Podcast appearances and mentions of Ashley Kahn

Talking to writer/jazz historian Ashley Kahn was an honor. We first met in 2024 when Ashley interviewed me as part of the Bologna Jazz Festival. We had such a good time on and off stage together, that we decided to continue our conversation on my podcast. In the weeks leading up to this I revisited … Continue reading Ashley Kahn

Kind of Blue is the most successful jazz LP ever made. It was recorded over two sessions in New York in 1959 and is still revered as a masterpiece. Ashley Kahn told David Freeman the story behind a historic music event.

Ashley Kahn is a Grammy-winning author, educator, music journalist, and concert producer. His books include A Love Supreme: The Story of John Coltrane's Signature Album and Kind of Blue: The Making of the Miles Davis Masterpiece. He teaches at New York University's Clive Davis Institute for Recorded Music.One of 67th Annual Monterey Jazz Festival ShortsAnd inside look into the legendary Festival and what talks Ashley hosted this year including, Conversation: Songs for My Father — Soundtracks and Jazz with Kyle Eastwood & Ashley Kahn,  Conversation: Crescendo in Blue — Vinyl Past, Vinyl Future with Don Was, Julia Keefe, Brandee Younger, Steven Duncan & Ashley Kahn and Conversation: His Mother Called Him Edward, The World Called Him Duke with Jason Moran & Ashley KahnSource: https://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318Source: https://montereyjazzfestival.org/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Nick and Simon present one of their jazz book reviews.Kind of Blue : Miles Davis and the making  of a masterpiece. Ashley Kahn Granta 2001 is an in-depth look at the legendary album its creation and its legacy.  Ashley Kahn has written much about jazz and his books on A Love Supreme and Impulse Records : the house that Trane built [ Simon got that title slightly wrong in the podcast] in December 1999 Kahn got to hear the master tapes of the sessions including the false starts etc and the 50th anniversary release contains those so you can hear them too. the Cd release also included a DVD including a documentaryMiles Davis-Kind of Blue-Celebrating a masterpieceThe Legacy edition is on Apple Music and other streaming platforms.Simon has written a blog post on the book and 2 other related books on the podcast website. The book is available in Print and E-Book format but not as an audio book. This is our website This is our InstagramThis is our Facebook group

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (5/10) : Les années d'or avec Ashley Kahn (5/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (5/10) : Les années d'or avec Ashley Kahn (5/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une sage, deux témoins (4/10) : Les années d'or avec Ashley Kahn (4/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une sage, deux témoins (4/10) : Les années d'or avec Ashley Kahn (4/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (3/10) : Les années d'or avec Ashley Kahn (3/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (3/10) : Les années d'or avec Ashley Kahn (3/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (2/10) : Les années d'or avec Ashley Kahn (2/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:09 - Blue Note Story, une saga, deux témoins (2/10) : Les années d'or avec Ashley Kahn (2/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:03 - Blue Note Story, une saga, deux témoins (1/10) : Les années d'or avec Ashley Kahn (1/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

durée : 00:59:03 - Blue Note Story, une saga, deux témoins (1/10) : Les années d'or avec Ashley Kahn (1/5) - par : Alex Dutilh - Sur les 75 années du label Blue Note, une décennie exceptionnelle, 1955-66, aura non seulement vu la publication d'une pluie de chefs-d'œuvre, mais carrément donné à voir et à entendre une quintessence du jazz. - réalisé par : Fabien Fleurat

Music historian and author Ashley Kahn and producer Zev Feldman, "the Jazz Detective," speak with host Rick Mitchell on the journalism and historical importance of albums of historical jazz (those recorded more than 10? 20? 30? years ago?)  releases, and the particular value to them of liner notes. All pay homage to the legacy of Blue Note Records/Mosaic Records producer and writer Michael Cuscuna, who died in April at the age of 75. 

Have you ever wondered what it's like to travel from town to town to put on a concert? Our show today focuses on the stories of travelling musicians and the artists who help them put on concerts in towns across the country. Our guest in this episode, Ashley Kahn, is best known as a music journalist and author of many books about jazz and rock. Before he earned recognition as a writer, he worked behind the scenes to help touring musicians bring their concerts to cities across America and abroad. His perspective on the music industry, and the tales Ashley shares about his own experiences, help give a sense for what it's like to be an artist on tour. Musical memories from Tom McElhanney, Jason Carder, and Christian Giroux guide our conversation.

Giovedì 7 settembre Sonny Rollins compie 93 anni: si è da tempo ritirato dall'attività, ma continua a rilasciare interviste sempre molto lucide e interessanti. Come quella raccolta nel 2021 da Ashley Kahn che correda, assieme a note appunto di Kahn, il cofanetto Go West! (tre Lp o tre Cd o in digitale) da poco pubblicato dalla Craft. Nel marzo del '57 Sonny Rollins, 26 anni, arriva a Los Angeles con il gruppo di Max Roach: se non la prima è una delle prime volte che prende l'aereo per un ingaggio, ma è certamente la sua prima volta in California. Ne approfitta la Contemporary, l'etichetta del produttore Lester Koenig, che propone a Rollins, talento emergente, di incidere un album, che uscirà nell'estate del '57 col titolo di Way Out West: con Ray Brown e Shelly Manne ad accompagnarlo, è la prima registrazione di Rollins in trio sax/contrabbasso/batteria, la formula che sarà poi quella dell'epocale Freedom Suite incisa da Rollins un anno dopo. Nell'ottobre del '58, Rollins a Los Angeles registra con una formazione più ampia un altro album per la Contemporary, Sonny Rollins and the Contemporary Leaders: sarà la sua ultima incisione degli anni cinquanta, perché poi Rollins, che patisce la pressione che è il risvolto del suo successo, ma che constata anche le difficoltà subito insorte nella sua carriera per aver fatto un disco "politico" come la Freedom Suite, decide di prendersi un periodo sabbatico, nel corso del quale si esercita al sax sul Williamsburg Bridge. I due album sono adesso riproposti nel cofanetto della Craft assieme ad un terzo album, costituito da interessanti tracce alternative che erano già state pubblicate nell'86 ma che ormai da moltissimo erano fuori catalogo. Tre dischi da ascoltare - e da accompagnare con la lettura dell'intervista con i ricordi di Rollins sulle due incisioni - per festeggiare degnamente il compleanno del grandissimo Sonny.

Maggie speaks with Grammy-winning music historian, journalist, producer, and educator Ashley Kahn about Evenings At The Village Gate: John Coltrane With Eric Dolphy, McCoy Tyner, Jimmy Garrison and Elvin Jones. In 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York.  Coltrane's Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane's group those nights— visionary multi-instrumentalist Eric Dolphy. Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library for the Performing Arts, offering a glimpse into a powerful musical partnership that ended much too soon. In addition to some well-known Coltrane material (“My Favorite Things”, “Impressions”, “Greensleeves”), there is a breathtaking feature for Dolphy's bass clarinet on “When Lights Are Low” and the only known non-studio recording of Coltrane's composition “Africa”, from the Africa/Brass album. This recording represents a very special moment in John Coltrane's journey—the summer of 1961—when his signature, ecstatic live sound, commonly associated his Classic Quartet of '62 to '65, was first maturing and when he was drawing inspiration from deep, African sources— and experimenting with the two-bass idea both in the studio (Olé) and on stage. This truly rare recording of "Africa" captures his expansive vision at the time.Ashley Kahn is a Grammy-winning American music historian, journalist, producer, and professor. He teaches at New York University's Clive Davis Institute for Recorded Music, and has written books on two legendary recordings—Kind of Blue by Miles Davis and A Love Supreme by John Coltrane—as well as one book on a legendary record label: The House That Trane Built: The Story of Impulse Records. He also co-authored the Carlos Santana autobiography The Universal Tone, and edited Rolling Stone: The Seventies, a 70-essay overview of that pivotal decade. His latest book is entitled George Harrison on George Harrison: Interviews and Encounters. Source: https://www.allaboutjazz.com/evenings-at-the-village-gate-john-coltrane-impulse-records__14009Source: https://www.impulserecords.com/#/Source: https://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Esta semana, en una nueva sesión de Rebelión Sónica, los invitamos a escuchar el viejo/nuevo disco “Evenings At The Village Gate: John Coltrane with Eric Dolphy”, grabación que documenta un raro encuentro entre estos dos gigantes del jazz, ambos fallecidos muy jóvenes. Editado el recién pasado 14 de julio el sello Impulse!, el álbum en vivo nunca antes escuchado fue registrado durante la residencia de Coltrane en el club Village Gate de Nueva York durante el verano de 1961. El registro consta de 80 minutos de música inédita con los dos vientistas acompañados por el pianista McCoy Tyner, el bajista Reggie Workman y el baterista Elvin Jones. Dolphy murió tres años después, y esta grabación tiene la importancia histórica de ser el único documento en vivo de estas presentaciones en el Village Gate. Además de material de Coltrane bien conocido (‘My Favorite Things’, ‘Impressions’ y ‘Greensleeves’), Dolphy aporta una sección ampliada de clarinete bajo en ‘When Lights Are Low’, mientras que el conjunto también incluye la única grabación conocida fuera de estudio de la composición de Coltrane, ‘Africa’, que cuenta en esta versión con el bajista Art Davis. Las cintas de la reveladora grabación fueron descubiertas recientemente en la Biblioteca Pública de Nueva York, en una grabación hecha por el ingeniero Rich Alderson, que realizó como parte de una prueba del nuevo sistema de sonido del club. El lanzamiento además incluirá ensayos de dos participantes de esas noches en Village Gate: el bajista Reggie Workman y el ingeniero Rich Alderson, así como de la historiadora de jazz Ashley Kahn y de los saxofonistas Branford Marsalis y Lakecia Benjamin, todos ofreciendo valiosos y perspicaces artículos sobre las grabaciones.

Last Thursday, the Louisiana House Education Committee approved House Bills 466 and 81, which would ban discussions of gender and sexual identities in Louisiana schools and force teachers to use the names and pronouns on their students' birth certificates. Modeled after the so-called “Don't Say Gay” legislation in Florida, this bill was passed with a 7-5 vote and will now be sent to the full House. The Baton Rouge Advocate's James Finn has been reporting this story. He joins us today for more.  Many passing by the University Lakes near the LSU campus in Baton Rouge have been puzzled about what's happening with plans to restore the group of six bodies of water. Heavy equipment moved into the area last summer, but left no signs of visible change to the lakes full of sediment buildup and algae overgrowth.  President and CEO of the LSU Foundation Robert Stuart joins us today with an update. The New Orleans Jazz and Heritage Festival kicked off last weekend, and this year's lineup features performers like Lizzo, Mumford and Sons, Dead & Company, and other A-List stars.  But back in 2006, musicians who took the stage sang songs of damage, destruction, and resilience in the first Jazz Fest since Hurricane Katrina. Music journalist Ashley Kahn reported this story for NPR over 17 years ago. Today, we give it a second listen.   Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber and our digital editor is Katelyn Umholtz. Our engineers are Garrett Pittman and Aubry Procell. You can listen to Louisiana Considered Monday through Friday at 12:00 and 7:30 pm. It's available on Spotify, Google Play, and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

For our next presentation on the Vinyl Community Podcasts we bring you The Jazz Bums: Chris, Mike, and Felipe. In this episode the guys talk about the exciting news from Craft Recordings and the upcoming release: Sonny Rollins: Go West! The Contemporary Records Albums. Out March 17th, this set features the iconic saxophonist and his two studio albums for Lester Koenig's Contemporary Records: Way Out West and And The Contemporary Leaders, and includes a third disc, Contemporary Alternate Takes rounding out the box set. Featuring remastered audio by Bernie Grundman from the original analog tapes, this 3LP set is on 180-gram vinyl pressed at RTI and includes an expanded booklet with new notes and interview by GRAMMY® Award-winning music historian Ashley Kahn, including a new 2021 interview with Sonny Rollins. Is this worth picking up at $125? Will the Jazz Bums be adding this release to their collections? Sit back and listen in to find out! 

Wayne Winborne and Ashley Kahn continue their discussion.  Felix A. Grant Archivist Reuben Jackson on the ABC's of Archives.

In this week's first segment (02:48 to 15:52), hosts Brent Butterworth and Dennis Burger share their varied opinions on “MoFi-gate,” the biggest scandal in the analog audiophile world right now. It turns out that Mobile Fidelity Sound Lab—long lauded for their all-analog production process—actually creates their lacquer masters from 4X DSD files these days, not directly from the master tapes. Will this be the end of this revered audiophile company? Is the outrage justified? Brent and Dennis have thoughts. Next up (16:24 to 28:15), they dig back through the Stereophile archives to discuss a review of the Monitor Audio Studio 20 loudspeaker written by Robert Harley in 1991, complete with measurements by John Atkinson. Monitor Audio is a brand beloved by Brent and Dennis alike, so this throwback review gives them both the opportunity to reflect on just how much has changed in the world of loudspeaker design in the past 30 years.  Finally (28:50 to 39:20), they dig into James Hale's latest “Art+Tech” column on SoundStage! Experience, in which he explores the music of Charles Lloyd through a pair of different iFi Audio DACs, including the same Zen One Signature, which Dennis recently fell in love with and added to his reference stereo system. Somehow or another, though, this leads right back to a discussion about vinyl.  Sources: "Mobile Fidelity UPDATE New details on the current Controversy" by The 'In' Groove: https://youtu.be/mrahjsfJBc8 "Mobile Fidelity - Interview on Mastering With Shawn Britton, Krieg Wunderlich & Rob LoVerde" by The 'In' Groove: https://youtu.be/shg0780YgAE "Michael Fremer from Tracking Angle Focus on the MoFi Video" by 45 RPM Audiophile: https://youtu.be/Xl15-RC3wMU "Did Mobile Fidelity Lie?? The evidence examined (with a surprise at the end!)" by poetryonplastic: https://youtu.be/S6kFRQ9NTDw "Mobile Fidelity Sound Lab VINYL, oops!" by Steve Guttenberg Audiophiliac: https://youtu.be/B-_1lL3tfS0 “Kind of Blue: The Making of the Miles Davis Masterpiece” by Ashley Kahn https://www.dacapopress.com/titles/ashley-kahn/kind-of-blue/9780306815584/ "Monitor Audio Studio 20 loudspeaker review" by Robert Harley (First Published on Dec 1, 1991): https://www.stereophile.com/content/monitor-audio-studio-20-loudspeaker "The iFi Audio Zen One Signature and Go Bar Open the Door to Charles Lloyd's Chapel" by James Hale: https://www.soundstagexperience.com/index.php/features-menu/art-tech/1075-the-ifi-audio-zen-one-signature-and-go-bar-open-the-door-to-charles-lloyd-s-chapel "iFi Audio Zen One Signature Digital-to-Analog Converter review" by Dennis Burger: https://www.soundstageaccess.com/index.php/equipment-reviews/1197-ifi-audio-zen-one-signature-digital-to-analog-converter

Wayne Winborne and Ashley Kahn have an animated, in-depth discussion about jazz archives with host Susan Brink.  Winborne is the Executive Director of the Institute of Jazz Studies at Rutgers University - Newark.  Kahn is an author, educator, music journalist, and concert producer.  https://www.libraries.rutgers.edu/newark/visit-study/institute-jazz-studieshttps://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318

On this July 2 edition of the WBGO Journal, Leo Sidran takes us to the Montreal Jazz Festival, Nate Chinen chats with Ashley Kahn about the "new" jazz emigres and Jon Kalish reports on the JetLAG Festival in the Catskills

On this July 2 edition of the WBGO Journal, Leo Sidran takes us to the Montreal Jazz Festival, Nate Chinen chats with Ashley Kahn about the "new" jazz emigres and Jon Kalish reports on the JetLAG Festival in the Catskills

Maggie LePique speaks with celebrating author, and educator Ashley Khan about the enduring legacy of George Harrison,  a British guitarist, singer, songwriter and film producer. As a member of the Beatles, he achieved international fame and renown. During his career, he developed as a songwriter in his own right and wrote many best selling songs. In addition to music, Harrison was interested in Hindu spirituality and was a devotee of the Hare Krishna movement. George also founded the Material World Charitable Foundation, or MWF, on 26 April 1973, close to two years after he had organised the Concert for Bangladesh in New York as a benefit for refugees of the Bangladesh Liberation War. MWF is still active and Olivia Harrison (George's widow) is Director of the Charitable Organization. My guest Ashley Kahn,  is a Grammy-winning author, educator, music journalist, and concert producer. His books include A Love Supreme: The Story of John Coltrane's Signature Album and Kind of Blue: The Making of the Miles Davis Masterpiece. He teaches at New York University's Clive Davis Institute for Recorded Music.​Ashley also edited the book: George Harrison on George Harrison is an authoritative, chronologically arranged anthology of Harrison's most revealing and illuminating interviews, personal correspondence, and writings, spanning the years 1962 to 2001. Though known as the “Quiet Beatle,” Harrison was arguably the most thoughtful and certainly the most outspoken of the famous four. This compendium of his words and ideas proves that point repeatedly, revealing his passion for music, his focus on spirituality, and his responsibility as a  celebrity, as well as a sense of deep commitment and humor.Source: https://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318Source: https://www.materialworldfoundation.comSource: https://www.amazon.com/George-Harrison-Interviews-Encounters-Musicians/dp/1641600519This episode is from an archive from the KPFK program Profiles adapted for podcast.Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

SAN ONOFRE nos afanamos en demoler, demoler demoler, demoler El chabolo que erigió TRANE Acudan prestas el domingo a la actuación del bello Nicolás, el Capitán Entresijos. Y no me vaigan a decir de que Bob Thiele no es la viva imagen de nuestro querido editor y, sin en cambio, amigo Frunobulax, Mr. Cultura Pop, el hombre de Libritos Jenkins. SAN ONOFRE nos recordamos de que ¡Impulse! es el único vocablo de la bárbara lengua de los atejanados que lleva signo de exclamación inicial. Sí, ya sabemos que esto para el resto de mortales es una fruslería irrelevante, pero a nosotros nos cambia la vida. Además, de pequenitos, veíamos El Inmortal, de extranjis, en ca la vecina, irreligiosamente, todos los viernes Round Midnight. SAN ONOFRE lamentamos no poder contar con el concurso de Ashley Kahn. Lástima, goddammit, con un nombre tan bonito... Trataremos, pves de demoler la casa que erigió TRANE y de la que glosó glorias, fracasos, heartbreaks y bancarrotas este otro señor, que no sabemos si lee nuestros mensajes. ¡Bah, a mí, allá penas! SAN ONOFRE is on ¡Impulse! Gerardo, chico, ¿manténte en forma, contamos contigo al aparato, Ben Vaughn, para la semana que viene, pves? Dale al play, Rudy Van Gelder, buen hombre! https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre Onofrita biblia ya disponible en este enlace y en nuestra dirección de correo electromagnético Capitán Entresijos. Guadalajara. Domingo 22 mayo 2022; 14 h.

SAN ONOFRE tiende a la nada; San Juan COLTRANE, al infinito No se vaigan a creer Vstedes, amigas onofritas, que las del SAN ONOFRE somos ajenas a que existe la Iglesia de Saint John William Coltrane. Está en Frisco, tiene diez lustros de antigüedad y su arzobispo mayor es el señoritingo Franzo King, a quien le echa un cable su esposa Marina. A todo esto, ¿cómo es posible que un hombre tan extremadamente inteligente como Trane se tragara la zafia patraña de que hay un dios, copón? ¿O no tiene que ver? En temporadas anteriores ya dedicamos proamas completos a Trane. Debieron de ser las placa Live In Stockholm y A Love Supreme, que endilgamos a nuestra audiencia en su totalidad. A la sazón, nuestro angloentrevistado Vinyl Geek nos ayudó con el inédito Both Directions at Once. Ansimismo, tenemos pendiente monográfico dedicado a la casa que construyó Jack Trane. Aunque el taimado Ashley Kahn es más listo que el hambre y no contesta a SAN ONOFRE. También le hemos echado el lazo a Fuji. ¿Qué quién es Fuji? ¡Atiza!, ¿todavía van por ahí, amigos onofritas? Den fuerte impulso a su vida y se abonen a SAN ONOFRE. https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre Onofrita biblia ya disponible en este enlace y en nuestra dirección de correo electromagnético Sábado 7 pinchamos en El Pincho Domingo 8 especulamos con vinilo en Diablo Market

It's time again to visit Patrick's Book Nook. Today, he talks about "The House That Trane Built: The Story of Impulse Records," by Ashley Kahn, about the legendary jazz label. Episode editor: Patrick Foster Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com (c) Artie S. Industries LLC

During this episode we dive deep into all things Jazz. We discuss  the early pioneers who helped shape this great music. We talk about his journey in becoming one of the most important voices in documenting Jazz music. We also talk about what went into writing his most critically acclaimed books, "A Love Supreme"  by John Coltrane and "Kind of Blue” by Miles Davis. 

A sus 84 años, el saxofonista Archie Shepp sigue cantando el gospel del jazz. Hace seis conoció en camerinos de un festival belga al pianista Jason Moran. De ahí surgió una amistad musical que ofrece frutos como "Let my people go", el registro de actuaciones en Francia y Alemania en las que, tal y como escribe Ashley Kahn en las notas, se pone en evidencia la "consanguinidad" de ambos creadores. Si en el anterior programa nos contaba Enrico Rava cómo Gato Barbieri le salvó del "infierno" laboral, en este escuchamos a uno de los protegidos del trompetista rendir tributo al saxofonista argentino. El pianista Giovanni Guidi publica "Ojos de Gato" con un sexteto italoamericano: James Brandon Lewis (saxo), Gianluca Petrella (trombón), Brandon Lopez (contrabajo), Chad Taylor (batería) y Francisco Mela (percusión). Dos de los músicos del sexteto, Chad Taylor y James Brandon Lewis, siguen juntos en "Code of Being", segundo trabajo para el sello Intakt del saxofonista con un cuarteto que completan Aruán Ortiz (piano) y Brad Jones (contrabajo). "desde mi cadiera", Jesús Moreno nos propone una selección de grabaciones recientes del saxofonista italiano Roberto Ottaviano. Especializado en el soprano, el saxofonista trabaja habitualmente con el pianista británico Alexander Hawkins y con el clarinetista Marco Colonna. Toda la información y derechos: http://www.elclubdejazz.com

Maggie LePique and Ashley Khan discuss this newly discovered live-recording of a performance of John Coltrane's A Love Supreme suite which has been called a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane's group. Ashley Kahn is a Grammy-winning American music historian, journalist, producer, and professor. He teaches at New York University's Clive Davis Institute for Recorded Music, and has written books on two legendary recordings—Kind of Blue by Miles Davis and A Love Supreme by John Coltrane—as well as one book on a legendary record label: The House That Trane Built: The Story of Impulse Records. He also co-authored the Carlos Santana autobiography The Universal Tone, and edited Rolling Stone: The Seventies, a 70-essay overview of that pivotal decade. His latest book is George Harrison on George Harrison: Interviews and Encounters.Source: https://www.johncoltrane.comSource: https://www.nybooks.com/daily/2021/10/07/coltranes-new-love-supreme/Source: https://jazztimes.com/features/profiles/ashley-kahn-meet-the-professor/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

John Coltrane's album, A Love Supreme, is celebrated as one of the most important jazz albums in history. There had only ever been one known live recording of the album in full, that is...until now. Tapes were recently discovered of a performance on October 2, 1965, when Coltrane was recorded at The Penthouse in Seattle. The album, A Love Supreme: Live in Seattle, has been re-mastered for release on October 22. Ashley Kahn, professor of music history at NYU, and Lewis Porter, professor of music at Rutgers University-Newark, who both wrote liner notes for the new release, join us for a Listening Party to talk about the history and importance of the record.

Maggie speaks with Grammy-winning author Ashley Kahn about his latest book, "George Harrison on George Harrison"  a collection of interviews and TV appearances Harrison gave during his too-short life. Kahn's collection “covers [Harrison's] biographical sweep as fully as an autobiography would,” the preface asserts, and though one might argue with that, by book's end, we believe Kahn's exhortation: “Read his words, and know the man.”Ashley has received widespread critical acclaim for A Love Supreme: The Making of John Coltrane's Signature Album and Kind of Blue: The Making of the Miles Davis Masterpiece. His other books include The House That Trane Built and, as cowriter, The Universal Tone, Carlos Santana's autobiography. He teaches at New York University, and his articles have appeared in the New York Times, Rolling Stone, and other publications.Ashley Kahn is an author, educator, music journalist, and concert producer. A professor of music history and criticism at NYU who lectures at other institutions as well, his books include the A Love Supreme: The Story of John Coltrane's Signature Album, Kind of Blue: The Making of the Miles Davis Masterpiece. Kahn's writing has generated two Grammy nominations, three ASCAP/Deems Taylor Awards, and two Book of the Year distinctions from the Jazz Journalists Association.Most recently, he has spoken, presented, and conducted interviews at a variety of festivals and conferences including: SXSW, CMJ, New Orleans Jazz & Heritage Festival, Umbria Jazz Festival (Perugia and Orvieto), North Sea Jazz Festival (Rotterdam), the Detroit Jazz Festival, Monterey Jazz Festival, Barcelona Jazz Festival, Berklee School of Music, and other universities, music conferences and festivals.Kahn's byline appears in such publications as Rolling Stone, Mojo and The Wall Street Journal and his voice is often heard on National Public Radio's “Morning Edition”. During a thirty-year career in the music business, Kahn has helped produce countless concerts, tours and festivals including a ten-year stint as tour manager for a multitude of music groups, including: Paul Simon, Peter Gabriel, Ladysmith Black Mambazo, Debbie Harry & the Jazz Passengers and Britney Spears. He continues to work very closely with the Miles Davis family on a variety of projects, including a Miles Davis museum exhibition, tribute concerts and various panels and speaking engagements.“Despite all the pressures of fame, George Harrison managed to stay grounded, and real, and to live a life in full. In George Harrison on George Harrison, Ashley Kahn has summoned up a portrait of the artist as public figure, as friend, as husband, as spiritual devotee, through a kaleidoscopic assemblage of letters, interviews, broadcast transcripts, and more. Harri-son was thoughtful, sensitive, honest, warmly funny, kind, and very, very smart. It all shines through in this beautiful collection.”  —Tom Piazza, Author of Why New Orleans MattersSource: https://www.amazon.com/George-Harrison-Interviews-Encounters-Musicians/dp/1641600519Source: https://tisch.nyu.edu/about/directory/clive-davis-institute/1417614318This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

Hudson Hall in Hudson, New York will celebrate the enduring vision of Alice and John Coltrane with one talk and three concerts taking place September 14 - November 20. The concerts are as follows: Brandee Younger Trio on September 18, Orrin Evans Trio on October 16, and the JD Allen Trio on November 20. The series, entitled A Love Supreme: Celebrating the Legacy of Alice & John Coltrane is curated by Hudson Jazz Festival Curator Cat Henry. She joins us along with Ashley Kahn.

In this special "Miles Monday" episode of JAZZIZ Conversations, we discuss the recording, remastering and release of Merci Miles! (Live at Vienne), a previously unpublished live concert album made available by Rhino Records on June 25. The album captures an electrifying set by The Miles Davis Group at the Vienne Jazz Festival in the summer of 1991, marking one of Miles' final live performances before his death on September 28. We're joined in the conversation by Vince Wilburn Jr. (drummer, record producer and nephew of Miles Davis), saxophonist Kenny Garrett, keyboardist Deron Johnson, Merci Miles! co-producer Florence Joelle Halfon and jazz critic Ashley Kahn. Purchase your copy of Merci Miles! at the Miles Davis shop: https://www.milesdavis.com/albums/merci-miles-live-at-vienne/ --- Support this podcast: https://anchor.fm/jazziz/support

Maggie speaks with Vince Wilburn, Jr.  the nephew of the late, great jazz icon Miles Davis and oversees the Miles Davis estate along with Erin and Cheryl Davis (the son and daughter of Miles).  Vince is, most notably, a highly accomplished drummer, producer, bandleader and radio host, who has both toured and recorded with Miles on recordings and live performances MILES DAVIS: MERCI MILES! LIVE AT VIENNEPreviously Unreleased Recording Featuring One Of The Jazz Legend's Final Live Performances Miles Davis performed with the Miles Davis Group on July 1, 1991, at the Jazz à Vienne festival in France. Sadly, it was one of his last concerts before passing away on September 28 of that year. This previously unreleased concert will make its debut this summer during Rhino Records' upcoming Black Music Month celebration.Davis' electrifying performance at Jazz à Vienne includes two songs that were written by Prince, with whom he had a mutual admiration and friendship. The collection features liner notes by music historian, journalist, and producer Ashley Kahn, along with art designed by Bruno Tilley. By 1991, the world's most celebrated trumpeter could look back on five decades of musical evolution – his own and that of the world around him. Davis had found ways to marry jazz with classical ideas, then later R&B, rock, and funk, to produce hybrid offspring that shaped the course of popular music and had come to define his legend. In 1985, he'd left Columbia after 30 years to sign to Warner Bros. Records (now Warner Records), a label riding high with best-selling artists like Madonna, Van Halen, and Prince.Miles Davis's lifelong love for France is well-documented, and in July 1991, he became a Knight of its Legion of Honour. Davis accepted the award from French culture minister Jack Lang, who described him as: “The Picasso of Jazz.” A few days before, he played the exhilarating concert captured on MERCI MILES! at Jazz à Vienne with the Miles Davis Group. Source: https://www.milesdavis.com/albums/merci-miles-live-at-vienne/Source: https://www.milesdavis.comThis episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

Vick Mickunas' 2003 interview with Ashley Kahn

For the second episode of Season 11, The Opus is curious to know the stories behind the liner notes to Abraxas. Sure, Carlos Santana was the face and name of the band, but he wasn’t the voice and he didn’t make up the totality of their signature sound. Of course, a good bandleader knows it’s not always about them, and Santana was no exception to that rule. His crew of players were all virtuosos in reach of their respective areas, and together they created a signature rock 'n' roll hybrid. But, how did all of this talent find each other? Was San Francisco just teeming with genius in the late '60s? And, really, how do you write and record a sophomore album, perfect a new genre, all while the entire world is changing before you? Join host Jill Hopkins as she continues her journey through Abraxas. Along the way, she’ll hear vital insights from Carlos Santana, in addition to his drummer Michael Shrieve, musicologist Mark Brill, historian Ashley Kahn, and musician AJ Dávila of Davila 666. Featuring original music by Tony Piazza. Don't forget to enter our exclusive giveaway to win one (1) SE Santana Singlecut Trem in Egyptian Gold from PRS Guitars and a copy of Abraxas on vinyl.

In the Season 11 premiere, we're dialing back the clock to the late '60s, a time when Santana and his band were on the cusp of a cultural sea change. They had just conquered the iconic Woodstock Music Festival, and all ears were raised for what came next. But, when you finally have the means to make the album you’ve always wanted ... is it smooth sailing? As an outsider making outsider art, did Santana feel a responsibility to represent his cultural roots? And what about meeting your heroes? Join host Jill Hopkins as she contends with all of these questions in the first episode. Along the way, she'll hear insights from the legend himself Carlos Santana, in addition to his drummer Michael Shrieve, musicologist Mark Brill, and historian Ashley Kahn. Featuring original music by Tony Piazza. Don't forget to enter our exclusive giveaway to win one (1) SE Santana Singlecut Trem in Egyptian Gold from PRS Guitars and a copy of Abraxas on vinyl.

Ashley Kahn is an American music historian, journalist, and producer. In 2014, Kahn co-authored the autobiography of Carlos Santana, titled The Universal Tone: Bringing My Story To Light. --- Support this podcast: https://anchor.fm/the-jam-session-inc/support

Ashley Kahn is an American music historian, journalist, and producer. In 2014, Kahn co-authored the autobiography of Carlos Santana, titled The Universal Tone: Bringing My Story To Light. --- Support this podcast: https://anchor.fm/the-jam-session-inc/support

In episode 329 of Things We Said Today, Ken Michaels, Allan Kozinn and Darren DeVivo speak with Ashley Kahn about his latest book, “George Harrison on George Harrison – Interviews and Encounters,” an impressive, career-spanning compilation of interviews, speeches, statements and internet chats. As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Beatles Fans" Facebook page and comment there, tweet us at @thingswesaidfab or catch us each on Facebook and give us your thoughts. And we thank you very much for listening. You can hear and download our show on Podbean, the Podbean app and iTunes and stream us through the Tune In Radio app and from our very own YouTube page.  Our shows appear every two weeks. Please be sure and write a (good, ideally!) review of our show on our iTunes page. If you subscribe to any of our program providers, you'll get the first word as soon as a new show is available. We don't want you to miss us. Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!

Ashley Kahn joins us to discuss his wonderful collection of George Harrison's interviews. Though known as the 'quiet' Beatle - Ashley's collection shows a thoughtful and outspoken man trying to come understand his place both in and out of The Beatles.

We celebrated the 50th Anniversary of this Miles Davis classic a few years ago. It was an interview of author Ashley Kahn who wrote, "Kind of Blue: The Making of the Miles Davis Masterpiece". (The show was recorded before Jimmy Cobb's passing.)

What is needed in these adverse times? We turn to our spirit guides, our philosopher kings, our rabbis: the musicians. Because although this particular form of adversity is new, musicians have been choosing to feel good in spite of adverse conditions for a long time.  In this episode, we explore the nature of the musician joke, particularly the jazz musician joke. Jokes about gigs, drummers, singers, trombone players, viola players, junkies, 3 legged pigs, bagpipes, bar mitzvahs, African safaris, little old ladies, family therapy, tattoo parlors, monkeys, genies, it’s all here. In other words, the classics. Featuring Steven Bernstein, Amy Cervini, Peter Coyote, Ethan Eubanks, Donald Fagen, James Farber, Steve Gadd, Hilary Gardner, Gil Goldstein, Steve Khan, Ashley Kahn, Tessa Lark, Will Lee, Phil Lyons, Les McCann, Adam Nussbaum, Ben Sidran, Janis Siegel, Larry Ratso Sloman, Dave Stoler, Jack Stratton, Neil Tesser, Michael Visceglia, Michael Winograd, and more.

Ashley Kahn wrote the book on Miles Davis's Kind of Blue, the jazz album everyone owns if they one at least one jazz album. We talk with Ashley about the recording of Kind of Blue, and about its legacy. (Apologies for the audio issues.) Guest: Ashley Kahn (https://en.wikipedia.org/wiki/Ashley_Kahn) Kind of Blue: The Making of the Miles Davis Masterpiece (https://amzn.to/3a3vUEc) Show notes: Miles Davis: Kind of Blue (https://amzn.to/2w5gAbC) Glenn Gould's 1955 and 1981 recordings of Bach's Goldberg Variations (https://amzn.to/3abY689) Episode #1 – Songs to Albums to Songs (https://www.thenexttrack.com/2) Miles Davis: Ascenseur Pour L'Echafaud: Original Soundtrack (https://amzn.to/392zONs) Richard Williams: The Blue Moment (https://amzn.to/32qWqEW) Ashley Kahn: A Love Supreme: The Story of John Coltrane's Signature Album (https://amzn.to/2ThziVd) Miles Davis: Birth of the Cool (documentary) (https://www.pbs.org/wnet/americanmasters/miles-davis-birth-of-the-cool-rfotn2/13497/) Our next tracks: Miles Davis: Circle in the Round (https://amzn.to/2vfPmic) Miles Davis: Bitches Brew (https://amzn.to/382wRes) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast. Special Guest: Ashley Kahn.

Archie Shepp in a Jazz Conversation with Jazz journalist Ashley Kahn on February 22, 2020 in the Art Bar at the Portland Jazz Festival 2020.

Jazz Conversation between guitarists Stanley Jordan and Ashley Kahn, February 21, 2020 at the Art Bar during the 2020 Portland Jazz Festival.

The Major Scale returns with another season of championing the past, present, future and everything in-between of the great American art form - Jazz! Out of the gate we speak to celebrated author Ashley Kahn (The House That Train Built, The Universal Tone) about John Coltrane's lost album Both Directions At Once, which he helped produce. This is a landmark time for music, and 'Trane is still present–he's maybe even more understood now than when he was alive. We discuss this and more with Mr. Kahn, all the while listening to the never before heard music of Both Directions At Once. Nels Cline makes a return visit to The Major Scale with some insight about Currents, Constellations, his second album release on the legendary Blue Note Records. As usual, Cline's music sparkles with soul and daringness. His deep love of all music, combined with his experiences in DIY punk, free jazz, Sonic Youth, and Wilco, have made him one of today's most formidable players to follow.

In Conversation with Radha Botofasina, Varun Soni, Sita Michelle Coltrane, Purusha Hickson, Ashley Kahn, Brandee Younger, Flying Lotus, Shankari Adams, Ed Michel, Surya Botofasina, Marilyn McLeod Ellison, Reggie Workman, Baker Bigsby and Oranyan Coltrane Created later in life, The Ashram Albums of Alice “Swamini Turiyasangitananda” Coltrane featured synth and vocal laden compositions inextricably linked to in her spiritual practice. Coltrane had always claimed music as an “expression” from within, but with these albums she left the commercial world in her wake, developing a new synthesis between her musical roots and Vedic sonic traditions. Through the voices of those who were closest to her, we are treated to an intimate view into this utterly transfixing and original body of work and the powerful heart and mind behind it. This episode was produced by Mark "Frosty" McNeill. Special thanks to all those who so graciously gave their time to be interviewed for this project. I would especially like to express my gratitude to the students of The Vedantic Center for opening their arms and memories to me. I am indebted to Josh Kun, Varun Soni, and Diane Winston for their guidance. Many thanks to Sasha Anawalt for her enthusiastic support. Eternal gratitude to my wife Nara Hernandez for her patience, love, and wisdom. This program is dedicated to the memory of Swamini Turiyasangitananda. –Frosty In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been shortened. To hear more, please visit dublab.com.

In this episode, jazz writer Ashley Kahn talks about the music of Alice Coltrane. The Michele Brangwen Dance Ensemble's current season of performances includes "Closeness," a new work to the music of Charlie Haden & Alice Coltrane, as arranged by Grammy-nominated trumpeter & composer Tim Hagans.

El último volumen de The Bootleg Series de Miles Davis tiene por título The Last Tour, y se publica a nombre de Miles Davis & John Coltrane. Publicado en distintos formatos, la edición en formato de CD con cuatro CD y un extenso libreto escrito por Ashley Kahn, publica oficialmente algunos de los conciertos grabados a principios de 1960 dentro de la gira europea organizada por Norman Granz. En concreto son los dos conciertos en Paris el 21 de marzo, los dos conciertos de Estocolmo al día siguiente, y un concierto en Copenhague el 24 de marzo. En HDO 405 escuchamos un concierto virtual de esta gira, en el que se incluyen temas de todos y cada uno de esos conciertos. Además de los célebres abucheos parisimos, suenan versiones de un “So What” en la que Trane miraba hacia el infinito, “All Blues”, “On Green Dolphin Street”, “Walkin'”, un “‘Round Midnight” inusual, y como podía faltar en los conciertos de Miles Davis de la época, “The Theme”. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo @ tomajazz . com.

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

One of the most important composers in jazz history, Charles Mingus documented his lively impressions of Tijuana in "Tijuana Moods," a rarely performed suite. Join Grammy-winning jazz author Ashley Kahn; eminent alto saxophonist Charles McPherson, a longstanding member of Charles Mingus' band; Anthony Davis, UC San Diego professor of music and noted composer, pianist and improviser; and Steven Schick, UC San Diego professor of music, percussionist, and conductor, for an exploration of the legacy of African-American composer Charles Mingus and his historic Tijuana Moods album. Series: "Helen Edison Lecture Series" [Humanities] [Arts and Music] [Show ID: 32750]

“Take one grain of sand, put it under a microscope and describe it to me,” was probably the best advice I ever got as a writer. I was reminded of it when reading Ashley Kahn’s book, "Kind of Blue: The Making of the Miles Davis Masterpiece." Because that’s exactly what Kahn did in doing an autopsy of two days in the career of an American master Miles Davis.

Su RadioAnimati le più interessanti novità editoriali sul mondo della TV, dell’animazione e dello spettacolo di e con GianLuca Bonetta. QUESTA SETTIMANA Il LIBRO: Il rumore dell’anima di Ashley Kahn L'articolo Il rumore dell’anima proviene da RadioAnimati.

The Traneumentary: Ashley Kahn

The Traneumentary: Ashley Kahn

2008 Detroit International Jazz Festival Jazz Talk Tent SATURDAY AUG 30 2008 – 6:15 PM Moderator – W. Kim Heron Panel – Ashley Kahn, Jimmy Heath, David Adler, Faruq Z. Bey, Benny Golson For more information on this and other JazzStage Productions programming, go to http://jazzstageproductions.com The Jazz Talk Tent was sponsored in part by […]