Podcast appearances and mentions of Steve Allen

It's a simple plan this week: We're just looking at what was on television in late May of 1981. Including: A bizarre Happy Days musical, a horrifying Waltons episode, Mork in a bubble, skydiving Hulk, something called "Women Who Rate a 10," Bo Duke with amnesia, Daisy Duke on Enos, Batman on Fantasy Island, a Muppet on a medical drama, a dead parrot at Mel's Diner, and way too many variety shows (from Bob Hope, Steve Allen, Robert Klein, the Gatlin Brothers, and the Mandrell Sisters). It all sounds wonderful, doesn't it? You should probably cancel Netflix and invest in a time machine. The Mayor of Chickentown on The Doctor's Beard podcast! And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Have Coffee, Will Travel!    

Johnny Mac delves into the history and key figures of late-night television. He discusses the important contributions of hosts like Steve Allen, Jack Paar, Johnny Carson, David Letterman, Jay Leno, and Conan O'Brien. By comparing them to the symbolic representation of actual presidents on Mount Rushmore, John evaluates their legacies and longevity. Ultimately, he establishes his 'Mount Rushmore' of late night, 00:00 Introduction to the Mount Rushmore of Late Night00:26 The History of Late Night TV01:54 Mount Rushmore of Late Night: The Real Presidents02:31 Legacy and Longevity in Late Night04:49 Case Studies: Steve Allen and Jack Parr07:30 Case Studies: Johnny Carson and Tom Snyder08:12 Case Studies: David Letterman and Jay Leno10:15 Case Studies: Jon Stewart and Arsenio Hall12:20 Case Studies: Conan O'Brien13:50 Final Picks for the Mount Rushmore of Late NightGet the show without ads. Five bucks.  For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus.    Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

GGACP celebrates Bike to Work Week and National Bike Month by revisiting this memorable interview with veteran actor and environmentalist ED BEGLEY JR. In this episode, Ed talks about the glory days of the Troubadour, the timelessness of “The In-Laws,” the absurdity of Hollywood urban legends and the career of his Oscar-winning dad, Ed Begley. Also, Forrest Tucker takes a nip, Steve Allen checks into St. Eligius, Harry Belafonte shuts down Rodney Dangerfield and Ed hits the rink with Charlie's Angels. PLUS: Wheeler & Woolsey! “Amazon Women on the Moon”! Mr. Warmth lowers the boom! Ed remembers his friend Peter Falk! And the unsolved death of John “Stumpy” Pepys!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Hamilton, strategic, tactical and operational advisor with over 50 years' experience in security, Paul McCartney among his long-term clients, and equally independent crowd, security, event and fire safety consultant, Steve Allen, have teamed up to develop and deliver the new Showstop Procedure course. Principal consultant with Crowdsafety.org since 2014, Steve toured with any number of big acts, Led Zeppelin, Red Hot Chili Peppers and Beastie Boys among them, and came up with a formal showstop procedure while working with Oasis in the 1990s. It's something he's instigated 32 times around the world, “Never a problem. No injuries, no deaths, no problems with the promoters, the artists, and happy fans who go home safely”. In this episode, host Adam Parry steers the guests through a discussion thick with their experiences and expertise, encompassing reasons for a showstop, preparation for that potential on an event site, training/getting the procedure right, and the dangers of indecision. An inspiring 20 minutes. Don't miss it. To keep up to date with all the news, subscribe for free here. If you would like to take part in a podcast, then please complete our submission form.

12 May 2025. Trump is heading to the Middle East with stops in Saudi, Qatar, and the UAE. Moody’s economist Gaurav Ganguly gives us his watchlist ahead of the visit. Plus, we speak to the chief development officer behind the Jebel Ali Racecourse masterplan. And as earnings season continues, we hear from dnata’s Steve Allen and Talabat CFO Khaled Al Faqsh on profits, tariffs, and growth.See omnystudio.com/listener for privacy information.

00. Episode 285 (Intro) - Trance All Over The World01. Elite Electronic, Eternal Flame - Dragonfly [Interplay Global] 02. George Jema - Time Of Redemption [Fables] 03. Exolight, PITTARIUS CODE & Tiff Lacey - Sweet Sorrow [Amsterdam Trance] 04. Steve Allen & Josie Sandfeld - Home [Uplift Recordings] 05. Misja Helsloot - Seduction [Ablazing Records] 06. Damian Wasse - Rise of Nation (Betibwe Remix) [Redux Re-Energized] 07. Ciaran McAuley with Roger Shah & Sue McLaren - Not Letting You Go [Black Hole Recordings] 08. Mark Hide - Gliese 777 [THINK TRANCE] 09. Stoneface & Terminal - Echoscape [FSOE] 10. Alexander Spark, Hypersia - Sun [Interplay Records] 11. Mark Sherry & Brieanna Grace - Forever [Black Hole Recordings] 12. Alexander Komarov - Nostalgie [Abora Recordings] 13. Bluskay - Fire In Your Heart [Molekular Sounds] 14. Ashley Wallbridge - Eivissa [Embrace The Journey] 15. Dermot Kirby - Push [Suanda True] 16. Krevix, North Skies, Semblance Smile - Nothing Above [High Voltage Recordings] 17. Spy - Eikon [Magic Island Elevate] 18. Alex M.O.R.P.H. & Cari – Free As A Bird [Future Sequence] 19. Ralphie B & Frank Waanders pres. Collide1 - No Tomorrow [Find Your Harmony] 20. Allen Watts & Leon Bolier - Afterglow [High Voltage Recordings] 21. Revolution 9 - Shadows [Ascent Recordings] 22. XiJaro & Pitch - The Path (Conor Holohan Remix) [Chasing Dreams Music] 23. DJ Eternity - Auroras Whisper [ZYX TRANCE] 24. Dj X-Tromic - Starry Sky [State Control Records] 25. DJ T.H. & Shanokee - The Real Deal (Peter Miethig Remix) [AVA White] 26. Adrian Boland - Tunnel Vision [Nocturnal Knights Music] 27. Roman Messer, Lockdown, ThoBa & Daria Marx - Fever [You Love Dance]

Smith Sessions Radio #456 Mixed With ♥ In Tettnang, Germany By Your Host Mr. Smith If You Like This Episode - Share It, Leave A Comment & Give It A Like

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Your fortnightly update in Uplifting Trance music, Broadcast Live from the studio in Leeds on LDC Radio 97.8FM, this is Velocity Trance & Uplifting with your DJ & host, Michael Cooper Broadcast Live on 29th April 2025 9PM UK Connect with Michael Cooper: linktr.ee/coopsdj ---------------------------------- Tracklisting 01. Driftmoon - Number One [Black Hole] 02. Driftmoon - Show Me [Black Hole] 03. Driftmoon - Moonstruck [Black Hole] 04. Spencer Newell & Adara - I Didn't Run [FSOE] 05. Stowers & Cooper - Sonic State [Pure Trance NEON] 06. Cold Face & Henry Moe - Twilight [AVA White] 07. Alex M.O.R.P.H. & Andrea Ribeca - Amaterasu [FSOE] 08. Paul Denton, Bogdan Vix & Lyd14 - We Are One [FSOE] 09. Eryon Stocker & Laucco - Nymeria [Nocturnal Knights] 10. Transaphonic - Stay [ZYX Trance] 11. Monzilla feat. Lucy Faye - Aether [Reason II Rise UPLIFT] **THROWBACK MIX - 2017** 12. Suncatcher - The Beach [Always Alive] 13. PureNRG - Cala Blanca [Black Hole] 14. Sheridan Grout & Michele C - Forget The World (Enzo Remix) [AVA White] 15. Steve Allen & Mhammed El Alami - Perception (Niko Zografos Remix) [Critical Uprising] 16. CRW - I Feel Love (Omar Sherif Rework) [Grotesque Reworked] 17. Fady & Mina - Akemi [FSOE] **HOTTEST TRACK** 18. Aly & Fila with Ferry Tayle - Take Me Higher [FSOE] 19. Grant Trowbridge - Hong Lim Park [Borderline] 20. John O'Callaghan - Memphis [Subculture] 21. Robinito - Excelsior [Reason II Rise UPLIFT] 22. Storm - Time to Burn (David Forbes Remix) [Black Hole] **TRANCE CLASSIC** 23. Agnelli & Nelson - Everyday (Lange Vocal Mix) [Xtravaganza]

Everybody's feelin' groovy, because this week we're traveling way back to 1970 with bassist/vocalist Ron Flynt and guitarist/vocalist Steve Allen from legendary power poppers 20/20! Aside from remembering the staggering number of great records released during our year of focus, we celebrate the release of 20/20's new album Back to California, their first LP in over 25 years, out now on Spyderpop / Big Stir Records. Whether you're a newcomer to the band or an ardent fan of their classics like "Yellow Pills", "Cheri", "Remember The Lightning", and "Nuclear Boy", prepare to fall in love with the hooks n' harmonies of the new record, which hearkens back to their roots but maintains a fresh and modern sound. Plus, Steve and Ron talk about feeling the magic again, reminisce about the early days of the band, the recording of their signature track (1979's "Yellow Pills"), hanging out in Phil Spector's mansion, dancing with Linda Blair, rubbing shoulders with Hollywood stars at Sunset Strip haunts...and did O3L turn into the High Times podcast?!? Finally, we give the guys their belated induction into the Power Pop Hall of Fame...which we're in no way authorized to do, but they weren't aware they were already in it! Great stories, lots of laughs, and amazing music...turns out hindsight really is 20/20! Thanks to Rex Broome and Christina Bulbenko from Big Stir Records for the introduction. Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Fantastic win from Warrnambool's favourite son Marc Leishman in Florida at the weekend, and we begin today's show chatting about the win....Marc becomes the third Aussie to win a tournament in the last couple of weeks, following Min Woo and Steve Allen. Mark loves the 'drive, chip, and putt' competition and thinks there should be more of them prior to tournaments.We discuss the elephant in the room, will we get the world feed for The Masters. Neither Nick or Mark has been able to get clarity. They're hopeful that we get Jim Nance and the traditional team. We discuss how wonderful Jim Nance is, and how long he has left commentating. Mark raises the LIV commentators. Nick and Mark feel that the LIV commentators get too excited too early in the tournaments.Nick says the Fedex Cup should be Matchplay, Mark says the 'handicap system reeks of someone who does not understand golf', and wants more matchplay in golf. We've had our Masters preview pod, but we can't help but talk about Augusta again. Mark asks Nick about the creek on 13, Nick explains how he approached it and why, plus which holes suit lefties and which suit righties.In a prelude to Nicks Top 5 'unwatchable golfers', despite his winning form, Nick and Mark comment that Brian Harman or, as we prefer to call him, Ricky, is a great putter with great power, but an 'unwatchable golfer'.Following some anonymous feedback to Mark, we discuss the prices clubs charge at members courses, specifically guest fees. What is causing it, is it too much? Mark would you like you to send in what your clubs member/guest fee structure is. Whilst we're talking complaints. Mark reckons Nick and Third Man have been taking advantage of his generosity, and he has a crack at both of them on the pod. Harsh.Plenty of feedback, lots on the aim point comments from last week, including a couple of whacks - and one wolfpacker calls Nick and Mark 'a couple of old grandpas'. Clearly they're wrong, neither have grandchildren. And wolfpacker Tom from California has sent in his swing for Nick and Mark to review.PING global. Big news. After last weeks excellent trumpet playing by Anthony from Woodlands, our lawyer Denis Denutto has reviewed the legalities around Timmy Trumpet. We may end up in court. So Nick has found a new, legal PING global results intro which he plays. Oh, and gives heaps of results. No masterclass this week, but thanks to Frank and the team at watchMynumbers it returns next week.We do the show from Titleist and FootJoy HQ, thanks to our great partners:Titleist, the #1 ball in golf;FootJoy, the #1 shoe and glove in golf;PING will help you play your best. See your local golf shop or professional for a PING club fitting;Golf Clearance Outlet, visit them online here to find your nearest store, they're all over the country;Betr, the fastest and easiest betting app in Australia.And the watchMynumbers app: download from the App Store or Google Play, and Southern Golf Club: with their brand new Simulator Room, including Trackman.Follow us on Facebook, Instagram, Twitter and TikTok, send a voicemail here, and see us on YouTube here. Hosted on Acast. See acast.com/privacy for more information.

Adara, Spencer Newell - I Didn't Run [FSOE]Alex M.O.R.P.H. & Andrea Ribeca - Amaterasu [FSOE]CLASSIC: Tillmann Uhrmacher - On The Run [Fog Area Trance]DAVE PEARCE'S TOP 5 5.Wilson Chan - Wanderlust [ALTER EGO RECORDS]4.Tycoos & Sly Dewars feat. Natune- I'll rise up high  [2Rock Recordings]3.Daniel Skyver - Kaval Sviri [Flashover]2.Lee McNeill - Slip Away1.Dan Thompson & Audrey Gallagher - Our Hearts Go Last [INTO THE ABYSS]GUEST MIX: Steve AllenCalvin Harris & Ellie Goulding - Free (Steve Allen Uplift)Steve Allen – Do This Forever (Extended Mix)Steve Alen – Giver Of Light (Extended Mix)Amelie Lens - Falling For You (Steve Allen Uplift)Gareth Emery & Anabel - Without U (Steve Allen Uplift)Steve Allen – Refrains Of Nature (Extended Mix)

Comedians Mark Bailey and Mike Miller talk funny about more school band memories, Steve Allen and his influence on Letterman, Mark's story about how calculus can save you from being beaten up, Mark's inspiration to be in radio from inspirational marching band guests, Sammy Gravano never threatened me as a high school kid, why newspaper club in school is good, and my best friend David in Junior high school and high school and garage bands.  Brought to you by Nagoyaradio.com, Nagoyacomedy.com, and stand up comic Mark Bailey.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Peter Sobczynski joins Erik Childress again to get you caught up on a couple weeks of new physical media. They include drama from Charlie Chaplin and Michael Mann's feature debut. Godzilla returns as does the creepy Roger Corman sci-fi of the early ‘80s. Renny Harlin brings the sharks, Skippy from Family Ties battles a heavy metal killer and Peter reminds us of another piece of ‘80s horror that some parents would like to forget. There is also more weirdness including Steve Allen studying sex, John Travolta investigating sex and Eddie Murphy brought in to save a comedy. All that might be nothing compared to the visualization of The Who's rock opera brought to life by Ken Russell. 0:00 - Intro 2:11 - Criterion (A Woman of Paris, Thief 4K, Godzilla vs Biollante 4K) 18:53 - Arrow (Deep Blue Sea 4K) 27:08 - Kino (College Confidential, The Godsend, Best Defense, The General's Daughter 4K, The Black Tulip, Half a Chance) 58:46 - Sony (Bon Voyage) 1:03:57 - Synapse (Trick or Treat 4K) 1:13:01 - Shout (Forbidden World 4K, Tommy 4K) 1:40:27 – New TV on Blu-ray (The Penguin 4K, The Last of Us 4K, Tulsa King Season 2) 1:45:38 – New Theatrical Titles on Blu-ray (Wildcat, Moana 2 4K, Wolf Man 4K) 1:48:00 – New Blu-ray Announcements

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

ESTÁNDARES SEMANALES.-Tin Roof Blues.-VINILOS MÍTICOS DEL JAZZ..La historia de Benny Goodman.--JAZZACTUALIDADJOVEN BIG BAND SEDAJAZZ-IN BLOOM La historia de Benny Goodman es una película biográfica musical estadounidense de 1956, protagonizada por Steve Allen y Donna Reed , escrita y dirigida por Valentine Davies y estrenada por Universal-International . La película fue concebida como una continuación del éxito de Universal de 1954, La historia de Glenn Miller , que narra la vida de un popular director de orquesta.El joven Benny Goodman recibe clases de clarinete clásico de un profesor de música de Chicago. El director de orquesta Kid Ory le aconseja tocar el género musical que más le guste. Benny comienza su carrera profesional uniéndose a la banda itinerante de Ben Pollack . Más tarde, en Nueva York, donde su nueva banda recibe una tibia acogida, Benny conoce al amante del jazz John Hammond y a su hermana Alice. Lo invitan a la majestuosa casa de los Hammond para interpretar el Concierto para clarinete de Mozart . Alice teme que se sienta incómodo, pero su interpretación es impecable y Benny agradece su preocupación. Las actuaciones de Benny en un popular programa de radio los sábados por la noche hacen que Fletcher Henderson se ofrezca como voluntario para hacer algunos arreglos. En la costa oeste, el comienzo temprano del programa ha convertido la música de Benny en una sensación entre las generaciones más jóvenes. Forma un cuarteto con Gene Krupa en la batería, Teddy Wilson al piano y Lionel Hampton al vibráfono . El romance con la chica de sociedad Alice es desconcertante para la madre de Benny, pero para cuando su hijo toca en el Carnegie Hall , todo está bien y la Sra. Goodman ha invitado personalmente a su futura nuera a sentarse a su lado. Concierto en directo grabado el dia 22 de Julio de 2024 dentro de las sesiones organizadas por el colectivo Sedajazz en el centro cultural La Rambleta en Valencia. Una big band con un objetivo claro: aprender y enriquecerse de repertorios de las historicas orquestas de Jazz y de nuevos compositores y arreglistas. La Jove Big Band Sedajazz reúne jóvenes de distintas edades que se expresan con sus instrumentos y forman una unidad donde todos tienen su espacio. El repertorio combina standards y arreglos de grandes exitos de la historia del Jazz, bandas sonoras, funk, rock y latin jazz. Han colaborado musicos como Jesus Santandreu, Joe Magnarelli, Perico Sambeat, Chris Cheek, Rex Richardson, Toni Vaquer, David Pastor, Sole Jimenez, Andrea Motis, Rita Payes, Domisol Sisters, Vicente Macian, Pedro Iturralde, Voro Garcia, Toni Belenguer, Alexey Leon, Miquel Alvarez, Joan Saldana y Pepe Zaragoza entre otros. Actuaciones destacadas: Festival de Jazz de Valencia, Club Jamboree, Jazz a poqueta Nit Altea, Festival de trompeta en Maspalomas, Ciclo Conciertos Caja Burgos, Festival Jazzing Barcelona, Clasijazz Almeria, Festival Mar i Jazz, Sala Mutant Valencia, Festival Jazz Teruel, Festival Jazz Villareal, Festival big band Priego Cordoba, Concierto Benefico Payasospital Palau de les Arts, Cinema Jove Torrent, Porta Ferrada Girona, Ses Figuretes Ibiza, Dia Internacional del Jazz Alfafar, Jimmy Glass, festival El desenjazz Lliria, Teatro Principal Valencia, Auditorio Almeria, Palau de les Arts Valencia, Asejazz Sevilla, Festival Jazz Cadiz, Palau de la Musica Valencia. Han grabado varios discos: Sedajazz kids band, Groowin Up, Rumbo a New Orleans, Ramonets amb Sedajazz Kids Band, Mutant, Eclectic, y ahora In Bloom. Su repertorio incluye arreglos de Perico Sambeat, Fco. Blanco Latino, Dizzie Gillespie, Duke Ellington, Don Ellis, Jesus Santandreu, Toni Vaquer, Juan Saus, Martina Sabariego, Pau Baena, Santi Navalon. Proyectos realizados: Brasiliana (musica brasileña), Toni Vaquer (Louis Cole, Nirvana, Radiohead), Andrea Motis (Standards), Rita Payes (Cancionero Latino), conciertos para lindy hop, musica de la movida valenciana de los 80s con arreglos originales. Músicos Ximo Reillo y Samu Gil: Saxo Alto Selamawit Giner: Saxo y Clarinete Luis Coronado: Saxo Tenor Aurora Blanco: Saxo Baritono y Voz Josep Peiro, Oscar Lujan, Guillermo Cotanda, Pablo Martinez y Hugo Coronado: Trompetas Hadriel Benedito, Angel Ballester, Joan Fernandez y David Marti: Trombones Martina Sabariego: Contrabajo Pau Montalt: Bateria Miquel Alcaina: Percusion Latina Pau Baena y Nur Elmanchoud: Piano Venus Benedito y Naila Ferrandis: Voz Raquel Marti, Alba Gimeno, Aleksandra Bester: Violines Nehir Acansu y Marc Vidal: Violas Irene Simbor: Violonchelo Fco. Angel Blanco Latino: Direccion Featuring: Juan Saus (Saxo Alto) Creditos Diseño Grafico: Cristina Duran Sonido: Vicente Sabater Asistente de Sonido: Iñaki Ariste Asistente Produccion: Pedro Gallego Temas 1. Harlem air Shaft (Duke Ellington) 03:11 2. La Puerta (Luis Demetrio) 03:36 3. In Bloom (Nirvana) 08:59 4. La Muerte Despierta (Lucia Fumero) 07:45 5. Mean To Me (Fred E. Ahlert) 03:23 6. Whiplash (Justin Hurwitz) 11:45 7. F it up (Louis Cole) 05:54 8. Deseo Salvaje (Eddie Palmieri) 03:07 9. Too Darn Hot (Cole Porter) 04:24 10. Carinhoso (Pixinguinha) 06:36 11. The Evil Morty (Kazu Makino, Amedeo Pace, Simone Pace.) 08:09 12. Nobody else for me (Jerome David Kern) 03:51 13. Over The Rainbow (Harold Arlen) 05:31 14. Flor de Lys (Djavan) 04:25

Comedians Mark Bailey and Mike Miller talk funny about the nerdiest instrument in school bands to play, the saxophone trap, Mark's school band stories courtesy of Mr. Buda, how to be first string clarinet without being in the first string, and remembering Steve Allen and Frank Zappa. Brought to you by Nagoyaradio.com, Nagoyacomedy.com, and stand up comic Mark Bailey.

  It was 1956. Jim was eight years old. Elvis Presley had recently been featured on Ed Sullivan's and Steve Allen's television shows. The impression cast was indelible. An unrelenting campaign against his parents finally resulted in a Christmas present. A rough but playable ¾ size guitar. Decorated with a picture of Roy Rogers atop trigger. Jim remembers playing Red River Valley, She'll Be Comin' Round the Mountain. They were in the book that came with the guitar, not exactly the rock and roll he envisioned, but it was his start. Today, 2025, 69 years later Jim has created an elaborate music career, which has been his sole income for his professional life. We invite you to visit jimstringer.com to learn more about of his illustrious musical life – that is still going.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Send us a textThis is a follow on to episode 44. We go a bit further into the beat poets reading their poetry with live jazz backing.  We talk about City Lights and Steve Allen and more.A couple of CorrectionsHowl was first performed  by Ginsberg who read a draft of "Howl" at the Six Gallery reading in San Francisco in 1955.  Fellow poet Lawrence Ferlinghetti of City Lights Books, who attended the performance, published the work in 1956. Upon the poem's release, Ferlinghetti and the bookstore's manager, Shigeyoshi Murao, were charged with disseminating obscene literature, and both were arrested. On October 3, 1957, Judge Clayton W. Horn ruled that the poem was not obscene.AlsoAl jazzbo Collins records were with Steve Allen you can watch the records revolve and listen to his righteous Spiel here If you haven't already check out our on podium blog on this subject This is our website This is our InstagramThis is our Facebook group

RockerMike and Rob Presents:Steve Allen and Ron Flynt from the band 20/2020/20 was a power pop band that emerged in the late 1970s, known for their melodic hooks, jangly guitars, and tight harmonies. Originally from Tulsa, Oklahoma, the band was formed by Steve Allen (vocals, guitar) and Ron Flynt (vocals, bass), later relocating to Los Angeles to join the burgeoning power pop scene alongside bands like The Knack and The Plimsouls.They gained recognition with their self-titled debut album, 20/20 (1979), which featured standout tracks like “Cheri” and “Yellow Pills”—the latter becoming a cult classic in the power pop genre. Their sound blended the British Invasion influences of bands like The Beatles and The Who with the punchy energy of new wave.Despite critical acclaim, mainstream success eluded them, and they released a few more albums, including Look Out! (1981) and Sex Trap (1982), before disbanding. However, 20/20 remains highly regarded among power pop enthusiasts, and their music continues to be rediscovered by fans of the genre.#20_20Band #PowerPop #NewWave #YellowPills #ClassicRock #70sMusic #80sMusic #PowerPopRevival #UnderratedBands #RockHistory #TulsaMusic #LArock #VinylCollection #RetroMusic #MusicDiscoveryhttps://bigstirrecords.com/20-20https://powerpophalloffame.com/portfolio-posts/20-20/https://open.spotify.com/artist/3MBZ7cW7vbWlM9YMYaXE9n?si=LYgEUuJzTlyQWZ6NCdbSAAhttps://www.discogs.com/artist/884409-2020?srsltid=AfmBOorjSey_01s_vFvwkJmOx9r9mgzL-ICx59UDTQqZtQdLAXvxeurjhttps://www.facebook.com/share/1HdWChUBpu/?mibextid=wwXIfrhttps://youtube.com/channel/UCtFIYSBKuKBQepSKitRZWXg?si=3X42GbIjX-lleoca

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

Support Breaking Walls at https://www.patreon.com/thewallbreakers It's a little after midnight on the morning of Monday January 9th. We're at P.J. Clarke's on the corner of 55th street and 3rd avenue, getting warm the best way we know how. The weather is nasty outside. It's about fifteen degrees with freezing rain and gale force winds. Clarke's is a bar from another time. It's wonderfully trapped in nostalgia—all burnished wood and chased mirrors. Orson Welles is opening King Lear at The City Center to good reviews. The years in Europe did him well, but he's happy to be back in New York. Welles is in the back with none other than Frank Sinatra. They've known each other since the 1930s, and since they both missed each other's fortieth birthdays last year, we're celebrating. Joining us is Jilly Rizzo and Bill Stern. The next round of drinks is on me. That's Daniel Levazzo. He bought the bar from the Clarke family a few years ago. Hey Dan, three Jacks straight up, a negroni for Orson, and I'll have Hendricks on the rocks. You want something? Hey Dan, let me borrow your phone, I've got to file my story. Hello Operator, give me CBS at 485 Madison Avenue please. (Beat) Yes I know what time it is. I'm a producer there. (Beat) Put me through. (Beat) Thank you. Some things never change. Hello Cindy, it's Scully. Is Ed Murrow still there? (Beat) Could you put me through to him? (Beat) Thank you. (Beat) Hey Ed, It's James Scully. I'm glad I caught you. Bill Paley's got you burning the midnight oil huh? (Beat) I did. Orson was good. I'm a P.J. Clarke's with him and Sinatra right now. Bill Stern's here too. You want to swing by? I'll get Dan Levazzo to break out the moonshine. (Beat) With those two? We'll be here a while. (Beat) Ha! Ok I'll see you soon. Ed Murrow's a good man. The gang will be happy to see him. Dan, Do me a favor, turn the TV up for a second. The Tonight Show with Steve Allen is just finishing on NBC-TV and there's a little news item on the tube before programming signs off. Everyone is talking about Grace Kelly's engagement to Prince Rainier III of Monaco. It was announced in Philadelphia on January 5th and their party is going to be at the Waldorf-Astoria Hotel here in New York. Grace and Rainier went their separate ways on Saturday. She's going back to Hollywood to keep working on High Society. The only thing is, one of her co-stars is Sinatra, and he'll be in no mood to fly to the coast tomorrow. That's not the only talk of love and marriage going on around New York City. Look at that Sunday Daily News cover. Heiress Juliette Wehle stood up her husband-to-be on their wedding day. She supposedly slipped away at 2AM wearing just a negligee to elope with another man. Don't worry, it's not a roving producer from CBS. The twenty-year-old heiress later returned home, unmarried. Excuse me, I'm missing out on the fun. Oh, before I go, I should say that the story of a woman jilting one man for another is ironically a centerpiece in the upcoming plot within Yours Truly Johnny Dollar's “The Todd Matter.” The first episode will air later tonight at 8:15PM over CBS radio. And remember, it stars Bob Bailey.

Taking a break from our more serious subjects, this episode features cabaret and jazz singer Marilyn Maye.With over 80 years of performing behind her, she is still traveling and performing in night clubs and concert halls around the country. Discovered by Steve Allen and a Johnny Carson favorite, Maye shares her story of longevity in the world of entertainment.*This episode originally released in January of 2023* Brought to you by NEXTVillageSF.orgNEXT Village SF is a neighborhood nonprofit providing services and support that empowers members to live independently.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe

Did I forget Steve Allen? I don't know, but I definitely almost forgot Sephen Colbert. WHY! Because I can't decipher who you are from the other four of you! There's three of us. Where's number four?! {Enter The Multiverse} Suddenly, not every day was the same—and that was strange, as it seemed the entire year had just been residuals of the same day over and over—but these days we're distinctly different, and perhaps that's because without knowing what I was going to write, things were kept interesting, and even more interesting was what I was writing at all. Music: but was it comfortable? I had put out a single a day which by now amounted to an album all put together, and I might have thought to put it out as a compilation toward the end of it all, but I hadn't gotten that far yet; I was still in the proc de of an actual album, though more complex in reasoning and context—the concept was struggling to come to the surface. It had, after all, been in the realization that a prefixed muse has been envisioned somewhere in the sands of time, that painting of melting clocks merging together into some desert scraped sandstorm, something of illusion and something like a half imagined oasi…a hallucinated woman who might have been me, but actually beautiful—perfect, actually, draped in pearls and diamonds, dripping in them—leading this lost and wandering man—a beautiful man, also, to an oasis. Was the oasis real? I wasn't sure yet, and after the first track Mirage, I was behind by 4 days on what was supposed to have been whatever tracks followed, the list of them now stuck in wax to the base of the candle at the altar, still burning— a black candle for protection , of course—a strong reminder I should keep moving until whatever things and creatures had seemingly been sent after me could not find me, any longer—and however thought it might have been the case, even if just a seed as planted into my mind — it seems at least that one negative had turned positive, in the very least. The woman whom I had shared a room with just the year before— who seemed to be something like demonically possessed and had also just rather disappeared without a trace—left behind just a bit more than her sunglasses. Since I had thought it better safe than sorry to record everything just in case I continued to be attacked, (having been literally pounced on already twice by other roommate)s—a beautiful soundscape emerged from having been cursed out, a rant which had become increasingly hilarious over time, and of course, remembering Ms. Keisha more fondly than not, especially having left her sunglasses behind. Besides, after having by grown up with my mother, even the meanest people sometimes seemed mild by comparison in remembrance of her sometimes bitter and absolute cruelty. It's hard to have imagined that I had grown up under those conditions—and though now understanding that how some others had grown up in roach and rat infested housing projects, and however clean, mostly orderly, and overall class wise my mother was, on her worst days she had been horrible, especially for a child or adolescent to have dealt with alone, and so Ms. Keisha, though at most times, an irritant, had become a buried treasure, as I sifted through the mounds of recordings in order to create something unique, and different. After tipping off the copyright sensors not once, but twice—once having submitted a completely self composed work and still somehow being flagged by the system as copyrighted material, my music became more bizzare and strange, not just bending rules, but completely breaking them. —Tales of a superstar DJ. LINDSAY LOHAN is sleeping FACE DOWN on the couch in SunnÏ Blū's Studio Lindsay, wake up. Mmfh. [Does not wake up. At all.] Lindsay. Mmf. Tequila. [Suddenly very awake, in fact; she has suddenly perked up with an amazing glow. ] *very serious knocks on the door* Oh shit. [suddenly, more drunk again] –oh shit. *three more knocks* Where's the tequila? SUNNÏ Ah, shit. Is that your lawyer, or your manager? Shit, maybe both. SUNNI. OPEN THE DOOR . –Might even be my agent, too. OPEN THE GODDAMN DOOR. (Both, in cheesy unison, tiny rock concert} I CHIMED IN WITH A HAVENT YOU PEOPLE EVER HEARD OF [Sunni opens the door. No, it's “closing the door– not “open the door” “The Goddamn door.” Right, Goddamit. –where's the tequila. Where it is– [Sunni points in a wayward direction; Lindsay stumbles morning-aftery into the booth. Eww–”morning aftery” Not like that. *addendum* [That Is, just to say that this scene takes place in the afterdays haze of a very –Very Holy Shit , God. What. You rule. [Lindsay enters the booth and uncaps a bottle of tequila so effing fancy, it hurts to look at.] So fucking fancy. Was that lindsay lohan? Yeah it is. It's still lindsay logan, Morgen– –It's ‘Morgan” –She's just over there now. Not was How are you even friends. FLASHBACK ‘ I don't want to be the reason, I could never know you— And I don't want to be the reason I could never love you' ‘Weird dreams, bro.' I had woken up with a song in my head I just flat out refused to sing; I knew it wouldn't come out the way it sounded in my head. it was beautiful, but the dream was a sentiment in itself — starring Lindsay Lohan, of course, still a redhead. Apparently we were sisters—same father, different mother; waking up, though, was silly and sounded bizzare— but in the dream it made sense. We were aware of each other, but just now really meeting for the first time— the place at all didn't seem Los Angeles, but the house was large and kind of old. It seemed I wanted to speak to her but was nervous—then, abandoning a music project entirely, had decided to ask Lindsay to go on a walk—she obliged, but seemed like she really wanted to be left alone, which I ignored—I wanted to get to know my sister, but really— I think, it seemed like I just wanted to ask questions about being super famous. ‘What was it like to be loved?' I didn't ask flat out. In fact, I stayed quiet and let her do the talking— eventually she became upset and began crying. Being rich and famous was not all it was chalked up to be; upset and furious— though not irate, and simply in tears, she began to reveal she had a drinking problem—naturally of course, I then took her to have a drink. I made the drinks weaker, but she wanted more, however, I didn't want her to get sick, so she stormed off and started yelling at me again. Now she was drunk and actually yelling— she told me her real Hollywood story, full of struggles, and that everything was a lie. I changed the subject to our paternal bond, telling her none of that mattered and we should just focus on being sisters, but she just kept going on about the Hollywood life—and how fake everything was. She claimed she was a washed up old sham— I refused, stating that she seemed to be doing well, and I quipped— “That's not true, didn't I see you on Fallon?” It was in fact the only Tonight Show segment I had watched all year, after writing the song ‘JIMMY FALLON' in early spring— I did after all, love Lindsay Lohan, who had been written into the festival project as well, ironically as Sunnï Blu's alcoholic celebrity companion—so this dream was probably my fault anyway somehow, considering it was happening in my head. Lol. Her response to the comment about the appearance on Tonight made me laugh—still pirated (pissed, drunk) she goes “Oh please! Have you ever heard him speak a full sentence [on his own]?!” Seemed like a personal dig, but I tried to hold back a snickering giggle. “Okay…” I let her go on, eventually as it seemed returning to the bar. It seemed the fact that we were sisters by blood only kind of mattered to me— Dream ended with a song that happened to be in the key of frankengenie, but I wasn't going to sing it. It was Christmas Day, not that it mattered, and I had been to bed in the early morning after the last release The Glimmer Twins [The Abyss], which was a narrative song for The festivsl Project's Enter The Multiverse collection —which I'd been inspired to write from a book I was reading. Of courses I woke up needing the Peloton, but opted for Christmas Pasta, closer to sitting down to write then not and knowing if i exercised at all it would be hours before diving into Ableton, I wasn't fat, but feeling heavier than usual after Au gratin potatoes made from scratch and yellow curry over lentils and brown rice —all completely organic, but still heavier than I was used to, though… in the spirit of the holidays, it was nice to cook. Pasta sounded okay, and I knew I needed to write something better than [The Abyss], anyway, and so I went to work—first on the food, Then on the music. —Tales of a superstar DJ. lol what happened to Lindsay? Idk. I could practically taste the tequila. Well, I was the one pouring it. Way to enable. I was just trying to calm her down. Did it work? Eventually I guess. lol what happened to Lindsay? Idk. I could practically taste the tequila. Well, I was the one pouring it. Way to enable. I was just trying to calm her down. Did it work? Eventually I guess. {Enter The Multiverse} [The Festival Project.™] The Complex Collective. © COPYRIGHT © THE FESTIVAL PROJECT 2019 | 2024 ALL RIGHTS RESERVED. ©

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

December 1, 2024 Speaker: Steve Allen

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.

WGN Radio’s Dave Plier celebrates the 70th anniversary of The Tonight Show with Bill Carter, columnist, author and producer of ‘The Story of Late Night’, highlighting the legacy of the series and hosts Steve Allen, Jack Paar, Johnny Carson, Jay Leno, Conan O’Brien and Jimmy Fallon.

It is our prayer that today's word would encourage and challenge to walk out your faith in Jesus, shine brightly in darkness and experience Kingdom impact in all you do! Stay connected with Belmont Church on our Facebook page, website or on the Church Center App.