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18 episodes with Steven Schick
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Under the direction of Steven Schick, Igor Stravinsky's Le Sacre du printemps (The Rite of Spring) explores profound human emotions through music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 40587]
Under the direction of Steven Schick, Igor Stravinsky's Le Sacre du printemps (The Rite of Spring) explores profound human emotions through music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 40587]
Solo Percussionist, Author, Conductor, and longtime Director of Percussion at the University of California-San Diego Steven Schick stops by to talk about the UCSD program, teaching doctoral students, and the art of performing on percussion in the 21st century (02:25), growing up in northern Iowa, his jazz drumset influences, sailing in high school, and living and working on a farm (25:30), going to the University of Iowa for undergraduate and master's, pursuing the solo percussionist path, and his Fulbright studies (36:20), his early college teaching career at Fresno State University (CA) and his pandemic experiences (55:30), his excellent book The Percussionist's Art (01:07:00), and takes in the Random Ass Questions, including segments on hearing percussion music outside of college concert settings, reading books and achieving fluency in other languages, and staying healthy (01:22:10).Finishing with a Rave on the 2025 film I Am Raquel Welch (01:47:10).Steven Schick links: Steven Schick's websiteSteven Schick's UCSD pageOther Links:“Rebonds B/A” - Iannis Xenakis“Persaphassa” - Iannis Xenakis“Sextet” - Steve Reich“XY” - Michael Gordon“Silver Streetcar for the Orchestra” - Alvin LucierBuddy RichEd ThigpenElvin JonesGene KrupaMax RoachViolin Concerto - Alban Berg“Ionisation” - Edgard Varese“Bone Alphabet” - Brian FerneyhoughInuksuit - John Luther Adams“Third Construction” - John CageThe Godfather trailerThe Lives of Others trailerHot Tub Time Machine trailerIn Search of Lost Time - Marcel ProustThe Odyssey - Homer (Emily Wilson translation)Selected Stories - Franz Kafka (Mark Harmon translation)James WoodCaravaggio's ItalyRaves:I am Raquel Welch film
Under the direction of Steven Schick, A Broken Hallelujah explores profound human emotions through music. The program includes the world premiere of Nasim Khorassani's new work, Toru Takemitsu's From me flows what you call Time, Niloufar Nourbakhsh's Veiled, and Igor Stravinsky's Le Sacre du printemps (The Rite of Spring). Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39114]
Under the direction of Steven Schick, A Broken Hallelujah explores profound human emotions through music. The program includes the world premiere of Nasim Khorassani's new work, Toru Takemitsu's From me flows what you call Time, Niloufar Nourbakhsh's Veiled, and Igor Stravinsky's Le Sacre du printemps (The Rite of Spring). Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39114]
The La Jolla Symphony and Chorus "Echoes of Color" concert is conducted by Sameer Patel and features the 2021 Brenda and Steven Schick commission "When Echoes Speak," composed by Leon Joseph Littlebird & Max Wolpert, with original themes composed by Leon Joseph Littlebird. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38418]
The La Jolla Symphony and Chorus "Echoes of Color" concert is conducted by Sameer Patel and features the 2021 Brenda and Steven Schick commission "When Echoes Speak," composed by Leon Joseph Littlebird & Max Wolpert, with original themes composed by Leon Joseph Littlebird. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38418]
The La Jolla Symphony and Chorus "Echoes of Color" concert is conducted by Sameer Patel and features the 2021 Brenda and Steven Schick commission "When Echoes Speak," composed by Leon Joseph Littlebird & Max Wolpert, with original themes composed by Leon Joseph Littlebird. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38418]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38946]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38946]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38946]
The La Jolla Symphony and Chorus, under the baton of Music Director Emeritus Steven Schick, presents a captivating performance of "Walking with Ghosts" by esteemed composer Mary Kouyoumdjian. This poignant composition showcases Kouyoumdjian's remarkable talent and serves as a testament to her artistic vision. As a UC San Diego alumna, Kouyoumdjian has garnered widespread acclaim for her innovative and evocative works. "Walking with Ghosts" takes listeners on a hauntingly beautiful journey, blending haunting melodies with intricate harmonies to create a sonic landscape that resonates deeply with the soul. With Schick's masterful direction and the expressive prowess of the La Jolla Symphony and Chorus, this performance of "Walking with Ghosts" promises to be an immersive and thought-provoking musical experience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38947]
The La Jolla Symphony and Chorus, under the baton of Music Director Emeritus Steven Schick, presents a captivating performance of "Walking with Ghosts" by esteemed composer Mary Kouyoumdjian. This poignant composition showcases Kouyoumdjian's remarkable talent and serves as a testament to her artistic vision. As a UC San Diego alumna, Kouyoumdjian has garnered widespread acclaim for her innovative and evocative works. "Walking with Ghosts" takes listeners on a hauntingly beautiful journey, blending haunting melodies with intricate harmonies to create a sonic landscape that resonates deeply with the soul. With Schick's masterful direction and the expressive prowess of the La Jolla Symphony and Chorus, this performance of "Walking with Ghosts" promises to be an immersive and thought-provoking musical experience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38947]
The La Jolla Symphony and Chorus, under the baton of Music Director Emeritus Steven Schick, presents a captivating performance of "Walking with Ghosts" by esteemed composer Mary Kouyoumdjian. This poignant composition showcases Kouyoumdjian's remarkable talent and serves as a testament to her artistic vision. As a UC San Diego alumna, Kouyoumdjian has garnered widespread acclaim for her innovative and evocative works. "Walking with Ghosts" takes listeners on a hauntingly beautiful journey, blending haunting melodies with intricate harmonies to create a sonic landscape that resonates deeply with the soul. With Schick's masterful direction and the expressive prowess of the La Jolla Symphony and Chorus, this performance of "Walking with Ghosts" promises to be an immersive and thought-provoking musical experience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38947]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features UC San Diego alumna and celebrated composer Mary Kouyoumdjian's "Walking with Ghosts," plus Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38416]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features UC San Diego alumna and celebrated composer Mary Kouyoumdjian's "Walking with Ghosts," plus Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38416]
The La Jolla Symphony and Chorus Learning to Fly concert is conducted by Music Director Emeritus Steven Schick, and features UC San Diego alumna and celebrated composer Mary Kouyoumdjian's "Walking with Ghosts," plus Stravinsky's energetic "Firebird Suite," a work whose premiere was so successful it catapulted the composer to international fame. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38416]
What does it mean to have no earlids? According to Steven Schick, conductor and music professor at UC San Diego, it means we have no way of removing ourselves from the sounds that are all around us. The world-renown percussionist talks about the nature of sound and how to listen as he creates music through common clay flower pots. Series: "Triton Talks" [Arts and Music] [Show ID: 38074]
What does it mean to have no earlids? According to Steven Schick, conductor and music professor at UC San Diego, it means we have no way of removing ourselves from the sounds that are all around us. The world-renown percussionist talks about the nature of sound and how to listen as he creates music through common clay flower pots. Series: "Triton Talks" [Arts and Music] [Show ID: 38074]
What does it mean to have no earlids? According to Steven Schick, conductor and music professor at UC San Diego, it means we have no way of removing ourselves from the sounds that are all around us. The world-renown percussionist talks about the nature of sound and how to listen as he creates music through common clay flower pots. Series: "Triton Talks" [Arts and Music] [Show ID: 38074]
The Ojai Music Festival has been around since 1947, but rather than sticking to status quo, it continues to evolve and surprise with unusual intersections of musical styles and genres. Invited to talk about their Ojai experiences will be alum - Matthew Duvall of Eighth Blackbird, Music Director of 2009, and Steven Schick, percussionist, conductor and Music Director of 2015. SHOW NOTES / CREDITS: Thomas Kotcheff, host Thomas Kotcheff, producer Louis Ng, recording engineer OJAICast theme by Thomas Kotcheff and Louis Weeks Music used in this episode: Missy Mazzoli - Still Life with Avalanche performed by Eighth Blackbird Xenakis - Rebonds B performed by Steven Schick
Today we have a wonderful double guest episode. We have the honor to speak two quickly rising stars in the contemporary classical music world, Anahita Abbasi and Niloufar Iravani. We talk about their music, their lives in Iran as well as in America/Europe, and the Iranian Female Composers Association (IFCA). In our discussions we destroy myths Americans might have of Iran and bridge the distance between our two countries. Guests: Anahita Abbasi - http://www.anahitaabbasi.com/ ( http://www.anahitaabbasi.com/?fbclid=IwAR1KWmexjYRospm1kViCAbd31DeM33tLFhHMn6jEasi4saL2PVSUqEd22_A ) Niloufar Iravani - http://www.niloufariravani.com/ ( http://www.niloufariravani.com/?fbclid=IwAR1hKvc1V8buL0zKyA1OAwvuzCTVpS90K0kWP06KxpHGIjduzY6m_P8JT48 ) Hosts: William F. Montgomery - http://www.williammontgomerycomposer.com/ Hillary Lester - http://thehealthymusiciansite.com/ Music Excerpts: Why The Trees Were Murmuring - Anahita Abbasi. Performed by La Jolla Symphony. Conducted by Steven Schick. February 8th & 9th, 2020 ©2019 Seven, Fixed Media - Niloufar Iravani © 2017 Distorted Attitudes I (for flute, clarinet, piano, violin, cello, and contrabass) - Anahita Abbasi. ©2013 Energetic: Movement I of the Maze (for string quartet) - Niloufar Iravani © 2017 Disturbed Attitudes III: Scattered (for voice and tam-tam) - Anahita Abbasi ©2014 Links: http://schallfeldensemble.com/ ( http://schallfeldensemble.com/?fbclid=IwAR3mkFMh3q89Qj9SBMqFYnneUt7VlVlfiOcy80lQn91mCCHM4E50VjwvbNs ) If you want to find out more about the Iranian Female Composer Association, contact here: connect.ifca@gmail.com Support this podcast at — https://redcircle.com/sounds-of-the-world/donations
Watch here Listen below 0:00 Intro and Hello, Casey: history RCA LP's 7:35 Hello, Steven Schick! 9:00 COVID blackout and concerts 12:45 Steve's performance of Inuksuit at US/Mexico border 19:50 Steve's Fulbright in Germany 25:30 Our future post COVID? 31:00 "It's About Time" and "In the Name of the Earth" projects 35:45 How you've broadened as an artist? Steven Schick, Percussionist & Conductor. 41:00 Community 44:20 Your development into a percussionist? 50:20 "Toucher" by Vinko Globokar 1:05:45 Steve performs "Toucher" 1:13:40 Learning French for this piece? Languages. 1:20:40 The size and scale of percussion's audience. 1:30:18 "Expertise"? 1:34:16 Some inspirational readings? 1:37:55 Different art mediums and collaborations that standout? 1:39:20 Memorization?
Steven Schick conducts the La Jolla Symphony & Chorus in their first concert of the 2019/2020 season combines the popular and the unfamiliar. First up is Giachino Rossini's "Overture to William Tell," a perennial concert favorite with deep roots in pop culture. Next is Florence Price's "Violin Concerto No. 2," a lyrical piece forgotten for seventy years until its chance rediscovery in 2009. The concert concludes with Béla Bartók's dazzling "Concerto for Orchestra," one of that composer's most popular and accessible works. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34846]
Steven Schick conducts the La Jolla Symphony & Chorus in their first concert of the 2019/2020 season combines the popular and the unfamiliar. First up is Giachino Rossini's "Overture to William Tell," a perennial concert favorite with deep roots in pop culture. Next is Florence Price's "Violin Concerto No. 2," a lyrical piece forgotten for seventy years until its chance rediscovery in 2009. The concert concludes with Béla Bartók's dazzling "Concerto for Orchestra," one of that composer's most popular and accessible works. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34846]
Steven Schick conducts the La Jolla Symphony & Chorus in their first concert of the 2019/2020 season combines the popular and the unfamiliar. First up is Giachino Rossini's "Overture to William Tell," a perennial concert favorite with deep roots in pop culture. Next is Florence Price's "Violin Concerto No. 2," a lyrical piece forgotten for seventy years until its chance rediscovery in 2009. The concert concludes with Béla Bartók's dazzling "Concerto for Orchestra," one of that composer's most popular and accessible works. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34846]
Steven Schick conducts the La Jolla Symphony & Chorus in their first concert of the 2019/2020 season combines the popular and the unfamiliar. First up is Giachino Rossini's "Overture to William Tell," a perennial concert favorite with deep roots in pop culture. Next is Florence Price's "Violin Concerto No. 2," a lyrical piece forgotten for seventy years until its chance rediscovery in 2009. The concert concludes with Béla Bartók's dazzling "Concerto for Orchestra," one of that composer's most popular and accessible works. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34846]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
In this fun and informative program Conductor Steven Schick guides the audience through excerpts from Béla Bartók's Concerto for Orchestra and Florence Price's Violin Concerto No.1 as well as the complete William Tell Overture by Rossini. Schick places particular emphasis on the orchestra's organization and how the various sections interact with each other, with each of the musical selections serving as examples. He also invites questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34845]
Conductor Steven Schick leads the La Jolla Symphony in a performance of Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34889]
Conductor Steven Schick leads the La Jolla Symphony in a performance of Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34889]
Conductor Steven Schick leads the La Jolla Symphony in a performance of Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34889]
Conductor Steven Schick leads the La Jolla Symphony in a performance of Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34889]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34888]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
Steven Schick leads a sharply varied program. Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music with film, and we hear her "Fuel," with a film by Bill Morrison. Young Artist Winner Anne Liu performs Camille Saint-Saens’ witty "Second Piano Concerto," which has been described as “beginning with Bach and ending with Offenbach.” The concert concludes with Jean Sibelius’ mighty "Symphony No. 5," which drives to its triumphant conclusion on six shattering chords for full orchestra. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34006]
La Jolla Symphony & Chorus present the World Premiere of "Community Acoustics" by LJ White. In this piece White expands the boundaries of traditional classical music performance to create an active and immersive sonic environment. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34638]
La Jolla Symphony & Chorus present the World Premiere of "Community Acoustics" by LJ White. In this piece White expands the boundaries of traditional classical music performance to create an active and immersive sonic environment. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34638]
Anton Bruckner's much-revised Symphony No. 3 in D Minor is full of the composer's glorious writing for brass instruments, coupled with large-scale thematic shifts. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34639]
Anton Bruckner's much-revised Symphony No. 3 in D Minor is full of the composer's glorious writing for brass instruments, coupled with large-scale thematic shifts. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34639]
Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]
Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]
Next up on At percussion - a podcast the Chair of Percussion Studies at the University of Washington, Bonnie Whiting! Bonnie is widely known for her performances and commissions of new experimental music, and projects that include new notation, interdisciplinary performance, and especially speaking percussionist.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and hello. How was everyone's PASIC?1:39 Bonnie, your involvement in the PAS Diversity Alliance?11:52 A common opposing opinion towards diversity and tokenization. Thoughts on having more diverse applicant pools. Thoughts on the importance of representation19:29 Laurel and Bonnie: Female percussionist + full-time jobs + kids. How?!26:00 Casey: What's the sound? Daphne Oram29:52 Daphne Oram's Oramics Machine33:57 Your collaboration with composer Eliza Brown and women in prison. Upcoming project in Turkmenistan.42:55 Megan: “A Culture That Supports Creativity” article. Curricular changes pros and cons1:09:41 Studying with Steven Schick?
La Jolla Symphony & Chorus begins their 64th season with questions about lineage: Where do we come from? How does the music of our past inform our understanding of the future? "Lineage," a piece by young Canadian composer Zosha de Castri, recalls how her grandmother's tales shaped her own sense of being Canadian. Igor Stravinsky's Petrushka was inspired by his memories of Russian Shrovetide fairs, in all their color and excitement. Finally, everything on the planet began with water, and in celebration, Music Director Steven Schick gives up his baton to solo in Tan Duns "Concerto for Water Percussion and Orchestra," with Michael Gerdes conducting. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34002]
La Jolla Symphony & Chorus begins their 64th season with questions about lineage: Where do we come from? How does the music of our past inform our understanding of the future? "Lineage," a piece by young Canadian composer Zosha de Castri, recalls how her grandmother's tales shaped her own sense of being Canadian. Igor Stravinsky's Petrushka was inspired by his memories of Russian Shrovetide fairs, in all their color and excitement. Finally, everything on the planet began with water, and in celebration, Music Director Steven Schick gives up his baton to solo in Tan Duns "Concerto for Water Percussion and Orchestra," with Michael Gerdes conducting. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34002]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Arts and Music] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Arts and Music] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Arts and Music] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Arts and Music] [Show ID: 33265]
Luis Urrea is a prolific writer who uses his dual-culture life experiences to explore greater themes of love, loss and triumph. Born in Tijuana to a Mexican father and American mother, Urrea is the critically acclaimed, best-selling author of 16 books. He talks with Steven Schick about his life and work, and their collaboration on a new version of Stravinsky's "L'Histoire du Soldat" with texts from Urrea's writings. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 33265]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]
A.D. Talks with world renowned percussionist, conductor, and educator, Steven Schick about curating the San Diego Symphony's It's About Time Festival, an amazing cross border performance that takes place both in The United States and Mexico, and how passing out in a pig pen lead him to pursue a career in percussion.
A.D. Talks with world renowned percussionist, conductor, and educator, Steven Schick about curating the San Diego Symphony's It's About Time Festival, an amazing cross border performance that takes place both in The United States and Mexico, and how passing out in a pig pen lead him to pursue a career in percussion.
The illustrious and profound Steven Schick needs no introduction from us; we were all too eager to sit with him for an hour or so.In this episode Steven answers several Facebook questions (Thanks to Fernando, Caleb, Diego, Theo, and Shaun for submissions!), his relationship with longtime friend David Lang, learning Ferneyhough and Xenakis, commissioning, our increasingly specialized field, and the pitfalls of "overtraining."Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 hello1:33 wrapping up the semester 3:10 facebook questions:3:25 Fernando Meza: What, in your opinion, is the most valuable aspect of contemporary music in a society besieged by musical alternatives and how can we as practitioners, best contribute to its appreciation amongst non-musicians?13:05 collaborations outside of music14:15 The Schick Machine15:16 Caleb Pickering: If you were to create an addendum to your book, The Percussionist's Art, what works, composers, or events would you add since it's original 2006 publication?19:51 David Lang25:33 Diego Becerra: Can you ask him about the relationship between the physical gesture and musical gesture in playing marimba?28:35 Theodor Milkov: "Hi everyone. One question: when it comes to contemporary music, where is the red line between being precise and interpretation(self expression). Thank you for your time."30:50 Xenakis and Ferneyhough40:55 So...acting? Over trained, over technical45:55 Keeping us with how much the percussion world asks of us.54:34 Percussion becoming more specialized 58:49 Shaun Tilburg: "What kind of preparation/practice would be helpful for someone just entering college that is positive they want to follow in your line of work. Polyrhythms, score study... acting?" 1:00:02 Quote
La Jolla Symphony & Chorus performs excerpts from the season-opening "Crossing the Rue St. Paul" concert, with commentary from the stage by Conductor Steven Schick and questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 32618]
La Jolla Symphony & Chorus performs excerpts from the season-opening "Crossing the Rue St. Paul" concert, with commentary from the stage by Conductor Steven Schick and questions from the audience. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 32618]
We're joined this week by the hilarious and talented (hilariously talented?) Morris Palter. His contributions to the modern rep of percussion are numerous, and his approach to work, hard work, and dedication are welcome and needed.He's currently teaching at the University of Arizona after building a great program at the University of Alaska, Fairbanks.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 intro and hello7:08 Working with Pierre Boulez11:14 Why release the new album on vinyl only? Rags?21:50 John Conway's "Game of Life"31:07 New Music Committee at PAS?44:50 Laurel: Victor Frankl's "Man's Search for Meaning"51:45 Value of interest1:08:10 Corigliano's Percussion Concerto1:12:33 Vinko Globokar's "Toucher"1:16:30 Studying at UCSD and Steven Schick?1:22:13 Biking in AZ vs AK?
Beethoven's celebrated Symphony No. 5 is a cornerstone of symphonic music and an iconic artwork of Western culture. Using excerpts from the Fifth Conductor Steven Schick guides the student audience through a tour of the piece, paying particular attention to themes and variations and the methods employed by the composer to build a titanic structure upon a four-note phrase. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 31159]
Beethoven's celebrated Symphony No. 5 is a cornerstone of symphonic music and an iconic artwork of Western culture. Using excerpts from the Fifth Conductor Steven Schick guides the student audience through a tour of the piece, paying particular attention to themes and variations and the methods employed by the composer to build a titanic structure upon a four-note phrase. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 31159]
This week I speak with Evan Ziporyn, composer and clarinetist, who makes music at the crossroads between genres and cultures, east and west. As a clarinetist he performs as a soloist and as a member of the Eviyan Trio (with Iva Bittova and Gyan Riley); he also works regularly with Yo-yo Ma's Silk Road Ensemble, and the Steve Reich Ensemble, with whom he shared a Grammy for Music for 18 Musicians. He is founder and director of Gamelan Galak Tika. His opera A House in Bali was featured at BAM Next Wave in 2010. From 1992-2012 he was a founding member of the Bang on a Can All-stars, finishing his tenure with the group with an appearance on an episode of PBS' Arthur. His compositions have been commissioned and performed by Kronos Quartet, Wu Man, the American Composers Orchestra, Steven Schick, So Percussion, and the Boston Modern Orchestra Project. He has collaborated with – among others - Brian Eno, Paul Simon, Ornette Coleman, Thurston Moore, Meredith Monk, Bryce Dessner, Philip Glass, Terry Riley, Louis Andriessen, Shara Worden, Cecil Taylor, Henry Threadgill, Matthew Shipp, and Ethel. His most recent project is the hour-long In My Mind & In My Car (w/Christine Southworth), for bass clarinet, electronics and video, His recording of Don Byron's Clarinet Concerto, which he commissioned, was named one of Downbeat Magazine's 2015 Albums of the Year. At MIT he is head of Music & Theater Arts and director of the Center for Art, Science & Technology. We discuss Evan's life, influences, career accomplishments and go deep into the recording session for the definitive version of Steve Reich's "New York Counterpoint" in 1996. This is a must listen episode for any new music fans. Links: Website: www.ziporyn.com Social Media: Twitter: @evanziporyn Facebook: EvanZiporynMusic Purchase Music: BandCamp: evanziporyn.bandcamp.com BandCamp: eviyan.bandcamp.com BandCamp: gamelangalaktika.bandcamp.com iTunes: iTunes Artist Page Discussion Topics: Calgary's year round snow Balinese Music Gamelan Fate and Spirituality Realizing the intent of the composer Don't mistake a bad performance for a bad piece What draws you to minimalist music? Bang on a Can All Stars Terry Riley - "In C" Steve Reich - Music For 18 Musicians Steve Reich - New York Counterpoint Recording New York Counterpoint Evan's First CD "This Is Not a Clarinet" The album as an art in itself Extended techniques (multiphonics, singing and playing) Lightning round questions David Bowie Tribute Concert People Mentioned: Josef Schwantner John Lennon Steve Reich Terry Riley Philip Glass La Monte Young John Cage Lightning Round Questions and Answers: If I were to walk over to your music stand right now, what would I find? An iPad (but it depends on which music stand!) What is your all-time piece of music? Rameau - Les Trois Mains and David Byrne - Marching Through The Wilderness If you could meet any musician throughout history would it be? Pythagoras What's your favorite book and why? Blindness by Jose Saramago and Go, Dog Go Is there anything else you'd like to share? Working on a new piece called "In My Mind and In My Car"
Steven Schick first heard music as a child on a farm in Iowa. Over the course of his 40 year career, he has become a renowned performer, educator, conductor, and author. He talks to Joe about cultivating financial stability as an artist, learning to be in the moment, and the symbiosis between teaching and performance.
base track Auslaufrille IIPixelArchiv 1.1UrSonate by Kurt Schwitters performed by Steven Schick and Shahrokh YadegariMurder on the Screen - 1958 Film Handling Educational DocumentaryThis Is Automation - 1955 General Electric Educational DocumentaryDateline Tomorrow - 1940's Aluminum Industry Educational DocumentaryFreedom FilesThe illuminati Exposed By Muammar Gaddafirnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)Pierre Boulez: Membres de L'Ensemble IntEdgar Varése (1897-1965): Poème électronique, per nastro magnetico (1958).CoveKarlheinz Stockhausen: "Telemusik" (1966) Electronic music.Sources for information contained in the annotations to this video: "Stockhausen, A John Cage about silenceKurt Schwitters - Ursonateby Loche555 66,998 viewsCe fragment de l'URSONATE (Sonate de sons primitifs) interprété pas Kurt Schwitters fut enregistré le 5 mai 1932 à Francfort par la station SüddeMERZBAU reconstruction at Berkeley Art Museum 7/2011. Video and timelapse by Mona Caron. Music: Béla Bartok, Six Rumanian Folk Dances - Roumanian P... Dada and Cabaret Voltaire
(February 4, 2009) A workshop preview of the world premiere of SchickMachine, a Paul Dresher Ensemble production performed by Steven Schick and directed by Rinde Eckert.
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