Podcasts about solo cello

Leland Ko came on my radar when he was one of four gifted young cellists selected by Yo-Yo Ma to participate in a program called Music-Art-Life in 2023.  It was, for me, a chance to luxuriate in curiosity. I wondered: Did their knowledge, skill, and feel for the music mean their curiosity about it was qualitatively different than my own? If so, how? Find Leland Ko online: https://www.lelandko.com Recording of Leland Ko performing Sonata for Solo Cello, Op. 8 — III. Allegro molto vivace used with permission. Photo of Leland Ko by Tam Lan Truong used with permission.

In diesem Video teste ich die einzigartige Rotor Solo Cello Library von Westwood Instruments und zeige, was sie für Musiker und Komponisten zu bieten hat. Von der Bedienung bis hin zu den Sounds erkunde ich die Features und die klangliche Tiefe dieser besonderen Solo-Cello-Library. Erfahrt, wie sich die verschiedenen Artikulationen und Sound-Design-Möglichkeiten in euren Projekten einsetzen lassen und warum Rotor Solo Cello eine Bereicherung für jede Soundpalette ist. YouTube: https://youtu.be/K_pcFTrT4n0 https://www.westwoodinstruments.com/instruments/rotor-solo-cello/ Zum kostenlosen Cubase-Stammtisch anmelden: https://t314352df.emailsys1a.net/51/5885/b7d9bfeadc/subscribe/form.html?_g=1723224576 Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

This is the tragic story of a half-Israelite half-Egyptian man who left Egypt with Moses' Exodus. It is told with added insight from the great Jewish Interpreter, Rashi (Rabbi Shlomo Yitzchaki). Many people miss this important story because it is buried in the Book of Leviticus, which is not generally an easy read. Hear it now with some fresh insight! Based on Leviticus 24:10-23 and Exodus 2:11-15. Show notes have been posted at retellingthebible.wordpress.com. Media in this Episode The following music was used for this media project: "AhDah" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Bar Performance 3 and 4 (Solo Cello & Piano) by Sascha Ende (Filmmusic.io) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Support Retelling the Bible If you would like to support the work that I do creating these stories, go to patreon.com/retellingthebible and choose a level of support!

Val Wilmer has photographed and interviewed many of the most significant musicians of the post-war years, including Duke Ellington, Muddy Waters, Miles Davis, Jimi Hendrix, Bob Dylan, Aretha Franklin and many more. Val grew up in Streatham in South London, where a local record shop helped to nurture her love of music, especially jazz. Her lifelong passion for jazz and photography began at an early age: when she was just 14 years old, she persuaded her mother to take her to London Airport to see off the jazz legend Louis Armstrong who had been playing in the UK. She asked him for an autograph, then took a picture of him as he broke into a huge smile. The image was the first of many classic shots. Alongside her work as a photographer, Val has written extensively about music, as a journalist for numerous publications and as an author: her book As Serious As Your Life, examining the evolution of free jazz within the wider context of racial and sexual politics, has been widely acclaimed as a classic text. In 1983 she co-founded Format, the first all-female photographic agency, which aimed to champion women photographers and to widen the range of images available to newspapers and magazines. Her photographs are held in the collections of the V&A and the National Portrait Gallery. DISC ONE: Potato Head Blues - Louis Armstrong & His Hot Seven DISC TWO: Black, Brown And White - Big Bill Broonzy DISC THREE: Sonata for Solo Cello, Op. 8_1. By Kodaly, First movement performed by Janos Starker DISC FOUR: The Weary Blues – Langston Hughes DISC FIVE: My Lovely Elizabeth - S.E. Rogie DISC SIX: Criss Cross - Thelonious Monk DISC SEVEN: Dogon A D - Julius Hemphill DISC EIGHT: Love and Affection - Joan Armatrading BOOK CHOICE: The Collective Works of Langston Hughes LUXURY ITEM: Nail scissors CASTAWAY'S FAVOURITE: Criss Cross - Thelonious Monk Presenter Lauren Laverne Producers Tim Bano and Sarah Taylor

Broadcast on Serenade Radio on 15th February, 2024 Name Artist Album Year Comments The American Girl Two Step Ron Rhode Thine Alone: The Music Of Victor Herbert [Roxy RP-115-CD] 2004 5-80 Wurlitzer, Sanfilippo Residence, Barrington IL Kiss Me Again Ernest Broadbent The Organist Entertains [BBC Records REC 72M] 3-13 Wurlitzer, Empress Ballroom, Blackpool The Streets Of New York George Wright Live At The Rialto [Banda 109759-2] 1971 2-10 Wurlitzer, Rialto Theatre, South Pasadena Fleurette Alex Jones ATOS 2018 Pasadena Highlights 2018 3-19 Wurlitzer, Barnum Hall, Santa Monica, CA Ah, Sweet Mystery of Life Joseph Seal Golden Hour of Theatre Organ Favourites [Pye GH 517] 1971 3-12 Wurlitzer, ABC Theatre, Kingston-Upon-Thames Italian Street Song David Hegarty A Live! Symphonic Organ Pops Concert 2012 6-389 Harrah Symphonic Organ, Hurricane, West Virginia; part pipes, part Walker Digital I'm Falling In Love With Someone Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) When You're Away John Duffy Duffy At The Organ [London HA-U2012] 1957 3-10 Wurlitzer-Gottfried, CBS-KNX Studios, Columbia Square, Hollywood, CA; ex-Legion (Capitol) Theatre, Walla Walla, WA Cuban Serenade Tiny James Farewell To The Fox [Fantasy CD] 1963 4-36 Wurlitzer, Fox Theatre, San Francisco March of the Toys Allen Mills An Old Fashioned Christmas [McIver Recording DM-068] 1985 3-18 Wurlitzer, Proctor's Theatre, Schenectady, NY

Broadcast on Serenade Radio on 8th February, 2024 Name Artist Album Year Comments Everything's Coming Up Roses Michael Wooldridge Showtime Spectacular [Merlin Productions CD] 2003 3-19 Wurlitzer, Pollokshaws Burgh Hall, Glasgow (Scottish Cinema Organ Trust Clydebank Wurlitzer) Sunday Bob Heil Bob Heil At Home [HSL Productions 324] 2007 3-24 Lyn Larsen Allen I've Heard That Song Before Len Rawle The Sounds Of Tonawanda [Concert Recording CR-0082-T] 1970 4-24 Wurlitzer Opus 1968, Ex-Empire Theatre, Leicester Square, London; Rawle Residence, Chorleywood Hertfordshire It's Magic Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) Diamonds Are A Girl's Best Friend; Bye Bye Baby Tom Sheen Bringin' Down The House [Concert Recording CR-0098] 2-11 (mostly) Wurlitzer, Joe & Dee Spurr Residence, Lyons, IL (installed 1967); ex-Riviera Theatre, Chicago (1920) The Things We Did Last Summer Everett Nourse Memories Of The Fabulous Fox [Doric DO 1404] 4-36 Wurlitzer, Fox Theatre, San Francisco, CA I Met A Girl John Muri Volume 1 [Muri-cord S-1] 1970 3-11 Wurlitzer (Style 235), Six-Mile-Uptown Theatre, Highland Park, MI Just In Time John Seng Midnight Sessions 4-19 Howell-Wurlitzer, St. Mary of the Lake Seminary, Mundelein, IL Some People Jelani Eddington Get Happy [RJE Productions RJE-7050] 2014 3-66 Kimball, Dickinson High School, Wilmington, DE Don't Rain On My Parade Clark Wilson ATOS 2009 Cleveland [Western Reserve] Highlights 2009 4-32 Robert Morton, Ohio Theatre, Columbus, OH

Liebe Wunderbars, mögt ihr Musik? Dann solltet ihr diese Folge unbedingt hören. Auch wenn ihr danach vielleicht direkt ein Ticket für die Metropolitan Opera in New York kaufen wollt. Denn egal ob La Bohème oder Dead Man Walking: Wenn die Cellistin Dorothea (kurz: Dora) Figueroa von ihrer Arbeit in einem der besten Orchester der Welt erzählt, fühlt es sich fast so an, als säße man selbst im Orchestergraben. Dort spielt die gebürtige Dresdnerin seit 2002 als „Associate Principal Cellist“, als stellvertretende Solo-Cellistin, täglich – neben ihrem Mann, dem ersten Solo-Cello.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Saeunn Thorsteinsdottir, Assistant Professor of Cello at the University of Cincinnati College - Conservatory of Music. They talk about her new position in Cincinnati, the benefits of daily improvising, her new album MARROW: The 6 Suites for Solo Cello by J.S. Bach, and much more.To purchase Saeunn's latest recording: https://www.sonoluminus.com/store/marrowFor more information, visit Saeunn's website www.saeunn.comCheck out Saeunn's online course "The Cello Sound Alchemy" at www.saeunn.com/soundOn Facebook and Instagram @SaeunnCello or join the Facebook group "The Cello Journey"For more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram @theCelloSherpa

Luis Cabrera the principal bass of the Netherlands Philharmonic Orchestra and a professor at the Guildhall School of Music and Drama in London. When he's not doing either of those jobs, he's tackling some monumental solo repertoire – Bach's Cello Suite no.1… on double bass! Luis chats with online editor Davina Shum about his long journey preparing and recording this suite, his approaches to playing solo Bach, as well as strategies for playing a work not technically written for your instrument.  Watch Luis perform the Courante from Bach Cello Suite no.1: https://bit.ly/3NZhxYk Read Edicson Ruiz's thoughts on the Bach Cello Suites on double bass in our July 2023 issue Sentimental work. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ II - Allemande Suite for Solo Cello no.1 in G major BWV 1007 Johann Sebastian Bach Luis Cabrera, double bass Photo credit: Elbert Besaris 

Storytime A group of Five Adventurers share stories around a campfire.    Dedicated to ENBY's everywhere. You are loved, seen, and supported.     Connected to the audio drama series, “Lilies and Lilacs”   Mystic Tales: Season 2 is a 21 episode audio anthology, with amazing original content written by Michael Ignacio Jr. This audio anthology has an amazing cast, great music, and sfx. Many of the ‘shorts' are connected to other Mysticborn Productions intellectual properties, while others are original and standalone.    Music and Sound Effects obtained through a subscription through Storyblocks.com. We are allowed to use these stock music and sound effects commercially.    All of the characters in Mystic Tales: Season 2 are fictional and original, and any likeness or similarity to anyone living, dead, or fictional is purely coincidence.    Written and produced by Michael Ignacio Jr.   Artwork done by Vera Tan   If you would like to become a Patron on Patreon and support our company's growth, please follow the following link:   https://www.patreon.com/user?u=16387335    Cast  Flane The Rogue………………………. Jenna Oliver Peesha The Cleric ……………………… Trenton Butt Darmin the Warrior ……………………… Carter Mills Selka the Sorcerer ……………………….. Steena Carey Varr the Druid …………………………… Kyle Kaczmarczyk Narrator ………………………………….. Anthony McCloud   Music  Historical Moments 30 seconds by MoodMode Joyful Achievement by Jon Presstone Nine Dancers by Raighes Factory  Happy Life by Simon Jomphe Lepine  Forgotten by Keith Anthony Holden  Brooding and sad piano music by Gerardo Garcia Jr  White Clouds by Raighes Factory Further and Further by Michael Vignola  Solitude with Solo Cello by Zac Nelson  Voices of Victory by leadsquid   

In his newest release, cellist Bion Tsang returns to Glasgow, Scotland for his second recording with the Royal Scottish National Orchestra and conductor Scott Yoo. CANTABILE, available from Universal Music Group on digital platforms tomorrow, April 14, and on CD in May 2023, features two works by Tchaikovsky, Variations on a Rococo Theme (Op. 33) and Andante Cantabile (Op. 11), and Schumann's Cello Concerto, bookended by two renditions of Pablo Casals' “Song of the Birds.”CANTABILEBion Tsang, CelloScott Yoo, ConductorRoyal Scottish National Orchestra           Pablo Casals01       "El cant dels ocells” ("Song of the Birds”), for Cello and String Orchestra  [04:07]            Pyotr Ilyich Tchaikovsky02       Variations on a Rococo Theme, Op. 33, for Cello and Orchestra  [19:25]            Robert Schumann           Concerto in A minor, Op. 129, for Cello and Orchestra03       Nicht zu schnell  [11:19]04       Langsam  [04:01]05       Sehr lebhaft  [08:09]            Pyotr Ilyich Tchaikovsky06       Andante Cantabile, Op. 11, for Cello and String Orchestra  [07:03]            Pablo Casals07       "El cant dels ocells” ("Song of the Birds”), for Solo Cello (arr. Tsang)  [03:49]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

The technique of playing double-stopped octaves can strike fear into the hearts of many a cellist – it certainly can be a daunting and overwhelming concept for players. But it doesn't have to be. Here to give his tips on practising and teaching octaves for cellists, as well as how to avoid ‘mental catastrophising' is Seth Parker Woods. Seth is a Grammy-nominated cellist who is assistant professor of practice - Cello and Chamber Music at Thornton School of Music, University of Southern California, and he provides a Technique article in our brand new March issue on this topic. Seth's album Difficult Grace will be released on 14 April on Cedille Records. Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_ Allemande Suite for Solo Cello in G major BWV 1007 Johann Sebastian Bach Seth Parker Woods, cello Recorded by Sang Wook 'Sunny' Nam at Jacob's Well Mastering Photo credit: Michael Yu

Alisa Weilerstein is embarking on a multi-year project called Fragments – comprising all 36 movements of Bach's solo cello suites, interweaved with new commissions from 27 diverse composers. Alisa speaks to online editor Davina Shum about how this project came about, how a combination of theatrical elements come together to provide a unique musical experience, and why it's good to jump into seemingly daunting projects with both feet. Fragments 1&2 will premiere in Toronto on 28 January. Alisa will perform Fragments 2 in Irvine, CA (12 March) and Fragments 1 in Santa Barbara, CA (10 March), La Jolla, CA (14 March) and at New York's Carnegie Hall (1 April) Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad Twitter: @TheStradMag Instagram: @the_strad_   Courante Suite for Solo Cello no.2 in D minor - Bach Alisa Weilerstein, cello PENTATONE PTC5186751   Photo credit: Marco Borggreve

Centenary Requests! Start Name Artist Album Year Comments You Don't Like It - Not Much Jim Riggs Granada [RTR CD] 1991 3-21 Grande Barton, Granada Theatre, Kansas City, KS 3:12 It's Magic Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) 5:53 The Surrey with the Fringe on Top David Ashby The "Mightiest" 5/65 Wurlitzer - DeKalb IL 1980 5-65 Wurlitzer, Wurlitzer Building, DeKalb, IL; origin Our Lady of Victory Basilica, Lackawanna, NY; Proctors Theater, Troy, NY; Radio Station WCCO, Minneapolis, MN; recorded by Christopher Camalick 8:43 The Nearness Of You Dan Bellomy ATOS 2001 Indianapolis 2 2001 2-11 Page-Wurlitzer, Hedback Theatre, Indianapolis, IN; 20 August 2001 14:29 Begin The Beguine Kevin Morgan In Party Mood [Audicord ACD 241] 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire 19:27 Moonlight on the Ganges Jim Riggs ATOS 2010 Seattle Highlights 2010 4-20 Wurlitzer, Paramount Theatre, Seattle, WA 23:05 A String Of Pearls Noel Briggs Opposite Ranks [LTOT CD] 1972 4-14 Wurlitzer, Gaumont Theatre, Manchester, England 27:18 We Are The World Ray Thornley Concert: Capri, Adelaide 1985-06-06 1985 4-15 Wurlitzer, Capri Theatre, Adelaide, Australia plus Yamaha FX-20; June 6, 1985 (reprise encore version) 32:47 Honeysuckle Rose Walt Strony Concert: Tacoma Pizza And Pipes 1994-3-13 1994 3-20 Wurlitzer, Pizza And Pipes, Tacoma, WA 36:56 The Midnight Fire Alarm Zach Frame Introducing The Carma Laboratories Orchestral Organ 2020-05-21 2020 4-80+ Wurlitzer, Carma Labs, Franklin, WI 40:18 Deep In My Heart, Dear Jesse Crawford Songs Of Love - Sigmund Romberg [Decca DL 8941] 1960 4-24 Robert Morton, Lorin Whitney Studio, Glendale, CA (late 1950s) 44:28 Baby, Oh Where Can You Be? Jim Riggs Paramount On Parade [RTR 103C] 1989 4-26 Wurlitzer, Paramount Theatre, Oakland, CA 47:25 Bojangles Of Harlem George Wright Chicago One [Banda CD] 1978 4-27 Wurlitzer, Chicago Theatre 49:42 Misty John Atwell Five Alive [Digipipe WB 101] Unreleased 1985 4-15 Wurlitzer, Capri Theatre, Adelaide, Australia 53:33 Let's Go Fly a Kite Dick Leibert Highlights From The Sound Of Music-Mary Poppins-My Fair Lady [RCA Victor LSP-3406] 1965 4-58 Wurlitzer, Radio City Music Hall, NYC; 2 identical consoles, 4 manuals 55:53 Gabriel's Oboe Nicholas Martin Light Fantastic [Nick Martin CD] 2017 Technics FA-1 60:16 Russian Rag Lyn Larsen Concert: Dendy Theatre, Brighton, Melbourne 1970s 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia. Originally from Capitol Theatre, Melbourne; 1970s

Gabriel and Nick chat about the IRR's legal arguments for why Jacob Zuma should not have been released from jail at the direction of Arthur Fraser and what Zuma can do to turn around his reputation and the country. Recommendations: Nick: Heilung https://www.youtube.com/watch?v=SVbc_Fwbt50 Gabriel: Sibelius Theme and Variations for Solo Cello (1887) https://music.youtube.com/watch?v=tJ-BIEutAWc&feature=share

Gabriel and Nick chat about the IRR's legal arguments for why Jacob Zuma should not have been released from jail at the direction of Arthur Fraser and what Zuma can do to turn around his reputation and the country. Recommendations: Nick: Heilung https://www.youtube.com/watch?v=SVbc_Fwbt50 Gabriel: Sibelius Theme and Variations for Solo Cello (1887) https://music.youtube.com/watch?v=tJ-BIEutAWc&feature=share

when in the back of that car when in the trunk of that car sinister sounding now innocent then a group of high school kids heading up for a full moon wander in the woods just laughs and all, nothing really even consumed or ruined kind of amazing how beautiful we were The post REVERIES 22 #35 “true smile” first appeared on Luke Janela.

where we walk and work makes talklisten up and loseyour all lost you’re all loststill huh? wowowowow The post REVERIES 22 #34 “two mile” first appeared on Luke Janela.

Swedish producer, cellist and arranger, Erik Hamrefors, gives us a glimpse into his personal combination of music-related income streams and interests. Music excerpts from Karl Jenkins 'Requiem' with Erik on the cello. Choir: Oscars motettkör. Orchestra: Orkestern Filialen. ----------------00:00 Introduction01:30 Karl Jenkins 'Requiem'02:17 Erik introduces himself10:10 Working as an executive producer at Caprice Records15:00 Being a freelancer and string arranger20:20 Karl Jenkins 'Requiem'21:10 The 11 Caprices for solo cello by Dall'Abaco26:58 Erik's seven cellos -baroque, classical, modern, carbonfibre and electric32:30 Karl Jenkins 'Requiem'35:01 Our favourite cello concertos: Philip Glass No.1 and Alfred Schnittke No.243:05 Karl Jenkins 'Requiem'44:03 What does it mean to be a musician?50:00 Freelancing without having one's own company55:45 Outro ----------------Erik on IMSLP: https://imslp.org/wiki/Category:Hamrefors,_Erik/ArrangerErik's edition of 11 Caprices for Solo Cello by Dall'AbacoCaprice Records: https://musikverket.se/capricerecords/?lang=enErik on Instagram: https://www.instagram.com/erikhamrefors/----------------The Musician's Journey Podcast's playlist on SpotifyPodcast soundtrack by Mohamed Amer.Support this podcast via Ko-fiFor any comments, my email address is ragnhild@wesenberg.orgYou can also find this podcast on Instagram: @themusiciansjourneypodcast

Swedish producer, cellist and arranger, Erik Hamrefors, gives us a glimpse into his personal combination of music-related income streams and interests. Music excerpts from Karl Jenkins 'Requiem' with Erik on the cello. Choir: Oscars motettkör. Orchestra: Orkestern Filialen. ----------------00:00 Introduction01:30 Karl Jenkins 'Requiem'02:17 Erik introduces himself10:10 Working as an executive producer at Caprice Records15:00 Being a freelancer and string arranger20:20 Karl Jenkins 'Requiem'21:10 The 11 Caprices for solo cello by Dall'Abaco26:58 Erik's seven cellos -baroque, classical, modern, carbonfibre and electric32:30 Karl Jenkins 'Requiem'35:01 Our favourite cello concertos: Philip Glass No.1 and Alfred Schnittke No.243:05 Karl Jenkins 'Requiem'44:03 What does it mean to be a musician?50:00 Freelancing without having one's own company55:45 Outro ----------------Erik on IMSLP: https://imslp.org/wiki/Category:Hamrefors,_Erik/ArrangerErik's edition of 11 Caprices for Solo Cello by Dall'AbacoCaprice Records: https://musikverket.se/capricerecords/?lang=enErik on Instagram: https://www.instagram.com/erikhamrefors/----------------The Musician's Journey Podcast's playlist on SpotifyPodcast soundtrack by Mohamed Amer.Support this podcast via Ko-fiFor any comments, my email address is ragnhild@wesenberg.orgYou can also find this podcast on Instagram: @themusiciansjourneypodcast

outer summer The post REVERIES 22 #16 "inner winter" first appeared on Luke Janela.

【卸下一切 安然入睡】是陪著你入睡的一首音樂。希望你在睡前，將一天積聚下來的思緒和情緒都釋放，讓自己完完全全地進入睡眠的狀態。高質素的睡眠對我們是非常重要的，它決定了我們第二天的能量起點。建議：最好是躺在床上收聽，請儘量不要用耳機收聽，改用喇叭。 Music Source: Moving Towards Fine by Amaranth Cove In the Stillness by Megan Wofford Solitude with Solo Cello by Zac Nelson Taiga by Ever So Blue Goodbye Love by Sleeping Vines Licensed by storyblocks.com , epidemicsound.com Mixing: Christine Yip MINDFULNESS 靜心慢遊：https://www.mindfulness.innovi.hk

This concert is also available in a video version at https://youtu.be/BHby05dKf9kJeff Counts hosts a full-length concert of music by your favorite NOVA musicians. Jason Hardink and Caitlyn Valovick Moore perform works by three great American composers. Then six violists and cellists each take on a movement of Bach’s famous Third Suite for Solo Cello.CONCERT PROGRAMWelcome and Okpebholo Introduction (00:16)Jeff Counts | hostSHAWN OKPEBHOLO: ψαλμοὶ καὶ ὕμνοι καὶ ᾠδαὶ πνευματικαί (psalmoi kai ymnoi kai odai pnevmatikai / psalms, hymns, and spiritual songs)I. Ede Ede (Nigeria): an ostinato (01:00)II. Bringing in the Sheaves (USA): a variation (05:35)III. Jisasi Fukemino (Papua New Guinea): an impromptu (12:54)Jason Hardink | pianoLoggins-Hull and Hailstork Introduction (19:11)ALLISON LOGGINS-HULL: Homeland (19:50)ADOLPHUS HAILSTORK: Flute Set (25:13)I. Moderato con animaII. VivoIII. Lento e teneramenteIV. AllegrettoCaitlyn Valovick Moore | fluteBach Introduction (30:17)JOHANN SEBASTIAN BACH: Suite No. 3 in C Major for Solo Cello, BWV 1009I. Prelude - Matt Johnson | cello (31:01)II. Allemande - Bradley Ottesen | viola (34:31)III. Courante - Pegsoon Whang | cello (37:57)IV. Sarabande - Julie Edwards | viola (40:21)V. Bourrée I / II - Anne Lee | cello (44:10)VI. Gigue - Whittney Thomas | viola (48:21)recorded by Michael Palmer and Wesley Morrison at Utah State University’s Caine Wanlass Performance Hall in Logan, Utahrecording mastered by Michael Carnesproduced by Chris Myers (https://www.argylearts.com)NOVA Chamber Music Series would like to thank the Caine College of the Arts at Utah State University for their generosity in providing recording facilities and staff on the Logan campus.Transcript available at https://www.novaslc.org/novapodcast/novapodcast014Copyright © 2021 NOVA Chamber Music Series. All rights reserved.

or inhale. whichever. The post REVERIES 21 #15 "exhale" first appeared on Luke Janela.

Jess Gillam and composer and violinist Sasha Scott share the music they love, including Vivaldi, Ligeti, Henriette Renié, and The Prodigy. Sasha Scott was one of the Senior Category winners in the BBC Young Composer 2019 competition. Playlist: Witold Lutosławski – Symphony No 4 (Polish National Radio Symphony Orchestra / Antoni Wit) Francis Poulenc – Flute Sonata FP 164 (1st mvt) (Emmanuel Pahud / Éric Le Sage) The Prodigy – Out of Space Antonio Vivaldi – The Four Seasons: Winter (1st mvt) (Pekka Kuusisto / Virtuosi di Kuhmo) György Ligeti – Sonata for Solo Cello (1st mvt) (Miklós Perényi) Henriette Renié – Harp Concerto in C minor (1st mvt) (Emmanuel Ceysson / Orchestre Régional Avignon Provence / Samuel Jean) Brahms – Piano Concerto No 2 in B flat, Op 83 (1st mvt) (Krystian Zimerman / Wiener Philharmoniker / Leonard Bernstein) Michael Kiwanuka – Home Again

A Celebration! Name Artist Album Year Comments Rosalie Everett Nourse Memories Of The Fabulous Fox, Volume 3 [Doric DO 1411] 1963 4-36 Wurlitzer, Fox Theatre, San Francisco, CA; album released 1977 I'll Take An Option On You Lyn Larsen Coast To Coast [Malar MAS 1004] 1967 5-24 Wurlitzer, Organ Loft, Salt Lake City, UT Dance in the Twilight Richard Hills Fabulous Fox Organ Weekend [ATOS 2-CD] 2004 4-42 Moller, Fox Theatre, Atlanta, GA; Concerts May 29 & 30, 2004 I'm Sure Of Everything But You Vic Hammett Pipin' Hot! from the Cap'ns Galley [Doric 1401] 1978 4-18 Wurlitzer, Cap'ns Galley, Redwood City CA; ex-1926 Fifth Avenue Theatre, Seattle, WA Rain On The Roof Jackie Davis Five Classic Albums - Hammond Gone Cha Cha [Avid AMSC 1202] 1959 Hammond Nice 'n' Easy Dick Hyman and His Orchestra Keyboard Kaleidoscope [Command RS 875 SD] 1964 Dick Hyman, Lowrey; Tony Mottola, guitar; Al Casamenti, rhythm guitar; Everett Barksdale or Bucky Pizzarelli, bass guitar or Fender bass; Bob Haggart, bass; Osie Johnson, drums; Bob Rosengarden & Phil Kraus, percussion Daddy Bill Vlasak Slow Boat To China [WJV CD] 1990 4-42 Wurlitzer, Paramount Music Palace, Indianapolis, IN; originally Paramount Oakland 4-20 The Love Nest Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) Baby Face Jonas Nordwall Plays The Paramount [Gamba JN-102] 4-20 Wurlitzer, Paramount Theatre, Portland, OR

In this episode, I have the great pleasure of speaking about all things mindful practice with international cello soloist Alisa Weilerstein. Alisa has attracted widespread attention for her playing that combines natural virtuosity and technical precision with impassioned musicianship.  In this episode, Alisa shares insight on: How her parents nurtured a natural unfolding and healthy progression of her career Practicing: focusing efficient practice, intentional breaks and time off management (so important for long term sustainability + physical and mental health!) Her approach to learning a piece The importance of keeping musicality part of the technical work (as she said “Keeping everything married”) How practicing mindfully is the key for her to get rid of nerves and feel comfortable in performance How she plays mock performance for friends How to develop a natural rubato using the metronome … and much more!   It's an information and inspiration packed episode and I hope you enjoy and find value in our discussion!   MORE ABOUT ALISA WEILERSTEIN alisaweilerstein.com twitter.com/aweilerstein facebook.com/AlisaWeilerstein instagram.com/alisaweilerstein/   Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur “genius grant” Fellowship in 2011. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts, and concerto collaborations with all the preeminent conductors and orchestras worldwide. “Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composer's wishes, she inhabits a piece fully and turns it to her own ends,” marvels the New York Times. “Weilerstein's cello is her id. She doesn't give the impression that making music involves will at all. She and the cello seem simply to be one and the same,” agrees the Los Angeles Times. As the UK's Telegraph put it, “Weilerstein is truly a phenomenon.”   Bach's six suites for unaccompanied cello figure prominently in Weilerstein's current programming. Over the past two seasons, she has given rapturously received live accounts of the complete set on three continents, with recitals in New York, Washington DC, Boston, Los Angeles, Berkeley and San Diego; at Aspen and Caramoor; in Tokyo, Osaka, Guangzhou, Shenzhen, London, Manchester, Aldeburgh, Paris and Barcelona; and for a full-capacity audience at Hamburg's iconic new Elbphilharmonie. During the global pandemic, she has further cemented her status as one of the suites' leading exponents. Released in April 2020, her Pentatone recording of the complete set became a Billboard bestseller and was named “Album of the Week” by the UK's Sunday Times. As captured in Vox's YouTube series, her insights into Bach's first G-major prelude have been viewed almost 1.5 million times. During the first weeks of the lockdown, she chronicled her developing engagement with the suites on social media, fostering an even closer connection with her online audience by streaming a new movement each day in her innovative #36DaysOfBach project. As the New York Times observed in a dedicated feature, by presenting these more intimate accounts alongside her new studio recording, Weilerstein gave listeners the rare opportunity to learn whether “the pressures of a pandemic [can] change the very sound a musician makes, or help her see a beloved piece in a new way.”   Earlier in the 2019-20 season, as Artistic Partner of the Trondheim Soloists, Weilerstein joined the Norwegian orchestra in London, Munich and Bergen for performances including Haydn's two cello concertos, as featured on their acclaimed 2018 release, Transfigured Night. She also performed ten more concertos by Schumann, Saint-Saëns, Elgar, Strauss, Shostakovich, Britten, Barber, Bloch, Matthias Pintscher and Thomas Larcher, with the London Symphony Orchestra, Zurich's Tonhalle Orchestra, Frankfurt Radio Symphony, Gürzenich Orchestra Cologne, Tokyo's NHK Symphony, the New York Philharmonic, and the Houston, Detroit and San Diego symphonies. In recital, besides making solo Bach appearances, she reunited with her frequent duo partner, Inon Barnatan, for Brahms and Shostakovich at London's Wigmore Hall, Milan's Sala Verdi and Amsterdam's Concertgebouw. To celebrate Beethoven's 250th anniversary, she and the Israeli pianist performed the composer's five cello sonatas in Cincinnati and Scottsdale, and joined Guy Braunstein and the Dresden Philharmonic for Beethoven's Triple Concerto, as heard on the duo's 2019 Pentatone recording with Stefan Jackiw, Alan Gilbert and the Academy of St. Martin in the Fields.   Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has premiered two important new concertos, giving Pascal Dusapin's Outscape “the kind of debut most composers can only dream of” (Chicago Tribune) with the co-commissioning Chicago Symphony in 2016 and proving herself “the perfect guide” (Boston Globe) to Matthias Pintscher's cello concerto un despertar with the co-commissioning Boston Symphony the following year. She has since reprised Dusapin's concerto with the Stuttgart and Paris Opera Orchestras and Pintscher's with the Gürzenich Orchestra Cologne and with the Danish Radio Symphony and Cincinnati Symphony, both under the composer's leadership. It was also under Pintscher's direction that she gave the New York premiere of his Reflections on Narcissus at the New York Philharmonic's inaugural 2014 Biennial, before reuniting with him to revisit the work at London's BBC Proms. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Since then she has played the work with orchestras around the world, besides frequently programming his Omaramor for solo cello. Grammy nominee Joseph Hallman has written multiple compositions for her, including a cello concerto that she premiered with the St. Petersburg Philharmonic and a trio that she premiered on tour with Barnatan and clarinetist Anthony McGill. At the 2008 Caramoor festival, she premiered Lera Auerbach's 24 Preludes for Violoncello and Piano with the composer at the keyboard, and the two subsequently reprised the work at the Schleswig-Holstein Festival, Washington's Kennedy Center and for San Francisco Performances.   Weilerstein's recent Bach and Transfigured Night recordings expand her already celebrated discography. Earlier releases include the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin, named “Recording of the Year 2013” by BBC Music, which made her the face of its May 2014 issue. Her next album, on which she played Dvořák's Cello Concerto with the Czech Philharmonic, topped the U.S. classical chart, and her 2016 recording of Shostakovich's cello concertos with the Bavarian Radio Symphony and Pablo Heras-Casado proved “powerful and even mesmerizing” (San Francisco Chronicle). She and Barnatan made their duo album debut with sonatas by Chopin and Rachmaninoff in 2015, a year after she released Solo, a compilation of unaccompanied 20th-century cello music that was hailed as an “uncompromising and pertinent portrait of the cello repertoire of our time” (ResMusica, France). Solo's centerpiece is Kodály's Sonata for Solo Cello, a signature work that Weilerstein revisits on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz in which the cellist makes a cameo appearance as herself.   Weilerstein has appeared with all the major orchestras of the United States, Europe and Asia, collaborating with conductors including Marin Alsop, Daniel Barenboim, Jiří Bělohlávek, Semyon Bychkov, Thomas Dausgaard, Sir Andrew Davis, Gustavo Dudamel, Sir Mark Elder, Alan Gilbert, Giancarlo Guerrero, Bernard Haitink, Pablo Heras-Casado, Marek Janowski, Paavo Järvi, Lorin Maazel, Cristian Măcelaru, Zubin Mehta, Ludovic Morlot, Yannick Nézet-Séguin, Peter Oundjian, Rafael Payare, Donald Runnicles, Yuri Temirkanov, Michael Tilson Thomas, Osmo Vänskä, Joshua Weilerstein, Simone Young and David Zinman. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high-profile classical music event at the White House, featuring student workshops hosted by the First Lady and performances in front of an audience that included President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Dudamel, since when she has made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program.   Born in 1982, Alisa Weilerstein discovered her love for the cello at just two and a half, when she had chicken pox and her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn't produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in 1995, she made her professional concert debut, playing Tchaikovsky's “Rococo” Variations with the Cleveland Orchestra, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, Weilerstein also holds a degree in history from Columbia University. She was diagnosed with type 1 diabetes (T1D) at nine years old, and is a staunch advocate for the T1D community, serving as a consultant for the biotechnology company eGenesis and as a Celebrity Advocate for JDRF, the world leader in T1D research. Born into a musical family, she is the daughter of violinist Donald Weilerstein and pianist Vivian Hornik Weilerstein, and the sister of conductor Joshua Weilerstein. She is married to Venezuelan conductor Rafael Payare, with whom she has a young child.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

In de podcast Cello spelen met Scarlett is Ierse celliste Ilse de Ziah online mijn gast. Zij heeft een passie voor het arrangeren van muziek voor cello solo. Haar nieuwste boek heet Sacred Irish music for solo cello en ze mailde mij om er over te vertellen. Misschien ken je Ilse's digitale boeken en ken je haar zelfs persoonlijk van de vijf online workshops die zij gaf aan jullie, mijn luisteraars en lezers? Zie www.playcellomusic.com voor al Ilse's fantastische boeken met veel Ierse muziek voor cello solo! Daar vinden jullie ook de korting code van 20% op aankoopprijs van € 276,00; de code aldaar is SCARLETTCAST20 . Op naar www.playcellomusic.com!

75th Anniversary of VE-Day ~ European Organs Start Name Artist Album Year Comments Put On A Happy Face Simon Gledhill The Mighty Wurlitzer 1937 [AAOCCC CD] 2017 3-8 Wurlitzer, College Claparade, Geneva, Switzerland; ex-Granada Cinema, Clapham Junction, London 3:31 Boum! Tommy Desserre EP Lumen LD 1-601 4-15 Christie, Gaumont Palace Theatre, Paris, France 5:06 Flirtation Waltz Gilbert LeRoy Avant La Disparition Du Plus Grand Cinéma D'Europe [Arion ARN 33171] 4-15 Christie, Gaumont Palace Theatre, Paris, France 9:08 Eye Level (Theme from TV series Van Der Valk) Carol Williams Theatre Live! [Melcot MCT006] 1993 4-10 Wurlitzer-Strunk-Noterman, Tuschinski Theatre, Amsterdam; Concert Saturday 16 January, 1993 12:04 Uno per tutte Cor Steyn Op Het Radio Concertorgel [Imperial ILX 5003] 1966 5-27 Moller, Tesselschade Church, Hilversum, Holland 14:26 The Dream Of Olwen Pierre Palla Avro Concertorgel 1961 4-19 Hybrid: Standaart, Gottfried and Stinkens pipework with Standaart console & Compton mechanics; AVRO Studio 1, Hilversum, Holland 17:04 Sousa: Liberty Bell; Semper Fidelis; Manhattan Beach Joop Walvis EP Imperial IPE 5013 3-10 Standaart, Passage Theatre, Schiedam (Rotterdam), Holland 20:32 De Snelwandelaar (The Fast Walker) Bernard Drukker Romantiek En Ritme Op Het Radioconcertorgel [Delta DELP 062] 1969 5-27 Moller, Studio 1 Netherland Radio, Hilversum, Holland 22:57 Give me that old time religion; Nobody knows the trouble I've seen Piet van Egmond Bespeelt het Radio Concert Orgel [EMI SXLPH 1034] 5-27 Foort Moller, Tesselschade Church, Hilversum, Holland pietvanegmond.nl 28:00 Abends in der Taverne Heinrich Riethmueller Zwei in einer grossen Stadt [Teldec 6.26412 AS] 1987 4-15 Wurlitzer, Musical Instrument Museum, Berlin 31:26 Little Man, You've Had a Busy Day Jean-Charles Ablitzer Au Rendez-Vous des Poètes [Stil 1711 SAN 01] 2001 3-11 Moller, Organbuilders Laukhuff, Weikersheim, Germany; Opus 7432 (1947); originally residence of Leslie Wenman, Westcliff, South Africa 34:43 Elite Syncopations Fraser Gartshore Jazz auf der Möller-Kinoorgel 3-11 Moller, Organbuilders Laukhuff, Weikersheim, Germany; Opus 7432 (1947); originally residence of Leslie Wenman, Westcliff, South Africa 38:33 The Greatest Show On Earth Robert Ducksch The Mighty Wurlitzer 1990 4-16 Wurlitzer, National Institute for Music Research, Berlin (1982); ex-residence of Werner Ferdinand von Siemens, Berlin (1929) 40:32 No Matter What Bernd Wurzenrainer Wurlitzer - Legende in Dur und Moll [PSALLITE CD 60471] 2003 2-6 Wurlitzer, Orgelbau Friedrich Fleiter, Munster-Nienberge, Germany; ex-Pig and Whistle Restaurant, Los Angeles, CA (1924) 45:10 Kleiner Wiener Marsch (Little Vienna March) Gerhard Gregor Gerhard Gregor und die grosse Welte-Funkorgel [Klassik Edition Extra] 1963 3-23 Welte-Funkorgel, NDR Studios; 1948-1979 47:46 It's Magic Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) 50:15 Japanische Puppenspiele (Japanese Puppet Shows) Paul Mania Electrola EG 2285 1931 2-7 Wurlitzer, op. 2015, style 165X SP [1929], 'Die Kamera', Berlin W8, Germany 53:29 Steig in das Traumboot der Liebe (Get Into The Dreamboat Of Love) Fritz Seidel Plays Evergreens (Private CD) 1955 2-7 (?) Hupfeld, Schauburg Cinema (1000 seats), Dresden (1927 to 1960s). Organ has disappeared. 58:46 Radetzky-Marsch Kevin Morgan Sommer In Weikersheim [Laukhuff CD] 3-11 Moller, Organbuilders Laukhuff, Weikersheim, Germany; Opus 7432 (1947); originally residence of Leslie Wenman, Westcliff, South Africa

Music of Noël Coward Name Artist Album Year Comments A Room With A View Dudley Savage A Touch Of Romance [DS 1] 1995 3-7 Compton plus Melotone & Solo Cello, Compton House (Ralf Krampen) Brey-am-Rhine, Germany; ex-Regal, Putney (3-6) London Pride Donald MacKenzie London Pride [Musiqua CD] 2009 3-12 Wurlitzer, Musical Museum, Brentford, Middlesex If Love Were All Bill Vlasak Concert: Pasadena City College 1993-10-23 1993 3-23 Ross Reed Memorial Wurlitzer, Sexson Auditorium, Pasadena City College I Like America [Ace of Clubs] Richard Hills Celebrating The Embassy Grande Page [Embassy Theatre Foundation CD] 2018 4-16 Page, Embassy Theatre, Ft. Wayne, IN I'll Follow My Secret Heart Buddy Cole Modern Pipe Organ [Warner Bros. WS 1533] 1964 3-27 Wurlitzer-Morton, Buddy Cole Studio, North Hollywood (3-17 Wurlitzer Ex United Artists Theatre, Los Angeles & 3-9 Robert Morton from Capitol Theatre, Marshalltown, Iowa) Someday I'll Find You Dudley Savage The Sound Of Mighty Organs 3-7 Compton plus Melotone, St. John Vianney Church, Clayhall, Essex; ex-Ritz Cinema, Nuneaton, Warwickshire There Are Bad Times Just Around The Corner Don Kinnier Capitol Gains [Klik Records SP 2001 CD] 1990 3-17 Wurlitzer/Hybrid, Strand-Capitol Performing Arts Center, York, PA

part two of the session i had playing cello in the replica cathedral bird accompanist ftw  

The Memory Palace is a proud member of Radiotopia, a collective of independently owned and operated podcasts. A note on shownotes. In a perfect world, you go into each episode of the Memory Palace knowing nothing about what's coming. It's pretentious, sure, but that's the intention. So, if you don't want any spoilers or anything, you can click play without reading ahead. Anyway... Music  Inside River, Pt. 1 by Akira Kosuemura. . Sonata for Solo Cello 1: Dialogo by Ligeti, performed by Miklos Perenyi. All the Land Ablaze by Laura Cannell Frost Trees from Lalo Schiffren's score to The Fox. And Finding the Flag from Georges Delarue's score to The Day of the Dolphin.

BLAS DE OTERO: PALABRA DE HOMBRE Pocos poetas contemporáneos alcanzaron la popularidad y difusión que, con todo merecimiento, consiguió Blas de Otero (1916-1979) durante el tardofranquismo y los años de la Transición. Por supuesto que entonces el que dominó fue el vibrante Otero cívico, creador de un código poético compartido por esa mayoría ciudadana que iba aglutinándose en torno a la ilusión de la libertad. En cierto sentido fue nuestro primer cantautor. Pero antes de eso, durante los durísimos años cuarenta, Otero había sido un hondísimo poeta existencial que en versos desgarradores interpela a un dios distante y vacuo. Y en sus últimos años de vida –cuando más popular era- emprendió un camino muy personal de poesía de influencia vanguardista que nunca olvida su compromiso con el individuo. CRÉDITOS (Poema – Voz - Música) : Presentación – Fernando Alcaine – Sad (Cello solo) 1. Luchando con la muerte - José María Burillo - Sad (Cello solo) 2. Digo vivir - Manuel Alcaine - Gaspar Cassadó - (Suite for cello solo) 3. Aquí tenéis al hombre - Jose Sampietro - Gaspar Cassadó - (Suite for cello solo) 4. Me queda la palabra - Lola Orti - Sibelius - (Theme and Variations for Solo Cello) 5. Pido la paz y la palabra - Elena Parra - Sibelius - (Theme and Variations for Solo Cello) 6. Por los Puentes de Zamora - Chus Sanjuán - Sibelius - (Theme and Variations for Solo Cello) 7. Túmulo de gasoil – Fernando Alcaine - Zoltán Kodály, (Sonata in B minor for solo cello, Op.8, mvt. III) 8. Cantar de amigo – Lola Orti y Grupo Trafulla - Zoltán Kodály, (Sonata in B minor for solo cello, Op.8, mvt. III)

BLAS DE OTERO: PALABRA DE HOMBRE Pocos poetas contemporáneos alcanzaron la popularidad y difusión que, con todo merecimiento, consiguió Blas de Otero (1916-1979) durante el tardofranquismo y los años de la Transición. Por supuesto que entonces el que dominó fue el vibrante Otero cívico, creador de un código poético compartido por esa mayoría ciudadana que iba aglutinándose en torno a la ilusión de la libertad. En cierto sentido fue nuestro primer cantautor. Pero antes de eso, durante los durísimos años cuarenta, Otero había sido un hondísimo poeta existencial que en versos desgarradores interpela a un dios distante y vacuo. Y en sus últimos años de vida –cuando más popular era- emprendió un camino muy personal de poesía de influencia vanguardista que nunca olvida su compromiso con el individuo. CRÉDITOS (Poema – Voz - Música) : Presentación – Fernando Alcaine – Sad (Cello solo) 1. Luchando con la muerte - José María Burillo - Sad (Cello solo) 2. Digo vivir - Manuel Alcaine - Gaspar Cassadó - (Suite for cello solo) 3. Aquí tenéis al hombre - Jose Sampietro - Gaspar Cassadó - (Suite for cello solo) 4. Me queda la palabra - Lola Orti - Sibelius - (Theme and Variations for Solo Cello) 5. Pido la paz y la palabra - Elena Parra - Sibelius - (Theme and Variations for Solo Cello) 6. Por los Puentes de Zamora - Chus Sanjuán - Sibelius - (Theme and Variations for Solo Cello) 7. Túmulo de gasoil – Fernando Alcaine - Zoltán Kodály, (Sonata in B minor for solo cello, Op.8, mvt. III) 8. Cantar de amigo – Lola Orti y Grupo Trafulla - Zoltán Kodály, (Sonata in B minor for solo cello, Op.8, mvt. III)

In this episode of 'Classics Unlocked', Graham Abbott discusses the wonder and mystery of Johann Sebastian Bach's Six Suites for Solo Cello.This episode of Classics Unlocked featured the following recording:J.S. BACH: The Six Cello SuitesPierre Fournier, celloDeutsche Grammophon 483 6385 (2-CD + BluRay Audio Disc set) See acast.com/privacy for privacy and opt-out information.

Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]

Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]

Do you like new music? Join Katie and Dalanie as special guest Jasmine Daquin makes her case in favor of new music, and introduces the hosts to some of her favorite contemporary pieces. IN THIS EPISODE Articles Mentioned: Black Girl Magic! – Esperanza Spalding Is Harvard’s Newest Music Professor https://emilycottontop.com/black-girl-magic-esperanza-spalding-harvards-newest-music-professor/ First Orchestra for Disabled People a ‘Game-changer’ for Teaching Music https://www.irishtimes.com/news/ireland/irish-news/first-orchestra-for-disabled-people-a-game-changer-for-teaching-music-1.3784559?fbclid=IwAR3x_JPNWI-DbpocGwpjF-H8oreffVAiHgL8vOk0qN1Xm4aYnSwYvz2m2qU Alternative Universe Pieces: Pezzo Capriccioso - Pytor Ilych Tchaikovsky https://www.youtube.com/watch?v=mPIUmMb3hqg Suite No. 6 for Solo Cello in D major - J. S. Bach https://www.youtube.com/watch?v=5o5x_15fp1E Suite for Solo Cello - Gaspar Cassado https://www.youtube.com/watch?v=ebMlp9Kc_bY Cello Concerto, Op. 85 - Edward Elgar https://www.youtube.com/watch?v=OPhkZW_jwc0 Symphony No. 6 “Pathetique” (Allegro con grazia) - Pytor Ilych Tchaikovsky https://www.youtube.com/watch?v=GvEzdij0dlk&t=36s Symphony No. 2 “Resurrection” (Allegro maestoso) - Gustav Mahler https://www.youtube.com/watch?v=z2KcsjA_PEQ&t=257s Jasmine’s Picks Chamber Concerto No. 1 - Arnold Schoenberg https://www.youtube.com/watch?v=m_hMVzPT9f4 Chamber Symphony - György Ligeti https://www.youtube.com/watch?v=hboFvSaKUHU&feature=youtu.be The Will to Adorn - George Lewis https://www.youtube.com/watch?v=ttGi58xUW_Q Black Excellence: David Robinson David’s website: https://www.davidrobinsonofficial.com David’s Facebook: https://www.facebook.com/davidrobinsonworld/ David’s Instagram: https://www.instagram.com/davidrobinsonworld/ Piece of the Week: Symphony No. 4 “Italian” - Felix Mendelssohn https://www.youtube.com/watch?v=_HX_jF1_Tgc Follow us on social media: Facebook: https://www.facebook.com/classicallyblackpodcast/ Instagram: https://www.instagram.com/classicallyblackpodcast/ Twitter: https://twitter.com/classicblackpod New episodes every Monday on Youtube, Soundcloud, Spotify, Google Play and Apple Podcasts! *Please note: Opinions expressed here are those of the persons speaking, and do not necessarily reflect the views of the Eastman School of Music.

The NEXT Ensemble performs live at Kaffe Mercantile. Their mission is to bring concert music to small coffee-shop venues like this one. Songs featured: Suite No. 1 for Solo Cello in G Major, Prelude; Sonata No. 1 for Solo violin in G Minor, Adagio; Five; B.B. Wolf; PBD19; You Are Not Machines Learn more about them here: http://nextensemble.org/web/home.aspx Watch selections from this episode on YouTube:

Laura Melnicoff is a cellist, classically trained at the conservatories of New York City, and holds a Masters in Cello Performance from Tel Aviv University. Her performances have included the stages of Carnegie Hall, the Women’s International Convention for Chabad Emissaries, tours in Europe and Israel, and an internship with the Israel Philharmonic. https://www.facebook.com/LauraMelnicoffCellist/ Concerto in B Minor by Antonin Dvorak: https://www.youtube.com/watch?v=0LB8ImR3j7w Suite for Solo Cello, Gaspar Cassadó: https://www.youtube.com/watch?v=ll8qq1jRFdI https://www.soundheightsrecords.com

as you can hear my studio oh sweet studio 9 years studio! is very well insulated

let things unfold and if you are hurting then let that unfold

Helmut Lachenmann PRESSION (Lucas Fels, with English Subtitles) Helmut Lachenmann talks to Lucas Fels about the genesis of Pression for solo cello. The documentary is followed by a performance of Pression by Lucas Fels, in the presence of the composer.

Doug and Kirk had some questions about subwoofers. So they invited Andy Doe to explain how they work, how to set them up, and why we might want to use them. Sponsor: Drobo, simple to use storage arrays designed to keep your data safe forever. Visit Drobo.com. You’re listening to this at home for your own pleasure, it doesn’t actually matter if it’s accurate. What matters is that you like it. This week’s guest: Andy Doe, Proper Discord Show notes: Polk Audio PSW10 10-Inch Powered Subwoofer Wharfdale Diamond SW150 Subwoofer Mackie HR824 Mk 2 Studio Monitor Pyle Home PCB3BK 3-Inch 100-Watt Mini Cube Bookshelf Speakers Online Tone Generator Our next tracks: Kirk: Johann Sebastian Bach, Suites for Solo Cello, by Anner Bylsma Doug: Ray Charles & The Count Basie Orchestra: Ray Sings, Basie Swings If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Andy Doe.

It’s summertime, and the classical musicians have all disappeared. No, it’s not a classical music-specific alien body snatching situation. It’s just that they’re all at music festivals! Because we miss them, we’ve decided to follow the musicians to a different fest each summer. This year, we head to the Aspen Music Festival! In our four-show series, we’ll be interviewing festival leaders, musicians, and whoever else will talk to us. In this, the fourth and final episode of our miniseries, we speak with cellist Alisa Weilerstein about music (and the composers who write it) for solo cello. You’ll learn about the All-Stars of the cello world, unexplained gaps in cello music history will be explained, and – perhaps most importantly – you’ll learn how to pronounce the name “Kodaly”. Music in this episode: Music for Children, Op. 65 Arr. Piatigorsky – March Bach Suite No. 1 Prelude and Minuet (from Classic FM YouTube video) Sonata for Solo Cello, Op.8 – 3. Allegro molto vivace Omaramor For Solo Cello Suite For Solo Cello – 3. Intermezzo e Danza Finale Audio production by Todd “Team Edward” Hulslander with sparkling by Dacia Clay and editing by Mark DiClaudio and possibly Nick Dulworth. For more about Alisa Weilerstein: www.alisaweilerstein.com For more about the Aspen Music Festival: www.aspenmusicfestival.com

"Requiem, for Solo Cello"—Published in Apex Magazine issue 69, February 2015. Read it here: https://apex-magazine.com/requiem-for-solo-cello/  Damien Angelica Walters' short fiction has appeared in various magazines and anthologies, including Year's Best Weird Fiction Volume One, The Best of Electric Velocipede, Strange Horizons, Nightmare, Lightspeed, Shimmer, Apex Magazine, Streets of Shadows, What Fates Impose, and Glitter & Mayhem. Paper Tigers, a novel, will be released in late 2015 from Dark House Press. Writing as Damien Walters Grintalis, Damien's short fiction appeared in Lightspeed, Strange Hozons, Beneath Ceaseless Skies, Interzone, Fireside, Daily Science Fiction, and others, and Ink, a novel, was released in December 2012 by Samhain Horror. She's also a freelance editor, and until the magazine's closing in 2013, she was an Associate Editor of the Hugo Award-winning Electric Velocipede. You can find her on Twitter @DamienAWalters or online at: http://damienangelicawalters.com.  This Apex Magazine Podcast was performed and produced by Lisa Shininger. Music used with kind permission of Oh, Alchemy! Apex Magazine Podcast, Copyright Apex Publications

The third of four shows devoted to the cello, this week's is titled “2 Suites and a Concerto” and features the work of 3 contemporary composers. January 22 Cello on Cedille Part 3: 2 Suites and a Concerto CARTER PANN (b. 1972) Differences for cello and piano (1998) (13:43) I. Strand II. Air III. Country Dance IV. Blues V. Song From Composers in the Loft Cedille Records CDR 90000 100 (Tracks 2–6) David Ying, cello Elinor Freer, piano COLERIDGE-TAYLOR PERKINSON (1932–2004) Lamentations: Black/Folk Song Suite for Solo Cello (1973) (15:38) I. Fuguing Tune: resolute II. Song Form: plaintive III. Calvary Ostinato IV. Perpetual Motion From Coleridge-Taylor Perkinson: A Celebration Cedille Records CDR 90000 087 (Tracks 11–14) Tahirah Whittington, cello DAVID BAKER (b. 1931) Cello Concerto (1975) (19:56) I. Fast II. Slow a la recitative III. Fast From African Heritage Symphonic Series, Vol. III Cedille Records CDR 90000 087 (Tracks 2–4) Katinka Kleijn, cello Chicago Sinfonietta Paul Freeman, conductor

Irish Celtic music from Vicki Swan & Jonny Dyer, Cu Dubh, James Olin Oden, Ilse de Ziah, Jesse Ferguson, Joel D. McKissack, Chrissy Crowley, The Stubby Shillelaghs, Martyn Wylde, Caliorne, Brendan Monaghan, WindPoem & Out Of Orion, Devils Water, The Merry Wives of Windsor. www.celticmusicpodcast.com If you enjoy this show, then subscribe to our Celtic Music Magazine. This is our free newsletter and your guide to the latest Celtic music and podcast news. Remember to support the artists who support this podcast: buy their CDs, download their MP3s, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Remember too, when you buy through our affiliates at CD Baby, Amazon, or iTunes, you support the artists AND the podcast. Today's show is brought to you by Celtic Invasion Vacations Good food, good drink, and good company. Join Marc Gunn on an exciting Invasion of Wales in 2014. You will enjoy a small, friendly group, one-third the size of most tour groups. Relax and savor the land like a local. You will enjoy lots of great Celtic music from Marc Gunn and other Celtic musicians. Smile, laugh, and make lots of wonderful memories with Marc Gunn's Celtic Invasion Vacations. Subscribe to the Invasion today at CelticInvasion.com Notes: Join Song Henge Today!: This is the official fan club of the Irish & Celtic Music Podcast. You can join the secret club and get free access to Song Henge, our online archive of Celtic music downloads. Please join today... Because. We are changing the way you hear Celtic music. Do you enjoy the Irish & Celtic Music Podcast. Tell me about it. Why do you listen to the show? What new music have you found? How has this show affected your life? Post a comment on our Facebook fan page or call 678-CELT-POD to leave a voicemail message. That’s 678-235-8763. Vote for the Best Celtic Music of 2013 Celtic Christmas Podcast Goals of the Irish & Celtic Music Podcast in 2014 Coming Soon The Living Tradition documentary This Week in Celtic Music 0:381. "Bolinder" by Vicki Swan & Jonny Dyerfrom Red House (2013) 0:672. "Sacred Heart" by Cu Dubhfrom Walking the Cinders (2011) 10:223. "The Craic is Free" by James Olin Odenfrom The Craic is Free (2013) 14:444. "Aisling An Oigfhir" by Ilse de Ziahfrom Irish Airs for Solo Cello (2010) 17:375. "La Belle Dame sans Merci" by Jesse Fergusonfrom SHIFT (2013) 25:276. "Dirty Old Town" by Joel D. McKissackfrom Celtic Tradition (In Vocal Harmony) (2013) 29:057. "Last Night's Fun" by Chrissy Crowleyfrom Last Night's Fun (2013) 32:328. "Celtic American" by The Stubby Shillelaghsfrom Celtic-American (2013) 35:159. "Green Grow The Rashes" by Martyn Wyldefrom Minstrel's Lament (2009) 44:0810. "La Kro, Star de la boîte" by Caliornefrom Rock Noz Band (2012) 48:0511. "Leaving Portaferry" by Brendan Monaghanfrom Never Too Late to Come Home 51:4912. "The Horse Creek Treaty" by WindPoem & Out Of Orionfrom A Good Day to Die (2013) 55:0113. "Rain Steam & Speed" by Devils Waterfrom Small Pictures - Tall Tales (2013) 59:1914. "My Son John" by The Merry Wives of Windsorfrom Tales from Windsor's Tavern The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. If you enjoyed the music you heard, support the artists in this show. Buy their music. Then tell your friends to visit http://www.CelticMusicPodcast.com

Mahler's legacy, vision and philosophy, and his influence on subsequent composers.Concert: Mahler arr. Klaus Simon, Symphony No.4 - Bedächtig, nicht eilen and Ruhevoll; Mark Anthony Turnage, Grazioso! for Piccolo, Bass Clarinet, Piano, Viola and Cello; Henryk Górecki, Valentines Piece for Solo Flute and Bell; Dai Fujikura, Eternal Escape for Solo Cello.

WPAS speaks with cellist Amit Peled about his January 23 Kennedy Center program, which includes Beethoven's Cello Sonata No. 3, Schumann's Fantasiestucke, Op. 73, Britten's Suite for Solo Cello and more. Tickets at WPAS.org or 202-785-WPAS.

Fabio Biondi "Les Quatre Saisons (L'Ete)" (mp3) from "Violon X" (Naive) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This AlbumFabio Biondi – violin:  Born in Palermo, Fabio Biondi began his international career at the age of twelve, performing his first solo concert with the RAI symphony orchestra. Driven early on by an inexhaustible cultural curiosity, Fabio Biondi was introduced to pioneers of the new approach to baroque music, an opportunity that was to expand his musical vision and change the direction of his career. In 1990, Fabio Biondi founded Europa Galante, an ensemble which, in just a few years thanks to their worldwide concert schedule and extraordinary recording successes, became the most internationally renowned and awarded Italian ensemble of baroque music. Fabio Biondi and his ensemble have been invited to play at the most important world festivals and concert halls, from La Scala in Milan to the Accademia di Santa Cecilia in Rome, the Suntory Hall in Tokyo, the Concertgebouw in Amsterdam, the Royal Albert Hall in London, the Musikverein in Vienna, the Lincoln Center in New York and the Sydney Opera House. Lara St. John, The Simón Bolívar Youth Orchestra of Venezuela, Eduardo Marturet (Ancalagon LLC) Lara St. John, The Sim√≥n Bol√≠var Youth Orchestra of Venezuela, Eduardo Marturet from "Vivaldi: The Four Seasons - Piazzolla: The Four Seasons of Buenos Aires" (Ancalagon LLC) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This AlbumLara St. John – violin: http://www.larastjohn.com/index.phpCanadian-born violinist Lara St. John has been described as "something of a phenomenon" by The Strad and a “high-powered soloist” by the New York Times . She has performed as soloist with the orchestras of Cleveland, Philadelphia, Minnesota, Seattle, Brooklyn, Toronto, Montreal, Vancouver, the Boston Pops and many more in North America. In Europe, she has played with the NDR Symphony (Hanover), Zurich Chamber Orchestra, Ensemble Orchestral de Paris, Bournemouth Symphony and the Amsterdam Symphony, among others. In Asia, solo appearances have included the Hong Kong Symphony, Tokyo Symphony, China Philharmonic in Beijing, Guangzhou Symphony and the Shanghai Broadcasting Orchestra. Lara has also performed with the Queensland Orchestra in Australia.The Los Angeles Times has written, “St. John brings to the stage personal charisma, an unflagging musical imagination and genuine passion.” Recitals in major concert halls have included New York, Boston, San Francisco, Ravinia, Washington DC, Prague, Berlin, Toronto, Montreal and in the Forbidden City.To learn more about Lara check out her website!  Sara Sant'Ambrogio "Suite No. 3 in C Major, BWV 1009" (mp3) from "Bach: Suites for Solo Cello, Vol. 1" (Sebastian Records) Buy at iTunes Music Store Buy at Rhapsody Stream from Rhapsody More On This AlbumSara Sant'Ambrogio – cello:Grammy Award-winning cellist Sara Sant'Ambrogio first leapt to international attention when she won a medal at the Eighth International Tchaikovsky Violoncello Competition in Moscow, Russia. As a result of this prize, Carnegie Hall invited Sara to perform a recital that was televised nationally, as a part of a CBS News profile. The New York Times described her New York debut as “sheer pleasure”.Sara has appeared as soloist with many orchestras, including Atlanta, Boston, Chicago, St. Louis, San Francisco, Prague Chamber Orchestra, Beijing Philharmonic, and Moscow State Philharmonic. She has performed throughout the world at most of the major music festivals and centers such as Aspen, Concertgebouw in Amsterdam, Hollywood Bowl, Kennedy Center, Lincoln Center, Musikverein in Vienna, Marlboro, Great Mountain in Korea, and Orchard and Suntory Halls in Tokyo.As well as being featured in a broad range of international press, including Vanity Fair, Marie Claire, Glamour, The Wall Street Journal, USA Today and ABC, Fox, and CNN Networks, Sara has also been the subject of a feature length documentary entitled “Eroica!” which has had multiple airings on PBS. Always trying to expand the audience and push the boundaries for classical music, Sara has shot 4 music videos that have been aired internationally on Classic FM TV and has enjoyed collaborating with artists as diverse as the singer Rufus Wainwright-with whom she inaugurated a new concert series in New York City- to the rock group Vast- with whom she recorded. Sara collaborated with the New York City Ballet playing solo Bach at 7 sold-out shows at Lincoln Center and has had her playing featured on movie soundtracks including her own arrangement of Delibes' duet from Lakme on the soundtrack of the documentary “Jones Beach Boys.”Sara was invited to study with David Soyer at the Curtis Institute of Music at the age of 16 and after receiving her high school diploma from that venerable conservatory she then attended The Juilliard School as a scholarship student of Leonard Rose. While at Juilliard, Sara co-founded the Naumburg Award winning Eroica Trio with 2 childhood friends. One of the most successful chamber ensembles in America, the Trio tours worldwide extensively and has released 8 recordings for Angel/EMI Classics which have been nominated for multiple Grammy's. This is Sara's second recording for Sebastian Records. 

This is the first movement of my cello piece, 4 moods for solo cello. This is a live recording which was performed by the cellist, Jan Muller-Szeraws, at Phillips Academy in 2009. If you like the music, please leave a feedback on iTunes Store (Chao-Jan Chang)! My music, images and podcast are also available on cjchang.org, iTunes and YouTube.