Podcasts about tiepolo

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

A cura di Tiziana Ricci - Si avvicina il GIORNO DELLA MEMORIA e già sono iniziati gli appuntamenti in occasione dell'ottantesimo anniversario dalla liberazione dei campi di concentramento. FOTO DEL CAMPO DI MAUTHAUSEN alla Casa della Memoria di Milano. TU SEI LA MEMORIA DELLA MIA NOTTE: Marcello Maloberti interpreta creativamente i ricordi di Liliana Segre al Memoriale della Shoah Un grande fotografo innovatore nell'approccio alla fotografia di moda, Milano rende omaggio a GEORGE HONINGEN-HUENE PALAZZO DUGNANI, un gioiello storico - artistico con gli affreschi del Tiepolo e della Scuola Veneziana, che futuro avrà? il Comune lancia un bando per la concessione, le intenzioni dell'assessore alla cultura Sacchi e i timori con Fulvio Irace, storico dell'architettura e docente

Don ist Anfang 40 und ein renommierter Kunsthistoriker in Cambridge - die Universität und die Erforschung Tiepolos bedeuten ihm alles.

Ce mardi 3 décembre, Antoine Larigaudrie a reçu Aude Kersulec, journaliste BFM Business, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef analyste chez IG, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Christian Fontaine, directeur de la rédaction adjoint du Revenu, Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Jean-Marc Daniel, économiste et professeur émérite à l'ESCP Business School, Matthieu Ceronne, trader et fondateur de Galileo Trading, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Foulques de Sainte-Marie, directeur de fonds chez Mata Capital, et Elisabeth Da Souza, directrice mécénat et philanthropie de la Fondation Entreprendre, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Vous ne savez pas dans quoi investir en Bourse ? Des gérants vous donnent des idées de valeurs, secteurs, matières premières... Aujourd'hui, ce sont Matthieu Ceronne, trader et fondateur de Galileo Trading, et Xavier Milvaux, gérant de portefeuilles chez Tiepolo.

Ce mardi 3 décembre, Antoine Larigaudrie a reçu Aude Kersulec, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Foulques de Sainte-Marie, directeur de fonds chez Mata Capital, Christian Fontaine, directeur de la rédaction adjoint du Revenu, et Elisabeth Da Souza, directrice mécénat et philanthropie de la Fondation Entreprendre, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Vous ne savez pas dans quoi investir en Bourse ? Des gérants vous donnent des idées de valeurs, secteurs, matières premières... Aujourd'hui, ce sont Matthieu Ceronne, trader et fondateur de Galileo Trading, et Baptiste Revel, analyste financier chez Tiepolo.

Ce mardi 19 novembre, Lorraine Goumot a reçu Aude Kersulec, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Baptiste Revel, analyste financier chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Ludovic Huzieux, cofondateur d'Artémis Courtage, Christian Fontaine, directeur délégué de la rédaction chez Le Revenu, et Florent Delorme, stratégiste chez M&G Investments, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 19 novembre, Lorraine Goumot a reçu Aude Kersulec, journaliste BFM Business, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef Analyste chez IG, Christian Fontaine, directeur délégué de la rédaction du Revenu, Félix Baron, Fondateur du "Club des Investisseurs Indépendants", Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Jean-Marc Daniel, économiste et professeur émérite à l'ESCP Business School, Matthieu Ceronne, trader et fondateur de Galileo Trading, Baptiste Revel, analyste financier chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Ludovic Huzieux, Artémis Courtage, Christian Fontaine, directeur délégué de la rédaction chez Le Revenu, et Florent Delorme, stratégiste chez M&G Investments, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Vous ne savez pas dans quoi investir en Bourse ? Des gérants vous donnent des idées de valeurs, secteurs, matières premières... Aujourd'hui, ce sont Matthieu Ceronne, trader et fondateur de Galileo Trading, et Benjamin Rivière, gérant de portefeuilles chez Tiepolo.

Ce mardi 5 novembre, Lorraine Goumot a reçu Étienne Bracq, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Benjamin Rivière, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Jérôme Robin, fondateur de Nousassurons, Wilfrid Galand, directeur stratégique chez Montpensier Finance, et Amaury de Tonquédec, journaliste BFM Business, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 5 novembre, Lorraine Goumot a reçu Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef analyste chez IG, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Christian Fontaine, directeur délégué de la rédaction du Revenu, Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Jean-Marc Daniel, éditorialiste BFM Business, Étienne Bracq, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Benjamin Rivière, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Jérôme Robin, fondateur de Nousassurons, Wilfrid Galand, directeur stratégique chez Montpensier Finance, et Amaury de Tonquédec, journaliste BFM Business, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Vous ne savez pas dans quoi investir en Bourse ? Des gérants vous donnent des idées de valeurs, secteurs, matières premières... Aujourd'hui, ce sont Matthieu Ceronne, trader et fondateur de Galileo Trading, et Baptiste Revel, analyste chez Tiepolo.

Ce mardi 8 octobre, Lorraine Goumot a reçu Etienne Bracq, journaliste BFM Business, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef analyste chez IG, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Christian Fontaine, directeur délégué de la rédaction chez Le Revenu, Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Jean-Marc Daniel, éditorialiste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Clara Trevisiol, co-fondatrice de Monabee, et Laurent Schwartz, fondateur du Comptoir national de l'or, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Vous ne savez pas dans quoi investir en Bourse ? Des gérants vous donne des idées de valeurs, secteurs, matières premières... Aujourd'hui, ce sont Matthieu Ceronne, trader et fondateur de Galileo Trading, et Xavier Milvaux, gérant de Portefeuille chez Tiepolo.

Ce mardi 8 octobre, Lorraine Goumot a reçu Etienne Bracq, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Clara Trevisiol, co-fondatrice de Monabee, et Laurent Schwartz, fondateur du Comptoir national de l'or, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 24 septembre, Lorraine Goumot a reçu Matthieu Ceronne, trader et fondateur de Galileo Trading, Benjamin Rivière, gérant de Portefeuille chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Laurent Nataf, président de Homélior, Christian Fontaine, directeur délégué de la rédaction Le Revenu, et Jean-Marc Daniel, économiste, professeur émérite à l'ESCP Business School, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 24 septembre, Lorraine Goumot a reçu Etienne Bracq, journaliste BFM Business, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef Analyste chez IG, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Christian Fontaine, directeur délégué de la rédaction Le Revenu, Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Matthieu Ceronne, trader et fondateur de Galileo Trading, Benjamin Rivière, gérant de Portefeuille chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Laurent Nataf, président de Homélior, et Jean-Marc Daniel, économiste, professeur émérite à l'ESCP Business School, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Villa Pisani a Stra, lungo la Riviera del Brenta, è scenario perfetto per la grande monografica di Federico Garolla, a cura di Uliano Lucas e Tatiana Agliani, proposta con il titolo “Gente d'Italia. Fotografie 1948 – 1968”. La sontuosa villa affrescata da Tiepolo, con il suo celebre labirinto e il magnifico parco, diventa il luogo […]

Vittorio Sgarbi"Arte e Fascismo"La nave di Teseowww.lanavediteseo.eu"Libri a Castello" Racconigi (Cuneo)Martedì 10 settembre, ore 21:00Vittorio Sgarbi presenta il libro “Arte e Fascismo” (La nave di Teseo).“Un ventennio. Vent'anni del Novecento, dalla marcia su Roma nell'ottobre 1922 al drammatico epilogo della seconda guerra mondiale nel 1945, che sono stati giudicati dalla storia come il momento più triste del secolo che abbiamo alle spalle. Gli stessi anni, nell'arte, sono il tempo di ‘Valori Plastici', di ‘Novecento', del gruppo di artisti che si raccoglie attorno a Margherita Sarfatti. Una tale ricchezza di esperienze, autori, circoli che ha fatto dire a una grande studiosa, Elena Pontiggia, che ‘gli anni trenta non sono un decennio, mi fanno pensare a un secolo'.”Vittorio Sgarbi segue il filo dell'arte in una storia che inizia prima del Fascismo, che dentro il ventennio cresce, e dopo il Fascismo viene spazzata via insieme alla naturale condanna del regime. Sgarbi distingue l'espressione artistica dal potere e per questo, a fianco di de Chirico, Morandi, Martini, salva dall'oblio Wildt, Guidi, la grande stagione dell'architettura e della grafica, ma anche Depero, il Futurismo e oltre, fino alla rivelazione di due scultori formidabili mai apparsi all'onore della critica, Biagio Poidimani e Domenico Ponzi.“Un crocevia di dimenticanze e di rimozioni ha reso difficile la ricostruzione dello stato dell'arte durante il Fascismo. Ci sono voluti decenni, ma alla fine la verità storica si impone. Per capire chi siamo stati, come siamo stati e a quale storia apparteniamo.” (Dalla prefazione di Pierluigi Battista)Vittorio Sgarbi è nato a Ferrara. Critico e storico dell'arte, professore ordinario di Storia dell'arte, accademico di San Luca, ha curato mostre in Italia e all'estero. È sottosegretario alla Cultura, prosindaco di Urbino, presidente del MART di Rovereto, presidente della Fondazione Canova di Possagno, presidente di Ferrara Arte, commissario per le arti di Codogno, presidente del MAG – Museo dell'Alto Garda e presidente della Fondazione Cavallini Sgarbi che conserva le sue opere. Nel 2011 ha diretto il Padiglione Italia per la 54a Biennale d'Arte di Venezia. La serie di volumi dedicata al Tesoro d'Italia, una storia e geografia dell'arte italiana, comprende Il tesoro d'Italia. La lunga avventura dell'arte (2013), Gli anni delle meraviglie. Da Piero della Francesca a Pontormo (2014), Dal cielo alla terra. Da Michelangelo a Caravaggio (2015), Dall'ombra alla luce. Da Caravaggio a Tiepolo (2016), Dal mito alla favola bella. Da Canaletto a Boldini (2017), Il Novecento. Volume I: dal Futurismo al Neorealismo (2018), Il Novecento. Volume II: da Lucio Fontana a Piero Guccione (2019). Tra le sue pubblicazioni più recenti, La Costituzione e la Bellezza (con Michele Ainis, 2016), Leonardo. Il genio dell'imperfezione (2019), Caravaggio. Il punto di vista del cavallo (nuova edizione 2021), Ecce Caravaggio. Da Roberto Longhi a oggi (2021), Raffaello. Un Dio mortale (2022), Canova e la bella amata (2022), Roma (nuova edizione 2022).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Ce mardi 27 août, Lorraine Goumot a reçu Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Pierre Schang, gérant de portefeuille actions chez La Financière de l'Echiquier, Julie Bachet, directrice générale chez Vousfinancer, et Christian Fontaine, directeur délégué de la rédaction du Revenu dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 27 août, Lorraine Goumot a reçuEtienne Bracq, journaliste BFM Business, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Christian Fontaine, directeur délégué de la rédaction du Revenu, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Florian Ielpo, en charge de la macroéconomie chez Lombard Odier IM, Jean-Marc Daniel, éditorialiste BFM Business, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Pierre Schang, gérant de portefeuille actions chez La Financière de l'Echiquier, et Julie Bachet, directrice générale chez Vousfinancer, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

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Ce mercredi 3 juillet, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Félix Baron, fondateur du « Club des Investisseurs Indépendants », Stéphane Desquartiers, dirigeant de SD Conseils et Formations, Nicolas Doze, éditorialiste BFM Business, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, et Grégory Guilmin, fondateur de la Bourse Make it Easy, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mercredi 3 juillet, Lorraine Goumot a reçu Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Stéphane Desquartiers, dirigeant de SD Conseils et Formations, Nicolas Doze, éditorialiste BFM Business, Xavier Milvaux, gérant de portefeuilles chez Tiepolo, Grégory Guilmin, fondateur de la Bourse Make it Easy, Antoine Larigaudrie, journaliste BFM Business, Marie Coeurderoy, journaliste BFM Business, Baudoin de la Varende, co-fondateur d'Ithaque, spécialiste de la rénovation énergétique, et Souleymane-Jean Galadima, co-fondateur de Sapians, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

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Ce mercredi 19 juin, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Romain Daubry, responsable marchés dérivés et membre de la cellule infos d'Experts chez Bourse Direct, Félix Baron, Fondateur du "Club des Investisseurs Indépendants", Nicolas Doze, éditorialiste BFM Business, Baptiste Revel, analyste financier chez TIEPOLO, et Grégory Soudjoukdjian, directeur général de Rhetores Finance, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mercredi 5 juin, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, et Christoph Pradillon, gérant de portefeuille chez Tiepolo, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mercredi 5 juin, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, Christoph Pradillon, gérant de portefeuille chez Tiepolo, Marie Coeurderoy, journaliste BFM Business, Pascal Py, cofondateur du cabinet Vous Vendez Nous Achetons, Souleymane-Jean Galadima, cofondateur de Sapians, et Amaury de Tonquédec, journaliste BFM Business, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

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Ce mercredi 22 mai, Stéphane Pedrazzi a reçu Antoine Larigaudrie, journaliste BFM Business, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des marchés chez eToro, Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, Christoph Pradillon, analyste gérant chez Tiepolo, et Caroline Ménager, cofondatrice Pixpay, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mercredi 22 mai, Stéphane Pedrazzi a reçu Antoine Larigaudrie, journaliste BFM Business, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des marchés chez eToro, Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, Christoph Pradillon, analyste gérant chez Tiepolo, Caroline Ménager, cofondatrice Pixpay, Antoine Larigaudrie, journaliste BFM Business, Marie Coeurderoy, journaliste BFM Business, Jérôme Robin, fondateur de Nousassurons, Marie-Christine Sonkin, rédactrice en chef Patrimoine des Echos, et Brune Ribadeau Dumas, directrice des solutions d'investissement chez Kimpa, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 14 mai, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Jean-Louis Dell'Oro, rédacteur en chef adjoint de BFMBusiness.com, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef analyste chez IG, Christian Fontaine, directeur délégué de la rédaction chez Le Revenu, Nicolas Doze, éditorialiste BFM Business, Benjamin Rivière, gérant de portefeuille chez Tiepolo, et Jean-Marc Daniel, éditorialiste BFM Business, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 14 mai, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Jean-Louis Dell'Oro, rédacteur en chef adjoint de BFMBusiness.com, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef analyste chez IG, Christian Fontaine, directeur délégué de la rédaction chez Le Revenu, Nicolas Doze, éditorialiste BFM Business, Benjamin Rivière, gérant de portefeuille chez Tiepolo, Jean-Marc Daniel, éditorialiste BFM Business, Lilia Peytavin, stratégiste Action chez Goldman Sachs, Marie Coeurderoy, journaliste BFM Business, Laurent Demeure, président de Coldwell Banker Europa Realty, et Yassir Benjelloun-Touimi, co-fondateur d'Artex, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

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Ce mercredi 24 avril, Lorraine Goumot a reçu Antoine Larigaudrie, journaliste BFM Business, Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Félix Baron, Fondateur du "Club des Investisseurs Indépendants", Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, Xavier Milvaux, gérant de portefeuille chez Tiepolo, et Grégory Guilmin, fondateur de la Bourse Make it Easy, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mercredi 24 avril, Lorraine Goumot a reçu Félix Baron, fondateur du Club des Investisseurs Indépendants, Valentin Nicaud, membre de la cellule infos d'expert de Bourse Direct, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Laurent Grassin, directeur des contenus chez Boursorama, Nicolas Doze, éditorialiste BFM Business, Xavier Milvaux, gérant de portefeuille chez Tiepolo, Grégory Guilmin, fondateur de la Bourse Make it Easy, Antoine Larigaudrie, journaliste BFM Business, Marie Coeurderoy, journaliste BFM Business, Arthur Lenglet, cofondateur d'Oben, Marie-Christine Sonkin, rédactrice en chef Patrimoine chez Les Echos, et Nicolas Kieffer, gérant de Montpensier Finance, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

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Ce mercredi 10 avril, Lorraine Goumot a reçu Aude Kersulec, journaliste BFM Business, Gustav Sondén, cofondateur de Colbert, Antoine Fraysse-Soulier, responsable de l'analyse des Marchés chez eToro, Romain Daubry, responsable marchés dérivés et membre de la cellule Infos d'Experts chez Bourse Direct, Félix Baron, fondateur du "Club des Investisseurs Indépendants", Stéphane Pedrazzi, journaliste BFM Business, Christoph Pradillon, gérant chez Tiepolo, et Benjamin Wattinne, fondateur de Sowefund, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

West Indian poet and playwright Derek Walcott made his debut as an 18-year-old with In a Green Night. For many years he divided his time among Saint Lucia; Boston University, where he taught; and Trinidad, where he managed a theater. Walcott also worked as an artist and combined his poetry with painting in the volume Tiepolo's Hound (2005).Walcott's works often deal with Caribbean history, while he simultaneous searches for vestiges of the colonial era. Western literary canon is revised and given a completely new form, as in the poetry collection Omeros (1990). In his writing Walcott explores the complexity of living and working in two cultures.-bio via Nobel Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Episode 59 of ‘All About Art': Art in Fiction: Discussing Tiepolo Blue, a novel by James Cahill In this episode, I sat down with James Cahill, art critic, academic and author. James published his debut novel in 2022 titled Tiepolo Blue, in which art historian Don is captivated by the Venetian master Giovanni Battista Tiepolo's skies. The story is set in the 1990's, beginning in Cambridge where Don is a professor. Throughout the novel, Don goes through both an artistic and sexual awakening after moving to London, starting a new job, and charting unfamiliar territory.  Listen on to hear me ask James about the process of writing the novel. We speak about his research, the storyline, the setting of the London art scene in the 1990's, and more. He also takes time during our interview together to give us a reading directly from the book, allowing us to gain a deeper insight into his writing and the main character's personality.  Thank you James for coming on the podcast! Find Tiepolo Blue here: https://www.hachette.co.uk/titles/james-cahill-2/tiepolo-blue/9781529369397/  --- YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker  ⁠ Twitter ⁠@alex_steinacker⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com  Assistant Production: ⁠Leanne Dennis⁠ This episode is supported and sponsored by Synergy⁠ ⁠https://synergy.tech/the-clubhouse/⁠ 

Nous sommes en 1765. Dans son livre qui deviendra une sorte de guide de référence du voyage en Italie, le français Joseph-Jérome de Lalande écrit : « le cavalier est obligé d'aller, dès le matin, entretenir sa dame : il reste dans le salon jusqu'à ce qu'elle soit visible ; il sert à sa toilette ; il la mène à la messe, et l'entretient, ou fait sa partie jusqu'au dîner. Il revient aussitôt après, la mène aux quarante-heures et ensuite à la conversation, et la ramène chez elle à l'heure du souper ». Le cavalier auquel fait allusion de Lalande est en fait un sigisbée. Une sorte de chevalier servant qui accompagne en société, ou dans des sorties plus privées, une femme mariée à un autre homme. Nous sommes au XVIIIe siècle, à l'époque de Casanova, de Tiepolo et de Goldoni, au sein de la noblesse, l'Italie invente le ménage à trois. Invité : Roberto Bizzochi, chercheur en histoire, professeur à l'université de Pise. « Les Sigisbées. Comment l'Italie inventa le mariage à trois » aux éditions Alma. Sujets traités: Joseph-Jérome de Lalande,sigisbées,Italie, mariage, Casanova, Tiepolo, Goldoni, noblesse, chevalier, cavalier, société, femme, homme Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.