Podcast appearances and mentions of Jeanne Lee

The Sustainable Finance Podcast

Play Episode Listen Later Nov 30, 2024 179:21

THIS WEEK's BIRDS: new music from Jenny Schienman (jazz) Ahmed Monica (Algerian pop), Zy the Way (poetry/song from Taiwan); Archie Sheep w. Jeanne Lee; Balkan Song from Zajazi Trio; Dragica Radosavljevic; hard bop from Leo Wright, Charlie Persip; Egyptian vocalist Maryem Saleh; Greek song (Laikos) from Kalafatis Kostas, Antzela Grekal; Experimental Perisan music from Shawn Tavakkol; Mat Maneri, Gordon Grdina, Marco Colonna, Giulia Cianca & Mario Cianca collaborate; extended Anthony Braxton composition; Pipet L.(from Java); experiemtnal pop from Etienne de la Sayette, Wild Horses Orchestra & Mrs Kang; drummer Whit Dickey w. Quartet; much, much more... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/19838277/Conference-of-the-Birdshttps://spinitron.com/WRFI/pl/19838277/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

radio conference greek birds taiwan egyptian playlist worldwide podbean java kang etienne quartets internet archive central new york anthony braxton always free radio garden zy jeanne lee mat maneri gordon grdina wrfi spinitron

How Private Market Companies Can Manage ESG Metrics in APAC Economies

Play Episode Listen Later Nov 24, 2024 34:02

The Asia-Pacific (APAC) region, with its diverse economies, regulatory environments, and cultures, presents unique challenges and opportunities for businesses, investors, and regulators. On today's program, Jeanne Lee, Head of APAC Sales and Kyle Flick, APAC Advisory Lead at Novata talk about how their platform is simplifying and streamlining data collection to help businesses create a competitive edge, stimulate long-term growth and prepare for regulatory reporting.

head market companies private manage metrics economies apac jeanne lee

Byg Actuel: Archie Shepp - Blasé

europa nel parigi blas actuel archie shepp vecchio continente shepp byg jeanne lee ran blake

Play Episode Listen Later Jun 3, 2024 59:26

Nel cuore dell'agosto del '69, a Parigi Archie Shepp si sottopone, per la felicità della Byg, ad un autentico tour de force: dall'11 al 18 agosto è tutti i giorni in studio, incidendo a proprio nome il trittico di album che farà epoca, o partecipando alla registrazione di album intestati ad altri. L'estate parigina delle Byg vuole essere una celebrazione del free jazz, che però in realtà nel '69 è al canto del cigno, e di questa fase del free jazz storico i tre album realizzati a da Shepp a Parigi sono emblematici. L'ultimo è Blasé. Con Shepp c'è una meravigliosa Jeanne Lee, che dal '57 ha dato vita con Ran Blake ad un sublime duo voce/pianoforte, a cui però i club e i festival di jazz americani sono rimasti insensibili; così nel '66, dopo essere venuta in Europa per concerti con Blake, Jeanne Lee ha deciso di fermarsi nel Vecchio Continente, ed è in Europa che ha incontrato la free music, attraverso gli improvvisatori olandesi e tedeschi. Con lei, magistrale nell'interpretazione del crudo testo di Shepp nel brano da cui l'album prenderà il titolo, Shepp sigla un trittico di album che rappresenta un momento altissimo della sua vicenda artistica e di tutta la stagione del free jazz.

Just Maybe Think Of Me Once In Awhile

Pudding on the Wrist

Play Episode Listen Later May 27, 2023 97:58

Episode 145 of Pudding On The Wrist, in which your psychic friend and faithful deejay, Frozen Lazuras, spins choice cuts from Alan Vega, Lee Perry & The Upsetters, Jeanne Lee, Autoclave, Dr. Timothy Leary, The B-52's, and so many more.

awhile timothy leary lee perry alan vega upsetters jeanne lee

Conference of the Birds, 4-21-23

New Books in African American Studies

Play Episode Listen Later May 16, 2023 163:20

THIS WEEK's BIRDS: Arabo-Andalusian vocalist Nassima; dhrupad from le famille Mallik; vintage soukous from Papa Wemba; from Angola: Sara Chaves; Rob Brown and Daniel Levin (duo); new Music from Jane Bunnett et al. new music from David Virelles et al.; salsa from Sonora Ponceña & Tony Pabon; Jorge Humberto (Cape Verde) address Covid; Archie Shepp w. Jeanne Lee teal. (ca. 1969); new music from OGJB Quartet and Sonic Liberation Front (Both w/ Oliver Lake); 2 from Sélébéyone; Taylor Ho Bynum; and much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17277879/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books Network

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in History

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Literary Studies

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Dance

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Intellectual History

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in American Studies

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Music

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Poetry

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)

New Books in Sound Studies

Play Episode Listen Later Jan 28, 2023 55:22

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes. Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Once Upon A Jazz Show #40

RADIO GOELAND - VOTRE RADIO DE PROXIMITÉ LORIENTAISE

Play Episode Listen Later Dec 3, 2022 74:05

OUAJS #40 Salut à tous! Jeudi 17 novembre dès 20h, radio162 vous donne rendez-vous pour le 40ème épisode des balades de Raph et Jean-Laurent dans le monde des Jazz. Une émission où nous allons évidemment mettre à l'honneur d'immenses artistes et diffuser des supers titres mais pas que... En effet, cette semaine, nous évoquerons aussi les mots valises, les droits civiques, les instruments séculaires, la place des femmes dans les sociétés modernes, l'amour version sicilienne, le dérèglement climatique, le génocide des roms lors de la seconde guerre mondiale ou même des auditions à l'aveugle ! Et tout ça en une heure, mais puisque nous parlons de voyage, voici le sommaire : Un passage par les USA avec Brad Mehldau et Mark Guiliana dans leur duo Mehliana et avec leur titre livré en version live « Hungry Ghost » Nous prendrons ensuite la route de l'Espagne via les balkans, accompagné du groupe Barcelona Gipsy Klezmer Orchestra et leur titre à l'ambiance Klezmer « Djelem Djelem » Puis, retour outre atlantique où nous partirons sur les traces de Jeanne Lee et d'Archie Shepp via leur standard « Blasé », un titre mythique et engagé comme souvent dans le jazz C'est quasiment une tradition ces dernières semaines dans Once Upon A Jazz Show; nous irons évidemment en Angleterre où nous vous raconterons les aventures du septet Nerija et leur formidable morceau « Valleys » C'est ensuite en Israël que nous profiterons des contes des mille et nuits narrés par le groupe Habiti Ensemble qui nous ferons nous émerveiller de l'ambiance des nuits d'été de Bagdad ou encore des couchers de soleil à couper le souffle des montagnes d'Edom avec leur titre Sylvian ! Et pour finir ce périple incroyable, nous prendrons le temps de recharger notre Karma en allant en Corée du Sud profiter du groupe Black String et de leur titre « Surena » ! Alors rdv jeudi dès 20h sur radio162.fr pour un moment jazz hyper cool! Et pour ceux qui aiment et qui ne comptent pas, rediffussions dimanche à 11h et à 20h! Que le jazz soit avec vous !!

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Les reines : Lena Horne, Sarah Lenka, Jeanne Lee, Sons of Kemet et d'autres

sons harriet tubman horne kemet lena horne les reines sons of kemet jeanne lee

Play Episode Listen Later Nov 8, 2022 59:12

durée : 00:59:12 - Les reines - par : Nathalie Piolé -

"They took away the drum, so I use my voice" My conversation with Poet, Playwright, Essayist, Recording artist, Author and Theatre Director Carl Hancock Rux.

A long way from the block

Play Episode Play 51 sec Highlight Listen Later Mar 21, 2022 197:10

Carl Hancock Rux's work crosses the disciplines of poetry, theater, music, and literary fiction in order to achieve what one critic describes as a "dizzying oral artistry...unleashing a torrent of paper bag poetry and post modern Hip-Bop music; the ritualistic blues of self awakening."Carl Hancock Rux is an American poet, playwright, novelist, essayist, recording artist, actor, theater director, radio journalist, as well as a frequent collaborator in the fields of film, modern dance, and contemporary art. He is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the Obie Award-winning play, Talk. WRITER/POETWorking as a Social Work Trainer while moonlighting as a freelance art and music critic, Rux became a founding member of Hezekiah Walker's Love Fellowship gospel choir and later found himself influenced by the Lower East Side poetry and experimental theater scene, collaborating with poets Miguel Algarin, Bob Holman, Jayne Cortez, Sekou Sundiata, Ntozake Shange; experimental musicians David Murray, Mal Waldron, Butch Morris, Craig Harris, Jeanne Lee, Leroy Jenkins, Odetta, Steve Earle, Jim Carroll as well as experimental theater artists Laurie Carlos, Robbie McCauley, Ruth Maleczech, Lee Breuer, Reza Abdoh and others.RECORDING ARTIST/PERFORMING ARTISTHis CD Rux Revue was recorded and produced in Los Angeles by the Dust Brothers, Tom Rothrock, and Rob Schnapf and voted one of the top ten alternative music CDs of 1998 (New York Times). Rux recorded a follow up album, Apothecary Rx, (selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 albums including 1954's "Lady Sings The Blues" by Billie Holiday, the work of Jazz artists Oliver Nelson, Max Roach, John Coltrane, rhythm and blues artists Otis Redding, Ike & Tina Turner, Curtis Mayfield, George Clinton; as well as individual impressions of Fela Kuti, Jimi Hendrix, and Mos Def.) His fourth studio CD, Good Bread Alley, was released by Thirsty Ear Records, and his fifth Homeostasis (CD Baby) was released in May 2013. Rux has written and performed (or contributed music) to a proportionate number of dance companies including the Alvin Ailey American Dance Theater; Bill T. Jones/Arnie Zane Dance Company; Jane Comfort & Co. and Ronald K. Brown's "Evidence" among others.THE BAPTISMThe recently Lincoln Center commissioned poemWritten and Performed by Carl Hancock RuxDirected by Carrie Mae WeemsAboutBaptism (of The Sharecropper's Son & The Boy From Boonville) by award-winning poet and artist Carl Hancock Rux is a three-part poem and the artist's tribute to the legacies of civil rights leaders John Lewis and C.T. Vivian. Written and performed by Rux, the Lincoln Center commission is also an 11-minute short abstract film in two iterations—The Baptism and The Baptism (rhetoric)—directed by artist Carrie Mae Weems.http://thebaptismpoem.org

Conference of the Birds, 7-09-21

Play Episode Listen Later Sep 19, 2021 178:02

This week: Coltrane; Nara Leão; Sameyda Ensemble; Kpelle music from Guinea; Jeanne Lee; Georgia Gaslini; Joby Bernabé; Maysa & Orquesta RGE; Dahmane el Harrache; Ahmed Hamza; Sonia López; Arthur Jones; María Grand; Tiziana Ghiglioni; Roy Nathanson reprises Roland Kirk; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13642184/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

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Conference of the Birds, 8-27-21

histoires blas archie shepp jeanne lee

Play Episode Listen Later Sep 5, 2021 179:00

This week: José Mauro; Coisa Nossa; Marina Iris; Hermanos Lebron; Héctor Lavoe; Joe Harriott Quintet; Saheb Sarbib; Angel bat Dawid Live (the Brothahood); vintage Jeanne Lee w. Gunter Hampel et al.; Vasilija Radojcic; Vaska Ilieva; Orchestra Makassy; Abu Bakr Salem & Fouad Abdulwahed; new Henry Threadgill; Francisco Mora Catlett; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13351154/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

radio conference birds podbean playlists internet archive lavoe always free henry threadgill jeanne lee spinitron wrfi

HISTOIRES DE : BLASé // 29.04.2021

Histoires De

Play Episode Listen Later Apr 30, 2021 9:17

HISTOIRES DE #49 10 minutes et 25 secondes. C'est le temps qu'il faut à Archie Shepp et Jeanne Lee pour poser leur manifeste. 10 minutes 25 secondes c'est le temps qu'il faut pour saisir le poids et la force de Blasé leur titre de 1969. Pour ce 49e épisode d'Histoires de, c'est donc à cette pièce maitresse du free jazz que l'on s'intéresse. PLAYLIST "Blasé" Archie Shepp , 1969 chez "Actuel" BYG Avec Jeanne Lee au chant Chicago Beau et Julio Finn – harmonica Dave Burrell – piano Lester Bowie - trompette Malachi Favors - contrebasse Philly Joe Jones – percussions

HISTOIRES DE : BLASé // 29.04.2021

Histoires De

Play Episode Listen Later Apr 30, 2021

HISTOIRES DE #49 10 minutes et 25 secondes. C’est le temps qu’il faut à Archie Shepp et Jeanne Lee pour poser leur manifeste. 10 minutes 25 secondes c’est le temps qu’il faut pour saisir le poids et la force de Blasé leur titre de 1969. Pour ce 49e épisode d’Histoires de, c’est donc à cette pièce maitresse du free jazz que l’on s’intéresse. PLAYLIST "Blasé" Archie Shepp , 1969 chez "Actuel" BYG Avec Jeanne Lee au chant Chicago Beau et Julio Finn – harmonica Dave Burrell – piano Lester Bowie - trompette Malachi Favors - contrebasse Philly Joe Jones – percussions

histoires blas archie shepp jeanne lee

Jazz the Two of Us, avec Salma Rosa

TsugiMag

Play Episode Listen Later Mar 29, 2021 60:37

Tous les samedis c'est Jazz sur Tsugi Radio avec les invité·e·s de Jazz the Two of Us. Alors cette semaine c'est Salma Rosa au micro de Jean Fromageau, pour une émission toute particulière, dans son univers Jazz. Une heure, en immersion où les mots sont rares et le temps en suspend. MORCEAUX 1 - WES MONTGOMERY - willow weep for me 2 - ARCHIE SHEPP & JASPER VON HOLF - 5th of may 3 - HANK MOBLEY - up a step 4 - ARCHIE SHEPP - down home in new york 5 - KENNY DORHAM - sao paulo 6 - DONALD BYRD - shangri la 7 - JEANNE LEE & RAN BLAKE - where's flamingos fly

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Salma Rosa

Jazz the Two of Us

Play Episode Listen Later Mar 27, 2021 60:37

Tous les samedis c'est Jazz sur Tsugi Radio avec les invité·e·s de Jazz the Two of Us.Alors cette semaine c'est Salma Rosa au micro de Jean Fromageau, pour une émission toute particulière, dans son univers Jazz. Une heure, en immersion où les mots sont rares et le temps en suspend. MORCEAUX1 - WES MONTGOMERY - willow weep for me2 - ARCHIE SHEPP & JASPER VON HOLF - 5th of may3 - HANK MOBLEY - up a step4 - ARCHIE SHEPP - down home in new york5 - KENNY DORHAM - sao paulo6 - DONALD BYRD - shangri la7 - JEANNE LEE & RAN BLAKE - where's flamingos fly Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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Un Jour dans l'Histoire - « Blasé » de Jeanne Lee et Archie Shepp : free jazz et afroféminisme - 04/03/2021

Un Jour dans l'Histoire

Play Episode Listen Later Mar 3, 2021 26:25

Hugues Warin du PointCulture, nous explique l’importance de ce texte oublié et ce qu’il dit des paradoxes qui peuvent exister au sein même des mouvement engagés. Une séquence réalisée par Jonathan Remy

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Treat Me Right : Bobby Darin, Jeanne Lee, Kora Jazz Trio, Grachan Moncur III and more

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Play Episode Listen Later Feb 22, 2021 59:00

durée : 00:59:00 - Treat Me Right - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

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Ahora Jazz (30/07/20)

Ahora Jazz

Play Episode Listen Later Jul 30, 2020

"Estival de Jazz 2020 Vol.V: Pasajes - II Seminario Jazz y Flamenco "Jazz Viene del Sur". Segunda y última de las sesiones que esta semana dedicamos al concierto de clausura del "II Seminario de Jazz y Flamenco" del Teatro Central de Sevilla celebrado en Febrero de 2000 bajo el marco "Jazz viene del Sur". Con Perico Sambeat, Jeanne Lee, Gerardo Núñez, Paolo Fresu, Esperanza Fernández, Julián Argüelles, Carlos Martín, George Colligan, Manuel Soler, Fared Haque, Javier Colina y Marc Miralta. "Lotus Blossom" de B.Strayhorn a través de Gary Bartz, Larry Willis, Buster Williams y Al Foster es nuestro "Estándar de la semana" y "Ponto Final" del "Septeto do Hot Club" de Lisboa con Bruno Santos, Joao Moreira, Pedro Moreira, Claus Nymark, Rodrigo Gonçalves, Bernardo Moreira y Andre Sousa Machado, nuestro "Favorito". Ahora Jazz, Ed.1978 - Jueves 30 Julio.

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Episode 12: Gina Myers, Cross Country Mortgage & Jeanne Lee (Sharing Online Dating Stories)

Listed4Love

Play Episode Listen Later Jul 22, 2020 21:15

We’ve got the guide & the tribe! It’s never too early to prepare for buying… or online dating. Learn what crushes your credit score! “The weird thing is, he brings his dog with him. Who is Charlie? He’s in the car!” Jeanne. Available on Apple Podcast, Spotify, and Google Podcast at www.StansfieldSignature.com. Follow us on Instagram and Facebook at Listed4Love. Questions? Need more information? Contact JoJo! Joan Stansfield, Realtor® Stansfield Signature LLC Office: 703-505-3898 Email: Team@StansfieldSignature.com Website: www.StansfieldSignature.com

Ep. 115: Elaine Mitchener, experimental vocalist, movement artist and composer

Off The Podium

Play Episode Listen Later Jul 16, 2020 57:16

In this episode we talk about Elaine Mitchener's many projects, improvisation, music education, Jeanne Lee and much more. Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art. Born in East London to Jamaican parents, Elaine studied voice at Trinity College of Music, London and currently studies with Jacqueline Bremar. She has performed at numerous UK and European festivals, venues and galleries including Aldeburgh Music, London Contemporary Music Festival (LCMF), 56th Venice Biennale, Wysing Arts, Café Oto (London), Bluecoat (Liverpool), SAVVY Contemporary (Berlin), Purcell Room (Southbank Centre, London), Huddersfield Contemporary Music Festival, ULTIMA Festival (Oslo), OCCUPY (St John’s Smith Square), SPILL Festival (Ipswich), La Monnaie (Brussels), Block Universe (London), White Cube (London), Whitechapel Gallery (London), Weserburg MOMA (Bremen), Wellcome Collection (London), and the Institute of Contemporary Arts (London). She has worked and performed in a wide variety of contexts with an array of leading musicians, composers, directors and visual artists including Moor Mother (Camae Ayewa), Mark Padmore, The Otolith Group, Deborah Warner, Christian Marclay, Apartment House, Steve Beresford, Pat Thomas, Irvine Arditti, Sonia Boyce, London Sinfonietta, John Butcher,Tansy Davies, George. E. Lewis, Attila Csihar, Rolf Hind, Dam Van Huynh, Lore Lixenberg, George Lewis, Alexander Hawkins, Sam Belinfante, Phil Minton, Evan Parker, Alasdair Roberts, Lucy Bailey, David Toop, Netia Jones, Matt Wright, and Jason Yarde. Elaine is co-founder of the experimental jazz quartet the Hawkins/Mitchener Quartet and a regular vocalist with the ensemble Apartment House. She created the role of Hannah/Voice singing with tenor Mark Padmore, in the opera CAVE, by composer Tansy Davies with libretto by Nick Drake, co-commissioned by the London Sinfonietta / Royal Opera House and directed by Lucy Bailey which premiered in June 2018. Her production company Elaine Mitchener Projects has researched, developed, produced and toured or staged a number of projects including Industrialising Intimacy (with choreographer Dam Van Huynh, David Toop, George Lewis); The Nude Voice (with Dam Van Huynh) commissioned for the Wellcome Collection London’s THIS IS A VOICE exhibition; ‘I back… I neck… I face… I chest’ commissioned by Sonia Boyce for her installation We Move In Her Way at London’s ICA; Of Leonardo da Vinci (with Dam Van Huynh, David Toop, Barry Lewis) for Oslo’s ULTIMA Festival; the three hour durational performance [NAMES] premiered at Ipswich’s SPILL Festival; a presentation of John Cage’s SongBooks for London’s Poetry In The City Festival; Vocal Classics of the Black Avantgarde for LCMF; and SWEET TOOTH in partnership with Bluecoat Liverpool, Stuart Hall Foundation and the International Slavery Museum. Premiered in Nov 2017, SWEET TOOTH has been described as ‘a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora’, and was subsequently broadcast on BBC Radio 3’s Hear and Now programme (Dec 2017). Elaine has participated in residencies and symposiums including Aldeburgh Music (to develop SWEET TOOTH) and Fondazione Claudio Buziol, Venice (where she developed Of Leonardo Da Vinci supported by Muziektheater Transparant) and New Resonances organised by Theatrum Mundi. For more information about Elaine Mitchener please visit: http://www.elainemitchener.com/ © Let's Talk Off The Podium, 2020

music uk education voice british european artist movement institute jazz names caves venice oslo composer jamaican classical bbc radio experimental vinci east london vocalists sweet tooth trinity college ipswich african diaspora ica john cage nick drake venice biennale premiered matt wright george lewis pat thomas evan parker christian marclay london sinfonietta alasdair roberts david toop john butcher barry lewis jeanne lee mark padmore deborah warner songbooks alexander hawkins steve beresford tansy davies netia jones jason yarde

Conference of the Birds, 6-19-20

Play Episode Listen Later Jun 22, 2020 178:02

This week: Moulay Ahmed El Hassani; Horace Tapscott and the Pan-Afrikan Peoples Arkestra; Angela Ro Ro; Marina Iris; Dhoad Gypsies; Amirtha Kidambi & Lea Bertucci; Taylor Ho Bynum Sextet; Kalyan Pathak & Jayho Jazzmata; Ran Blake w. Jeanne Lee; Luiz Melodia; Anoushka Shankar w. Duquende, Javier Limón, Piraña & Kenji Ota; Jorge Humberto; Coltrane; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. ***Apologies for pronunciation inconsistencies of late! I suffered a broken dental bridge in March for which no dental assistance has been available due to the pandemic. We will restore the more customarily articulate mumbling when circumstances permit. In response to the COVID-19 pandemic, Conference of the Birds will be broadcasting remotely, with little to no back-announcing, for the foreseeable future. Playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page: https://spinitron.com/WRFI/pl/10972428/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

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Indécis : Jeanne Lee, Movézom, Rahsaan Roland Kirk, Lee Morgan and more

Play Episode Listen Later Apr 13, 2020 60:27

durée : 01:00:27 - Indécis - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

ind lee morgan rahsaan rahsaan roland kirk jeanne lee fabien fleurat

Se donner du temps : Jeanne Lee, Molly Johnson, Mark Murphy, Chris Potter and more

HDO. Hablando de oídas de jazz e improvisación

Play Episode Listen Later Mar 11, 2020 59:43

durée : 00:59:43 - Banzzaï du mercredi 11 mars 2020 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

temps donner mark murphy chris potter molly johnson jeanne lee fabien fleurat

HDO 521. Homenaje a Bogui Jazz: escuchando a Dick Angstadt [Podcast]

Play Episode Listen Later Sep 3, 2019 45:34

Por Pachi Tapiz. El pasado 31 de agosto de 2019 Bogui Jazz cesó su programación. Desde hace meses se sabía que este templo del jazz en directo en Madrid dirigido por el venerable Dick Angstadt cesaría su actividad, pero no por advertidos los aficionados al jazz de todo España ya lo estamos lamentando y echando de menos. Desde Tomajazz agradecemos a todo el equipo de Bogui las facilidades que desde el primer día nos han dado para poder plasmar en letras e imágenes el jazz que sucedía encima de su escenario. Por ese motivo la primera entrevista de la nueva temporada de Tomajazz y de la sexta del podcast HDO está dedicada a Bogui Jazz. Recuperamos parte de una entrevista telefónica inédita de Dick Angstadt con Pachi Tapiz que tuvo lugar en mayo de 2018 en la que entre otras cosas Dick relataba la historia de Bogui y también rememoraba algunas de las mejores actuaciones en este santuario del jazz, además de recordar a algunos buenos amigos. Complementan sus palabras el arte musical de algunos de los músicos que aparecían en la conversación (que en algún caso no aparecen en los cortes de la charla seleccionados): Barry Harris, The Fringe de George Garzone, MAP, Jorge Pardo junto a Gary Bartz y Jeanne Lee, Zenhya Strigalev y Michael Olivera. Como añadido a la entrevista en audio se recomienda encarecidamente la lectura de Dick Angstadt y Bogui Jazz: Diez años en pie (disponible en https://www.tomajazz.com/web/?p=20632) de Sergio Cabanillas y Enrique Farelo. Tomajazz: Texto y podcast HDO: © Pachi Tapiz, 2019 Fotografía: © Sergio Cabanillas, 2015 HDO 521 te gustara… si te gusta el jazz… si ya estás echando en falta Bogui Jazz… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.

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Berchidda 1997-2001: Gaslini-Urgu-De Vito, Jeanne Lee, Jon Hassell

Jazz in un giorno d'estate

Play Episode Listen Later Aug 25, 2019 28:55

Jazz in un giorno d'estate del lun 26/08

jazz vito jon hassell jeanne lee

Berchidda 1997-2001: Gaslini-Urgu-De Vito, Jeanne Lee, Jon Hassell

Jazz in un giorno d'estate

Play Episode Listen Later Aug 25, 2019 28:55

Jazz in un giorno d'estate del lun 26/08/19

jazz vito jon hassell jeanne lee

Episode 27 - Children of Jazz

Human/Ordinary

Play Episode Listen Later Aug 17, 2019 36:44

What’s it like being the children of two international jazz musicians? In this episode of Human/Ordinary we meet Ruomi Lee-Hampel and his sister Cavana Hazelton who are divided by the Atlantic Ocean and united by jazz.Produced by Cinnamon NippardFor details on where you can find a Gunter Hampel show check out Facebook here, and Instagram here. Thanks to Cavana Hazelton and Ruomi Lee-Hampel for sharing their stories. Find out more about Cavana and her work here, and Ruomi’s horticulture here.Thanks also to the Human Ordinary team for their editorial advice.MusicAll About Ronnie (live in Antibes 1963) by Jeanne Lee and Ran BlakeTime (live from Göttingen Jazz Festival) by Gunter Hampel Music and Dance Improvisation CompanyAwareness 1 by Gunter Hampel Music and Dance Improvisation CompanySonnenschein by Gunter Hampel and Galaxie Dream BandRemix of 59820__musicmangoldy__Trumpet_09_(Before-After) by Timbre (downloaded from freesound.org)The Gunter Hampel Music and Dance Improvisation Company is…Gunter HampelJohannes SchleiermacherBernd OezsevimCavana HazeltonDanilo CardosoChin Mei HuangMagdalena DzecoRuomi Lee-Hampel+ + + + + + + + + + + + + + + + + + Human/Ordinary is produced in Melbourne and Sydney by Sam Loy, Mic Cavazzini, Cinnamon Nippard, and May Jasper.Score a t-shirt, bonus content, and ad-free episodes by subscribing at pozible.com/profile/humanordinary-podcastFor more on the show...Website: humanordinary.comFacebook: facebook.com/humanordinarypodcastTwitter: @humanordinarypcPlanet Broadcasting: planetbroadcasting.comSponsors and promo codes...ShipStation: shipstation.com (promo code - HUMAN) See acast.com/privacy for privacy and opt-out information.

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Leïla Martial à Jazz in Marciac

Musique matin

Play Episode Listen Later Jul 27, 2019 119:29

durée : 01:59:29 - Musique matin week-end du samedi 27 juillet 2019 - par : Priscille Lafitte - Musique matin parcourt les festivals et invite la vocaliste de jazz et d’improvisation libre Leïla Martial à dresser la liste des chanteuses qui influencent ses compositions, de Betty Carter à Jeanne Lee, en passant par les femmes des tribus de Pygmées. - réalisé par : Jean-Claude Mullet

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Linda Sharrock (7)

Play Episode Listen Later Jun 17, 2019 59:48

Nel maggio del '94 Linda Sharrock incide a Parigi in duo con il pianista americano Eric Watson, dal '78 nella capitale francese: un duo voce/pianoforte è una dimensione piuttosto impegnativa per una cantante, e l'album Listen To The Night testimonia della sensibilità della Sharrock, in un mix di brani originali e di standard. L'etichetta è la francese Owl che nell'89 aveva inciso e pubblicato l'ultimo duo registrato dal pianista Ran Blake e dalla vocalist afroamericana Jeanne Lee; e significativamente, proprio nei giorni immediatamente precedenti l'incisione del duo della Sharrock e di Watson, e nello stesso studio parigino, la Owl aveva realizzato l'incisione di un altro duo di Jeanne Lee, con un altro grande pianista, Mal Waldron. Nel luglio del '95 Linda Sharrock e Wolfgang Puschnig si esibiscono in un festival in Spagna in un trio improvvisato sul momento con il percussionista e vocalist turco di origini armene Arto Tuncboyaciyan: il set, in cui la Sharrock interpreta fra l'altro Ramblin' di Ornette Coleman, diventa un notevole album live.

nel owl parigi spagna ramblin ornette coleman sharrock mal waldron eric watson jeanne lee ran blake wolfgang puschnig

Linda Sharrock (7)

Play Episode Listen Later Jun 16, 2019 59:48

Nel maggio del '94 Linda Sharrock incide a Parigi in duo con il pianista americano Eric Watson, dal '78 nella capitale francese: un duo voce/pianoforte è una dimensione piuttosto impegnativa per una cantante, e l'album Listen To The Night testimonia della sensibilità della Sharrock, in un mix di brani originali e di standard. L'etichetta è la francese Owl che nell'89 aveva inciso e pubblicato l'ultimo duo registrato dal pianista Ran Blake e dalla vocalist afroamericana Jeanne Lee; e significativamente, proprio nei giorni immediatamente precedenti l'incisione del duo della Sharrock e di Watson, e nello stesso studio parigino, la Owl aveva realizzato l'incisione di un altro duo di Jeanne Lee, con un altro grande pianista, Mal Waldron. Nel luglio del '95 Linda Sharrock e Wolfgang Puschnig si esibiscono in un festival in Spagna in un trio improvvisato sul momento con il percussionista e vocalist turco di origini armene Arto Tuncboyaciyan: il set, in cui la Sharrock interpreta fra l'altro Ramblin' di Ornette Coleman, diventa un notevole album live.

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Linda Sharrock (7)

enfin chez martial chanteuse vocale mal waldron jeanne lee

Play Episode Listen Later Jun 16, 2019 59:48

Nel maggio del '94 Linda Sharrock incide a Parigi in duo con il pianista americano Eric Watson, dal '78 nella capitale francese: un duo voce/pianoforte è una dimensione piuttosto impegnativa per una cantante, e l'album Listen To The Night testimonia della sensibilità della Sharrock, in un mix di brani originali e di standard. L'etichetta è la francese Owl che nell'89 aveva inciso e pubblicato l'ultimo duo registrato dal pianista Ran Blake e dalla vocalist afroamericana Jeanne Lee; e significativamente, proprio nei giorni immediatamente precedenti l'incisione del duo della Sharrock e di Watson, e nello stesso studio parigino, la Owl aveva realizzato l'incisione di un altro duo di Jeanne Lee, con un altro grande pianista, Mal Waldron. Nel luglio del '95 Linda Sharrock e Wolfgang Puschnig si esibiscono in un festival in Spagna in un trio improvvisato sul momento con il percussionista e vocalist turco di origini armene Arto Tuncboyaciyan: il set, in cui la Sharrock interpreta fra l'altro Ramblin' di Ornette Coleman, diventa un notevole album live.

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Leïla Martial, acrobate vocale 03.06.19

Jazz And Co

Play Episode Listen Later Jun 4, 2019

Le moins que l’on puisse dire c’est que Leïla Martial est une chanteuse atypique dans le champ du jazz. Chanteuse, est-ce d’ailleurs la bonne définition? Ce qui frappe en effet, c’est qu’elle n’a pas besoin de texte pour incarner les émotions. Chez elle le relief passe par la convocation de certaines traditions vocales mélangées à l’improvisation et l’invention de ses propres langues. De même la musique de son groupe Baa Box ne marche pas rigoureusement dans les strictes traces de la tradition jazz : elle peut prendre des accents world, rock ou créer une sorte de folk imaginaire. Pourtant le titre de son nouvel album renvoie à une composition de Mal Waldron. Cette démarche non conventionnelle avait tout pour nous séduire! En deuxième heure nous avons cherché qui pouvait être à l’origine de ces voix à mi chemin entre le chant et l’instrument et nous avons bien entendu trouvé Jeanne Lee qui est probablement la première chanteuse à avoir lentement mais surement dérivé du chant dans la tradition. Nous ne perdons pas le fil de l’actualité et passons en revue le nouvel album de l’A.R.B.F qui cette fois-ci puise son inspiration du côté des musiques traditionnelles mexicaines. Enfin nous consacrons la dernière demie heure de l’émission à un hommage à Fritz Novotny, saxophoniste et flutiste autrichien qui fonda le Reform Art Unit en 1965. Fritz Novotny nous a quitté en mai dernier et il nous a semblé évident que cet hommage pouvait être aussi l’occasion d’une découverte car à défaut d’avoir été un collectif populaire, le Reform Art Unit était culte pour un certain nombre d’entre nous, écoutez et vous comprendrez pourquoi. liste des titres -Serendipity -Nuit pygmée -Jeanne -Warm Canto de l’album « Warm Canto » de Leïla Martial https://www.laboriejazz.fr/albums/leila-martial-warm-canto https://leilamartial.com -Jeanne Lee Perry Robinson Gunter Hampel No. 90 26871-02 NY https://www.discogs.com/fr/Gunter-Hampel-Spirits/release/516126 -ARBF Danza de la culebra -ARBF one shot o’ mezcal para el señor Eric Dolphy https://lefondeurdeson.bandcamp.com/album/ensue-os-burlescos-peligrosos-y-misticos-de-tierras-mexicanas -Reform Art Unit Yen Goku https://www.discogs.com/fr/artist/393114-The-Reform-Art-Unit -Three Motion Impression https://www.discogs.com/fr/Three-Motions-Impressions/release/2428553

Jeanne Lee & Mal Waldron

Cazın Büyüsü

Play Episode Listen Later May 26, 2019 26:11

Bu müzik ona babasından miras

bu mal waldron jeanne lee

Pakeliui su klasika. Skambės vokalinio seksteto „Ego System“ atliekamos žymiausios ir kiek mažiau žinomos prancūziškos dainos.

Pakeliui su klasika

Play Episode Listen Later May 9, 2019 87:43

„Pakeliui su klasika“ skambės vokalinio seksteto „Ego System“ atliekamos žymiausios ir kiek mažiau žinomos prancūziškos dainos. Vėliau – vieno iš ansamblio narių Loïs Le Vano kūryba. Rubrikoje „Retro“ – eksperimentininkė, sukūrusi „naują skambesį“ džiazo pasaulyje – Jeanne Lee. Laidos pabaigoje – muzikinės temos iš kino klasikos, atliekamos 12 Berlyno filharmonijos violončelininkų. Ved. Ieva Buinevičiūtė.

system ved kiek klasika laidos pranc jeanne lee berlyno dainos skamb pakeliui

Arrigo Cappelletti ospite di Jazz Anthology

Play Episode Listen Later Apr 29, 2019 58:55

..Qualche puntata fa Jazz Anthology ha presentato gli inediti del duo della cantante Jeanne Lee e del pianista Ran Blake; e ha in corso una serie sulla vocalist Linda Sharrock, emersa negli anni sessanta. Resta in tema anche questa puntata di Jazz Anthology, in cui il pianista Arrigo Cappelletti ci presenta un florilegio di sue collaborazioni con cantanti, all'insegna di una bella varietà di lingue e di riferimenti a culture musicali diverse: dall'Argentina al Portogallo, da Bruno Lauzi a Shostakovich. La canadese Sienna Dahlen canta in inglese, l'italiana, a lungo in Argentina, Annamaria Musajo in francese e italiano, l'italiana Nicoletta Petrus in russo, l'italiana e francese di adozione Marie Antonazzo in francese, la portoghese Alexandra nella sua lingua.

argentina jazz anthology resta ospite qualche portogallo shostakovich arrigo cappelletti jeanne lee ran blake bruno lauzi

Arrigo Cappelletti ospite di Jazz Anthology

Play Episode Listen Later Apr 28, 2019 58:55

..Qualche puntata fa Jazz Anthology ha presentato gli inediti del duo della cantante Jeanne Lee e del pianista Ran Blake; e ha in corso una serie sulla vocalist Linda Sharrock, emersa negli anni sessanta. Resta in tema anche questa puntata di Jazz Anthology, in cui il pianista Arrigo Cappelletti ci presenta un florilegio di sue collaborazioni con cantanti, all'insegna di una bella varietà di lingue e di riferimenti a culture musicali diverse: dall'Argentina al Portogallo, da Bruno Lauzi a Shostakovich. La canadese Sienna Dahlen canta in inglese, l'italiana, a lungo in Argentina, Annamaria Musajo in francese e italiano, l'italiana Nicoletta Petrus in russo, l'italiana e francese di adozione Marie Antonazzo in francese, la portoghese Alexandra nella sua lingua.

argentina jazz anthology resta ospite qualche portogallo shostakovich arrigo cappelletti jeanne lee ran blake bruno lauzi

Arrigo Cappelletti ospite di Jazz Anthology

Play Episode Listen Later Apr 28, 2019 58:55

..Qualche puntata fa Jazz Anthology ha presentato gli inediti del duo della cantante Jeanne Lee e del pianista Ran Blake; e ha in corso una serie sulla vocalist Linda Sharrock, emersa negli anni sessanta. Resta in tema anche questa puntata di Jazz Anthology, in cui il pianista Arrigo Cappelletti ci presenta un florilegio di sue collaborazioni con cantanti, all'insegna di una bella varietà di lingue e di riferimenti a culture musicali diverse: dall'Argentina al Portogallo, da Bruno Lauzi a Shostakovich. La canadese Sienna Dahlen canta in inglese, l'italiana, a lungo in Argentina, Annamaria Musajo in francese e italiano, l'italiana Nicoletta Petrus in russo, l'italiana e francese di adozione Marie Antonazzo in francese, la portoghese Alexandra nella sua lingua.

argentina jazz anthology resta ospite qualche portogallo shostakovich arrigo cappelletti jeanne lee ran blake bruno lauzi

Jeanne Lee/Ran Blake: The Newest Sound You Never Heard

sound europa columbia newest nel never heard stati uniti fresh sounds jeanne lee ran blake

Play Episode Listen Later Mar 4, 2019 60:50

Alla fine del 1961 la vocalist Jeanne Lee e il pianista Ran Blake incidono The Newest Sound Around. C'è davvero molto di nuovo nell'album: già la formula voce/pianoforte è del tutto irrituale per il jazz dell'epoca, inoltre lo stile di Ran Blake è estremamente personale, e il modo di affrontare i brani di Jeanne Lee è decisamente non convenzionale. Il risultato è sublime: ma negli Stati Uniti il duo non trova ingaggi. E' invece apprezzato in Europa, dove viene nel '63. Nel '66 a Stoccolma Jeanne Lee e Ran Blake incidono un secondo album in duo, che però non viene pubblicato: intitolato Free Standards, uscirà fuggevolmente per la Columbia quasi trent'anni dopo, disconosciuto dai due artisti (che non erano stati retribuiti), tanto da ometterlo dalle loro discografie, ragione per cui è sfuggito anche a molti appasionati; l'album è stato ristampato dalla Fresh Sound qualche anno fa. Infine Jeanne Lee e Ran Blake si ritrovano in studio di incisione per un ultimo album assieme, di nuovo in duo, alla fine degli anni ottanta. Ma alla fine del 2018 una piccola etichetta discografica, la a-side records, ha pubblicato un doppio cd di registrazioni inedite del duo, effettuate in Europa nel '66-67 dalla radio fiamminga: intitolato (giocando sul titolo del loro primo album) The Newest Sound You Never Heard, questo inedito, uno dei più importanti inediti pubblicati di recente nel campo del jazz, è una meravigliosa sorpresa, che amplia di molto il materiale a disposizione di questo duo, che è stato una delle grandi cose degli anni sessanta.

Jeanne Lee/Ran Blake: The Newest Sound You Never Heard

sound europa columbia newest nel never heard stati uniti fresh sounds jeanne lee ran blake

Play Episode Listen Later Mar 3, 2019 60:50

Alla fine del 1961 la vocalist Jeanne Lee e il pianista Ran Blake incidono The Newest Sound Around. C'è davvero molto di nuovo nell'album: già la formula voce/pianoforte è del tutto irrituale per il jazz dell'epoca, inoltre lo stile di Ran Blake è estremamente personale, e il modo di affrontare i brani di Jeanne Lee è decisamente non convenzionale. Il risultato è sublime: ma negli Stati Uniti il duo non trova ingaggi. E' invece apprezzato in Europa, dove viene nel '63. Nel '66 a Stoccolma Jeanne Lee e Ran Blake incidono un secondo album in duo, che però non viene pubblicato: intitolato Free Standards, uscirà fuggevolmente per la Columbia quasi trent'anni dopo, disconosciuto dai due artisti (che non erano stati retribuiti), tanto da ometterlo dalle loro discografie, ragione per cui è sfuggito anche a molti appasionati; l'album è stato ristampato dalla Fresh Sound qualche anno fa. Infine Jeanne Lee e Ran Blake si ritrovano in studio di incisione per un ultimo album assieme, di nuovo in duo, alla fine degli anni ottanta. Ma alla fine del 2018 una piccola etichetta discografica, la a-side records, ha pubblicato un doppio cd di registrazioni inedite del duo, effettuate in Europa nel '66-67 dalla radio fiamminga: intitolato (giocando sul titolo del loro primo album) The Newest Sound You Never Heard, questo inedito, uno dei più importanti inediti pubblicati di recente nel campo del jazz, è una meravigliosa sorpresa, che amplia di molto il materiale a disposizione di questo duo, che è stato una delle grandi cose degli anni sessanta.

Jeanne Lee/Ran Blake: The Newest Sound You Never Heard

sound europa columbia newest nel never heard stati uniti fresh sounds jeanne lee ran blake

Play Episode Listen Later Mar 3, 2019 60:50

Alla fine del 1961 la vocalist Jeanne Lee e il pianista Ran Blake incidono The Newest Sound Around. C'è davvero molto di nuovo nell'album: già la formula voce/pianoforte è del tutto irrituale per il jazz dell'epoca, inoltre lo stile di Ran Blake è estremamente personale, e il modo di affrontare i brani di Jeanne Lee è decisamente non convenzionale. Il risultato è sublime: ma negli Stati Uniti il duo non trova ingaggi. E' invece apprezzato in Europa, dove viene nel '63. Nel '66 a Stoccolma Jeanne Lee e Ran Blake incidono un secondo album in duo, che però non viene pubblicato: intitolato Free Standards, uscirà fuggevolmente per la Columbia quasi trent'anni dopo, disconosciuto dai due artisti (che non erano stati retribuiti), tanto da ometterlo dalle loro discografie, ragione per cui è sfuggito anche a molti appasionati; l'album è stato ristampato dalla Fresh Sound qualche anno fa. Infine Jeanne Lee e Ran Blake si ritrovano in studio di incisione per un ultimo album assieme, di nuovo in duo, alla fine degli anni ottanta. Ma alla fine del 2018 una piccola etichetta discografica, la a-side records, ha pubblicato un doppio cd di registrazioni inedite del duo, effettuate in Europa nel '66-67 dalla radio fiamminga: intitolato (giocando sul titolo del loro primo album) The Newest Sound You Never Heard, questo inedito, uno dei più importanti inediti pubblicati di recente nel campo del jazz, è una meravigliosa sorpresa, che amplia di molto il materiale a disposizione di questo duo, che è stato una delle grandi cose degli anni sessanta.

Thelonious Monk Revisited [Mondo Jazz Ep. 61]

Mondo Jazz

Play Episode Listen Later Feb 24, 2019 141:27

Thelonious Monk once said "play what you want and let the public pick up on what you are doing even if it does take them 15, 20 years". Luckily, he lived long enough to become fully embraced and celebrated before his passing. However, it's after his death that his music has really become central to the jazz canon. To mark the thirty-seventh anniversary of his demise, on 17 February 1982, this week we feature a very diverse range of renditions of his masterpieces. The playlist includes Cootie Williams, Paul Motian, Carmen McRae, Georg Gräwe, Duck Baker, Allen Toussaint, Charlie Haden, Jim Hall, Gianluca Petrella, Lindsey Horner, Brad Mehldau, Jason Moran, Vijay Iyer, Gary Thomas, Quincy Jones, Miles Okazaki, Frank Kimbrough, Thomas Chapin, Ran Blake, Jeanne Lee, Tronzo Trio, Steve Lacy, Charlie Rouse, Barry Harris, Ernst Reijseger, Thelonious Monk. Detailed playlist available at https://spinitron.com/m/playlist/view/4095369. Photo credit: Jim Marshall

HDO 494. Ran Blake – Jeanne Lee inéditos: The Newest Sound You Never Heard 1966-67

HDO. Hablando de oídas de jazz e improvisación

Play Episode Listen Later Feb 20, 2019 33:10

Por Pachi Tapiz. En HDO 494 escuchamos una selección de temas que aparecen en el CD doble e inédito de Ran Blake (piano) y Jeanne Lee (voz), que se ha publicado en 2019 y que contiene 33 temas grabados en 1966 y 1967 con el título The Newest Sound You Never Heard. European Recordings 1966/1967 (A Side Records – NEC New England Conservatory – Ran Blake Foundation). La grabación recoge, en un excepcional estado de forma, al pianista y a la cantante revisando standards, algún tema propio y también temas procedentes del pop y del folk. Tomajazz: © Pachi Tapiz, 2019 HDO 494 te gustará… si te gusta el jazz… si te gusta el jazz vocal… si te gusta Ran Blake… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

sound cd newest never heard jeanne lee ran blake

Mal Waldron (12)

europa nel bruxelles billie holiday stati uniti morto waldron steve lacy left alone archie shepp mal waldron jeanne lee

Play Episode Listen Later May 14, 2018 60:11

Steve Lacy rientra negli Stati Uniti nel 2002, due anni prima di morire, e il 2002 è anche l'anno della morte di Waldron: dagli anni sessanta in cui rinnovano il loro sodalizio in Europa, per i decenni successivi Waldron è il partner più importante di Lacy al di fuori dei gruppi del sassofonista, e Waldron e Lacy si esibiscono e incidono spesso in duo. In Europa in quasi quarant'anni di permanenza Waldron è estremamente prodigo di sé, con una quantità di collaborazioni, incontri, esperienze. Spicca, dell'ultima fase della sua carriera, il sodalizio con la più importante vocalist espressa dal jazz d'avanguardia, Jeanne Lee, che ci ripropone, in una chiave nuova e con una interlocutrice legata al jazz più avanzato, il Mal Waldron che aveva mostrato accanto a Billie Holiday la sua arte di accompagnatore e di partner attento. Morto delle complicazioni derivanti da un tumore a Bruxelles nel dicembre del 2002, Waldron ha portato avanti in maniera eccellente la sua attività praticamente fino alla fine. Nel febbraio del 2002 incide in duo con Archie Shepp l'album Left Alone Revisited, in cui riprende Left Alone, il brano di cui Billie Holiday aveva scritto le parole e Waldron la musica.

Mal Waldron (12)

europa nel bruxelles billie holiday stati uniti morto waldron steve lacy left alone archie shepp mal waldron jeanne lee

Play Episode Listen Later May 13, 2018 60:11

Steve Lacy rientra negli Stati Uniti nel 2002, due anni prima di morire, e il 2002 è anche l'anno della morte di Waldron: dagli anni sessanta in cui rinnovano il loro sodalizio in Europa, per i decenni successivi Waldron è il partner più importante di Lacy al di fuori dei gruppi del sassofonista, e Waldron e Lacy si esibiscono e incidono spesso in duo. In Europa in quasi quarant'anni di permanenza Waldron è estremamente prodigo di sé, con una quantità di collaborazioni, incontri, esperienze. Spicca, dell'ultima fase della sua carriera, il sodalizio con la più importante vocalist espressa dal jazz d'avanguardia, Jeanne Lee, che ci ripropone, in una chiave nuova e con una interlocutrice legata al jazz più avanzato, il Mal Waldron che aveva mostrato accanto a Billie Holiday la sua arte di accompagnatore e di partner attento. Morto delle complicazioni derivanti da un tumore a Bruxelles nel dicembre del 2002, Waldron ha portato avanti in maniera eccellente la sua attività praticamente fino alla fine. Nel febbraio del 2002 incide in duo con Archie Shepp l'album Left Alone Revisited, in cui riprende Left Alone, il brano di cui Billie Holiday aveva scritto le parole e Waldron la musica.

Mal Waldron (12)