whole journey to the point where he's broken at the end. Will Jon ever be the same again? Is Colden the new host of the pod? Is this the one that broke the pod? (Spoiler alert: It didn't - there's more episodes to come.)Colden's Website: www.coldenlamb.comPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: The SpongeBob SquarePants Movie (SCT #2)!

This week we welcome our first guest of 2023: Trina Dolan. Trina's whole life changed very quickly when she became a mother at just fifteen years old. She opens up about the fear, trauma and joys of being a teen mom. We dive into toxic parenting, dangerous stigmas in society and whether or not babies can be born with anxiety. Trina shares the highs and lows of working at a daycare and we explore the ways childcare is undervalued and taken advantage of. From dream journals to hangovers: nothing is off limits; we hope you enjoy this hour with Trina as much as we did!Insta: @keepoversharingShop: etsy.com/shop/oversharing

Join Joe Shoes and Michael Gomez as they present their weekly buffet of pop culture goodness! This week, your double-main men are discussing: the line for air (1:23), NFL Playoffs (8:03), AVATAR: THE WAY OF WATER Box Office (10:28), Major Wrestling Figure Podcast Live 15 (13:40), Philadelphia (15:52), Who is in that picture from Young Rock? (18:28), Royal Rumble (23:45), Netflix's "Madoff: Monster of Wall Street" (25:34), Peacock's SICK (28:45), Netflix's "Wednesday" (31:10), SKINAMARINK (37:05), HBO Max's "Velma" (44:02), HBO's "The Last of Us" (58:00), Joe's weekly Penguins despair (1:03:25), SHOWGIRLS 2: PENNY'S FROM HEAVEN (1:02:58) & Big Finish: Top 3 Nick Toons (1:30:55). Watch along for next week: BRADY BUNCH IN THE WHITE HOUSE (2002) Follow on all the socials: Twitter: @CarJoeMeZ, @TheJoeShoes, @thegomez154 Instagram: @CarJoeMeZ, @TheJoeShoes, @thegomez154 YouTube: Joe Shoes, Car JoeMeZ Podcast Twitch: Mr. Joe Shoes, MeZ Movie Pro Wrestling Tees Store: Capt. Joe Shoes TikTok: @TheJoeShoes Blog Site: CarJoeMeZ.com

House music at its best! Let Dave Baker take you on a journey of discovery and aural pleasure as he brings you the hottest and freshest funky, deep and tech house releases every week. OMG!!!! It's a TUNE alert this week with an hour of massive tracks to shake the dancefloor and to get YOU pumped up for the day, night or week ahead! We kick off with the first of 8 hot promos which takes the hook from the massive Pennies From Heaven by Inner City (check it out if you're not familiar with it). We've got the absolutely bonkers Sidewindah by Gorgon City; Solardo with a massive tune with a familiar Prodigy riff, and too many others to mention!! If you've not heard the podcast before - this is one of the best introductions you could wish for! This is definitely one to stick with all the way through! All tracks released on October 21 unless shown below. Website: https://www.djdavebaker.com/house Instagram: https://www.instagram.com/djdavebaker Facebook: https://www.facebook.com/hothousehours 1. [HOT PROMO] People Of The World (Kid Masssive Dub Mix) - Kid Massive & Corey Andrew [Reel House] RELEASE DATE: OCT 31

On this episode of Community News we help find a lost dog, discuss Christmas in September and contemplate why there are pennies falling from the sky on Main Street.

Erik meets a guy on drugs, Ashley sits the dog, and Jeremy keeps a job. All that and the 1981 musical "Pennies From Heaven" .

Are you looking for a way to move forward after experiencing abuse? Many people are told to just "forgive and forget," but that can be incredibly difficult - and sometimes impossible. This episode is for you if you struggle to find forgiveness and healing. "Am I going to let the absue define me or am I going to be better than what was imposed upon me? So I made a choice to be better, but in order for me to be better, I have to release it."- John GoffJohn Goff is a martial arts expert and survivor of childhood abuse. He now advocates for other survivors and teaches self-defense to help people protect themselves from abuse. This is John Goff's story—John Goff was abused as a child by his biological mother, who was a prostitute, his foster parents, and his biological grandfather. He decided at 17 to stop the abuse and start living for himself through studying martial arts and energy work. He has since dedicated his life to helping others heal from their trauma. In this episode, you will learn the following:The psychological pain of abuse and how it can persist into adulthood The importance of self-care and self-love The power of choice and how it can transform your life Links for John:Website: https://godswhospeak.com/?fbclid=IwAR2aUp3ImTjKEpoBB3yI60xikYVeH31CjpPrLr_sgy0_Yv99jyyspN6B0oQ (Godwhospeak.com) Facebook: https://www.facebook.com/TheExperienceRealEnergyWork/ (TheExperienceRealEnergyWork) Other Butterfly Kisses Episodes you'll enjoy:Eps 2. https://player.captivate.fm/episode/795bce6c-b18b-4a9e-b8e0-7ddf4cf83262 (Pennies From Heaven ) Eps 35. https://player.captivate.fm/episode/55de9e65-77f7-4b7f-ac2b-abe7ef908d10 (We Are The Creators Of Our Realities with Barry Nicolaou) Eps. 40. https://player.captivate.fm/episode/9566a11c-dd74-4fb7-b4cf-60a2dc41dc2d (Decoding the Matrix Made Easy with Dr. Vic ) Loved this episode? Leave us a review and rating here: https://podcasts.apple.com/ca/podcast/butterfly-kisses/id1561256027 (Apple Podcast Reviews) and https://www.podchaser.com/podcasts/butterfly-kisses-1841572 (PodChaser ) Connect with Amy:Instagram: https://www.instagram.com/amygraycunningham/ (AmyGrayCunningham) Facebook: https://www.facebook.com/amygraycunningham (AmyGrayCunningham) YouTube: https://www.youtube.com/channel/UCnvTs4Vmm7FJFkbPmqG9Hzg (AmyGrayCunningham) Twitter: https://twitter.com/AmyCunnningham1 (AmyCunningham1) LinkedIn: https://www.linkedin.com/in/amygraycunningham/ (AmyGrayCunningham) Website: https://butterflykissespodcast.com/ (ButterflyKissesPodcast)

Welcome back to yet another tune of the month episode. This month, we will look at the classic jazz standard, Pennies From Heaven, and make use of some of the fantastic lessons we learned from Stan Getz in last weeks Lick of the Month episode. Enjoy and don't forget to grab the etude on Patreon! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

This lick of the month comes from a recent YouTube video I put out featuring the amazing, Stan Getz. We take a look at diatonic triads and how they can be used to create awesome lines! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Get access to exclusive content and opportunities by donating to Angel Connection Patreon Page: https://www.patreon.com/angelconnection11Produced By: Trust the Sound Podcast Production & Consulting, Sarah Nickerson, www.trustthesoundpodcast.comTheme Music: Growing Wings by Cody Martin, obtained via Soundstripe.com.Meditation Music: Vision by DeHartmann, obtained via Soundstripe.com.Follow Angel Connection on Facebook and at the website www.AngelConnection11.com.