Podcasts about tone poem

Terry Lowry is a prolific composer, conductor, Steinway artist, and host of the podcast Tone Poem. With over 200 compositions to his name, he has performed across North America and Europe and leads several ensembles, including the Carroll Symphony Orchestra. He co-founded Musical Overture, an online music platform, and is deeply involved in music therapy and education programs in his community. Learn more about Terry's work at musicaloverture.com.In this episode, Seth, Allyson, and Terry discuss:The analogy between conducting and teaching, focusing on how both roles involve knowing the material, empowering others, and facilitating a conducive environment for learning or performance.Terry's journey into music and conducting, starting with his childhood experiences performing with his father and leading an instrumental ensemble at a young age.The creation and impact of Musical Overture, a platform connecting musicians worldwide, and the development of Gig Room, a revolutionary tool for real-time online music collaboration.The groundbreaking e-concerts hosted using Gig Room, including performances with musicians from different continents and the story of a Syrian refugee who transformed her life through music.The future of music education and performance with projects like the Stars Align initiative, aiming to connect people globally through live virtual music experiences.Key takeaways:Conducting and teaching share similarities in preparation, communication, and fostering a collaborative environment.Musical Overture and Gig Room bridge geographical gaps, enabling musicians to collaborate and perform together in real time.Technology like Gig Room can enhance music education by providing opportunities for virtual rehearsals and performances, leading to greater confidence and preparedness among musicians.Innovative projects like Stars Align demonstrate the potential of virtual platforms to create large-scale, impactful musical events that unite people worldwide.Learn more:Visit Musical Overture to explore the platform and Gig Room.Watch the documentary “Hear Us” on Apple TV and Amazon Prime to learn about the world's first e-concert and its impact.Subscribe to the podcast to hear more inspiring stories from educators and industry professionals leveraging technology in virtual learning.About the hosts:Seth Fleischauer is dedicated to exploring the intersection of education and technology through insightful conversations with experts and practitioners in the field of live virtual learning.Allyson Mitchell is an enthusiastic co-host who brings energy and curiosity to discussions, highlighting the transformative power of innovative educational tools and methods.Tami Moehring is a seasoned educator and podcast host who excels in creating an inviting atmosphere for guests. Her warm introductions and keen interest in educational innovation make her a valued voice in discussions about the future of education.Host Links:1. Browse amazing virtual learning opportunities at Tami Moehring and Allyson Mitchell's CILC.org2. Seth Fleischauer's  Banyan Global Learning helps schools leverage technology for teacher and student wellness including AI literacy PD for teachers and, for students, live virtual learning experiences in Character Education: banyangloballearning.comSubscribe to Why Distance Learning for more engaging interviews and insights into the evolving landscape of virtual education. Available on all major podcast platforms. Visit Be Podcast Network to learn more about the network and discover other educational podcasts.

Inspired by a supernatural creature.

By the master of the English pastoral style.

Leyenda viva del jazz, Charles Lloyd con sus amigos de The Marvels nos visita en este 2 de uno con Tone poem, producción para Blue Note Records del 2021.

El sol del norte ilumina esta hora de Músicas Posibles. Gustaff Ljunggren, Skúli Sverrison, Bill Frisell, Sam Amidon, Ben McElroy, Samantha Crain, Fergus McCreadie. Y Charles Lloyd, un clásico. Leading Somewhere + Olive Gustaff Ljunggren, Skúli Sverrison  Floreana  Instants Skúli Sverrison Seria II  Instants Skúli Sverrison, Bill Frisell  Strata  How do you leave Saro Sam Amidon  All is well  Spanish Merchant's Daughter Sam Amidon  Sam Amidon  Wolves dance From time to time Ben McElroy  How I learn to disengage from the pack  Bloomsday Samantha Crain  Pick apart  Glade Fergus McCreadie  Ay, amor Charles Lloyd  Tone Poem Escuchar audio

天冷的时候就想到西贝柳斯的D小调小提琴协奏曲，寒风呼啸的感觉。本期与大家聊聊芬兰国宝级音乐家西贝柳斯的故事。包含曲目：0:26 - Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto (为小提琴和管弦乐队而作的D大调协奏曲，作品77)；7:36 - Pensées lyriques, Op. 40 - Berceuse, Op. 40: No. 5 (抒情场景集，作品40：催眠曲，作品40)；9:22 - Finlandia, Tone Poem for Orchestra, Op. 26 (芬兰颂，为管弦乐队而作的交响诗，作品26)Andante sostenuto - Allegro moderato.

This episode contains: Ben's been geeking out in books this last week. Not video games. Weird. But that didn't stop him getting an XBox Series X on MAR10 day. WHAT A TRAITOR! We chat about Moonglow Bay, a slice of life fishing RPG on Xbox Gamepass. Alicia Keys: Let's talk about typewriters and e-ink. An artist made a concept typewriter with a curved e-ink display, called Flowo. Hemingwrite is a mechanical keyboard with an e-ink screen. Looks so old school IBM. Ben teaches Steven two different ways e-ink displays can work. Steven is really interested in color e-ink displays, and tells Ben about a Bryan Lee O'Malley comic he didn't know about called Snot Girl. Flowo typewriter with curved E Ink display offers a similar feel as a real typewriter: https://goodereader.com/blog/e-paper/flowo-typewriter-with-curved-e-ink-display-offers-a-similar-feel-as-a-real-typewriter A $600 E Ink typewriter got me one step closer to writing a novel: https://www.engadget.com/astrohaus-freewrite-one-month-writing-test-140008132.html The Top 5 Color ebook Readers of 2021: https://goodereader.com/blog/electronic-readers/the-top-5-color-ebook-readers-of-2021 Little Tiny Miracles: The physics of fire ant rafts could help engineers design swarming robots. Scientists throw science ants into buckets of science water, for SCIENCE! Steven would still go to a Jurassic Park, even though he would probably die. https://www.sciencedaily.com/releases/2022/03/220302185954.htm Science Fiction: We talk so much on the Patreon-only midsection of the episode about Star Wars, but finally come on-air to talk about the Obi-Wan Kenobi Teaser Trailer ( https://www.youtube.com/watch?v=TWTfhyvzTx0 ), and Steven schools Ben on the Inquisitors. Steven's daughter might finally think Star Wars is cool. Ben is conflicted on which trailer is better between Obi-Wan Kenobi and Star Trek: Strange New Worlds ( https://www.youtube.com/watch?v=nxuyzk5DUFc ). Captain Pike has grown a sadness beard. Steven digs the classic Star Trek sounds, but still "every day is Star Wars day, unless you're a coward" - Steven. Species 10-C in StarTrekDiscovery was SO GOOD. Think Star Trek meets Arrival. Discovery Season 4 > Picard Season 2 so far. Which is more horrifying to Jean-Luc: Eradication Day or Captain Picard Day? Picard says "there's a real old movie called Voyage Home. Let's do that." If you're using a WMD on the Vulcan homeworld, you've gone too far. Spot 73, Jurati's AI cat, is awesome and played by Patton Oswald. Is Picard season 2 another Book of Boba Fett? We think they're playing it a little too safe.  

Ep 42: Energetic Hygiene with nobu · hojimi · cha'an In this episode, Celine and Jeremiah chat with nobu · hojimi · cha'an, an acquaintance of Jeremiah's who has a multifarious energetic practice, offers readings, and has an active Twitter presence with the spiritual community. We hope you enjoy this far-ranging interview with nobu and highly recommend referring to the below references if needed. You can find out more about nobu · hojimi · cha'an by going to their website (www.nobuhojimichaan.com), Twitter (twitter.com/nobuhojimichaan), and Instagram (instagram.com/nobuhojimichaan_). And if you'd like more information on the public energy working sessions nobu is doing, check out this link!: nobuhojimichaan.com/products/do-jo People, books, ideas, and places we reference in this episode: Acupuncture (en.wikipedia.org/wiki/Acupuncture), Kundalini (en.wikipedia.org/wiki/Kundalini), Tao Te Ching (en.wikipedia.org/wiki/Tao_Te_Ching), Qi Gong (en.wikipedia.org/wiki/Qigong), Baguazhang (en.wikipedia.org/wiki/Baguazhang), Walkers of Blue Stone/The Wearers of Lapis Lazuli (www.gemsociety.org/article/history-legend-lapis-lazuli-gems-yore), Trances (en.wikipedia.org/wiki/Trance), Seven Symbolism (en.wikipedia.org/wiki/Symbolism_of_the_number_7), Dantian Energy Centers (en.wikipedia.org/wiki/Dantian), DMT (en.wikipedia.org/wiki/N,N-Dimethyltryptamine), Denisovans (en.m.wikipedia.org/wiki/Denisovan), Red Macau People (usalama.wordpress.com/2012/10/25/we-are-red-macaws & en.m.wikipedia.org/wiki/Bororo), WholeBodyPrayer on Twitter (twitter.com/wholebodyprayer), Egregore (en.wikipedia.org/wiki/Egregore), Thought-Form Complexes (en.wikipedia.org/wiki/Complex_(psychology), Demons (en.wikipedia.org/wiki/Demon) DMN (Default Mode Network) (www.ncbi.nlm.nih.gov/pmc/articles/PMC6088236), Taalumot on Twitter (twitter.com/taalumot), àṣẹ (en.wikipedia.org/wiki/A%E1%B9%A3%E1%BA%B9), Taoism (en.wikipedia.org/wiki/Taoism), Lenapehoking (en.wikipedia.org/wiki/Lenapehoking), Taoist Light Wellness in Santa Barbara (www.taoistlightqigong.com), Qi (en.wikipedia.org/wiki/Qi), Light Language (enchantedlivingmagazine.com/what-is-light-language) Tone Poem (en.wikipedia.org/wiki/Symphonic_poem), The Law of One/The Channelings of Ra (www.lawofone.info/, Dāna (en.wikipedia.org/wiki/D%C4%81na), Psilocybin (en.wikipedia.org/wiki/Psilocybin), Atlantis (en.wikipedia.org/wiki/Atlantis), The Michael Teachings (en.wikipedia.org/wiki/The_Michael_Teachings), I Ching (en.wikipedia.org/wiki/I_Ching), Yoruba (en.wikipedia.org/wiki/Yoruba_people), The Sophia of Jesus Christ (en.wikipedia.org/wiki/The_Sophia_of_Jesus_Christ), Sekhmet (en.wikipedia.org/wiki/Sekhmet), Vesuvius (en.wikipedia.org/wiki/Mount_Vesuvius), Pan (en.wikipedia.org/wiki/Pan_(god)), Mars (en.wikipedia.org/wiki/Mars_(mythology)), If you enjoyed this episode, please consider supporting us: Patreon - www.patreon.com/aswoowooasyouwant Buy Me a Coffee - www.buymeacoffee.com/woowoo And don't forget to follow us: Instagram - instagram.com/aswoowooasyouwant Twitter - twitter.com/aswooasyouwant TikTok - vm.tiktok.com/TTPdrawRgf/ YouTube - youtube.com/channel/UCiz_gMlLUJorTN7UAszHrgQ Thanks for listening! [Recorded, mixed, and produced at PS379 (http://ps379studio.com)] ⓒ & ℗ Own Your Rhythm LLC 2022

First Take Friday! Listen with Peter and Adam as they put Charles Lloyd & the Marvels: Tone Poem on the turntable. First track: Peace Listen to the Tune |  Album Buy the Vinyl Check out Reuben Rogers and Bob DeBoo's bass podcast: Upright Citizens Woosh or No Woosh? Hit us up on Twitter and let us know which team you are on Check out Open Studio Pro here Support the pod by spreading the word with the link youllhearit.com  Interested in more music advice? Go here to browse our catalog of jazz lessons and courses available for purchase. And be sure to check out our All Access Pass - every course from Open Studio on every instrument.Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Twitter | Instagram

When the cat's away .. . .the other cat has to play! Some Danish determination . . . a winning Tone Poem . . a blast from the past with Billy Hart and a homecoming.

"Ramblin'" Charles Lloyd & The Marvels: Tone Poem (Blue Note, 2021) Con Charles Lloyd, Bill Frisell, Greg Leisz, Reuben Rogers, Eric Harland. El tema es una composición de Ornette Coleman.  El veterano saxofonista estará girando durante los meses de noviembre y diciembre de 2021. Dará conciertos en Polonia, Italia, el Reino Unido, Bélgica, Luxemburgo y Alemania. También tocará en España, en una única cita que tendrá lugar el 28 de noviembre en el XIV Jazz Voyeur Festival de Palma. Actuará el Charles Lloyd Quartet liderado por Charles Lloyd, y acompañado por Gerald Clayton, Reuben Rogers y Kendrick Scott. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Julián Ruesga Bono repasó a fondo la figura de Charles Lloyd en el artículo "Charles Lloyd, un místico salvaje y entrañable": https://www.tomajazz.com/web/?p=50466 En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Lauren Henderson “The Songbook Session”: “While We're Young” “Day by Day” “Sabor a Mí” “People Will Say We're In Love” “Meditação (Meditation)” “Beautiful Love” “Bésame Mucho” “Tiernamente (Tenderly)” “Day by Day” (Duo Version) Charles Lloyd & The Marvels “Tone Poem”: “Peace” “Ay Amor” (Live) Escuchar audio

Eine CD von Charles Lloyd & The Marvels - vorgestellt auf NDR Kultur.

New Moon Jelly Roll Freedom Rockers: “Volume 1”: “Blues, Why You Worry Me” “Pony Blues” “Night Time” “Come On Down To My House” “K.C. Moan” “Let’s Work Together” “Strange Land” “Shake It And Break It” “Stone Free” “Stop And Listen” Charles Lloyds & the Marvels “Tone Poem”: “Lady Gabor” Escuchar audio

Valerie June "The Moon and Stars: Prescriptions For Dreamers": “Stay” “Stay Meditation” “You And I” “Colors” “Stardust Scattering” “African Proverb Read" “Call Me A Fool” feat. Carla Thomas “Fallin” “Smile” “Within You” “Two Roads” “Why The Bright Stars Glow” “Home Inside” “Starlight Ethereal Silence” Charles Lloyd & The Marvels “Tone Poem”: “Anthem” “Dismal Swamp” Escuchar audio

Neil Finn’s acoustic performances of songs from the album Intriguer. Pre-recorded, but with live insertions from Neil Finn and Nick Seymour on the road, Thursday 25 March 2021. Saturday Sun; Amsterdam; Either Side Of The World; Twice If You’re Lucky; Falling Dove (demo); Tone Poem (demo); Isolation; Elephants; Even If. "Archer's Arrows (alternative version)" and the song "The Intriguer" are unavailable on this podcast due to copyright restrictions. They're available to listen to at https://www.fangradio.com/episodes/crowded-house-album-by-album-intriguer and on the Intriguer Deluxe Edition, released in 2016.

durée : 00:55:17 - Charles Lloyd - par : Alex Dutilh - Le saxophoniste Charles Lloyd et son groupe The Marvels nous reviennent avec l’album “Tone Poem”, sorti le 12 mars chez Blue Note. Un partenariat France Musique. - réalisé par : Fabien Fleurat

durée : 00:55:17 - Charles Lloyd - par : Alex Dutilh - Le saxophoniste Charles Lloyd et son groupe The Marvels nous reviennent avec l’album “Tone Poem”, sorti le 12 mars chez Blue Note. Un partenariat France Musique. - réalisé par : Fabien Fleurat

Have you ever listened to a piece of music, closed your eyes, and imagined yourself in another place, in another time, or as another being?  It can easily be said that music has an acute ability to literally lift you from your shoes and transform you into anyplace you want to be. But… was that always the case? In the early part of the Classical Era, composer Franz Joseph Hyden created a way to merge the characters and events of what was then known as Comic Opera and through no words at all, build the foundations of what would become Sonata Allegro form and in doing so, completely change the world of classical music by influencing practically every composer who came after him. In this episode of The Art of Listening, Jeff Bradbury and Gabriel Gordon discuss the history of Sonata Form and share examples of how an idea that started on the stages of opera morphed over 100 years through the introduction of the Tone Poem into what we hear today on movie screens and our favorite video streaming services.

A fictional Spanish character.

In this episode Joe shows how by combining your music and various art forms such as :painting, poetry, photography, sculpture, literature, film and architecture, you now have access to You tube, the internet and the world. Examples are given on how the music industry has changed. No longer do you need giant budgets, large corporations or established stars - countless people have done it all on their own.

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

Pulitzer Prize-winner Julia Wolfe has taken particular pleasure in writing music for film, and we hear her "Fuel" with a film by Bill Morrison. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34887]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]

A German peasant's misadventures.

Always in Motion.George Lucas said Star Wars was meant to act like a Tone Poem, where certain story beats “rhyme.” To that end, John asks Matt if we see a broken echo between Yoda's decision to let Luke go toward a possible dark fate in The Empire Strikes Back, and Luke's temptation to eliminate Ben's future seen in The Last Jedi. The Masters then examine what this could mean thematically for the series' conclusion.HostJohn Mills and Matthew RushingSend us your feedback!Twitter: @TheJediMasters   Facebook: https://www.facebook.com/TheNerdParty/ Email: http://www.thenerdparty.com/contactSubscribe in Apple Podcasts

Franz Liszt composed twelve “symphonic poems,” of which “Les Préludes” has proven to be the most popular. Its structure is deceptively simple, based loosely on sonata form but differing from the classical sonata in its development of a few basic themes, rather than contrasting very different thematic material in distinct movements. The attractiveness of the piece lies in Liszt’s ingenious transitions and transformations as the music moves from episode to episode, by turns turbulent and serene, until the various strands finally come together in the dramatic finale. Explaining the title “Les Préludes,” Liszt posed the question, “What else is life but a series of preludes to that unknown hymn, the first and solemn note of which is intoned by Death?” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33849]

Franz Liszt composed twelve “symphonic poems,” of which “Les Préludes” has proven to be the most popular. Its structure is deceptively simple, based loosely on sonata form but differing from the classical sonata in its development of a few basic themes, rather than contrasting very different thematic material in distinct movements. The attractiveness of the piece lies in Liszt’s ingenious transitions and transformations as the music moves from episode to episode, by turns turbulent and serene, until the various strands finally come together in the dramatic finale. Explaining the title “Les Préludes,” Liszt posed the question, “What else is life but a series of preludes to that unknown hymn, the first and solemn note of which is intoned by Death?” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33849]

Franz Liszt composed twelve “symphonic poems,” of which “Les Préludes” has proven to be the most popular. Its structure is deceptively simple, based loosely on sonata form but differing from the classical sonata in its development of a few basic themes, rather than contrasting very different thematic material in distinct movements. The attractiveness of the piece lies in Liszt’s ingenious transitions and transformations as the music moves from episode to episode, by turns turbulent and serene, until the various strands finally come together in the dramatic finale. Explaining the title “Les Préludes,” Liszt posed the question, “What else is life but a series of preludes to that unknown hymn, the first and solemn note of which is intoned by Death?” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33849]

Franz Liszt composed twelve “symphonic poems,” of which “Les Préludes” has proven to be the most popular. Its structure is deceptively simple, based loosely on sonata form but differing from the classical sonata in its development of a few basic themes, rather than contrasting very different thematic material in distinct movements. The attractiveness of the piece lies in Liszt’s ingenious transitions and transformations as the music moves from episode to episode, by turns turbulent and serene, until the various strands finally come together in the dramatic finale. Explaining the title “Les Préludes,” Liszt posed the question, “What else is life but a series of preludes to that unknown hymn, the first and solemn note of which is intoned by Death?” Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33849]

The key theme of A LINE BROKEN is the recognition that eventually all lines break, and that this is certainly true of human lives. While acknowledging the darkness implicit in that statement and reflected in several of the concert selections - for example, Courtney Bryan's remarkable "As Yet Unheard" and Ornette Coleman's discomfiting jazz tone poem "Lonely Woman" - there are also offerings of light. Rand Steiger's "Template for Improvising Trumpeter & Orchestra" and Gabriel Fauré's "Requiem" (so uncharacteristically gentle an example of that form) both celebrate music as an expression of the life-force and a means to transcend the darkness. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33165]

The key theme of A LINE BROKEN is the recognition that eventually all lines break, and that this is certainly true of human lives. While acknowledging the darkness implicit in that statement and reflected in several of the concert selections - for example, Courtney Bryan's remarkable "As Yet Unheard" and Ornette Coleman's discomfiting jazz tone poem "Lonely Woman" - there are also offerings of light. Rand Steiger's "Template for Improvising Trumpeter & Orchestra" and Gabriel Fauré's "Requiem" (so uncharacteristically gentle an example of that form) both celebrate music as an expression of the life-force and a means to transcend the darkness. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33165]

An American in Paris has always been one of Gershwin's most popular scores, and deservedly so. It offers great tunes, a breezy charm that evokes both the City of Light and the Jazz Age, and Gershwin's obvious affection for the French capital. Gershwin argued that this piece is structured in sonata form and is not just a series of episodes & impressions strung together with great skill; perhaps so, but no matter. Above all else, this is fun music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33379]

An American in Paris has always been one of Gershwin's most popular scores, and deservedly so. It offers great tunes, a breezy charm that evokes both the City of Light and the Jazz Age, and Gershwin's obvious affection for the French capital. Gershwin argued that this piece is structured in sonata form and is not just a series of episodes & impressions strung together with great skill; perhaps so, but no matter. Above all else, this is fun music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33379]

An American in Paris has always been one of Gershwin's most popular scores, and deservedly so. It offers great tunes, a breezy charm that evokes both the City of Light and the Jazz Age, and Gershwin's obvious affection for the French capital. Gershwin argued that this piece is structured in sonata form and is not just a series of episodes & impressions strung together with great skill; perhaps so, but no matter. Above all else, this is fun music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33379]

An American in Paris has always been one of Gershwin's most popular scores, and deservedly so. It offers great tunes, a breezy charm that evokes both the City of Light and the Jazz Age, and Gershwin's obvious affection for the French capital. Gershwin argued that this piece is structured in sonata form and is not just a series of episodes & impressions strung together with great skill; perhaps so, but no matter. Above all else, this is fun music. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33379]

Topics: Treefort, Sam Adams, Samabama, Compel, Boise, Trio, Jazz, Mathy, Improvisation, One Ton Dodge Ram Extend Cab, Hiss, Static, Dough Tosser, Sub, Theory, Feeling, Art Song, Tone Poem, Marimba, Percussion Ensemble, Synchronicity, Au, And And And

42 Minutes 264: Sama Dams - Comfort In Doubt - 03.11.2017 The program takes a 42 minute ride with Portland trio Sama Dams touring their way to the Treefort Music Fest where they play Saturday night, March 25th, 7:30 pm at the Linen Building. Topics Include: Treefort, Sam Adams, Samabama, Compel, Boise, Trio, Jazz, Mathy, Improvisation, One Ton Dodge Ram Extend Cab, Hiss, Static, Dough Tosser, Sub, Theory, Feeling, Art Song, Tone Poem, Marimba, Percussion Ensemble, Synchronicity, Au, And And And. https://samadams.bandcamp.com

This is my first podcast in a while.  I've been thinking a lot about the music that I would like to share in the future, and while "Piano Lab" was a lot of fun, the new show "Tone Poem" will allow me to feature more orchestral, choral and other non-piano music.  Of course, there will still be a good bit of piano music - especially music for piano and orchestra - but the new name will more accurately describe the show from now on.  The piece featured in this episode is a Tone Poem for piano, called Asleep.  I've shared it before, but I thought it would be appropriate to share it once more as the first piece under the new podcast name. I hope you enjoy this piece, written when my oldest daughter was an infant.  It was inspired by the many nights I spent rocking her to sleep.

We congratulate the winners of our Inkshares contest and name the book that will be joining our Sword and Laser collection. Plus, why you shouldn't be angry at George R. R. Martin and how Catherynne M. Valente's Radiance is like a Tone Poem.

In this episode, Classical 91.7’s Saturday Morning Music host and contra dancer extraordinaire, Amy Bishop takes Dacia on a journey with Smetana, Strauss, and Gershwin to learn about tone poems, invoking a surprising number of mermaids and mimes. Audio production by Todd Hulslander with “insightful” suggestions from Dacia Clay. Music used in this episode includes: Smetana’s “The Moldau” from Tchaikovsky/Smetana, Chesky CD65 Richard Strauss’ “Death and Transfiguration” from Metamorphosen, Tod Und Verklarung, Deutsche Grammophon 410 892 Gershwin’s “An American in Paris” from Rhapsody in Blue, RCA 68792

In this episode, Classical 91.7’s Saturday Morning Music host and contra dancer extraordinaire, Amy Bishop takes Dacia on a journey with Smetana, Strauss, and Gershwin to learn about tone poems, invoking a surprising number of mermaids and mimes. Audio production by Todd Hulslander with “insightful” suggestions from Dacia Clay. Music used in this episode includes: Smetana’s “The Moldau” from Tchaikovsky/Smetana, Chesky CD65 Richard Strauss’ “Death and Transfiguration” from Metamorphosen, Tod Und Verklarung, Deutsche Grammophon 410 892 Gershwin’s “An American in Paris” from Rhapsody in Blue, RCA 68792