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Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Edmund White (1940-2025) Edmund White. Photo: David Shankbone Edmund White (1940-2025) in conversation with Richard Wolinsky, recorded in the KPFA Studio. Part One: Recorded February 20, 2012 while on tour for the novel “Jack Holmes and His Friend.” Part Two: Recorded February 17, 2014 while on tour for the memoir “Inside a Peal, My Years in Paris.” Edmund White, who died on June 3, 2025 at the age of 85, was often called the Grandfather of gay literature. Equally at home writing novels, biographies, plays, memoirs, essays and various hybrids, he was a pioneer in the LBGT world, one of the first gay novelists to achieve literary fame, the co[author in 1977 of The Joy of Gay Sex, along with a ground breaking trilogy of novels based on his own life, several memoirs, three well received biographies, and various collections of essays. Winner of the Lambda Literary Award and nominated several times, nominated for the Pulitzer and winner of the National Book Critics Circle Award for his biography of Jean Genet, winner of the National Book Foundation Lifetime Achievement Award and the PEN/Saul Bellow Award, Edmund White has also been called the Patron Saint of Gay Literature.   Review of “The Neil Diamond Musical A Beautiful Noise” at BroadwaySF Golden Gate Theater through June 22, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: Pacific Overtures, through June 15, 2025. BroadwaySF: A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread   See website for upcoming events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  The Sound of Music, September 27 – October 18. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post June 12, 2025. Pride Month: Edmund White (1940-2026), The Patron Saint of Gay Literature appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Joseph Heller (1923-1999) Joseph Heller, author of Catch-22 and its sequel, Closing Time, in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in San Francisco on October 17, 1994. Since its original publication in 1961, Catch-22 by Joseph Heller has become a classic of anti-war literature, gaining fame during the Vietnam era for its dark and satirical look at American military life. Filmed to middling results by Mike Nichols in 1970, a new miniseries on Hulu has brought the novel back into the spotlight, where its focus on circular reasoning and insanity seems a propos to life during the current American regime. Catch-22 was Joseph Heller's first novel. In the 1970s he wrote the novels Something Happened and Good as Gold, and in the 1980s God Knows and Picture This, and the non-fiction No Laughing Matter about his struggle with Guillan-Barre Syndrome In 1994, Joseph Heller came out with a sequel to Catch-22, titled Closing Time, which deals with what happened to Yossarian and other characters after the end of World War II. This interview was recorded during that book tour and deals with both books, as well as other aspects of his career, along with comparisons to the works of Kurt Vonnegut. Despite respectful reviews and a good reputation, Closing Time is mostly forgotten today, though it is easily available on-line in both paper and e-book. Joseph Heller published a memoir, Now and Then, in 1998, and another novel, Portrait of the Artist as an Old Man, an autobiographical work about an author who is unable to shake the success of his very first novel, was published posthumously in 2000. This is the first airing of the entire interview. .   Review of “Parade” at BroadwaySF Orpheum Theatre through June 8, 2025. Review of “Pacific Overtures” at Brava Theater Center (Brava Center for the Arts) through June 15, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Aves by Jihae Park, through June 8, 2025, Peets Theatre. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: Pacific Overtures, through June 15, 2025. BroadwaySF: Parade,  May 20 – June 8, Orpheum. A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread  Oriental, or 1001 Ways to Tie Yourself In Knots by Evren Odcikin June 7-8, Potrero Stage. See website for other events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Pear Slices, May 23 – June 8. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post June 5, 2025: Joseph Heller: The Man Who Gave Us “Catch-22” appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   The 11th Annual Bay Area Book Festival J.K. Fowler, Executive Director of the Bay Area Book Festival in conversation with host Richard Wolinsky, discussing this year's festival, Saturday May 31st and Sunday June 1st throughout the City of Berkeley. The focus of this year's Festival is Changing the Narrative, with looks at activism, resistance, responding to backlash, writing for social change and more. Guests include Mia Birdsong, Prentiss Hemphill. Viet Thanh Nguyen, Greg Sarris and over a hundred other writers, publishers and editors. The venues include the Berkeley Library, Freight & Salvage, The Marsh, the Brower Center, the Hotel Shattuck, and three outdoor stages, including one at Berkeley's BART Plaza. J.K. Fowler founded Nomadic Press, sat on Oakland's Cultural Affairs Commission, and works on several community projects.   Joan Baez Joan Baez, legendary singer, songwriter and activist, in conversation with host Richard Wolinsky, recorded while on remote tour for her book of poetry, “When You See My Mother, Ask Her to Dance.” Recorded April 26, 2024 via zencastr. Joan Baez is an internationally renowned singer, songwriter and activist who burst on the folk music scene as a teenager in the late 1950s. She has two autobiographies, Daybreak, along with And A Voice to Sing With. There are over thirty albums, including her now classic “Diamonds and Rust”from 1975, she has appeared in numerous documentaries about music and activism, won the 2007 Lifetime Achievement Award at the Grammys, and is the subject of a recent documentary, Joan Baez, I Am A Noise, which is on Hulu and can be rented on several apps. Photos courtesy Joan Baez. Complete Interview.   Review of “The Curious Incident of the Dog in the Night-Time” at San Francisco Playhouse through June 21, 2025. Review of “Yellow Face” at Shotgun Players Ashby Stage through June 14, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Co-Founders. a world premiere hip-hop musical May 29 – July 6, Strand. Kim's Convenience by Ins Choi, Sept 18 – Oct 19, Toni Rembe Theatre. Aurora Theatre  The Search for Signs of Intelligent Life in the Universe by Jane Wagner, with Marga Gomez, July 12 – August 10.  Awesome Theatre Company. See website for information. Berkeley Rep. The Aves by Jihae Park, through June 8, 2025, Peets Theatre. The Big Reveal Live Show written and performed by Sasha Velour, June 4 – 15, Roda Theatre. Who's With Me. written and performed by W. Kamau Bell, June 17-22, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Parade,  May 20 – June 8, Orpheum. A Beautiful Noise: The Neil Diamond Musical, June 3-22, Golden Gate. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Moulin Rouge!, The Musical. July 8-13. See website for other events. Center Rep: Happy Pleasant Valley, June 1- 29. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. Golden Thread  Oriental, or 1001 Ways to Tie Yourself In Knots by Evren Odcikin June 7-8, Potrero Stage. See website for other events. Hillbarn Theatre: Murder for Two, a musical comedy, October 9 – November 2, 2025. Lorraine Hansberry Theatre. See website for specific workshops and events. Los Altos Stage Company. Twelfth Night by William Shakespeare, May 29 – June 22. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: A Midsummer Night's Dream by William Shakespeare, June 13 – July 13, Forest Meadows Amphitheatre. See website for other events. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) To My Girls by JC Lee, through June 8. Pride Cabaret, June 6-21.  Ride the Cyclone, the musical, July 11 – August 15. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Les Blancs (The Whites) by Lorraine Hansberry, July 11 – 27. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Pear Slices, May 23 – June 8. Constellations by Nick Payne, June 27 – July 20.See website for staged readings and other events. Playful People Productions. See web page for information on summer camps. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: Sweet Charity,  June 4 – 29.. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 14. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming events and producctions. Theatre Rhino  Doodler by John Fisher, May 31 – July 6, The Marsh, San Francisco. The Laramie Project, June 19-29.. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Come Back to the 5 & Dime, Jimmy Dean  Jimmy Dean, A New Musical, June  18 – July 13. Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post May 29, 2025: J.K. Fowler/The Bay Area Book Festival – Joan Baez appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Kate MacKay: John Cassavetes Directs Gena Rowlands Kate MacKay Kate MacKay, Associate Film Curator at Pacific Film Archive, in conversation with host Richard Wolinsky, discussing the films of John Cassavetes directing his wife Gena Rowlands. Kate MacKay is the curator of a retrospective of the films in which John Cassavetes directs his wife, Gena Rowlands, at Berkeley Art Museum and Pacific Film Archives from May 2 through May 14, 2025. In this interview, she discusses Cassavetes as a pioneer of the American independent film, then goes into detail on the films shown in the restrospective, including A Woman Under The Influence, Faces, Gloria, Opening Night, and Minnie and Moskowitz. She also talks about putting together a retrospective, and the upcoming Pacific Film Archive schedule for summer, 2025. Complete Interview.   Susan Oxtoby: The Life and Career of Agnes Varda Susan Oxtoby. Photo: BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the work of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. The first major biography of Agnes Varda, A Complicated Passion: The Life and Work of Agnes Varda by Carrie Rickey, was published in 2024 and will come out in paperback on August 12, 2025. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the recent documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max Complete Interview.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Six. April 22-27. See website for other events. Center Rep: The Unfair Advantage created and performed by Harry Milas, April 29 – May 11. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Reading: Muse of Fire by Lauren Gunderson, April 26, 1 pm/8 pm; Anne by Anne Kenner, May 19, 7:30 pm. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Ironbound by Martyna Majok, May 2 – 18. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino  Doodler by John Fisher, extended to May 2, at Safehouse Arts. Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post May 1, 2025: Pacific Film Archive. John Cassavetes Directs Gena Rowlands appeared first on KPFA.

Kate MacKay Kate MacKay, Associate Film Curator at Pacific Film Archive, in conversation with host Richard Wolinsky, discussing the films of John Cassavetes and specifically his work with Gena Rowlands. Kate MacKay is the curator of a retrospective of the films in which John Cassavetes directs his wife, Gena Rowlands, at Berkeley Art Museum and Pacific Film Archives from May 2 through May 14, 2025. In this interview, she discusses Cassavetes as a pioneer of the American independent film, then goes into detail on the films shown in the restrospective, including A Woman Under The Influence, Faces, Gloria, Opening Night, and Minnie and Moskowitz. She also talks about putting together a retrospective, and the upcoming Pacific Film Archive schedule for summer, 2025. The post Kate MacKay: Cassavetes Directs Rowlands appeared first on KPFA.

Cecilia Alemani is an Italian curator based in New York City who is currently at work curating the 12th SITE SANTA FE International, titled Once Within a Time and opening in June 2025.  Since 2011, she has been the Donald R. Mullen, Jr. Director & Chief Curator of High Line Art, the public art program presented by the High Line in New York City. From 2020 to 2022, she served as Artistic Director of the 59th Venice Biennale, where she curated the acclaimed exhibition The Milk of Dreams, which received over 800,000 visitors. More recently, she has curated several exhibitions, including Tetsuya Ishida: My Anxious Self, the Japanese painter's first American retrospective, presented at Gagosian Gallery in New York (2023); Making Their Mark, the first public presentation of the Shah Garg Collection (New York, 2023; Berkeley Art Museum and Pacific Film Archive, 2024); and Anu Põder: Space for My Body, Poder's first solo exhibition presented outside of Estonia at Muzeum Susch, Switzerland (2024). Alemani also served as Artistic Director of the inaugural edition of Art Basel Cities: Buenos Aires in 2018 and was the curator of the Italian Pavilion at the 57th Venice Biennale in 2017. Over the past twenty years, Alemani has developed expertise in commissioning and producing ambitious artworks for public space and unusual sites. She and Zuckerman discuss the act of learning, not being curatorially snobby, the rhythm of nature, giving up control, objects having their own life, the realness of cultural uncertainty, the 1948 Venice Bienniale and moving between the past and the future, female voices, the artist as client, the land of enchantment, and that art matters because it is our life!

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Todd Haynes Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,”  through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Special thanks to AJ Fox and the staff at Pacific Film Archive. Complete Interview   Chimamanda Ngozi Adichie Chimananda Ngozi Adichie, Nigerian author of “Americanah” and four other novels, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 5, 2013. She has written five novels, two collections of short stories, one memoir, and many articles and short stories for many newspapers, magazines, and periodicals. She is widely regarded as a central figure in postcolonial feminist literature. Her latest novel, “Dream Count” has just been published. Complete Interview   Review of “Uncle Vanya” at Berkeley Rep Peets Theatre through March 23, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Youth Theatre: Greek Mythology Olympiaganza by Dan Zolidis, March 7 -16; Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project.  I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post March 13, 2025: Todd Haynes, Independent Filmmaker appeared first on KPFA.

Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” beginning March 8th and continuing through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Todd Haynes will be introducing some of his films (sold out). Special thanks to AJ Fox and the staff at Pacific Film Archive. The post Todd Haynes, Award-Winning Independent Filmmaker. appeared first on KPFA.

Stephanie H. Shih in the studio, Brooklyn, NY, 2025. Photo: Robert Bredvad Stephanie H. Shih (b. 1986, Philadelphia, PA) renders outdated consumer goods as trompe l'oeil sculptures that reveal the tensions within American domestic life. Turning everyday items—a Thighmaster, a self-help book, many pantries' worth of condiments—into intricately painted ceramic objects transforms each into a permanent artifact. Seen together, the works play with notions of timelessness and obsolescence, nostalgia and disillusionment. Shih has exhibited work at James Cohan, New York, NY; Jeffrey Deitch, Los Angeles, CA; Berggruen Gallery, San Francisco, CA; Alexander Berggruen, New York, NY; Cantor Arts Center, Stanford, CA; Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; Santa Barbara Museum of Art, Santa Barbara, CA; Bradbury Art Museum, Jonesboro, AR; and the American Museum of Ceramic Arts, Pomona, CA. The artist has also been the recipient of numerous awards and residencies including the NYSCA/NYFA Artist Fellowship, New York, NY; residency at The Corporation of Yaddo, Saratoga Springs, NY as well as many others. Community work is central to Shih's practice, and since 2017, she has used her art and platform to raise over half a million dollars in direct aid for victims of state violence. Want to help? Click here. She is currently based in Brooklyn, New York. Works from Stephanie H. Shih's solo show Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, New York. All works: 2023-2024, ceramic. Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad Stephanie H. Shih Filet-O-Fish, 2023 ceramic 5 1/2 x 5 x 5 1/2 in. (14 x 12.7 x 14 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad.  Included in Stephanie H. Shih: Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, NY. Stephanie H. Shih Zen and the Art of Motorcycle Maintenance, 2024 ceramic 7 x 4 1/2 x 1 1/2 in. (17.8 x 11.4 x 3.8 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad.  Included in Stephanie H. Shih: Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, NY.

Brandon Jorgensen is a native Californian with a design practice based in Napa California. A third-generation Californian, born and raised in the bay area, his family came here in the 30's migrating from Denmark to work on the Bay Bridge and Golden Gate Bridge. Having served in the US Army's 10th Mountain Division he went on to study architecture and received his Bachelor and master's in architecture from the University of California, Berkeley.He has worked with Toyo Ito on the Berkeley Art Museum, Studied with Tadao Ando, and spent several years honing his skills as a young man at Skidmore, Owings, and Merrill. He started his own studio in 2011 where he and his small team are currently working on projects in Greece, Hawaii, Los Angeles, and all throughout wine country with a focus on residential and hospitality. Hosted on Acast. See acast.com/privacy for more information.

In Berkeley Talks episode 216, celebrated poet and novelist Ocean Vuong joins in conversation with UC Berkeley English Professor Cathy Park Hong, a poet and writer whose creative nonfiction book, Minor Feelings: An Asian American Reckoning, was a 2021 Pulitzer Prize finalist. Together, they discuss the importance of genre fluidity and artistic experimentation, the role of disobedience in their writing and how language can be both a tool of oppression and liberation.“I personally feel a lot of affinity with you as a writer for many reasons,” began Hong, in front of a packed auditorium at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in April 2024. “But I think one of the key shared experiences is how the English language, once a site of estrangement and inadequacy for you, became this playground for bounty and experimentation. And part of that bounty and experimentation is how you refuse to limit genre by the way you swing from poetry to prose without feeling tethered by either.”“I think for me, genre was always as fluid as gender, even punctuation,” replied Vuong, author of two poetry collections — Night Sky With Exit Wounds and Time Is a Mother — and On Earth We're Briefly Gorgeous, a widely acclaimed novel. “The rigor of punctuation, I think, is arbitrary. They're still up for grabs. And then the dialect of standard English, how legitimate is it? The linguists would tell us it's no more efficient or better or capacious than AAVE or other regional dialects. However, standard English is attached to the court system. It's a dialect that is also attached to an army and a navy, and so within that comes great, immense power.“I'm interested in genre as tendency rather than an ontological position to be. And I think there are tendencies that could be utilized and then left aside or even departed. What is a tendency in us stylistically that is then abandoned? I'm interested in abandon not as a way to cast away or to denounce, but as a restlessness. Like, I will use this mode until I'm done with it. I'll find something else and then return to it later. There's a kind of cyclical relationship. I think maybe if I'm trying to put order to it, I'll say there's a kind of inherent queerness in it — that, for me, my queerness demanded an alternative route, always.” Vuong was UC Berkeley's 2023-24 Avenali Chair in the Humanities, established in 1987 to bring distinguished figures in the arts and humanities to Berkeley for lectures, panel discussions, and meetings with students and faculty. Vuong is the recipient of numerous awards for his work, including the MacArthur Foundation's “Genius” Grant in 2019, the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award and the Forward Prize for Best First Collection.Read more about Vuong and Hong on the Townsend Center for the Humanities website.Listen to the episode and read the transcript on UC Berkeley News (news.berkeley.edu/podcasts).Music by Blue Dot Sessions.Photo by Tom Hines/courtesy of Ocean Vuong. Hosted on Acast. See acast.com/privacy for more information.

Join Host Ronnie Lipschutz for a conversation with Dr. Sunaura Taylor, Assistant Professor in the Department of Environmental Science, Policy, and Management at the University of California, Berkeley.  Taylor is also an artist, writer, activist and mother, who has just published Disable Ecologies—Lessons from a Wounded Desert.  Her first book, Beasts of Burden: Animal and Disability Liberation, which received the 2018 American Book Award. Along with academic journals, Taylor has written for a range of popular media outlets. Her artworks have been exhibited at venues such as the CUE Art Foundation and the Smithsonian Institution and is part of the Berkeley Art Museum collection. Among other awards, she has received a Joan Mitchell Foundation MFA Grant, two Wynn Newhouse Awards, and an Animals and Culture Grant.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with BAMPFA Chief Curator Margot Norton. In this Episode, Margot discusses her background, including her move from New York to Berkeley and her previous roles at the Whitney Museum and the New Museum. She describes an upcoming exhibition titled 'To Exalt the Ephemeral,' which focuses on impermanent art. She shares the transformative potential of museums, her inspiration from artists like Pepón Osorio and Eva Hesse, and her experience working with UC Berkeley students. The exhibition highlights experimental materials, memory, photography, and ends with a video installation by Joan Jonas. Then of course, "Three Questions" with Margot sharing her curatorial career and inspirations.About Curator Margot Norton:Margot Norton is the Chief Curator at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). She is formerly the Allen and Lola Goldring Senior Curator at the New Museum, New York. She organized the 2021 New Museum Triennial Soft Water Hard Stone, co-curated with Jamillah James. Norton joined the New Museum in 2011 and has worked on a number of exhibitions, curating and cocurating presentations by Carmen Argote, Diedrick Brackens, Sarah Lucas, Lynn Hershman Leeson, Pipilotti Rist, Mika Rottenberg, Bárbara Wagner and Benjamin de Burca, and Kaari Upson, among others. In 2017, she curated the Eighth Sequences Real Time Art Festival in Reykjavik, Iceland, and the Georgian Pavillion at the 2019 Venice Biennale with artist Anna K.E.. Before she joined the New Museum in 2011, Norton worked as a curatorial assistant at the Whitney Museum, New York. She has contributed to and edited numerous publications and exhibition catalogues, and regularly lectures on contemporary art and curating. She holds an MA in Curatorial Studies from Columbia University, New York.Find more from Margot HERE.   Follow Margot on Instagram:  @MargotNortonTo learn more about BAMPFA's Exhibit, "To Exalt the Ephemeral" CLICK HERE. --About Podcast Host Emily Wilson:Emily is a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Stephen Gong has been the Executive Director of the Center for Asian American Media (CAAM) since 2006. He joined CAAM in 1980 and has held positions at the Berkeley Art Museum and Pacific Film Archive, the National Endowment for the Arts, and the American Film Institute. Stephen has also lectured in Asian American Studies at UC Berkeley, where he developed a course on the history of Asian American media. In this episode, Stephen shared insights about his journey as Executive Director of the Center for Asian American Media (CAM). He highlighted CAM's mission to present diverse and authentic Asian American stories, the importance of representation in media, and the challenges of evolving media landscapes. Gong also discussed the significance of CAMFest, their flagship film festival, and its impact on fostering community and showcasing Asian American talent. Additionally, he touched on educational initiatives, youth programs, and the importance of projects like the 1920s Chinatown Insider in preserving cultural history and resilience.

Episode No. 662 features artists Sarah Sze and Zoë Charlton. The Nasher Sculpture Center in Dallas is showing "Sarah Sze," a presentation of new works that explore how memory marks time and space, and how art negotiates image and object. The exxhibition is on view through August 18. Sze represented the United States at the 2013 Venice Biennale. Other -ennials at which her work has been featured include the Whitney (2000), Carnegie (1999), Berlin (1998), Guangzhou (2015), Liverpool (2008), and Lyon (2009). She has made public artworks for sites such as LaGuardia Airport in New York, and Storm King Art Center. Charlton is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. The exhibition presents impressions of the Great Migration as considered by a dozen contemporary artists. The exhibition, which was co-curated by Ryan N. Dennis and Jessica Bell Brown, was organized for Berkeley by Anthony Graham with Matthew Villar Miranda. It's on view through September 22. Charlton's work often addresses culturally loaded landscapes and histories. It has been included in exhibitions at museums such as the Studio Museum in Harlem and Crystal Bridges Museum of American Art, Bentonville, Ark. Her work is in the collection of museums such as The Phillips Collection, Washington, DC, the Birmingham (Ala.) Museum of Art, and the Baltimore Museum of Art. Instagram: Zoe Charlton, Tyler Green.

Ep.206 David Huffman (b. 1963, Berkeley, CA) has work in the collections of SFMOMA, San Francisco; LACMA, Los Angeles; Berkeley Art Museum, CA; Studio Museum, Harlem; Minneapolis Institute of Art, MN; Oakland Museum of California; Crocker Art Museum, Sacramento, CA; San José Museum of Art, CA; Palo Alto Art Center, CA; Eileen Norton Collection, Los Angeles; Birmingham Museum of Art, AL; Frederick R. Weisman Art Museum, Minneapolis, MN, Arkansas Art Center; ASU Art Museum, Tempe, AZ; Lodeveans Collection, London; and the Embassy of the United States of America, Dakar, Senegal, among others. Huffman enjoyed a recent solo exhibition at the Museum of the African Diaspora, San Francisco and has been included in recent group exhibitions at the de Young Museum, San Francisco; Everson Museum of Art, NY; Weatherspoon Museum of Art, NC; and The Write Museum, MI. He is the recipient of numerous awards and residencies including the Eureka Fellowship, ARTADIA San Francisco, Palo Alto Public Arts Commission, and the Barclay Simpson Award. He studied at the New York Studio School and received his MFA at California College of the Arts & Crafts, San Francisco. Huffman lives and works in Oakland, CA; he is currently on the board at SFMOMA. Huffman is represented by Jessica Silverman, San Francisco and Casey Kaplan, New York. Photo credit: Francis Baker Artist http://david-huffman.com/ Casey Kaplan https://caseykaplangallery.com/artists/david-huffman/ | https://caseykaplangallery.com/?exhibitions=david-huffman Jessica Silverman https://jessicasilvermangallery.com/online-shows/david-huffman-odyssey/ SFMOMA https://www.sfmoma.org/artist/David_Huffman/ BAMPFA https://bampfa.org/event/artists-curatorial-gallery-talks-david-huffman MOAD SF https://www.moadsf.org/exhibitions/david-huffman-terra-incognita KQED https://www.kqed.org/arts/13911456/at-moad-david-huffmans-terra-incognita-explores-black-trauma-among-the-stars Studio Museum in Harlem https://www.studiomuseum.org/artists/david-huffman PAFA https://www.pafa.org/museum/collection-artist/david-huffman Hyperallergic https://hyperallergic.com/678893/david-huffman-afro-hippie-berkeley-art-center/ Berkeley Side https://www.berkeleyside.org/2021/08/13/david-huffman-berkeley-art-center U.S. Dept of State https://art.state.gov/personnel/david_huffman/ California College of the Arts https://www.cca.edu/newsroom/faculty-spotlight-david-huffman-paintingdrawing-fine-arts/ Open-Editions https://open-editions.com/collections/david-huffman Miles McEnery https://www.milesmcenery.com/exhibitions/david-huffman Templon https://www.templon.com/exhibitions/cosmography/ Artforum https://www.artforum.com/events/david-huffman-3-250228/ ARTnews https://www.artnews.com/art-in-america/aia-reviews/david-huffman-protest-paintings-casey-kaplan-1234707187/ Daily Art Fair https://dailyartfair.com/exhibition/18000/david-huffman-casey-kaplan

With the weather warming up, now is the perfect time for a deep dive into Lake Merritt (not literally!). First, this episode explores the wild side of this body of water (which is technically a tidal estuary) with Constance Taylor, a naturalist with California Center for Natural History. Next, I interview C.J. Hirschfield, former director of Children's Fairyland, about the enchanting amusement park that's been entertaining families on the shores of Lake Merritt since 1950. Listen now to hear about the origin of the lake's geodesic dome, the real story behind Walt Disney's “inspiration,” and much more. Don't forget to check out the trailer for the upcoming documentary Reflections on Lake Merritt: https://www.gofundme.com/f/CreativeDiasporas Follow East Bay Yesterday on Substack to receive news about upcoming events, tours, and other local history news: https://substack.com/@eastbayyesterday Special thanks to the sponsors of this episode: UCSF Benioff Children's Hospitals Oakland and the Berkeley Art Museum and Pacific Film Archive. To get tickets to Children's Hospital Oakland's upcoming event at the historic Fox Theater, visit: https://www.notesandwords.org/ To learn more about BAMPFA's summer program, which features the films of Les Blank and much more, visit: https://bampfa.org/film

There's a small stretch of Oakland's shoreline unlike any place else. Nestled between the restaurants of Jack London Square and the modern apartment blocks of Brooklyn Basin sits 5th Avenue Marina. This collection of rusty warehouses, eclectic studios, and surreal art installations recalls a bygone era, when crafty Bohemians dwelled amongst decaying shipyards. Schultz, a man who bought a chunk of this area in 1979, calls it “the neighborhood time forgot.” Although developers have attempted numerous times to dislodge the scrappy community at 5th Avenue Marina, these efforts have been stubbornly blocked, most notably in 2017 when residents formed a nonprofit called SHADE (Shadetree Historical Artisan Development Engine) and purchased the property formerly owned by Schultz. This episode traces the long history of the 5th Avenue Marina, from its days as a World War I shipbuilding facility up through its transformation into an unusual compound sometimes referred to as “Oakland's Riviera.” Our tour guide for this voyage is the legendary Schultz, who is still a feisty storyteller at 88 years old and, like Rihanna or Cher, prefers to go by a mononym. To see images related to this story, visit: https://eastbayyesterday.com/episodes/the-neighborhood-time-forgot/ Follow East Bay Yesterday's Substack for news & upcoming events: https://substack.com/@eastbayyesterday Special thanks to the sponsors of this episode: UCSF Benioff Children's Hospitals Oakland and the Berkeley Art Museum and Pacific Film Archive. To learn more about UCSF Benioff Oakland's new program BLOOM: the Black Baby Equity Clinic, visit: https://www.ucsf.edu/news/2023/07/425846/new-black-baby-equity-clinic-helps-infants-and-moms-flourish To learn more about BAMPFA's upcoming exhibit, “A Movement in Every Direction: Legacies of the Great Migration,” visit: https://bampfa.org/program/movement-every-direction-legacies-great-migration East Bay Yesterday can't survive without your donations. Please make a pledge to keep this show alive: https://www.patreon.com/eastbayyesterday

Roy Dowell (b. 1951 in Bronxville, NY) received his Master of Fine Arts and his Bachelor of Arts from the California Institute of the Arts, Valencia, CA and studied at the California College of Arts and Crafts, Oakland, CA.  Roy has been the subject of recent solo exhibitions at The Landing, Los Angeles, CA; Miles McEnery Gallery, New York, NY; Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA; as-is.la, Los Angeles, CA; 1969 Gallery, New York, NY; Tif Sigfrids Gallery, Los Angeles, CA; Proxy Paris @Galerie Ygrec, Paris, France; and James Harris Gallery, Seattle, WA.  His work has been included in institutional group exhibitions at the American Academy of Arts and Letters, New York, NY; Aspen Art Museum, Aspen, CO; Centro Cultural del México Contemporáneo, Mexico City, Mexico; Corcoran Gallery of Art, Washington, D.C.; Hammer Museum, Los Angeles, CA; Los Angeles County Museum of Art, Los Angeles, CA; Musée d'art moderne et d'art contemporain, Nice, France; Museum of Contemporary Art, Los Angeles, CA, and elsewhere.  Roy's work may be found in the collections of the Berkeley Art Museum the Hammer Museum, Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, CA; the Museum of Contemporary Art, San Diego, CA; and the San Francisco Museum of Modern Art among others.  He lives and works in Los Angeles, CA and Mexico City, Mexico.

Susan Oxtoby. Photo: BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the current retrospective of the films of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the new documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max.     The post Susan Oxtoby, The Films of Agnes Varda, 2024 appeared first on KPFA.

​Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    The Films of Agnes Varda Susan Oxtoby and Agnes Varda in Berkeley, November 2013. Photo: Mariana Lopez courtesy BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the current retrospective of the films of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the new documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max.   ​​​​​Burton Lane, Broadway and Hollywood composer and sometime lyricist, in conversation with Richard Wolinsky, April 1992 in New York, second of two parts. Burton Lane, who died at the age of 84 in 1997, was best known for composing the scores for the hit Broadway shows Finian's Rainbow (with E.Y. (Yip) Harburg) and On A Clear Day You Can See Forever (with Alan J. Lerner). As a teenager, he was considered a protégé of George Gershwin, and was close to the Gershwin family until he moved to Los Angeles to compose songs for a variety of different musicals, including the Fred Astaire film, Royal Wedding . His other Broadway show, Carmelina, was produced in 1979. The Gershwin Project Interview I: English Strunsky, Ira Gershwin's brother-in-law and George's wingman in the 1920s. Interview II: Musicologist Deena Rosenberg and Michael Strunsky, Ira Gershwin's nephew. Interview III: Kitty Carlisle. Interview IV: Michael Feinstein. Interview V: Burton Lane   Review of “The 39 Steps” at San Francisco Playhouse through April 20, 2024.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  The Last Days of Judas Iscariot by Steven Adly Guirgis, May 4, 7 pm, Marin Shakespeare Company, San Rafael. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  Kristina Wong Sweatshop Overlord, March 30 – May 5, 2024, Strand Theater. A Strange Loop, April 18 – May 12, Toni Rembe Theater. Aurora Theatre  Blue Door by Tanya Barfield, April 19 – May 19. Streaming:  March 14-19. Awesome Theatre Company. Awesome High: A Sketch Comedy Play, directed by Nikki Menez,  April 12-27, Eclectic Box, 446 Valencia, SF. Berkeley Rep The Far Country by Lloyd Suh, March 8 – April 14, Peets Theatre. Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, May 5 – June 10, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming schedule. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Haispray, April 16-21, Orpheum. See website for special events at the Orpheum, Curran and Golden Gate. Broadway San Jose:  Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). Terrapin Roadshow, June 1-2; As You Like it, September 12 – 29. Center Rep: The Great Leap by Lauren Yee. March 16 – April 7. Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works  Boss McGreedy, written and directed by Gary Graves, extended to April 7. Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. Shipwrecked! April 12 – 28. Club Fugazi. Dear San Francisco ongoing. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: See website for upcoming one-night only live events, including the Unscripted series with various celebrities. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming productions. 42nd Street Moon. Forever Plaid, April 18 – May 5, 2024. Golden Thread  VOD: What Do Women Say? March 12 – 29. Returning to Haifa by Ghassan Kanafani, April 12 – May 4, Potrero Stage. Hillbarn Theatre: once,  March 21 – April 7. Something Rotten, April 25 – May 12. Lorraine Hansberry Theatre. (NO MORE) adjustments: A Black Queer Woman Evolves in Real Time, written and performed by Champagne Hughes, May 1-5, 2024. Fort Mason. Magic Theatre. Riding the Currents of the Wilding Wind by Martha Gonzalez and Virginia Grise, April 18-21. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Torch Song by Harvey Fierstein, May 9 – June 2, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Unpacking in P'Town by Jewelle Gomez, March 1 – 31. The Tutor by Torange Yeghiazarian, April 5 – May 12. Oakland Theater Project.  Cost of Living by Martyna Majek, March 1-30, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. In Repertory: The Chinese Lady by Lloyd Suh; Love Letters by A.R. Gurney. April 19 – May 20. Presidio Theatre. SFArtsED Players' The Little Mermaid April 5-7. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The 39 Steps, March 7 – April 20. SFBATCO See website for upcoming streaming and in- theater shows. Sign My Name to Freedom: The Unheard Songs of Betty Reid Soskin, March 29 – April 13. San Jose Stage Company: Hangmen by Martin McDonagh. Regional premiere. April 3 – 28. Shotgun Players.  A Midsummer Night's Dream by William Shakespeare. March 15 – April 14. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Pride of Lions, by Roger Q. Mason, March 28 – April 21. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Queen by Madhuri Shekar, March 8 -31, Lucie Stern Theatre. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – March 28, 2024: The Films of Agnes Varda – Burton Lane Part Two appeared first on KPFA.

It would be easy to overlook the significance of Indian Rock and Mortar Rock, two relatively modest outcroppings located in the Berkeley Hills. Unlike the towering cliffs of Yosemite, which dominate the landscape, these boulders are partially obscured by the homes and trees that surround them. But for nearly a century, some of America's most influential climbers have used these rocks as a training ground to test new techniques and technologies. The guidebook “Golden State Bouldering” calls these rocks “the heart and soul of Bay Area climbing.” In a recent Berkeleyside article titled “How Berkeley's famous boulders took rock climbing to new heights,” reporter Ally Markovich explored the history of these influential outcroppings and the loyal community of climbers who have spent decades scrambling around on them. Her article uses these Berkeley boulders as a lens for tracing the emergence of modern climbing, the rise of “dirtbag” culture, the relationship between outdoor climbing and the current proliferation of indoor gyms, and sport's growing diversity. To hear our conversation about all these topics and more, listen to the new episode. https://eastbayyesterday.com/episodes/climbing-was-all-i-had/ East Bay Yesterday can't survive without your donations. Please make a pledge to keep this show alive: www.patreon.com/eastbayyesterday. Subscribe to my newsletter at: https://substack.com/@eastbayyesterday Special thanks to the sponsors of this episode: UCSF Benioff Children's Hospitals Oakland and the Berkeley Art Museum and Pacific Film Archive. To learn more about UCSF Benioff Oakland's new program BLOOM: the Black Baby Equity Clinic, visit: https://www.ucsf.edu/news/2023/07/425846/new-black-baby-equity-clinic-helps-infants-and-moms-flourish To learn more about BAMPFA's current exhibit “What Has Been and What Could Be,” visit: https://bampfa.org/program/what-has-been-and-what-could-be-bampfa-collection

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Andrew Wilson, a multimedia artist and UC Berkley alumnus.About Artist Andrew Wilson:Wilson received his BFA from Ohio Wesleyan University in 2013 with a concentration in Jewelry/Metals and his MFA from the University of California, Berkeley in 2017. Wilson's work has been in many galleries and institutions including: The Berkeley Art Museum, Yerba Buena Center for the Arts, SOMArts, and the Museum of the African Diaspora. He has received such awards and honors as: the Jack K. and Gertrude Murphy Award, an Emergency Grant from the Foundation of Contemporary Arts, the Carr Center Independent ScholarsFellowship, the McColl Center and more.He has also worked with Carrie Mae Weems on The Spirit that Resides in Havana, Cuba alongside the Havana Biennial and The Future is Now Parade for the opening of The REACH in Washington D.C.His work has been collected by Michigan State University and the University of New Mexico.Visit Andrew's Website: AIWArt.comFollow Andrew on Instagram: @drewberzzzFor more on Andrew's exhibit, Torn Asunder at Jonathan Carver Moore, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In this episode, we've invited Elena Yu to share her experience with Kenneth Tam's The Founding of the World, which she experienced in summer 2023 at the Berkeley Art Museum and Pacific Film Archive. Elena is an interdisciplinary artist and community organizer from Los Angeles, where she received her BA in Art from UCLA. She moved to the Morongo Basin in 2016, where she founded two artist-run alternative art spaces, The Firehouse and Sun Spot. She also worked as Assistant Director of Programming for High Desert Test Sites and as Program Director for Arts Connection, the Arts Council of San Bernardino County. She recently relocated to Charlottesville, VA where she is an Incubator Artist at McGuffey Art Center. Elena co-curated our exhibition ‘Emergence,' featuring the Mojave Artists of Color Collective, with support from the California Arts Council. On view at Compound YV from September 9 through November 5, 2023, It was the first-ever public exhibition of works by MACC artists as a collective, aiming both to stabilize and uplift the group.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with East Bay Artist David Huffman, a painter, installation artist and educator. About Artist David Huffman:David Huffman studied at the New York Studio School, New York, NY and the California College of the Arts and Crafts in Oakland, CA. He received his MFA at the California College of the Arts in San Francisco in 1999. Huffman has had solo shows at venues including, Miles McEnery Gallery, New York, NY (2019); Jessica Silverman Gallery, San Francisco, CA (2018); Worlds in Collision, Roberts and Tilton Gallery, Culver City, CA (2016). Recent group exhibitions include To the Hoop, Basketball and Contemporary Art, Weatherspoon Museum of Art, NC (upcoming); Ordinary Objects / Wild Things, de Young Museum, San Francisco, CA (2019); and Sidelined, Curated by Samuel Levi Jones, Galerie Lelong & Co, New York, NY (2018).‍In 2019, Huffman completed permanent commissions in Oakland and San Francisco at the Chase Center in collaboration with SFMOMA.‍His work may be found in the permanent collections of Arizona State University Art Museum, Arizona State University, Tempe Campus, Tempe, AZ; Berkeley Art Museum and Pacific Film Archive, University of; California, Berkeley, Berkeley, CA; Birmingham Museum of Art, Birmingham, AL; San Francisco Museum of Modern Art, San Francisco, CA; The Studio Museum in Harlem, New York, NY, among others.‍Visit David's Website: David-Huffman.comFollow David on Instagram: @DavidHuffmanStudioSee David's work through the Jessica Silverman Gallery--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop performance experiments. Ethan Philbrick is interviewed by Nicki Miller (SLC'24)and Frank Barret (SLC'25)and produced by Julia Duffy (SLC'23) Ethan Philbrick is a cellist, artist, and writer. His book, Group Works: Art, Politics, and Collective Ambivalence, was recently published by Fordham University Press (April 2023). Recent projects include Slow Dances (with Anh Vo, Tess Dworman, Niall Jones, Tara Aisha Willis, nibia pastrana santiago, and Moriah Evans) at The Kitchen Video Viewing Room (2020) and Montez Press Radio (2022), DAYS (with Ned Riseley), Mutual Aid Among Animals at the Park Avenue Armory (2022), Song in an Expanding Field at The Poetry Project (2022), Case at Rashid Johnson and Creative Time's Red Stage (2021), The Gay Divorcees (with Robbie Acklen, Lauren Bakst, Lauren Denitzio, Paul Legault, Joshua Thomas Lieberman, Ita Segev, and Julia Steinmetz) (2021), March is for Marches (with Morgan Bassichis) at Triple Canopy (2019), Disordo Virtutum at Museum of Art and Design (2020), 10 Meditations in an Emergency at The Poetry Project and Berkeley Art Museum and Pacific Film Archive (2019/2020), Choral Marx at NYU Skirball (2018), and Suite for Solo For Cello and Audience at Grey Art Gallery (2016). He holds a PhD in performance studies from New York University and has taught at Pratt Institute, Muhlenberg College, and New York University.

In Berkeley Talks episode 181, renowned artist and human rights activist Ai WeiWei discusses art, exile and politics in a conversation with noted theater director and UCLA professor Peter Sellars and Orville Schell, director of the Center on U.S.-China Relations at the Asia Society and former dean of Berkeley's Graduate School of Journalism.Ai, who grew up in northwest China under harsh conditions because of his poet father's exile, is openly critical of the Chinese government's stance on democracy and human rights. He is well-known for his provocative works, including his 2014-15 installation on San Francisco Bay's Alcatraz Island, @Large, that the LA Times called, "an always-poignant, often-powerful meditation on soul-deadening repressions of human thought and feeling.""Normally, people call me an artist or activist, and I am often forced into one condition," he says. "It's not that I intentionally try to create something or to crystallize something, but rather I've been put in extreme conditions, and I have to focus on dealing with those situations. Normally, I don't accept the easy answer. "So I think I have to find a language to illustrate my expression, and it comes out in certain ideas or materials. We can call it art. I don't think my art really looks like art, but still, it's hard to categorize it. I'm a bit ashamed about it because everything in real life, it has a purpose. It has clear problems and solutions. But the art is not really about that. It rather creates problems after problems. So yeah, that's what I do."This Sept. 24 event was co-presented by Cal Performances, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the Townsend Center for the Humanities.Read about 10 of Ai WeiWei's adventurous works on Cal Performances' blog Beyond the Stage.Listen to the episode and read the transcript on Berkeley News (news.berkeley.edu)Music by Blue Dot Sessions.Photo courtesy of Ai WeiWei. Hosted on Acast. See acast.com/privacy for more information.

Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. She creates conceptually layered and carefully crafted artworks that explore the sublime complexity of the biological world while unraveling entanglements of natural and built systems. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory experiences. Recent exhibitions have included immersive installations, networked devices, and tactile sculptures. Splan often engages audiences with themes in her work through companion programming, including participatory workshops covering laboratory techniques, specialized software, and textiles methods that she uses in her own studio practice. Her artworks exploring biomedical imaginaries have been commissioned by the Centers for Disease Control Foundation and the Bruges Triennial. Her work has been exhibited at the Museum of Arts & Design, Pioneer Works, and New York Hall of Science and is represented in the collections of the Thoma Art Foundation, the Chan Zuckerberg Initiative, NYU's Langone Art Collection, and the Berkeley Art Museum. Reviews and articles including her work have appeared in The New York Times, Wired, Discover, designboom, American Craft, and Frieze. Splan's research and residencies have been supported by the Jerome Foundation, Institute for Electronic Arts, Harvestworks, the Knight Foundation, and the Pollock-Krasner Foundation. In this episode, Laura and I discuss where art and science meet, Sticky settings in software and DNA, the relationship between learning and teaching, the presence of sound, early memories of where her art practice began and where it stands now. --- Support this podcast: https://podcasters.spotify.com/pod/show/ongoingness/support

Robert Del Bonta will share how Shiva's Many Dances and the celebrated ‘Nataraja' pose is a culmination of how the ultimate depiction of Shiva's essence evolves over time in a dynamic conception among the Hindu trinity of gods (the Trimürti). Del Bonta creates an engaging aspect of one of the Hindu trinity gods, reflecting on how the iconic image of Shiva Nataraja the "Lord of Dance" illustrates a creative and destructive power over eons of time. Shiva's nature as both male and female is also a constant theme. Shiva manifests many other forms suggestive of power and mythological stories of dance or in prayers. It's but a tiny introduction to a major dance visualization heritage. Teacher and curator Dr. Robert Del Bonta's work has been presented in exhibition venues such as San Francisco's Asian Art Museum, Berkeley Art Museum, University of Michigan Museum of Art, Mills College, Notre Dame de Namur University, Art Passages in San Francisco and New York City, Portland Museum of Art and the New Orleans Museum of Art. He has lectured widely at museums and institutions in the United States, and published numerous articles and exhibition catalogue contributions on South Asian art with thematic focus largely on Indian art of the Jainas. MLF ORGANIZER Anne W. Smith and George Hammond Learn more about your ad choices. Visit megaphone.fm/adchoices

Show Notes:0:48 - Baton Rouge, Louisiana1:11 - Ohio State3:10 - Gee's Bend quiltmakers3:11 - Faith Ringgold3:49 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer4:11 - ProQuest4:51 and 5:06 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer5:36 - Simone Elizabeth Saunders5:38 - Tufting5:39 - Felecia Davis5:47 - Jasmine Best5:52 - Lisa Woolfork5:54 - Black Women Stitch5:53. 6:30, 6:34 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer7:05 - Google Forms7.33 and 7:51 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer7:44 - Laura Moseley7:45 - Common Threads Press9:48 and 11:06 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer11:10 - Common Threads Press11:27 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer at Philadelphia Print Works11:31 - Art Data London11:52 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer12:18 - Diasporic Threads: Black Women, Fibre & Textiles by Dr Sharbreon Plummer12:31 - Dr. Carolyn Mazloomi12:36 - Women of Color Quilters Network12:49 - A Communion of the Spirits: African-American Quilters, Preservers, and Their Stories by Roland Freeman12:53 - Roland Freeman13:13 - Tatter Textile Blue Library14:15 - Berkeley Art Museum and Pacific Film Archive14:29 - Eli Leon17:42 - Berkeley Art Museum and Pacific Film Archive18:05 and 18:26 - Quilt Folk Magazine19:04 - Brianna Briggs19:15 - Quilt Folk Magazine20:35 - Quilt Folk Magazine, Rhode Island21:12 - Mississippi24:57 - African American Quilt Circle of San Antonio26:24 - Quilt Folk Magazine26:32 - Aya26:26 - AYA Thought Studio26:41 - Adinkra symbols27:10 - Ohio State28:35 - New Orleans28:35 - Junebug Productions30:11 and 30:14 - Mamas Who Dream30:17 and 30:52 - Maureen Nichol 30:59 - Rachel Wallis31:03 and 31:31 - Stitch x Stitch 31:44 and 32:02 - Dr Jess Bailey of Public Library Quilts32:04 - Common Threads Press32:07 - Many Hands to Make a Quilt by Dr Jess Bailey32:12 - @PublicLibraryQuilts33:01 - Beyonce33:06 - Renaissance 33:16 - Beyonce33:29 - Cheetos Puff34:35 - Postage stamp quilt blocks34:47 - Backstrap weaving34:47 - Oaxaca35:06 - Backstrap weaving looms35:25 - Central America35:55 - Nick Cave soundsuits36:21 - Carolyn Crump 36:32 - Quilt Folk Magazine36:38 - Quilt Folk Magazine, Louisiana issue 36:47 - Quilt Folk Magazine, North Carolina issue37:02 - Cuesta Benberry37:12 - Dr. Carolyn Mazloomi37:28 - Oprah38:59 - Metalsmithing39:23 - Public Library Quilts39:33 - Acres of Ancestry (@acresofancestry)40:07 and 40:19 - Harlem Needle Arts (@iamharlemneedlearts)40:34 - Sew Creative Lounge (@sewcreativelounge)Follow Sharbreon:Instagram - @Sharbreonhttps://sharbreonplummer.com/Follow Us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the-weekendquilter.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko

Masako Miki (b. 1973, Osaka, Japan) is a multimedia artist whose work ranges installation and large-scale sculpture, printmaking, watercolor and felting. A native of Japan, she now lives and works in Berkeley, CA. Her work frequently explores the idea of synthesis—manipulating contradicting spatial elements to suggest a disoriented context and space. The artist bases her narrative on her own experiences of becoming bicultural in the United States at the age of eighteen. Strongly influenced by craft and folk art of different cultures, she remains close to her ancestral traditions, frequently considering motifs and ideologies that arise from her association with Buddhism, Shintoism, and traditional Japanese folklore. The artist's practice is further rooted in the belief that art can foster social contexts in which contemporary and universally relevant mythologies and social narratives can be generated—replacing or fixing harmful misconceptions and mythologies of the past that have previously sparked social injustices. In 2020, Miki's functional furniture was commissioned to be a part of San Francisco's forthcoming, landmark Minna-Natoma Art Corridor. In 2021, her large-scale sculptures were commissioned as a permanent installation at the Uber Technologies Headquarters in Mission Bay, San Francisco. She has been included in solo and group exhibitions at the Kentucky Museum of Art and Craft, KY (2023); Nassima Landau Art Foundation, Israel (2023); ICA San Jose, CA (2022); Katonah Museum of Art, NY (2022); Marin Museum of Contemporary Art, CA (2022); Berkeley Art Museum and Pacific Film Archive, CA (2019); and de Young Museum, CA (2016), among others. Her work is included in the collections of the Berkeley Art Museum and Pacific Film Archive, CA; Byrd Hoffman Water Mill Foundation, NY; Collección SOLO, Spain; and San Francisco Museum of Modern Art, CA. She received her MFA from San Jose State University. Masako Miki, Empathy Lab, Installated at Ryan Lee Gallery, May 18 – June 30, 2023 Masako Miki, Empathy Lab, Installated at Ryan Lee Gallery, May 18 – June 30, 2023 Hyakki Yagho, Night Parade of One Hundred Demons - Following Plaster Wall Shapeshifter and a Cat Who Lived a Million Years

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

Mark Rothko (1903-1970) was at the forefront of a generation of American artists who revolutionized the scene, right down to the way we understand the very essence of the artistic process. Even as he rejected both the label of Abstract Expressionism and even the idea that his paintings were technical masterpieces, he is nonetheless a “key protagonist” of the Abstract Expressionist movement and a fierce advocate for the artist's freedom of expression. Today's Image: Mark Rothko, ‘Untitled (Red over Dark Blue on Dark Gray)' (1961). Oil on canvas. Berkeley Art Museum, University of California. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Patreon: https://www.patreon.com/matta_of_fact Instagram: @artofhistorypodcast TikTok: @artofhistorypod // @matta_of_fact Learn more about your ad choices. Visit megaphone.fm/adchoices

Gericault De La Rose is a queer trans Filipinx woman, and refuses to change for anyone."Being that queer trans person completely owning herself I hope gives other people permission to be themselves, too," she says. A master's student in UC Berkeley's Department of Art Practice, Gericault explores in her art Philippine mythology and her experience as a trans woman. One time, she dressed up like a manananggal — a kind of monster that detaches from her lower body at night to look for unborn babies to eat — and then slept in an art gallery for six hours. "I look at the manananggal as kind of a metaphor for how society sees trans women — how this is literally a woman detached from her reproductive organs. And what are you as a woman if you can't reproduce?"When Gericault came out to her parents as trans in her early 20s, they disowned her. For her thesis project, Gericault will unravel huge tapestries with images of her parents' stomachs on them. "It's about disconnection and severance," she says. "I'm thinking about how much of myself is a part of them and how much of them are a part of me, and it's kind of this final goodbye."Gericault's final MFA piece is part of the Annual UC Berkeley Master of Fine Arts Exhibition, which opens on May 10 at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Listen to the episode, see photos and read the transcript on Berkeley News (news.berkeley.edu).UC Berkeley photo by Sofia Liashcheva. Hosted on Acast. See acast.com/privacy for more information.

Episode Notes Joan Brown (1938-1990) was an American figurative painter who was a key figure in the Bay Area Figurative Movement, which emerged in San Francisco in the 1950s and 60s. Her work is known for its powerful use of color and its exploration of identity, often focusing on the female experience. Brown was born in San Francisco and studied at the California School of Fine Arts (now the San Francisco Art Institute). She was strongly influenced by the Bay Area Figurative painters, including Richard Diebenkorn and David Park, who emphasized the importance of the human figure in their work. Brown's early paintings were characterized by a bold use of color and a focus on the human form, often depicting herself or her family members. In the 1960s, her work became more abstract, with a greater emphasis on texture and surface. In the 1970s, Brown returned to figurative painting, creating powerful images of women that challenged traditional notions of femininity. Her work often explored themes of motherhood, sexuality, and identity, and she was one of the few female artists of her time to gain widespread recognition. Brown's work has been exhibited widely in the United States and abroad, and she has been the subject of numerous retrospectives, including a major exhibition at the Berkeley Art Museum in 1990, the year of her death. Her legacy continues to influence contemporary artists today. Find out more at https://three-minute-modernist.pinecast.co

On this episode of Radio Teco Cultura we are joined by the iconic Chicana artist and educator, Amalia Mesa-Bains. Despite being a mixed-media artist for the last five decades, Amalia's first ever retrospective exhibition, titled “Archaeology of Memory,” opened at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) on Feb. 4. The show, which is a must see, will be on display until July 23, 2023.

Artist, filmmaker, and Assistant Professor for the School of Contemporary Arts, Nadia Shihab, sits down with Am Johal to explore her path as a filmmaker. Nadia begins by sharing her university days as an Iraqi student at the University of Texas, feeling a personal sense of loss from the war, and burnout from her student activism within a conservative state. She speaks of this as the inspiration for her first film, I Come from Iraq. Nadia also explores the inspirations and meanings of her other films, such as Amal's Garden and Jaddoland. She and Am also explore her urban planning background, and Nadia shares some advice for aspiring student filmmakers. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/205-nadia-shihab.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/205-nadia-shihab.html Resources: Nadia's website: https://www.nadiashihab.com/ I Come from Iraq: https://vimeo.com/59374843 Amal's Garden: https://www.nadiashihab.com/amalsgarden-archived Jaddoland: https://www.nadiashihab.com/jaddoland Echolocation: https://www.nadiashihab.com/echolocation 57 Manchester: https://www.nadiashihab.com/57manchester Bio: Nadia Shihab is an artist and filmmaker whose work explores the personal, the relational, and the diasporic. Her studio practice includes film, collage and sound. She is the director of several short films and the feature-length film JADDOLAND, which was awarded five festival jury awards, including the Independent Spirit "Truer than Fiction" Award, and went on to broadcast for two seasons on US public television. Her work has shown in exhibitions and festivals internationally, including at the Centre Pompidou, Walker Art Center, Berkeley Art Museum, Dubai International Film Festival, DOXA, CAAMFest, and New Orleans Film Festival. She is the recipient of fellowships and support from the Sundance Institute, Center for Asian American Media, Firelight Media, and Tribeca Film Institute, and has been an artist-in-residency at the MacDowell Colony and Djerassi Residency. Her creative practice is bolstered by over a decade of experience as a community practitioner. She holds an MFA in Art Practice (UC Berkeley, 2021), as well as a Master in City & Regional Planning (UC Berkeley, 2009) – a degree which grounds her art practice within critical understandings of urban space and practical training in ethnography. Her community-based work includes Fulbright research in southeastern Turkey, and facilitating projects spanning affordable housing preservation, refugee youth mentorship, and community-guided philanthropy. She was raised in west Texas by immigrant parents from Iraq & Yemen. Cite this episode: Chicago Style Johal, Am. “Film and the Political — with Nadia Shihab.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, March 14, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/205-nadia-shihab.html.

Episode No. 592 of The Modern Art Notes Podcast features artist Amalia Mesa-Bains and curator Michael Duncan. The Berkeley Art Museum and Pacific Film Archive is presenting "Amalia Mesa-Bains: Archaeology of Memory," the first retrospective of the pioneering Chicana artist. The exhibition includes nearly 60 works including fourteen of Mesa-Bains' major installations. It was curated by María Esther Fernández and Laura E. Pérez and is on view through July 23. The outstanding catalogue was published by the Berkeley Art Museum in association with University of California Press. Amazon and Indiebound offer it for about $50. Across a half-century, Mesa-Bains has foregrounded Chicana forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shrines) into contemporary art. Her work often spotlights domestic spaces and the construction of landscape in ways that highlight colonial erasure. Among the museums which have presented solo exhibitions of Mesa-Bains' work are the Whitney Museum of American Art, the Williams College Museum of Art, the Fowler Museum at UCLA, and the San Francisco Museum of Modern Art. As promised on the program: Sandy Rodriguez on Episode No. 532. On the second segment, curator Michael Duncan discusses "Another World: The Transcendental Painting Group, 1938-45," which is at the Los Angeles County Museum of Art through June 19.  The exhibition presents a group of mostly northern New Mexico-based artists, including Raymond Jonson and Agnes Pelton, who built a spiritually-informed abstraction with a painterly language that included symbols and images drawn from the collective unconscious. The show's catalogue was published by the Crocker Art Museum and DelMonico Books. Amazon and Indiebound offer it for about $60.

World-renowned South African artist William Kentridge discusses the process of making the 2019 chamber opera Waiting for the Sibyl. He also touches on why artists should stay open to new ideas, the complex relationship between humans and algorithms — "one has to make space for that which does not compute," he says — and the "unavoidable optimism" in the activity of making.During the 2022-23 academic year, Cal Performances, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the Townsend Center for the Humanities at UC Berkeley are participating in a campuswide residency with Kentridge.Cal Performances will present the U.S. premiere of SIBYL on March 17-19. SIBYL is comprised of two parts: The first part of the program, The Moment Has Gone, is a film by Kentridge with live music featuring a piano score by Kyle Shepherd and an all-male vocal chorus led by Nhlanhla Mahlangu; the second part is the chamber opera Waiting for the Sibyl. Learn more about the residency and upcoming events.Read a transcript and listen to the episode on Berkeley News.Music by Blue Dot Sessions.Photo by Marc Shoul. Hosted on Acast. See acast.com/privacy for more information.

Ep.137 features Hayv Kahraman. She was born in Baghdad, Iraq in 1981 and lives and works in Los Angeles. Recent solo exhibitions include Gut Feelings, The Mosaic Rooms, London (2022); Touch of Otherness, SCAD Museum of Art, Savannah (2022); Not Quite Human: Second Iteration, Pilar Corrias, London (2020); Shangri La Museum of Islamic Art, Culture, and Design, Honolulu, HI (2019); De La Warr Pavilion, Sussex, UK (2019); Pomona College Museum of Art, Claremont, California (2018); and Contemporary Art Museum St, Louis, St. Louis, Missouri (2017). Recent group exhibitions include Reflections: Contemporary Art of the Middle East and North Africa, British Museum, London (2021); Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum, Berkeley (2021); Henry Art Gallery, Seattle (2019); ICA Boston (2019); and MASS MoCA, North Adams, (2019). Kahraman's work is in several important international collections including the British Museum, London, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles County Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum of Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami, Miami, US. Photo ~ Courtesy the artist and Pilar Corrias, London Artist https://hayvkahraman.com/ Book https://www.rizzoliusa.com/book/9780847862627/ Pilar Corrias Gallery https://www.pilarcorrias.com/artists/hayv-kahraman/2/ Jack Shainman https://jackshainman.com/artists/hayv_kahraman Vielmetter https://vielmetter.com/artists/hayv-kahraman The Third Line https://thethirdline.com/ ICASF https://www.icasf.org/exhibitions/7-hayv-kahraman Hyperallergic https://hyperallergic.com/tag/hayv-kahraman/ Financial Times https://www.ft.com/content/ba61f731-e007-4c6c-922f-bc93dd4ad4c8 Perez Art Museum Miami https://www.pamm.org/en/artwork/2020.093/ Rubell Museum https://rubellmuseum.org/nml-hayv-kahraman Art Forum https://www.artforum.com/print/reviews/201909/hayv-kahraman-81120 SCAD https://www.scadmoa.org/exhibitions/the-touch-of-otherness NPR https://www.npr.org/2019/11/27/770452266/iraqi-american-artist-hayv-kahraman-is-building-an-army-of-fierce-women Art Review https://artreview.com/hayv-kahraman-gut-feelings-review/ The Guardian https://www.theguardian.com/artanddesign/2022/feb/21/hayv-kahraman-i-was-brainwashed-into-thinking-anything-euro-american-centric-is-the-ideal Wikipedia https://en.wikipedia.org/wiki/Hayv_Kahraman jdeed Magazine http://jdeedmagazine.com/hayv-kahraman-exhibits-gut-feelings-at-the-mosaic-rooms/ Mosiac Rooms https://mosaicrooms.org/event/hayv-kahraman/

Katherine Sherwood's work is an embodiment of her ideals as a feminist and reflect her personal experience with disability. In 1997, at the age of 44, she had a cerebral hemorrhage which paralyzed the right side of her body. Teaching herself how to paint again using her non-dominant hand was part of her healing process. Her recent Brain Flowers series of mixed media paintings on the reverse of antique art historical prints include collages of cerebral angiograms of her own brain. As part of her mission to bring attention to underrecognized women painters, Sherwood repaints vanitas paintings by 17th century Dutch and Baroque women artists, in which still lives with fading flowers suggest the brevity of life and the vanity of earthly achievements. Sherwood was born in New Orleans, Louisiana in 1952. She received a BA from the University of California, Davis, in 1975, and an MFA from the San Francisco Art Institute in 1979. She is Professor Emerita of Painting at the UC Berkeley Department of Art Practice, where she taught painting and drawing, developed two groundbreaking courses; Art, Medicine and Disability and Art and Meditation, and played an active role in the expansion of the Disability Studies program. She serveson the board of Creative Growth Art Center in Oakland, which serves artists with developmental disabilities by providing a supportive studio environment and gallery representation. Sherwood's work has been exhibited in the 2000 Whitney Museum Biennial, at Yerba Buena Center for the Arts in 2003 and 2009, and at the Smithsonian in 2010. Recent solo exhibitions include Anglim/Trimble in San Francisco, George Adams Gallery in New York, and Walter Maciel Gallery in Los Angeles. She had a retrospective exhibition at Worth Ryder Art Gallery at UC Berkeley in 2016. The relevance of her work to medicine and brain science has led to her participation in “Visionary Anatomies” at the National Academy of Science in Washington DC, “Inside Out Loud: Visualizing Women's Health in Contemporary Art” at the Kemper Museum in St. Louis, “Human Being” at the Chicago Cultural Center,and a solo exhibition “Golgi's Door” at the National Academy of Sciences in 2007. She co-curated the exhibition “Blind at the Museum” at the Berkeley Art Museum. Sherwood was the recipient of a 1989 National Endowment for the Arts Grant, 1999 Pollock Krasner Foundation Grant, 2005 Guggenheim Fellowship, 2006 Joan Mitchell Foundation Grant, and 2012 Newhouse Foundation Grant. Her work is in many major public collections including the Ford Foundation, New York; the San Francisco Museum of Modern Art, California; the National Academy of Sciences, Washington DC; and the University of Missouri, Columbia, among others. She published a chapter, “Out of the Blue: Art, Disability and Yelling,” in the book Contemporary Art and Disability Studies (Routledge Press, 2019). She is represented by George Adams Gallery in New York, Walter Maciel Gallery in Los Angeles, and Anglim/Trimble Gallery in San Francisco. She lives and works in the San Francisco Bay Area. Katherine Sherwood Pandemic Madonna (Lucas Cranach the Elder), 2022 Mixed media on found print 29 x 21 inches, © Katherine Sherwood, courtesy George Adams Gallery, New York. Photo: Dana Davis. Katherine Sherwood Venus After De Obidos, 2019-2022 Mixed media on found cotton duck 77 x 91 inches, © Katherine Sherwood, courtesy George Adams Gallery, New York. Photo: Dana Davis. Bread and Brains (After Josefa de Obidos), 2022 Mixed media on found cotton duck 25 1/2 x 60 inches, © Katherine Sherwood, courtesy George Adams Gallery, New York. Photo: Dana Davis.

Elaine Cameron-Weir, photo by Isabel Asha Penzlien    Elaine Cameron-Weir (b. 1985, Red Deer, Alberta, Canada). Elaine Cameron-Weir's contemplative objects made from carefully sourced materials allow us to consider the ways in which artifice and spectacle have been used to perpetuate systems of belief. Her major installation from the most recent Venice Biennale in 2022 invoked sites of provisional operations and religious reflection by transforming the gallery with modular steel subflooring, neon and electric flicker lights, and repurposed objects previously used for military and industrial purposes. In addition to the Venice Biennale, Cameron-Weir recently opened a solo exhibition at Hannah Hoffman in Los Angeles, CA. Other solo shows from the past two years include the SCAD Museum of Art (2022) and the Henry Art Gallery University of Washington (2021). Recently her work was on view at the University of California, Berkeley Art Museum as part of an important exhibition titled “New Time: Art and Feminisms in the 21st Century.” Other select solo exhibitions include "exhibit from a dripping personal collection," Dortmunder Kunstverein (2018); “Outlooks: Elaine Cameron-Weir,” Storm King Art Center, New York (2018) where the artist installed a steel mesh sphere for motorcycle stunts known as “globe of death” on the top of a hill; and “viscera has questions about itself,” New Museum, New York (2017). She has shown both in the U.S. and abroad, in group exhibitions at the Philadelphia Museum of Art; Remai Modern, Saskatoon; GAMeC, Bergamo; FUTURA, Prague; among many others. installation view, The Milk of Dreams, curated by Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, IT, April 23 - November 27, 2022 Photography by Andrea Rosetti Elaine Cameron-Weir Low Relief Icon (Figure 1), 2021 (detail) US military body transfer cases, aluminum, flicker bulbs, electrical wiring, conveyor belt, pewter, chain, pulleys, aircraft cable, hardware overall dimensions: 281 × 202 × 28 1/2 in (713.7 × 513.1 × 72.4 cm); case with candles: 26.5 × 89 × 28.5 in (67.3 × 226.1 × 72.4 cm) Elaine Cameron-Weir Right Hand Left Hand, Grinds a Fantasizer's Dust, 2021 (detail) concrete textile, funerary backdrop stand, neon tubing, transformers, spot lights, silk gauze 85.5 x 112 x 24 in 217.17 x 284.48 x 60.96 cm

Today we're concluding Season Five and our deep dive into Mexican Mysticism and Cartomancy with our very special guest, Edgar Fabián Frías! Edgar works in installation, photography, video art, sound, sculpture, printed textiles, GIFs, performance, social practice, and community organizing, among other forms. Their art addresses historical legacies and acts of resistance, resiliency, and radical imagination within the context of Indigenous Futurism, spirituality, play, pedagogy, animism, and queer aesthetics. Born in East Los Angeles in 1983, Frías received dual BA degrees in Psychology and Studio Art from UC, Riverside. In 2013, they received an MA in Clinical Mental Health Counseling at Portland State University in Portland, Oregon, with an emphasis on Interpersonal Neurobiology and Somatic Psychotherapy. Frías received their MFA in Art Practice from UC Berkeley in 2022. Their work has been exhibited internationally, including the Vincent Price Art Museum, Institute of Contemporary Art San Francisco, Berkeley Art Museum and Pacific Film Archive, Oregon Contemporary, MOCA Jacksonville, Project Space Festival Juárez, and ArtBo, among others. Their work has also appeared in Cosmopolitan, Taschen, Bustle, Los Angeles Times, Slate, CVLT Nation, Terremoto, Hyperallergic, and other publications. SUPPORT THIS PODCAST ON PATREON Edgar's Website and Instagram Angie's Website and Instagram Nick's Website and Instagram Music by AJ Ackleson. Thanks AJ!

Kathryn Spence has spent years compiling, sorting and transforming culture's discards into sculptural objects that reveal a human determination on the topic of sufficiency. Fascinated with space, materiality, and objectness, she attends to materials conventionally wasted to produce installations and individual objects that act as a point of unhinging between the natural world and the controlled world. The show being discussed is Kathryn Spence at P. Bibeau, September 9 - October 22, 2022. Kathryn Spence (b. 1963) resides in the Bay Area and is featured in numerous public collections including SFMOMA, National Gallery of Art, Washington D.C., U.C. Berkeley Art Museum, the Oakland Museum of California, Mills College at Northeastern University, the Denver Art Museum, the San Jose Museum of Art, and the Santa Barbara Museum of Art.  Museum solo exhibitions include the Aldrich Museum of Contemporary Art, 2012, Mills College Art Museum, Oakland, CA, 2010, the Johnson Museum at Cornell University, Ithaca, 2001, and the Kemper Museum of Contemporary Art, Kansas City, 1999. Spence is a recipient of the Anonymous was a Woman award, the Eureka Fellowship, an Artadia award, and the Fleischhacker Foundation award. Her 'Pigeons' were recently on view at SFMOMA in ‘Greater Than the Sum,' 2021-22. Spence showed for 18 years at Stephen Wirtz in San Francisco. The books mentioned in the interview are: Douglas W. Tallamy, Nature's Best Hope: A New Approach to Conservation that Starts in Your Yard  and E.O. Wilson, Half Earth. Installation (close-up) P.Bibeau Gallery, 2019-22Socks, sweatpants, t-shirts, bed sheets, curtains, necktie, fabric scraps, found crocheted and knitted project parts, brown corduroy, yarn, cell phone ads, string, thread, mud, felt, wood, cardboard, pencil drawings, field guides, magazine scraps, stuffed animal fur, wax, plaster, plywood. Photo by Peter Sit. ‘Untitled, (Great gray owl)' 2019-22:: Gray socks, sweatpants, t-shirts, fabric scraps, stuffed animal fur, cardboard, bird field guide pages, wax, wood. Photo by Peter Sit. 'Untitled, (Boreal owl),' 2019-22 Found crocheted and knitting project parts, scraps of fabric, yarn, fur from stuffed animals, field guide, cell phone ads, cardboard, thread, string, mud. Photo by Peter Sit.

Cover photo of Miki Garcia by Alonso Parra.Please visit the website for Undoing Time: Art and Histories of Incarceration at ASU's Art Museum and at Berkeley Art Museum to learn more.1:30 ASU Art Museum's mission as a learning institution that centers art and artists in the service of social good and community well-being2:40 inspiration for Undoing Time: Art and Histories of Incarceration exhibition as a cultural mark in time for ASU Art Museum 6:40 effort to address all dimensions of an exhibition on mass incarceration and its impact on viewers8:00 Art for Justice Fund's involvement in exhibition 9:05 prior exhibition with artist Gregory Sale who worked with incarcerated populations9:15 Contemporary Art Museum Houston and Nicole Fleetwood's work with the Walls Turned Sideways: Artists Confront the Justice System exhibition 10:20 Undoing Time's focus began with a survey of how incarceration has been portrayed through images from the 18th Century Code of Hammurabi forward11:30 12 artists invited to create commissions for Undoing Time, including Mario Ybarra, Jr. who created a pizza parlor vignette that dealt with Ybarra's childhood friend Richard who later was incarcerated on a murder charge13:20 rehabilitation was shown in Ybarra's work that's not shown in historical images of incarceration 13:55 Stephanie Syjuco's commission abstracted images of black and brown incarcerated population15:10 Juan Brenner's commission about the Guatemalan Highlands and how the U.S. West Coast prison system gang culture was exported to Central America16:10 destruction of Guatemalan Highlands' residence due to erection of prison that houses Mara Salvatrucha gang17:25 architecture of prisons, e.g, the panopticon, the fortress18:00 Indigenous artists Raven Chacon and Cannupa Hanska Luger 19:15 Luger's commission focus on the relationship of land to mass incarceration19:25 Mass Liberation Arizona's mission of people over property21:00 Theater maker and Playwright Michael Rohd choreographed going through the exhibition 22:55 Raven Chacon's musical composition about a juvenile detention center24:10 Rohd's positing of questions and cards for viewer feedback 26:45 Art for Justice Fund to ASU poet Natalie Diaz and the Center for Imagination in the Borderlands30:00 undergoing critique of the purpose and operation of museums 33:30 museums are civic institutions of dialogue, engagement and storytelling and should be responsible to the communities they serve35:30 art's power to challenge inherited narratives about incarceration 37:15 how she sees her legacy to eliminate as many boundaries as possible and uphold all kinds of art forms and include more voices and to open up what a museum can be and who it's actually for39:20 evolution of her definition of justice 40:45 justice has to be fought for 40:55 justice as public loveTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

In our first episode with Laura Splan, we talk about her Syndemic Sublime project, coopting scientific tools and processes in the service of art making, driving dynamic visualizations with unexpected data sets, utilizing software in unintended ways, NFTs as just another outlet or platform to explore, the possibilities of custom smart contracts and how they are the most material aspect of the NFT, the conventions of metadata and how exhibition opportunities and access to spaces influences her work. Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory engagement. Her artworks exploring biomedical imaginaries have been commissioned by the Centers for Disease Control Foundation and the Triënnale Brugge. Her work has been exhibited at the Museum of Arts & Design, Pioneer Works, and New York Hall of Science and is represented in the collections of the Thoma Art Foundation, the Chan Zuckerberg Initiative, NYU's Langone Art Collection, and the Berkeley Art Museum.  Her recent exhibitions featuring molecular animations and material artifacts of laboratory animals include her large-scale immersive installation in the Brooklyn Army Terminal at BioBAT Art Space. She is currently developing a new series of collaborative artworks with theoretical biophysicist Adam Lamson for a project supported by the Simons Foundation. Her research as a member of the New Museum's NEW INC Creative Science incubator included collaborations with scientists to interrogate interspecies entanglements in the contemporary biotechnological landscape. She is now a NEW INC Artist-in-Residence at EY where she is collaborating with the Cognitive Human Enterprise at EY on projects and research exploring the implications of virtual technologies. Splan often creates public engagement with her projects to make concepts and techniques behind her work accessible to audiences with programming including everything from all ages bacterial transformation workshops to remote textiles collaborations.

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

Gabrielle Selz is the author of Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction, published by W.W. Norton in 2014. Unstill Life received the best memoir of the year award from the American Society of Journalists and Authors (ASJA) and was chosen as one of the best books of the year by both the San Francisco Chronicle and Berkeleyside. She is currently writing Light on Fire: The Art and Life of Sam Francis to be published by U.C Press.Selz holds a special interest in the intersection of memory, history, cultural criticism, and art. As a child, she bounced between the bohemian art worlds of New York and Berkeley, California. Her father, Peter Selz, was the Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, before he founded the Berkeley Art Museum and Pacific Film Archive. Her mother, Thalia Selz, was a writer and the founding editor of Story Quarterly. In 1969, Thalia selected the original tenants for Westbeth, the largest artists housing project in the country, and the family then moved to live alongside artists like Diane Arbus and Merce Cunningham. Introduced to Sam Francis as a child, her interest in his life, career and what motivated his extraordinary contributions, expanded while she was researching and writing Unstill Life.Selz has contributed to The New Yorker, The New York Times, More Magazine, The Rumpus and the L.A. Times. Her fiction has appeared in Fiction Magazine and her art criticism in Art Papers, Hyperallergic and Newsday and the Huffington Post. She is a past recipient of the New York Foundation for the Arts Fellowship in Nonfiction and is a Moth Story Slam Winner. · gabrielleselz.com · www.creativeprocess.info

Gabrielle Selz is the author of Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction, published by W.W. Norton in 2014. Unstill Life received the best memoir of the year award from the American Society of Journalists and Authors (ASJA) and was chosen as one of the best books of the year by both the San Francisco Chronicle and Berkeleyside. Selz holds a special interest in the intersection of memory, history, cultural criticism, and art. As a child, she bounced between the bohemian art worlds of New York and Berkeley, California. Her father, Peter Selz, was the Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, before he founded the Berkeley Art Museum and Pacific Film Archive. Her mother, Thalia Selz, was a writer and the founding editor of Story Quarterly. Gabrielle is currently writing Light on Fire: The Art and Life of Sam Francis to be published by U.C Press. · gabrielleselz.com · www.creativeprocess.info

Andrew Schoultz (1975, Milwaukee, WI) lives and works in Los Angeles, California. He received his BFA in Illustration from the Academy of Arts University in San Francisco, CA. Schoultz has participated in several international solo and group exhibitions, including Joshua Liner Gallery NY, Galerie Droste, Wuppertal, GER or Galerie LJ in Paris, FR. His works are represented in important collections such as the Los Angeles County Museum (LACMA), the Berkeley Art Museum or the San Francisco Museum of Modern Art, CA. Schoultz utilizes a signature style of densely-packed, meticulously-rendered motifs – archaic war machines, the iconography of the American Dollar bill, and cataclysmic events, both natural and man-made – to represent the turmoil of the contemporary world. He makes historic references to antique etchings and Persian miniature painting as well as to William T. Wiley, M. C. Escher and Mission School street art. But Schoultz's art is very much his own – an intense vision of a planet threatened by overcrowding and overconsumption and societies under siege by the governments that are there to protect them.

Prof. Amy Herr is the Executive Director of the Bakar Bioenginuity Hub (BBH) and Prof. Regis Kelly is the Director of Bakar Labs at the University of California, Berkeley. BBH is a new campus initiative that aims to launch the startups at  Bakar Labs, a world-class incubator. The facility is open to teams from around the world — a space where anyone can leverage all that Berkeley has to offer. Bakar labs will rent labs and offices to as many as 80 startup companies. The incubator will also provide extensive equipment with additional access to core facilities at UC Berkeley, so startups can bring life changing technologies to fruition. We talk about the origin story, the effort needed to transform a former Berkeley Art Museum to a biotech incubator; patient capital and resources being deployed to support the startups; partnerships being developed internally and externally; programming to benefit students and faculty on campus; intellectual property; changing biotech landscape and the vision for this magnum opus experiment. Shownotes Bakar Bioenginuity Hub and Bakar Labs Speaker Bios: Prof. Amy Herr, Prof. Regis Kelly - Trainees complained about not providing training or pathways for non-academic career pathways - Faculty couldn't fill much about public service in their promotion packages - Reg comes out of his retirement to head QB3 - Entrepreneurship was more vibrant on the engineering side of the campus but not much on the life sciences side - Born out of a vision for maintaining and expanding UC Berkeley's research eminence by growing on the innovation and entrepreneurship front - Easiest way for university research to work with big pharma and biotech was through startups - Convergence of ideas from different points of view made BBH happen - There is a need for building academic innovation centers to benefit the people funding academic research - A historic art museum (artistic heritage) was converted to a life sciences incubator - There was no money to renovate the museum! Some innovative thinking and generous donors helped transform it to a life sciences incubator. - Lessons for other universities could potentially learn to build such innovation and entrepreneurship ecosystems - How does one get accepted to BBH? - BBH is open to problem solvers all over the world- not just to UC Berkeley affiliates - Women have been excelling at building companies. A lot more needs to be done to support Latino and other underrepresented minorities to build startups - Big philanthropies are investing in deeptech to deploy patient capital - A new Ph.D. fellowship program to support entrepreneurship efforts of PhD students for the last two years of their program - Phenomenal partnerships with every possible player in the ecosystem being built- biotech, pharma, VCs, law firms and more - Intellectual property will be owned by the startups - Get in Touch

Judith Butler, a professor in the Department of Comparative Literature and the Program of Critical Theory at UC Berkeley, and Mel Y. Chen, an associate professor in Berkeley's Department of Gender and Women's Studies and director of the Center for the Study of Sexual Culture, joined in conversation about Berkeley Art Museum and Pacific Film Archive's expansive exhibition, New Time: Art and Feminisms in the 21st Century. "There's never been anything mild about feminisms, in the plural," said Butler at the Sept. 20 event. "It has always been a life and death struggle from the start." Listen to the episode and read the transcript on Berkeley News. (Artwork: "Stigmata" by Linda Stark, 2011) See acast.com/privacy for privacy and opt-out information.

When visitors now walk into the Berkeley Art Museum and Pacific Film Archive, they'll face a mural outlining the earth's strata designed by the late feminist artist Luchita Hurtado, part of BAMPFA's newest exhibit “New Time: Art and Feminisms in the 21st Century.” The exhibit examines the feminist practice of more than 67 contemporary artists through pieces spanning the past two decades of feminist art. With sections dedicated to examining gender expansivity, the “male gaze” and women's labor, the exhibit is part of a larger BAMPFA effort to bring together more than 100 arts organizations dedicated to social justice known as the Feminist Art Coalition. We'll speak with the exhibit's curator to discuss what it means to center feminism in 21st century art.

When film director, poet and playwright Kathleen Collins passed away in 1988, her work had yet to fully receive its due. Following the efforts of her daughter Nina Lorez Collins, her 1982 film “Losing Ground,” one of the first feature films directed by a Black American woman, received a theatrical release in 2015 — and is presently streaming for free on Berkeley Art Museum and Pacific Film Archive's website through July 6. Her books “Whatever Happened to Interracial Love?” and “Notes From a Black Woman's Diary” were published in the past five years, and her collection of four one-act plays, entitled “Begin the Beguine,” is being performed by Oakland Theater Project via livestream and drive-in through July 3. We'll talk with Oakland Theater Project co-directors Michael Socrates Moran and Dawn L. Troupe, who also stars in each of the four plays, about “Begin the Beguine” and Collins' artistic legacy.

Episode No. 503 features artist Wael Shawky and curator Elaine Yau. Shawky's work is on view at the Modern Art Museum of Fort Worth in "FOCUS: Wael Shawky" through July 25. The exhibition features a film from Shawky's Cabaret Crusades trilogy, along with new and related drawings and sculpture. The MAMFW presentation was curated by Alison Hearst. Shawky's research-driven work considers and revises global histories through film, peformance, sculpture and installation. His work has been the subject of exhibitions at the Louvre Abu Dhabi, MOCA, the Hammer Museum, the Castello di Rivoli and Turin, and more. On the second segment, Berkeley Art Museum curator Elaine Yau discusses "Rosie Lee Tompkins: A Retrospective," which is on view at the museum through July 18. Tompkins was an Arkansas-born, East Bay-based quiltmaker whose work addressed textile traditions, the Bible, and American histories.

In my discussion with Bay Area pianist, musical activist and community organizer Sarah Cahill, we talk visioning, dream journals, when the music is not about you, the purpose of LinkedIn, and Sarah's project, The Future is Female. Sarah Cahill is a prolific pianist who has commissioned, premiered, and recorded numerous compositions for solo piano. Cahill founded and co-organizes the annual Garden of Memory event at Chapel of the Chimes in Oakland, CA (my favorite event of all time -- sorry! had to interject!!). Before the pandemic, she also curated a monthly series of new music concerts at the Berkeley Art Museum and before that at the Exploratorium in San Francisco. Cahill is faculty at the San Francisco Conservatory, and host of the radio show Revolutions Per Minute on KALW in San Francisco. She's had works dedicated to her by the likes of John Adams, Terry Riley, and Pauline Oliveros, and has premiered pieces by Lou Harrison, Julia Wolfe, George Lewis, and more, more, more.www.sarahcahill.comPhoto by Marianne LaRochelle. Used by permission.

Fred DeWitt is a Master of Fine Arts student and the first artist-in-residence in the Department of Art Practice at UC Berkeley. DeWitt, 61, shares in his own words what the Black Panthers meant to him as a young boy growing up in the Bay Area, how Barack Obama’s election as president inspired him to go back to school to study art, and the complicated nature of honoring the lives of people who never wanted to be remembered for their deaths. His MFA show will be at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in June.Listen to the episode, read a transcript and see photos of DeWitt's artwork on Berkeley News. See acast.com/privacy for privacy and opt-out information.

Episode 58, the fourth during Women’s History Month, features Lava Thomas, an American artist and arts advocate who tackles issues of race, gender and representation through a multidisciplinary practice that spans drawing, painting, and site-specific installations. Drawing from her family's southern roots, intersectional feminism, and current and historical sociopolitical events, Thomas's practice amplifies visibility, resilience, and empowerment in the face of erasure, trauma, and oppression. Thomas is a recipient of the 2020 San Francisco Artadia Award, the Joan Mitchell Grant for Painters and Sculptors, and the Lucas Artist Fellowship in Visual Arts. She was recently awarded the commission to create a sculpture to honor Dr. Maya Angelou for the San Francisco Main Library. She has participated in residencies at Headlands Center for the Arts, Facebook LA, and the Djerassi Resident Artists Program. Venues where Thomas's work has been exhibited nationally include the National Portrait Gallery, Washington, DC; the International Print Center, NY, NY; the Museum of the African Diaspora, San Francisco, CA; the CA African American Museum in Los Angeles, CA, and the Montgomery Museum of Fine Arts, Montgomery, AL. Her work is held in the permanent collections of the Smithsonian American Art Museum, Washington, DC; the United States Consulate General in Johannesburg, South Africa; The Studio Museum in Harlem, New York, NY; San Francisco Museum of Modern Art; the Pennsylvania Academy of Fine Arts, Philadelphia, PA; the M.H. De Young Museum, San Francisco, CA, and the Berkeley Art Museum & Pacific Film Archive. Her work has been written about in Artforum, The New York Times, Hyperallergic, The Art Newspaper, The Guardian, SF Chronicle and LA Weekly. Thomas studied at UCLA's School of Art and received a BFA from California College of the Arts. She is represented by Rena Bransten Gallery in San Francisco. Photo Credit: Drew Altzier ARTIST WEBSITE http://www.lavathomas.com/ ARTADIA https://artadia.org/artist/lava-thomas/ RENA BRANSTEN GALLERY https://renabranstengallery.com/artists/lava-thomas/ AMERICAN ART https://americanart.si.edu/artist/lava-thomas-31178 NEW YORK TIMES https://www.nytimes.com/2020/11/03/arts/design/san-francisco-maya-angelou-monument.html? HYPERALLERGIC https://hyperallergic.com/524415/in-san-francisco-a-design-for-maya-angelou-monument-is-approved-then-suddenly-scrapped/ https://hyperallergic.com/tag/lava-thomas/

In this episode of Berkeley Talks, late filmmaker Marlon Riggs, a former Berkeley Journalism professor and alumnus, discusses his 1989 documentary, Tongues Untied, during a screening of his groundbreaking film at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in 1990.In Tongues Untied, an experimental and deeply personal film, Riggs combines documentary footage with poetry, dance, music and performance with his own on-camera revelations to explore Black gay love and sexuality in the U.S. At the end of the film, words flash on the screen: “Black men loving Black men is the revolutionary act.”Listen to the episode and read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

BAMPFA Adjunct Senior Curator for Photography Sandra Phillips closely observes Lee Friedlander's photograph New Mexico (2000), whose stunning composition she sees as “miraculously conceived in the moment,” finding levels of meaning in the evocatively empty street scene. Phillips is also curator emerita of photography at the San Francisco Museum of Modern Art, where she presented countless exhibitions, including the first complete showing of the photographs and writings of Diane Arbus and the first museum exhibition to survey the work of postwar Japanese photographer Daido Moriyama. In 2019 she organized UNLIMITED: RECENT GIFTS FROM THE WILLIAM GOODMAN AND VICTORIA BELCO PHOTOGRAPHY COLLECTION for BAMPFA. Lee Friedlander, New Mexico, 2000; gelatin silver print; 15 x 14 1/2 in. University of California, Berkeley Art Museum and Pacific Film Archive; gift of Victoria Belco and William Goodman in memory of Teresa Goodman, courtesy Fraenkel Gallery, San Francisco. Copyright by artist: © Lee Friedlander, Courtesy Fraenkel Gallery, San Francisco.

Sights and Sounds is your weekly guide the Bay Area arts scene through the eyes and ears of local artists. During shelter-in-place, instead of recommending in-person events, we're offering suggestions for ways to experience art and culture from home. This week, host Jenee Darden speaks with writer Owen Hill, co-edior of the anthology Berkeley Noir. Berkeley Art Museum and Pacific Film Archive BAMPFA is streaming dance, music, and poetry performances on their website. You can also rent films that are hard to find elsewhere. Owen Hill suggests watching the documentaries A Tribute to Malcolm X and Ai Wei Wei: Yours Truly 100 Thousand Poets for Change Open Mic on Saturday, August 29th Former Bay Area poets Michael Rothenberg and Terri Carrion began this global literary gathering in 2011. Poetry events around the world take place simultaneously on the last Saturday in September. This year, readings are streaming different days of the month. It’s really beautiful to see poets from different

A View of Ad Reinhard's Abstract Painting Sherry Goodman, BAMPFA Director of Education Sherry provides a personal view of the museum's monumental all-black painting by Ad Reinhardt (1913-67), including her experience looking at it together with UC Berkeley students and its relevance for the current time. Ad Reinhardt Abstract Painting, 1960-1965 60 x 60 1/4 in. University of California, Berkeley Art Museum and Pacific Film Archive; Gift of Ad Reinhardt

Gabrielle Selz is the author of Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction, published by W.W. Norton in 2014. Unstill Life received the best memoir of the year award from the American Society of Journalists and Authors (ASJA) and was chosen as one of the best books of the year by both the San Francisco Chronicle and Berkeleyside. She is currently writing Light on Fire: The Art and Life of Sam Francis to be published by U.C Press. Selz holds a special interest in the intersection of memory, history, cultural criticism, and art. As a child, she bounced between the bohemian art worlds of New York and Berkeley, California. Her father, Peter Selz, was the Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, before he founded the Berkeley Art Museum and Pacific Film Archive. Her mother, Thalia Selz, was a writer and the founding editor of Story Quarterly. In 1969, Thalia selected the original tenants for Westbeth, the largest artists housing project in the country, and the family then moved to live alongside artists like Diane Arbus and Merce Cunningham. Introduced to Sam Francis as a child, her interest in his life, career and what motivated his extraordinary contributions, expanded while she was researching and writing Unstill Life. Selz has contributed to The New Yorker, The New York Times, More Magazine, The Rumpus and the L.A. Times. Her fiction has appeared in Fiction Magazine and her art criticism in Art Papers, Hyperallergic and Newsday and the Huffington Post. She is a past recipient of the New York Foundation for the Arts Fellowship in Nonfiction and is a Moth Story Slam Winner. gabrielleselz.com · www.creativeprocess.info

Gabrielle Selz is the author of Unstill Life: A Daughter's Memoir of Art and Love in the Age of Abstraction, published by W.W. Norton in 2014. Unstill Life received the best memoir of the year award from the American Society of Journalists and Authors (ASJA) and was chosen as one of the best books of the year by both the San Francisco Chronicle and Berkeleyside. Selz holds a special interest in the intersection of memory, history, cultural criticism, and art. As a child, she bounced between the bohemian art worlds of New York and Berkeley, California. Her father, Peter Selz, was the Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, before he founded the Berkeley Art Museum and Pacific Film Archive. Her mother, Thalia Selz, was a writer and the founding editor of Story Quarterly. Gabrielle is currently writing Light on Fire: The Art and Life of Sam Francis to be published by U.C Press. gabrielleselz.com · www.creativeprocess.info