POPULARITY
3 episodes with Godfrey Reggio
3 episodes with Godfrey Reggio
3 episodes with Godfrey Reggio
2 episodes with Godfrey Reggio
2 episodes with Godfrey Reggio
2 episodes with Godfrey Reggio
2 episodes with Godfrey Reggio
2 episodes with Godfrey Reggio
We're thrilled to welcome our next guests on the show: the Music Director and General Manager of the The Philip Glass Ensemble, Michael Riesman and Andrew Sterman. They're returning to The Town Hall on April 19 for a live score accompaniment to Godfrey Reggio's NAQOYQATSI (2002). In the last couple of years they also performed the first entries to the Qatsi trilogy at the Town Hall: KOYANNISQATSI (1982) and POWAQQATSI (1988). ✨Follow The Philip Glass Ensemble on Instagram✨Follow The Town Hall on Instagram
While the first two films in Godfrey Reggio's Qatsi Trilogy were built on filming in particularly locations, in Naqoyqatsi, the image itself becomes the location as editor and "digital cinematographer" Jon Kane takes us into the simulation that is modern life. Unfortunately, like the early unused setpiece footage from Koyaanisqatsi, the tech here has not aged well, though this time Reggio doesn't seem to realize its cheesiness. Sadly, we lost take one of this conversation and Jonathan Hape was not able to join us for the re-recording. He added a lot to our discussion of the first two Qatsi films, and we wish it could have worked out. You should still go to https://www.jonathan-hape.com/ and check out his music.
I dagens episode tar Lise, Karin og Jakob deg gjennom en reise gjennom kunstfilmens verden. Kunstfilm er en sjanger som ofte virker utilgjengelig og avskrekkende for det generelle publikum. Gjennom sendingen tar sendeteamet deg med gjennom tre fantastiske filmer som gir deg en god og effektiv inngang til denne nisje-sjangeren. Vi snakker om den fantastisk hypnotiserende naturdokumentarfilmen KOYAANISQATSI av Godfrey Reggio, den intense sykehus- og kirurgifilmen DE HUMANI CORPORIS FABRICA av Lucien Castaing Taylor og Verena Paravel, og fiksjons/dokumentar hybridfilmen SYMBIOPSYCHOTAXIPLASM av William Greaves.Gjennom reisen svipper vi innom temaer som katastrofale boligprosjekter, Andreas Versalius og medisinhistorie, fødsel med keisersnitt, og skillet mellom fiksjon og virkelighet.
We continue through Godfrey Reggio's Qatsi Trilogy with 1988's Powaqqatsi. Reggio works with Phillip Glass again but they lost Ron Fricke for this one and his absence is felt, particularly in the editing. While the first film looked at what US industrialization has done to its own people, Powaqqatsi travels around the world to look at the effects of industrialization on postcolonial peoples. Jonathan Hape joins us again for this journey, and along the way we talk about Reggio's Christian Anarchist and anarcho-primitivist influences, the 1990 Time Warner Earth Day Special, and Roger Ebert missing the point.
We start into Godfrey Reggio's Qatsi Trilogy this week with what many consider the strongest of the three films, mostly because Ron Fricke's cinematography and editing is masterful in it. Built from scenes of natural beauty and alienating industry with a phenomenal sountrack by Philip Glass, Koyaanisqatsi is a deeply effecting visual poem. Our dear friend Jonathan Hape (https://www.jonathan-hape.com/) joins us for the entire trilogy (probably).
A Müpa új podcast-sorozatában, az Előhangban a közelgő koncertekhez kapcsolódóan tudhatsz meg háttérinformációjkat, érdekességeket. Az első adásban Hózsa Zsófia műsorvezető vendége Réz András filmesztéta, aki pedig Philip Glass és Godfrey Reggio két filmjét annak zenéjét, illetve az ahhoz kapcsolódó koncerteket veszi górcső alá. Hallgassátok szeretettel!
In this episode, Vangeline has a conversation with her collaborator Emmy-Award winner Machine Dazzle, discussing their new project "Venus Ex Machina", costumes for MAN WOMAN, life as an artist, and the importance of saying yes. For more information about this new project visit www.vangeline.com and Instagram Instagram: @machinedazzle @vangelinebutoh https://www.vangeline.com/news/2024/8/15/venus-ex-machina-machine-dazzle-and-vangeline Machine Dazzle. Emmy award winner and beloved downtown bon vivant and all-around creative provocateur Machine Dazzle has been dazzling stages via costumes, sets, and performances since his arrival in New York in 1994. An artist, costume designer, set designer, singer/songwriter, art director, and maker, Machine describes himself as a radical queer emotionally driven, instinct-based concept artist and thinker trapped in the role of costume designer, sometimes. Machine designs intricate, unconventional wearable art pieces and bespoke installations. As a stage designer, Machine has collaborated with artists from the New York downtown scene and beyond – including Julie Atlas Muz, Big Art Group, Mx. Justin Vivian Bond, Taylor Mac, Basil Twist, Godfrey Reggio, Jennifer Miller, The Dazzle dancers, Big Art Group, Mike Albo, Stanley Love, Soomi Kim, Pig Iron Theatre Company, Opera Philadelphia, the Bearded Ladies Cabaret, the Curran Theatre, and Spiegelworld; and has created bespoke looks for fashion icons including designer Diane von Furstenberg and model Cara Delevingne for the 2019 Metropolitan Museum of Art Gala. Machine's costumes and sets were featured in Taylor Mac's Pulitzer Prize-nominated A 24-Decade History of Popular Music. A documentary feature film directed by Jeffrey Friedman and Rob Epstein and co-produced by Pomegranate Arts will premiere at the Tribeca Film Festival in 2023. In 2019, Machine was commissioned by Guggenheim Works and Process and The Rockefeller Brothers to create Treasure, a rock-and-roll cabaret of original songs including a fashion show inspired by the content. Recent collaborations include the Catalyst Quartet on Bassline Fabulous – a reimagining of Bach's Goldberg Variations at the Metropolitan Museum of Art and his debut collaboration with Opera Lafayette, for the historic premiere of the never-before-seen Rameau comedic opéra-ballet, Io. Dazzle was a co-recipient the 2017 Bessie Award for Outstanding Visual Design, the winner of a 2017 Henry Hewes Design Award, and a 2022 United States Artists Fellow. He delivered a TED Talk at TED Vancouver in 2023. Machine Dazzle's work has been exhibited internationally. His first solo exhibition, Queer Maximalism x Machine Dazzle, was held at the Museum of Arts and Design in New York City in 2022. https://www.vangeline.com/ https://www.pomegranatearts.com/projects-and-artists/machine-dazzle https://www.hbo.com/movies/taylor-macs-24-decade-history-of-popular-music
This episode of Target Audience welcomes podcaster and filmmaker Sam Meltzer. Sam is targeted by Godfrey Reggio's experimental film Koyaanisqatsi. Join us as we discuss the stunning visuals, watching films on drugs, and Philip Glass' all-timer score. Sam on Twitter Ben on Twitter Ben on Letterboxd Ben on Instagram Ben's Website (IceCream4Freaks) Opening/Closing Song - "Pull Me Through" by Royal Blood
In this podcast a tired guy talks about religion. Is he tired of religion? Maybe. Topics include: Project 2025, religion, missionary work, Jesus Christ, Christianity, esoteric aspects of all religions, comparative religion, fear of the occult, Godfrey Reggio, living in a monastery, brotherhoods, fundamentalism, Christian Nationalism, public and private schools, peace, reincarnation, ego, human experience, quantification and objective truth seeking, mortality, alchemy, transhumanism, destroying religion with ignorance, AI booms and busts, generative AI imagery, AGI, everyone questioning reality, Dark Night of the Soul, theocracy
Theo Crazy Soon UncleThe Age of Transitions and Uncle 7-12-2024AOT #427In this podcast a tired guy talks about religion. Is he tired of religion? Maybe. Topics include: Project 2025, religion, missionary work, Jesus Christ, Christianity, esoteric aspects of all religions, comparative religion, fear of the occult, Godfrey Reggio, living in a monastery, brotherhoods, fundamentalism, Christian Nationalism, public and private schools, peace, reincarnation, ego, human experience, quantification and objective truth seeking, mortality, alchemy, transhumanism, destroying religion with ignorance, AI booms and busts, generative AI imagery, AGI, everyone questioning reality, Dark Night of the Soul, theocracyUTP #337Uncle enjoys a fine night talking to callers. Topics include: Crisco, no cherry pie, Jerald Sanders, CA fires, calls, UFO photo, wrestlers, least popular people online as podcast guests, making content, truth scene is a mess, Deadpool, VHS streams, Santa vs the Devil, alien inspired bonsai, succulents, Karate Kid, Australia, Trump and Biden spaghetti video, heat, Coachella FRANZ MAIN HUB:https://theageoftransitions.com/PATREONhttps://www.patreon.com/aaronfranzUNCLEhttps://unclethepodcast.com/ORhttps://theageoftransitions.com/category/uncle-the-podcast/FRANZ and UNCLE Merchhttps://theageoftransitions.com/category/support-the-podcasts/KEEP OCHELLI GOING. You are the EFFECT if you support OCHELLI https://ochelli.com/donate/Ochelli Link Treehttps://linktr.ee/chuckochelli Email Chuck blindjfkresearcher@gmail.comJFK Lancer Conference Information Virtual Tickets starting at 74.99In Person Tickets starting at 144.99Student Price is 39.99, must show proof of being a studentUse code Ochelli10 for 10% off your ticketTickets are for sale at assassinationconference.comDates: November 22nd-24thHotel: Dallas Marriott DowntownRoom prices starting at $169 per nightTo book a room call Marriott reservations at 1 (800) 228-9290 or (214) 979-9000 and mention the November in Dallas Conference Group RateUse code Ochelli10 for 10% off your ticketIf you would like assistance finding discount flights to the conference or activities for your spouse to do in Dallas they can reach out to Gabbie's Getaway Adventures through Facebook or email gabbiesgetawayadventure@gmail.com Listen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Ochelli Link Treehttps://linktr.ee/chuckochelli
Filmmaker Godfrey Reggio, rock icon Steve Albini, and comedian Fred Armisen told Kmele how they make sense of the world — and leave their mark on it. ❍ New episodes of the Dispatches podcast releasing every week here on The Well In this episode of Dispatches from The Well, Kmele Foster continues his search for the meaning of life inside the minds of some of the world's most creative visionaries. Godfrey Reggio revolutionized film with his experimental documentaries. Steve Albini is preserving the spirit of music by committing to analog recording. Fred Armisen turned his creativity into a career by combining his passion for music and comedy. Kmele sat down with each of these creators and asked them about the “why” behind their existence. From sitting behind the camera to stepping in front of it, these artists have found meaning in their lives by committing to the things that, in simple terms, are the most fun. Join us as we explore the perspectives of these “rebellious creatives” in episode six of Dispatches from The Well. Featuring: Steve Albini, Fred Armisen, Godfrey Reggio ---------------------------------------------------------------------------------- ❍ About The Well ❍ Do we inhabit a multiverse? Do we have free will? What is love? Is evolution directional? There are no simple answers to life's biggest questions, and that's why they're the questions occupying the world's brightest minds. So what do they think? How is the power of science advancing understanding? How are philosophers and theologians tackling these fascinating questions? Let's dive into The Well. ----------------------------------------------------------------------------------
Aujourd'hui, on regarde Koyaanisqatsi de Godfrey Reggio. Un documentaire expérimental un peu particulier… Et pour la première fois on est accompagné·es de notre première invitée, Juliette Jalenques, notre ancienne collègue !Attention c'est chaud !Tous les 15 jours, c'est comme aller au ciné avec ses potes : on découvre un film et on y réagit à chaud
Ever wondered how a payphone business could lead to a thriving career in crypto art? In our latest episode of NorCal and Shill, we sit down with the multifaceted Schmrypto, an artist, collector, and crypto aficionado, to unpack his extraordinary journey. From initial doubts about NFTs to a full embrace of the crypto space, Schmrypto's story is filled with entrepreneurial spirit and unique ventures. Discover how his diverse collection—from antiquities to unique memorabilia—reflects his eclectic taste and vision for the future of art.Prepare to be captivated by tales of bold artistic investments and fascinating collaborations. Schmrypto shares the riveting story behind acquiring shipping containers brimming with Bob Mallory's art, shedding light on the financial gambles and rewards of such a venture. We also delve into his partnerships with artists like Ever Fresh and Befe, and his dream of collaborating with visionaries like Godfrey Reggio and Philip Glass. Plus, we touch on the surprising origin of his entrepreneurial journey: managing payphones in psychiatric hospitals during high school.In the world of Web3 and NFT art, Schmrypto's insights are invaluable. He discusses the critical importance of high supply in creating demand and the challenges artists face in pricing their work. Learn about the benefits of open editions and how having multiple pieces available can boost an artist's visibility and success. We conclude with reflections on the magical era we're living in and look forward to reconnecting with Schmrypto at the Marfa show in November. Don't miss this episode packed with wisdom, innovation, and a genuine passion for art and crypto.https://x.com/schmryptoSupport the Show.
Apteczka. Kulturalny niezbędnik złożony z najważniejszych książek, reprodukcji obrazów, filmów i płyt, ale też wspomnień o miejscach, formujących doświadczeń. Moich rozmówców i rozmówczynie pytam o to, co przynosi im spokój, napędza do działania i ratuje w momentach kryzysu. Z czego składa się kulturalna apteczka amerykańskiego reżysera i scenarzysty filmowego Godfreya Reggio? Zapraszam do słuchania cyklu. Mateusz Roesler Nagranie powstało we współpracy z Krzysztofem Zimochem. ----------------------------------- Słuchaj więcej materiałów audio w stałej, niższej cenie. Wykup miesięczny dostęp online do „Pisma”. Możesz zrezygnować, kiedy chcesz. https://magazynpismo.pl/prenumerata/miesieczny-dostep-online-audio/
Filmmaker Godfrey Reggio, rock icon Steve Albini, and comedian Fred Armisen told us the meaning of life: This video is an episode from @The-Well, our publication about ideas that inspire a life well-lived, created with the @JohnTempletonFoundation. In this episode of Dispatches from The Well, Kmele Foster continues his search for the meaning of life inside the minds of some of the world's most creative visionaries. Godfrey Reggio revolutionized film with his experimental documentaries. Steve Albini is preserving the spirit of music by committing to analog recording. Fred Armisen turned his creativity into a career by combining his passion for music and comedy. Kmele sat down with each of these creators and asked them about the “why” behind their existence. From sitting behind the camera to stepping in front of it, these artists have found meaning in their lives by committing to the things that, in simple terms, are the most fun. Join us as we explore the perspectives of these “rebellious creatives” in episode six of Dispatches from The Well. About Kmele Foster: Kmele Foster is a media entrepreneur, commentator, and regular contributor to various national publications. He is the co-founder and co-host of The Fifth Column, a popular media criticism podcast. He is the head of content at Founders Fund, a San Francisco based venture capital firm investing in companies building revolutionary technologies, and a partner at Freethink, a digital media company focused on the people and ideas changing our world. Kmele also serves on the Board of Directors of the Foundation for Individual Rights and Expression (FIRE). ---------------------------------------------------------------------------------- About The Well Do we inhabit a multiverse? Do we have free will? What is love? Is evolution directional? There are no simple answers to life's biggest questions, and that's why they're the questions occupying the world's brightest minds. Together, let's learn from them. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're talkin' about some shiny new movies this week. Ryan breaks down the latest and greatest comic book green screen extravaganza with The Marvels (2023), Dixon struggles to articulate the emotional experience of Godfrey Reggio's new film Once Within a Time (2023), and John double dips with the heartbreaking documentary Kanehsatake: 270 Years of Resistance (1993) and the John Carpenter horror film In the Mouth of Madness (1995).
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Our first Cannon Group movie!! And it's the sequel to Godfrey Reggio's 1983 art house documentary that cuts artfully shot footage to the pace of a rhythmic Philip Glass score. But Chuck Norris or Charles Bronson are still going to show up at some point, right? Right?!? Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Nicholas Rey's In a Lonely Place (1950).
The romantic misadventures of the continental European upper class of the nineteenth century? Making use of expertly-machined narrative devices that play with pattern, coincidence, and repetition? Sounds to me like director Max Ophüls has gone and made another movie. A pair of diamond earrings are sold to discreetly pay off a debt… and that should have been enough. But sometimes, the earrings come back. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Godfrey Reggio's Powaqqatsi (1988).
In this episode of Inside the Box, Trevor and David discuss Godfrey Reggio's The Qatsi Trilogy, featuring the films Koyaanisqatsi (1983), Powaqqatsi (1988), and Naqoyqatsi (2002).
In this episode of Inside the Box, Trevor and David discuss Godfrey Reggio's The Qatsi Trilogy, featuring the films Koyaanisqatsi (1983), Powaqqatsi (1988), and Naqoyqatsi (2002).
Vandaag het gesprek met Jan Willem de Graaf. Jan Willem houdt zich bezig met de vraag hoe wij - individuen, ondernemers en ondernemingen - ons gedrag zo kunnen aanpassen, dat we het nettoresultaat van al onze menselijke activiteit kunnen transformeren van niet volhoudbaar (alleen al onze Nederlandse "materiaalverslaving" vraagt om 3,2 keer onze planeet om in de benodigde grondstoffen te voorzien, onze energieverslaving leidt tot gevaarlijke opwarming van de planeet, etc.) naar volhoudbaar. In het onderzoek van Jan Willem is duidelijk geworden dat dit niet alleen een economische kwestie betreft - van economie naar ecologie, van ego naar eco, ofwel naar betekeniseconomie - maar bovenal een technologisch en individueel menselijk vraagstuk. De Inner Development Goals benadrukken de noodzaak van (psychologische) gedragsverandering om de Sustainable Development Goals te kunnen gaan halen, maar hoe vertaal je dit naar de miljoenen kleine transities op het niveau van individuen en ondernemingen, in impactondernemen? Jan Willem werkt intensief samen met Aldo van Duivenboden van de Saxion Onderwijs Innovatie hub en met Arjan Middelkoop van ROZ-groep. Laten we beginnen… In gesprek met Jan Willem leerde ik: Studenten toegepast psychologie zien dat het met de wereld niet goed gaat. Sinds 2010 komen er meer mensen om bij zelfdoding dan aan gewelddadige doden (verkeer of oorlogen). Hoe kunnen we naar een volhoudbare wereld komen? Waarom gebruiken we zoveel materialen? Zelf de regie nemen is belangrijk in de wereld van morgen. Niemand heeft alle antwoorden. Op dit moment gebruiken we meer dan alle antropogene massa voor mens gemaakte producten. Een ijzerdeeltje zit of in een organisme of in een apparaat. Door de toename van mens gemaakte producten nemen we een stevige hap uit alle materie. We zijn in oorlog met de ecologie (Godfrey Reggio). Aangezien we zelf deel uitmaken van deze ecologie is dit niet volhoudbaar. De 'Greta Thunberg'-generatie. Jongen mensen weten het heel goed. Technologie is de bron van het probleem. Dat willen we niet horen, want we verwachten de oplossing uit de technologie. De-tech technologie. Het verminderen van technologie. Hoe kun je denken dat we 8 miljard mensen op de aarde hebben en dat we arbeidskracht te kort hebben? Het is een noodzaak om te stoppen met groeien. De stad is een complex dynamisch systeem. Leven is een opstand tegen de entropie. We willen geen stabiliteit, want we zijn onderdeel van de natuur. De stad is een magneet die bronnen moet aantrekken en moet groeien. De intrinsieke motivatie van de stad om te groei is mogelijk met technologische vooruitgang. Mensen verschil met andere apen, daarvoor hebben wij de hefboom, taal en vuur nodig. We zijn een schaarste dier die onzekerheden kent. Economie, handelen en ruilen is een gevolg van specialisme. Er hebben gemeenschappen 6.000 jaren geleefd met dezelfde technologie, maar die ze niet gebruikt hebben. (Het begin van alles) De wereld heeft 43 steden die groter zijn dan 10 miljoen inwoners. Nederland heeft niet eens een middelgrote stad. Als we zo doorgroeien zijn dat in 2050, 100 grote steden. Wat betreft voeding kunnen we ruimschoots 10 miljard mensen huisvesten, mits we ophouden dat iedereen continu vlees moet eten. We moeten leren om de metabole processen vertragen en ons metabole ritme aan te passen. Ons verbinding met elkaar is verslechterd. Wij zijn hersenen aan een beeldscherm geplakt (Ruud Steltenpool). Maar we zijn veel meer dan dat. We worden aan elkaar gelijk gemaakt door de technologie die ons beheerst. Technologen zijn belangrijker in de wereld van morgen, waar we veel minder technologie hebben. Het grote probleem van automobiliteit is niet de brandstof maar zijn de wegen die we daarvoor nodig hebben. Als we nieuwe dingen uitvinden, moet je gelijk vragen wat gaan de loslaten? Technologie is de olifant in de kamer.
Synopsis In 2002, film director Godfrey Reggio released his latest movie. Entitled Naqoyqatsi – the Hopi word for Life as War – this was Reggio's third and final installment in a trilogy of unusual, non-narrative films, all with Hopi titles, each comprised of visually striking, collage-like visuals set against hypnotic film scores by American composer Philip Glass. Naqoyqatsi may have been a non-narrative film, Reggio described his 2002 film as a symphony in three movements, and even provided descriptive titles: Movement 1 - Language and place gives way to numerical code and virtual reality; Movement 2 - Life becomes a game; Movement 3 - A world that language can no longer describe.Fast forward ten years to 2012, when Glass had been commissioned to turn hisNaqoyqatsi film score into a concert work for cello and orchestra. In the film score, solos played by the famous cellist Yo-Yo Ma featured prominently, so this “repurposing” of film score seemed a logical step. And so, on today's date in 2012, Philip Glass's Cello Concerto No. 2, subtitled Naqoyqatsi, received its premiere performance with the Cincinnati Symphony conducted by Dennis Russell Davies and Matt Haimowitz as the cello soloist. Music Played in Today's Program Philip Glass (b. 1938) Cello Concerto No. 2 (Naqoyqatsi) Matt Haimovitz, cello; Cincinnati Symphony; Dennis Russell Davies, conductor. Orange Mountain Music CD 0087
Un día como hoy, 29 de marzo: Nace: 1895: Ernst Jünger, filósofo alemán (f. 1998). 1940: Godfrey Reggio, cineasta estadounidense. 1943: Vangelis, teclista y compositor griego. Fallece: 1891: Georges Pierre Seurat, pintor francés. 2020: Krzysztof Penderecki, compositor y director de orquesta polaco (n. 1933) Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023
What Evil Dead 2 is to the Baroque, Sunn O))) is to Brutalism. Or more like: if the likening of Evil Dead 2 to the Baroque felt like a stretch in episode 136, the brutalist bona fides of Sunn O)))'s drone metal are incontestable. In this episode, their 2019 masterpiece Life Metal frames a conversation touching on 20th-century avant garde music, the tactility of sound, the metaphysics of the Kickass Riff, Aztec aesthetics, the virtues of impermanence, and of course, the sublime beauty of brutalist buildings. Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Support us on Patreon (https://www.patreon.com/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) REFERENCES Sunn O))), [Life Metal](https://en.wikipedia.org/wiki/LifeMetal)_ Theatre of Eternal Music (https://en.wikipedia.org/wiki/Theatre_of_Eternal_Music), musical group Daniel Albright, Panaesthetics (https://yalebooks.yale.edu/book/9780300186628/panaesthetics/) Brian Eno, [Imaginary Landscapes](https://en.wikipedia.org/wiki/ImaginaryLandscapes)_ John Wray, “Heady Metal” (https://www.nytimes.com/2006/05/28/magazine/28artmetal.html) Nyarlathotep (https://en.wikipedia.org/wiki/Nyarlathotep), Lovecraft character Byung-Hul Chan, The Philosophy of Zen Buddhism (https://bookshop.org/a/18799/9781509545100) Fred Wilcox (dir.), Forbidden Planet (https://www.imdb.com/title/tt0049223/) H. P. Lovecraft, At the Mountains of Madness (https://bookshop.org/a/18799/9781515424451) Godfrey Reggio (dir.), Koyaanisquatsi (imdb.com/title/tt0085809/)
44 Horsemen Popeye TurkeyThe Age of Transitions and Uncle LIVE 11-20-2022 Dodfrey ReggioAOT #370The great filmmaker Godfrey Reggio is the guest on this episode of The Age of Transitions. Most famous for his Qatsi series of films, he continues creating to this day. Godfrey also just received a lifetime achievement award at the Santa Fe International Film Festival. Topics include: Estrangement cells, posthuman, human environment has changed, our miracles are our afflictions, cannabis, sun gazers, monasteries, apostle, rename the world, sacrament, sound is the beginning, The Word, language, telepathy, minds are chemical zones, black ground, color, our schizophrenic nature, actors, under standing, masks, three as one, Darwin, fathers of the desert, open for contemplation, fragility of humanity, jaw bones, right brain Hell, monitored by the cloud, good and evil as twins, to be bardic, hope the most confusing virtue, hour before the dawn, end of the age, future present, eternity, the blue, the black, souls, circle the squareUTP #280Twas the broadcast before Thanksgiving. Topics include: ethernet cable, New Year's Revolution, Ric Flair, LAX livestream, Popeyes turkey, Harry Potter, buying streaming programs on accident, Bezos money giveaway, Robin, yucca brevifolia seeds, Landers, Weird California and New Jersey, Nazi compound in LA, business cards now have wrong day on them, animation https://www.shutterfly.com/personalized-gifts/shot-glassesThe Guy Producing this Pod.OCHELLI LINKS:If You Appreciate Ochelli.com Radio Chip In and Support us: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comNETWORK:Rokfin https://rokfin.com/ChuckOchelliBitchute Channel: https://www.bitchute.com/channel/oxL96KiJtQLP/Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkxOCHELLI.COM Radio Schedule ALL Times EasternSunday Get M.A.D.with Chris Graves 8-10 pm The Age of Transitions 10-11 pm Uncle The Podcast 11pm-MidnightMonday The Ochelli Effect 8-10 pm (Mondays LIVE on hold While Audio Book Series is in production)Tuesday The Ochelli Effect 8-10 pm Wednesday The Ochelli Effect 8-10 pm Thursday The Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm Friday The Ochelli Effect 8-10 pm Saturday +ALL Times ALL other days Random Replays
The great filmmaker Godfrey Reggio is the guest on this episode of The Age of Transitions. Most famous for his Qatsi series of films, he continues creating to this day. Godfrey also just received a lifetime achievement award at the Santa Fe International Film Festival. Topics include: Estrangement cells, posthuman, human environment has changed, our miracles are our afflictions, cannabis, sun gazers, monasteries, apostle, rename the world, sacrament, sound is the beginning, The Word, language, telepathy, minds are chemical zones, black ground, color, our schizophrenic nature, actors, under standing, masks, three as one, Darwin, fathers of the desert, open for contemplation, fragility of humanity, jaw bones, right brain Hell, monitored by the cloud, good and evil as twins, to be bardic, hope the most confusing virtue, hour before the dawn, end of the age, future present, eternity, the blue, the black, souls, circle the square
The many promises of technology fuel so much of our drive toward the future. To giant rocks this passing of time is next to nothing. Topics include: Patreon content, Godfrey Reggio interview, Sunday nights, Landers, Giant Rock, time relative to geological history, Millenarianism, Y2K, technological promises, fire symbolism, alchemy, art of multiplication, creative outlets, circadian rhythm, Ochelli poker scheme, Friday nights, livestream karaoke, Chris Graves, bad wifi connection, upload speeds, AOC and Elon Musk, blue checkmark on Twitter, social media rules don't always apply, Musk loves publicity stunts, Geraldo, remembering phone numbers, video versus audio broadcasting
Dropping Plates Cheating BaseballThe Age of Transitions and Uncle LIVE 11-6-2022 Technical DifficultiesAOT #369The many promises of technology fuel so much of our drive toward the future. To giant rocks, this passing of time is next to nothing. Topics include: Patreon content, Godfrey Reggio interview, Sunday nights, Landers, Giant Rock, time relative to geological history, Millenarianism, Y2K, technological promises, fire symbolism, alchemy, art of multiplication, creative outlets, circadian rhythm, Ochelli poker scheme, Friday nights, Livestream karaoke, Chris Graves, bad wifi connection, upload speeds, AOC and Elon Musk, blue checkmark on Twitter, social media rules don't always apply, Musk loves publicity stunts, Geraldo, remembering phone numbers, video versus audio broadcastingUTP #279Many callers are on the line for this Sunday night broadcast. Topics include: sorry Houston Astros, callers on the line, Cooley Uncle tattoo update, Houston live listeners, KC Chiefs game, NFL, potato chip bag caller, Washington Commanders name change, possible Revolution drinks, Uncle drop glasses, shot glasses, shipping costs, Gavin Newsom and Nancy Pelosi related by marriage, government hour, Uncle tobacco pipes, Tictac account, 740 area code, Ochelli coffee cups, shout outshttps://www.shutterfly.com/personalized-gifts/shot-glassesThe Guy Producing this Pod.OCHELLI LINKS:If You Appreciate Ochelli.com Radio Chip In and Support us: https://ochelli.com/donate/Ochelli Effect - Uncle - Age of Transitions - T-shirts and MORE: https://theageoftransitions.com/category/support-the-podcasts/Special Audiobook SeriesPayPal & Contact for special arrangements: blindjfkresearcher@gmail.comNETWORK:Rokfin https://rokfin.com/ChuckOchelliBitchute Channel: https://www.bitchute.com/channel/oxL96KiJtQLP/Patreon https://www.patreon.com/ochelliSign-up on Ochelli.comhttps://ochelli.com/membership-account/membership-levels/LIVE LISTENING OPTIONS:OCHELLI.COM https://ochelli.com/listen-live/ RADDIO https://raddio.net/324242-ochellicom/ ZENO https://zeno.fm/radio/ochelli-radio/ TUNEIN http://tun.in/sfxkxOCHELLI.COM Radio Schedule ALL Times EasternSunday Get M.A.D.with Chris Graves 8-10 pm The Age of Transitions 10-11 pm Uncle The Podcast 11pm-MidnightMonday The Ochelli Effect 8-10 pm (Mondays LIVE on hold While Audio Book Series is in production)Tuesday The Ochelli Effect 8-10 pm Wednesday The Ochelli Effect 8-10 pm Thursday The Jack Blood Show 360 6-8 pm The Ochelli Effect 8-10 pm Friday The Ochelli Effect 8-10 pm Saturday +ALL Times ALL other days Random Replays
En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: – «Qatsi” (1983-2002) [Trilogía] de Godfrey Reggio - https://amzn.to/3Ua3U9q – «El legado del Islam» (2020) [Documental] de John Fusco - https://www.filmaffinity.com/es/film161589.html – «L.A Confidential» (1997) de Curtis Hanson - https://amzn.to/3FMpFI2 - ... y el reparto inclusivo en las películas Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #laconfidential #qatsi Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Join us for this episode in which Michael and Sam discuss Jordan Peele's third film, the sci-fi/horror 'Nope' starring Daniel Kaluuya and Keke Palmer. Meanwhile, Bill reviews Quentin Tarantino's 1997 film 'Jackie Brown' on its 25th anniversary re-release. We discuss why Michael Bay's action blockbuster 'Armageddon' has been in the news recently, and how two budding directors managed to land the job for the sixth instalment of the 'Final Destination' franchise in what was described as "the Zoom call to end all Zoom calls". Also, Sam gives us his views on new horror film from Parker Finn, 'Smile'; Michael marks the 40th anniversary of Godfrey Reggio's seminal art film 'Koyaanisqatsi'; and Bill shares his thoughts on the latest Adam Sandler film, the sports drama 'Hustle'.
Three films by Godfrey Reggio and Philip Glass present wordless imagery and music to send a cosmic warning about civilization’s imbalance, exploitation, and destruction. The meanings that we access through works of art are not confined to the conscious intentions of the artists. This critical truth came to mind while watching The Qatsi Trilogy—three films directed by Godfrey Reggio, and scored by Philip Glass. These are films without any talking, just imagery and music. The only text comes at the end, when the odd-sounding film titles are explained. Philip Glass's music is an essential component. It’s not the usual situation where the music accompanies a narrative, or helps illustrate it. The music is united to the visuals as if they were one thing. I know people who are maddened by Glass’s music, which is characterized by a lot of repetition. But here it aligns the viewer’s attention and emotions with the images. The repetitive motifs help the mind let go of the scattered, wandering forms of attention that can be habitual for us. Koyaanisqatsi, from 1982, starts with shots of nature in awe-inspiring aspects: mountains, canyons, deserts, and so on, with human beings conspicuously absent. Eventually we shift to footage of modern civilization, and in comparison to nature these images seem bizarre and outlandish. Two techniques comprise most of the film: slow motion and fast motion. The fast motion is actually time-lapse photography: footage of events that take hours or even days appearing to take place in just minutes. The movement of vehicles, traffic zipping through huge highway systems, masses of people, colossal buildings in major cities and the traffic within those cities: time-lapse photography takes away the familiarity of these things and makes them seem alien. In purely visual terms, the images are astounding, weird, beautiful, yet disturbing. Slow motion is used when we are looking at things more close up, especially people. Watching the movement of a crowd in slow motion, the familiar is once again supplanted by the sensation of strangeness. These beings, in the way they move, the way they avoid each other’s gaze, evoke questions and doubts about human nature, our striving and seeking, our ignorance and mortality. Powaqqatsi, from 1988, refrains from time-lapse photography, but it still uses a lot of slow motion. Here the footage is from the lands of non-European people. First we see traditional forms of work such as planting. Then civilization shows up. Instead of fairly well-dressed folks we see a much poorer populace. Modernity has conquered this non-white world, but it hasn’t helped the people. Here’s the theme of injustice and exploitation, and one’s heart hurts more watching this than it did during the more alienated first film. Naqoyqatsi was released in 2002, after a gap of thirteen years. Why this long delay I don't know. The film uses graphics, animation, and rotoscope photography to visualize the mind realm, the world of thinking and science. The mathematical and geometric designs become like a relentless drum beat of “progress.” Eventually the rhythm becomes the marching of soldiers, the creation of weapons, guns firing and the detonation of bombs. It shows the cleverness of humans serving the expansion of war. One thing that makes The Qatsi Trilogy difficult is that it seeks to evoke the impersonal as the source of meaning in the modern world. This
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Leonard Cohen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.The operas – “Einstein on the Beach,” “Satyagraha,” “Akhnaten,” and “The Voyage,” among many others – play throughout the world's leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese's “Kundun,” while “Koyaanisqatsi,” his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since “Fantasia.” His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music – simultaneously.He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland , Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty five operas, large and small; twelve symphonies, thirteen concertos; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris's documentary about former defense secretary Robert McNamara; nine string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.From https://philipglass.com/biography/. For more information about Philip Glass:Words Without Music: https://wwnorton.com/books/Words-Without-Music/“The beginner's guide to Philip Glass”: https://www.eno.org/discover-opera/the-beginners-guide-to-philip-glass/“How Philip Glass Went From Driving Taxis to Composing”: https://www.theatlantic.com/business/archive/2018/04/philip-glass-taxi-driver-composer/558278/“Philip Glass”: https://www.interviewmagazine.com/music/philip-glass
As film enthusiasts, Cotton and I have made a tradition out of regularly spending a weekend watching several films across 2 days, trying to explore films neither of us has ever seen before. For our first episode back, we decided to record our thoughts on this latest marathon and share our explorations with you. For this marathon, we left our comfort zone of narrative films and chose to explore 6 documentary features along with several shorts. For Part 1 of our marathon discussion, here are the films we covered: • Timelapse of the Universe, by John D. Boswell & melodysheep (2019) (short) • Koyaanisqatsi, by Godfrey Reggio (1983) • The Imposter, by Bart Layton (2012) • Into the Inferno, by Werner Herzog (2016) • Electric Boogaloo: The Wild, Untold Story of Cannon Films, by Mark Hartley (2014) If you'd like to suggest topics for future episodes, please leave a comment or critique for us on your preferred podcast app. And don't forget to leave a review if our show intrigued or inspired you. Hosted By: Jonathan Leiter Co-Host: Cotton Ciaverelli SOUND FX & MUSIC: All tracks and songs sourced from Storyblocks.com Podcast Logo: Designed by Jonathan Leiter
Godfrey Reggio, director of the Qatsi Trilogy (Koyaanisqatsi, Powaqatsi, Naqoyqatsi), Anima Mundi, Evidence, Visitors, and many others, joins us to speak about his life and journey as a filmmaker. Also, Parry completely geeks out speaking with someone who changed his perceptions of film, society, and Twinkies*. *A deep cut Koyaanisqatsi reference not actually mentioned in this interview. But if you know, you know.
Wir sprechen selten über Dokumentarfilme und wenn doch, ist es manchmal gar nicht so leicht zu sagen, ob es sich dabei wahrlich um einen solchen handelt! KOYAANISQATSI entbehrt sich vielen Konventionen, das war 1982, als der Film erstmals erschien, schon so und ist heute nicht anders. Wie ein Monolith sticht der Titel, dessen Bedeutung der nur mündlich überlieferten Sprache der Hopi entstammt, aus der Masse heraus. Godfrey Reggio realisierte über mehrere Jahre hinweg in enger Zusammenarbeit mit Kameramann Ron Fricke (BARAKA, SAMSARA) und Musiker Philip Glass ein Werk, das ohne Dialoge, ohne Schauspieler und ohne echte Dramaturgie auskommt. Der Auftakt einer Trilogie, die einen ganz neuen Blickwinkel auf die Welt, in der wir leb(t)en, offenbart. KOYAANISQATSI beschäftigt sich ausführlich mit dem Gegensatz von Natur (=natürlicher "Lebensweise") und Technologie (=heutiger menschlicher Lebensweise) und schafft atemberaubende Bilder von weiten Landschaften, Wolkenformationen, Skylines, Atombomben, Fabriken, nächtlichen Megalpoleis und startenden Raketen. Massig Bilder, massig Musik und massig Eindrücke also, die es für Jan, Michi und Niels zu verarbeiten gibt und Stoff bietet, um sich stundenlang zu unterhalten. Das Ergebnis hört ihr jetzt. Viel Spaß!
Docuseries are gaining more popularity due to the initiative of some filmmakers to use the storytelling format. Alan Jacobsen is a cinematographer who works on narrative and documentary projects with an authentic, natural eye and sensitive curiosity. His camera work is masterful, intuitive and intimate, capturing the sensory story in each powerful frame. He studied film at New York University and minored in architecture and urban studies, which gives him a full spectrum of how to think of a frame in a scene. After school, he worked for several years as a technician in the electrical department until he found documentary cinematography as a place to develop his full potential. Alan gained recognition in 2018 for Strong Island, which was nominated for the 2018 Academy Award for Best Documentary and won the 2018 Emmy Award for Outstanding Merit in Documentary Film.Here is what you’ll learn:What made Alan Jacobsen want to break into the film industry.A summer camp where he did TV production and fell in love with cameras and photography.His pivot towards documentary cinematography after working for several years as a technician in electrical departments.How his knowledge of architecture helps him appreciate forms, shapes, balances and symmetry.Differences between lighting in documentaries and narrative films.Marshall Curry’s technique of thinking of a documentary scene as if it were a narrative scene.Alan's favorite movies; Nashville by Robert Altman, Medium Cool by Haskell Wexler, and Koyaanisqatsi by Godfrey Reggio.Why working with your idols is not the best idea.Alan's preference for movies that trust audiences enough to give them a role in storytelling, where they not only receive, but contribute. To learn more about Alan, follow him on Instagram, or visit his website.Interested in knowing more about the show? Follow:Instagram: @kino_societyFacebook: @KinoSocietyWebsite: https://www.kinosociety.com/
Join Aaron and Christina as they welcome former Schmoedown singles champion Adam Collins to the show to discuss the 1982 documentary renowned for no narration or conventional plot Koyaanisqatsi aka Life Out of Balance. Will this be a outrageous watch for these two or will they find some balance in the Godfrey Reggio film? For more of Adam go to :https://twitter.com/Aizanthor The List: https://letterboxd.com/heald/list/the-featured-presentation-2021-challenge/ Follow Aaron; https://twitter.com/AaronJayBrooks Follow Christina; https://twitter.com/Christina_Vee19 Follow Featured Presentation: https://www.youtube.com/c/FeaturedPresentationProductions Intro: "Indie Rock" by Scott Holmes of the Road Trip Indie Rock album
Un día como hoy, 29 de marzo: Nace: 1895: Ernst Jünger, filósofo alemán (f. 1998). 1940: Godfrey Reggio, cineasta estadounidense. 1943: Vangelis, teclista y compositor griego. Fallece: 1891: Georges Pierre Seurat, pintor francés. 2020: Krzysztof Penderecki, compositor y director de orquesta polaco (n. 1933 Una producción de Sala Prisma Podcast. 2021
This month we talk to Ross Benes, a native son of Brainerd, Nebraska who has written a book about his hometown and his journey away from it and its conservative values. And then Dan tells us all about his new book, The Oxford Handbook of the Bible and American Popular Culture. And in One Last Thing, Dan has been visiting Northern Ireland and Tim has been visiting eastern Tennessee. Some of the things we talked about on this show: Mr. Benes mentioned What's the Matter with Kansas? and Dinesh D'Souza's What's So Great About Christianity. That film trilogy Dan mentioned is The Qatsi Trilogy by Godfrey Reggio. Dan's One Last Thing was Derry Girls. Tim's One Last Thing was The Barkley Marathons: The Race That Eats Its Young. (But also: go watch In and Of Itself.) 0:00-2:04: Introduction 2:08-20:44: Benes interview 20:49-33:22: Clanton interview 33:26-35:52: Dan's OLT 35:52-38:55: Tim's OLT 38:55-39:55: Credits 39:58-40:12: Outtake
Get ready, Randy has picked another big one for us. And he actually picked the first film by a celebrated director for once. David Lynch's Eraserhead is such a desperately ambitious, risk-everything film that one is tempted to call it "groundbreaking" except for the fact that it's so unique in its vision and execution that you'd be hard pressed to name what it broke ground for. Jack Nance plays Henry, newly saddled with his helpless, mutated, infant offspring and coming face to face with surreal visions and manifestations of his darkest fears and fantasies. And there's a lady in the radiator. If you'd like to watch ahead for next week's film, we will be discussing and reviewing Godfrey Reggio's Koyaanisqatsi (1982).
Yeah, so we're still not in the same studio. But! I basically passed my advanced sound engineering degree by hardcore figuring out how to hock up all the devices necessary and the result is alright. Is it great? Maybe not. But hey, this is the beginning of 2021 and our threshold for calling things "good enough" is pretty low. Anyways, while I'm wearing black and other dark shades to stress the general artsiness of my score (Philipp Glass, Koyaanisqatsi, Godfrey Reggio, 1983/1998), the Kaptain donned his classic Castlevania attire to perfectly accompany his Ryuji Sasai and Yasuhiro Kawakami score for the Square game Final Fantasy Mystic Quest (aka. Mystic Quest Legend) from 1992 for the SNES. As a bonus there are outtakes at the end because I messed up severely during the transitions from one track to the next. Warning: The outtakes contain heavy German swearing. Enjoy!
Mon invité est Antoine Robert, le réalisateur de Deux oiseaux un court métrage détonnant comme on en voit peu, à hauteur d'enfant et pour un public adulte comme jeune. Antoine est également illustrateur et CG artist basé à Arles. Le site d'Antoine Robert : http://www.ant-robert.com/ La bande annonce de son film Deux oiseaux : https://www.youtube.com/watch?v=V_fkfVBYQ0c La page VOD de Deux oiseaux : https://vimeo.com/ondemand/deuxoiseaux Son précédent film Le taxidermiste : https://vimeo.com/52068093 Les recommandations d'Antoine : La page Allociné de Calamity, une enfance de Martha Jane Cannary de Rémi Chayé : https://www.allocine.fr/film/fichefilm_gen_cfilm=271607.html La page Allociné de Drunk de Thomas Vinterberg : https://www.allocine.fr/film/fichefilm_gen_cfilm=275050.html La page Allociné de 2001 : l'odyssée de l'espace, le meilleur film de tous les temps (en toute objectivité) : https://www.allocine.fr/film/fichefilm_gen_cfilm=27442.html La page Allociné de Koyaanisqatsi de Godfrey Reggio : https://www.allocine.fr/film/fichefilm_gen_cfilm=33233.html Une émission de France Musique, Musicopolis, qui revient sur la première à Avignon en 1976 de l'opéra Einstein on the beach, musique composée par Philip Glass (il y a aussi une courte biographie du compositeur en vidéo) : https://www.francemusique.fr/emissions/musicopolis/avignon-1976-creation-d-einstein-beach-de-philip-glass-75929 La bande-annonce de l'opéra Satyagraha (joué à l'ENO de Londres en 2018) composé par Philip Glass : https://www.youtube.com/watch?v=RoAN_xDcmmI La bande-annonce de l'opéra Akhnaten (joué au Metropolitan Opera de New York en 2019) composé par Philip Glass : https://www.youtube.com/watch?v=rSn_UAquOfw La page bandcamp des punks Lillois de Jodie Faster : https://jodiefaster.bandcamp.com/ Le site de la maison d'édition Les Requins Marteaux sur lequel on peut trouver le Pinocchio de Winshluss : http://lesrequinsmarteaux.com/livres Format Court : http://www.formatcourt.com/ Pour ne louper aucune pépite ! ► Yodar : yodar.fr/ ► Facebook : www.facebook.com/Y0dar/ ► Instagram : www.instagram.com/y0dar/ ► Twitter : twitter.com/Y0DAR ► Soundcloud : @y0dar Podcast réalisé par Aline Crétinoir
Now that we're past election day, let's de-stress with a chat about something super chill and supremely soothing. I spoke to musician Charles Spearin (Broken Social Scene and Do Make Say Think) about Godfrey Reggio's classic experimental film Koyaanisqatsi, which features the music of certified legend Philip Glass. Have a listen and watch all your election related anxiety melt away. Links:Charles SpearinBroken Social SceneDo Make Say ThinkKoyaanisqatsiHis House
Rob turner is a musician from Manchester UK and is the Drummer and co-writer with the band GoGo Penguin. The band is known for expanding the piano trio format, combining elements of traditional styles such as Jazz and Classical with modern electronic music which they perform live on acoustic instruments. His work with the band has included five studio albums, two released by Manchester's Gondwana Records, the second of which received the coveted mercury prize shortlist in 2014 and three albums released by the legendary Blue Note record label. With GoGo penguin Rob composed ‘As above so below, a hermetic influenced tribute to the work of Basil Kirchin commissioned by the performing rights society foundation, a live ballet performed at the Barbican and a live re-scoring of Godfrey Reggio's cult masterpiece Koyaanisqatsi. In addition to performing around the globe the band have also appeared on NPR's tiny desk series, Jools Holland and together with co-member and bassist Nick Blacka Rob has presented on Giles Peterson's worldwide FM radio. Band Website: https://gogopenguin.co.uk/ Simon Drew Links Patreon: patreon.com/simonjedrew Coaching: simonjedrew.com/coaching/ Practical Stoic Mastermind: facebook.com/groups/practicalstoicmastermind Website: simonjedrew.com
Koyaanisqatsi, also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film produced and directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
Koyaanisqatsi, also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film produced and directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
In this debut episode Dr Toby Reynolds talks about how Godfrey Reggio's landmark 1982 visual tone poem, Koyaanisqatsi set him on the path of becoming a serious film fan.
Season 1 finale — Single-mindedness can be a good thing when pursuing a single task — But life is many tasks — Throwing the thoughts out into the winds — The good ones will come back — Close Encounters of the Third Kind — Field of Dreams — Clearing out some things — Reminders of things forgotten for some time — Discussion featuring Philip Glass and Godfrey Reggio — Director of the Qatsi trilogy — Opening up vistas — The nature of Koyaanisqatsi — To present something but not tell you how to take it — Room for the audience — Link on Twitter — Philip Glass's Twitter account — An experience that stirs up things — Completing the work — A Conversation with Godfrey Reggio and Philip Glass from WBUR CitySpace — “The Grid” — Perfect time to watch Koyaanisqatsi — Northern Exposure (1990s) — Mixing up things — Ray Kinsella recap — His limit of aggression within the family — Different matter in other contexts — Someone steps over a certain line — The wellbeing of his family — A matter of defending — A place for anger as long as remaining in control — James Horner Discusses Field of Dreams (12 mins.) featuring Horner and director Phil Alden Robinson — Intuitive and creatively sharp people — The right instincts — A respect between them — When James Horner sits at the piano — Appreciating the moment — It takes a special soul to create something with that kind of simplicity and beauty — The night drive scene — Terence Mann played by James Earl Jones — That music is not any one single emotion — Lemon-ginger infusion — Voice boost — A warm drink or cold — Looking at my notes — A few dreams — City driving dream, 6 to 7 p.m. on a Saturday — To do with trust and knowing someone well — Dream with a waterway and girders — Seals — Student group dream — Season 1 epilogue — This podcast — Working on books, screenplays, and music — Some overlap — Expressing your thoughts and feelings in your own voice — Every voice is unique — Ray Bradbury: “The April Witch” — Spring — “How could I stay for so long away from this beauty?” — What is important in life and what isn't — It's possible to forget beauty — Some series only want you to watch another episode — Season-concluding thoughts — Pilot season — Remember fire safety — Baking paper — Just me — Take care
A couple weeks ago we wrote about Madison musician Luke Bassuener's latest release under his solo moniker Asumaya, Of Water, Land, & Sky. The album is constructed mostly from field recordings of birds and Wisconsin wetlands, and grew out of a multidisciplinary arts residency of the same name. Setting aside Asumaya's usual looped array of percussion, bass, vocals, and thumb piano, Bassuener has instead created a set of rhythmic interpretations of the natural world."This album was also kind of just a challenge—to see how much would it sound like music if I only used those things?" Bassuener says.Bassuener spoke with us on the April 16 edition of Conduit, a livestream collaboration between Tone Madison, Communication, and UnderBelly. He'll be performing on April 17 in a livestream event on Arts + Literature Laboratory's Facebook page, which will also feature art and poetry from others involved in Of Water, Land, & Sky.Bassuener is also a public-school art teacher in Madison. One of his ongoing projects is helping his students at the west side's Crestwood Elementary create animated short films based on myths from across different cultures. One of those, The Weaver Girl And The Cowherd, was scheduled to screen in this year's canceled Wisconsin Film Festival. It's available to watch online through the festival's Big Streams, Little Folks program. You can see more work from Crestwood students on YouTube.We also talked about Bassuener's work in the band Disaster Passport, which has created something of a local sensation over the past year with its original score for Godfrey Reggio's experimental documentary Koyaanisqatsi.The next Conduit session is on Thursday, April 23 at 6:30 p.m., and our guest will be Dan Shafer of the Milwaukee-based politics newsletter The Recombobulation Area. On April 30, we'll talk with Carlee Latimer of the Madison Public Library's Bubbler program, and on May 7, our guest will be artist Kay LeClaire. On. To join each week's conversation, Venmo $1 to info@communicationmadison.com and include your email address in the note. The money will be donated to a non-profit or artist of our guest's choosing, and we'll email you a Zoom link for the meeting.
A couple weeks ago we wrote about Madison musician Luke Bassuener's latest release under his solo moniker Asumaya, Of Water, Land, & Sky. The album is constructed mostly from field recordings of birds and Wisconsin wetlands, and grew out of a multidisciplinary arts residency of the same name. Setting aside Asumaya's usual looped array of percussion, bass, vocals, and thumb piano, Bassuener has instead created a set of rhythmic interpretations of the natural world."This album was also kind of just a challenge—to see how much would it sound like music if I only used those things?" Bassuener says.Bassuener spoke with us on the April 16 edition of Conduit, a livestream collaboration between Tone Madison, Communication, and UnderBelly. He'll be performing on April 17 in a livestream event on Arts + Literature Laboratory's Facebook page, which will also feature art and poetry from others involved in Of Water, Land, & Sky.Bassuener is also a public-school art teacher in Madison. One of his ongoing projects is helping his students at the west side's Crestwood Elementary create animated short films based on myths from across different cultures. One of those, The Weaver Girl And The Cowherd, was scheduled to screen in this year's canceled Wisconsin Film Festival. It's available to watch online through the festival's Big Streams, Little Folks program. You can see more work from Crestwood students on YouTube.We also talked about Bassuener's work in the band Disaster Passport, which has created something of a local sensation over the past year with its original score for Godfrey Reggio's experimental documentary Koyaanisqatsi.The next Conduit session is on Thursday, April 23 at 6:30 p.m., and our guest will be Dan Shafer of the Milwaukee-based politics newsletter The Recombobulation Area. On April 30, we'll talk with Carlee Latimer of the Madison Public Library's Bubbler program, and on May 7, our guest will be artist Kay LeClaire. On. To join each week's conversation, Venmo $1 to info@communicationmadison.com and include your email address in the note. The money will be donated to a non-profit or artist of our guest's choosing, and we'll email you a Zoom link for the meeting.
James Mockoski, head of production and archives at American Zoetrope joins us this week to discuss his work supervising the restoration department for Director Francis Ford Coppola’s production company. We discuss his recent work on the 4K Dolby Atmos release of Apocalypse Now: Final Cut and other titles including The Conversation, The Godfather and Lost in Translation. ABOUT AMERICAN ZOETROPE: American Zoetrope (also known as Zoetrope Studios from 1979 until 1990) is a privately run American film production company, centered in San Francisco, California and founded by Francis Ford Coppola and George Lucas. Opened on December 12, 1969, the studio has produced not only the films of Coppola (including Apocalypse Now, Bram Stoker's Dracula and Tetro), but also George Lucas's pre-Star Wars films (THX 1138, American Graffiti), as well as many others by avant-garde directors such as Jean-Luc Godard, Akira Kurosawa, Wim Wenders and Godfrey Reggio. American Zoetrope was an early adopter of digital filmmaking, including some of the earliest uses of HDTV. Four films produced by American Zoetrope are included in the American Film Institute's Top 100 Films. American Zoetrope-produced films have received 15 Academy Awards and 68 nominations. Initially located in a warehouse on Folsom Street, the company's headquarters have since 1972 been in the historic Sentinel Building, at 916 Kearny Street in San Francisco's North Beach neighbourhood. Coppola named the studio after a zoetrope he was given in the late 1960s by the filmmaker and collector of early film devices, Mogens Skot-Hansen. "Zoetrope" is also the name by which Coppola's quarterly fiction magazine, Zoetrope: All-Story, is often known. American Zoetrope is now owned entirely by Coppola's son and daughter, directors Roman Coppola and Sofia Coppola, while a majority of the film library is now owned by Lionsgate. www..zoetrope.com/american-zoetrope
En estos tiempos de #quedateencasa : Arquitectura en 35mm . Hablaremos acerca de Arquitectura en el Cine y el Documental: . Lotte en Bauhaus Película de 2019 en la que se compila en un fondo político y social alemán la historia de la Bauhaus a través de una talentosa mujer Arquitecta . Documental La Escala Humana. Pensadores, arquitectos y planeadores comentan formas para incrementar la interacción humana. Por el Arquitecto Jahn Gehl . Koyaanisqatsi El cineasta Godfrey Reggio muestra escenas de la natural . www.arquitecturaparaaliens.com
The team had an assignment this week. Scott, Jeff, and Reneé assigned the others a piece of media to enjoy (okay, so maybe enjoy isn't quite the right word). Jeff's pick was the early aught film Grandma's Boy. Keeping in character, Scott assigned Godfrey Reggio's film Koyaanisqatsi, *sung in a dark, sepulchral basso profondo.* Reneé said, let's change it up and listen to PJ Harvey's debut album Dry. The team discuss and dare we say .. insult each other's picks? All in good fun of course! Discussion includes reference to zoologist Desmond Morris, Pierre Bordeaux, the habitus theory, and The Bridges of Madison County. _ Follow us on Facebook | Twitter _ Reneé Bibby is a graphic designer, writer, and teacher. / Tweet + Instagram: @special feather Jeff Snyder is a Tucson native who received his B.A. in Anthropology from the University of Arizona. He is the founder of The Bandwagon Fans channel on YouTube, an underwater portrait photographer, and a soldier since 1998. Scott Griessel lives in South Tucson, Arizona with his wife, Anna, who produces What the What. Together they see to the needs of two demanding cats and operate Creatista, a film, video and photography production company. He doesn’t have a superpower, but is pretty good at making breakfast. Anna Harrison Griessel likes to quietly make things happen behind the scene at What the What Podcast and at Creatista.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wtwpopcast/message
Irish, Dublin based artist Alan Butler likes to break things and make things, including a shot-for-shot recreation of Godfrey Reggio's 1983 visual masterpiece, Koyaanisqatsi, which features a haunting soundtrack by Philip Glass. Meanwhile, in the same visual universe, Detective Chang makes a complicated arrest. Special thanks to Alan Butler - http://www.alanbutler.infoCheck out Mr Chang at Twitch.tv/Lord_Kebun
Irish, Dublin based artist Alan Butler likes to break things and make things, including a shot-for-shot recreation of Godfrey Reggio's 1983 visual masterpiece, Koyaanisqatsi, which features a haunting soundtrack by Philip Glass. Meanwhile, in the same visual universe, Detective Chang makes a complicated arrest. Special thanks to Alan Butler - http://www.alanbutler.infoCheck out Mr Chang at Twitch.tv/Lord_Kebun
In the third installment of Anthropocene Auteur Theory we talk about the Qatsi trilogy of Godfrey Reggio, who from what we've learned is a righteous dude with some tubular ideas about art.
Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]
Renowned cellist Katinka Kleijn is featured in Philip Glass' Cello Concerto No 2, derived from his score for Godfrey Reggio's film "Naqoyqatsi." The Symphony is under the baton of Steven Schick. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34637]
Le film Supervenus de Frédéric Doazan : https://www.youtube.com/watch?v=SY2y7ph0rtc La référence de Frédéric : Visitors de Godfrey Reggio : https://www.youtube.com/watch?v=2g34xwjF7-k
Responsáveis por um dos melhores e mais dolorosos registros lançados no último ano, os músicos Machado, Lio e Lay Soares comentam o processo de produção do primeiro álbum de estúdio da Tuyo. De onde vem tamanha tristeza? É sobre isso que o trio paranaense discute com Cleber Facchi (Miojo Indie), Nik Silva (MonkeyBuzz), Heloisa Cleaver (Revista Balaclava Records) e Isadora Almeida (Rádio Popload). Nesta Edição do Programa ● Do Simonami ao The Voice: entendendo a origem do trio. ● Como transformar dor em música? ● Os problemas (e as conquistas) de ser um artista independente ● Como rolou a parceria com Baco Exu do Blues, Bemti e Wado? ● O que esperar dos futuros trabalhos da banda? #NãoParoDeOuvir ● Crane Like The Bird: “Crane Like The Bird” (https://spoti.fi/2WhxXi7) ● Toro Y Moi: “Outer Peace” (https://spoti.fi/2AXGU72) ● Terno Rei: “Dia Lindo” (https://spoti.fi/2S5Vy5Z) ● Foals: “Exits” (https://spoti.fi/2FTvVyC) ● Saba: “Beautiful Smile” (https://spoti.fi/2R7HRPj) ● Rosalía: “El Mal Querer” (https://spoti.fi/2PBJ2G2) ● H.E.R.: ”H.E.R.” (https://spoti.fi/2FJJKk4) ● Lucy Rose: “Conversation” (https://spoti.fi/2FVMJFg) ● Ama Lou: “D.D.D.” (http://bit.ly/2RdMfwt) ● Mel: “O Medo” (http://bit.ly/2AOrCl4) ● Melted Videos: “Funk do Mac DeMarco” (http://bit.ly/2QOQHBw) ● Sharon Van Etten: “Remind Me Tomorrow” (http://bit.ly/2FETY5a) ● James Blake: “Assume Form” (http://bit.ly/2sKvu1K) #VocêPrecisaOuvirIsso ● Bruna Mendez: “O Mesmo Mar…” (https://spoti.fi/2B10sHI) ● Lupe de Lupe: “Quarup” (https://spoti.fi/2Ra0VfY) ● Fabriccio: “Jungle” (https://spoti.fi/2CEHczL) ● Efterklang: “Magic Chairs” (https://spoti.fi/2FZY0EN) ● Liima: “1982” (http://bit.ly/2TatXOp) ● The Internet: “Ego Death” (https://spoti.fi/2Hx7SrQ) ● Kirk Franklin: “Brighter Day” (https://spoti.fi/2MrZ2KI) ● Djonga: “Heresia” (https://spoti.fi/2RLOY55) ● Djonga: “O Menino Que Queria Ser Deus” (http://spoti.fi/2FFMr6J) ● Thundercat: “Drunk” (https://spoti.fi/2sGEIfJ) ● Thundercat: “NPR Music Tiny Desk Concert” (http://bit.ly/2S3Cx3T) ● Sassy 009 (https://spoti.fi/2DwHdaD) ● “FYRE Festival: Fiasco no Caribe” (http://bit.ly/2FZYVVL) ● “Koyaanisqatsi”, de Godfrey Reggio (http://bit.ly/2AZCgVX) ● Philipp Glass: “Koyaanisqatsi”(https://spoti.fi/2FI005f) ● Cozinhando Discografias: Leonard Cohen (http://bit.ly/2CitSkc) ● “Wild Combination” (http://bit.ly/2UclB8P) ● Arthur Russell: “World of Echo” (https://spoti.fi/2S3Iy0x) #DesligaoSom ● Anitta passando pano para o Nego do Borel.
Guitarist Justin Mazer (Ryan Montbleau), bassist Caitlin Gray (Hurray for the Riff Raff), keyboardist Matt Trowbridge (RANA) and drummer David Butler (Guster, Marco Benevento) improvise a soundtrack to Godfrey Reggio's cult classic documentary, Koyaanisqatsi.
Guitarist Justin Mazer (Ryan Montbleau), bassist Caitlin Gray (Hurray for the Riff Raff), keyboardist Matt Trowbridge (RANA) and drummer David Butler (Guster, Marco Benevento) improvise a soundtrack to Godfrey Reggio's cult classic documentary, Koyaanisqatsi.
Cette semaine, l'équipe d'Amplitudes lie le son à l'image, avec deux heures de musiques de films. Un hommage inévitable au compositeur islandais Jóhann Jóhannsson, mais aussi des grands classiques italiens des années 60 et 70, du Jim Jarmusch, du farwest, du film d'animation psychédélique, et presque pas de plaisirs coupables. Tracklist : Jozef Van Wissem et Sqürl - The Taste of Blood (Only Lovers Left Alive, Jim Jarmusch, 2013) Neil Young - Guitar Solo 5 (Dead Man, Jim Jarmusch, 1995) Tindersticks - Trouble Every Day (Trouble Every Day, Claire Denis, 2001) Björk - New World (Dancer in the Dark, Lars von Trier, 2000) Jóhann Jóhannsson - Heptapod B (Arrival, Denis Villeneuve, 2016) Philipp Glass - Vessels (Koyaanisqatsi, Godfrey Reggio, 1982) Angelo Badalamenti - Dance of the Dream Man (Twin Peaks, David Lynch, 1990) Ennio Morricone - The Ecstasy of Gold (The Good, The Bad, and the Ugly, Sergio Leone, 1966) Stelvio Cipriani - La Polizia Sta A Guardare (Amer, Hélène Cattet et Bruno Forzani, 2009) John Bary - The Persuaders (The Persuaders!, Robert S. Baker, 1971) Alain Goraguer - Deshominisation (I) (La Planète sauvage, René Laloux, 1973) Edouard Artemiev - Meditation (Stalker, Andrei Tarkovsky, 1979) Jonny Greenwood - Prospectors Arrive (There Will Be Blood, Paul Thomas Anderson, 2007) James Carter et The Prisoners - O'Lazarus (O'Brother, Where Art Thou?, Joel Coen et Ethan Coen, 2000) The Broken Circle Breakdown - Sand Mountain (The Broken Circle Breakdown, Felix van Groeningen, 2012) Kevin Shields - City Girls (Lost in Translation, Sofia Coppola, 2003) Robert Wyatt - Memories (De la Guerre, Bertrand Bonello, 2008) Kenji Kawai - Making of Cyborg (Ghost in the Shell, Mamoru Oshii, 1995) Photo : Stalker, Andrei Tarkovsky (1979)
Cette semaine, l'équipe d'Amplitudes lie le son à l'image, avec deux heures de musiques de films. Un hommage inévitable au compositeur islandais Jóhann Jóhannsson, mais aussi des grands classiques italiens des années 60 et 70, du Jim Jarmusch, du farwest, du film d'animation psychédélique, et presque pas de plaisirs coupables. Tracklist : Jozef Van Wissem & Sqürl - The Taste of Blood (Only Lovers Left Alive, Jim Jarmusch, 2013) Neil Young - Guitar Solo 5 (Dead Man, Jim Jarmusch, 1995) Tindersticks - Trouble Every Day (Trouble Every Day, Claire Denis, 2001) Björk - New World (Dancer in the Dark, Lars von Trier, 2000) Jóhann Jóhannsson - Heptapod B (Arrival, Denis Villeneuve, 2016) Philipp Glass - Vessels (Koyaanisqatsi, Godfrey Reggio, 1982) Angelo Badalamenti - Dance of the Dream Man (Twin Peaks, David Lynch, 1990) Ennio Morricone - The Ecstasy of Gold (The Good, The Bad, and the Ugly, Sergio Leone, 1966) Stelvio Cipriani - La Polizia Sta A Guardare (Amer, Hélène Cattet & Bruno Forzani, 2009) John Bary - The Persuaders (The Persuaders!, Robert S. Baker, 1971) Alain Goraguer - Deshominisation (I) (La Planète sauvage, René Laloux, 1973) Edouard Artemiev - Meditation (Stalker, Andrei Tarkovsky, 1979) Jonny Greenwood - Prospectors Arrive (There Will Be Blood, Paul Thomas Anderson, 2007) James Carter & The Prisoners - O'Lazarus (O'Brother, Where Art Thou?, Joel Coen & Ethan Coen, 2000) The Broken Circle Breakdown - Sand Mountain (The Broken Circle Breakdown, Felix van Groeningen, 2012) Kevin Shields - City Girls (Lost in Translation, Sofia Coppola, 2003) Robert Wyatt - Memories (De la Guerre, Bertrand Bonello, 2008) Kenji Kawai - Making of Cyborg (Ghost in the Shell, Mamoru Oshii, 1995) Photo : Stalker, Andrei Tarkovsky (1979)
The grand combination of Godfrey Reggio's thoughts, Philip Glass' music and Ron Fricke's cinematography make this film not only an emotional learning experience, but powerful cinema. Often copied, but never equally, even by its two companion pieces "Powaqqatsi" and "Naqoyqatsi," "Koyaanisqatsi" screams out wordlessly about the chaotic and ultimately destructive way of life here on Earth.
Stan Brakhage and Godfrey Reggio Talk to High School Students: I found an old cassette tape of an interview I made for the print issue Cinemad #2. Avant masters Stan Brakhage and Godfrey Reggio met for the first time at the Telluride Film Festival in 1999 while speaking with high school students attending the fest. I was working there as a projectionist and asked Brakhage for an interview, he suggested I sit in and record this. I turned it into an article but its more interesting as a rediscovered time capsule. Brakhage showed three brand new hand-painted shorts (part of his Persian Series) and Reggio had some of his film clips show with a Phillip Glass tribute. Both were yearly attendees with regular fans, but the kids did not know their work - making for an even better discussion, exploring what their films are and their thoughts on the world at large. The sound quality is ok but raw from the cassette. If you are a static addict, this will sound beautiful. The students asked the questions. Reggio's voice is lower. Stan's is higher pitched and he speaks first.
Brace yourselves: it's time for the fourth Indy film. We talk about fun heist-themed romps, moody art-house montages, and classic comedy capering; sadly, that's in the first five — blissfully CRYSTAL SKULL-free — minutes. Oh dear. This Week's Watching BETTER OFF DEAD (1985): Savage Steve Holland, John Cusack, David Ogden Stiers KOYAANISQUATSI (1982): Godfrey Reggio, Ron Fricke, Philip Glass NOW YOU SEE ME (2013): Louis Leterrier, Jesse Eisenberg, Mark Ruffalo Recommendations HOLES (2003): Andrew Davis, Sigourney Weaver, Jon Voigt DEATH BECOMES HER (1992): Robert Zemeckis, Goldie Hawn, Bruce Willis ALIEN (1979): Ridley Scott, Tom Skerritt, Sigourney Weaver BABEL (2006): Alejandro González Iñárritu, Brad Pitt, Cate Blanchett Footnotes We mentioned Eisenstein again: check out STRIKE (1925) and BATTLESHIP POTEMKIN (1925), among many others. There's a good article on Steven Spielberg and aliens, here. And there's more on a concept that Rob mentioned in passing, but that we didn't have time to go over, here. Finally, an update on IJV (please don't bring Ford back).
Godfrey Reggio is an inventor of a film style which creates poetic images of extraordinary emotional impact for audiences worldwide. Reggio is prominent in the film world for his Qatsi trilogy – Koyaanisqatsi: Live Out of Ballance, Powaqqatsi: Life in Transformation, and Naqoyqatsi: Life as War, essays of visual images and sound which chronicle the destructive impact of […]
Voltando com a nossa série sobre trilogias, Angélica Hellish e Marcos Noriega convidaram Sérgio Vieira do blog Impressões Digitais e Douglas Fricke, o Exumador do Podtrash para conversar sobre a trilogia de filmes não verbais, a Trilogia Qatsi dirigida por Godfrey Reggio: “Koyaanisqatsi” Vida fora de Equilíbrio de 1983, “Powaqqatsi” Vida em Transformação de 1988, “Naqoyqatsi” Vida É […] O post Masmorra Cast #44 Trilogia Qatsi – Baraka e Samsara apareceu primeiro em Masmorra Cine.
Voltando com a nossa série sobre trilogias, Angélica Hellish e Marcos Noriega convidaram Sérgio Vieira do blog Impressões Digitais e Douglas Fricke, o Exumador do Podtrash para conversar sobre a trilogia de filmes não verbais, a Trilogia Qatsi dirigida por Godfrey Reggio: “Koyaanisqatsi” Vida fora de Equilíbrio de 1983, “Powaqqatsi” Vida em Transformação de 1988, “Naqoyqatsi” Vida É Guerra de 2002 e estendemos o papo aos filmes de Ron Fricke: "Baraka" (antiga palavra com significados em várias línguas, pode ser traduzida como benção, sopro ou essência da vida, de onde se desencadeia o processo da evolução do mundo) de 1992 e "Samsara" (sânscrito-devanagari: संसार: , perambulação, pode ser descrito como o fluxo incessante de renascimentos através dos mundos) de 2011. Embarque conosco nessa viagem e conheça mais sobre esses filmes que abordam questões importantes dentro da evolução (ou a involução) e o processo de desumanização dos seres humanos. Muitos contrapontos interessantes. Uma poesia visual, uma crítica mordaz ao mundo em que vivemos. A arte do banner: Barão do blog Red Baron Blues Blog Durante a edição você escutará: Philip Glass, Deep Forest, OST dos filmes, OST de Animatrix, Omar Faruk Tekbilek, Era, Win Mertens e a coletânea Solaris Citados durante o podcast: "O Homem Com A Câmera" de 1929 dirigido por Dziga Vertov (aqui completo no Youtube) Spirit of Baraka - site que agrega diversas obras cinematográfica não verbais Assista aqui Koyaanisqatsi em duas partes online Assista aqui Powaqqatsi em 5 partes Assista aqui Nakoyqatsi completo online Bodysong - 2003 - Direção Simon Pummell (aqui online completo) Samsara - 2011 - Direção Ron Fricke (aqui online completo) Vale a pena assistir também: Do diretor Marcelo Masagão: "Nós que aqui estamos, por vós esperamos" de 2000 e " 1,99 Um supermercado que vende palavras" de 2003 Masmorra no Twitter e no Facebook
Welcome to Subject:CINEMA MICRO Focus! Each week, hosts TC Kirkham and Kim Brown will take on a single film and analyze it front to back, side to side, and everything in-between! THIS WEEK: One of the most incredibly visual movies ever made, a film that was a pioneer of its time in 1982, and still remains unparallelled today. One of TC's personal Pantheon list favorites, and the film that showed him that movies could be more than Hollywood blockbusters - Godfrey Reggio's amazing opus, "Koyaanisqatsi"! SCMF is part of the Popcorn N Roses family of shows, which includes our parent show, Subject:CINEMA, available every weekend at http://subjectcinema.com and http://popcornnroses.com (and don't worry, they go to the same site....) We hope you'll be back every week - don't forget to subscribe to SC MICRO Focus and listen every week, a new show will be up every Wednesday evening!
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