Podcasts about soundworks

In deze aflevering van Hoe Maak Je Het? is tatoeëerderen schrijver Tsunami te gast. Zij vertelt over haar tijd na de middelbare school. Wat ga je doen als je je diploma op zak hebt? Tsunami besloot eerst maar eens te gaan werken maar 'geld verdienden is leuk maar maakt me niet per se blij', legt ze uit. Daarom gaat ze in gesprek met iemand van degemeente die haar het project Soundworks aanbeveelt. Bij Soundworks kunnen jongeren onder begeleiding in Paradiso in acht weken tijd kennis maken met demuziekindustrie in de brede zin van het woord. Beats maken, teksten schrijven, samenwerken, netwerken; het komt allemaal aan bod. Tsunami vertelt over schrijven en tekenen, de twee dingen waar zij plezier uithaalt en zichzelf in kwijt kan. Dat uit zich op dit moment in het schrijven van rapteksten en het zetten tatoeages (check hiervoor op Instagram @wave8ink), met als bijzonder hoogtepunt het zetten van een eerste tatoeage bij haar eigen moeder. Een gesprek over inspiratie, wat geluk en succes is en het verzamelen van fijne mensen om je heen.

Heeding the call for their first odyssey to Australia and handed the highly important task of hyping up the party hungry, NEKROGOBLIKON - the self-proclaimed Kings of Goblin Metal - promise to deliver a unique blend of melodic rock and gnarly death metal, infused with EDM-style flourishes when they arrive here for a run of shows with Alestorm towards the end of February.Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style.For those unfamiliar with Nekrogoblikon unfortunately there isn't much HEAVY can do to help you understand the band on a more personal level, but the next best thing is to introduce the faithful and the new to guitarist Alex Alereza who we spoke with over two conversations about three weeks apart…We put Alex straight on the spot by asking how Nekrogoblikon have managed to avoid Australia for so long."It's not on purpose, I promise that," he laughed. "We've been talking about it forever, and it's been something that we tried to make happen. There's been a few times there were tentative plans and then some kind of logistical nightmare occurred or something. Luckily this time we finally… our team was persistent this time (laughs). Like, we have to get you guys out there. It's the perfect way for us to do Australia for the first time, with another like-minded, fun band. I already feel like we'll be coming back more often after this."In the full interview we spoke about the touring dynamics between Nekrogoblikon and Alestorm, what he is expecting from Australian crowds, the importance of keeping music fun, the role of their resident Goblin in everything from the live show to production to recording, the modern sanitized musical climate and where Nekrogoblikon sit in that respect, their musical mish mash of genres and why it works, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hi everyone, and welcome back in this weeks Episode I got the chance to speak to Franco Beceiro from Atum Soundworks we spoke about his music that he does for gaming, movies, and so on he's been making music for over 10 years now amazing stuff we also spoke about just how gaming has changed since the 90s and even before that and how gaming and tec could look like 10 years from now.

E ae!Welcome to Deep Space Podcast! Many thanks for listening. Enjoy the week438! Playlist:Artist – Track Name – [Label] 1) Carlos Nilmmns - No Love Lost (Nilmmns UK Mix) - [Skylax]2) Wim Waldo - Nightclub Fantasies - [Swap Shop]3) Ohm & Octal Industries - Chile - [Lempuyang]4) Broke Brotherhood - Lalalala House - [Swap Shop]5) Narson Nelson - Central - [insectorama]6) FloatingMind - Vapeurs - [monoKraK]7) DimDJ - Paresyhesia - [Anopolis]8) Broke Brotherhood - Paranoid Unemployed - [Felix Leifur]9) Chris Shivers - The 5th Inning - [Intangible Records & Soundworks]10) Wolford Heifer feat. Melchior Sultana - Take It Back - [Deep Inspiration Show]11) Mark E - Bodymap - [Delusions of Grandeur]12) Atlantic Brain - The New Normal - [Internasjonal]

This week on The SOUND Project, we're catching up with our friends from Legacy Soundworks. We'll be talking about what it was like to build the studio and what it's like to run a studio with your family. Video By: More Than Media Instagram: @morethan.media Facebook: @MoreThanMedia YouTube: https://www.youtube.com/@morethanmedia_ Twitter: https://twitter.com/MoreThanMedia_ TikTok: @morethan.media LinkedIn: @morethanmedia The S.O.U.N.D. Project Podcast: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-sound-project/id1680525959 Spotify: https://open.spotify.com/show/6dkk1s642VFjZGsdYGyxBP Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kZTBiZGNlOC9wb2RjYXN0L3Jzcw Full episodes playlist: https://www.youtube.com/playlist?list=PLghfvh2wd7A9MnVKr44jtPEg0qcZ1esTF Keep up with us on our Socials: - YouTube: https://www.youtube.com/@haverstickdesigns - Instagram: https://www.instagram.com/haverstickdesigns/ - Facebook: https://www.facebook.com/HaverstickDesigns - TikTok: https://www.tiktok.com/@haverstickdesigns - LinkedIn: https://www.linkedin.com/company/haverstick-designs/ - Linktree: https://linktr.ee/haverstickdesigns - Website: https://www.haverstickdesigns.com/ #haverstickdesigns #acousticdesign #recordingstudios #recordingstudio #studiodesigner #studiodesign #acoustics #dolby #atmos #dolbyatmos #dolbylabs #music #recording #artist #recordingartist #creativespace #thesoundproject

Podcast from Defected Records Deep Dish - Stay Gold [Deconstruction] 00:00Joeski - Groove Me [Tango Recordings] 05:10DJ Spen - Craze At Midnight (Spen's Live CDJ1000 Mix) [Code Red Recordings] 09:02Butch & Nic Fancuilli – I Want You [Defected] 13:58Sandy Rivera feat. Haze - Changes [Defected] 21:38A Studio feat. Polina – SOS (Skylark Remix – Nic Fancuilli Edit) [Defected] 26:14Cloud 9 - Do You Want Me Baby [Unkwn Records] 30:36Terrence Parker - Your Love [Intagible Records and Soundworks] 34:13Mood II Swing - Move Me (Alternate Version) [Sex Mania] 38:38Alexander East - Jest For Me [Afterhours] 41:58B Beat Girls – For The Same Man (Nic Fanculli Remix) [Defected] 46:32Mory Kante - Yeke Yeke (Hardfloor Remix) [New State Music] 51:03Los Hermanos - Quetzal [GMI Records] 56:36 Butch Guest Mix 1:00:00Radio Slave - Wild Life (Disco Mix) [Rekids] 1:00:08Demuir - Latin Madness [Bambossa] 1:04:58Butch - Go Brookly [Spin It Like Döner Records] 1:09:22Jonasclean & Omeria - Rise Again [Our Yunus Records] 1:13:43Butch & Nic Fanciulli - I Want You (Butch Dub) [Defected] 1:17:49Butch - No Worries [Cecille] 1:22:54Alma Negra - Dakar Disco (Crackazat Remix) [Heist Recordings] 1:27:51Hatiras - Starlight [Spacedisco Records] 1:32:41Kollektiv Turmstrasse - YAP (Gome's 3AM Remix) [Not Sorry Music] 1:36:29Mobile Soul System - Sleep Paralysis (Ilya Schultz Remix) [Scriptum Records] 1:39:47Kassian - Actions [Faux Poly] 1:42:50The Trackheadz - 19Eightynine (Inst Mix) [DNH Records] 1:46:23Sascha Bremer & Liza Flume - Say It [Frau Blau] 1:50:12Trauma presents Brako - 001_Bandit [Brako] 1:55:28

Hello dear listener!Here we are, it's episode 13 of series 4 of Guitar Nerds! This week I'm joined by the wonderfully knowledgeable Phillip Carter of the fantastic 40 Watt Podcast. We're talking all about my recent tour of the European Mainland, the gear I saw, and the gear I took. We're also checking out the absolutely fabulous, Hamstead Soundworks Comet! It's a drive pedal to deal with every situation! Hosted on Acast. See acast.com/privacy for more information.

Dave Tucker, 5 Iron Woodworks founder and head honcho, is our guest on this episode. The first person to appear multiple times on our podcast, Dave joins us to discuss his recently thriving carpentry business. Way back on episode 3 we chatted with this renaissance man about the origins of his long-running friendship with Skunk, the duo's high school escapades and musical aspirations, early jamming and recording experiences, and a female version of Geddy Lee. The episode was filled with reminiscing laughter and hilarity. Once again we inevitably ventured into unavoidable topics that ensue when two long time friends giggle through decades of side splitting nostalgia, but this time there was an overall specific topic… During the onset of the recent pandemic Dave began a professional journey into his lifelong passion of wood working, and in the few short years since its inception 5 Iron Woodworks has become a full time job, gaining sponsorships and partnering with companies such as Hamilton Lee Supply, Spec Ops, Milescrafts, Base Camp Masks, The business has grown exponentially as Dave has constructed everything from custom bottle openers and cutting boards to furniture, decks and community playgrounds. He even built a portable folding stage for the Austin-based music festival Skunkfest and will soon be starting up a 5 Iron Stage & Soundworks specifically for musician's needs. As a musician himself, Dave has been experimenting with everything from speaker cabinets to custom Frankenstein guitars since he was a teen. As well as being a brilliant carpenter, this sawdust creator possesses a quick-witted sense of humor and an extensive knowledge of music (particularly in the rock genre) which makes his brand unique. These elements are often a common thread in 5 Iron's social media posts. Also a family man, Tucker has fun with his equally hilarious kids, involving them in his signature idiosyncratic advertising approach. Of course, nobody is perfect, and Dave, for some unknown reason, harbors an unwarranted disdain for Ellen Ripley. Sit back and enjoy as we delve into this psychologically perplexing topic along with Dave and Vic's top ten favorite iconic rock albums of 1991 and other entertaining anecdotes. And next time you'd like something that's made out of wood, support this privately owned and operated business, where nothing is mass produced and every single item that comes out of the shop is 100% handcrafted. Dave Tucker is one of the hardest working, honest, and hilarious people you will ever meet. We highly recommend 5 Iron Woodworks for any of your carpentry needs. Remember, “The eyebrow means quality”. 5 Iron Woodworks: Website | Instagram | Facebook | YouTube Eclectic Soundtrax Podcast: YouTube | Instagram | Facebook Check out our artist PLAYLIST

(IND) Interlude is finally making a comeback everyone! Di episode ke-27 ini, Pak Kucing akan ditemani oleh Masdito Bachtiar dari Ittou's Soundworks untuk bahas segala hal seputar dunia audio engineering loh! Mulai dari hardware maupun software rekomendasi dari Pak Ittou, sharing pengalaman kolaborasi bersama content creator maupun artist lainnya, hingga mengulik kombinasi makanan-makanan liar nan eksperimental!

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially.  Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Hello dear listener,Watch a funny meat commercial: https://youtu.be/r0wDjWOnHcYWelcome back to another episode of Guitar Nerds. This week I've got Matt Oram from Fidelity Guitars on the podcast and we're talking all about some of his weirder creations, the new Tone King plugin by Neural DSP, and all the amazing amps and effects of Hamstead Soundworks!Don't forget, you get 30% off ALL Neural DSP plugins with discount code: GUITARNERDS - just visit nerualdsp.com to check out their wonderful range of amps and effects.AND you get 10% off ALL Izotope suites and plugins with discount code: NERDS10 - visit izotope.com to check out their massive range of mixing, mastering, instruments and effects plugins. See acast.com/privacy for privacy and opt-out information.

This show is being brought to you www.gubbarum.com Sharpshooter Soundworks is really the name of my company. we make instrumental music in a variety of genres for artists or for use in media like film and tv.

Swing Entertainment's first album release from El Swing! & The Alchemists titled, "Y = f (X)" is and incredible kaleidoscope of sounds, a modern renaissance of talented musicians and collaborators.   SHARP SHOOTER SOUNDWORKS   Sharpshooter Soundworks is really the name of my company. we make instrumental music in a variety of genres for artists or for use in media like film and tv.

This show is being brought to you by www.gubbarum.com Verso de Rokha is the pioneer group in slam, rap-soul and fusion in Chile. From the first concert in tribute to Pablo de Rokha at the Licantén amphitheater, to the production of the two editions of the Rokha Festival, there have been many experiences and achievements at the professional and artistic levels. The 2016 nomination in the Urban Music category at the Pulsar Awards, the presentations on Music Day, at the Pablo de Rokha Festival and Foundation, at the National Library and his participation in different competitions have earned him an attractive career in Chile and abroad, through alliances and events such as Imesur, Enexpro de Pro Chile, Fim pro, River, Chec Market, LAMC, Primavera Pro and Circulart

The senior executive team at US production company Soundworks of Virginia tell Headliner about the industry's insatiable appetite for live events, putting on shows through Covid, and the company's unique relationship with UK pro audio outfit Martin Audio.

Corrections & Comments We start off this episode with some corrections and comments from the last couple of months. Jim is our first correction, which was very similar to some others we received. We were all corrected on our Tom Cruise & Nicole Kidman relationship history, which we wrongly stated they met during Far and Away filming. It was actually on the set of Days of Thunder - thanks for helping us out with that one. How gives us some insight into the 2003 Adventurer's Club from an anonymous source. This person saw the backside of the genie head bureau, cast wardrobe, and offers up some backstage secrets regarding The Adventurer's Club. If you didn't catch last month, be sure to listen to our podcast focusing mostly on this club. Listener Mail The mailbag is full and ready to sift through. Be sure to reach out with questions, stories, memories, and more. You never know if your letter will be read on a future episode: podcast@retrowdw.com Jeremy scanned some photos from 1986 and shared them with us. He has tons of good stuff you have to check out. CLICK HERE to see his photo collection - Thanks Jeremy! Andy is up next with a small Disney connection story. Douglas Cuddle Toys made the small plus toys we spoke about during our Crescent Lake Episode. Andy happened to be in the neighborhood and stopped by. He shared a photo with us and we really appreciate that. Thanks Andy, great find! Tom from Detroit wrote us about the Adventurer's Club, discussing the falling bar stool gag. He experienced this joke at The Safe House bar, which sounds like a blast. Check it out Next up, we heard from Mitch. He discusses the Jekyll & Hyde Bar in NYC. We discussed this in the episode and How gives some more comparisons. John Kuzner wrote us about Antique's Roadshow and how they had a display with 'dolphins'. These are super similar to the Dolphin Resort dolphins we have all seen, so take a look and see what you think. Photo1  Photo2 Darryl wrote in regarding some great footage from 1974. We would LOVE to restore this footage, so fingers crossed you still have the film... Let us know! podcast@retrowdw.com Finally, Robert C wrote in about actually roller skating at XZFR. We want to hear more Robert, so let us know of any stories, memories, or things that happened at XZFR. Robert also hit on the much-loved opinion about the Adventurer's Club we discussed last episode. Giveaway - 'Decade' Todd picked our random winner of 'The Disney Decade' - Jennifer is our winner! Congratulations and we hope you enjoy the book. Main Topic This month, we take you back to the early days of the Disney-MGM Studios. When the park first opened, it was mostly show and attraction-based with less emphasis on rides. You may have noticed before we got to the main topic here, but this episode sounds a little bit different. We are recording in and this adds an amazingly fun layer to this episode, which is all about sound. Todd starts us off with our old friends at Birnbaum, most importantly 1989. This attraction was not very well known at the start as most people really didn't know what was going on in this show building. How as at Disney-MGM Studios on opening day, which we discussed in Episode 10. In the early days of the Disney MGM-Studios, movies and technology were used in much different ways compared to how they are now. Even our podcast process is so much more advanced than most everything at the studios back in the day. Sound design, engineering, and effects all had their own 'movie magic' way about them. Even to this day, the sound design makes or breaks a movie. If done properly, it makes for an outstanding movie experience and also have created some timeless sound effects over the years. The Monster Sound Show was an attraction that allowed park guests to experience this process in a fun way that put them right in the action of movie-making. Such a perfect attraction for those early days at the studios. As a group, we discuss the involvement of David Letterman, which was somewhat an odd fit for the time period. At the same time though, we go over all the aspects he was used for in this attraction, including a Top Ten List. Todd leads us through this attraction which includes many sound gags for you, the listener. If you have never experienced this attraction in person, this episode will help you paint a great picture in your mind. What is amazing about the Monster Sound Show is that it starts Chevy Chase and Martin Short. Two SNL alums and also two actors who are in so many classic comedy films of the 80s and 90s. The timing of them being in this attraction is perfect. As we get through this attraction, don't forget to visit Soundworks post-show. The documentation of this area is very limited, so if you have any photos of video of this post-show area, let us know. This area is also where we learn about the styrofoam head that How brought into the parks in an attempt to capture the audio of some of these small post-show audio gags. Overall though, if sound and movies are your thing, you would have really enjoyed this attraction and area overall. The movie-making business back in the 80s was featured in so many unique ways throughout this theme park. We hope you got a sense of this attraction through clever audio and everything in stereo.

In this episode of Write Speak Play: Book Review by Nanci Arvizu: Nooh Finds His Lost Whisker by Shalu Bajaj Ahuja. POETRY MIC DROP: The Ink Well, read by the author, Lisa Tomey, Prolific Prose Press Music: Whispering Dream. Written and performed by Jennifer Gehl. Soundworks by Jennifer Gehl --- Send in a voice message: https://anchor.fm/writespeakplay/message Support this podcast: https://anchor.fm/writespeakplay/support

1. Hakim Murphy - Moonbeam Express (Original Mix) Synapsis Records 2. Feater feat. Vilja Larjosto - Time Million (Villalobos Remix) Running Back 3. Fred Everything & Robert Owens - I'll Take You In (BDTW Vox Dub) Lazy Days Recordings 4. Andrés - Jazz Dance (Original Mix) La Vida 5. Seven Grand Housing Authority - Spreading Love (Terrence Parker Unreleased Vocal Re-Edit) Intangible Records & Soundworks 6. Big Strick - Detroit Domino (Original Mix) 7 Days Ent. 7. Mood II Swing - Take Me Baby (Instrumental Mix) Waako Records 8. Marcellus Pittman - Something Like (A Dream)(Original Mix) Unirhythm 9. K-Hand - Come On Now Baby (Original Mix) Acacia Records 10. Jon Dixon - Fly Free (Jon Dixon Edit) 4evr 4wrd 11. The Durutti Column - For Belgian Friends (Original Mix) Late Night Tales www.ossomrecords.com DON'T KNOCK, THIS IS OSSOM.

On this weeks episode Adam and Pete catch up with Will Jackson. A great friend of The Music. Will is also behind all of The Music's early recordings, including the Fierce Panda Take the long road. The bands practice room was built in the store room of Will Jacksons Soundworks studios. Will also did the mix for the recording of live at the blank canvas. Overall Will was a very important part of the development of the band and always a great influence. It's great to have him on the podcast. Enjoy. A few photos from Soundworks studios.

You've found us! The Dolby Institute Podcast has moved! And we have a brand new title: Sound + Image Lab: The Dolby Institute Podcast Please subscribe to our new dedicated podcast feed right here, or https://linktr.ee/dolbyinstitute (wherever you get your podcasts). Our next episode will be our FINAL episode on the old Soundworks feed, so please subscribe to this new feed straight away, as we have many exciting improvements coming in 2021. Learn more about the https://www.dolbyinstitute.com/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). Movie buff? Follow Dolby Cinema on https://www.instagram.com/dolbycinema/?hl=en (Instagram).

The Dolby Institute Podcast is moving! And we have a brand new title: Sound + Vision Lab: The Dolby Institute Podcast Please subscribe to our new dedicated podcast feed, wherever you get your podcasts. Our next episode will be our FINAL episode on the Soundworks feed, so please subscribe to this new feed straight away, as we have many exciting improvements coming in 2021. Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn. Movie buff? Follow Dolby Cinema on Instagram.

Dysie is a Musician, Tour Manager, Promotor, PR wiz, Label Owner, Sauce King and much more. Most people will know Dysie from Soundworks Direct Touring, Claim the Throne, Prime Cuts, Bump in Sauce Co, Cult Etiquette PR and well... probably a million other things. The man never stops. Get behind the butt tonne of things that Dysie has on the go and enjoy the chat. Kamahl fans, get ready. Show notes Follow Dysie via Facebook Listen to Claim the Throne via Main Website | Facebook | Instagram | Twitter | Spotify | Apple | YouTube | Follow Soundworks Direct Touring via Main Website | Facebook | Instagram | Check out Cult Etiquette PR via Main Website | Facebook | Instagram | Spotify | YouTube | Get your hands around Bump In Sauce Co via Main Website | Facebook | Instagram | Head over to Hornography when you're in Perth via Main Website | Facebook | Instagram Stalk me via the usual stuff below; Join me on PATREON! Follow me on Facebook | Twitter | Instagram | Spotify | YouTube Donate/Shout Me a Beer via this link. Visit my Discogs, eBay and Bandcamp stores Listen to LORD on Spotify | Apple Music | Bandcamp (including...

Today, I'll be checking out the new Reaktor Synth from the team at Impact Soundworks with their impressive Chip Tune Soft Synth labeled InSIDious. Also Reaktor Player from Native Instruments has been updated to version 6.4 and now allows blocks from the user library in Racks. It includes MASCHINE Sequencer, Niji Drums and the long-awaited Jam Sequencer, for Euclidean polyrhythms inside your virtual modular rig!! Enjoy!!! Give me a follow on Spotify - dropping music monthly https://open.spotify.com/artist/09EVg... Subscribe to Emlyn In The Mix on YouTube for more videos of product reviews, Djing, mixing etc... http://www.youtube.com/user/emlynwakg... Soundcloud - https://soundcloud.com/officialemlyn Instagram - https://www.instagram.com/emlyn_music/ Facebook - https://www.facebook.com/emlynmusic/ Twitter - https://twitter.com/official_emlyn

Today, I'll be checking out the new Reaktor Synth from the team at Impact Soundworks with their impressive Chip Tune Soft Synth labeled InSIDious. Also Reaktor Player from Native Instruments has been updated to version 6.4 and now allows blocks from the user library in Racks. It includes MASCHINE Sequencer, Niji Drums and the long-awaited Jam Sequencer, for Euclidean polyrhythms inside your virtual modular rig!! Enjoy!!!Give me a follow on Spotify - dropping music monthlyhttps://open.spotify.com/artist/09EVg...Subscribe to Emlyn In The Mix on YouTube for more videos of product reviews, Djing, mixing etc... http://www.youtube.com/user/emlynwakg...Soundcloud - https://soundcloud.com/officialemlynInstagram - https://www.instagram.com/emlyn_music/Facebook - https://www.facebook.com/emlynmusic/Twitter - https://twitter.com/official_emlyn

We hear a lot about Music and The Artist but what about the people responsible of making them sound good? Join us in this episode as we speak to the CEO of PULSE SOUNDWORKS who also happens to be a Sound Engineer on what happens behind the scenes in the process of recording a song.

Tap dancer, choreographer, and jazz composer Pamela Hetherington takes it from the top as she retraces her journey into dance, through Penn (with a special stop at Soundworks), from street hoofing to jazz, and to the founding Take It Away Dance and Sound Space Performing Arts right here in Philly. Find her online at SoundSpacePhilly.net and on Instagram @SoundSpaceDance, and stay up to date with chapter releases of her forthcoming book on facebook and on her website, PamelaHetherington.net. Facebook: PlattHouse and UPenn.PAC.Shop Instagram: @PennPlattHouse and @PACShop4100 Our theme music is Retro Climb, by Peter Lu. This podcast was edited by Amanda Labonte, and produced by Platt Student Performing Arts House at the University of Pennsylvania.

Jim Hamilton is an interesting guy. His career includes drums and percussion, often with well-known artists.But also Jim is a tap dancer who performs around the world. And he owns Rittenhouse Soundworks, an amazing recording studio in Philadelphia. He has also been a life-long student of music and recording.Our conversation covers the relationship of tap dancing to modern drumming, the evolution of the snare drum. We explore how technology affects the recording process and the interface between the performer and the listener. We talk about the high-resolution audio as it is recorded verses the relatively low-fidelity music that most listeners experience.

In this episode of the Immersive Audio Podcast, Oliver Kadel is joined by the DELTA Soundworks co-founders Daniel Deboy and Ana Monte via Skype from Heidelberg, Germany. DELTA Soundworks is a sound production agency in the Rhein-Neckar delta region of Germany. With vast experience in 3D audio techniques, they create immersive sonic environments that place the listener inside the story, adding value to all kinds of visual media productions. Ana Monte studied “Music Industry and Technology” at the California State University in Chico and “Film sound and Sound design” at the Film Academy Baden-Württemberg, bringing her experience as sound designer and film industry contacts into the team. For her work as a sound designer, Ana has received diverse sound awards including “Best Sound Design in a Drama Series” at the LA Webfest and a “Best Sound” nomination from the LA Film Review. Daniel Deboy is a sound engineer graduate of the Graz University of Technology and brings his Know-How and experience in 3D Audio and Music Production into the team. Daniel was honoured for his fundamental research in the field of 3D sound reproduction with the “Student Award” of the German Acoustical Society DEGA. For his music recordings, he received gold, silver and bronze awards by the Audio Engineering Society. In this episode, they discuss a few of their projects such as The Stanford Virtual Heart and mysterious VR game Blautopf, their favourite audio production techniques for immersive media and dome as well as their involvement with the Audio Engineering Society. This episode was produced by Oliver Kadel and Michelle Chan with the help of Emma Rees and included music by Knobs Bergamo. For extended show notes and more information on this episode go to https://1618digital.com/immersive-audio-podcast-episode-35-ana-monte-and-daniel-deboy-delta-soundworks/ We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content. You can also follow us on Facebook and Instagram @1618digital. If you have any comments or questions, get in touch via podcast@1618digital.com

Now this company is always going behind the scenes to give you the scoop with what is happening with popular movies. From Need for Speed to the Hobbit you can always bet to get the insider look of how the sound and visuals all came to life. But today, we get to bring on the creator of Soundworks and listen in to how he put it altogether. For more information from Soundworks Collection visit, http://soundworkscollection.com

Ryan chats with Joel Shryack and Jon Greasley of King Soundworks, the company that does the audio for Seth Macfarlane's The Orville. See acast.com/privacy for privacy and opt-out information.

Do guitars get better with age? Is it the wood or the electronics that makes a guitar great? These questions and more answered by legendary luthier and electronic wizard Paul Gale from Soundworks.Support the show: Jump on iTunes and review the showBands: Five Mile Sniper, Prettymess, Alcotomic

JBN Journalist Mark Johnson talks with sound engineer professionals, GREG KING and JOHN GREASLEY. http://www.kingsoundworks.com/

Glenn Dyson (Claim the Throne, Soundworks Touring). Glenn had a chat to Andrew prior to the release of the new album from Claim the Throne, On Desolate Plains. Also a great opportunity to chat about Soundworks Touring, which bring a host of great metal bands to tour Australia. 

With the help of Soundworks, we created this podcast of the first chapter of 'City of Grudges.'

            NEWS Spotify filed to go public in an unusual way Gibson is skipping NAMM, and the 60th Anniversary of the Flying V GUEST Mastering engineer, author and Soundworks CEO Gebre Waddell

            NEWS Spotify filed to go public in an unusual way Gibson is skipping NAMM, and the 60th Anniversary of the Flying V GUEST Mastering engineer, author and Soundworks CEO Gebre Waddell The post Episode #195 – Spotify Going Public, Gibson Skipping NAMM and Soundworks CEO Gebre Waddell appeared first on Bobby Owsinski's Inner Circle Podcast.

Casi reveals what The Voice tv viewers don’t get to see.  Also, don’t miss Casi’s impromptu live performance with KC’s Sara Morgan, Carl Butler, Walter Chambers and Michael Seward! CasiJoy.com #TheVoice #AdamLevinesFBombs SaraMorganMusic.com #CarlButlersGospelLounge #WalterChambers #SoundWorksRecordingStudio RandyMillerRadio.com

Brad Wesson of Soundworks Touring has been bringing some of world's best metal bands to Australia for the past decade. Since 2005 when Brad and co-founder Glenn Dyson decided to purchase a local rehearsal studio, the team has expanded from bringing out a small selection of their favourite bands to inviting some of the world's Read MoreThe post Episode 101 - Brad Wesson (Soundworks Touring, Bump In Burger) appeared first on The Andy Social Podcast.

Welcome to the weekly Glitterbox Radio Show, a place where we celebrate incredible dance music from across the decades. Expect tracks from the likes of Folamour, Storm Queen, CeCe Rogers, Barbara Tucker and many more!With this coming Friday marking the end of our Hi Ibiza 16 week residency, it's only right to welcome label boss Simon Dunmore as our special guest. 01. Folamour - Ivoire [Classic Music Company]02. Michele Chiavarini - Let Me See You (Clap Your Hands) [Quantize Recordings]03. Sandy B - Feel Like Singin' (Def Club Mix) [Nervous Records]04. Cody Currie - Make Love [Razor N Tape]05. Storm Queen - Look Right Through (Vocal Mix) [Defected Records]06. Norma Jean Bell - I'm The Baddest Bitch (In The Room) (Moodymann Mix) [Pandamonium]07. Starvue - Body Fusion [Midwest International Records]08. CeCe Rogers - Someday [Atlantic]09. Barbara Tucker - I Get Lifted (Henry's Communion Mix) [Strictly Rhythm]10. Dennis Ferrer featuring Danil Wright - Church Lady [Defected Records]11. KiNK - Perth [Running Back]12. Terrence Parker - Your Love (Original Version) [Intangible Records & Soundworks]13. The Pointer Sisters - Dare Me (12" Dance Mix) [RCA]Next week Melvo Baptiste is joined by the legend that is Evelyn “Champagne” King...

"Deck the Halls (with Matrimony!)" - A Christmas radio play "He was too good to be true. Until he wasn't. But then he was again!"or!"When love is your business, you have no business falling in love."Written and directed by Ashley Quach. Starring Paula Deming and Keiko Agena, with Ian McQuown, Kyle Payne, Jessica Payne, Nik Shriner, Kacie Rogers, and Jessie Abbott Chin. Produced by Ashley Quach and Paula Deming. Music by John Jesensky. Sound design by Kevin Rosen-Quan with additional foley by Mike Miller. Recorded by Dustin Burford at Soundworks in Burbank, California.

Hideout Sessions -Episode 126 Apologies again for delays folks, I've still been wading through building work hell since we last spoke, so thanks for baring with me. At long last, it's a great pleasure to bring you a guest mix from Sam IRL. Make sureyou grab his recent LP, on Jazz & Milk, called Raw Land. Big UP Sam! Loads of new music from the likes of Lquid Phonk, Romare, JD Reid, Flowdan, Kidnap Kif, Submotion Orchestra, SYV, Taylor McFerrin and a lorry load more. Get stuck in, spread the word and I'll see you in a few weeks. Love you...Rxx P.S. GET IN TOUCH ON: HIDEOUTSESSIONS@MAC.COM https://twitter.com/FranksonMusicUK https://soundcloud.com/FranksonMusicUK https://www.facebook.com/FranksonMusicUK Tracklist: 1. Jono McCleery 'Desperate Measure (Live)' (Counter) 2. Parra for Cuva & Senoy, ft. Cornelia 'Reality' (Project Mooncircle) 3. Taylor McFerrin 'Postpartum (Dorian Concept Remix' (Ninja) 4. Max Graef & Glenn Astro 'Where The Fuck Are My Hard Boiled Eggs?!' (Ninja) ------------------------------------- SAM IRL - IN THE MIX 5. Rednose Distrikt, ft. Rafaela 'Crazy About Your Woman' (Rush Hour Limited) 6. Medaphoar 'Place Your Bet' (Stones Throw) 7. Anaalivaihe '10.11.2012' (Harmönia) 8. Rednose Distrikt (Sunshine (Red-Nose Red Edit)' (Rush Hour Limited) 9. Skymax 'Hooker Boogie' (International Major Label) 10. Isoul8 'Speak Your Word (Instr.)' (Neroli) 11. Sam Irl 'Crunch' (Jazz & Milk) 12. DJ Slym Fas 'Luv Music' (Intangible Records & Soundworks) ------------------------------------- 13. Flamingosis 'Next To You' (?) 14. XOA, ft. Dele Sosimi 'Aiye Lea (Dan Shake Remix)' (Shake Records) 15. Romare 'James' (Ninja) 16. Kidnap Kid 'Moments' (Birds That Fly) 17. Submotion Orchestra ft. Andrew Ashong 'Needs (Pedestrian Remix)' (Counter) 18. Liquid Phonk 'Was It Love' (Compost Black Label) 19. Ry X 'Deliverance (Fort Romeau Remix)' (Infectious) 20. Pomo 'Blue Soda (Part 1)' (Bastard Jazz) 21. Seven Davis Jr 'Church' (Ninja) 22. Sooney 'Back To The Music (Dub Mix)' (White Label) 23. SYV 'Grade (Original Mix)' (Promo) 24. Flowdan 'Horror Show Style' (Tru Thoughts) 25. JD Reid, ft. D Double E 'Roshi' (Rinse) 26. James Vincent McMorroew 'How To Waste A Moment' (Universal)

Dysie Dyson joins us for a chat this week about Aussie metal, his label Prime Cuts Music and of course, Soundworks Touring. Enjoy this human Yoda as he speaks about his extremely long life and all the things that are in it!  Song  Hated By Humanity ‘No Need For Crying'

Yet another awesome interview for you guys. This week we had the best time interviewing Brad Wesson about the very successful Soundworks Touring!  Brad dishes out some serious knowledge and vital advice for bands and wannabe music industry professionals alike. We had such an awesome time purely hanging out shooting the shit over beers and chicken and I think that shines through in the interview. Do try it!  Song  Choke ‘Chocaholic‘

Randy Miller, who also serves as co-host of the nationally-syndicated talk radio show, "The National Defense", talks about our military heroes and their families with Jerry Newberry, director of communications and public affairs of the VFW National Headquarters. Tune in every week:www.thenationaldefense.com    "Our debt to the heroic men and valiant women in the service of our country can never be repaid. They have earned our undying gratitude. America will never forget their sacrifices." President Harry S. Truman

As a news anchor, Mark Alford has been coming into your home for years! You may not have realized it, but he would like to bring strangers into your home and sell it too! An anchorman who doesn't sleep much, Mark tells Randy about life on and off the camera. Need to sell your home? Go to www.markalfordsoldit.com Want to enhance your wardrobe? Go to www.markalforddesigns.com Want late breaking news and a sense of humor too? Go to www.fox4kc.com/author/markalford4/

Michael BlackFriday April 4th 2008Click here to download(192kbps, 111mb, 1:21:14)Tracklist1. Motor City Drum Ensemble - Raw cuts #2 [White]2. Prince - Sexy dancer [White]3. Syclops - Where's Jason's K? [DFA]4. Hot Chocolate - Cadillac (Ooft rework) [LESS]5. Telex - Do worry (Lindstrom mix) [Virgin]6. Lars Behrenroth - Ice on the sun (Version Remix) [Freerange]7. Earth People - Dance [Champion]8. Tangoterje - I want your love [Supreme Records]9. Terrence Parker - Tribute (Untitled 2) [Intangible Records & Soundworks]10. Dirt Crew - Manoeuvres (Motorcitysoul mix) [Dirt Crew Recordings]11. Unknown 12. Henrik Schwarz & Amampondo - I exist because of you (Dixon's stripped down mix) [Innervisions]13. Yazoo - Don't go (Re-mix) [Mute]www.bodytonicmusic.com - News, Events, Podcasts & More...