Podcasts about Daphne Oram

Episode 162 Chapter 23, Radiophonic Music in the United Kingdom. Works Recommended from my book, Electronic and Experimental Music  This episode of the podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 23, Radiophonic Music in the United Kingdom from my book Electronic and Experimental music.   Playlist: RADIOPHONIC MUSIC IN THE UNITED KINGDOM   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Daphne Oram, “Introduction to Oramics” (1960). Introduction to her Oramics studio and processes for making electronic music. Voice and musical examples by Daphne Oram, recorded in her home studio Tower Folly, Kent. 04:37 01:38 2.     Daphne Oram, “Four Aspects” (1960). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 08:07 06:14 3.     Delia Derbyshire, “Doctor Who Theme” (Closing Credits) (1962). The most famous version of this theme for the popular television program, composed by Ron Grainer and realized by Derbyshire at the BBC studios. 02:23 14:20 4.     Ray Cathode (George Martin), “Time Beat” (1962). Produced at the BBC Radiophonic Workshop. Written and produced by George Martin, around the time when he was starting his production work with The Beatles. 02:11 16:40 5.     Ray Cathode (George Martin), “Waltz in Orbit” (1962). Produced at the BBC Radiophonic Workshop. Written and produced by George Martin, around the time when he was starting his production work with The Beatles. 01:52 18:52 6.     Daphne Oram, “Costain Suite” (1964). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 13:17 20:44 7.     Delia Derbyshire, “Running” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 08:08 34:02 8.     Delia Derbyshire, “Falling” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 08:45 42:08 9.     Delia Derbyshire, “Land” (1964). One of the seven parts from the “radio inventions” called "The Dreams," first broadcast on the BBC Third Programme, Sunday 5th January 1964. 07:02 50:54 10.   Daphne Oram, “Pulse Persephone” (1965). Tape composition by Daphne Oram recorded in her home studio Tower Folly, Kent. 04:03 58:06 11.   Tristram Cary, “Sputnik Code” (1968). Cary was a British composer and pioneer of electronic music. He composed this work for a movie soundtrack. 01:50 01:02:08 12.   Lily Greenham, “ABC in Sound” (1968). Early tape work by this pioneer of electronic music in the UK. Greenham was an Austrian-born Danish visual artist, performer, composer and leading proponent of sound poetry and concrete poetry. She settled in London. 02:39 01:04:02 13.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “The Black Mass: An Electric Storm In Hell (The White Noise)” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 07:20 01:06:40 14.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “Your Hidden Dreams” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 04:55 01:13:58 15.   White Noise (Delia Derbyshire, David Vorhaus, Brian Hodgson), “Love Without Sound” (1969). Experimental electronic music project established in London in 1968, originally as a group project between David Vorhaus and BBC Radiophonic Workshop members Delia Derbyshire and Brian Hodgson. Vocals by Annie Bird, John Whitman, Val Shaw. 03:07 01:18:52 16.   Electrophon (Brian Hodgson, Dudley Simpson), “Arrival of the Queen of Sheba” (Händel) (1973). Electronic interpretations of classical music for various synthesizers. 03:04 01:22:00 17.   Paddy Kingsland, “Fourth Dimension” (1973). Produced by Kingsland for the BBC Radiophonic Workshop. “The synthesisers used on this disc are both British, and both made by E.M.S. of London. They are the VCS3, an amazingly versatile miniature synthesiser, and its big brother, the Synthi '100', known within the Radiophonic Workshop as 'The Delaware', after the address of the Workshop.” 02:19 01:25:02 18.   Lily Greenham, “Traffic” (1975). Realized at the Electronic Music Studio, Goldsmiths' College, University of London. Technical Assistance, Hugh Davies. 10:33 01:27:18 19.   White Noise (David Vorhaus), “Concerto Movement 1” (1975). Used what Vorhaus called the Kaleidophon Synthesizer that included two EMS VCS 3's connected via a console of electronic modules he designed. 11:33 01:37:50 20.   Delia Derbyshire, “Dreaming” (1976). Produced for the BBC Radiophonic Workshop as a work to accompany a television program. 01:13 01:49:18 21.   Glynis Jones, “Crystal City” (1976). Produced for the BBC Radiophonic Workshop as a work to accompany a television program. 01:01 01:50:30 22.   Glynis Jones, “Magic Carpet” (1976). Includes three shorts works, Magic Carpet Take-Off, Magic Carpet Flight and Magic Carpet Land. Produced for the BBC Radiophonic Workshop as sound effects. 00:50 01:51:30 23.   Brian Hodgson, “Tardis Land” (1976). Produced for the BBC Radiophonic Workshop as a sound effect. 00:23 01:52:22   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Rossz példák a reklámszakmából, az autóiparból, a gépi szövegértési szektorból. Jó példák a műholdak, a felmérések és az elektronikus zene világából. Jegyzetek Ezért jó néha csütörtökön felvenni: Szerdai Híreink!!!!!! (https://kreativ.hu/cikk/a-lego-macska-varazslatos-karacsonya) FU LignoSat, a japán faszatelit (https://telex.hu/techtud/2024/11/05/fabol-keszult-muhold-japan-lignosat-kiotoi-egyetem) Damage felmérése (https://docs.google.com/forms/d/e/1FAIpQLSejnJuX2yQm0xksn9gtJD-c_-WeM37KTg3KUtDnBAwLp3tn2w/viewform?fbclid=IwY2xjawGXFhVleHRuA2FlbQIxMAABHduacR2xQVwyds1Ue633Nul8GZTXlzqUCA0FrRm7ichQlywqITx0ejkZLg_aem_rPkEk1r2f4CNIWgyRs_-DQ) Gím over rovat Tesla Full Self-Driving vs szarvas (https://jalopnik.com/tesla-using-full-self-driving-hits-deer-without-slowing-1851683918) NASA & Chill (https://www.nasa.gov/news-release/nasa-launches-beta-site-on-demand-streaming-app-update-coming-soon/) MI baj lehet belőle? rovat Hallucinál az egészségügyben használt AI eszköz (https://apnews.com/article/ai-artificial-intelligence-health-business-90020cdf5fa16c79ca2e5b6c4c9bbb14) AI-hoax Halloween-buli (https://www.independent.co.uk/news/world/europe/dublin-fake-halloween-parade-ireland-ai-advert-b2639505.html) Hogy szólnak rá a zeneszerzőre, hogy abba kéne hagynia az elektronikus zene programozását? rovat Delia Derbyshire (https://en.wikipedia.org/wiki/Delia_Derbyshire), az elektronikus zene úttörője (https://www.youtube.com/watch?v=qsRuhCflRyg) és a Dr. Who főcímdal készítője (https://www.youtube.com/watch?v=xkIEkLww3lg) Delian mode (https://www.youtube.com/watch?v=nXnmSgaeGAI) dokumentumfilm Ha van másfél órád, itt egy BBC-dokudráma (https://www.youtube.com/watch?v=3e9QDMWs76g) róla Orbital X Doctor Who (https://www.youtube.com/watch?v=8YxtPmUaFRI) Egészen szorosan kapcsolódik: Daphne Oram (https://en.wikipedia.org/wiki/Daphne_Oram), akit a techno nagymamájának (https://www.stylist.co.uk/visible-women/daphne-oram-mother-modern-electronic-music-biography-bbc/211466) is neveznek Hírlevél, hogy ne szoruljunk (http://eepurl.com/g7Bfd1) (az algoritmusra)

We're back in our regular format just in time for spooky season and for one of Nick's favourite horror films. A tale of ambiguity, repression, and corruption: it's Jack Clayton's THE INNOCENTS from 1961!CW: due to the nature of this movie's story, child sexual abuse is discussed in general terms. It's a real Freudian time on the podcast this week as we discuss Truman Capote's "skull beneath the skin" gothic concepts, Deborah Kerr's masterful portrayal of psychosexual ambiguity, why you shouldn't use flashbacks, creepy kids, and candelabras (candelabrae?). We're asking the question, how do you adapt a purposefully ambiguous tale? Fittingly, there's no exact answer!Plus, we're talking about how this was a huge leap forward for the horror genre in its cinematography and sound design, and it's a perfect opportunity to discuss electronic music pioneer Daphne Oram.Next time on the pod we visit a core text of the Gartbage crew: SHAUN OF THE DEAD!

It's August 9, 2024, and that means it's Doctor Who Podcast Day! To celebrate, we're digging back into Kenny's VHS archive, and retrieving an old video, converting it to DVD, lifting the soundtrack and it's been given a magical digital clean-up by Cameron Robertson. Dave and Kenny discuss Terrance, and present Terrance Dicks, live in Uddingston Library, from the summer of 1992. (Today's guest theme: What if Daphne Oram did a Doctor Who Theme by George W Music)

Daphne Oram (1925-2003) was one of Britain's first electronic musicians. She co-founded the BBC Radiophonic Workshop, a leading sound effects unit known for experimental work in sound, and developed her own “drawn-sound” technique known as Oramics, which involved drawing on film strips to produce sound.  For Further Reading: Daphne Oram: Portrait of an electronic music pioneer The woman who could ‘draw' music An Individual Note of Music Sound and Electronics This month, we're talking about Women of Sound. These women dominated the airwaves: innovating, documenting, and creating the audio landscape we live in today. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones and Abbey Delk. Special thanks to Shira Atkins.Original theme music composed by Miles Moran.Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

On plonge aux racines de la musique électronique Britannique dans Slippery ce mois-ci: une émission consacrée à Daphne Oram, la pionnière méconnue de la synthèse sonore à la BBC dans les années 50. Bleeps, blops, boucles et samples, en version totalement analogique !

Siempre me ha intrigado la ausencia de mujeres compositoras en la música en general y también, lógicamente, en la música electrónica en particular. Las artes en general parecen ser cosa de hombres, supongo que por arrastrar prejuicios culturales que relegaban a la mujer a papeles secundarios o simplemente porque las labores prominentes eran desempeñadas habitualmente por hombres. En nuestro canal de Telegram, Oriol mencionó que sería interesante hacer un episodio especial dedicado a las mujeres pioneras en la música electrónica y la verdad es que me la idea me apeteció mucho. Investigando un poco van saliendo nombres que se merecen un reconocimiento y que han jugado un papel destacado en el desarrollo de los precoces instrumentos electrónicos. Su música a menudo es más una amalgama de sonidos experimentales donde se juega con el tono, el timbre o la frecuencia, en lugar de crear una "música bonita", así que os advierto: haremos un ejercicio de arqueología musical, muy interesante para las mentes curiosas y abiertas a conocer en perspectiva aquellos inciertos origenes, para escuchar composiciones extrañas y de difícil comprensión entre otras más amigables. Hoy retrocederemos en el tiempo para rendir un homenaje a algunas de las mujeres pioneras en la música electrónica. Lisa Bella Donna, Johanna M. Beyer, Else Marie Pade, Delia Derbyshire, Pauline Oliveros, Wendy Carlos, Éliane Radigue, Pril Smiley, Suzanne Ciani, Daphne Oram, Constance Demby, Laurie Spiegel, Laurie Anderson, Pauline Anna Strom, Doris Norton, Elsa Stansfield. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1013.

Episode 98 Women in Synthesis, Part 1: Managing their Musical Identities Playlist Daphne Oram, “Four Aspects” from Oramics (2007 Paradigm Discs). This piece was composed in 1960 after Oram left the BBC Radiophonic Workshop and was running her own start-up. Four Aspects uses the Oramics instrument that she invented. It demonstrated her interest in creating works that were longer than the short snippets of music that she had produced for radio and television themes. The piece was patiently crafted and is strikingly harmonic, exploring a rich tone field that lacked the herky-jerky nature of other tape music of the time. You will hear the development of musical chords and harmonic fields from monophonic tone generators that she combined during mixing, developing gradually shifting texture employing filtering and loops. 8:06 Daphne Oram, “Pulse Persephone” (1965) from Oramics (2007 Paradigm Discs). Composed, realized, and produced by Daphne Oram. This was produced for the Treasures of the Commonwealth exhibition at the Royal Academy of the Arts. 4:03 Daphne Oram, “Costain Suite” (1965) from Oramics (2007 Paradigm Discs). Composed, realized, and produced by Daphne Oram. Music for a film production, circa 1970. 13:17 Teresa Rampazzi, “Immagini Per Diana Baylon” side a (1972), from Immagini Per Diana Baylon (2016 Die Schachtel). Music realized using analogue equipment, Teresa Rampazzi. One of her three known soundtracks for art installations. The analog work she completed at her Nuove Proposte Sonore (NPS) studio had striking parallels to the work of Daphne Oram in the UK. This piece was intended to be looped for 180 minutes while visitors perused an exhibit of abstract sculptures by Diana Baylon. 16:15 Teresa Rampazzi, “With the Light Pen” (1976) from Musica Endoscopica (2008 Die Schachtel). Composed and realized by Teresa Rampazzi at the Centro di Calcolo di Ateneo, Università di Padova. This was the first work realized with the Interactive Computer Music System (ICMS), in real-time. “The timbre, made by additive synthesis, adding frequencies in algebraic sequence, was sometimes acoustically harsh. On the other hand train pulses with regular rhythms were sweetened by long harmonic, dissolving tails.” (Rampazzi). 8:43 Teresa Rampazzi, “Atmen Noch”(1980) from Musica Endoscopica (2008 Die Schachtel). Stereophonic version (quadraphonic original) realized at the CSC (Centro di Sonologia Computazionale dell'Università di Padova). Composed in 1980 at the CSC Computer Music Center in Padova. Winner of the second prize at the VIII Concours International de Musique Électroacoustique, Bourges. Based on the mathematical analysis of “intersection sets, the elements of which were timbres. It was preceded by five months of research on timbres that were obtained from multitudinous ratios between the carrier and the modulating signals and inverted relationships with the ICMS program by Graziato Tisato.” (Rampazzi). This work will not immediately strike you as computer music, which is part of its beauty and uniqueness for all time. 15:16 Ruth White, “Wings Clipped (Too Many External Involvements / Flight Stopped” from 7 Trumps From The Tarot Cards And Pinions (1969 Limelight). Produced and realized by Ruth White. Clavichord, Harpsichord, Organ, Piano, Moog Modular Synthesizer, tape operations, Ruth White. 6:04 Ruth White, “Wanting Wings (Limited Capacity / No Flight Possible” from 7 Trumps From The Tarot Cards And Pinions (1969 Limelight). Produced and realized by Ruth White. Clavichord, Harpsichord, Organ, Piano, Moog Modular Synthesizer, tape operations, Ruth White. 3:42 Ruth White, “Love Gives Wings (With Wings)” from 7 Trumps From The Tarot Cards And Pinions (1969 Limelight). Produced and realized by Ruth White. Clavichord, Harpsichord, Organ, Piano, Moog Modular Synthesizer, tape operations, Ruth White. 8:48 Opening background music: Daphe Oram, “Introduction” and “Power Tools” from Oramics (2007 Paradigm Discs). Voice and electronic realization, Daphne Oram. Ruth White, “The Litanies Of Satan” from Flowers of Evil (1969 Limelight). Ruth White, all instruments including the Moog Modular Synthesizer. Realized by Ruth White. 6:56 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

This week on the show, a conversation with Philip Selway. You might know him best as the drummer of Radiohead, but he's moved deeper and deeper in the last 13 years. His latest is called Strange Dance, and it's out now on Bella Union. It's a sweeping and textural listen, envisioned by its creator as something like a "Carole King record meets Daphne Oram." We caught up with Phil to dig in. Along the way, we discuss his songwriting approach, explore why he decided to not play drums on this new outing, the side project arrangements enjoyed by Radiohead, the band's relationship to peers like Portishead, Wilco, Nick Cave and the Bad Seeds, the 20th anniversary of Hail to the Thief, and much more.  Transmissions is produced in partnership with Talkhouse Podcast Network. Aquarium Drunkard is powered by its Patreon supporters. We'll be back next Wednesday with a mind blowing conversation with Dorothy Moskowitz, who was a member of the pioneering psych combo The United States of America. She's returned with a new album, and group, The United States of Alchemy, and it's an apocalyptic, vivid listen. Subscribe to Aquarium Drunkard Transmissions so you don't miss it. This transmission is concluded.

Groundbreaking musician, performance artist, and writer Cosey Fanni Tutti joins Jude on this week's episode of Songbook to delve in to Daphne Oram's An Individual Note of Music, Sound and Electronics- a remarkable study of the relationship between electronic music and technology, origninally published in 1972.Their conversation also takes in Cosey's memories of listening to pop music as a child, her relationship with her hometown of Hull, and the importance of abandoning pre-conceptions when listening to music.Cosey's 2022 book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti is a vital meditation on womanhood, creativity and self-expression, and a revelatory exploration into the lives of three visionary artists - Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti a book by Cosey Fanni Tutti. (bookshop.org)Books mentioned in the podcast:Art Sex Music by Cosey Fanni Tutti Art Sex Music a book by Cosey Fanni Tutti. (bookshop.org)An Individual Note of Music, Sound and Electronics by Daphne Oram Daphne Oram - an Individual Note of Music, Sound and Electronics a book by Daphne Oram. (bookshop.org)Quantum Listening by Pauline Oliveros Quantum Listening a book by Pauline Oliveros. (bookshop.org)Sound Within Sound: Opening Our Ears to the Twentieth Century by Kate Molleson Sound Within Sound: Opening Our Ears to the Twentieth Century a book by Kate Molleson. (bookshop.org)Up Above the City, Down Beneath the Stars by Barry Adamson Up Above the City, Down Beneath the Stars a book by Barry Adamson. (bookshop.org)You can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org)Finally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

There have never been so many initiatives fostering marginalised talent in electronic music and sound, and one such platform is the UK's Oram Awards. Established in 2017, the Oram Awards is a partnership between The Radiophonic Institute, PRS Foundation & The Daphne Oram Trust, and elevates the work and voices of women, Trans and Non-Binary music creators working in sound innovation, music and related technologies.Inside this episode, Isobel gets the chance to chat with 2022 winners Kelly Jayne Jones and Amble Skuse to discuss their artistic practice and what winning an Oram Award means to them as women in music. Isobel is also joined by judge and Senior Lecturer of Sonic Arts at Goldsmiths University, Iris Garrelfs, who shares why Daphne Oram is such an inspirational figure and how you can apply for the 2023 awards yourself. Find out more about the Oram Awards >>Follow the Oram Awards on Instagram >>Links to the websites of this week's guests:Amble Skuse >>Kelly Jayne Jones >>Iris Garrelfs >>Check out Daphne Oram's An Individual Note >>Subscribe to the podcast wherever you're listening and don't miss an episode of Girls Twiddling Knobs ⚡️

It's May 18, 2021. Cherry, Bird, and Cow teach us about Dinosaur Day, the Lakota Sioux Tribe wanting US medals rescinded for the Wounded Knee Massacre, women synthesizer pioneers, kids in NYC who protested pesticides and won, a 6th grader who tests to see if a cat's anus touches everything in a household, and archaeologists thinking they discovered where the alphabet comes from.

It's May 18, 2021. Cherry, Bird, and Cow teach us about Dinosaur Day, the Lakota Sioux Tribe wanting US medals rescinded for the Wounded Knee Massacre, women synthesizer pioneers, kids in NYC who protested pesticides and won, a 6th grader who tests to see if a cat's anus touches everything in a household, and archaeologists thinking they discovered where the alphabet comes from.

Composition by Masha Kouznetsova.  "I recorded two tape loops from the sound sample of the Agfa pinhole camera, and developed the composition of found sounds upon these looped sound samples. I also recorded on tape the sound from the real-time map of lightning occurring across the globe and the sound of the magnetosphere from HereGOES satellite, broadcast live via the installation at Wave Farm. The voices feature passages from two books, An Individual Note by Daphne Oram and Água Viva by Clarice Lispector. Both writers poetically discuss their perception of electric currents, light, sound, and the interconnectedness of senses." This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Are you obsessed with early electronic music?? We started a private group for people like you. https://www.facebook.com/groups/cosmictapemusicclub/ Thanks for joining us for Episode 12 of the Cosmic Tape Music Club Podcast! Join your hosts Jacqueline and Augustus of the experimental pop band The Galaxy Electric as they get cosmic on the topic of Daphne Oram. What a pioneer of sound and vision. Recommended Listening: Bird of Parallax - https://www.youtube.com/watch?v=8Oc0B6pkl4A Vimeo video on the Oramics Machine - https://vimeo.com/21310959 Her book - https://www.daphneoram.org/anindividualnote/ Our Daphne-inspired Synth Performance - https://youtu.be/RVb-_xwRN9A   Personal Music Section: Renzo Pajella, "Space Moon II" - https://renzopajella.bandcamp.com/track/space-moon-ii Max Stephens, "Requiem" - https://maxstephens.bandcamp.com/track/requiem

Los sonidos se mueven, se amplifican, se dispersan, se vuelven ondas. Este es un capítulo especial. Lisa Rovner nos lleva al misterioso mundo de la música electrónica creada por mujeres. Sister with Transistors es un documental donde Clara Rockmore, Daphne Oram, Delia Derbyshire, Pauline Oliveros entre otras, nos muestran su particulares maneras de hacer música. Una historia que camina al margen de la cultura oficial.

Without Daphne Oram, most of the music we hear today would not exist. Through her ground breaking sound experiments working as a BBC Studio Engineer in the 1950s Daphne became the founding mother of electronic music. And in this episode we discover how a mystical experience set her on the path to musical greatness and how the establishment resisted her progress every step of the way...

Sami Ruokankaan ja Juha Kakkurin rockuutisten katsauksen jälkeen Pauli Kauppilana haastattelussa vieraana on pitkän linjan muusikko, säveltäjä ja tuottaja Lasse Turunen. Lasse on kulkenut pitkän matkan rock- ja funk-juurilta kohti elektronisen musiikin tuotantoja. Jakson äänityshetkellä takana on jo 14 albumia ja lukuisia musiikki- sekä teatteriprojekteja. Tällä hetkellä Lasse toimii Pihka Is My Name -yhtyeessä Henna Helasvuon kanssa. Uusin Pihka Is My Name -albumi on jo kuunneltavissa Bandcampissa ja julkaistaan muihin steaming-palveluihin 25.2. Lassen ja Hennan musiikkia voi kuulla myös Ylen ja MTV:n tunnusmusiikkeina. Kuuntele mielenkiintoinen ja rento juttutuokio, josta mm. selviää miten sadepäivän ajanvietteeksi tehdyistä kotisohvan koeäänityksistä päästään Ilosaarirokkiin ja kiertueille. Lasse Turusen valinnat: https://open.spotify.com/playlist/4eUBChY9lC63CRpB303Wvz?si=94fa7473ef5a4023 Pihka Is My Name -soittolista: https://open.spotify.com/playlist/14oR2JciYzBCr9noUfVZ7i?si=5cb630a4d3654189 Jaksossa ovat mukana Slash, Michael Monroe, Franz Ferdinand, Keith Richards & The X-Pensive Winos, Allman Brothers Band, Debbie Harry, Mavis Staples, Warren Haynes, Gov´t Mule, Melissa Etheridge, Larkin Poe, Tyler Bryant, Anders Osborne, Jimmy Vivino, Maggie Rose, Kiefer Sutherland, Waddy Wachtel, Charley Drayton, Ivan Neville, Sarah Dash, Babi Floyd, Bobby Keys, W.A.S.P., Blackie Lawless, Uriah Heep, Aerosmith, Leslie West, Mountain, Zakk Wylde, Joe Lynn Turner, Robby Krieger, Steve Morse, Yngwie Malmsteen, Willie Nelson, Guns N' Roses, Myles Kennedy, Eddie Van Halen, Paul Brannigan, Brad Tolinski, Chris Gill, Henna Helasvuo, Sly & The Family Stone, Graham Central Station, Red Hot Chili Peppers, Ville Karttunen, Ukkosmaine, Pihka ja Myrsky, Pihka Is My Name, Beatles, Rolling Stones, Camden Live, U2, Bono, The Ark, John Frusciante, Jon Hopkins, Led Zeppelin, Neil Young, Sisters With Transistors, Daphne Oram, Robert Johnson, Kurt Cobain, The Pixies, Larry Graham ja Flea. Pihka Is My Name Bandcampissa https://pihkaismyname.bandcamp.com/

Podcast de tecnología musical e historia de la música electrónica. En este episodio del podcast charlamos de: Landscape Noon Bastl Softpop 2 Daphne Oram Erica Synths mki x es.edu

Inside this week's episode, Isobel examines the fascinating process of sound synthesis, including what it is, how it was developed, the women who have played a vital role in this technology and then, lastly, how you can start incorporating it into your own music too.Isobel also highlights two contemporary female artists doing interesting things with sound synthesis right now, and all of the music mentioned in this episode of the podcast will be added to our fab new Girls Twiddling Knobs playlist too!Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.EPISODE HIGHLIGHTS{0:00} Intro{03:40} What is Sound Synthesis?{09:11} How/When Did Sound Synthesis Start? {12:05} Female pioneers of Sound Synthesis{14:04} Contemporary Women Making Music with Synths{15:27} New developments in Sound Synthesis{17:33} Best Ways to Start Using Sound Synthesis in your Music{20:33} Episode SummaryListen to the Girls Twiddling Knobs Playlist on Spotify >>A helpful summary of audio synthesis >> Read more about the beginnings of Sound Synthesis >>Read more about the female pioneers of electronic music >>Watch the Sisters with Transistors Documentary >>Watch the Delia Derbyshire docu-drama The Myths and Legendary Tapes >>Find out more about Daphne Oram >>Find out more about Delia Derbyshire >>Find out more about Suzanne Ciani >>Find out more about Laurie Spiegel >>Listen to Episode 22 of Girls Twiddling Knobs with Hannah Peel >>Listen to Episode 34 of Girls Twiddling Knobs with Melody Loveless >>Listen to Georgia's album Seaking Thrills (2020) >>Check out the NESS Research Project at the University of Edinburgh >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Don't be shy - spread the Girls Twiddling Knobs Love

Analisamos o clássico "Os Inocentes", dirigido por Jack Clayton e protagonizado por Deborah Kerr, um dos melhores filmes de horror de todos os tempos. Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:06:10 - Grande Angular: saiba mais sobre o elenco e a equipe do filme 00:14:56 - Close-up: perfil da atriz Deborah Kerr 00:20:10 - Ponto de Vista: análise e comentários sobre o filme 01:21:06 - Zoom: cenas ou momentos essenciais do filme 01:27:57 - Fora de Quadro: outras adaptações de "A Outra Volta do Parafuso" para o cinema e para a TV "Os Inocentes" é baseado na novela gótica "A Outra Volta do Parafuso", escrita por Henry James. O roteiro foi adaptado por William Archibald e Truman Capote. O enredo acompanha a Srta. Giddens (Deborah Kerr), uma governanta recém-contratada para cuidar dos irmãos órfãos Flora (Pamela Franklin) e Miles (Martin Stephens), que vivem na Mansão Bly, em Essex, no Leste da Inglaterra. Não demora para que a Srta. Giddens comece a notar comportamentos estranhos nas crianças e a ser assombrada por visões de um casal de ex-funcionários da propriedade que teriam morrido no local. E essas supostas forças sobrenaturais perturbam cada vez mais a rotina da Srta. Giddens e a sua relação com Flora e Miles. Além da análise do filme em si, o nosso podcast também discute a importância da fotografia em CinemaScope dirigida pelo renomado Freddie Francis; destaca a importânica de Daphne Oram, pioneira da música eletrônica, para o design de som do filme; traz o perfil da atriz Deborah Kerr; comenta a prequela "Os Que Chegam com a Noite" (The Nightcomers, 1971), estrelada por Marlon Brando; e relembra outras adaptações de "A Outra Volta do Parafuso" para o cinema e para TV. Participam do podcast sobre "Os Inocentes": Renato Silveira e Kel Gomes, editores do cinematório, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. - Visite a página do podcast no site e confira material extra sobre o tema do episódio! - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema!

In 1949 a 23-year old composer named Daphne Oram wrote a pioneering new work for two orchestras, live electronics and turntables that was subsequently lost for decades. Only vague references survived until composer and archivist James Bulley rediscovered the complete score in 2015. He enlisted composer and turntable artist Shiva Feshareki to help him realize the electronics using the technology that would have been available to Oram. In 2018 the work was finally premiered at the BBC Proms. It was the first work of its kind and it is a masterpiece.

Are you ready to follow the journey of a sound wave and expand the horizons of your audio knowledge? If so, boy is this a corker of an episode to kick off Season 2 of the podcast as Isobel takes you on a virtual tour of the National Science and Media Museum's new exhibition series SONIC, BOOM.Inside, Curator of Sound Technologies, Annie Jamieson, shares her personal take on all the weird and wonderful audio objects on display, how she curates sound and the commissioned artist works on display at the gallery spaces. Plus, you'll get a sneak peak of the galleries' soundscapes too!EPISODE HIGHLIGHTS{0:00} Intro{04:12} Annie Jamieson's pathway into music {10:03} Replicate everyday sounds using technology at the National Science and Media Museum {22:42} The instruments, objects and apparatus used to deepen our understanding of sound{44:52} Sound-treating a gallery space to create an immersive experience{56:25} How you can get involved with their interactive exhibitions{01:02:18} Working within an all-female workplace {01:08:25} Episode summarySubscribe to the podcast now so you never miss an episode.Check out both ‘Sonic: Adventures in Audio' and ‘Boom: Experiments in Sound' and other associated events at the National Science and Media Museum HERE >>Both exhibitions run until the 5th of December, 2021.See images and more info for some of the objects mentioned in the podcast by searching HERE >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Don't be shy - spread the Girls Twiddling Knobs Love

This month for my Totally Wired Radio Monday show 2-4 pm I bring you ‘Electrifying Occupants' a two-hour feast of the unknown from past to present of Electronic woman artists. Women were so crucial in this world and continue to be, so we celebrate them and hear a range of sounds they have been made and continue to influence us with. It's all women for two hours. Expect to hear Laurie Anderson, Daphne Oram, Planningtorock, Laima, Bjork to Dee-Lite, and plenty more.

This month for my Totally Wired Radio Monday show 2-4 pm I bring you ‘Electrifying Occupants' a two-hour feast of the unknown from past to present of Electronic woman artists. Women were so crucial in this world and continue to be, so we celebrate them and hear a range of sounds they have been made and continue to influence. It's all women for two hours. Expect to hear Laurie Anderson, Daphne Oram, Planningtorock, Laima, Bjork to Dee-Lite, and plenty more.

While the history of electronic music includes many notable men whose stories have been frequently celebrated, the genre has also provided a space for a wide range of extraordinary women to create a musical room of their own. Working with machines meant being able to sidestep many of the hurdles that stood in the way of women aspiring to a musical career, such as access to orchestras, commissions and concert halls, and an over-riding failure to be taken seriously by the male musical gate-keepers. Elizabeth Alker examines the connections between early pioneers such as Eliane Radigue and Daphne Oram (who gained access to studios thanks to the second world war), those musicians who followed in their immediate wake such as Suzanne Ciani and Laurie Spiegel, and today's generation of female composers. Anna Meredith, Holly Herndon, Afrodeutsche and JLin all speak with Elizabeth about their own work and the debt they owe their predecessors. Central to the story is the composer and academic Pauline Oliveros, who founded the San Francisco Tape Music Centre, and whose theories around deep-listening as a feminist act shape so much of the texture of the music created by the women and men who followed her. This is music, Elizabeth argues, which has an emphasis on tone and texture. This lends it a particular quality making it both distinct from its male equivalent and also profoundly beautiful and rich. Presenter: Elizabeth Alker Producer: Geoff Bird A Tempo & Talker production for BBC Radio 4

Chapters00:34 - Introduction02:06 - Summary Of The Film02:52 - Why Make The Documentary?04:15 - Not Seeking Popularity 06:08 - Gathering Archive Footage07:22 - Narration by Laurie Anderson08:34 - The Women Tell Their Own Stories 09:32 - Sound Design Instead Of A Score12:21 - Marta Salogni On Her Influences 20:53 - Defining A New Genre Of Music 23:32 - Creating New Sounds And Composing With Tape 28:26 - Sound Design For The Film31:38 - The Challenges Of Composing For Film34:41 - The Importance Of Female Role Models36:29 - EndingThe film features Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, Maryanne Amacher, Pauline Oliveros, Wendy Carlos, Eliane Radigue, Suzanne Ciani and Laurie Spiegel with commentary by Laurie Anderson.https://sisterswithtransistors.com/https://www.modernfilms.com/sisterswithtransistors (UK) https://metrograph.com/live-screenings/sisters-with-transistors/ (USA)Lisa Rovner BiogA French American artist and filmmaker, Lisa Rovner is now based in London with her work presented in art venues and theatres internationally. Her films delve into the archives and work to transform politics and philosophy into cinematic spectacle. Rovner has collaborated with some of the most internationally respected artists and brands including Pierre Huyghe, Liam Gillick, Sebastien Tellier, Maison Martin Margiela and Acne. Sisters With Transistors is her first feature documentary.www.messageisthemedium.comMarta Salogni BiogA record producer, mixer, recording engineer and tape composer, Marta Salogni launched her career in her native Italy, where she spent her early years collaborating with artists and bands across a range of musical styles. As a producer and mixer, Marta Salogni has worked with Björk, M.I.A., Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men, The Orielles, HMLTD, and Django Django. Marta is the sound designer for Sisters With Transistors.www.solarmanagement.co.uk/marta-salogniCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

Two more tales from the annals of musical history, featuring the nightclub in the ballroom of northern mill town that was voted Billboard's 'Best Disco In The World', and the pioneering genius who did so much to establish electronic music in the UK. See acast.com/privacy for privacy and opt-out information.

Discover the unsung female pioneers of electronic music in our Sisters With Transistors special. This one’s a real treat for your ears! First up, Anna is joined by collaborators on the doc: writer-director Lisa Rovner and pioneer Suzanne Ciani. Lisa explains the process of finding archive footage and constructing the ‘herstory’. From Buchla concerts to making music for the movies, Suzanne recalls her experience of being a female composer in the 70s and 80s. She remembers being one of the first women to solo score a Hollywood movie, The Incredible Shrinking Woman, in 1981. Keep listening for Suzanne’s discovery of a female film composer working in the 40s! And stay tuned for advice if you're keen to follow in her footsteps. Next, Anna chats to contemporary electronic composers Shiva Feshareki and Elizabeth Bernholz (aka Gazelle Twin). They recount their careers so far and talk about the unexpected positives of working in a male-dominated industry. Shiva explains how she got involved with Sisters With Transistors, and Elizabeth describes her powerful emotions when watching it. Together, they discuss the pioneers they look up to and those they have discovered through the doc. Other movie mentions: A Life in Waves (2017), Delia Derbyshire: The Myths and Legendary Tapes (2020), The Power (2021). This episode is in partnership with Modern Films. https://www.modernfilms.com/ Shiva Feshareki music: White Dwarf, from Nebula - a release due to come out on Vinyl with Matière Mémoire on 25th May / https://soundcloud.com/shivafeshareki NTS Live at Uniqlo Tate Lates, manipulating Daphne Oram and more: https://www.youtube.com/watch?v=At3Y93M_HkA Elizabeth Bernholz / Gazelle Twin music: The Well is featured on the OST for The Power: https://invada.bandcamp.com/album/the-power-original-motion-picture-soundtrack Unflesh is featured in Nocturne: https://invada.bandcamp.com/album/welcome-to-the-blumhouse-nocturne-amazon-original-soundtrack Suzanne Ciani music: Buchla concerts in NYC in 1975 Delia Derbyshire: Doctor Who theme Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

In 'Come Fly the World', journalist Julia Cooke explores the history and legacy of Pan Am, one of the world’s most iconic airlines. Julia focuses on the adventurous lives and careers of the international jet-age stewardesses of Pan Am – a job which no longer exists - who were expected to fit a specific physical profile, speak multiple languages and demonstrate diplomacy. As the women worked to maintain the glamourous image of Pan Am, they interacted with international politicians and helped to transport American soldiers to and from war zones, during the Vietnam War. The stewardesses witnessed global history and world events, playing a crucial role in major wartime missions including the evacuation of children during the fall of Saigon. Throughout the pandemic, pregnant women have been asked to make their own judgements on the risk of vaccination versus the risks of COVID-19. With very little real-world data available, that decision has been no easy task however two new large scale studies may now help prospective parents feel more confident in balancing the costs and benefits. One study of over 35,000 pregnant women given the Pfizer and Moderna vaccines showed no evidence of them being unsafe. The second study looked at what happens to pregnant women if they do catch COVID-19. Aris Papageorghiou, a Professor of Fetal Medicine at the Oxford Maternal and Perinatal Health Institute, talks to Anita about the results of this global study. He also explains why we should consider allowing pregnant women to be vaccinated sooner, rather than making them wait for their age-related invite to arrive in the post. Hair removal is a rite of passage for a lot of women and apparently some influencers are encouraging shaving your face! Apparently facial hair removal is nothing new - Queen Elizabeth I started the trend by shaving her facial hair, and women even shaved their eyebrows off. So how popular is it with women today? Beauty therapist and make up artist Naveeda discusses. A new film called 'Sisters With Transistors' about the unsung female pioneers of electronic music, is released today. Featuring women like Clara Rockmore, Suzanne Ciani and Delia Derbyshire, of Dr Who theme fame, the film is narrated by Laurie Anderson and celebrates the achievements of women whose male counterparts took centre stage in historical narratives around ground-breaking electronic composition. The director Lisa Rovner joins Anita as does Bishi, the singer, composer and artistic director and co-founder of WITCiH, The Women in Technology Creative Industries Hub, a platform to increase the visibility women at the intersection of music, creative technology and STEM. Presenter: Anita Rani Producer: Kirsty Starkey Interviewed Guest: Professor Aris Papageorghiou Interviewed Guest: Naveeda Interviewed Guest: Julia Cooke Interviewed Guest: Lisa Rovner Interviewed Guest: Bishi

"All instruments are inventions and all music is made up -- so make your own using microcontrollers," writes Helen Leigh in Volume 76 of Make Magazine, encouraging people to create and invent musical instruments, as she has. In this conversation with Helen Leigh, we learn about her upbringing in Wales, how she first learned about electronics at a makerspace in London, why she objects to call herself "self-taught" and her new lab in Portland Oregon. She came from a family that consumed lots of music and her early musical experiences were singing choral music in church in Wales. Her work today still bears the influences of sounds of the high church of her childhood. We talk about why harpsichords went of out fashion and how electronic music got started with pioneers such as Daphne Oram and Delia Derbyshire.We talk about technology from reel-to-reel tape recorders to synthesizers and to making electronic music with Makey-Makey and the Bela board. Helen is an advocate for people learning how to make their own instruments, to experiment with music and be makers of your own kind of music.https://makezine.com/2021/03/24/making-new-music-with-helen-leigh

Dr. Zemke is in the studio talking Pioneers of Electronica! She takes Rachel on a musical journey featuring those who kick-started such a cool genre of music, including the works of Delia Derbyshire (1972), Daphne Oram (1965), and Pauline Oliveros (1967).

En este nuevo episodio de Nueva Onda, hablamos de la unión de iZotope y Native Instruments, la nueva iniciativa de Google Arts & Culture y los sintetizadores que cambiaron la historia. Además celebramos el MAR10 Day hablando de Koji Kondo y conmemorando el 8M platicamos de 5 grandes pioneras de la Síntesis y la tecnología musical. Clara Rockmore, Bebe Barron, Daphne Oram, Pauline Oliveros y Suzanne Ciani. Terminamos el show con un patch para componer al estilo de Steve Reich .

In questo episodio parliamo di Daphne Oram e Delia Derbyshire: gli anni Sessanta, la BBC, e due pioniere oscure della musica elettronica.In-Between è un podcast ideato, prodotto e scritto da Marta Fantin e Marina Calvaresi; Voce di Marina Calvaresi; Musiche, produzione audio e grafica di GIUNGLA; Illustrazioni di Ambra Galassi.

seth bogart · dawn’s lips :: toni basil · you gotta problem :: david newton & thee mighty angels · in love and war :: prince · sex shooter :: daphne oram · melodic group shapes :: halina rice · spheres :: nathan salsburg · landwerk iii :: bill frisell · winter always turns to spring :: noveller · canyons :: françoiz breut · mes péchés s’accumulent :: dogs · never come back :: willie j healey · fashun / merry christmas (instrumental) ::::Daphne Oram: https://www.youtube.com/watch?v=mJ08diPUv6A&t=434s

seth bogart · dawn’s lips :: toni basil · you gotta problem :: david newton & thee mighty angels · in love and war :: prince · sex shooter :: daphne oram · melodic group shapes :: halina rice · spheres :: nathan salsburg · landwerk iii :: bill frisell · winter always turns to spring :: noveller · canyons :: françoiz breut · mes péchés s’accumulent :: dogs · never come back :: willie j healey · fashun / merry christmas (instrumental) ::::Daphne Oram: https://www.youtube.com/watch?v=mJ08diPUv6A&t=434s

The BBC Radiophonic workshop was founded in 1958 by Desmond Briscoe and Daphne Oram. This group of experimental composers, sound engineers and musical innovators provided music for programmes including The Body in Question, Horizon, Quatermass, Newsround, The Hitchhiker's Guide to the Galaxy, Chronicle and Delia Derbyshire's iconic Doctor Who Theme before being shut down by Director General John Birt in 1998. Tying into the 2020 celebration of classic Prom concerts, this episode of Free Thinking is being rebroadcast It was recorded in 2014, as the Workshop prepared to release an album, and tour the UK, Matthew Sweet brought together Radiophonic Workshop members Dick Mills, Paddy Kingsland, Roger Limb, Peter Howell, and Mark Ayres to reflect on the days and nights they spent in the workshop, coaxing ageing machines into otherworldly life, and pioneering electronic music. Also in the programme, producer and former drummer with The Prodigy Kieron Pepper, Oscar winning Gravity composer Steven Price, Vile Electrodes, and Matt Hodson, on the influence the Radiophonic Workshop had on them. Producer: Laura Thomas

46☆30☆56 - David A. Jaycock - Murder, and the Birds special. With music from Jaycock, Daphne Oram, Tim Hardin, Nahawa Doumbia, Dean McPhee, Cluster and more. This episode features special guest David A. Jaycock, discussing his forthcoming Murder, and the Birds. --- Support this podcast: https://anchor.fm/46-30/support

En aquest programa parlaren de Daphne Oram, Francis Grasso, Nancy Whang, Chic, Fasme, Promising/Youngster i M.I.A...entre molts d'alares.

This is Draw The Line Radio Show with Jacki-e, featuring my mix in the 1st hr of music made by women and then, for the 2nd hr, I hand the decks over to a female DJ. Helping me Draw The Line this week it's Thought Criminal, co-founder of the Fierce Collective and host of the Fierce Collective radio show on the first Monday of each month on www.mihitradio.co.uk, from 8pm UK time. She is also a resident at Aberdeen's Binary School/Binary Trax- a club night and label showcasing live production of electronic music. Links for Thought Criminal:- https://soundcloud.com/thought-criminal-1 https://www.facebook.com/DJThoughtCriminal/ https://soundcloud.com/fiercecollective https://www.binary-school.co.uk/ https://soundcloud.com/binary-school-trax In my mix in the first hour I’m featuring tracks by Denise Rabe, Violent Blondes, Beth Lydi, Miss Melera and lots more. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list 1st hour mixed by Jacki-E 1. Cosey Fanni Tutti – Helix (original mix) Conspiracy Intrnational. 2. Cosey Fanni Tutti – Moe (original mix) Conspiracy Intrnational. 3. Magdalena – Radialis (original mix) Diynamic Music. 4. Denise Rabe – Lucy’s Dream 9original mix) Rabe. 5. Violent Blondes – Queen of Bethnal Green (original mix) Civil Disobedience Records. 6. Miss Melera – Magenta (original mix) Chapter 24. 7. Beth Lydi – Ample (original mix) Snoe. 8. Anna – Far Beyond (Marc Houle Lalaw remix) Rukus. 9. Depeche Mode – Cover Me (Ellen Allien UFO remix) Columbia. 10. Mila Dietrich – You Will Remember (original mix) Nymphony Records. 11. Maya Jane Coles – Werk (original mix) I / AM / ME. 12. Anna V – Take Cover (original mix) Funk ‘n’ Deep Records. 13. Julia Govor, Jeroen Search – Research Not Over (original mix) PushMaster. 14. Marie Vaunt – Elixir (original mix0 ONFYR Records. 15. Violent Blondes – Bunny Boiler (original mix) Unreleased. 16. Christina Semmler – Troublemaker (Torsten Kanzler emix) Kellerbeats. 17. Nusha – Equality (T78 remix) Autektone Records. 18. Rebekah – Pareto’s Law (Robert S (PT) remix) Sleaze Records. 19. C’hantal – The Realm (Bloody Mary’s Power to Accudse remix) Missile Records. 20. Miss Electric - :Pole (original mix) Blok Records. 21. Christina Semmler – Mutterkorn (original mix) Drehmomen 2nd hour Thought Criminal - An Exclusive Guest Mix for Draw The Line Radio Show. An all female mix featuring Delia Derbyshire, Daphne Oram, Gazelle Twin, Sky High Diamonds, Kyoka, Leonie Pernet, Deena Abdelwahed, Maya Jane Coles, La Fraicheur, Miss Kitten, Tawa Girl, Mira Calix, Mistress Barbara, Electric Indigo, Anetha, Femanyst and Mila Dietrich and opens with a sample of Greta Thunberg speaking about climate change! Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production.

1941, dans le Sud de l’Angleterre. Daphne Oram a 17 ans. Elle grandit dans une famille aisée et reçoit une très bonne éducation dans une école pour filles où elle apprend notamment le piano et l… See acast.com/privacy for privacy and opt-out information.

Next up on At percussion - a podcast the Chair of Percussion Studies at the University of Washington, Bonnie Whiting! Bonnie is widely known for her performances and commissions of new experimental music, and projects that include new notation, interdisciplinary performance, and especially speaking percussionist.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and hello.  How was everyone's PASIC?1:39 Bonnie, your involvement in the PAS Diversity Alliance?11:52 A common opposing opinion towards diversity and tokenization.  Thoughts on having more diverse applicant pools.  Thoughts on the importance of representation19:29 Laurel and Bonnie:  Female percussionist + full-time jobs + kids.  How?!26:00 Casey: What's the sound?   Daphne Oram29:52 Daphne Oram's Oramics Machine33:57 Your collaboration with composer Eliza Brown and women in prison.  Upcoming project in Turkmenistan.42:55 Megan: “A Culture That Supports Creativity” article.  Curricular changes pros and cons1:09:41 Studying with Steven Schick?

Shock World Service 081: Trigger Points by Sunken Foal 22/10/18 Dublin, Ireland 1. Daphne Oram - Melodic Group Shapes Simple, primitive synthesis and effects, and all the better for it. Daphne Oram had a unique method of drawing shapes on 35mm film and covering it to sound. I'm not sure if his is an example of the method though. 2. Raymond Scott - Sleepy Time Some of the tracks of this ‘Soothing sounds for Baby' album are perhaps a little harsh and piercing for today's infant but I think this one has a comporting warm tone. I love how you can hear the difference between each voice of the synth sequence. 3. Monoton - Jsca I became aware of Konrad Becker's early 80's synthetic soundscapes some years ago and I've been a huge fan since. Mono Tone / Monotonous: however you want to take it is fine by me. 4. Bernard Parmegiani - Jeux de Configurations Parmegiani is kind of a Daddy for me. By simply deviating from conventions in art you can pretty easily come up with something considered Avante-Garde. I find that sometimes the emperor is wearing no clothes. But making that work compelling, absorbing or transcending is another matter. I listened Parmegiani's ‘La Création Du Monde' in college in a pitch black room played back on a big set of Genelec mid field monitors and it spoke to me in volumes. Hope it speaks to other people just as much. 5. Arnold Dreyblatt - Luftmenschen IMinimalist composer Arnold Dreyblatt explores the psychoacoustic properties of prolonged stringed instrument techniques on his ‘Second Selction' LP. Well worth lying down for. 6. Rashad Becker - Dances V This is kind of ‘The New Music' for me. Really descriptive synth work-outs with little or no spacial affectation. Lots of dynamics and energy. The absence of regular rhythm and melody is so welcome. 7. Duane Pitre - Section IV Big lovely acoustic drones. Exploring layers of harmonics with washing movements. This is from 2012's ‘Feel Free' and is totally worth a listen. 8. Meyers - Inhaler II Another artist I kinda think of as ‘The New Music' ; ). Apparently, Meyers was struck down with a bad illness and relegated to a small computer/contact mic set up and set about making a bit of a masterpiece in his ‘Negative Space (1981–2014)' LP. 9. Roly Porter - Birth Roly Porter's ‘Life Cycle of a Massive Star' is a massive, massive album. Originally a member of Planet-Mu's Dub Step visionaries Vex'd along with Jamie Kuedo. Kinda does what is said on the tin. 10. Lasry / Baschet - Quatuor Pour Trois The opening titles to early 80's children's television show ‘Music Box' are forever inscribed on my brain. A few years ago I found out the music was by Jacques Lasry and played on the Cristal Baschet (invented by the Bashet Brothers), the creepy sounding glass & metal rodded instrument. So unique sounding and beautifully composed to get the maximum ‘odd' but memorable recordings. This track is from ‘Les Structures Sonores' album and is well worth checking out. 11. Autechre - Mirrage Taken from Ae's latest ‘NTS Session (part 4)' LP. People have been crying out for Autechre to make more legato music since their ‘Vletrmx' opus in 1995. We got a couple of hours of it this year and it's deep to say the least. This is probably my favourite track from the eight hour album put out this year (2018). 12. Kate NV - BUG Really charming, free sounding compositions from Kate NV. Beautifully illustrated postcards to go along with all the tracks from her для FOR LP. 13. Brian Eno - Innocenti Eno seemed to have really codified his ambient approach by 1992's ‘The Shutov Assembly' LP. So much patience and space and still so slick. I go back to this LP a lot. Neither happy or sad, just right ; ) Read notes on all 52 tracks at at http://www.shockworldservice.com/081/

Part one of a two-part series. Non-definitive dip into the history of electronic music. Featuring mad scientist of experimental music, Daphne Oram; Mad Men meets synthesizers in the work of Raymond Scott; modern master David Sylvian; German noise outfit Der Plan; elegant works of Orchestral Manoeuvres in the Dark. Playlist The Little Orchestra in Sonovox- […]

An Alien at the end of time listens to Dolly Parton; Exegesis on 35 sentences (sentence 1); reads about Daphne Oram and the Radiophonic Workshop.Show notes at http://www.zenglop.net

An Alien at the end of time listens to Dolly Parton; Exegesis on 35 sentences (sentence 1); reads about Daphne Oram and the Radiophonic Workshop.Show notes at http://www.zenglop.net

It’s time for the second in our series all about personal pronouns and this week it’s all about YOU, dear listener. Yes, for this show we move to the second person but without trying to point the finger. We cover … Continue reading →

Mysteries of the Deep Podcast, Chapter LIX. Sur Mes Lèvres by Mas. Cover photo courtesy of Candace Price. Tracklist: 1. Mika Vainio - Magnetia 2. Koenraad Ecker - Nazif 3. Delia Derbyshire - Planetarium 4. Vainio & Vigroux - Man 5. Georges Delerue - Confidentially Yours: The Stranger Customer Again 6. John Chowning - Sabelithe 7. Douglas Lilburn - Study From One Note 8. Michèle Bokanowski - Tabou 9. Alva Noto + Ryuichi Sakamoto - Microon II 10. Delia Derbyshire & Barry Bermange - I’d Like to Believe in God, But... 11. Pierre Jansen - Le boucher 12. Kreng - The Summoning 13. Andrea Parker, Daphne Oram, Daz Quayle - Now and Always Here 14. Sunn 0))) & Boris - N.L.T. 15. Monolake - Toku 16. Daphne Oram - Dr. Faustus Suite 17. Bobby Vinton - My Special Angel 18. David Lynch - Untitled 19. Peggy Lee - I'm A Fool To Want You 20. François Bayle - Andromede https://soundcloud.com/mascreature

Programme de VICTORIA KEDDIE pour webSYNradio : A SIMPLE MODEL OF QUANTUM TRAJECTORIES. Avec les sons de Laurie Spiegel, Maryanne Amacher, Kathleen Baird, Leyna Marika Papach, Maia Hardinge, Maria Chavez, Daphne Oram, Victoria Keddie, Rose Kallal, Eliane Radigue, Hiro Kone, Zaimph.

Britų kompozitorė Daphne Oram.Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

Britų kompozitorė Daphne Oram.Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis.

KNITSONIK republishes a radio show about Daphne Oram, Delia Derbyshire and Maddalena Fagandini; originally created for MuseRuole in 2013.

  Rare Frequency Podcast 54: On and on 1 COH, "Helicon" To Beat (Editions Mego) 2014 CD Time: 00:00-06:18 2 Driftmachine, "To Nowhere, pt. 2" Nocturnes (Umor Rex) 2014 LP Time: 06:18-11:32 3 Foom, "Abstract Communications" No Fidelity Audio (No Fidelity Audio) 1998 CD Time: 11:32-21:02 4 Andrea Parker and Daz Quayle reinterpreting Daphne Oram, "Frightened of Myself" Private Dreams and Public Nightmares (Aperture) 2014 CD Time: 21:02-34:35 5 El g, "Grand Huit" La Chimie (SDZ) 2013 LP Time: 34:35-37:46 6 David Toop, "Silver Birds" Mondo Black Chameleon (Sub Rosa) 2014 CD Time: 37:45-40:04 7 Thomas Tilly, "Unidentified Insects Colony" Script Geometry (Aposiopese) 2014 2LP Time: 40:00-48:52 8 Fennesz, "The Liar" Becs (Editions Mego) CD 2014Time: 48:38-53:11 9 Dino Spiluttini, "Anxiety" Modular Anxiety (Umor Rex) LP 2014 Time: 53:02-58:02 10 Devo, "Booji Boy’s Funeral" Hardcore Devo, Vol. 2 (Rykodisc) CD 2013 Time: 59:25-end

Our next episode is yet again a unique, one-off installment showcasing a veteran of the New York techno scene and a man who during the early 90s pioneered and helped push the sound of this city out to the world, STEVE STOLL. This exclusive mix is a brief overview of his label, Proper NYC, in order to commemorate its 20th anniversary. Steve wanted to dedicate this journey to his friend and producer, Vincent Capuano (V1NZ), who is no longer with us, as well as the artwork featured here to Pete Namlook, which was taken from his latest album, Zero Point Crossings, on Fax Records. This a one-of-a-kind contribution, trailing the old-school, the minimal, and the raw, pure techno sound coming out of Proper NYC during the 90s. We are very grateful to be able to showcase this and we thank Steve for taking time out of parenthood and the American Midwest (where he and his family reside currently), to bring us this piece of frozen time. At last, we strongly suggest you check his latest album, Praxis, released this past January on Psychonavigation, which is a superlative ambient composition spanning 16 tracks and dedicated to the work of the following 3 electronic pioneers – Daphne Oram, Delia Derbyshire, and Laurie Spiegel. This is Steve Stoll live (recorded in one take exclusively for Erratic) celebrating 20 Years of Proper NYC. Enjoy! TRACKLIST 01. Steve Stoll - Praxis - Psychonavigation 02. Steve Stoll - Props - Proper NYC 03. Steve Stoll - Props 066-2 - Proper NYC 04. Steve Stoll - Facade - Proper NYC 05. Steve Stoll - Sixty Nine (Andreas Florin mix) - Proper NYC 06. R-Play - Switch - Proper NYC 07. Steve Stoll - Greater Than X (Mix 2) - Proper NYC 08. Steve Stoll - The Come Up - Proper NYC 09. V1NZ - Strange Occurrence - Proper NYC 10. Steve Stoll - Props 065-1 - Proper NYC 11. Steve Stoll - "You Do You" - Proper NYC 12. Steve Stoll - External In (Gez Varley mix) - Proper NYC 13. Steve Stoll - Props 066 - Proper NYC 14. BCR Boys - Perpetual Groove - Proper NYC STEVE STOLL's Resident Advisor Page STEVE STOLL's Bandcamp Page STEVE STOLL's Discogs Page - Erratic is comprised of a small team of passionate curators hosting proper Techno parties in New York City. www.ErraticNYC.com | www.fb.com/ErraticNYC

Exactly a year ago, Thomas Pujols released his fifth full-length as Nebulo. The album’s launch was celebrated with an exclusive mix, Cardiac Mixtape on Headphone Commute. Today we seem to replicate this past. Once again, the beloved Hymen Records releases Nebulo’s next full-length, Castles. And once again, we compliment the album with this mix. This mix is made of old tracks (1951 for the incantation for tapes / 1960 for Daphne Oram / 1991 for Sean Booth), very recent ones (like the Dopplereffekt EP released just this month ) and 3 tracks taken from my new album out on October 29th on Hymen. The idea was to play with analog synthesis, (post)-techno beats and sonic experiments. For full track listing and more information about this mix, please visit headphonecommute.com

In a rare example of temporal relevance for Project Moonbase, this week we bring you a show all about the return to halls of learning currently going on up and down the country. We have educational music to tickle your … Continue reading →

This week’s show takes its title from a new reissue by the ever dependable Jonny Trunk whose latest reissue is Daphne Oram’s first (and only) LP, an album which was recorded for use in schools. In addition to that we … Continue reading →

Top Tracks of 2007 You Are Hear Jan 08 showA bumper new years edition as Magz and Jims spin some of their favourite tracks from 2007 featuring Jeffrey Lewis, Panda Bear, Daphne Oram, Pram, Alexander J Holmes, LCD Soundsystem, Harmonia, Dan Deacon, Carter,Tutti, The Focus Group, Dopplereffekt, Xylitol, Battles, Alhaji K Frimpong and Sprung Aus Den Wolken. Plus tunes from the dearly departed Alice Coltrane, Lee Hazlewood and Karlheinz Stockhausen. Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.ukSubscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehearYAH 2002-6 live radio sessions CD now available as download album via wippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Top Tracks of 2007 You Are Hear Jan 08 showA bumper new years edition as Magz and Jims spin some of their favourite tracks from 2007 featuring Jeffrey Lewis, Panda Bear, Daphne Oram, Pram, Alexander J Holmes, LCD Soundsystem, Harmonia, Dan Deacon, Carter,Tutti, The Focus Group, Dopplereffekt, Xylitol, Battles, Alhaji K Frimpong and Sprung Aus Den Wolken. Plus tunes from the dearly departed Alice Coltrane, Lee Hazlewood and Karlheinz Stockhausen. Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.ukSubscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehearYAH 2002-6 live radio sessions CD now available as download album via wippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Dntel remixes Enya. Mali's Rokia Traore brings the beauty and then we pick up a bit with Toronto's Austra. We drop some post-punk/post-rock with Sonic Youth and Pixies then legends Eek-a-Mouse and Lee Perry bring the reggae. Electronic music pioneer Daphne Oram brings her Bird of Parallax, and Santogold drops a nice remix of L.E.S. Artistes. We drop beats towards the finish with the PNW underground hip-hop of Mad Rad, Sapient and Grayskul, finishing up with the indie pop of Sweden's Palpitation. Tracklist: 0:00 Dntel - Boadicea 3:17 Rokia Traore - Dounia 9:27 Austra - Spellwork (MNDR Nighttime Remix) 14:33 Sonic Youth - Tunic (Song For Karen) 20:47 Pixies - Broken Face 24:16 Eek-a-Mouse - Dip Em 28:02 Lee "Scratch" Perry & The Whitebellyrats - Panic In Babylon 35:38 Daphne Oram - Bird of Parallax 39:48 Santogold - L.E.S. Artistes (XXXchange Mix) 43:36 Mad Rad - Jungle Cat 47:48 Sapient - Dopesick 51:26 Grayskul - Scarecrow 54:28 Palpitation - I Lost and Died http://www.howesoundsystem.com http://www.facebook.com/howesoundsystem

It’s time to catch up with some recent releases and reissues on the show this week. So we have a track from the new EP by Giant Claw, an 8-bit cover of an 80s classic and another track from our … Continue reading →

  Rare Frequency Podcast 50: The Return of Stormy Weather A podcast, which was put together on a stormy evening, and uploaded in its sunny aftermath under the watchful/hostile eye of Necco-San. Enjoy! 1 Daphne Oram, "Melodic Sound Shapes 2" Melodic Sound Patterns (His Master’s Voice) 7” 1962 Time: 00:00-00:30 2 Chris Watson, "El Devisidaro" El Tren Fantasma (Touch) CD 2011Time: 1:35-7:02 3 Ernst Karel, "Scuol Matta-Naluns" Swiss Mountain Transport (Gruenrekorder) CD 2011 Time: 7:02-11:18 4 Rick Reed, "Mesmerism" The Way things Go (Elevator Bath) 2LP 2011 Time: 11:20-19:33 5 Harmonizer, "Derdeba" World Complete (Mexican Summer) EP Time: 19:34-26:20 6 Judy Dunaway, "”Blown Balloon Solo Improvisation Live in the Netherlands" Globos (Alku) Cassette 2011 Time: 27:19-34:31 7 C. Spencer Yeh, "Two Guitars" 1975 (Intransitive) CD 2011 Time: 34:31-40:36 8 Sculpture, "Iterative Deviation" Toad Blinker (Dekorder) LP 2011Time: 40:36-43:48 9 Pimmon, "Cane Toccatore" Lay Down Real Slow (Stunned) Cassette 2011 Time: 44:42-55:54 10 Yannick Franck, "Horsehead Negula (for Philip Maggi)" Memorabilia (Silken Tofu) CD 2011 Time: 55:54-58:35 11 Astral Social Club, "Wishaw" Generator Breaker (Dekorder) LP 2011 Time: 59:29-66:30

On the show this week we reach out to our younger listeners (or at least our younger-at-heart listeners) with a selection of songs by, for or which we hope will at least appeal to children of all ages. We’ll be … Continue reading →

Great news for radiophonic enthusiasts in the next week or so as next weekend (2-3 April 2011) the Cube Cinema in Bristol will be hosting A Radiophonic Weekend featuring former members of the BBC Radiophonic Workshop. Then on Thursday 7 … Continue reading →

You Are Hear alternative new music presented by Jim Backhouse Feb 9th 2007 Feb 9th For this week's You Are Hear, Jim Backhouse trawls the knotted undergrowth of early electronic music for more astringent blasts of analogue synth-blatt, elaborate tape manipulation and the sounds of visionary inventors struggling with primitive technologies: from the pioneering soundworks of Daphne Oram, founder of the BBC Radiophonic Workshop to the precocious bleeps and squawks of some US High School Students let loose in the electronic music lab. Mika Vainio also brings us a genuinely terrifying sliver of noise from his new album 'Revitty' which sounds reminiscent of being torn limb-from-limb by a shoal of bloodthirsty sharks; Adam Bohman offers sage advice to the ill and lovelorn, and besides that we have plenty more psychedelic, electronic, home-made, DIY, perverse, collective karma for you to bug out to. Enjoy! Full track listings and contacts for everyshow are found at www.youarehear.co.ukTo catch our latest podcast why not subscribe for free at our website you can also now get emails alerts sent to you direct everytime we update the feed.Leave us your pics and feedback at http://www.myspace.com/youarehearYou can now listen to the latest YOU ARE HEAR radio show on demand at TotallyRadio - updated every 2 weeks on Fridays - do check out our playlists page for full track details-Listen to the latest YOU ARE HEAR SHOW at www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show"Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

You Are Hear alternative new music presented by Jim Backhouse Feb 9th 2007 Feb 9th For this week's You Are Hear, Jim Backhouse trawls the knotted undergrowth of early electronic music for more astringent blasts of analogue synth-blatt, elaborate tape manipulation and the sounds of visionary inventors struggling with primitive technologies: from the pioneering soundworks of Daphne Oram, founder of the BBC Radiophonic Workshop to the precocious bleeps and squawks of some US High School Students let loose in the electronic music lab. Mika Vainio also brings us a genuinely terrifying sliver of noise from his new album 'Revitty' which sounds reminiscent of being torn limb-from-limb by a shoal of bloodthirsty sharks; Adam Bohman offers sage advice to the ill and lovelorn, and besides that we have plenty more psychedelic, electronic, home-made, DIY, perverse, collective karma for you to bug out to. Enjoy! Full track listings and contacts for everyshow are found at www.youarehear.co.ukTo catch our latest podcast why not subscribe for free at our website you can also now get emails alerts sent to you direct everytime we update the feed.Leave us your pics and feedback at http://www.myspace.com/youarehearYou can now listen to the latest YOU ARE HEAR radio show on demand at TotallyRadio - updated every 2 weeks on Fridays - do check out our playlists page for full track details-Listen to the latest YOU ARE HEAR SHOW at www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show"Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Episode 1 of SAM's new podcast series. Feat. Zeitkratzer & Carsten Nicolai, Daphne Oram, Chris Watson, label showcases for Editions Wandelweiser and Olde English Spelling Bee plus others. Listen New Departures Episode 1 Subscribe via iTunesread more

Episode 1 of SAM's new podcast series. Feat. Zeitkratzer & Carsten Nicolai, Daphne Oram, Chris Watson, label showcases for Editions Wandelweiser and Olde English Spelling Bee plus others. Listen New Departures Episode 1 Subscribe via iTunesread more

  Rare Frequency Podcast 17: Domestic Bliss 1 Daphne Oram, "Rotolock" Oramics (Paradigm) CD 2007 2 Klaaro, "001-eg" …a gift for… (Grey Sparkle) CDr 2006 3 Sleepararchive?, "L-A-C" Stamp Release EP(Sleeparchive) 12” 2007 4 alva noto, "Haliod_Xerrox_Copy_6" Xerrox (Raster Noton) CD 2007 5 Scott Taylor, "Monkey Puzzle" Five Dreams for Sleepers (Con-v) CDr 2006 6 Janek Schaefer, "Accident Assistant" Wire Tapper 6 (The Wire) CD 2005 7 Oren Ambarchi, "Lost Time Not Found Again" An Evening At Room40 (Room40) CD 2006 8 C-Schulz, "Flimm II" 5.Flicker Tunes (Sonig) CD 2005 9 Svalastog, "Slow-Blowing Wireless" An Evening At Room40 (Room40) CD 2006 10 Jorg Follert, "By Car" Visor (Tomlab) CD 1997 11 Senking, "Graue Musik" List (Raster Noton) CD 2007 12 Salah Ragab and the Cairo Jazz Band, "Egypt Strut" Egyptian Jazz (Art Yard) CD/LP 2006