Podcasts about soundwork

Chloë Goodchild in conversation with music producer, sound researcher & educator, Joshua Leeds, discussing compassion, conscious emergence, sound, psychoacoustics, Alfred Tomatis, sound and the nervous system, and much more.The VOCE Dialogues offer a simple, accessible in-depth ground for poets, authors, musicians, visual artists, and visionary teachers to share and disseminate their insights about the transformative practice of contemplative, creative and compassionate communication.Joshua Leeds is a music producer, sound researcher, and educator. He specializes in psychoacoustics - the study of the effects of music and sound on the human nervous system, and bioacoustics - specifically, how human sound affects animals. His books include The Power of Sound, Through a Dog's Ear, and Sonic Alchemy. His latest book, Soundwork on a Hot Rock will be published in 2025.Joshua's 50+ application-specific soundtracks are used in clinics, classrooms, homes, and animal-care facilities worldwide. He is currently on the faculty of The Shift Network's Sacred Sound Healer Training Program. Previous teaching positions include San Francisco's California Institute of Integral Studies and The New York Open Center.Joshua is an advocate for sonic activism in a world out of balance.joshualeeds.comChloë Goodchild is an international singer, innovatory educator, author and founder of The Naked Voice (1990) and its UK Charitable Foundation (2004), dedicated to the realization of compassionate communication in all realms of human life. Deafness in childhood catalysed Chloë's deep encounter with her inner self, and began a lifetime's experiential research into the voice as a catalyst for personal evolution and global transformation.chloegoodchild.comSupport the Show.Contact ChloëEmail now@thenakedvoice.comTweet @TheNakedVoiceThanks for listening!

Joshua Leeds is a sound researcher, music producer, and educator. He is one of few published authorities in the emerging field of psychoacoustics - the study of the effect of music and sound on the human nervous system, and bioacoustics - how human sound affects other living beings. He is the author of The Power of Sound, Sonic Alchemy, and Through A Dog's Ear. He is currently working on his next book, Soundwork on a Hot Rock. His application-specific soundtracks are used in homes, clinics, and classrooms around the world. He presents seminars, classes and presentations internationally. https://www.joshualeeds.com/ Photo credit: Jolene Monheim 2024 ISTA Wave Makers Conference https://istasounds.org/events-conferences Natalie Brown: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio.com http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA This episode is sponsored by The Om Shoppe. The OM Shoppe & Spa offers a vast array of Sound Healing and Vibrational Medicine tools for serious professionals and for those ready to make sound and vibration part of their ongoing lifestyle. More and more we are coming to understand that our individual wellness is a direct reflection of our personal vibration. How we care for ourselves, our physical bodies, our minds and our spirits. The OM Shoppe is ready to help you today in a variety of ways. They offer the countries largest showroom of Quartz Crystal Singing bowls, sound healing instruments and vibrational medicine tools. If you are ready to uplevel your sound healing practice The OM Shoppe is a great place to get guidance and direction. They are available to consult with you directly by phone or you can shop online. They really enjoy getting to know their clients and customers one on one to better help recommend the right sound healing tools in the right tones for you. Call them today or visit them at http://www.theomshoppe.com. If you are ever near Sarasota, Florida, do consider stopping in and visiting with them or enjoy a luxury spa treatment such as sound healing, energy work, massage, vibroacoustics or hypnotherapy. They truly offer a full holistic experience for practitioners and those seeking healing through natural means.

Hernan Arber is the CEO of Soundwork, Founder of Arber Tech, and Host of the Web3 Creators Podcast. He is an experienced Software team leader and strategic advisor specializing in web3, NFTs, and blockchain technologies. In this episode, we talk about the vibrant tech and web3 ecosystem in Israel, building [and getting burned] in the blockchain industry. Hernan shares his journey as a key community member in EOS.io and what led him to launch Soundwork - a startup that is harnessing blockchain technology to reinvent the music supply chain. Get in touch with Hernan, here: https://hernanarber.com/ https://web3creators.buzzsprout.com/

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Soundwork by Richy Carey, with sections taken from the exhibition 'Galalith' by Lauren Gault. Lauren Gault's exhibition, Galalith, is an expanded staging of her sculptural installations, responding to Temple Bar Gallery + Studios internal gallery space and the building's external, environmental context. The exhibition incorporates sunlight caught by a street facing solar panel, a threaded assemblage featuring unused galalith(1) stock, recycled rubber safety surfacing, large scale suspended sculpture and a human/non human soundscape (solar controlled). Gault worked with independent feminist curator Katherine Murphy to research and realise this body of work, undertaking a collaborative studio residency at TBG+S.

Humans sang before we created language, some linguists say. Is our first language the best way to communicate with dogs? Can Music Calm an Anxious Dog? Babies who fuss and cry all night are not resting well ... and neither are their parents. Heartbeat Lullabies, a hit recording from hit music producer Terry Woodford, helped. Everyone from NICU nurses to parents sent gratitude ... and then the Honolulu Zoo, animal shelters, and exhausted dog moms. Turns out, what works for babies works for animals, too. Joshua Leeds, music producer and bio-acoustics expert, joins us to explain why. Surviving the Loss of Three Dogs in A Year They say bad things happen in threes, and the year 2020 amplified that by about twenty bajillion. For Lori Levine and her family, the losses last year were in part canine: three family dogs died. Lori joins us to explain how her own history with grieving -- and a special Warren Zevon song -- helped her to cope. If you wonder how you will face your dog's death, Lori's expert advice will help … because this celebrity marketing expert has a lifetime of hard-won wisdom to share. For a great companion piece, listen to the full interview on our sister show The Long Leash. The Hydrant Jim and Pam stop by the hydrant to sniff out the latest dog gossip, innuendo, @jokes, and notes. Terry Woodford – Canine Lullabies Terry Woodford is a hit record producer, music publisher, songwriter, and recording engineer. He's written music and songs for The Commodores, Jimmy Buffet, The Temptations, Alabama, Hank Williams Jr., Wayne Newton, Barbara Mandrell, Mac McAnally, John Kay of Steppenwolf, The Supremes, Hot and many others. He teaches about the music business and has deep roots in the Nashville music industry. His baby CD, Heartbeat Lullabies, was a huge hit with parents ... and then with dog parents. His dog lullaby CD, Canine Lullabies, has been used to calm dogs all over the world, quickly. Available upon request for free to shelters, humane societies, and animal clinics. Canine Lullabies: https://caninelullabies.com/ Terry Woodford Website: www.terrywoodford.net Joshua Leeds – iCalmPet Joshua Leeds is a music producer specializing in psycho- and bio-acoustics. Psychoacoustics is the study of the perception of sound. This includes how we listen, our psychological responses, and the physiological impact of music and sound upon the human nervous system. Bioacoustics is the study of animals and sound. Joshua has focused on the bioacoustic aspect of how human sound affects animals. He is the author of three books, his most recent of which, Soundwork on a Hot Rock, will be published in 2021. https://icalmpet.com/ https://www.joshualeeds.com/ Lori Levine Lori Levine, founder of Flying Television, is a pioneer in the world of strategic entertainment marketing and events. The driving force behind some of the most recognizable entertainment promotions and parties of the past decade, Lori harnesses the power of celebrity to elevate brands above the clutter of the modern media landscape. As a talent executive for NBC's “Late Night with Conan O'Brien,” Lori earned widespread acclaim for her ability to keep the show at the cutting edge of pop culture and ensure a constant flow of A-list guests. The list of celebrities who look to her for insight and counsel – among them Kate Hudson, Usher, Will Smith, Robert Downey Jr., Jimmy Fallon, and Kim Kardashian – is a testament to her ability to make and keep friends close.   Social Media Instagram: @FlyingTV, @LoriLevineFTV LinkedIn: https://www.linkedin.com/in/lori-levine-721b9b4/ Facebook: https://www.facebook.com/FlyingTelevision/ Here's What We Found at The Hydrant Turnspit Dogs: https://www.npr.org/sections/thesalt/2014/05/13/311127237/turnspit-dogs-the-rise-and-fall-of-the-vernepator-cur Do Dogs Laugh? https://phys.org/news/2021-05-animals-analysis-vocalization.html

Renowned radio scholar Michele Hilmes is Professor Emerita, Media and Cultural Studies in the Department of Communication Arts at University of Wisconsin-Madison and has been a long time proponent of the importance of studying radio and sound, which have often been neglected in the broader field of media studies. She joins us on the show […] The post Podcast #297 – Radio Studies and Soundwork appeared first on Radio Survivor.

On today’s episode we are continuing the conversation around a potentially triggering topic on death. The episode starts off with my very personal story about my own experience with death. I decided to share this episode today because the lessons I learned are profound and I want you to understand why my foundation has and will continue to be in spirituality. Spirituality isn’t something I read in a book or learned through someone else. It has changed the way I view life and how I literally move in the world. I had to define what spirituality meant to me and I believe to some degree we each need to do that for ourselves. 2020 brought so much grief and loss and we end the episode talking about ways to help you cope with those feelings if you resonate with this conversation.  My ask is that you continue to have an open mind and listen to the episode with kindness! Stephen was such an amazing co-creator of the space and held it so that I could share my story and have a productive discussion on this topic so I definitely want to thank him once again. Stephen mentioned numerous resources and they are all listed in the show notes. I am open to all feedback and would really enjoy hearing from you. You can find both our contact information in the show notes. During this episode we discuss: Do we fear death or not actually living? My own near death experience - how it changed my personal foundation How interconnected we are with nature  The greatest power humans have is…... Is bereavement and grief the same thing? Grief - the loss of certain parts of your identity Self compassion is a key to move through grief  Grief wants to move through you - I share a personal story  Stephen’s Bio: Stephen graduated from Wilfrid Laurier University with a Masters in Spiritual Care and Counselling; successfully completed the St. Joe’s Supervised Pastoral Education Residency; became certified as a Spiritual Care Practitioner through the Canadian Association for Spiritual Care, and is a registered member of the College of Registered Psychotherapists of Ontario. Following two years with St. Leonard’s Addiction Mental Health Crisis Centre in Brantford, Stephen worked as a full time Spiritual Care Psychotherapist at West Park Healthcare Centre in Toronto. Stephen brings a love of music as an agent of healing, interconnectedness and beauty as well as a long standing Zen Buddhist practice to this role. He is passionate about caring for patients, and caring for those who care for patients through providing healthcare staff with innovative, inclusive and clinically validated support. It is an honour to serve the sick. Connect with Stephen: Social Handles Linkedin: Stephen Hudecki (https://www.linkedin.com/in/stephen-hudecki-9a476010/) Resources Mentioned in the Episode: Life After Life by Raymond Moody  (https://www.amazon.ca/Life-After-Bestselling-Investigation-Experiences/dp/006242890X/ref=sr_1_1?dchild=1&keywords=life+after+life&qid=1611797619&sr=8-1) Consciousness Beyond Life Pim van Lommel (https://www.amazon.ca/Consciousness-Beyond-Life-Near-Death-Experience/dp/0061777269/ref=sr_1_1?dchild=1&keywords=consciousness+beyond+life&qid=1611797659&sr=8-1) Division of Perceptual Studies (DOPS): University of Virginia (https://med.virginia.edu/perceptual-studies/) How to Change your Mind Michael Pollan (https://www.amazon.ca/Change-Your-Mind-Consciousness-Transcendence/dp/0735224153/ref=sr_1_1?crid=2OUF13FWCSCA0&dchild=1&keywords=how+to+change+your+mind&qid=1611797692&sprefix=how+to+change%2Caps%2C166&sr=8-1) Proof of Heaven - Eben Alexander  (https://www.amazon.ca/Proof-Heaven-Neurosurgeons-Journey-Afterlife/dp/1451695195/ref=sr_1_1?dchild=1&keywords=proof+of+heaven&qid=1611797731&sr=8-1) Soundwork (http://ebenalexander.com/media/) Dr. Kristin Neff Self Compassion (https://self-compassion.org/) Spirit of Success is a podcast creating a platform for honest conversations sharing the real life stories behind personal transformations. If you’re a fan of the podcast, don’t forget to subscribe, rate, and review Spirit of Success! If you resonated with something you heard, don’t forget to share with a friend! Follow the Host Dr. Tracy Debi on Instagram/Facebook: @dr.tracydebi or check out her company http://www.atelierix.co Edited by: Kattie Laur (https://www.kattielaur.com/) Logo/Podcast Intro: The Cultivated Group  (https://www.thecultivatedgroup.co/) Music: ‘Breathe out, Breathe in’ (Instrumental) by Roof

As my post-Roadkill Project road trip quarantine came to an end, I made a sound work of the sonic environment around me during my isolation. Support the show at www.Patreon.com/ArtHouseRadio, and also at www.Patreon.com/ArtHouse43.

Ein Geist aus der Vergangenheit. Er ist weiblich und sieht verdammt gut aus. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Raum ganz in Weiß. Mit einer Tasche aus einem falschen Film. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Eine Liebeserklärung. Und alles wird gut, wenn das Licht nicht stört. | Die Verschiebung | Mystery-Thriller von Serotonin. Zweite Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Handy scheint kaputt zu sein. Aber dann öffnet sich eine Tür. | Die Verschiebung | Mystery-Thriller von Serotonin. Zweite Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Eine ziemlich hohe Lebensversicherung. Und was Bakterien so alles können. | Die Verschiebung | Mystery-Thriller von Serotonin. Zweite Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Plan tut sehr weh. Und dann muss es wieder ins Wasser gehen. | Die Verschiebung | Mystery-Thriller von Serotonin. Zweite Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Schuhkarton voller Vergangenheit. Und eine Vergangenheit, die gekauft wurde. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Zeuge verkalkuliert sich. Und ein Goldhamster darf überleben. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Fahrstuhl fährt tiefer. Und eine Kommissarin wird ausgebremst. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Wald voller Bestien. Und eine Erinnerung, die nicht stimmen kann. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Wald aus Seetang. Und für die Kommissarin eine vergammelte Zitrone. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Biohacker gerät ins Schwimmen. Aber dann gibt es doch noch Rettung. Vorläufig. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Eine Frau verbeißt sich. Und derselbe Film läuft immer wieder ab. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Mann ist dumm. Und wird durch Botschaften aus einer anderen Welt auch nicht schlauer. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Arzt und eine Kommissarin. Und beide kapieren überhaupt nichts mehr. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Eine andere Welt und ein schöner Unbekannter. Wie schade, dass er geschlechtslos ist. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Eine Ertrunkene überlebt. Aber nur wenn sie keine Luft einatmet. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Tanz und ein Zusammenbruch. Und überall riecht es nach Schimmel. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Boss stellt viele Fragen. Und bekommt nicht mit, wie seine Tochter entsorgt wird. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Ein Biohacker und seine Bakterien. Zusammen haben sie eine folgenschwere Erleuchtung. | Die Verschiebung | Mystery-Thriller von Serotonin. Erste Staffel. | Regie: Marie-Luise Goerke | Soundwork und Musik: Matthias Pusch | Produktion: SWR 2019

Quelle délicieuse volée de claques belges ! Pompon se déchaîne à nouveau sur ce qu'il connaît le mieux : le rock grand cru du sud de notre pays. Ça cogne sec avec Vitor Hublot, Little Egypt, Woodentrucks, The Yancatooz, The Passengers, Raxola, et un focus sur le fameux label Soundwork avec La Muerte, Melody Massacre et Coyote And The Lost Dakotas. Au rayon nouveautés : Romano Nervoso (Mottow Soundz) et Annabel Lee (Luik Records), puis un bel hommage à JP Van, producteur flamand récemment disparu, avec une ré-édition de deux raretés wallonnes : The Tell Stars et The Closed ! La playlist en détail : 01. Vitor Hublot : La P'tite Gayole | 185 Millions De Francophones Et Moi, Et Moi, Et Moi... (Psoria Discs, 1986) 02. Little Egypt : Little Ballerina | Et Encore Parfois Il Pleut (New Rose, 1990) 03. Woodentrucks : Ma Cuisine | Peas And Laugh (Boucherie Productions/T4A, 1990) 04. Woodentrucks : Les Trois Cloches | Piaf / Fréhel - Ma Grand-Mère Est Une Rockeuse (Island Records, 1992) 05. The Yancatooz : Let's Woy | Let's Woy (Little Circle, 1991) 06. The Passengers : Be Your Leader | The Passengers (Fortuna Records, 1992) 07. La Muerte : Wild Thing | The Surrealist Mystery EP (Soundwork, 1984) 08. Melody Massacre : Screamin' In Vain | Melody Massacre (Soundwork, 1986) 09. Coyote And The Lost Dakotas : Psychman | Psychman EP (Soundwork, 1987) 10. Raxola : Thalidomide Child | Everything Is Shit (Sub Rosa, 2014) 11. Romano Nervoso : Rather Kill A Man | I Don't Trust Anybody Who Doesn't Like Rock n Roll (Mottow Soundz, 2018) 12. Romano Nervoso : Looking For The Sun | I Don't Trust Anybody Who Doesn't Like Rock n Roll (Mottow Soundz, 2018) 13. Annabel Lee : Period Sex | Wallflowers EP (Luik Records, 2017) 14. The Tell Stars : I Want To Sing | JP Van Presents: The Belgian Sixties Archive #2 (Boom! Records, 1990) 15. The Closed : My Little Girl From Kentucky | JP Van Presents: The Belgian Sixties Archive #2 (Boom! Records, 1990)

Quelle délicieuse volée de claques belges ! Pompon se déchaîne à nouveau sur ce qu'il connaît le mieux : le rock grand cru du sud de notre pays. Ça cogne sec avec Vitor Hublot, Little Egypt, Woodentrucks, The Yancatooz, The Passengers, Raxola, et un focus sur le fameux label Soundwork avec La Muerte, Melody Massacre et Coyote And The Lost Dakotas. Au rayon nouveautés : Romano Nervoso (Mottow Soundz) et Annabel Lee (Luik Records), puis un bel hommage à JP Van, producteur flamand récemment disparu, avec une ré-édition de deux raretés wallonnes : The Tell Stars et The Closed !La playlist en détail :01. Vitor Hublot : La P'tite Gayole | 185 Millions De Francophones Et Moi, Et Moi, Et Moi... (Psoria Discs, 1986)02. Little Egypt : Little Ballerina | Et Encore Parfois Il Pleut (New Rose, 1990)03. Woodentrucks : Ma Cuisine | Peas And Laugh (Boucherie Productions/T4A, 1990)04. Woodentrucks : Les Trois Cloches | Piaf / Fréhel - Ma Grand-Mère Est Une Rockeuse (Island Records, 1992)05. The Yancatooz : Let's Woy | Let's Woy (Little Circle, 1991)06. The Passengers : Be Your Leader | The Passengers (Fortuna Records, 1992)07. La Muerte : Wild Thing | The Surrealist Mystery EP (Soundwork, 1984)08. Melody Massacre : Screamin' In Vain | Melody Massacre (Soundwork, 1986)09. Coyote And The Lost Dakotas : Psychman | Psychman EP (Soundwork, 1987)10. Raxola : Thalidomide Child | Everything Is Shit (Sub Rosa, 2014)11. Romano Nervoso : Rather Kill A Man | I Don't Trust Anybody Who Doesn't Like Rock n Roll (Mottow Soundz, 2018)12. Romano Nervoso : Looking For The Sun | I Don't Trust Anybody Who Doesn't Like Rock n Roll (Mottow Soundz, 2018)13. Annabel Lee : Period Sex | Wallflowers EP (Luik Records, 2017)14. The Tell Stars : I Want To Sing | JP Van Presents: The Belgian Sixties Archive #2 (Boom! Records, 1990)15. The Closed : My Little Girl From Kentucky | JP Van Presents: The Belgian Sixties Archive #2 (Boom! Records, 1990)

“Podcasts are luring people into listening,” Jennifer Waits reports, quoting the esteemed radio scholar Susan Douglas, from her keynote address at the recent Radio Preservation Task Force conference in Washington DC. Jennifer also relays some important reasons for studying radio history shared at the conference, especially to help understand the present and plan for the […] The post Podcast #117 – Soundwork: Preserving the Legacy of Radio, Podcasts (& Alice’s Restaurant) appeared first on Radio Survivor.

“Podcasts are luring people into listening,” Jennifer Waits reports, quoting the esteemed radio scholar Susan Douglas, from her keynote address at the recent Radio Preservation Task Force conference in Washington DC. Jennifer also relays some important reasons for studying radio history shared at the conference, especially to help understand the present and plan for the […] The post Podcast #117 – Soundwork: Preserving the Legacy of Radio, Podcasts (& Alice’s Restaurant) appeared first on Radio Survivor.

In this podcast, slovene artist Robertina Šebjanič discusses her work with jellyfishes and more precisely the sound performance "Aurelia 1 + Hz / proto viva sonification". Issues of immortality, ecology and our relation to living creatures are discussed.   "Performing with Jellyfishes", rencontre avec Robertina Šebjanič, 16'53 Enregistré par Annick Bureaud, le 6 février 2015 à Paris, jingles et habillage sonore Jean-Yves Leloup, musique extraits de la performance de Robertina Šebjanič avec les méduses "Aurelia 1 + Hz / proto viva sonification". "Performing with Jellyfishes", meeting with Robertina Šebjanič, 16'53 Recorded by Annick Bureaud, February 6th 2015 in Paris, jingles and sound design Jean-Yves Leloup, music from the performance "Aurelia 1 + Hz / proto viva sonification" of Robertina Šebjanič with the jellyfishes.

Momma Webb is back for a return visit!  Join Jean, Rick, and their guest Momma Webb, who says: I help people who are confused, lost, or spiritually orphaned find and heal the sacred story hidden inside. I specialize in spiritual awakening/emergence as well as grief counseling and inner child healing. I provide InterFaith and InterSpiritual service as well as custom ritual design for personal and group transformation. I am also certified as a Reiki Master and Soundwork practitioner, and am available for energetic healings. Remote SKYPE sessions offered. For more information please visit Momma at: http://MommaWebb.com

Momma Webb is back for a return visit!  Join Jean, Rick, and their special guest Momma Webb, who says: I help people who are confused, lost, or spiritually orphaned find and heal the sacred story hidden inside. I specialize in spiritual awakening/emergence as well as grief counseling and inner child healing. I provide InterFaith and InterSpiritual service as well as custom ritual design for personal and group transformation. I am also certified as a Reiki Master and Soundwork practitioner, and am available for energetic healings. Remote SKYPE sessions offered. For more information please visit me at http://MommaWebb.com

Join Jean, Rick, and their special guest Momma Webb, who says:I help people who are confused, lost, or spiritually orphaned find and heal the sacred story hidden inside. I specialize in spiritual awakening/emergence as well as grief counseling and inner child healing. I provide InterFaith and InterSpiritual service as well as custom ritual design for personal and group transformation. I am also certified as a Reiki Master and Soundwork practitioner, and am available for energetic healings. Remote SKYPE sessions offered. For more information please visit me at: http://MommaWebb.com