Podcast appearances and mentions of Paul Lynde

SUMMARY: It's been hot all week in San Antonio, but that hasn't stopped Matt from getting his 10,000 steps in, meeting Tim Jenison, and hearing mariachi music. Paul's improv class is postponed, Jacob and Paul talk about pressure washers, Matt's got an idea for Scoopfest, and Paul Lynde has a sordid backstory. Plus Scoop Mail and a Scoopardy.

Dennis is joined via Zoom and telephone by writer to talk about his new book It Seemed Like A Bad Idea At The Time: The Worst TV Shows In History And Other Things I Wrote. The book attempts to answer the question, "How did this project happen?" about such so-bad-it's-delicious shows like The Star Wars Holiday Special, The Brady Bunch Variety Hour, The Paul Lynde Halloween Special as well as the feature films Can't Stop The Music and Ice Pirates. Bruce shares stories about working with Florence Henderson and Robert Reed on The Brady Bunch Variety Hour and reveals the famous socialite who was the Number 2 choice for "Fake Jan" on the show. Bruce, who was adopted as a baby, also shares the story of how, just in the last four years, DNA testing led him to discover a whole new birth family who have become a big part of his life. Other topics include: dealing with the Mormon elders while writing for Donny and Marie, what is was like to work with such 70's TV icons like Bob Hope, Robert Urich, Paul Lynde, Rip Taylor and Sid and Marty Krofft, why he he's happy to host benefits, the secret to his career longevity and the pact that he made to himself early in his career that "no one day should be like the other day."

GGACP recognizes February's International Friendship Month with a Gilbert and Frank solo outing as the boys celebrate their 100th podcast episode with a LIVE recording at SiriusXM. In this episode, G & F field questions (from callers and an in-studio audience) on an assortment of vital topics, including Frank Gorshin, Pigmeat Markham, Shecky Greene's tantrums, the search for Papillon Soo Soo, “Celebrity Wife Swap” and the Church of Satan. Also, Grandpa Munster brunches, Paul Lynde hops a flight, Herve Villechaize covers Paul Williams and Gilbert makes his peace with Japan! PLUS: Electronic Vincent Price! Steve Lawrence passes (again)! Kwai Chang Caine hosts “SNL”! Groucho meets Alan Thicke! And the return of (old) Jack Frost! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates Thanksgiving 2024 with an entire episode devoted to TV Turkeys (aka terrible and “preposterous” TV programs) including “You're in the Picture,” “Hello, Larry,” “Misfits of Science” and of course, the infamous “Pink Lady and Jeff.” In this episode, Jackie Gleason apologizes, “Supertrain” goes off the rails, Fred Silverman invents “Jiggle TV” and Raybone provides actual research. PLUS: Meadowlark Lemon! The World of Sid and Marty Krofft! Paul Lynde hosts a game show! (not really)! Gilbert tries to forget “Thicke of the Night”! And Tim Conway stars in the worst sketch show of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kids. What is wrong with kids these days? They're not perfect like we were. It's musicals month and we've arrived at a 60s musical and the only musical Bob already saw prior to this month. This musical, inspired by Elvis getting drafted into the army, is a pop culture spoof and a launchpad for a young Ann-Margret who mesmerizes in this 1963 George Sidney adaptation of “BYE BYE BIRDIE”. A popular singer gets to kiss a small tawn girl in small town Ohio and if this works out then 5 or 6 people could be set for life! It's an extensive cast that also stars Dick Van Dyke as a speed dealer, Janet Leigh as a withered old marm, Bobby Rydell who is being cucked by a teen idol despite being one in real life, Paul Lynde as the perfect father and Maureen Stapleton as the perfect mother. It also stars Ed Sullivan as himself. A crafty musical comedy that rightly deserves its place as one of the great teen movies and the best movie ever featuring a turtle high on speed. JFK would be dead later this same year. Just thought I'd mention that. Here's a link: https://archive.org/details/ByBBd1963 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

GGACP celebrates the birthday (November 3rd) of friend, entertainment reporter -- and GGACP talent producer! -- Gino Salomone by presenting this ENCORE of his uproarious first appearance from 2018. In this episode, Gino looks back on his days as a booker of autograph shows, shares classic stories about Sid Melton, Paul Lynde, Dyan Cannon and "Grandpa" Al Lewis and reveals how a years-long friendship was born over the subject of Uncle Miltie's schwantz. PLUS: Eddie Munster gets mugged! The Munchkins go to Pittsburgh! Florence Henderson plays Gino's mom! And Sandra Bullock declares her lust for Gilbert! Learn more about your ad choices. Visit megaphone.fm/adchoices

Vi undrar och förundras Tema: The Paul Lynde Halloween Special 1976 Året är 1976. Tänk dig en familjevänlig Halloween-special på bästa sändningstid med den kvicka komikern Paul Lynde. Lägg sedan till den elaka häxan från Oz, Witchiepoo från H.R. Pufnstuf... och det explosiva rockbandet Kiss i full sminkning! Denna osannolika kombination blev verklighet i "The Paul Lynde Halloween Special", ett program som blivit en kultklassiker bland Kiss-fans och alla som älskar udda TV-historia. Som vanligt blir det samtal om annat Kiss relaterat under färden...

Tread Perilously continues a witchy October with The Paul Lynde Halloween Special. When neighborhood kids harass Paul Lynde about his plans to celebrate Halloween, he flees to the home of his housekeeper's sister. But he soon learns both are witches with remarkable resemblances to Witchiepoo and The Wicked Witch of the West. As it turns out, they want him to be a spokesman for witches. In return, he'll get three wishes granted and a private concert from KISS. The latter aspect is not negotiable. What wishes will Paul get granted? Will KISS let Peter sing "Beth"? And will guest stars Billy Barty, Florence Henderson, and Betty White make a mark on the proceedings? Erik and Justin try to deal with a variety special making a stab at an ongoing narrative. They also conjure the Osmonds back into existence. The previous on-screen persona of Betty White is explored. Bruce Vilanch returns as Erik reads out a very long list of writers. The Pinky Tuscadero phenomenon gets explained ... including the unlikely connection to Suzi Quatro. The pair take a closer look at KISS and give "Beth" a review. Erik decries the industry for not giving Margaret Hamilton a true starring role and the long delayed Alien: Romulus chat finally occurs.

“The Joker Is a Card” (October 14, 1965) Nearly two hundred episodes later, we're finally returning to Bewitched to give Uncle Arthur a proper introduction. And while he's a big part of Bewitched's gay fandom, Paul Lynde brings a lot of baggage to the role that taught Americans to laugh at eccentric gay weirdos everywhere. This episode featured a lot of references to previous episodes, so here are all of those, for your listening pleasure: The previous GEE about Bewitched (but honestly this new episode is better) Our episode about I Dream of Jeannie Our episode about The Addams Family, which deals with similar themes of ethnicity/culture erasure The GEE/Monday Afternoon Movie crossover episode about the Paul Lynde Halloween Special The Monday Afternoon Movie episode about The Legend of Lizzie Borden, which starred Elizabeth Montgomery and Katherine Helmond And finally the Monday Afternoon Movie episode about the Star Wars Holiday Special, with special guest Bruce Villance Finally, the Hollywood Squares zingers all come from this YouTube compilation.

Are you ever going to text me?This episode points and laughs.Jason, Jim, and Joseph provide tricks and treats for their Halloween special.Jim and Joseph challenge the belief that enough can't be said about Paul Lynde. Jim provides his life hack for reusing Halloween costumes.There is nothing that says, "Halloween" like William Shatner giving a play-by-play analysis of a failed seance stunt. It's the "Arby's" of Jim's choices for scary movies.Jason is still trying to figure out what the hell David S. Pumpkins was about.I got a rock ... which is better than having a broken TV set.Felony or Treat?Which Rock-n-Roller was offended by Jim's recommendation of movie remakes?Why would Jason make a terrible wedding planner?

Hey there, welcome back to another episode of True Crimes Against Wine! We've got a fun sidebar today, thanks to a sparkling question from our listener, Diamond. If you could go back in time and meet any celebrity who's no longer with us, who would it be? We dive into this time-traveling fantasy and share our picks! First up, it's Alan Rickman! From the heartwarming Colonel Brandon to the complex Severus Snape, Alan brought so much depth to his roles. And let's not forget the emotional rollercoaster he took us on in "Love Actually." Seriously, don't make Emma Thompson cry! Then we switch gears to the hilarious Paul Lynde, known for his sharp wit on shows like "Hollywood Squares." Imagine having him at your dinner party—so many laughs guaranteed! And if we could journey even further back, Oscar Wilde would be a must-meet for his iconic wit and charm. So, who would you choose? Drop us a line and let us know which celebrity you'd want to hang out with from the past. And don't forget, we're always here for a chat on True Crimes Against Wine via Gmail, TikTok, Instagram, and Facebook. We'll even send you some swag! Thanks for tuning in, and a special shoutout to Diamond for the fabulous question. Until next time, cheers!

Rich Little has boldly done impressions of presidents for presidents! The man of a thousand voices is a show biz legend who has been delighting audiences for decades. His new one-man show is a multi-media event that includes TV highlights, his spectacular sketches and, of course, his phenomenal impressions! Rich joins us to give voice (often not his own!) to his unique show biz history!Rich Little's first impersonations were of Canadian political leaders in his home country. His buddy Mel Torme sang his praises to Judy Garland who was blown away by his take on her A Star Is Born co-star James Mason and his appearance on her show launched him into the iconic, glittering age of 60s show biz! It was a time when the impressions he mastered were instantly recognizable and are still indelibly so… Dean Martin, Frank Sinatra, Don Rickles, Jimmy Stewart, Jack Benny and George Burns. Rich's appearances on Dean's roasts had him doing impressions of huge stars right in front of them while the rest of show biz intently surveyed their reaction.  He has opened for Las Vegas superstars and broken the record for the longest running one man show in Vegas history.  He has made hundreds of TV appearances, nine comedy albums, and three HBO specials. He's befriended Presidents, guest-hosted The Tonight Show and entertained The Queen! Rich joins us with voices and stories! Which Hollywood Squares star openly hated Rich's impression of him? How did Rich incur the wrath of Bette Davis and tick off Johnny Carson? And the Judge who swore Rich in as an American citizen asked him to read the Pledge Of Allegiance as what movie star?All is revealed! Plus, Fritz and Weezy are recommending The Friday Afternoon Club: A Family Memoir by Griffin Dunne and Wyatt Earp and The Cowboy War on Netflix. Path Points of Interest:Rich LittleRich Little at the Laugh Factory Covina on 9/8/24Rich Little on WikipediaRich Little on FacebookRich Little on InstagramPeople I've Known and Been by Rich LittleRich Little on the Dean Martin Roast of Jack BennyRich Little on Jackie GleasonRich Little on Judy GarlandThe Friday Afternoon Club: A Family Memoir by Griffin DunneWyatt Earp And The Cowboy War - Netflix

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

Book Vs. Movie: Charlotte's WebThe 1952 Novel Vs the 1973 Movie"Charlotte's Web" by E.B. White is a classic children's novel that tells the heartwarming story of Wilbur, a pig, and his unlikely friendship with Charlotte, a wise and caring spider. Through Charlotte's clever web-spinning, she helps save Wilbur from being slaughtered, highlighting themes of friendship, loyalty, and the cycle of life.The 1973 animated movie adaptation stays faithful to the book's narrative and themes, capturing the gentle and reflective tone that made the story beloved by generations. The film, with its simple yet charming animation and memorable songs, preserves the emotional depth of the original story, making it a treasured adaptation for fans of the book. Which version did we (the Margos) prefer? Have a listen to find out.In this ep, the Margos discuss:The original story of the 1952 novel. The Sherman BrothersThe 1973 Movie Cast: Henry Gibson (Wilbur,) Debbie Reynolds (Charlotte,) Paul Lynde (Templeton,) Agnes Moorehead (the Goose,) Don Messick (Jeffrey,) Pamela Ferdin (Fern,) Dave Madden (the Ram,) and Danny Bonaduce as Avery Arable. Clips used:Wilbur can sing Author E.B. White reads Charlotte's Web in 1970Charlotte's Web (1973 trailer)“Chin Up!” “A Very Smorgasbord”“Mother Earth and Father Time”“Zuckerman's Famous Pig”Music by The Sherman Brothers Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Charlotte's WebThe 1952 Novel Vs the 1973 Movie"Charlotte's Web" by E.B. White is a classic children's novel that tells the heartwarming story of Wilbur, a pig, and his unlikely friendship with Charlotte, a wise and caring spider. Through Charlotte's clever web-spinning, she helps save Wilbur from being slaughtered, highlighting themes of friendship, loyalty, and the cycle of life.The 1973 animated movie adaptation stays faithful to the book's narrative and themes, capturing the gentle and reflective tone that made the story beloved by generations. The film, with its simple yet charming animation and memorable songs, preserves the emotional depth of the original story, making it a treasured adaptation for fans of the book. Which version did we (the Margos) prefer? Have a listen to find out.In this ep, the Margos discuss:The original story of the 1952 novel. The Sherman BrothersThe 1973 Movie Cast: Henry Gibson (Wilbur,) Debbie Reynolds (Charlotte,) Paul Lynde (Templeton,) Agnes Moorehead (the Goose,) Don Messick (Jeffrey,) Pamela Ferdin (Fern,) Dave Madden (the Ram,) and Danny Bonaduce as Avery Arable. Clips used:Wilbur can sing Author E.B. White reads Charlotte's Web in 1970Charlotte's Web (1973 trailer)“Chin Up!” “A Very Smorgasbord”“Mother Earth and Father Time”“Zuckerman's Famous Pig”Music by The Sherman Brothers Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

On this Bob & Tom Extra: We have Paul Lynde impressions, naked bike riders, and dating apps! Learn more about your ad choices. Visit podcastchoices.com/adchoices

GGACP celebrates the birthday of actor, radio personality and voice artist Larry Kenney (Lion-O, Count Chocula, Sonny the Cuckoo Bird) with this ENCORE of a memorable interview from 2017. In this episode, Larry trots out his array of impressions (Richard Nixon, Paul Lynde, George S. Patton) and remembers some of the industry's legendary voice talents, including Mel Blanc, Paul Frees, Bob McFadden, June Foray and Paul Winchell. Also, Larry hosts “Bowling for Dollars,” Don Imus clashes with Howard Stern, William Conrad cleans up the Old West and Peter Lorre tries to sound like...Peter Lorre. PLUS: Jerry the Bellybutton Elf! The return of Vaughn Meader! “The Great American Dream Machine”! And Lauren Bacall praises Larry's Bogie!  Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday of comedian and radio host Jim Norton (b. July 19) by revisiting this LIVE interview (in connection with NY Comic Con) from way back in 2015. In this episode, Jim holds court on topics ranging from his friendship with Sherman (George Jefferson) Hemsley to his love of Jack Klugman to his admiration for “Midnight Cowboy” and “One Flew Over the Cuckoo's Nest.” Also, the boys break down celebrity conspiracy theories, sing the praises of character actor Frank McRae and look back at the groundbreaking shows of Norman Lear. PLUS: Moms Mabley! Iron Balls McGinty! Sammy Davis plugs “Skidoo”! Paul Lynde disses KISS! And Gilbert stakes out the Playboy mansion! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Queernundrum, we explore the evolving journey of LGBTQ+ visibility through the lives of two remarkable figures: Paul Lynde and Chasten Buttigieg. We delve into the unique challenges and triumphs they faced as they navigated their public and private lives in different eras, highlighting the broader struggle of the queer community to live out loud and proud.Paul Lynde's Hidden Influence:Overview of Paul Lynde's career and his iconic roles on "Hollywood Squares" and "Bewitched."The cultural impact of Lynde's flamboyant persona and sharp wit, despite the societal constraints of his time.Discussion on how Lynde provided subtle representation for the queer community and the complexities of his life as a gay man in mid-20th century America.Chasten Buttigieg's Open Advocacy:Introduction to Chasten Buttigieg's life, from his conservative upbringing to becoming a visible advocate.Exploration of his memoir, "I Have Something to Tell You," and its impact on LGBTQ+ visibility and acceptance.Chasten's role in Pete Buttigieg's presidential campaign and his contributions to the national conversation on LGBTQ+ rights.Connecting the Generations:Analysis of the progress made from Lynde's era to today, showcasing how representation and advocacy have evolved.Personal anecdotes and reflections on the importance of visibility and living authentically.The ongoing challenges and the resilience of the LGBTQ+ community in the fight for equality and acceptance.Show Highlights:“Paul Lynde never publicly acknowledged his sexuality, yet his presence and humor provided a beacon for many.”“Chasten Buttigieg's candid memoir and public advocacy offer a powerful message of acceptance and love.”“From hidden lives to living proud, the journey of LGBTQ+ visibility is one of courage, resilience, and continuous progress.”Intro music by Jahzzar “Please Listen Carefully” “Jahzzar (betterwithmusic.com) CC BY-SA” and Outro music by Scott Holmes “Acoustic Indie Folk” @ scottianholmes@live.com.Editor: H. Greystone via FinalCut ProWriter: G. Thoren

Been a minute since Biff Joe and Jacques were on a pod together! Chatted being on a show (and Joe being part of the fun) this past weekend (thanks to pals Wayne and Anthony from Open Mic Pain Podcast) – with them AND Boston Comedy Fest 2024 Co-Champ Casey Crawford (who is our guest in 3 weeks!) As a legit news source for so many, we'd be doing a disservice if we didn't weigh in with our well-educated opinions on the Kendrick v Drake kerfuffle, the Tyson v Jake Paul upcoming bout and Netflix editing Kim Kardashian being boo-ed edit out of Brady Roast. Also yap - Jay Weinberg being MORE then Max Weinberg's son, Boston's PWHL triple OT playoff win (a little NHL stuff), New Batman video game JUST being on Meta VR (maybe), parenting tips and a show stopping – pulled from the CPP Vault, Joe's self-indulgent theater rendition of Paul Lynde singing Sinatra's “My Way!” Jacques on IG/FB: Carnivalpersonnelpodcast – TiKTok: JacquesFunny                  Twitter is @CarnivalPodcast @TheJacques4 Biff on Twitter is @BiffPlaysHockey Joe on Twitter is: @Optigrabber   Opening: Gomer by Beyond Id (The Stovin' Years On Spotify)   Closing Song: 614 by Beyond Id (The Stovin' Years On Spotify)  

In this week's episode Patrick and Greg somehow manage to tie together pretending to be sick with game shows with zombies with conspiracy boards to explore the remarkable inter-relations among probability distributions, starting with the Bernoulli and biting their way through the binomial, z, t, chi-square, F, and beyond. Along the way they also discuss having a 122 degree temperature, playing with mercury, daytime TV, Paul Lynde, Vanna White, horses and plows, breeding like cats, the long con, the Swiss vs. the French, Zombieland, the Quincunx, fifth grade math, Lowly Worm, a lazy S, the double tap, and choosing free will. Stay in contact with Quantitude! Twitter: @quantitudepod Web page: quantitudepod.org Merch: redbubble.com

Brilliant performers with failed T.V. programs. We break down WHY!

GGACP celebrates the birthday (b. April 22, 1926) of Edna Garrett and Sylvia Schnauser herself, late character actress Charlotte Rae by presenting this ENCORE of an interview from 2016. In this episode, Charlotte looks back at some of the highs (and lows) of her life and career, and shares her memories of working on the 1950s nightclub circuit as well as on the much-loved sitcoms “Car 54, Where Are You?”, “Diff'rent Strokes” and “The Facts of Life.” Also, Charlotte lauds Nat Hiken, rooms with Cloris Leachman, joins forces with Paul Lynde and impersonates Zsa Zsa Gabor. PLUS: Wally Cox! “Hot L Baltimore”! The many talents of Fred Gwynne! Charlotte disses Joan Collins! And “New Faces of 1952”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Lynde was one of the best quick-witted comics of his era. Actor Michael Airington is keeping Lynde's legacy alive appearing as him on stage. Michael joins Steve Dale to discuss how this came to be and the legacy of this wonderful comic.

Remembering these DECEASED Game Show hosts (and more not pictured here) PART 1 In this first installment of remembering game show host and M.C legends, we begin with game show trivia game then we salute the Golden Age of game show television hosts Groucho Marx, Bud Collyer, Gary Moore, Bill Cullen and Dennis James. Next week we will resume with honoring Gene Rayburn. Also, the historical significance of contributions to game show lore by Betty White and Adam Wade are explored. There is plenty of game show era laughter too from deceased talents Paul Lynde and Ray Combs, among others. Here's hoping you enjoy this presentation. Part 2 will stream LIVE on Friday, March 8th, 2024 at 7:30 PM eastern time. Here is a VIDEO presentation from this show's official YOUTUBE CHANNEL of today's live show: https://www.youtube.com/watch?v=P62j9RijG9w&t=2s #gameshows #grouchomarx #budcollyer #garymoore #billcullen #dennisjames #hosts #educationalcontent #classicgameshows #gameshowhistory #thenostalgicpodblast StreamYard is an excellent resource for your video (and audio) presentations! You'll love it. Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/6336328917188608

Front Row Classics has "got a lot of livin' to do" this week. Brandon is joined by Larry Aubrey to pay tribute to 1963's Bye Bye Birdie. Brandon and Larry discuss this fun and vibrant adaptation of the classis Broadway musical. The two talk the differences between the film and stage versions. Much of the conversation is spent lauding the star-making performance of Ann-Margret. We'll also pay tribute to the talents of Dick Van Dyke. Janet Leigh, Paul Lynde and director George Sidney.

On this episode writer and media personality Bruce Villanch stops by to have a conversation about the holiday special from Scott Rockett, Making the Yuletide Gay: A Very Special Paul Lynde Christmas in which Michael Airington plays Paul Lynde who plays host to a bevy of special guests who stop by his “house” for a cocktail, a song, and a few corny jokes. It's now available via DVD and VOD.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

On this episode writer and media personality Bruce Villanch stops by to have a conversation about the holiday special from Scott Rockett, Making the Yuletide Gay: A Very Special Paul Lynde Christmas in which Michael Airington plays Paul Lynde who plays host to a bevy of special guests who stop by his “house” for a cocktail, a song, and a few corny jokes. It's now available via DVD and VOD.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

We all know a sentimental lady who is asking; “Isn't it time you have a listen to the Billboard Top 40 from the Week of December 10, 1977?”. As it is, it may be that we're all alone at the end, and that might make our hearts turn to stone.  However, the way I feel tonight, I think this is going to be like one of those boogie nights down in Swingtown. So don't blame me if I go crazy and just dance, dance, dance, yowsah yowsah, yowsah. Link to a listing of the songs in this week's episode: https://top40weekly.com/1977-all-charts/#US_Top_40_Singles_Week_Ending_10th_December_1977 Data Sources: Billboard Magazine, where the charts came from and on what the countdown was based. Websites: allmusic.com, songfacts.com,  wikipedia.com (because Mark's lazy) Books: “Ranking the 70's” by Dann Isbell, and Bill Carroll “American Top 40 With Casey Kasem (The 1970's)" by Pete Battistini. Rejected Episode Titles: You Light Up My Serpentine Fire Short People Next to Me Run Around Sue? She's Not There Baby Come Back to Blue Bayou Don't it Make My Brown Eyes Blue Bayou Boogie Nights in Swingtown Some points of interest we discussed in this episode: Paul Lynde 'Twas the Night Before Christmas (1977): https://www.youtube.com/watch?v=XtCZbC4LeME Charlie's Angels | The Angels Are Hired By Sammy Davis Jr.: https://www.youtube.com/watch?v=ibXRO-vxCRQ The Paul Simon Special (1977) - part 1: https://www.youtube.com/watch?v=6FLuu1Brk7U The Carpenters at Christmas -1977: https://www.youtube.com/watch?v=uRUlqUZyHqc 2006 - Swiffer Wet Jet - Delivery (Baby Come Back) Commercial: https://www.youtube.com/watch?v=aKUAtOMG7NU 1984 Fantastik Cleaner "It's So Easy" TV Commercial: https://www.youtube.com/watch?v=Zq2exuXNUxI

After trading a secret for a truth from a rude box demon, three fledgling occultists attend a once-in-a-lifetime ritual in a parallel universe where they must play a game of Hollywood Squares in exchange for their souls. On Episode 593 of Trick or Treat Radio we kick off December Double Feature Cram Jam with the films It's A Wonderful Knife from director Tyler MacIntyre and Onyx the Fortuitous and the Talisman of Souls from director Andrew Bowser! We also talk about the Star Wars Holiday Special, holiday horror films, and films we love to champion. So grab your BattlKatts underoos, make sure not to stare directly into the Aurora Borealis, and strap on for the world's most dangerous podcast!Stuff we talk about: Official pinball machine of The Texas Chainsaw Massacre, gift giving, spookypinball.com, The Voorhees Bunch, Friday the 13th, Blue Man Dude, Holliday Horror, Live Krampusnacht Party for the Naughty special, Zombie Grrlz, Vax Dat Ass Up, dodging viruses like Neo, flour soda, 4x Booster Champs, RIP Ralph Cirella, Matthew McGrory, A Disturbance in the Force, Bruce Vilanch, Dihann Carroll, Cher, Paul Lynde, Hollywood Squares, Jim J. Bullock, ALF, Episode Zero, Tyler MacIntyre, Joel McHale, Justin Long, It's A Wonderful Life, Freaky, Vince Vaughn, if Moon Knight was a slasher, parallel universe, popcorn trick, Christmas Slashers, Bizarre States, Jessica Chobot, Onyx the Fortuitous and the Talisman of Souls, Andrew Bowser, Terrence T.C. Carson, Jeffrey Combs, Barbara Crampton, Ralph Ineson, the Charles Durning point, neo-fluorescent vibes, Jason Marsden, The Munsters of Today, Box Demon > Cheddar Goblin, Studio 666, Bogglins, Beetlejuice, shot in Massachusetts, The Ranger, Jenn Wexler, The Sacrifice Game, Visitors: Complete Edition, Shudder, Screambox, G4TV, Suicide Squad, whole hoggin' it, full frontal in DC Comics films, wish upon an aurora borealis, Santa is my co-signer, all I want for Christmas is crystal meth, how can I make your day a bit beefier?, and a double-bladed axe right through the heart of Christianity.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Alexis tells us the hot flavor of 2024: Get ready for tamarind everything! Jason has had it with people stealing stuff from restaurants -- leave the decorations and glassware alone! Some great game show moments with the legendary Paul Lynde, and BIG FAT MOVIE REVIEWS: Alexis saw "The Marvels" and Holly watched "May December." Why do we want hot dogs now? Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexis tells us the hot flavor of 2024: Get ready for tamarind everything! Jason has had it with people stealing stuff from restaurants -- leave the decorations and glassware alone! Some great game show moments with the legendary Paul Lynde, and BIG FAT MOVIE REVIEWS: Alexis saw "The Marvels" and Holly watched "May December." Why do we want hot dogs now? Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Break time is over, and the FlopFight resumes! Ed (from the Sponge Awareness Foundation) is back to help us wrap up our tournament of game show hosts (and associated game show weirdos). The players are drawn at random, and the competitions are drawn at random, so anything could happen. Will Bob Barker face Richard Dawson in a Spam-juggling competition? Drew Carey vs. Paul Lynde at Electronic Battleship? Perhaps! Only one game show legend can Showcase Showdown their way to victory, while everyone else is stuck with a copy of the FlopFight home game. And although he already competed in Part 1, we just can't stop talking about Wink Martindale. Some of us are still running from that Tic Tac Dough dragon... Find Ed at the Wiscasset, Waterville and Farmington Railway Museum! And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Earth Station One!

Eddie Deezen joins me to discuss 1941; working with Dan Aykroyd, John Belushi, and Christopher Lee; Midnight Madness and tough night shoots; loving most of the cast; doing a pilot with Ally Sheedy that didn't get picked up; doing a back door pilot on The Facts of Life; co-starring on Punky Brewster; going to The Tonight Show and getting his foot run over by Paul McCartney; Beverly Hills Vamp with Britt Eckland, Tim Conway Jr., and Pat McCormick; playing the ponies; starting as a standup at the Comedy Store and being gonged by Paul Williams on The Gong Show and its aftermath. Impressionist Zach W. Arnold joined me and impersonated George Burns; talks about being in character; sang like Frank Sinatra and Dean Martin; discusses his natural singing voice; sings as Ringo Starr; discusses blogging the city of Orlando' playing Ringo in two Beatles tribute bands; what's it like to be in a tribute band; impersonated every US President from JFK to Biden; discusses Rich Little; finding a new take on an impression; Robert DeNiro, Dustin Hoffman, and Matthew McConnaughy; his take on Cheech and Chong; I do John Travolta and Robin Williams; we discuss impressionists Roger Kabler, DC Follies cast members John Roarke and Louise DuArt, Jeff DeHart, and Kevin Pollack; Jack Lemmon & Walter Matthau; Zach does Don Rickles and I introduce his John Wayne as Johnny Carson; impersonates Jimmy Stewart, Truman Capote and Paul Lynde; discusses Dana Carvey, Harry Shearer, Jim Carrey, and Rodney Dangerfield; impersonates Alan Thicke and Tom Brokaw; impersonating Eddie Deezen to Eddie Deezen; impersonating the Klumps; his philosophy of comedy; impersonates Katharine Hepburn, Joan Rivers, Ed Wynn, and Andy Rooney; discusses his grandmothers fascination with Andy Rooney;

Join us on Radio Labyrinth for another exciting episode! This week, the gang is back in the Labyrinth, and we've got a lot to talk about. Tim's been deep into audiobooks, and Steph had a wedding table experience you won't want to miss. We'll unravel the bizarre events surrounding Matthew Perry's death, review the Netflix film "No Hard Feelings," explore the new South Park Panderverse, and find out why Jeff still can't warm up to Bob Seger. Plus, Redd Boxx makes a hilarious appearance sounding like Paul Lynde from Hollywood Squares. And, as always, we've got our top segments, "Views or Snooze" and "Staff Picks" to help you find weekend-worthy entertainment. If you've been enjoying our pop culture discussions and laughter, please support us by liking, subscribing, and leaving a positive rating on Spotify. Your support keeps the good vibes going! Tune in with hosts Tim, Jeff, Dustin, and Steph as we journey through the pop culture universe on Radio Labyrinth, where we're all about "Keeping It Canon." Grab your headphones and let's dive into the latest episode - it's a must-listen! ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ YouTube version of this Podcast: https://youtu.be/v_7tq3sMD0I ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Hosts: Tim Andrews, Jeff Leiboff, Steph Swain and Dustin Lollar Audio & Video Edited by Dustin Lollar Redd Boxx Puppet created by Mark Schrankel @WhoBuddiez.com  ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Join Us On Patron! https://www.patreon.com/Timandrews Tim's Cameo Link: https://www.cameo.com/tandrewsatl?fbclid=IwAR3G-bUKfLDmT2SHY2zydO1NYb-Ss3fkYr037rhtuBFONYigw-_Vm1ZicYw ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ #MatthewPerry, #NoHardFeelings, #Panderverse, #SouthPark, #EntertainmentNews, #Satire, #Comedy, #GenX, #GenXer, #RadioLabyrinthPodcast, #Radio, #Atlanta #AtlantaRadio ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Social Media: Twitter - https://twitter.com/radio_labyrinth Facebook - https://www.facebook.com/radiolabyrinth/ Instagram - @RadioLabyrinthPresents and @RadioLabyrinth TikTok - @RLPodcast ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Atlanta Pizza & Gyro http://www.atlantapizzagyro.com/ https://www.facebook.com/atlpizza/ LDI REPRO PRINTING OF ATHENS CALL 706-316-9366 OR EMAIL THEM AT ATHENS@LDILINE.COM. ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ THANK YOU SO MUCH TO ALL OF OUR RADIO PRODUCERS & PATRONS! Thanks to our Radio Labyrinth Producers: Jeff Peterson, Bryan Smith, Chelsey Smith, Kevin Jackson, Jim Fortner, Brett Perkins, Terri Fuller, Chris Chandler, Tim Slaton, Mike Hall, Mike D, Matt Carter & Robey Neeley   And thank you to all of our awesome Patreon Patrons: Hemp Huntress, Tracy McCoy, Emily Warren, Buck Monterey, Randy Reeves, Robey Neeley, Robert Kerns, Wayne Blair, Sherrie Dougherty, Rusty Weinberg, Michael Einhaus, Mark Weilandt, Leslie Haynie, Kevin Stokes, Jesse Rusinski, Jeremy Truman, Jeff Peterson, Herb Lamb, Gwynne Ketcham, Denise Reynolds, David C Funk, Collin Omen, Christopher Doerr, Chris Weilandt, Chris Cosentino, Erick Malmstrom, Brian Jackson, Brennon Price, Andrew Mulazzi, Andrew Harbin, Amber Gilpatrick, Alan Barker, Aaron Roberts, Walt Murray PI, Sam Wells, Ryan Wilson, Lou Coniglio, Kevin Schwartz, Gus Turner, Jim Fortner, Scott Augustine, Jonathan Wilson, Cynthia Hadaway, Tony Outlaw, Dave Benson,Jack G and Adam Lavezzo!

I speak with Paul Lynde's biographer, author Cathy Rudolph

Piece of Mindful – How easy it is to make people believe a lie, and how hard it is to undo that work again! (Mark Twain) pieceofmindful.com/ The Hitler Project: Hitler's Old Man – Piece of Mindful pieceofmindful.com/2022/08/04/… Canada News, Opinion, and Analysis | The Epoch Times www.theepochtimes.com/canada Updates mileswmathis.com/updates.html The Best of Paul Lynde […]

Fozzy bassist PJ Farley and the Pod of Thunder gang return for a special Halloween watchalong featuring their favorite band – KISS!  But it's NOT a KISS special! It's The Paul Lynde Halloween Special which originally aired on ABC all the way back on October 29, 1976. They break down the skits and stars of the comedy special starring comedian and Hollywood Squares regular, Paul Lynde. They ponder why everyone from Donny & Marie to Roz Kelly (aka Pinky Tuscadero on Happy Days) to Billy Barty to Florence Henderson and KISS were tapped to participate. They discuss the heavily-edited KISS performances, the comments that both Paul Stanley and Gene Simmons have made about the special over the years, and why and how they think the special got made in the first place. Plus, they offer up their favorite scenes and moments, and their ultimate review of the program as a whole. See it or skip it? Listen and find out! Thank you for supporting our sponsors!Brunt Workwear: Go to https://BruntWorkwear.com/TIJ and use code TIJ to get $10 off your first order plus free shipping and returns.Hello Fresh: Go to https://HelloFresh.com/50JERICHO and use code 50JERICHO to get 50% off plus 15% off your next two months.Factor Meals: Go to https://FactorMeals.com/TIJ50 and use promo code TIJ50 to get 50% off.Bosch Tools: Learn more at https://www.boschtools.com/us/en/Progressive: Quote today at https://progressive.comeBay Motors: Get the right parts, the right fit, and the right prices. https://ebaymotors.comSlingTV: Check out https://www.sling.com/ for special offers  STAY CONNECTED:TikTok: @ChrisJerichoInstagram: @talkisjericho @chrisjerichofozzy Twitter: @TalkIsJericho @IAmJerichoYouTube: https://www.youtube.com/c/ChrisJerichoFozzyWebsite: https://www.webisjericho.com/

This week's edition of Hate Mail Monday, where Grace shares all of the listeners' love letters from the past week, takes Howie on a twist and turn through Hollywood TV fashion and more. Howie also updates everyone on Hamas, who will hopefully be extinguished by the IDF very soon.

It is 1976, and comedy superstar Paul Lynde has invited his friends over for a Halloween Special. There's Betty White, Donny and Marie Osmond, classic witches, and introducing KISS. It was quite weird.Join Ty and RD as they dissect this drug fueled gem from a bygone era.Download the episode for free.

EMPIRE STRIKES BACK! - Day 12 A punk witch tale. I hope you enjoy Satanic interpretive dance! Incomparable performances, especially from a fabulously sassy and prickly coroner who brings a Paul Lynde level of bitchiness: "It's suicide, honey!"

Award-winning playwright and Lifeline Theatre ensemble member John Hildreth wrote an adaptation of Kurt Vonnegut's satirical sci-fi novel Cat's Cradle, now enjoying a spectacular revival at Lifeline through October 22, 2023. John discusses the origins of his adaptation and reveals the sources of his inspiration (including and especially the great comic actor Paul Lynde); how director Heather Currie not only "gets it" but is able to communicate it; the value of ignoring the passage of time; the shared experience of navigating multiple theatre worlds; and how his adaptation of Vonnegut's novel about the fictional inventor of the atomic bomb achieves a perfectly-timed Barbenheimer level of synergy. (Length 19:19)

July 7-13, 1973 EPISODE 600! By popular demand! He's BACK! This week Ken welcomes wrestler and fellow TV weirdo, RJ City. Ken and RJ discuss RJ being disappointed with Ken's year end review endorsement of his last appearance, neurosis, people giving RJ TV Guides, RJ getting the wrong date for the recording and being excited, pop culture dog whistles, Dick Cavett, Mason Reese, "The Beige Age", the Caldor Brown Rainbow, Orson Wells, made up stories, when SCTV gets mean, Spielberg, local TV Guide variation, Children's cigarettes, great moments in television, how weird it is to have a glass of anything beside your bed, where did dentures go?, Dom DeLuise, sheet music, singing your own favorite songs, the mystery of the Ginger Bread House, wasting food, why Jaqueline Suzanne can go f*ck herself, how Twitter is today's TV Guide, video editing, Sabrina the Teenage Witch the cartoon, Scooby Doo's weird guest stars, Don Knotts and concrete, Rich Little, serious actors who shouldn't be, the final iteration of the Frankenstone family, Norman Fell, Curse II: The Bite, Paul Reubens, David Arquette's wrestling trunks, The Bone Yard, Phillis Diller's wigs, You Don't Know Jack, having two friends with F You Money when you don't have that, the Rock N Wrestling Saturday Morning Preview  Special, David Susskind show, Cyndi Lauper, being confused by women's measurements, Patty Duke, Hollywood Squares, Paul Lynde, how offensive mimes are as entertainment for the hard of hearing community, Deafula, Art Linkletter's cold shoulder, Del Moore, Hollywood Walk of Fame stars, repossessing fame, Maude, Hawaii Five-O, creepy writers, Bobby Darrin, the worst version of a Beatles song ever by Sammy Davis Jr, Watergate, Mac Davis, hating Richard Dreyfuss, Sanford and Son, The Seven Faces of Dr. Lao, when you can't recommend good stuff because it's offensive, Steve Harvey's flubs that aren't his fault, and a forgotten Robert Altman flick. 

GGACP marks the 40th anniversary of one of Gilbert's "favorite" gigs, the infamous late-night talk show "Thicke of the Night" (premiered September 5, 1983) with this ENCORE of a 2014 interview with actor, writer and producer Alan Thicke. In this episode, Alan reminisces about everything from his short-lived disco career to penning variety specials for Johnny Cash, Bobby Darin and Flip Wilson. Also, Alan and Gilbert swap wives, John Lennon praises commercial jingles, Merv Griffin composes the "Wheel of Fortune" theme and Paul Lynde drives into a ditch. PLUS: A special BONUS EPISODE with legendary funnyman Shecky Greene! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGCAP celebrates the birthday (August 2) of former child actor Butch Patrick by revisiting this memorable interview from back in 2014. In this episode, Butch discusses landing the role of Eddie Munster, explains why the original Marilyn was replaced and reveals if he still has his old "Woof Woof" doll. Also, Butch speaks with candor about overcoming his demons and tells us where "Lidsville" creators Sid and Marty Krofft found their own "inspiration." PLUS: "The Phantom Tollbooth"! Ben Stiller's "Cape Munster"! The "comedy" of Sammy Petrillo! And Butch shares memories of Mel Blanc, Charles Nelson Reilly, Paul Lynde -- and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP ushers in the official start of the summer season with this mini-episode celebration of AIP's "Beach Party" movies of the 1960s -- and the legendary and soon-to-be-legendary performers (Boris Karloff, Buster Keaton, Paul Lynde, Don Rickles) who appeared in them (not to mention series star and "Amazing Colossal Podcast" guest Frankie Avalon). Also in this episode: Little Stevie Wonder! Remembering Harvey Lembeck! The expertise of Eddie Deezen! “The Ghost in the Invisible Bikini”! And Annette Funicello exposes her navel! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates May's Jewish Heritage Month by revisiting this 2022 interview with Grammy and Emmy-nominated musician and historian Michael Feinstein. In this episode, Michael serenades Gilbert and Frank with classic tunes from the “Great American Songbook” and talks about performing at Hollywood parties, dining with Frank Sinatra, “accompanying” Judy Garland, befriending Rosemary Clooney and Ira Gershwin and recording his latest album “Gershwin Country.” Also, Paul Lynde gets plastered, Liberace morphs into Carol Channing, Irving Berlin begs Groucho not to perform his songs and Vincent Price carries on the memory of Dolores del Rio. PLUS: Bert Lahr! The music of Hugh Martin! The genius of Yip Harburg! Peter Lorre meets…Peter Lorre! Uncle Hymie inspires Inigo Montoya! And Michael favors the boys with “I Love a Piano” and “Lydia the Tattooed Lady”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

It's old friends and fond memories when Whoopi Goldberg and Rob Lowe reminisce. On today's episode you'll hear about the time Rob and Whoopi's 1984 Clean Water caravan got pulled over for speeding, why Whoopi keeps a landline and rarely has her cell phone on her, the experience of making Ghost and how no one knew the type of film they were creating, and the incredible impact of her new film Till. All of this and Rob's idea for a Paul Lynde biopic! Got a question for Rob? Call our voicemail at (323) 570-4551. Yours could get featured on the show!  

GGACP celebrates Thanksgiving 2022 with what else? An entire episode devoted to TV Turkeys (aka terrible and "preposterous" TV programs) including "You're in the Picture," "Hello, Larry," "Misfits of Science" and of course, "Pink Lady and Jeff." In this episode, Jackie Gleason apologizes, "Supertrain" goes off the rails, Fred Silverman invents "Jiggle TV" and Raybone provides actual research. PLUS: Meadowlark Lemon! The World of Sid and Marty Krofft! Paul Lynde hosts a game show! (not really)! Gilbert tries to forget "Thicke of the Night"! And Tim Conway stars in the worst sketch show of all time! (Thanks for the inspiration, Kevin Allman!) Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday of talent booker, entertainment reporter to the stars and devoted friend of the podcast Gino Salomone by revisiting this memorable (and hilarious) interview from 2018. In this episode, Gino looks back on his years-long friendship with Gilbert and talks about promoting celebrity autograph shows, his infamous visit (with Gilbert) to Sid Melton's house and Gilbert's bewildering refusal to reach out to Don Rickles and Mel Brooks. Also, Grandpa Munster lays down the law, Paul Lynde meets The Golddiggers, Florence Henderson plays Gino's mom and Sandra Bullock declares her lust for Gilbert. PLUS: Paging David Doyle! Blowing off Norman Fell! The "dead eyes" of Tommy Lee Jones! The Munchkins go to Pittsburgh! And Dyan Cannon provides a future GGACP soundbite! Learn more about your ad choices. Visit megaphone.fm/adchoices