Podcasts about Sid Caesar

Today on part one of the Rarified Heir Podcast we are talking to Howard Murray, son of comedian and actor Jan Murray. Our conversation with Howard was wide ranging and fun with a few poignant moments we did not see coming. Howard was an effusive and eager guest who really seemed to enjoy talking about his parents and how wonderful they were. This is something we already knew and we get to that when host Josh Mills tells a story about Howard's mother, Toni Murray that we've never told before. Our conversation often harkens back to Howard's beloved early years in Rye, New York when his father was known for his Borscht Belt years in the Catskills mountains entertaining Jewish vacationers, his years on radio and the early years on television in New York City, not far from his hometown of the Bronx. We talk game shows Jan Murray hosted and sometimes created, meeting ‘uncle' Jerry Lewis at his MDA telethon on stage and hearing first hand tales about comics like Sid Caesar, Shecky Greene, Harry Ritz, Buddy Hackett and more. This is the Rarified Heir Podcast and there is nothing like hearing about growing up a child of a celebrity, when your father is as terrific as Jan Murray clearly was. (And Toni Murray wasn't chopped liver either)….and this is just part one.

TVC 683.5: Ed, Tony, and Donna welcome back Hank Garrett, the actor known around the world as Officer Nicholson on Car 54, Where Are You? and one of the most accomplished voice artists in the entertainment industry. Topics this segment include how Hank first developed his skill for dialects after watching Sid Caesar rehearse for Your Show of Shows. Hank's memoir, From Harlem Hoodlum to Hollywood Heavyweight, is available through Briton Publishing, Amazon.com, and other online retailers.

Mais bon dieu, qu'est-ce qu'il lui a pris de vouloir jouer devant un public ? C'est vrai qu'Allan Konigsberg n'a rien pour lui, je veux dire physiquement, pour réussir dans le showbizness des années 50. Et du haut de son mètre 63, il l'a bien compris. Il aurait habité le milieu de la campagne ou des montagnes rocheuses, il aurait pu se rêver acteur ou musicien star, il n'avait aucun modèle sous les yeux dans son quotidien. Mais quand on habite New York, dans un appartement d'une pièce situé juste à côté de la porte électrique d'un immeuble aux multiples étages et qu'à quelques centaines de mètres de là, toutes les stars du théâtre et du cinéma jouent à Broadway, que des dizaines de gars triomphent dans les cafés théâtres de Greenwich Village ou les boîtes chics des grands boulevards, on a des exemples à qui se comparer quand on se tient le matin devant le miroir de la salle de bains.Non, Allen, qui a choisi de transformer son prénom en nom, prenant Woody comme prénom, a trouvé sa voie. Depuis l'adolescence il sait comment faire rire, envoyer une vanne ou imaginer des situations comiques, mais il les fait dire et jouer par d'autres qui le paient très bien pour ça. Ainsi à seize ans, il écrit déjà Sid Caesar, le comique de la radio et de la télé. Seize ans, vous le croyez, ça ? Alors qu'il est toujours à l'école. Sans doute est-ce la raison pour laquelle les cours à l'université ne vont pas l'intéresser. Les années passent. Woody grimpe à la télé, jusqu'au sommet, c'est-à-dire les émissions les plus regardées par l'Amérique comme le Ed Sullivan Show qui révèle les plus grands talents le dimanche soir comme Elvis Presley.Alors qu'est-ce qui lui a pris de laisser germer cette graine tombée dans le terreau de sa créativité d'artiste. En effet, la chaîne NBC qui l'emploie l'envoie dans une boîte très chic où tout coûte un pont, assister au show de l'humoriste du moment : Mort Sahl. Woody serait bien incapable d'expliquer ce qui fait le génie de ce gars mais une chose est sûre : il a foutu sa vie en l'air. Car désormais, Woody veut être lui. Aussi pour la première fois, il écrit un sketch qu'il joue un soir au débotté devant des amis producteurs. Et ils le trouvent très drôle, au point de lui monter un plan de dingue. Oui, ce dimanche soir, une star du stand up demande à la salle comble venue l'applaudir, de rester après le spectacle pour voir un débutant. Et voilà un petit homme qui s'avance, liquéfié de frayeur, vers ce micro dressé au milieu d'une scène qui lui paraît immense. Le silence tombe sur le public avec le dernier applaudissement, il pèse des tonnes sur les épaules de Woody qui balaye du regard ces crânes dont il ne distingue que le contour mais devine dans l'ombre les paires d'yeux posées sur lui, et rien que lui.Après une interminable poignée de secondes, il se lance enfin … et les rires fusent. Si fort, si bruyants que Woody semble rétrécir dans son costume, écrasé par les cascades de rires et les applaudissements. Quelques minutes plus tard, comment est-il arrivé sur cette chaise dans la loge, il ne s'en souvient pas ? Entouré de ses amis qui, il l'ignore encore, vont produire tous ses futurs films. Il écoute les conseils, qui tombent de gauche et de droite, il est dépassé par l'intensité de ce qui lui arrive. Le lendemain, les propositions vont pleuvoir de partout, Woody Allen est né au public ce soir de l'an 1960.

La vie des artistes est une source inépuisable d'histoires passionnantes qui résonnent en nous. Car c'est formidable de regarder rétrospectivement une future star de la musique ou du cinéma qui tente de trouver la reconnaissance mais à laquelle personne n'accorde d'intérêt. Et je ne parle pas de tous ceux qui ont renoncé juste avant d'y arriver : quelle place auraient-ils occupée ? Et puis il y a ceux qui avaient un travail qu'on appelle de l'ombre et qui un jour arrivent dans la lumière. Oui, qui aurait dit que le secrétaire particulier de Sylvie Vartan, de Fernand Raynaud et de Claude François deviendraient des grands noms de la chanson populaire, la télévision et le cinéma sous le nom de Carlos, Bézu et Ticky Holgado.Ainsi de Melvin Kaminsky qui à l'âge de vingt ans est démobilisé de l'armée américaine où son QI exceptionnel l'a conduit à être ingénieur sur le front belge en 44-45, lors de la bataille des Ardennes. Depuis le jour où à l'âge de neuf ans, il a assisté à sa première pièce de théâtre à New York, Mel sait qu'il ne fera pas le même travail que les autres. Et s'il vient de changer de nom, ce n'est pas pour cacher ses origines juives d'Europe de l'Est. Non, Mel étant batteur et pianiste, il veut éviter qu'on le confonde avec le grand trompettiste Max Kaminsky. Alors, il prend le nom de jeune fille de sa mère, Brookman, pour faire Brooks, et joue dans des hôtels pour touristes. Et un soir où le comique du spectacle est indisposé, comme dans la chanson de Michel Jonasz, Mel qui adore faire rire, regarde le micro et se dit : je me lance, allez, tant pis.Oui faire rire, est le moyen que tout môme, Mel avait trouvé pour que ses camarades de classe arrêtent de se moquer de sa petite taille. Alors il raconte des blagues, imite des personnalités, le public rit, on le garde le lendemain, il a trouvé sa voie. Mais réussir en Amérique est une tâche aussi énorme que le pays. Hollywood c'est très loin, à New York, c'est le théâtre, la radio et la télé, alors Mel fait des pieds et des mains pour approcher son idole, celui qui fait rire l'Amérique du début des années 50 : Sid Caesar. En quelques secondes, il lui balance une vanne et accroche la star qui lui en commande d'autres pour son émission. Ainsi débute la carrière d'auteur de Mel Brooks qui vend ses bons mots et ses sketchs. Parfois ça se passe bien, allant jusqu'à la création et l'écriture de séries comme Max la Menace ou des pièces de théâtre. Parfois ça se passe mal avec la star, ainsi Mel claque la porte du nouveau film de Jerry Lewis en 1960 et exige qu'on ôte son nom du générique. Si The ladies Man remporte un succès colossal, il ne reste que deux scènes écrites par Mel Brooks.Puis un jour de 1967 vient l'écriture et la mise en scène d'un film, parodie du monde des producteurs de Broadway que Mel connaît si bien. C'est si drôle mais tellement vitriolé que personne n'ose le distribuer. Heureusement, Peter Sellers, alias Clouseau, admiratif, lui achète de la publicité dans les magazines et, l'Oscar du meilleur scénario tombe sur Mel Brooks. C'est promis, au prochain film, car prochain film il va y avoir, grâce à cet Oscar, Mel jouera devant la caméra. Qui n'a pas vu depuis Frankenstein Junior, Space Balls ou La Folle histoire du monde. Mel Brooks est aujourd'hui presque centenaire mais qui ne se souvient pas d'une de ses chansons des années 80. Car on ignorait qu'il avait été aussi musicien. Ah non, pas chanteur ! Mais bon quand on est une star, on peut tout se permettre.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

Join us as we delve into the greatest, most epic comedy of all time: It's a Mad, Mad, Mad, Mad World, from Stanley Kramer, starring dozens of the greatest comedians of all time: Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, and Dorothy Provine. Including an insane amount of cameos and guest stars in the epic 197-minute run time. It's 60 years old, but is still one of the funniest movies ever made. --- Support this podcast: https://podcasters.spotify.com/pod/show/thegenxfiles/support

An absolute titan of 20th century comedy, Carl Reiner also was one of the most beloved writers/actors/producers/directors that Hollywood has ever produced beginning with his work on Sid Caesar's Your Show of Shows, then creating The Dick Van Dyke Show, then directing Steve Martin in The Jerk and George Burns in Oh God! And, oh yeah, he also created The 2000 Year Old Man routine with his best friend Mel Brooks. It was a simply amazing comedy career and, as always, you can find extra cuts below and thanks for sharing our shows! Want more Carl Reiner? With The Dick Van Dyke show, Carl created one of the greatest sitcoms of all time and he got in on the acting fun playing the egotistical boss Alan Brady. Here's some Alan's best. https://youtu.be/bHUfCA9EcE4?si=CJin7dTU-Ab5aG28 With Mel Brooks, Carl created one of the greatest two man bits ever, the 2000 Year Old Man. Carl supplied the questions, Mel supplied the answers, and comedy gold was spun. https://youtu.be/XOTKDgrdvdg?si=coNPQPn1iEYfteoA Later in life, Carl was seen as a wise elder to comedy writers and performers so it's no surprise that Jerry Seinfeld featured him on his great show Comedians in Cars Getting Coffee. https://youtu.be/grUEiFY1XUg?si=hbEv6LReCj1OcLkj

GGACP celebrates the birthday of veteran character actor Hank Garrett (b. October 26th) by revisiting this 2016 interview with the man who played Officer Ed Nicholson on Gilbert's beloved “Car 54, Where Are You?". In this episode, Hank reminisces about working with Robert Redford, Sophia Loren, Al Pacino and Kirk Douglas (to name a few) and tells the boys about his unlikely journey from street tough to award-winning actor. Also, Hank remembers Al Lewis, emulates Sid Caesar, wrestles with Luca Brasi and shares a bill with Tony Bennett. PLUS: Gorgeous George! The Great Ballantine! The legend of Joe E. Ross! Gilbert meets Nipsey Russell! The genius of Nat Hiken! And Hank reveals how Sammy Davis Jr. changed his life! Learn more about your ad choices. Visit megaphone.fm/adchoices

National Star Trek day. Entertainment from 2022. Michelangel unveiled his statue of David, Scoth Tape invented, 1st recorded Beastiality in North America. Todays birthdays - Jimmie Rogers, Frank Cady, Sid Caesar, Peter Sellers, Patsy Cline, Benjamin Orr, Aimee Mann, David Arquette, Martin Feeman, Pink.. Queen Elizabeth 2 died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Star Trek TV themeAsit it was - Harry StylesLast night lonely - Jon PardiBirthdays - In da club - 50 Cent http://50cent.com/Waltzing Matilda - Jimmie rogersGrease movie sound trackCrazy - Patsy ClineJust what I needed - The CarsVoices carry - Til TuesdayRaise your glass - PinkExit - In my dreams - Dokken http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

Adam welcomes actor Jon Voight for a very special 1-on-1 to discuss his new film, Reagan, and his legendary acting career. They talk about how he decided to be an actor while in college, his childhood appreciation for Sid Caesar, what it was like growing up in Yonkers, NY and losing his father in a fatal car accident. Next, Jon talks about Dr. Ben Carson's book The Perilous Fight and the predictions of Yuri Bezmenov in the ‘80s, which he discovered while researching his role in Reagan. Then they discuss how Jon navigates a career in Hollywood despite his political leanings. For more with Jon Voight: ● New Film: Reagan - in theaters August 30th Thank you for supporting our sponsors: ● RosettaStone.com/Adam ● http://Stamps.com, enter code: Adam ● http://TommyJohn.com/Adam ● http://OReillyAuto.com/Adam

GGACP looks back at an entertaining (and educational!) episode from Sept 2, 2019 with this ENCORE presentation of an interview with author-historian Jeff Abraham and filmmaker Burt Kearns about their book, "The Show Won't Go On." In this episode, Jeff and Burt share fascinating backstories on the untimely (and unusual) passings of Dick Shawn, Joe E. Ross, Al Kelly, Parkyakarkus and Karl Wallenda (among others). Also, Moe Howard wears a dress, Burt Reynolds gets a paint job, Sid Caesar packs heat and Paul Anka tears down Wayne Newton. PLUS: Carmen Miranda's final bow! The poetry of Buddy Hackett! The history of the "bullet catch"! The strange death of Washington Irving Bishop! And Jeff and Burt attend the Jerry Lewis auction! Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 50 - “Birthday Tribute to Classic Film star Vera Miles” - 08/26/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** After placing 3rd runner up to Miss America in 1948 as Miss Kansas, VERA MILES soon embarked on a long and illustrious career in Hollywood and was soon working with great directors like ALFRED HITCHCOCK (“Psycho” and “The Wrong Man”) and JOHN FORD (“The Searchers” and “The Man Who Shot Liberty Valance”). This week, we pay tribute to Miles as she turns 95 on August 23rd. Listen as we celebrate this beautiful, talented, and somewhat underrated star.  SHOW NOTES:  Sources: Hitchcock's Heroines (2018), by Caroline Young; Women In The Films of John Ford (2014), by David Mevel; “Vera Miles: Country Girl in Hollywood,” May 13, 1956, by J.D. Spiro, Los Angeles, Times; “Vera Miles: She's Alfred Hitchcock's Newest Acting Find,” January 13, 1957, Parade Magazine; “Vera Miles Says: I'm Glad I Was Poor,” May 1959, by Amy Francis, Screenland Magazine; “Vera Miles: Official Biography,” September 1961, Paramount Pictures; “The Loser Who Became A Star,” May 15, 1973, by Earl Wilson, The New York Post; “Fighting Trim Vera Miles Still A Doer,” February 20, 1981, by Mark Hemeter, The Times-Picayne (New Orleans); “Psycho Actress Defends Hitchcock,” June 25, 1983, by Richard Freedman, The Spokesman-Review, Newhouse News Service; “Vera Miles: Hollywood Walk of Fame,” June 29, 2010, by Carina MacKenzie, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  For Men Only (1952), starring Paul Henried; The Rose Bowl Story (1952), starring Marshall Thompson; The Charge At Feather River (1953), starring Guy Madison and Helen Westcott; Pride of the Blue Grass (1954), starring Lloyd Bridges; Tarzan's Hidden Jungle (1955), starring Gordon Scott; Wichita (1955), starring Joel McCrea; The Searchers (1956), starring John Wayne and Jeffrey Hunter; The Wrong Man (1956), starring Henry Fonda; Beau James (1957), starring Bob Hope; Web Of Evidence (1959), starring Van Johnson; The FBI Story (1959), starring James Stewart; A Touch Of Larceny (1960), starring James Mason and George Sanders; 5 Banded Women (1960), starring Jeanne Moreau; Psycho (1960), starring Anthony Perkins, Janey Leigh, and John Gavin;  Back Street (1961), starring Susan Hayward and John Gavin; The Man Who Shot Liberty Valance (1962), starring John Wayne and James Stewart; A Tiger Walks (1964), starring Brian Keith; Those Calloways (1965), starring Brian Keith, Brandon De Wilde, and Linda Evans; Follow Me Boys! (1966), starring Fred MacMurray; The Spirit Is Willing (1967), starring Sid Caesar; Gentle Giant (1967), starring Dennis Weaver and Ralph Meeker; Hellfighters (1968), starring John Wayne and Katharine Ross; The Wild Country (1970), starring Steve Forrest; One Little Indian (1973), starring James Garner; The Castaway Cowboy (1974), starring James Garner; Run For The Roses (1977), starring Stuart Whitman; Smash Up On Interstate 5 (1976), starring Robert Conrad, Buddy Ebson, Sue Lyon, Terry Moore, and Tommy Lee Jones; Psycho II (1983), starring Anthony Perkins; The Initiation (1984), starring Clu Galugar and Daphne Zuniga; Separate Lives (1995), starring Linda Hamilton and Jim Belushi; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cue the rim-shot, because Jack Carter is in the house. Best known as the purveyor of rapid fire jokes in the best Vegas tradition, Jack was also a fine singer, dancer, and actor with numerous stage and screen credits to his name. Early on he claimed a bit of television history as an early host of both the Texaco Star Theater and the Cavalcade of Stars. Those gigs earned him his own show on NBC which was the lead in to Sid Caesar and Imogene Coca's Your Show of Shows. A tireless performer, Jack was a mainstay at the Dean Martin Celebrity Roasts and on game shows (Password, The Match Game), as well as continuing with stand up appearances well in to his 80s. A comedy historian once referred to Jack's style as 'slick, fast, and furious" -- an apt description and one worthy of a 21 rim shot salute! As always, find extra clips below and thanks for sharing our shows. Want more Carter? This is a treat -- Jack's full routine on the Ed Sullivan Show from back in the days when television was in glorious black and white. This is a good intro to Jack's style. https://dai.ly/x2w04mb With a rapid fire style, it's no wonder that Jack was a favorite at the Dean Martin Celebrity Roasts -- here he ostensibly roasts Monty Hall, but it's the other panelists who take most of the fire, https://www.bilibili.com/video/BV1kx411e7aK/ Jack was a television pioneer and for a while his own variety show was the lead in to Sid Caesar and Imogene Coca's legendary "Your Show of Shows". At a school reunion Jack was called on for some memories those times and he sure delivered. https://youtu.be/DqIbXfTF708?si=Oprzg0A0MBN-D6ke

GGACP celebrates ten (10!) years since its debut on June 1, 2014 by revisiting the very first episode of the podcast, featuring a memorable interview with comedian, author and talk show legend Dick Cavett. In this episode, Dick shares personal stories about Jack Benny, Johnny Carson, Katharine Hepburn, John Lennon and Groucho Marx (among others) and talks about the time a guest dropped dead on his set (yes, it happened). Also, Dick recalls writing for Jack Paar and Jerry Lewis and favors Gilbert and Frank with uncanny impressions of obscure character actors. PLUS: "Rashomon: The Sitcom"! The genius of Sid Caesar! The tragedy of Erin Fleming! Tarzan moves in! Dick plays The Bitter End! And Frank Nelson gets mistaken for Gale Gordon!  Learn more about your ad choices. Visit megaphone.fm/adchoices

rWotD Episode 2551: The Kids in the Hall Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Sunday, 28 April 2024 is The Kids in the Hall.The Kids in the Hall is a Canadian sketch comedy troupe formed in 1984, consisting of comedians Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson. Their eponymous television show ran from 1989 to 1995, on CBC, in Canada. It also appeared on CBS, HBO, and Comedy Central in the United States.The Kids made one film, Brain Candy, which was released in 1996. They reformed for various tours and comedy festivals in 2000. They later reunited for an eight-part miniseries, Death Comes to Town, in January 2010. An eight-episode revival season was released on May 13, 2022 on Amazon Prime Video. Their name came from 1950s TV comedian Sid Caesar, who would attribute a joke that did not go over well (or played worse than expected) to "the kids in the hall", referring to a group of young writers hanging around the studio.This recording reflects the Wikipedia text as of 00:29 UTC on Sunday, 28 April 2024.For the full current version of the article, see The Kids in the Hall on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Matthew Standard.

Ferris Butler and his biographer D.B. Frick joined me to discuss his garage band version of SNL "Waste Meet News"; his love for Sid Caesar and Ernie Kovacs; Brooklyn in the 50's and 60's; his pilot for the Vintage Seltzer Hour with Michael O'Donoghue and Garrett Morris; going to NYU film school and being taught by Martin Scorsese and classmates with Billy Crystal; creating Waste Meat News; having Radames Pera on; the budget; New York Magazine says Waste Meat is being copied by SNL; getting hired by Jean Doumanian; how the crew was excited for new season. but the press was already hostile; not getting anything on the premiere; getting Leather Weather on the Malcolm McDowell show; writing the tag to Eddie Murphy's first appearance; writing Tort-U-Matic and her monologue for Jamie Lee Curtis; co-writing Reagan Co for the Robert Hays episode; Howard Stern has beef about his Leather Weather Girl vs. Ferris' sketch; writing the Kung Fu prostitution sketch and slipping a watersports joke by the censors; the difference between head writers Mason Williams and Stevens and Moore; writing one joke for Weekend Update; Brian Doyle-Murray; Bill hosts; he was recommended by Letty Aronson; more Bill Murray stories; is Ferris Butler, Ferris Bueller - Del Close wanted to do a movie about him, Quentin Tarantino believes it; writing "Prison Confession" sketch for Ray Sharkey episode; writing a sketch that got cut at dress; writing the "Big Brother" sketch for Deborah Harry episode; the re-evaluation of season 6; Name That Sin; musical guests; saving his sketches; not being surprised Dick Ebersol didn't as him back; not getting credit for writing for SNL; not being invited to any anniversary; Waste Meat News is in the Paley Center for Media

Jeff Altman and I discuss growing up in Syracuse; his father, Arthur, teaching him slight of hand magic; learning more at Johns Hopkins; moving to LA and going to the Magic Castle; trying out at the Comedy Store; doing a comedy album with Denny Johnston; his Carson impression and two times he met him; doing his voice on Mary Hartman, Mary Hartman; doing voices on Norman Lear shows and Archie Bunker's Place; Celeste Holm, who his uncle discovered; his year living off income from being on Merv Griffin; Starland Vocal Band Show; guest appearances on Mork and Mindy and WKRP; playing Huey Hogg on Dukes of Hazard; getting the co-hosting job on Pink Lady; being told they spoke perfect English; working with Sid Caesar and Jim Varney; impressions; Rich Little; talking to Johnny right before he announced his retirement; his on-air prank calls to Letterman; Tim Thomerson; the origins of butt steak; being in the Israeli Candid Camera and almost getting arrested; his appearance on Night Court; his tough times being a cast member on Nurses; hosting Sunday Comics; Franklin Ajaye; doing an episode for the troops in the Gulf War; impersonating Bob Hope to Brooke Shields; his "dad" character; his album, I'll Flip You Like a Cheese Sandwich"; having Seinfeld ask him to be in The Bee Movie; retiring from comedy and going full time into sleight of hand; getting married to a girl he knew from high school and moving to Raleigh, NC; Max Alexander; Pink Lady covers and original songs

It's the final week of #MaxFunDrive! Thanks to everyone who has joined or upgraded so far; if you've been putting it off, now's thie time! maximumfun.org/joinIt's been a long time since comedian Jackie Kashian (co-host of MaxFun's own Jackie and Laurie Show) has been a industry newb like Benji (Mark Linn Baker) in 1982's MY FAVORITE YEAR. But she felt really seen by Benji's journey into the world of comedy -- the risks, the shifting identity, and the heartbreak. She and Jordan will get into all of that, plus learn why Jackie relates to A.X.L., the top-secret robotic dog from  2018's A.X.L.Then, Jordan has one quick thing about the...ahem...Poohniverse?***With Jordan Crucchiola and Jackie Kashian

This week we watched the 1981 comedy adventure film History of the World Part I. Written and directed by Mel Brooks the film tells the story of some of human history through comedy and gags. The large ensemble cast also features Sid Caesar, Shecky Greene, Gregory Hines, Charlie Callas, Dom DeLuise, Madeline Kahn and Cloris Leachman. Brooks also stars in the film, playing five roles: Moses, Comicus the stand-up philosopher, Tomás de Torquemada, King Louis XVI, and Jacques, le garçon de pisse. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

This is an interview recorded 8 years ago with singer and actor Bill Hayes.... who was a cast member on Sid Caesar's groundbreaking "Your Show of Shows" ..... sang a leading role in the original Broadway cast of Rodgers and Hammerstein's "Me and Juliet" .... recorded the #1 song in the country in 1955 with "The Ballad of Davy Crockett" .... and was a part of the soap opera "Days of our lives" for more than fifty years. Mr. Hayes passed away on January 12th of this year at the age of 98. The interview also includes some comments from his wife, actress Susan Seaforth Hayes.

Welcome to the Instant Trivia podcast episode 1023, where we ask the best trivia on the Internet. Round 1. Category: What Happened When? 1: On December 17, 1992, this agreement was signed by the leaders of three countries. NAFTA. 2: On Halloween 2012 the New York Stock Exchange reopened after being closed for 2 days due to this weather event. Hurricane Sandy. 3: On February 8, 1587 it was off with her head at Fotheringhay Castle after 19 years of imprisonment. Mary, Queen of Scots. 4: In 1810 Napoleon, divorced from Josephine, married this archduchess with whom he would have a son. Marie-Louise. 5: Discovered by Clyde Tombaugh in 1930, it got a big demotion in 2006. Pluto. Round 2. Category: State Capital Events 1: On Jan. 29, 2016 in Baton Rouge, the Mystic Krewe of Artemis was the first parade in this annual event. Mardi Gras. 2: In March 2016 you could catch an Easter concert by this group live in Salt Lake City or on closed-circuit simulcast. the Mormon Tabernacle Choir. 3: The 1850s are back as tons of dirt cover the streets of Old this state capital in its annual Gold Rush Days. Sacramento. 4: Cactus League spring training is held throughout the area of this capital. Phoenix. 5: Go to both the film and music parts of the SXSW festival in this capital and by all means, enjoy some BBQ. Austin. Round 3. Category: I Read It In A Book Once 1: "'Some pig!' whispered Mr. Zuckerman. They stared and stared for a long time at Wilbur". Charlotte's Web. 2: "I have no plans to call on you, Clarice, the world being more interesting with you in it". The Silence of the Lambs. 3: "His lips parted into a timid smile, and our neighbor's image blurred with my sudden tears. 'Hey, Boo,' I said". To Kill a Mockingbird. 4: "'Is it safe to get my diamonds?'… Szell opened the black leather case. And took out a portable hand drill". Marathon Man. 5: "For him evidently Mr. Kurtz was not in his grave; I suspect that for him Mr. Kurtz was one of the immortals". Heart of Darkness. Round 4. Category: Festivals 1: A Swine Festival in Georgia includes a greased pig chase and the eating of these, the cooked small intestines of pigs. chitlins. 2: This pop music festival is named for a town in southwestern England also said to be the burial site of King Arthur. Glastonbury. 3: Holi is a spring festival of colors in this religion. Hindu. 4: Each May this New Mexico city has a festival honoring Ralph Edwards, who brought the city much fame. Truth or Consequences. 5: A 5-day horseback ride named for this Tombstone lawman will take you to a ghost town and the gravesite of Johnny Ringo. Wyatt Earp. Round 5. Category: Hail, Caesar! 1: This Canadian singer had huge successes with her multi-year residencies at Caesars Palace starting in 2003 and 2011. Celine Dion. 2: The character King Kaiser is based on Sid Caesar in this 1982 Peter O'Toole film set in the world of 1950s TV. My Favorite Year. 3: Built by Herod the Great and dedicated to Augustus, Caesarea is a coastal town in this country. Israel. 4: Scholars believe St. Paul made his appeal to Caesar of Acts 25 in 59 A.D., so the Caesar would have been him. Nero. 5: It's where fancy restaurants once served Caesar salad, tossed as you watch; Ken's makes a bottled version of the dressing. tableside. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices us

GGACP celebrates the life and career of the late, legendary producer and showman Marty Krofft with this ENCORE presentation of a 2018 interview with Marty and his brother and longtime partner Sid Krofft. In this episode, Sid and Marty discuss their unusual creative process, the origins of “H.R. Pufnstuf” and “Land of the Lost” and the failure of their ambitious indoor theme park, “The World of Sid and Marty Krofft.” Also, Dean Martin drops the axe, Bette Davis drops an F-bomb, Walt Disney doles out advice and Liberace “dates” Sonja Henie. PLUS: "Pink Lady and Jeff"! Live, nude puppets! Sid Caesar to the rescue! Remembering Martha Raye! “The Brady Bunch Variety Hour”! And Sid and Marty sue McDonald's — and win! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week of "Oh November" takes us back to 1963 with the completely stacked to the rafters with comedic talent "It's a Mad Mad Mad Mad World."

Welcome to another encore episode of the Rarified Heir Podcast – our Halloween edition – with part two of our interview w/ Janna Taninbaum and Michael Ritz, the children of comedian Harry Ritz of The Ritz Brothers. On this second half of our interview, we talk about some of the hijinks Harry got up to as a performer and as a father as well. Like what you ask? Janna tells us about life in Las Vegas growing up with her dad and his vanity plate in the 70s, we hear some terrific stories about gambling and the mob that Harry was part of and privy to, as well as Betty Grable's race horses & her aversion to the WC, stories about comic Jan Murray, how their father was ‘the guy in the middle' as well as more on Harry and his brothers fame on Broadway, movies, television and the stage in their later years. We loved hearing these tales about the man who influenced everyon from Sid Caesar, Milton Berle, Jerry Lewis and Mel Brooks. In fact, it was Mel Brooks who said, “As far as I'm concerned, Harry Ritz is the funniest man ever.” Take a listen. And a laugh, won't you to this episode of the Rarified Heir Podcast? Everyone has a story. 

In this episode, I spoke with Shelley Herman and her book "My Peacock Tale: Secrets of An NBC Page". My Peacock Tale: Secrets Of An NBC Page is a funny, sexy, gossipy, celebrity-filled memoir with real-life, never-before-told stories. Set against the backdrop of NBC Burbank in the mid-70s, the Pages had VIP access to stars ranging from Johnny Carson to Joan Rivers, Gilda Radner to Andy Kaufman, Freddie Prinze to Richard Pryor, Robin Williams, John Travolta, Paul McCartney, Ringo Starr, Donald Trump, Johnny Cash, Harry Chapin and iconic legends including Bob Hope, Betty White, Elvis Presley, Sid Caesar, Imogene Coca, Alfred Hitchcock and many more.

This week Alex & Ryan conclude their talk with NYU film professor David Irving, in the second episode of a two-part series where they discuss Tod Browning's 1932 film "Freaks." David Irving is a director whose professional film credits include Night of the Cyclone (1990) with Kris Kristofferson and Marisa Berenson; C.H.U.D. II (1988) with Robert Vaughn and Gerrit Graham; The Emperor's New Clothes (1987) with Sid Caesar and Robert Morse; Sleeping Beauty (1987) with Morgan Fairchild, Tawnee Welch, and Sylvia Miles; Rumpelstiltskin (1987) with Amy Irving and Billy Barty; Goodbye, Cruel World (1983) with Dick Shawn and Cynthia Sikes. His documentary credits include Romare Bearden: Visual Jazz (1995); Jacob Lawrence: The Glory of Expression (1993); Dr. Lorraine Hale: Alive with Love (1992); and Faith Ringgold: The Last Story Quilt (1991). His theatre directing credits include The Man Who Killed the Buddha (1981) by Martin Epstein for the Los Angeles Odyssey Theater; and The Skin of Our Teeth (1981) by Thornton Wilder for the Beverly Hills Playhouse. His credits as producer in film include Home Free All (1982) with Alan Nicholls and The Great Texas Dynamite Chase (1975) with Claudia Jennings for New World Pictures. He has won numerous awards including the Bronze Chris Award for Jacob Lawrence; the Cine Golden Eagle for Faith Ringgold; the L.A. Weekly Award for Direction for The Man Who Killed the Buddha, and the Writers Guild of America Award for The Secret of the Lost Valley (1980). David has also written the award-winning textbook "Producing and Directing the Short Film and Video" and "Fundamentals of Film Directing." He is currently an associate professor at NYU's Tisch School of the Arts. David Irving IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. Ryan Gibson Ryan Gibson is an Emmy-award winning producer of such films as the critically acclaimed Woe and the upcoming film Slotherhouse. He has worked for over twenty years in all aspects of film development and production. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram X Podlink Credits Alex Keledjian, Host Ryan Gibson, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via ncpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Alex & Ryan talk with NYU film professor and author David Irving, in the first episode of a two-part series. David Irving is a director whose professional film credits include Night of the Cyclone (1990) with Kris Kristofferson and Marisa Berenson; C.H.U.D. II (1988) with Robert Vaughn and Gerrit Graham; The Emperor's New Clothes (1987) with Sid Caesar and Robert Morse; Sleeping Beauty (1987) with Morgan Fairchild, Tawnee Welch, and Sylvia Miles; Rumpelstiltskin (1987) with Amy Irving and Billy Barty; Goodbye, Cruel World (1983) with Dick Shawn and Cynthia Sikes. His documentary credits include Romare Bearden: Visual Jazz (1995); Jacob Lawrence: The Glory of Expression (1993); Dr. Lorraine Hale: Alive with Love (1992); and Faith Ringgold: The Last Story Quilt (1991). His theatre directing credits include The Man Who Killed the Buddha (1981) by Martin Epstein for the Los Angeles Odyssey Theater; and The Skin of Our Teeth (1981) by Thornton Wilder for the Beverly Hills Playhouse. His credits as producer in film include Home Free All (1982) with Alan Nicholls and The Great Texas Dynamite Chase (1975) with Claudia Jennings for New World Pictures. He has won numerous awards including the Bronze Chris Award for Jacob Lawrence; the Cine Golden Eagle for Faith Ringgold; the L.A. Weekly Award for Direction for The Man Who Killed the Buddha, and the Writers Guild of America Award for The Secret of the Lost Valley (1980). David has also written the award-winning textbook "Producing and Directing the Short Film and Video" and "Fundamentals of Film Directing." He is currently an associate professor at NYU's Tisch School of the Arts. David Irving IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. Ryan Gibson Ryan Gibson is an Emmy-award winning producer of such films as the critically acclaimed Woe and the upcoming film Slotherhouse. He has worked for over twenty years in all aspects of film development and production. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram X Podlink Credits Alex Keledjian, Host Ryan Gibson, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via ncpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

National Star Trek day. Entertainment from 2010. Michelangel unveiled his statue of David, Scoth Tape invented, 1st recorded Beastiality in North America. Todays birthdays - Jimmie Rogers, Frank Cady, Sid Caesar, Peter Sellers, Patsy Cline, Benjamin Orr, Aimee Mann, David Arquette, Martin Feeman, Pink.. Queen Elizabeth 2 died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Star Trek TV themeLove the way you lie - Eminem and RihannaAll about tonight - Blake SheltonBirthdays - In da club - 50 Cent http://50cent.com/Waltzing Matilda - Jimmie rogersGrease movie sound trackCrazy - Patsy ClineJust what I needed - The CarsVoices carry - Til TuesdayRaise your glass - PinkExit - It's not love - Dokken http://dokken.net/ https://www.coolcasts.cooolmedia.com/show/history-factoids-about-today/

November 16-22, 1985 This week Ken welcomes former NBC Page, game show royalty, and writer of the new memoir "My Peacock Tale", the great Shelley Herman. Ken and Shelley discuss North Hollywood, Allee Willis, growing up in Calabasas, ideal childhoods, The Tonight Show, Johnny Carson's son, going to tapings of The Midnight Special, working at Sears, seeing Elvis in Vegas as a teenager, the unique role NBC Pages played, being mistaken as Erik Estrada's girlfriend, forced police uniform wearing, drunken celebrities, SNL, watching the East Coast feed, Gilda, the NY and LA TV production differences, The Not Ready for Prime Time Players, The Dating Game, chaperones, serial killers, Susan Elliot, stand up comedy, Off the Wall, replacing people in a syndicated package, reunions of shows nobody watched, sketch comedy, Mac and Jamie, voice over, The Colbys, movie stars on TV, meeting Charlton Heston, tall people, NBC tours, Vincent Price, Richard Pryor's variety show, putting attractive people up front, dealing with the sponsors, Ringo Star's ex wife, Saturdays on NBC, Golden Girls, Ed McMahon, 227, the greatest story ever about Jackee' Harry, being on The Love Boat, Dick Ebersol, taking Sid Caesar and Imogene Coca to the Emmys, Sally Rogers, Dick Van Dyke, meeting Hitchcock, Photoplay magazine, owning Shirley Temple's trousers, The Bad Seed, the evolution of women panelists on game shows, the structure of game shows, Dumbo, DUMBO!, Phoebe Cates, one of the top 5 greatest Kevin Kline stories, TV's Bloopers and Practical Jokes, Dick Clark's uniform, Eye Witness Video, We Are the World, Moonlighting, Heaven (High from) and Hell (town), Tello's Restaurant, Robert Blake, the mystery of Shadowchasers, Cheers, Regan's speech in the USSR, Made for TV movies, Bridge Across time starring David Hasselhoff and Stepfanie Kramer, taking a writing class from Rod Serling, and the secrets of Supermarket Sweep. 

Barry Blaustein joined me to discuss watching political events of the early 1960's on a b/w TV; his comedy influences; going to school for broadcast journalism; "Broadcast News"; going to LA and getting jobs on specials; working on The Mike Douglas Show; submitting for SNL; Jean Doumanian asking him to write more, not doing it and getting hired anyway; the writing staff did not intimidate him; Elliot Gould and the Accordion Killer; Malcolm McDowell; Ellen Burstyn and Raheem Abdul Mohammad; his dad coming up with "Is that velvet" from "Coming to America"; writing "LFNY" for Eddie on the seventh show and having people upset; Tommy Torture and Ray Sharkey's erratic behavior; Karen Black episode; Charlene Tilton, Mr. Robinson's Neighborhood and Charles Rocket's f-bomb; writing a Nick the Lounge Singer with Bill Murray; the Writer's Strike; first show back with Little Richard Simmons, Prose and Cons, and Khaddafi Look; show two with Buckwheat; John Mulaney was born in 1982 when he was at SNL; Ted Cruz being a fan of his work; Velvet Jones; Donald Pleasance and Fear; "Hidden Photo"; Michael O'Donoghue; writing the Mick Jagger variety special for Tim Curry; "retiring" Velvet Jones and The Jersey Guy; Gumby; Larry the Lobster; appearing on camera; Ebony & Ivory; going out to L.A. to write for Chevy hosting via satellite; Drew Barrymore; Eddie hosts and Steve Martin makes a cameo; Lily Tomlin; working with Rick Moranis, Sid Caesar, Stevie Wonder and Ed Koch; leaving the show and not being allowed to tell Eddie; Pam Norris; "Coming to America"; being a Mets and Clippers fan; writing the "Police Academy" movies and their humungous success in Russia; What's Alan Watching?; going back with Eddie in 2019 to SNL;

Strap in and prepare for an electrifying ride of a show that will leave you exhilarated, astonished, and utterly amazed!  Our next guest was an NBC Page in Burbank, California, in the mid-70s. And she's the author of a new book entitled: "My Peacock Tale: Secrets Of An NBC Page." You'll hear a treasure trove of untold stories that will have you on the edge of your seat. Including tales about Richard Pryor, Sid Caesar, John Travolta, Chuck Barris, Joan Rivers, Freddie Prinze, Alfred Hitchcock, Andy Kaufman, The Bee Gees, Erik Estrada, and many, many more! Ladies and gentlemen, please enjoy this episode of "A Page in History" with the one and only Shelley Herman! 

Set sail on Episode 38, Season 2 of the Love Boat, the worlds greatest romantic comedy drama television series of all time! In this episode we follow an all star cast that includes Cyb Barnstable, Trish Barnstable, Ruth Buzzi, Sid Caesar, David Nelson, Tony Roberts and Fred Travelena as they deal with difficult decisions, problematic puppets, tricky twins, possible parenthood, mariachi marriage madness and chestnuts! So get your hanky and a fresh pack of double mint gum and enjoy this excellent episode. We also encourage everyone to find our Instagram page Lovin' The Love Boat to enjoy the super cool video messages from Isaac himself Mr. Ted Lange! And much more. Thanks for listening to the podcast and joining us on this voyage and by all means consider subscribing to the show as well as Paramount+ so you can watch the episode with us. We promise you'll be glad that you did. * Attention passengers! If you'd like to see the show continue please consider contributing to our ⁠⁠⁠⁠GoFundMe⁠⁠⁠⁠ so we can stay afloat and allow us to make good on our promise to have exciting new guests join us on future episodes. It means a lot and will also allow us to keep the show commercial free. Visit our page ⁠⁠⁠⁠HERE⁠⁠⁠⁠ and give whatever you can. Give any amount and help put us over the top.

What happens when one man, a criminal mastermind, who is desperate for immortality and will stop at nothing to achieve it, comes up against his greatest foe - a weary pensioner with a lawnmower fixation? As if out of a Trap, this week actors & comedians Paul Litchfield & Jeremy Limb join Tyler to hem and haw and (occasionally) howl at Peter Sellers' final film, The Fiendish Plot of Dr Fu Manchu from 1980. Released two weeks posthumously, Sellers plays both the title role and that of Nayland Smith, a dogged detective who has foiled many a Fu Manchu scheme over the years and who is called out of retirement for one last job. Assisted by a cast which includes Helen Mirren, David Tomlinson and Sid Caesar, Sellers oftentimes cannot help coming across as tired and jaded and the parallels between his real life health problems and Fu Manchu's desperation to cling onto life are too obvious to go unobserved. Jeremy and Paul have been fascinated by this film for many years and have a lot to say about it - Jeremy in particular delivers an impassioned argument in its defence! Carry On Stre@ming: https://pod.link/1641768797

Alice Lloyd: A serious woman In 1951 the Southern Association of Colleges, an accrediting agency, sent a committee to assess a small two-year institution in the mountains of eastern Kentucky named Caney Creek College. Their final report makes for interesting reading, which you can't always say about accreditation reports. “This institution charges no tuition,” they reported. “...The understanding is that students will offer to work in the mountain area, and 90% have done so. There are amazing examples of outstanding service…The President is aged and crippled but otherwise alert, diligent, and confident. She works seven days a week…The fact is, this committees has never seen an institution like this. One must visit to understand and to be able to interpret.” The President was Alice Lloyd, and she was also the founder of the college–as well as a network of charitable organizations. After her death, the college was renamed in her honor. Allison Holbrook Southard is Associate Vice President for Institutional Advancement at Alice Lloyd College. She's with us today to talk about this unique institution, explain what “institutional advancement” is, and the unique challenges that all college advancement officers face, as well as those specific to Alice Lloyd. For Further Information If you haven't, you should listen to Episode 311: Knowledge Towns; and give a listen to some other podcasts in our series "Higher Ed: A Guide for the Perplexed" The Work Colleges Consortium Having mentioned This is Your Life in the podcast, I am unable to resist linking to the great Sid Caesar spoofing the show with This is Your Story. Robert Browning, "Song from Pippa Passes"

GGACP celebrates the birthday (May 6) of TV personality and game show host Tom Bergeron by revisiting this entertaining conversation from 2017. In this episode, Tom weighs in on a variety of topics, including the unpredictability of live television, the genius of Marcel Marceau, the benefits of transcendental meditation and the rise and fall of the Jerry Lewis Telethon. Also, Tom interviews Moe Howard (and Larry Fine), Sid Caesar speaks German, Bob Hope moves down the couch and Mel Brooks mimics Bill Cullen. PLUS: Bob the Puppet! The Lawrence Welk singers! Arnold Schwarzenegger “brings funny!” Henry Winkler pulls a fast one! And Tom and Gilbert remember John Ritter!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids.Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula.

It's the end of the road for an Emmy- and Golden Globe-winning comedy series. “The Marvelous Mrs. Maisel” is back for its fifth and final season, with episodes dropping weekly starting April 14 on Amazon Prime Video.  For this episode of Streamed & Screened, hosts Bruce Miller and Terry Lipshetz, provide a (mostly) spoiler-free analysis of the the program, which is a favorite of both. Also hear from the stars, including clips from Rachel Brosnahan (Miriam "Midge" Maisel), Alex Borstein (Susie Myerson), Tony Shalhoub (Abraham "Abe" Weissman) and Kevin Pollak (Moishe Maisel) who reflect on the characters, the series and whether we might see them all reprise their roles in the future as part of a feature-length movie. Bruce also has an interview with Michael Zegen, who plays Midge's ex-husband Joel Maisel, who offers thoughts of his own on the program. Whether you're a longtime fan of the show or looking for an introduction before you binge the whole thing over a long weekend, you'll want to give this episode a listen. About the show Read more: REVIEW: 'Mrs. Maisel' ends with marvelous update Where to watch: Amazon Prime Video Cast: Rachel Brosnahan as Miriam "Midge" Maisel Alex Borstein as Susie Myerson Michael Zegen as Joel Maisel Marin Hinkle as Rose Weissman Tony Shalhoub as Abraham "Abe" Weissman Kevin Pollak as Moishe Maisel Caroline Aaron as Shirley Maisel Luke Kirby as Lenny Bruce Jane Lynch as Sophie Lennon Created by: Amy Sherman-Palladino Executive producers: Amy Sherman-Palladino, Daniel Palladino Producers: Dhana Gilbert, Matthew Shapiro, Salvatore Carino, Sheila Lawrence About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: A lot of young women trying standup comedy for the first time, which is so awesome and long overdue. It's been incredible to hear how his legacy has already affected people, and I'm really excited to see how she lives on. That voice you just heard was Rachel Brosnahan, who stars as Miriam ‘Midge' Maisel in ‘The Marvelous Mrs. Maisel' I'm Terry Lipshetz, a senior producer at Lee Enterprises and a co-host of Streamed and Screened, an entertainment podcast about movies and TV. Joining me, as always, is the incomparable Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. The Marvelous Mrs. Maisel is back for its fifth and final season with episodes dropping weekly starting April 14th on Amazon Prime Video. Bruce It will be an end of an era for one of the most popular shows on that platform. Certainly big shoes to fill. First of all, why was it not the marvelous Bruce Miller? This is now this is how this should be. This is how he introduced me. Right. It's interesting because this is a show that I think people lost track of because of the big gaps between seasons. Was it over? Is it over? And when they see this fifth season and I've seen the whole thing, they will go, Oh my God, there's so much in that fifth season because they do a lot of time jumps. So you're not going to just see one season, one year play out. It goes into the future and you find out things about her children. You find out things about her husband, her ex-husband, her friends, Susie. All of those people come into play at some point. And so it flashes back and forth and it's I think it pays. It rewards the people who have been loyal. And you get to see a lot of fun. So there is and I you know, I'm really I should say nothing. But there is one kind of cute thing where they're showing, you know, did she have a lot of dresses? And they show the racks of her clothes all. My God, what is this? She did have it because I don't think she ever wore anything twice. No, I don't remember it. And you also, I think, see growth in Mrs. Maysles comedy career, how she's able to tell, you know, I always thought, is she making this crap up on the fly? And every night, is she not writing this down so that she can, you know, retell it at another place? It seemed like every every routine she did was just of the moment. And you see how she does all that. And there is a scene in the last episode that is on Be Livable, and that's as much as I can tell you on the spoiler end of things. But okay, no spoilers. You know, when you first watched it, what surprised you most about it? For me personally, I was sucked in because I'm a native of New York City, okay? And for me, my wife is from just outside of Green Bay, Wisconsin. And it's been an interesting ride because she's she's Catholic. I was raised Catholic, but my dad was Jewish. But for me, it's kind of seeing that cultural the cultural phenomenon of New York, the Jewish culture, even though I'm I didn't grow up in the fifties or sixties, I was born in the mid seventies, but for me I could relate to it. And I thought that they kept this show like it's fiction, but it's also really easy. And I think it was that reality that kind of kept bringing me back. So a couple of things, if you don't mind me throwing these out, because we're going to be talking a lot about I mean, we're basically going to just talk about the show with Mrs. Basil. Yes, this is the Mrs. Maisel episode. So first off, the beauty of streaming is if you have not watched this show yet, just go back and watch it. You know, go get Amazon Prime if you don't have it already and start cranking through them. My wife and I didn't start this until the 2020 lockdown. There was already in between season three and seven season for that really long gap they were talking about. But we had nothing to watch during it. So we're kind of crushing through Netflix and Hulu and anything we could find. And we hopped into Mrs. Maisel and for some reason I didn't know much about it at the time. I was saying, What is this like some superhero thing? Because it kind of played with some of those Marvel titles that you hear. But it's a it's a comedy. It takes place, I guess, you know, like late 1950s, early 1960s. Rachael Brosnahan plays Miriam Midge Maisel. She's a housewife with very strong Jewish personalities in her life. Between her her husband and her parents and her in-laws. Alex Borstein plays Susie Myerson. She manages The Gaslight Cafe. Becomes a manager. She wants to be a manager. She's there. Michael Zegen is Joel Maseil while her husband and there's a Tony Shalhoub is in it as her father. There's a lot of actors you will know. Kevin Pollak is her father in law. It was a Jane. Lynch turned up as. Jane Lynch. Yeah. So it's it's an awesome ensemble cast. So and it's also a lot of reality. So Luke Kirby plays Lenny. Bruce. Right? So he's a real person, very controversial comic of the time, but becomes Midge's friend over time and helps guide her career. Midge Maisel, a fictional character, but she's based on Joan Rivers, who had a relationship with Lenny Bruce and started at the Gaslight Cafe, which was a real location. It's where, if you've ever heard of a musician named Bob Dylan, you've heard of Bob Dylan before.Bruce Never heard of him. Never heard of him. So he was a young man. Robert Zimmerman out of Hibbing, Minnesota. Probably did. Well, is he did. He did well. So he came to New York City and was kind of brought under the wing of a folk singer named Dave Van Ronk, who is who is the mayor of MacDougal Street down in the village of New York City. They performed at the Gaslight. This is a real location. So it's the beauty of this show is, you know, you're getting a little bit of a history lesson of the time and it but it's still a fictional comedy. It's hilarious. I love it. It's very you know, some of it is kind of on the surface kind of comedy and you pick it up really quick. But some of it's very deep, too, and it kind of gets into, you know, the place of women at the time in the 1950s and, you know, kind of being you're the housewife. Take care of the kids. Joel wants to be the comic. He's the one that's going to be the comedian. And of course, the tables get turned. But yeah, you're right. I mean, with the dresses, even as the show progresses and, you know, she's short on cash, sometimes it's like, how can you afford this apartment? Where are all these dresses coming from? It's ridiculous. The clothing budget does not suffer. She will always have a great outfit. What I find fascinating was each year it got bigger. You know, you start out and it's kind of like, Oh, this is doing a period show is expensive. And they didn't. They just threw it out there. They went to a summer camp, you know, and that can't be easy to recreate, particularly of that era. Then they go to a USO show, which is huge in an airplane hangar. They go to Paris, for God's sakes. This season, you're going to see them in New York and you're going to see a lot of landmarks in New York, particularly Rockefeller Center, which they use like a drum. They are around that building all the time. So that's that's fascinating to see. And the cast, there are so many people over those four seasons that get a return visit in the fifth. So it's it's kind of like a reunion. And you go, Oh my God, That was from remember when they did that? And she was in that. And then there's also a bit of, Oh, how can I how can I say this without saying this? It reminds you of if you saw my favorite year, if you saw laughter on the 23rd floor, if you saw any of those kind of looks at what Sid Caesar, Imogene Coca, Carl Reiner and Howard Morris did during the early days of television. With your show of shows, there are references to those kinds of things, so you get a real sense of the time. I think you really get to see what the fifties and sixties were like. There's a sort of Johnny Carson character. They mentioned Jack Paar in the course of the the series. What I love are these time jumps where you find out exactly what happened to Mrs. Maisel. What did she fizzle out and become? Nothing. Did she come a big star? Was she like Joan Rivers? You know, that is an easy comparison. But there were other female comics of the time, Tony Fields, if you remember that name. I don't know if it moms Mabley, these were all ones who were working that Phyllis Diller. And they kind of had to be aggressive in their approach to comedy because otherwise they were going to just be bulldozed over. And I think that's what you get out of out of Midge, is that she is not going to take no, but she is going to get knocked down. I can't wait to dive into this. It's exciting. I always love those just the characters. They even if they're playing such a really small role, it feels like they're playing a much larger role than it actually turns out to be. There are little in this one, you know. I don't know if you ever remember those kind of industrial shows that used to be big in New York, where it would be like, Oh, soap or whatever. And they do a huge thing for all of their their corporate people around the country. They'd come in for a day or whatever a weekend, and they do an industrial show, which we are. A lot of Broadway people would get on stage and sing the praises of, you know, Lox or whatever it might have been, or a new car. And they did these elaborate stage shows and fact there's a documentary out about them that is just fascinating because it's a world we don't know. We weren't in that industry. We weren't in that that thing. But people made a lot of money off that writing those shows. And you get a sense of that as well. There's a big convention of sorts that that Midge happens to be involved in. So you get another you know, it's this history lesson that you're getting a lot of stuff, even though it's not a real person. You know, if she were real, I think you'd look at it differently. You would say, Oh, well, you've got to have this moment. You've got to have that, and you really don't know what could happen. And Joel does not get shortchanged either. You know, I thought that maybe he would kind of just disappear as the years go by. And he has a very, very strong presence in the final season. That's great. I always loved his character. I always was afraid that as the ex-husband, estranged husband, he might just kind of slowly walk out of the show. And in the fact that not only has he remained at the forefront and kind of done his own thing, too, he's found his place and kind of escaped the shadow of his very overbearing parents. But the fact that he's still in it and that his parents are still in it just really makes the whole program him. And they do interweave those things, too, you know, that he was building a club. He was trying to get a club off the ground. And you'll see more of that in the next season. And his parents are big players with Mrs. Maysles parents. Interestingly, I don't think you see enough of Tony Shalhoub. I think he has a very secondary presence in in this year's show, and that's surprising because he won an Emmy for it, and I would have thought they would have leaned in a little more, maybe he just wasn't available to do a lot more. That's interesting. I also wonder, too, if it's is it part of character development, too, where they they want to highlight certain characters each season kind of give them because he did seem to have a very prominent role last year. When he was doing The Village Voice and he's a critic. And now he's getting the reaction to what life is like as a critic, which is I think, just fascinating. That's your favorite part, isn't it? Yeah, that's the cool part. Yeah. I lean into the critic aspect. I don't do I care about the comic? I don't know if I do, but I do care about the critic. You know, you talk a little bit about the characters and the reality and whatnot. One of my favorite things from the series and this is because, you know, and we've talked about this my my fan of of I'm such a huge fan of music. I have a very large record collection and just I feel like I have a pretty solid knowledge and I'm watching I think it was season it was season three when Midge was out on tour, was Shy Baldwin. Right. So she was doing comedy to open up for his big band performance. So he was performing. He had that ensemble band behind him. There was the one character who kind of became her friend of sorts. Carol Keane, who is a fictional musician. However, she was based on a real person. She played. Carol Kaye, if you at all familiar with her, is a legendary bassist, and she's part of what's known as The Wrecking Crew. The Wrecking Crew in the 1960s was this group of musicians that would come in and they were studio musicians. So you would have performers who weren't necessarily the best bands. They would go out live. But when it came to actually recording the albums, the producers were like, Let's you guys are in quite good enough. And it was even the Beach Boys, like the Beach Boys, didn't perform their own instruments in the studio. In a lot of cases. It was a lot of times it was The Wrecking Crew. So Carol Kaye, the real person was the basis to put down the bass line. That famous bass line in In These Boots by Nancy Sinatra. The bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum. So that was Carol Kaye and the fictional character in Mrs. May's All, who is also the bassist in the band and a befriended Midge and that season. So that was for me, another piece that I just really love about this. That's where rewards you for being astute in other areas, correct? If you if you know things like if you you know, if you don't if you don't know these things, that's that's totally fine. You're just going to be entertained for for an hour or however long the episode is. But if you if you're familiar with pop culture in any way, you don't need to just know the real people like Lenny Bruce. But it's knowing little things like The Gaslight Cafe. Carol Kaye, These types of people, you know, they are based on actual folks, even if it's just very loosely. Yeah, it's fun to see who they might be. You know, Sophie Lennon, Who is she referring to? Who is she trying to be that you would know as a fellow comedian? You know, is she somebody that or is she just whole cloth, a fresh character? And that's I think that's kind of picking the brain of Amy Sherman Palladino, the creator of this show. If you know her from Gilmore Girls, you know that she loves dance scripts, she loves the idea that there's there are more words there than really you need to do a half hour or 45 minutes of a show, but she packs it and I would assume it would be very difficult to to learn all those lines, particularly when she wants that kind of rapid fire way of talking. And that's how she is. She's just like that. She usually wears a hat, too. She loves wearing hats. She's short. She's not unlike Susie. I would assume that a lot of Susie's personality comes from Amy, and her husband. Daniel is also a producer on the show, and he writes as well. So they're they're kind of in sync with what this mindset is all about. And I'm sure she had a grand plan as to where she was going to take this whole thing. Now, you can easily see that they might have gone seven or eight years with this, but I think the idea of cutting it off now opens up other opportunities like a movie. And I think for them, let's let's try and make the fifth season as packed as we can and then we can go on and do those other things and not have to worry about time limitations or we've got to meet a deadline to get this on the air by a certain time because it's it's expensive. It is hugely expensive. Bruce, I don't think you know this, but you have just set up the perfect segue way into, oh, wow, some audio here. So we already heard from Rachel. Now we're going to hear from Tony Shalhoub, who plays Midge's father. He talks about how they didn't know how long this series was going to go, but felt that both Amy Sherman-Palladino and Dan Palladino were able to wrap up the story perfectly the way it was supposed to be. So let's let's cut ahead to that clip. From what I understand, even though we didn't know how many seasons it may go or may not go, Amy and Dan always had, they always had the final scene in their heads. They always they didn't know exactly how we were going to get there, but they knew where we were going to land and then I think we all by osmosis, we all felt that cool. All right, so that was Tony Shalhoub. Bruce, does that sound accurate, like what he's talking about? Does it feel like the series wraps up perfectly? I think it does for me it did anyway. And I thought, like I say, the last episode is one you can't miss because it's and I, I cheated, all right? Because I was afraid I was doing an interview and I thought I better see the end just in case this character is dead. I don't want to end up asking, Well, like, you know, what about those later years are, well, I'm dead, so I won't be in those later years. But that wasn't the case. There wasn't anything. But I did watch the last episode before I finished off the other ones before it, and the last episode is a great example of standalone television. You could take that episode out, not see any of the rest of the series, and you would still get a really good sense of a story. It's like a little mini movie in itself, and it's interesting how they all are able to get friends in. There is a roast at one point that has a lot of comedians that you know, are friends of a lot of the actors that are in the shows. And there are ties. I think Rachel's husband is a character in the show. There are people that are all people who've been on Gilmore Girls, people who've been on Bunheads, people who have been, if you will, loyal over the years. And they repay that loyalty by giving them a shot in this last season. I mean, it's remarkable. If I sat and made a list of all the people that I saw, I, you know, a character that they introduced last season played by Gideon Glick, he's this magician and kind of an offbeat magician. And you go, What is this? I love that character. And he returns this season and he has a lot of really goofy things. He's afraid of flying. So that's a fear factor. And there there is a picture that you'll see out there somewhere that is JFK, the the airport. So you'll be able to see what that looks like inside. And it's just fascinating to see these characters. The last time I saw it was Catch Me if you can, and just to look at that and now there's a hotel there that you can stay at there. It's very commercial where you could go and actually do tourism things there. But it is featured in this season. Again, huge, huge landmarks that they're using in New York. I think it's fascinating to to realize that somebody didn't say no. Nobody was saying them, No, you can't do that. We can't afford to do that. It's like I'm sure she dreamed it. And very much like Susie, where she's not going to let somebody else tell her no, she's just going to keep going ahead and doing it. And I think that's in a nutshell. Amy. Amy Palladino I can't remember the timing of this. Was the JFK airport at the time, or was it still Idlewild? Yeah, it was, Yeah, it was, but as I know it is. I know I always wondered because it transitioned. It was not named. No, it was not named JFK because, you know, and interestingly, I don't remember that they've even mentioned that Kennedy has died at that point. But you'll see the eighties, you'll see the nineties, you'll see the seventies, you'll see various different time frames over the course of the of the of the episodes. Wow. So another character that was mentioned and we talked briefly about her was that of Alex Borstein. She plays Susie Myerson. You know, you had mentioned the connection with her to Amy Sherman-Palladino and whether it's the connection there. But we have a we have a clip of her also. Now, if you're familiar with her, she's also the voice of Lois on Family Guy. She's a comedian. She's been around for a really long time. But I think this is kind of like probably her biggest breakthrough screen role that I can think of on screen role. So we have a short clip of her talking about her relationship with Midge. So let's go to that. For a bit. Like Mutton, Jeff, It makes no sense. And yet there's just this chemistry. There's something that draws these women together and they've got each other's backs and it's not about finding a mate. It's about achieving something in their lives that they want. It's about filling a hole within and they complete each other. All right, Bruce So that was Alex Borstein talking about the relationship that Susie and Midge have. Is that connection? Because that was always one of my favorite things was the interactions between Midge and Susie and kind of the weird polar opposites that they are, but they have this great presence on screen together. Do we get more of that in this first season? We do. And you also get fighting. And that's as much as I can say about that. You know how they it's like on a soap opera where they love to put people together and then they like to tear them apart. And I think this falls into that. You know, there's there's a reason for them to be at each other's throats and maybe they both don't pay attention enough to what the needs are of the other person. But you see how how Susie is just giving her life for this person that maybe she might be a little too protected. You know, Mitch can Mitch has the ability to go and do this because she has her parents to fall back on if she really needs them. Her husband, her ex-husband is still there in the picture for her. She doesn't have that kind of if I don't do this, I don't know what will happen to my life. There is a safety net for her, and we've seen that over the years where she's taken jobs at other places and done other things and she gets a new job this year. And that's a safety net of sorts, too. But there's always this comedy where Susie has nothing. Susie is like she's all in and she will do whatever she needs to do to further the career of her client. Hopefully there will be more clients, but you know, you look at it and you say, Oh my God, she's just doing all this for one person. Is that friendship? Is that is that, you know, just survival? Is it? She's enamored with her. What is the what is the deal for her and why is she doing this? And you get answers to all of that stuff. It's just it's really fascinating. I remember when they went to the to the Catskills and they were staying there and I think she had a hammer or something. And she was like trying to do things with the hammer. And you go, Oh my God, this is unreal. And she's always treated like dirt by everybody. Everybody sees her as like their batboy for anything that goes wrong. Susie, we're going to go to you. Yeah, She said that season at the Catskills was just incredible. I mean, they basically took it was pretty much the entire season was more or less on location up there. And you still had to work her in somehow. And she obviously she doesn't dress like somebody that belongs there. So she just walked around with that hammer and like, I think a plunger, too, just looking like a maintenance worker and nobody would question it because that's what she did. But that relationship, you know, even though we're we're avoiding spoilers for season five, we had that adversarial give and take relationship between them throughout all the seasons. Because you're right, she didn't have anybody. Susie doesn't have anybody to fall back on, so she has to make a living, which meant at times taking on other clients. You know, she didn't want to be Sophie Lemon's manager, but she needed the money and then kind of had to deal with that abuse as well as the abuse of of Midge, who couldn't believe that she would support Sophie Lennon, who is her her nemesis. Right. Yeah. So, you know, that that to me has been just a great, you know, relationship. But it always comes back to when they meet in the diner, which is such an iconic New York thing. Like, I just love I miss diners so much. Bruce Living in Wisconsin, there's no diners out here. People who think there's diners out here, there is no diners out here that is. Have a drive thru with it, too, right? But it's such a it's just such a new York, New Jersey, East Coast cultural thing where you go to a diner and you get that triple decker club sandwich or the pastrami or whatever it is and a pile of food. You come all the other way, it's on you. Who knows everybody's order. Yeah. You know, you get that big pickle spear which probably sits on every plate, and they just move it from plate to plate so I don't touch it. The end. They do. Go back to the diner. You'll be seeing that and you'll be seeing various and sundry combinations of people talking. So it's a it's a key place. And like I say, these sets that they build the apartments, the business places they go to, it's unbelievable. I don't know how I would love to see what the budget was for this because it had to be huge because it looks good. And I there's a thing and there's this coming season where they mention something as a giveaway, okay? And I thought, oh no, that it's it's wrong. It's not the same time. And I had to look it up to make sure that that was within that time span. It was exactly in that time span. You know how you would say I like a yo I don't want to see what it is because again, this is one of those things. But if it was a yo yo and you say, well, yo, yo, what year was a Rubik's cube? That would be one a Rubik's Cube. Why are they giving away Rubik's cubes? They weren't available in 62 or 61 were they. I don't I think they didn't come until the seventies, but that's not yet. But there is another thing like that. And damn, if they didn't nail it. And I looked it up and it was exactly right, it it fit with the time frame. You'll see stuff like that that it just you want to play gotcha with them and they, they already know they're much better than we are at vetting these kinds of things. Yeah, they, they're really good. It's just nailing history. It is a history. Even though it is fiction, it is a history lesson throughout pop culture, history lesson. Were there characters that you really like that maybe aren't around or have, you know, dropped in for an episode or two? Well, you know, the Carol K one was one that I really liked. The magician that was in there in season four when Midge was working at that theater. And, you know, it's kind of the adult content. It's not quite a strip club, but it's that kind of like a doll that the manager of that club was. It's just a lot of those little characters like that. I really love the characters that I really felt a personal connection to, and we'll kind of kind of move this forward too, with some some clips that we have coming up. So we have Michael Zegen, who plays Joel Maze, all his parents. Kevin Pollack plays Moisi Maisel, his father, and then Caroline Aaron plays Shirley Mays or his mother. So I had mentioned earlier that that my mom was Catholic, my dad is Jewish. His parents, um, his mother died. My, my paternal grandmother died. I was probably about 15 years old when she passed away. She wasn't a very devout Jewish person. My grandfather was he was it could be. Yes, it was. That was probably about it. My grandfather was always a little bit more religious. And then after my grandmother died, he got remarried a year or two later is very quick. And the woman that he married, her name was Mildred. We all called her Millie and they became very devout again. He would go to temple. They kept kosher, but but Millie had a very unique personality. So when the show started and I started watching it, and when Joel's parents were finally introduced and Shirley Hazel comes on screen, I turned to my wife immediately and I'm like, Oh my goodness, that is Millie. That's Bella. Is Millie. Looks like Millie. Sounds like Millie. Acts like Millie. This is not like you can think that that there's there's acting here and we're over the top and there's no way people could be like this in real life. Surely Basil is Millie or Millie was Shirley. Mabel, whichever reality. So it to me there was just that personal connection that that strong, very strong personality with her. And in the father, I would I don't think my grandfather was any way like my she they had certain crossovers but you know Shirley and Millie were two peas in a pod. Shirley is a big fan of pop culture, and she knows all the names that Midge might throw out there. She has like she could give you an encyclopedia about the person, and she's so excited about everything. And of course, when Midge invites them to come to various and sundry things, oh, she's right there. She's ready to come. Whereas her own mother is like, well, this interrupt with what I'm doing. I don't know if I want to come and see you perform in front row is always Shirley. Shirley is there. She's all, This is wonderful. You're doing a great job. I love you, you're great. And you'll see they do a lot with them during this next year, so you'll enjoy that. I'm looking forward to that because that interaction with them and in some ways to my my maternal grandparents who were Catholic, they never interacted that often with each other. But there is always a very strange relationship between like my mom and her parents and my dad and his parents when they would interact. It was very I don't know if his adversarial is quite the way, but culturally very different. And I kind of get that with this show, like like Midge and her parents were very much one way, and Joel and his parents are very much another. And there is that that onscreen dynamic that I just love. And it kind of clicks with me a bit. Yeah, and they're together a lot. The four of them do a lot of things together. You'll be you'll be thrilled. You know, speaking of Moisi, Mazal, we do have one more clip of Kevin Pollak, and he's talking a little bit about the future of Mrs. Maisel. So let's go to that. Yeah, we're not going to ever say goodbye. And I predict now for you, in 4.3 years we'll be here talking about the amazing movie. There I said it. Kevin Pollak leaves a little bit of that door open. Could we see Mrs. May's old movie? I think it's the door has been cracked. Look, the way they need content these days and you know that it'd be an Amazon film in a minute. And, you know, so they put it in theaters. They could get a lot of attention for it. And then you just put it on streaming again. I think we've seen the model for all of this. And like I said, it would help pay the bills for all that expensive stuff that they're using because it looks like a Cinemascope film. It's shot. Well, it has great I mean, the scoring, they created original songs for this. Now, really for a half hour you're going to do that. And the sets, the costumes, the whole and, you know, the first season they won a lot of Emmys for those kind of below the line things. And I think this year they're going to be well rewarded for what they've done because it is so vast and so unbelievable. But, you know, it did not go unnoticed by the actors. I think they believe that they landed into a great situation. And I don't think it was by chance either that they were selected. I think these people, they knew who were the hard workers, they knew who the ones that would deliver for them. And it it it seems like it's a brutal show to do because it isn't just getting up and saying a line against somebody. You know, what's interesting is you'll see a little a clip of a TV show that stars Hank Azaria and Sutton Foster within the show. It looks it has a bit of Dick Van Dike to the quality of it. And Sutton Foster kind of seems like a mary Tyler Moore. And you think the idea that they would write this script for a show within a show that really isn't seen that much, you get a couple of lines out of it. And, you know, they did you know, they probably wrote the whole script or this sitcom that they were trying to reference in some way. And it's done in black and white. And you get all of that that kind of little homage. But clearly they are fans of the medium. They are ones who want to make sure that it comes across and you do get that sense of what the time was like. You know, it was not easy being a female comedian in New York, Hollywood, wherever. And I don't I think now it just seems too easy because we see comedians all over the place, you know, doing a one hour special on Netflix. But the idea that somebody would have had that or got that an unreal, unreal. And if I was able to interview Joan Rivers Times and she net, you know, as much as she was kind of oh what's the term I want to use not boisterous but she was you know, she seemed like a very like she would just tell it like it is and not worry about the consequences. That was not Joan. It was a character that she was portraying. She was the most loving, wonderful person who would would take you under her arms and just treat you like a friend. And that's the I think that's the same kind of disconnect you get here with Mrs. Maisel. She is two different people, but I can see easily that she is the the Joan Rivers is the template for Mrs. Maisel, even though their lives are much different. They don't they don't wind up the same way. They don't have the same dynamics. There aren't the same, you know, cards being played. But there is that kind of idea that I'm alone. I really am alone in this venture and I've got to do what I want to. Another series that it kind of seems similar to is Hacks, because you see Jean Smart showing what a comedian's like after the big days are over and how does she keep that going? And there's a glimpse of that with this fascinating because I think I think Joan Rivers is the mothership for all these kinds of things because of what she did do and the idea that look at Joan went to QVC and sold crap just to make money, you know, and what she had to do, she alienated Johnny Carson at one point and then she had her own show. But the one thing that she valued most was The Tonight Show. And there was no way they were going to let her back on with that because she had, you know, went as she had. She'd gone against the master and she wasn't sorry enough for Johnny to make this really work. And I think that was a big failing in Joan's life, is that she felt that somehow that relationship was not really repaired and she never got The Tonight Show. She didn't get things she wanted, but in the end, she did get a lot. And she is viewed as somebody they all look up to. You know, they say, well, I wouldn't be here if it weren't for Joan Rivers. And I think that's the path that you're looking at with Mrs. Maisel as well. So with Mrs. May's all leaving Prime Well, not really leaving. It's going to be there, but but this is a big tentpole production for them. What's left for Prime. They do have a lot of shows, but I also don't find myself going to Prime very often for original programing. It feels like a weird, weird platform to me compared some of the others in some ways, maybe a little bit like Apple Tv+, which has several big productions. But when there's nothing there, you know, when you run out of something like Ted Lasso, it feels like there's a long gap until something else comes. What what's your thinking on on Prime right now? I think, though, they're doing movies and a lot of those movies will draw the attention. And so I think that's where they'll get whatever. And they also have a lot of limited series that are ten and down or eight and done. And I think that for them is a better model then a series that who knows if you know the the the suits the executives who are in power may not like that series. And there it's just like network TV. As soon as one regime is out, there's do we have support? You know, unless you're the number one show on television they'll be looking to dump. Yeah. So we've been sprinkling clips throughout this episode, which has been fun because we don't always have audio from so many different people. But we do have one more and it's a little bit more than just a 1015 second clip. We have an interview. Do you want to talk a little bit about that? Yeah, I got to talk to it to Michael Zegen, who plays Mr. Maisel. And it's fascinating because I was always under the impression that his job could be gone at any minute. I really thought that Joel is not necessary to this show. He was important in the first year, but would you stick around? And so we got to talk about that and what this last season was like and what, you know, what what comes next. He is working on the Penguin, which is the new I think his HBO Max series with Colin Farrell, and he's a mobster in that. And so that's an excellent he'll be doing it Fascinating. And he feels very blessed, very blessed that he was a part of this because he knows it's magic in a bottle and you don't get that many times. Michael, how is it to say goodbye to this? I would think that would be very, very difficult. It is You're you're correct in you're you're sentiments. Yeah it's it's it's definitely difficult but it's some I don't know it doesn't feel like it's ended just yet especially you know we we still have all this and we're going to France together and I you know we still have this group text chain. So it's I don't think it'll ever quite feel over over. But I, I, you know, I know the reality of it. And we're not going to be filming anymore, which is devastating. Well, the last season is so stuffed with information. I mean, there's a lot there to unpack. What was it like when you were doing it? Did you say, Oh, my God, I can't believe this happened? And that happened. And, you know, there's a lot. There is, but there's always a lot. I feel like, yeah. And, you know, there's a lot of dialog. I actually think this year the scripts, they're always long, you know and I guess in our show is is supposed to be like, you know, 55 to 60 pages, our scripts are like 90 pages to 100 pages. So they're always long. I do feel like this this season, though, they were longer than most. And the locations, I mean, you're everywhere, you're doing the years, the whole all of it. That's why I thought it seemed like an awful lot. But maybe it's let's get it done and then move on to something else. Well, the show is big. It's been big from the beginning. You know, we went to Paris in the in the second season and the Catskills and Miami. So it's it's it's always been very big. And yeah, I mean, there's a lot of stuff, but somehow it just it still flows just as nicely as ever. And it's, you know, it's still. Mazal. When it started, did you feel, oh, they're going to get rid of my character at some point. I, I was just saying this in a in a previous interview. Yeah. In the first episode when I read it, I thought that was it for Joel and I thought it was going to be a guest star. I didn't even I, I looked at the you know, I was auditioning for it. They send you the cast breakdown and it said that he was a series regular. So I was like, Oh, even better. I had no idea. I really honestly thought this is it for him. And later. But but, you know, luckily that wasn't the case. And they were able to to create this this whole journey for and this evolution for this character. And there have been so many subplots of his that he just kind of owns. That must be a real cool feeling to have them kind of right for you, if you will. Yeah, we all get our subplots. But yeah, I mean, I think Joel's is is probably, I guess the most separate from from everybody else is they all kind of I mean, look, he's still in Midge's orbit, obviously, but but I think, you know, he's probably the he's like Pluto as opposed to, you know. Tony's not Venus. Right. What were you miss about this show? Because you had such a huge cast and of really great people? Well, that's what I mean. That's in that's it in a nutshell is the cast I, I, I, I'll miss everyone terribly isn't. And really, it's not just the cast, it's the crew. It's it's you know, our writers, Amy and Dan, obviously, I I'll miss everything about this show. Literally everything. This has been the greatest experience of my life so far, you know, work wise. I don't I was just talking to Tony and Kevin Pollak and they were saying, you know, by the way, no way, you're going to top this. So, like, they felt bad for me because they they were saying they're like, you have like years and years left. We only have like three and, you know, and I'm on it. It's over for me, basically. But I mean, I don't believe that, but I do I do believe that it's going to be very hard to top something like this. Do you think it's because of the writing that made it such an iconic show or was it something else? Is it spending a lot of money and doing a lot of things, making it bigger than normal? I think that the money is certainly helps. You know, luckily we had Amazon behind us and anything really Amy and Dan wanted they got because I think, you know, Amazon loved the show just as much as we did. But what was the first part of the question? Well, did did you think that it was going to be this this big, this kind of whatever, or was it the writing that really kind of sold all of this thing? It's really everything. It's the writing. It's like I said before, the crew, I mean, we had, you know, people at the top of their game in every, you know, whether it's lighting or set design or acting. I mean, it was just the whole the whole project was just lightning in a bottle. And and I think that's that's really just what made it so special. But yeah, did I have any idea I, I didn't know that it was going to be this big. I knew people were going to like it. I liked it. So, you know, I, I think I've got pretty good taste. And, you know, my if you look at my resume like I've done really good shows before and I've done shows that people watch. But but this was this took it to a new level. And, you know, right out of the gate, we we got nominated for all these awards and we won and we won the Golden Globe, you know, And that that was like, okay, yeah, we were right. Like, this is something special. And and now, you know, then we had to top that. And you got the Emmy. So there you go. Yes, We did. Talk about, though, Amy, as a as a force. I have my views of what she'd be like. I always see her in a hat and I always think she's like, she's marshaling troops. But is it like that or what is she like on on set? She's honestly just the best. You know, you talked about the writing. It doesn't get better than that. And and honestly, like, I'm a little sore about the fact that for, you know, the past couple of years at the Emmys, she's not even nominated for writing. I mean, this is the best written show on TV, you know. Yes. There's succession. There's all these other shows. But like in terms of comedy, it doesn't get better than this. And, you know, it's so rare for me to read something, especially when I'm home alone and I laugh out loud. That doesn't happen. And that's been happening on this show from day one. The minute I read the pilot, I was I was laughing. And and so, yeah, she's she's just, you know, there's there's a level of trust involved with her that that is unparalleled that I haven't I haven't experienced with anybody else. She shows up to set. I mean she's a former dancer, you know, and she thinks like a dancer. So, so even even our background actors, a lot of them are dancers. I don't know if you know that, but it's true. A lot of them are dancers and it's it's always a dance when we're rehearsing a scene because we don't have rehearsals, like prior to showing up to set and doing the scene. We, we, we get there on the day like, you know, 530 in the morning, whatever it is, and then we start blocking it out. And sometimes they're huge scenes. But I mean, you know, she's she's obviously in charge and there's this level of trust that I'll just do anything she wants because, you know, she knows what she wants. And to have a director who knows what they want is sometimes I mean, honestly, in my experience, it's rare. So what is it like watching Rachel do stand up? I mean, Rachel can do anything. You know, she's she always talks about how nervous she is. Like, I don't buy it. Like she's she's a she can do anything. She she's that type of actor where again, it's that level of trust. Like, I mean, any time I got to work with her was a joy and all of our I think you know all of our scenes that we got to do together were always my favorite. And yeah, I mean, you know, she talks about how nervous she is, how the audiences keep growing and growing for her character. And honestly, like, that stuff doesn't faze her. She was born to perform. And, you know, I don't I don't know if she would be a standup comedian, but but I'm sure she can handle that as well if she wanted to. Hey, and you can, too. So that might be even the next step. So. Hey, thank you so much, Michael. I appreciate it. And I thank you for all those years of really great television. Oh, thanks so much. I appreciate it. Thanks, Bruce, for that interview with Michael Zegen. What do we have on tap? Well, I'll tell you, I do. And tell me if you don't agree when you start watching this, this series by, because I think it's going to be in for a lot of Emmys, you know how they come and go. And they kind of had a down year. Never. They weren't getting nominated. And the things I think this year they're coming back with a vengeance. And I don't know how you could deny Rachel Brosnahan, the Emmy for best actress. Really? There are there is a moment there that you will go, Oh, my God, I'm glad I watch this series because it builds to this moment and it's unbelievable. And you'll, as you heard from Michael, you know, watching her was just unbelievable. But next week, we're going to talk about dead ringers. Here's another opportunity. And you wondered, where is Amazon going? Well, this is another series they've got, but it's a limited series. It's based off a movie. If you remember the movie by David Cronenberg, starring Jeremy Irons, he played brothers, twin brothers who were odd, to say the least, and they were involved in obstetrics and making all kinds of weird tools and instruments and whatnot. And they had freaky obsessions. They I mean, watch the movie. You'll see what I mean. It was one of those movies. Take me out for the longest time. Well, they've redone the movie and it's now a limited series, and it features two women as twins. Beverly and Elliot Mantle are now played by Rachel Weisz and Rachel really digs into it. She's and she has lots of fun. And you'll see a different Beverly and a different Elliot. And then it's at one point they play each other to try and dupe their friends. So it's a fascinating look at characters, but I do think they made a horrible land. I just kind of have that feeling knowing how the movie went. But that's next. We were talking to people who were involved in Dead Ringers, and that'll be coming as a limited series later this month. All right, Bruce, thanks again, as always. And tune in again next week for another episode of Streaming & Screened.See omnystudio.com/listener for privacy information.

My delightful & most interesting guest today is Jane Klaviter and if you're a fan of music & opera, or even if you're not, you're going to love to hear her story! Growing up in Chicago and coming from a very musically inclined family, she was destined to pursue a musical career, but never dreamed of the journey she has navigated! Jane has been involved in all things opera for a very long time, and has worked in many, if not most, of the most famous opera houses, including Lyric Opera in Chicago, Los Angeles Philharmonic and the Metropolitan Opera in New York, where she worked for over 18 years! She has taught at Juilliard and Manhattan School of Music among a long list of others! The most interesting job that you probably never heard of in the opera, is the prompter, a role in which she loved and excelled! And I believe she speaks at least six languages, and those are just the ones I know of! You will hear her passion as she tells several intimate stories during her career, working with legends like Luciano Pavarotti, Luigi Ricci and even actors who had speaking roles in productions such as Bea Author, Dom Delouse & Sid Caesar! And we will hear about her true passion, the Bel Conto Institute in Florence, Italy, a non-profit organization, she founded in 1987, with the purpose of teaching and perpetuating the style and tradition of 19th & 20th Century Italian opera and song through summer programs for students from all over the world. And of course, we'll hear her own story of what lured her to the lake! We are so fortunate to have her here and now it's time for you to meet her. Guest: Jane Klaviter Website: https://www.belcantoinst.orghttps:// FaceBook: www.facebook.com/profile.php?id=100057639242256 LinkedIn: linkedin.com/in/jane-klaviter-a60286138 Sponsors: https://www.lakeoconeebistro.com/ https://www.mydowntownagency.com/ https://www.facebook.com/tbprotectincome

Comedian, star of "Curb Your Enthusiasm" and Friar Richard Lewis joins Joe Sibilia to talk about having the bathroom named for him in the Jerry Lewis Monastery, his run-in with his Friars sponsor Norman Fell (Mr. Roeper on "Three's Company") on his first day as a Friar, and brunching with Howard Cosell at the Friars Club. Plus, Richard explains the genius of Rodney Dangerfield, co-stars with Don Rickles on the short-lived sitcom "Daddy Dearest," misses the opportunity to drink with Frank Sinatra, and plays cards with the likes of Sid Caesar, Ed Asner, and James Garner! For more information on the Friars Club, please visit our website at https://www.friarsclub.com/ Follow the Friars Club on: Facebook: https://www.facebook.com/profile.php?id=100082240803132 Instagram: https://www.instagram.com/pcfriarsclub/?hl=en

On episode #2 of this SNL podcast, Nick is joined by comedian, writer, and actor Jon Rudnitsky, who was a cast member for one season of "Saturday Night Live," and it was a very memorable season indeed. Jon talks about how he was discovered at a comedy festival, what he did for his SNL audition, and what it was like to work those grueling, no-sleep-having hours at 30 Rock (without the cocaine they had in the 70s). They talk about his first moments on the show (Miley Cyrus licked him), the nightmare of working on the episode that Donald Trump hosted during the Presidential campaign (we're not sure if Trump can read), and the bond he had with cast members like Kate McKinnon, Bobby Moynihan and Kenan Thompson. Jon also talks about what it's like to work with George Clooney, be inspired by the Marx Brothers and Sid Caesar, and the joy of working with Larry David on "Curb Your Enthusiasm." A must listen for all SNL fans. [EP2]

What's up, dudes? Happy Halloween! I've got Anthony Caruso from ‘Tis the Podcast here to dive into the 1981 TV movie “The Munsters' Revenge!” 15 years after the show ended, the gang returned—with recast children—to clear their names! Doppelgängers of Herman and Grandpa are committing crimes because of Sid Caesar, and the Munsters are on the lam! Will they capture Dr. Diablo in time for Lily's Halloween party? Hop in your Dragula, put on some surf music, and speed into this episode to find out!‘Tis the Podcast

This show is made possible by you - thank you for supporting us on Patreon - subscribe for early episode drops, extra discussions, and opportunities to appear on our live audience They Joined It episodes (https://www.patreon.com/TheyCoinedItPodPatreon.com/theycoineditpod) We're back, Coiners! Dan and Roberta are back from Hawaii where they had an "experience," or whatever. (jk) It's Season 6 and everyone's a little shaggier, except Don, of course. And he's even less chatty, if that's possible. Except with his new bff Arnie. Dan and Roberta discuss the Mad Men Season 6 opener, "The Doorway, Part One," as well as Fletch, All My Children, The Tonight Show, and the old Sid Caesar writers' room. WE'VE GOT MERCH! - They Coined It on a shirt or Your Dick Whitman is Showing on a mug or Eminently Chewable on a sticker or whatever else. CONTACT US: Questions@TheyCoinedItPod.com Patreon Instagram Twitter Facebook Producer, Editor - Roberta Lipp Graphics (logo and merch) - Albert Stern (stickrust arts) Theme by Adam Michael Tilford (Venmo: @Adam-Tilford-1) - need a podcast theme? Adam is your guy.

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

In a world where exchange students live in fallout shelters and innuendo doesn't exist Michael Carringotn will go to any length to become a T-Bone! The guys (Ben, Bracken, Brant, and Nate) review this follow up to the most successful musical in Hollywood history. Is this film Exceptionally Bad or just Bad? This movie stars Michelle Pfeiffer, Maxwell Caulfield, Lorna Luft, Maureen Teefy, Alison Price, Pamela Adlon, Adrian Zmed, Peter Frechette, Christopher McDonald, Leif Green, Didi Conn, Eve Arden, Sid Caesar, Dody Goodman, Tab Hunter, Dick Patterson, Connie Stevens, and Eddie Deezen. Follow us on Instagram @ExceptionallyBad and Twitter @XceptionallyBad or email us at theguys@exceptionallybad.com or check out our website at exceptionallybad.com Grease 2 (1982) was Directed by Patricia Birch, Produced by Allan Carr, Neil A. Machlis, Bill Oakes, and Robert Stigwood, and Written by Ken Finkleman, Jim Jacobs (characters), and Warren Casey (characters). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Dr. Feelgood: The Shocking Story of the Doctor Who May Have Changed History by Treating and Drugging JFK, Marilyn, Elvis, and Other Prominent Figures Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids. Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Dr. Feelgood: The Shocking Story of the Doctor Who May Have Changed History by Treating and Drugging JFK, Marilyn, Elvis, and Other Prominent Figures Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids. Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

In the latest episode of #OriginalBroadwayCast, Gus Gordon welcomes entertainment legend Bill Hayes. Gus had the chance to meet Bill when they both appeared in a concert version of the Stephen Sondheim musical Follies at The Little Theatre on the Square back in 2007.   Bill Hayes burst onto the early national television scene in Olsen & Johnson's 1949 madcap series Fire-Ball Fun-for-All.  From there he was tapped by producer Max Liebman to be a featured singer on Your Show of Shows starring Sid Caesar and Imogene Coca (1950-1954).  Bill made his Broadway debut in Rodgers & Hammerstein's Me and Juliet, and followed with a gold record for “The Ballad of Davy Crockett” (over 4,000,000 sold). Bill headlined the first national tour of Bye, Bye Birdie as Albert Peterson, and has headlined musicals in major theatres across the country. He is best known for playing Doug Williams on Days of Our Lives opposite his lovely wife Susan Seaforth Hayes. Bill joined the show in 1970, and still makes regular appearances to this day to the delight of his countless fans.   We hope you enjoy this conversation between Gus and Bill.    

GGACP celebrates the birthday of legendary producer, showman and puppeteer Sid Krofft (July 30, 1929) by revisiting this classic episode from 2018 featuring Sid and his brother and longtime partner Marty Krofft. In this episode, Sid and Marty discuss their unusual creative process, the origins of “H.R. Pufnstuf” and “Land of the Lost” and the failure of their ambitious indoor theme park, “The World of Sid and Marty Krofft.” Also, Dean Martin drops the ax, Bette Davis drops an f-bomb, Walt Disney doles out advice and Liberace “dates” Sonja Henie. PLUS: Live, nude puppets! Sid Caesar to the rescue! Remembering Martha Raye! “The Brady Bunch Variety Hour”! And Sid and Marty sue McDonald's — and win! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 81 and Wendi and Dfernando's guest interview is actress, author, writer, producer, and activist Mimi Kennedy.Born in Rochester, NY, Mimi first fell in love with acting as a child in community theater, which would lead her to ignite her acting career on stage opposite TV legend Sid Caesar in Neil Simon's LAST OF THE RED HOT LOVERS along with multi-Emmy Award winner Doris Roberts, who became a friend and mentor.Mimi was active in the NYC theatre scene in the 1970's, cast in plays like Jim Steinman's DAS RHEINGOLD and Andy Warhol's legendary PORK – a role she left due to reasons recounted in her 1996 mid-life memoir TAKEN TO THE STAGE: The Education of an Actress (soon to be released as an audiobook on Audible).  Steinman would become a life-long friend and Warhol, at least in her case, would be proven wrong about his “15 minutes of fame” quote.  In 1976 Mimi made her Broadway debut as one of the Pink Ladies: Jan, in the original Broadway run of the legendary musical GREASE.  She was also a member of the original touring production of THE NATIONAL LAMPOON SHOW.In 1975 Mimi was invited to audition for the original cast (The Not Ready for Prime Time Players) of a brand-new late-night NBC TV sketch comedy-variety series SATURDAY NIGHT (later known as SATURDAY NIGHT LIVE), but Lorne Michaels decided on casting Jane Curtin for that spot.    Her stage career did not end when Hollywood and television came calling shortly after. She has performed the 1-woman play about newspaper advice columnist Ann Landers, THE LADY WITH ALL THE ANSWERS, at both the Pasadena and Cleveland Playhouses. In 2013 she wrote and starred in a 1-woman play about suffragist and abolitionist Matilda Joslyn Gage, MIMI KENNEDY FINDS MATILDA JOSLYN GAGE.For 8 seasons Mimi portrayed the much beloved character, Marjorie, on the hit Chuck Lorre CBS TV sitcom MOM. She garnered a Critics Choice Award nomination for Best Guest Performer in a Comedy Series before becoming a series regular in Season 2.  This was the second pairing of Mimi and Lorre; she played Abby O'Neil on the hit 90's ABC TV sitcom DHARMA & GREG for 5 seasons.Her television debut was on the 1977 NBC TV musical-variety mini-series 3 GIRLS 3, also starring dance legend Debbie  Allen, and Ellen Foley. The New York Times declared it a hit, however it sadly only aired 4 episodes. You can view all 4 episodes on Mimi's YouTube channel. 3 GIRLS 3 was quite an introduction to Hollywood allowing her the opportunity to play opposite Bob Hope, Carl Reiner, Flip Wilson, and Steve Martin (in his prime-time TV debut.) Regular TV sitcom series roles followed throughout the 70's and 80's, most notably as Stockard Channing's sister on the CBS TV sitcom JUST FRIENDS, and  co-starring with comedy legend Peter Cook in THE TWO OF US.  The 1990's started with Mimi in a dramatic role portraying a slightly darker side of the affluent WASP-type she had portrayed on sitcoms previously. As Queen-B Ruth Sloan on HOMEFRONT, she netted another American Television Critics nomination, this time as Best Supporting Actress in a Drama. In the 2000's she recurred as CIA Director and House Minority Leader in HBO's THE BRINK and VEEP, respectively. Upcoming television guest roles in 2022 include Netflix's GRACE & FRANKIE, and the long-running ABC TV sitcom THE GOLDBERGS, as well as a new character on a popular drama series.Mimi's most notable roles on film include: Woody Allen's Oscar winning MIDNIGHT IN PARIS, IN THE LOOP, the Oscar winning ERIN BROCKOVICH, PUMP UP THE VOLUME, MAN IN THE CHAIR, THE FIVE-YEAR ENGAGEMENT, SAVING PARADISE, the recent Tony Hale comedy EAT WHEATIES!, and the upcoming GOING PLACES.The experience of attending and graduating from Smith College during the Vietnam War era (with Julie Nixon as a classmate) exposed Mimi to new ideas and perspectives. The seeds of an activist and world citizen were born.  Nonviolence is her core political principle, learned in weekly classes after 9/11 taught by Rev. James Lawson, whom Dr. Martin Luther King Jr. called “the teacher” for his educating activists in nonviolent theory and practice at the start of the civil rights struggle in the 1960s.  Mimi was the founding Advisory Board Chair of Progressive Democrats of America in 2004 and remains on its National Board in a leadership role on the Election Integrity Team.  Her work in Election Integrity is nationally recognized, from Capitol Hill to LA County; where she served on the Advisory Panel for LA's new paper-ballot voting system.  Her 1-woman play about 19th century suffragist Matilda Joslyn Gage wove the spiritual and political activism of Gage with today's need for reproductive justice and conscious parenting.  She was proud to stand with the MOM cast and producers in donating the show's 2017 Emmy budget to Planned Parenthood.  Mimi and the PDA were instrumental in convincing Bernie Sanders to run in the 2016 Democratic Presidential primary; hosting Sanders' first LA fundraiser in her home. She has also worked with the Office of the Americas against the covert wars in Central America and Artists United to Win Without War.Mimi lives in Los Angeles, CA with her husband of over 40 years, actor, educator, and musician Larry Dilg. They have two grown children, two grandchildren and an adorable dog. Also on Episode 81, Dfernando and Wendi are back and touch on things that occurred during their time off: Dfernando's 57th and Greg Covey's 52nd birthdays; Wendi's gift of a week's worth of Magnolia Bakery Banana Pudding and pizza; Wendi's new article in NEW BEAUTY Magazine, which includes various photos from their first photo shoot together (one which includes Wendi wearing one of Bob Fosse's own bowler hats); and Wendi talks about her time in Vancouver where she filmed the new Disney Plus film PROM PACT. On THE RIPE REPORT, Dfernando talks about the new Netflix cake-baking competition show IS IT CAKE?, hosted by SNL's Mikey Day, and Wendi shares a new discovery: Uncle Tetsu Japanese Cheesecake and shares a ROTTEN: celebrities licking faces on the red carpet at awards shows.  Watch Wendi and Dfernando and their TEAM GENERATION RIPE: Greg Covey, Shelley McLendon and Ponciana Badia on Season 7 Episode 2 of CELEBRITY FAMILY FEUD - now on ABC OnDemand and Hulu and on the GENERATION RIPE website.  Follow us on our Instagram:Wendi McLendon-CoveyDfernando ZarembaGENERATION RIPE... and our guest Mimi Kennedy, her Twitter, her TikTok, her Facebook, and her YouTube Channel. Remember to subscribe to GENERATION RIPEAnd rate & leave us a review by clicking HERE!Visit Dfernando Zaremba's website: dfernandozaremba.com