Podcasts about seurat

THIS EPISODE BROUGHT TO YOU BY: You'll notice that there's no sponsor in this episode.  We'd love it if you'd consider supporting on Patreon.   PATREON - patreon.com/nodumbquestions  NDQ EMAIL LIST - https://www.nodumbquestions.fm/email-list    STUFF IN THIS EPISODE: Persian Fire Jeremiah Punic Wars Life Together by Dietrich Bonhoeffer Horace Grant glasses Kurt Rambis iconic glasses A-1 Appliance, Huntsville, AL Eric likes Starry Night by Vincent Van Gogh Grant likes A Sunday Afternoon…  by Georges Seurat The Office Sunday Afternoon The Execution of Lady Jane Grey by Paul DeLaroche CONNECT WITH NO DUMB QUESTIONS: Support No Dumb Questions on Patreon if that sounds good to you Discuss this episode here NDQ Subreddit Our podcast YouTube channel Our website is nodumbquestions.fm No Dumb Questions Twitter Matt's Twitter Destin's Twitter SUBSCRIBE LINKS: Subscribe on iTunes Subscribe on Android OUR YOUTUBE CHANNELS ARE ALSO FUN: Matt's YouTube Channel (The Ten Minute Bible Hour) Destin's YouTube Channel (Smarter Every Day)

Long before Pazuzu terrorized audiences in *The Exorcist*, this ancient Mesopotamian demon struck fear into the hearts of the Assyrians and Babylonians—both as a harbinger of destruction and an unlikely protector against even greater evils.Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamInfo on the next WEIRDO WATCH PARTY event. https://weirddarkness.com/TVIN THIS EPISODE: The Exorcist is widely regarded as one of the most influential horror movies of all time. Even now, half a century after its release, it continues to terrify audiences, in large part due to its horrifying practical effects and iconic antagonist: Pazuzu. (Pazuzu, The Demon ‘The Exorcist' Made Famous) *** Latoya Ammons and her family claim to have experienced demonic possession that began when they moved into what became known as the “house of 200 demons” in 2011. (The Haunting on Carolina Street) *** In the eerie depths of 1920s Los Angeles, a sinister tale unfolded, shrouded in secrets and steeped in darkness. It all began with May Otis Blackburn and her daughter, Ruth, who claimed to receive divine revelations from the angels Gabriel and Michael. Thus emerged the enigmatic Blackburn Cult, a group entangled in a web of prophecies, tributes, and whispered mysteries. (The Blackburn Cult) *** 19th-century freak shows brought both the extraordinary and the macabre to captivated audiences far and wide. Among the peculiar spectacles of these exhibitions stood a man whose skeletal frame defied all norms of human anatomy… as his skeleton and skin appeared to be the only parts of his anatomy intact. (Seurat, The Living Skeleton) *** In the heat of summer in 2008, a mysterious creature washed ashore on a beach in Montauk, Long Island, sending shockwaves through the community. What began as a simple sighting by local resident soon exploded into a media frenzy, with wild theories and speculation running rampant. (Hot Montauk Summer) *** While epic Hollywood films often depict gladiators as men, the truth is far more captivating. We'll step into the arena with the women who dared to defy convention and enter the gladiatorial games. (Gladiators Of The Fairer Sex)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Lead-In00:01:22.707 = Show Open00:04:14.288 = Pazuzu, The Demon ‘The Exorcist' Made Famous00:13:50.830 = The Blackburn Cult00:19:20.920 = Haunting on Carolina Street00:25:23.931 = Seurat, The Living Skeleton00:31:41.566 = Gladiators of the Fairer Sex00:46:43.838 = Hot Montauk Summer00:55:36.671 = Show Close00:56:20.781 = Final Thought and BloopersSOURCES AND RESOURCES FROM THE EPISODE…Episode Page at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/pazuzu“Pazuzu, The Demon ‘The Exorcist” Made Famous” by Austin Harvey for All That's Interesting: https://tinyurl.com/3myts9h4“The Blackburn Cult” by Troy Taylor from the book “Taking Up Serpents: American Cults, Messiahs and Madmen”: https://amzn.to/4ak7SUG“The Haunting on Carolina Street” sources: https://tinyurl.com/2cvyfu46, https://tinyurl.com/bdzz467u,https://tinyurl.com/39u7b79f, https://tinyurl.com/35uvhbp6“Seurat, The Living Skeleton” by Kaushik Patowary for Amusing Planet: https://tinyurl.com/mr4xwp9k“Gladiators Of The Fairer Sex” by Paul Chrystal for Ancient Origins: https://tinyurl.com/ptzpv46v“Hot Montauk Summer” by TheGhostInMyMachine.com: https://tinyurl.com/2b74wzpx=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: March 26, 2024TRANSCRIPT: https://weirddarkness.tiny.us/36kz4jdd

Today, we're exploring the exhibition “Post-Impressionism. Beyond Appearances” with Aisha AlAhmadi, Curatorial Assistant at Louvre Abu Dhabi. This extraordinary show brings together iconic masterpieces from the Post-Impressionist period, with exceptional loans from Musée d'Orsay, featuring works by visionary artists like Van Gogh, Cézanne, Gauguin, Seurat, and many others. But Post-Impressionism is also the fascinating story of a new generation. Join us as we learn about a group of young artists who paved the way for some of the most influential artistic movements of the 20th century by redefining the rules of art as we knew it. The exhibition “Post-Impressionism. Beyond Appearances” is on show at Louvre Abu Dhabi from 16 October 2024 to 9 February 2025. “On Show” is a podcast produced by the Louvre Abu Dhabi. Our warm thanks to Aisha AlAhmadi for her kind participation. This podcast episode is also available in Arabic and French on the Louvre Abu Dhabi mobile app and our website: louvreabudhabi.ae Executive production: Amine Kharchach, Marine Botton.Recording: Amine Kharchach.Post-production, music and mix: Making Waves.Show Cover: Sarah AlNuaimi. Artwork credits: Vincent Van Gogh, The Bedroom at Arles, 1889, Oil on canvas, Musée d'Orsay, RF 1959 2. Photo © RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski  See omnystudio.com/listener for privacy information.

Episode 23 is here, and it's chock-full. Alex Kingsbury, nLIGHT Market Development Manager and, not to mention, co-creator of the Printing Money podcast, re-joins Danny and the result is 60 minutes of additive manufacturing (AM) deals and analysis. First, we jump right in to cover Nano Dimension's in-progress deals with Desktop Metal and Markforged. Then, we cover services bureaus, major public-private funding news, and a lot of venture capital (VC) raises and financings. Last, we touch on the recent news of the postponement of Formnext Chicago. Here are just a few companies that get mentioned in this episode: Incodema, I3D, KAM, ADDMAN, Sintavia, Stifel North Atlantic, ASTRO America, Summers Value Partners, Stellantis, In-Q-Tel, Embedded Ventures, SpaceX, nTop, Seurat, NVIDIA, AE Ventures, HorizonX, Nimble Partners, AM Ventures, Breakthrough Victoria, Finindus, Sumitomo, and more. Please enjoy Episode 23, and see you later this month at Formnext in Frankfurt, or, as Danny so well puts it, “The Super Bowl of 3D printing." This episode was recorded October 29, 2024. Timestamps: 00:14 – Welcome to Episode 23, and welcome to Alex Kingsbury 01:37 – We have a lot to cover! 02:03 –AMS was a telling preview of 2024 02:53 – Nano Dimension (NNDM) acquiring Desktop Metal (DM) 05:21 – NNDM-DM last steps before closing in Q4 2024 08:04 – Nano Dimension (NNDM) acquiring Markforged (MKFG) 10:25 – An enormous amount of efficiencies 12:09 – How will NNDM, DM, and MKFG integrate? 14:19 – Markforged settles litigation from Continuous Composites 15:41 – ADDMAN acquires KAM 19:18 – AM service bureau markets: All boats are floating in the US, and all boats are sinking in Europe (Or, “Europe makes the printers, The USA prints the parts”) 20:02 – Sandvik divesting investment in BEAMIT 20:26 – Proto Labs closing metal LPBF facility in Germany 23:36 – AM Forward fund is approved by SBIC 26:26 – Restor3d closes $70m financing ($55M equity, $15M debt) 27:56 – 6K $82M Series E round 31:17 – Chromatic3D closes $6M round 32:55 – Freeform raises $14M 35:15 – NVIDIA backs 3D printing! 38:11 – nTop receives investment from NVIDIA 40:34 – AM Ventures' portfolio companies get a boost 40:53 – Conflux raises $11M Series B for heat exchangers 43:58 – Fortius Metals raises $2M from Finindus 45:15 – Sun Metalon raises $21M Series A led by Sumitomo 47:49 – UpNano raises EUR 7M 48:33 – NematX raises EUR 1.5M 50:33 – Mosaic Manufacturing raises CAD 28M 52:01 – Formnext Chicago is postponed 56:55 – See you at Formnext Frankfurt in a few weeks! Disclaimer: This content is for informational purposes only, you should not construe any such information or other material as legal, tax, investment, financial, or other advice. Nothing stated on this podcast constitutes a solicitation, recommendation, endorsement, or offer by the hosts, the organizer or any third-party service provider to buy or sell any securities or other financial instruments in this or in any other jurisdiction in which such solicitation or offer would be unlawful under the securities laws of such jurisdiction.  The information on this podcast is of a general nature that does not address the circumstances and risk profile of any individual or entity and should not constitute professional and/or financial advice. Referenced transactions are sourced from publicly available information.

Lubiana est interprète et musicienne de Kora belgo-camerounaise. Terre rouge, son deuxième album, est sorti le 25 octobre. Un album enregistré en live au Cameroun, au Mali et au Sénégal. Un documentaire du même nom accompagne l'album en images.Lubiana sera en concert au 360 Factory, à Paris, le 12 décembre et au Botanique, à Bruxelles, le 13 décembre.Elle est accompagnée de deux invitées : La présentatrice de télévision française Myriam Seurat et Dafné Kritharas, chanteuse franco-grecque.Et entretien avec Leslie Carretero, journaliste spécialisée sur les questions migratoires à InfoMigrants.net (RFI/ France 24). Pour visionner les clips, cliquez sur les titres des chansons :LiveLubiana - AncestorsLubiana feat Gaël Faye - Farafina moussoDafné Kritharas - XapaLubiana - Terre rougeLubiana - DjaliRetrouvez notre playlist sur Deezer. 

Lubiana est interprète et musicienne de Kora belgo-camerounaise. Terre rouge, son deuxième album, est sorti le 25 octobre. Un album enregistré en live au Cameroun, au Mali et au Sénégal. Un documentaire du même nom accompagne l'album en images.Lubiana sera en concert au 360 Factory, à Paris, le 12 décembre et au Botanique, à Bruxelles, le 13 décembre.Elle est accompagnée de deux invitées : La présentatrice de télévision française Myriam Seurat et Dafné Kritharas, chanteuse franco-grecque.Et entretien avec Leslie Carretero, journaliste spécialisée sur les questions migratoires à InfoMigrants.net (RFI/ France 24). Pour visionner les clips, cliquez sur les titres des chansons :LiveLubiana - AncestorsLubiana feat Gaël Faye - Farafina moussoDafné Kritharas - XapaLubiana - Terre rougeLubiana - DjaliRetrouvez notre playlist sur Deezer. 

Song 1: “Clever Brilliant Mind” (by David R. Merrill with John Modaff)Poem 1: “I'm” by Jack Cooper, author of Silly Lily's Rhyming Adventures In Nature (2023) and Across My Silence (2007) World Audience, Inc. https://sillylilysadventures.com/ Fiction: three short excerpts from her third novel The Day After Death by Lynn C. Miller, published by the University of New Mexico Press, 2016. www. lynncmiller.comFeed the Cat Break: “One November Evening” by Chris Geyerman with John V. ModaffPoem 2: “Sunday Afternoon with Seurat” by David Meischen, author of the linked story collection Nopalito, University of New Mexico Press, 2024 and the poetry collection Anyone's Son (3, A Taos Press, 2020).Song 2: “Counting Down the Raindrops” by Andrew Preston and  A. P. Harbor.Episode artwork by Lynda Miller Show theme and incidental music by John V. Modaff The Unruly Muse is Recorded in Albuquerque, NM and Morehead, KY Produced at The Creek Studio NEXT UP: Episode 43, “Breaking Up”            Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

durée : 00:39:28 - L'Invité(e) des Matins d'été - par : Julie Gacon - En première partie, nous recevons Dr Khaled Benboutrif, médecin généraliste et urgentiste à Toulouse, de retour d'une mission d'un mois à Gaza. Ensuite, avec Clément Terme et Leïla Seurat : Israël, Hamas, Iran : qui veut encore négocier ? - invités : Dr Khaled Benboutrif médecin généraliste et urgentiste à Toulouse, de retour d'une mission d'un mois à Gaza ; Clément Therme Chargé de cours à l'université Paul-Valery de Montpellier; Leïla Seurat Chercheuse associée au centre arabe de recherche et d'études politiques de Paris (CAREP)

In this episode, we stroll into a hidden gem behind the well-known streets of Montparnasse: the Villa Seurat. This is a small street described in the famous Diaries of Anais Nin. Villa Seurat also appears in the work of her lover, Henry Miller, although he disguises the identity of the street by calling it “Villa Borghese”. This part of the 14th arrondissement really conjures the neighborhood feel of the 1920s and 30s, when artists and writers from all over the world filled the streets of Montparnasse, dreaming and creating and have emotional epiphanies up and down the block. For photos, please check out my website. Thanks as always to Bremner Fletcher for technical expertise and general know-how. The Improbable Walks theme music is performed by David Symons, New Orleans accordionist extraordinaire.   

Francesco Poli"L'ironia è una cosa seria"Strategie dell'arte d'avanguardia e contemporaneaJohan & Leviwww.johanandlevi.comCogliere la componente ironica nelle opere d'arte visiva sembra un gioco scontato. La storia abbonda di artisti che hanno usato questo ingrediente con palesi intenti satirici, grotteschi, paradossali o in modo clamorosamente provocatorio, per giungere talvolta a una banalizzazione del suo ruolo sovversivo.Volendo andare più a fondo, però, esiste una modalità più sottile, complessa e concettuale che opera sul piano della forma prima ancora che su quello dei significati più immediatamente decifrabili. Dove meno ce lo aspettiamo possono nascondersi trame sotterranee che richiedono un secondo sguardo, perché l'ironia è spesso intessuta fra le maglie dell'opera che abbiamo davanti quando non è addirittura radicata nell'attitudine dell'artista.Scopriamo, poi, che anche in quegli autori in cui la provocazione sembra più esplicita e finanche gridata, come Cattelan o Koons, comprenderne tutte le sfumature e le ragioni è un'operazione che richiede dei distinguo.Dal sovvertimento dei canoni accademici compiuto dagli impressionisti, attraverso gli esiti conturbanti del Surrealismo, fino alle indebite appropriazioni postmoderne, Francesco Poli riconosce all'ironia dignità accademica e accetta la sfida di mostrare come questa assuma una funzione cruciale nelle diverse tappe delle avanguardie e dell'arte contemporanea. Ma, ancora più importante, fornisce la chiave di lettura per decriptare il dispositivo ironico, affinché possa sprigionare tutta la sua carica distruttiva e innovatrice.Francesco PoliInsegna Arte e Comunicazione all'Università di Torino. Ha curato numerose mostre in musei, spazi pubblici e privati e collabora con il quotidiano La Stampa oltre che con riviste specializzate. Tra le sue pubblicazioni, Minimalismo, Arte Povera, Arte Concettuale (1997), Il sistema dell'arte contemporanea (1999), La scultura del Novecento. Forme plastiche, costruzioni, oggetti, installazioni ambientali (2015), Il pittore solitario. Seurat e la Parigi moderna (2017) e Modigliani. Una vita per l'arte (2018).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Tony Bechara, April 29 2018, ©Maku-Lopez Tony Bechara's dynamic, color-saturated paintings create a pure field of physical perception. You can see a walk through of his show here. Each canvas is meticulously painted with multicolor areas of quarter-inch squares. Using strips of masking tape, Bechara arranges carefully formulated hues into a playful and invigorating optical surface, made up of a multitude of small colored units. The work's overall rhythm is determined by a process that is systemic but designed to allow combinations of color to emerge by chance. Bechara cites influences across art history, including the colors of Matisse and Vuillard, the pointillism of Seurat and Signac, traditions of weaving and crafting, the precision of hard-edge abstraction, and the famed Byzantine-era mosaics at Ravenna. These influences are evidenced in Bechara's approach to painting: he uses a tile-like grid as the basis for his explorations into the principles of color usage, particularly the intersection of organization and randomness. The division of the surface of the painting into small modular boxes is similar to pixels; the gaze is constantly in motion. Bechara presents the viewer with their retinal and neurological relationship to color, balancing one's immediate impression of hue and the overarching logic of pattern. Tony Bechara was born in Puerto Rico in 1942 and today lives and works in New York City. A graduate of Georgetown University, Bechara attended Georgetown Law School and New York University before later studying at the Sorbonne in Paris and the New York School of Visual Art, benefiting in particular from the lessons of Richard Serra and Joseph Raphael. In the 1970s and 80s, Bechara was included in exhibitions organized by the Boulder, Colorado based Criss-Cross pattern printing collective and featured work in the group exhibition ‘Islamic Allusions' at the Alternative Museum in New York. His work was included in the 1975 Biennial Exhibition at the Whitney Museum of American Art, New York. In 1980 he was granted a fellowship by the National Endowment for the Arts, and in 1981 he was included in ‘The Shaped Field: Eccentric Formats' at MoMA PS1 in New York. Bechara has had solo exhibitions at the Alternative Museum in 1988; Artists Space in New York in 1993; and el Museo del Arte Puerto Rico in 2008. Recently, Bechara has participated in exhibitions ‘With Pleasure: Pattern and Decoration in American Art, 1972-1985; Museum of Contemporary Art, Los Angeles, CA, USA (2019), which travelled to the Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, USA (2021); ‘Point of Departure: Abstraction 1958-Present', Sheldon Museum of Art, Lincoln, NE, USA (2021); and ‘Artists Choose Parrish', Parrish Art Museum, NY, USA (2023).His work can be found in numerous public and private collections including the Metropolitan Museum of Art, New York, NY, USA; El Museo del Barrio, New York, NY, USA; el Museo del Arte, San Juan, Puerto Rico; the Sheldon Museum of Art, University of Nebraska, Lincoln NE, USA; Aldrich Contemporary Art Museum, Ridgefield, CT, USA; and the Massachusetts Institute of Technology, Cambridge, MA, USA. Tony Bechara, Abstract Composition, 1970-71 Acrylic on canvas, 208.6 x 166.4 x 2.9 cm82 1/8 x 65 1/2 x 1 1/8 in Collection of the Metropolitan Museum of Art, New York, NY, USA ©Tony Bechara, Courtesy Lisson Gallery. Tony Bechara, Random 28 (Blue version), 2023 Acrylic on canvas, 152.4 x 152.4 ©Tony Bechara, Courtesy Lisson Gallery. Tony Bechara, Perseus, 2010, Acrylic on canvas, 152.4 x 152.4 x 3.8 cm 60 x 60 x 1 1/2 ©Tony Bechara, Courtesy Lisson Gallery

IN THIS EPISODE: The Exorcist is widely regarded as one of the most influential horror movies of all time. Even now, half a century after its release, it continues to terrify audiences, in large part due to its horrifying practical effects and iconic antagonist: Pazuzu. (Pazuzu, The Demon ‘The Exorcist' Made Famous) *** Latoya Ammons and her family claim to have experienced demonic possession that began when they moved into what became known as the “house of 200 demons” in 2011. (The Haunting on Carolina Street) *** In the eerie depths of 1920s Los Angeles, a sinister tale unfolded, shrouded in secrets and steeped in darkness. It all began with May Otis Blackburn and her daughter, Ruth, who claimed to receive divine revelations from the angels Gabriel and Michael. Thus emerged the enigmatic Blackburn Cult, a group entangled in a web of prophecies, tributes, and whispered mysteries. (The Blackburn Cult) *** 19th-century freak shows brought both the extraordinary and the macabre to captivated audiences far and wide. Among the peculiar spectacles of these exhibitions stood a man whose skeletal frame defied all norms of human anatomy… as his skeleton and skin appeared to be the only parts of his anatomy intact. (Seurat, The Living Skeleton) *** In the heat of summer in 2008, a mysterious creature washed ashore on a beach in Montauk, Long Island, sending shockwaves through the community. What began as a simple sighting by local resident soon exploded into a media frenzy, with wild theories and speculation running rampant. (Hot Montauk Summer) *** While epic Hollywood films often depict gladiators as men, the truth is far more captivating. We'll step into the arena with the women who dared to defy convention and enter the gladiatorial games. (Gladiators Of The Fairer Sex)SOURCES AND REFERENCES FROM THE EPISODE…“Pazuzu, The Demon ‘The Exorcist” Made Famous” by Austin Harvey for All That's Interesting:https://tinyurl.com/3myts9h4“The Blackburn Cult” by Troy Taylor from the book “Taking Up Serpents: American Cults, Messiahs and Madmen”: https://amzn.to/4ak7SUG“The Haunting on Carolina Street” sources: https://tinyurl.com/2cvyfu46, https://tinyurl.com/bdzz467u,https://tinyurl.com/39u7b79f, https://tinyurl.com/35uvhbp6“Seurat, The Living Skeleton” by Kaushik Patowary for Amusing Planet: https://tinyurl.com/mr4xwp9k“Gladiators Of The Fairer Sex” by Paul Chrystal for Ancient Origins: https://tinyurl.com/ptzpv46v“Hot Montauk Summer” by TheGhostInMyMachine.com: https://tinyurl.com/2b74wzpxWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: March 26, 2024PARTIAL TRANSCRIPT: https://weirddarkness.com/pazuzu-the-demon-the-exorcist-made-famous/

Polish artist Wilhelm Sasnal talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Sasnal, born in 1972 in Tarnów, Poland, has made one of the most significant contributions to painting in the 21st century. He works with photographic imagery, drawn from an array of sources including newspapers, film, music videos, album covers, graphic novels, historic art and, crucially, his own photographs, including those taken on his smartphone, of his family. He also makes films, both in collaboration with his wife Anka and on his own. The result is a body of work that engages profoundly with contemporary life and the saturation of images that accompanies it. He discusses his array of source images and the process of choosing and using them, and how he has balanced the public and private across his career. He talks about risk-taking and allowing the paint to dictate the path of a picture. He reflects on how music was the spur for his discovery of art, and how it continues to be central to his work today. He talks about artists as diverse as Degas, Seurat, Sigmar Polke and Wolfgang Tillmans. And he answers our usual questions, including the ultimate: “What is art for?”Wilhelm Sasnal, Sadie Coles HQ, Kingly St, London, until 16 March; Stedelijk Museum, Amsterdam, 30 March-1 September; Wilhelm's film The Assistant will be screened later in 2024. Hosted on Acast. See acast.com/privacy for more information.

At the Art Institute of Chicago, there is a large painting titled “A Sunday on La Grande Jatte” by Georges Seurat. It depicts 19th-century people relaxing by a river. However, upon closer inspection, you see that this is no ordinary painting! Seurat used a technique called pointillism, fashioning the image from thousands of tiny dots. While we may be tempted to skip past genealogies in the Bible, these lists of individual names come together to paint a larger picture of God's plan and faithfulness. This genealogy in Genesis 10 also communicated important truths for ancient Israel and for us today. In the ancient world, most societies traced their lineage directly to the beginning of the world and to the gods. They told stories of their founding that made them somehow better than all the other people in the world. In contrast, Genesis 10 describes the formation of most of the nations that existed in Israel's world: Egypt, Canaan, Assyria, the Philistines. Israel is not even mentioned in the chapter. There are two important points that follow from this. First, we are told that all the peoples of the world trace their origins back to Noah and Adam. Israel was not to view itself as superior because of their lineage. Nowhere in Scripture do we find an endorsement for racism or a sense of ethnic superiority. We are all connected in one great human family. Second, it should not surprise Israel that God cares for all the nations. As one theologian put it, “Prior to the particularity of God's call to Abram...we have the Table of Nations with its universal concern for nations and territories.” This concern for the nations is also reflected in Jesus' command to the church to “go and make disciples of all nations” (Matt. 28:19). Go Deeper Did you find any surprises in this genealogy? For further study, look up information on Egypt, Canaan, Assyria, and the Philistines on the internet or in a Bible encyclopedia!See omnystudio.com/listener for privacy information.

Lee Génesis 10:1–32 En el Instituto de Arte de Chicago hay un cuadro de gran tamaño titulado Un domingo en La Grande Jatte de Georges Seurat. Representa a personas del siglo XIX relajándose junto a un río. Sin embargo, tras una inspección más cercana, verás que no se trata de una pintura cualquiera. Seurat utilizó una técnica llamada puntillismo, modelando la imagen a partir de miles de pequeños puntos. Si bien podemos sentirnos tentados a saltarnos genealogías pasadas en la Biblia, estas listas de nombres individuales se combinan para pintar un panorama más amplio del plan y la fidelidad de Dios. Esta genealogía en Génesis 10 también comunicó verdades importantes para el antiguo Israel y para nosotros hoy. En el mundo antiguo, la mayoría de las sociedades remontaban su linaje directamente al principio del mundo y a los dioses. Contaron historias de su fundación que de alguna manera los hicieron mejores que todas las demás personas del mundo. En contraste, Génesis 10 describe la formación de la mayoría de las naciones que existieron en el mundo de Israel (Egipto, Canaán, Asiria y los filisteos). Sorprendentemente, Israel ni siquiera se menciona en el capítulo. De esto se desprenden dos puntos importantes. Primero, se nos dice que todos los pueblos del mundo remontan sus orígenes a Adán y Noé. Israel no debía verse a sí mismo como superior debido a su linaje. En ninguna parte de las Escrituras encontramos un respaldo al racismo o un sentido de superioridad étnica. Todos estamos conectados en una gran familia humana. En segundo lugar, no debería sorprender a Israel que Dios se preocupe por todas las naciones. Como lo expresó un teólogo, “antes de la particularidad del llamado de Dios a Abram . . . tenemos la mesa de las naciones con su preocupación universal por las naciones y territorios”. Esta preocupación por las naciones también se refleja en el mandato de Jesús a la iglesia de: “vayan y hagan discípulos de todas las naciones” (Mateo 28:19). ¿Encontraste alguna sorpresa en esta genealogía? Para profundizar tu estudio, busca información sobre Egipto, Canaán, Asiria y los filisteos en Internet o en una enciclopedia bíblica. Ora con nosotros Tú creaste las naciones y amas lo que has creado. Padre, llena nuestros corazones con Tu amor y preocupación por todos los pueblos y naciones. Conoces íntimamente a cada pueblo, tribu y nación.See omnystudio.com/listener for privacy information.

Annemieke Bosman in gesprek met Bregje Gerritse, conservator. Het Van Gogh Museum sluit zijn 50-jarig jubileum af met de tentoonstelling 'Van Gogh aan de Seine'. Deze tentoonstelling vertelt het verhaal over vijf ambitieuze kunstenaars - Van Gogh, Seurat, Signac, Bernard en Angrand - die tussen 1881 en 1890 met hun schildersspullen te voet naar de oevers van de Seine (rondom Asnières, ten noordwesten van Parijs) trokken om daar hun meesterwerken te creëren. Met hun ezels in het groen legden ze de radicale tegenstellingen vast die het gebied kenmerkten, variërend van recreërende dagjesmensen die genoten van allerlei watersporten tot de opkomende industrie. Ze ontdekten er nieuwe, moderne motieven en ontwikkelden hun kleurgebruik en schildertechnieken. Alleen door de stad te verlaten en de voorsteden in te trekken, wisten ze de schilderkunst blijvend te vernieuwen.  

Formnext Forum Austin, the first Formnext event to be held in the United States, concluded August 30 after two full days of conference programming dedicated to industrial additive manufacturing. The event is jointly organized by Mesago Messe Frankfurt, AMT—The Association For Manufacturing Technology, and Gardner Business Media, the publisher of Additive Manufacturing Media. Along with sessions on additive end markets, production applications, AM technology and design for additive manufacturing (DFAM), Formnext Forum included a lively expo featuring nearly 80 exhibitors plus The Cool Parts Showcase. Attendees also had access to several facility tours and networking opportunities. The event drew more than 900 attendees, including the editors of Additive Manufacturing. Pete Zelinski, Fiona Lawler and Stephanie Hendrixson recorded this conversation for AM Radio shortly after the event.   Find photos and the transcript of this episode in this blog post.   This episode is brought to you by The Cool Parts Show.    Mentioned in this episode: Formnext Forum Austin Formnext Chicago, coming in spring 2025 The Cool Parts Show bonus episode on Wilson's airless basketball 6K's lifecycle assessment of its Unimelt process for creating metal powders Seurat's business model based on developing and using high-throughput laser powder bed fusion The Cool Parts Showcase finalists and the 2023 winning parts Designfusion's work with startup Rekkie, an example of a small company taking advantage of 3D printing's flexibility for product launches Carolyn Seepersad's research on customizable, 3D printable medical devices Eaton Aerospace and the additive work being undertaken in South Carolina Tangible Solutions (now Marle Tangible) and their journey to AM production Elementum 3D's metal matrix composite and A6061 aluminum 3DXTECH's Gearbox HT2 3D printer Other examples of Fabrisonic's successes with ultrasonic additive manufacturing Additive Engineering Solution's production of 3D printed submarine fairings for Dive Technologies A past podcast episode including our discussion of LFAM 

In 1894, George Seurat began going out to an idyllic little island away from the urban center of Paris. It was a place where people of various classes would relax. While the image is of people at leisure, Seurat was anything but relaxed. He was a disciplined artist on a mission to create a work that would be significant in art history. He spent years developing this work. He made dozens of preparatory sketches to work out the composition and technique.  While the 1890s was the heyday for Impressionists, Seurat was part of a new breed. Some consider him a post-impressionist or neo-Impressionist. Today his technique is called pointillism, but in his day, Seurat preferred the term divisionism. He was dividing the image into discrete bits, carefully painted, uniform dots of paint like pixels that make up our digital images. While his process was careful and hand-crafted, Seurat was fascinated by science. He developed his approach after reading the works of scientists like Michel Eugene Chevreul and Ogden Rood. One of the key concepts that Seurat latched onto had to do with how color is perceived in relation to its surroundings. Seurat read about the trouble restoring tapestries because they could not simply dye to match a piece, they had to account for surrounding colors. Seurat's idea was that by dividing the image into discrete dots of color, the painter could arrange combinations that would heighten the contrast and make the colors more vibrant. Seurat wanted to make his work even more vibrant by painting a frame of colored dots around the perimeter of his painting and that was offset by a clean white painted frame. Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat is one of my favorite paintings. A few years ago I had the pleasure of standing in front of this massive masterwork at the Art Institute of Chicago while having an expert show me a few of the painting hidden secrets. You may, if you grew up in the 80's like I did remember this painting from the 1986 moving Ferris Bueller's Day Off where Matthew Broderick's character skips school and, in one scene becomes lost in this painting. Seurat used a technique called pointillism to create his painting. Simply put pointillism is the of making dots of color lay side by side or on top of each other such that when you step back you don't see the original color or the dot but rather the mixture of color and the images created by the thousands of individual points. The experience of seeing “A Sunday Afternoon” up close versus stepping back and taking the painting in from a distance couldn't be more diametrically opposed. So, how does Seurat's painting, the technique he used an the simple act of laying one dot of color next to another teach us about how our brain works and how we can harness if for peak performance? That's what we will be exploring today on The EVOLVE Podcast. Follow Us! EVOLVE Insta: https://www.instagram.com/official_evolve_podcast/     Steve Cutler Insta: https://www.instagram.com/stevecutler_/ W Myles Reilly Insta: https://www.instagram.com/wmyles.reilly/ Twitter: https://twitter.com/stevecutler_ Web: https://www.evolve-cast.com   The EVOLVE Podcast is produced by Steve Cutler, all rights reserved. The mission of the EVOLVE Podcast is to empower people to disrupt their lives to EVOLVE their body, mind, soul and tribe.   Steve Cutler helps people and organizations Evolve to higher levels. As a coach and consultant Steve has helped hundreds of people and businesses improve processes and protocols that have led to skyrocketing performance.   With over 20 years in health, fitness, tech and entrepreneurial ventures Steve brings a strong background in operations, marketing, sales, and financial performance. Currently Steve runs EVOLVE, a lifestyle clothing, coaching and consulting business. Steve is the host of the EVOLVE Podcast, a podcast that disrupts peoples lives leading them to greater growth and evolution.   #evolve #evolvepodcast #stevecutler #disrupt  

In John Hughes's classic 1986 film Ferris Bueller's Day Off, the cohort of truant teenagers make a visit to the Art Institute of Chicago, and spend some time with the classic painting by George Seurat, titled Sunday Afternoon on the Island of La Grande Jatte. One one of the most famous artworks in the world even before that star turn, it has been studied and referenced and riffed on endlessly, and is in fact the subject of at least one musical, and a whole host of academic articles. Painted in 1884 when Seurat was just 27 years old in his self-created pointillist style, the large canvas depicts an idle summer afternoon on an island in the middle of the river Seine, with multiple fashionably dressed figures glimpsed out and about enjoying a day of socializing and relaxing by the water. Artnet's Katie White is the creator and frequent scribe of a popular art history column for the site called "Three Things," where she revisits well-known works of art and offers new ways to look at them. Her article on Seurat's La Grande Jatte has been one of the most popular editions of that column, where she dives into the research about the painting's inspirations and explores some of the unexpected debates about the meaning of this classic image of summer leisure. As we near the end of the summer season, we thought we'd all take a small (virtual) vacation from the news churn, and take a day trip to visit a favorite work of art from the past. This week, Katie speaks to Artnet's chief art critic Ben Davis about this celebrated work of art.

In John Hughes's classic 1986 film Ferris Bueller's Day Off, the cohort of truant teenagers make a visit to the Art Institute of Chicago, and spend some time with the classic painting by George Seurat, titled Sunday Afternoon on the Island of La Grande Jatte. One one of the most famous artworks in the world even before that star turn, it has been studied and referenced and riffed on endlessly, and is in fact the subject of at least one musical, and a whole host of academic articles. Painted in 1884 when Seurat was just 27 years old in his self-created pointillist style, the large canvas depicts an idle summer afternoon on an island in the middle of the river Seine, with multiple fashionably dressed figures glimpsed out and about enjoying a day of socializing and relaxing by the water. Artnet's Katie White is the creator and frequent scribe of a popular art history column for the site called "Three Things," where she revisits well-known works of art and offers new ways to look at them. Her article on Seurat's La Grande Jatte has been one of the most popular editions of that column, where she dives into the research about the painting's inspirations and explores some of the unexpected debates about the meaning of this classic image of summer leisure. As we near the end of the summer season, we thought we'd all take a small (virtual) vacation from the news churn, and take a day trip to visit a favorite work of art from the past. This week, Katie speaks to Artnet's chief art critic Ben Davis about this celebrated work of art.

Although they were never alive at the same time there's some similarities between George Seurat and Stephen Sondheim. Chris Culp joins the podcast to explain why. Follow Chris on Twitter: https://twitter.com/ChristosMCulpAnd on Instagram: https://www.instagram.com/thegoofyphilosopher/Watch Chris' TED Talk "Queer sex ed for all": https://youtu.be/dPgMAPlMINcWe are using three productions to frame our discussion of Sunday in the Park with George.The Original Broadway Cast (1984) starring Mandy Patinkin and Bernadette Peters.You can listen to it on Apple Music: apple.co/3K4RV9aOr listen to it on Spotify: http://bit.ly/3MkBw3kOr buy it on Amazon: https://bit.ly/40ZSZCcThe London Cast Recording (2006) starring Alistair Harvey and Jenna Russell.You can listen to it on Apple Music: http://bit.ly/3MdxzgSOr listen to it on Spotify: http://bit.ly/40FTrFWOr buy it on Amazon: https://bit.ly/3GjeXbyThe Broadway Revival (2017) starring Jake Gyllenhaal and Annaleigh Ashford.You can listen to it on Apple Music: http://bit.ly/3nC63zdOr listen to it on Spotify: http://bit.ly/40Jj7ScOr buy it on Amazon: https://bit.ly/3Mr9inoSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Sunday in the Park with George: Amy, Toledo Rep. Director, brought George and Dot in to talk about this musical inspired by George Seurat's famous painting. This poetic masterpiece explores the challenges in understanding life and art.#SundayInTheParkWithGeorge #SundayInThePark #GeorgeSeurat #StephenSondheim #Sondheim #ItsHotUpHere #Sunday #HavetoKeepThemHuntingToledo Repertoire Theatre

Invitée du «Buzz TV», l'animatrice prend position et alerte sur les amalgames liés à son émission dédiée à la religion musulmane.

Boston-based Seurat recently announced plans to open its first full-scale factory following commitments from three global manufacturers to produce 25 tons of key parts/year (25x the current production). Now, two more major players signed on to use Seurat's tech to usher in a renewable energy-powered manufacturing era. Listen to Seurat CEO & cofounder James DeMuth on tackling one of the largest contributors to greenhouse gas emissions and rebuilding local manufacturing.Sponsored By:

Within the framework of mokuhanga, you have the freedom to go anywhere, try anything and explore so many places with your own work. The skies the limit. Whether through colour, shapes, size, or technique, you are able to explore as far as you want.  On this episode of the Unfinished Print, I speak with mokuhanga printmaker, teacher and artist Kate MacDonagh. Based in Dublin, Kate's mokuhanga live in the ethereal, through colour and shape, making abstract work which engages and attracts.  Kate speaks to me about her artistic background, gallery experience, teaching and the adaptation of mokuhanga. We discuss the mokuhanga aesthetic, bad days and believing in yourself, local shopping for your materials, abstraction and colour, the spiritual realm, and residencies and travel.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Kate MacDonagh - website, Instagram Cadence - diptych Museum of Fine Arts, Boston - is an art museum located in Boston, Massachusetts, USA and was founded in 1870. With over 450,000 works in the museum, the MFA is one of the most distinguished museums in the world. In regards to mokuhanga, the MFA has had a long relationship with the Japanese woodblock print starting from the late 19th century. It was the first museum in the US to develop a Japanese art collection, and with the help of major donations the MFA developed one of the most important Japanese print collections in the world. More information about the museum can be found, here. Information regarding their Japanese collection can be found, here. To browse some of their digitized collection, here.  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  The National Print Museum - one of a kind in Ireland, is a print museum located in Dublin. It was founded in 1996 and is a registered charity focusing on education. More info about the museum can be found, here.  Debra Bowden -  is a mokuhanga printmaker, bookbinder, and artist based in Thomastown (Grennan), Ireland. She conducts mokuhanga workshops in and around Ireland. About all I could find of her is through Facebook, although that hasn't been updated since 2018. Her website doesn't seem to exist any longer. You can find her Facebook page, here.      Tangent Script I   Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Robert Blackburn (1920-2003) - was an African American printmaker based in New York City. His lithogrpahy work represented his life experiences, being influenced by the Harlem Renaissance, and American society at large. His studio and his workshop in Chelsea attracted artists from around the world. More information about Robert Blackburn, his life and work can be found here from the Smithsonian, and here, from The Elizabeth Foundation for the Arts where the Robert Blackwell Printmaking Workshop Program continues today.      Color Symphony (1960) - lithograph   The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  Graphic Studio, Dublin - is a printmakers studio located in Dublin, Ireland. The studio was established in 1960 as a space for printmakers to share ideas and their works. The gallery was established in 1980 as Dublin's first fine art gallery. It is a space where printmakers are able to work in a subsidized environment with the freedom to create work. Kate has been on the Board of Directors since 2019. More info about the Graphic Studio can be found, here.   gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It's widely available.  Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram Chester Beatty Museum - is a museum and library founded by the American-British philanthropist Sir Alfred Chester Beatty (1875-1968). He was made an honourary citizen of Ireland in 1957. The museum is located in Dublin Castle. More info can be found, here.  Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.  2017-12 (mixed media on paper 20 ½ x 20 ½ ins) [2017] shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.  Lucy May Schofield - is a printmaker, photographer, and scroll maker (kakemono, 掛物) and is based in England. website, Instagram. Lucy's interview with The Unfinished Print can be found, here.  The Blue Between Us The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here. Book of Bamboo (2020 - 8 3/5 × 12 1/5 in | 21.8 × 31 cm) Melissa Schulenberg - is a woodblock printmaker and professor of Art and Art History at St. Lawrence University, Canton, NY. Some of her work can be found on her website, here.  Stumps (reduction) 23.6 x 16 in Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. Her interview with The Unfinished Print can be found, here.  Outside (2012 - woodblock and letterpress) Between Worlds - was a mokuhanga specific show hosted by the Kentler International Drawing Space from July 17 - July 31, 2022.  bokashi -  is a Japanese term associated with the gradation of water into ink. There are several types of bokashi. For more information regarding these types of bokashi please check out Professor Claire Cuccio's lecture called “A Story in Layers,” for the Library of Congress, and the book Japanese Printmaking by Tōshi Yoshida, and Rei Yuki. Below are the following types of bokashi. This is from the Yoshida book: ichimonji bokashi - straight line gradation ichimonji mura bokashi - straight line gradation with an uneven edg. Ō-bokashi - a gradual shading over a wide area atenashi bokashi - gradation without definition futairo bokashi - two tone gradation Northumberland, Britain - is a county located in the northernmost area of Britain. It shares a border with Scotland. It is known for its nature, industry, castles, and history. More info, here.  Centre Culturel Irelandais - is located in Paris, France. It is a cultural center for Irish culture and events in France. There are artist in residence programs, exhibtions, concerts and more. For information regarding the CCI in Paris, here.  Georges Seurat  (1859-1891) - was one of the pioneers of Neo Impressionism, a term coined by art critic Félix Fénéon (1861-1944). Seurat used Pointillism, where different colours are dabbed on various areas of the canvas and it is through the eyes that colour blends together. Through these new ideas, as well as the concept of Divisionism, the Neo Impressionists created a new way of seeing the canvas. Deeply rooted in the “science” of painting, Seurat attempted successfully to blend the past and his present through painting, during his short life.  The Harbour of Honfleur (1886) oil on canvas Musée d'Orsay - located in Paris, France the Musée d'Orsay is an art museum established in 1986. Mostly holding and exhibiting French art from the years 1848-1914, the MO conatins many Impressionist and Post Impressionsit paintings and works. More info can be found, here. Sligo, Ireland - is a town with a population of 19,199, located in County Sligo, in the province of Connacht in Ireland. it is the final resting place of poet YB Yeats (1865-1939) More info can be found, here. nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  mokuhanga in the 1950's and 1960's - Japanese woodblock printmaking became quite popular after World War II. With Japan growing exponentially post war, through industry and art, the independent philosphy that the West perpetuated began to filter into the Jpaanese art world. Sōsaku hanga became increadingly popular where there is only one carver, printer and draughtsman. These prints touched on various themes, but especially in the abstract. Artists such as Shigeru Hatsuyama (1897-1973), and Kiyoshi Saitō (1907-1997) spring to mind, who created a new kind of mokuhanga by using various techniques, colours, and sizes  that were unique and expressive. Oliver Statler's book, written in 1956, Modern Japanese Prints : An Art Reborn, was published because the art form was growing so quickly. It is a great summary  on the sōsaku hanga movement during that time.      Nymphs (Birds and Flowers) by Shigeru Hatsuyama     House in Aizu (1972) by Kiyoshi Saitō   hangitō - a Japanese carving knife which is primarily used for mokuhanga and comes in a variety of blade sizes.  McClains has a varied assortment, here.   kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.     nikawa - this definition from the Yamatane Museum of Art in Tōkyō is the perfect definition of nikawa, better than I could ever write. I've included it here, verbatim, describing how nikawa is used in nihon-ga painting,  A gelatin made by boiling and extracting protein from skins and bones of animals and fish, it has long been used as an adhesive. Since the pigments used in nihonga have no adhesive strength, the use of nikawa is needed to fix them to the surface of the painting. The two types commonly used now are shika nikawa (industrially processed from cow skin, bones, and tendons) and sanzenbon (which is made by hand, of the same materials).  gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.    Holbein -  is a pigment company with offices located in Japan, The United States, and Canada. They offer high end gouache, watercolour, and pigment pastes.    sumi - is a rich black stick, or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists.  It is made from the soot of burnt lamp oil. Used in key blocks predominantly in traditional mokuhanga, it can also be used to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here.   International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.     Mariko Jesse - is an illustrator, and mokuhanga printmaker who splits her time in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here.    Two Frogs Six Leaves   Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here.       Force of Nature 1 print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panel is one print, diptychs are two panels, triptychs are three panels, quadriptych is four panels, pentaptych is five panels.  The Art Institute of Chicago - is an art museum located in Chicago, Illinois, USA. Founded both as a school and a museum of fine arts in 1879. It is built on the debris from the Great Chicago Fire of 1871. Its research library was opened in 1901 and the new wing was opened in 2009. More information about the AIC's history can be found on their website, here. Recollections of Tokyo: 1923-1945 - was a mokuhanga and lithography print show held at The Art Institute of Chicago from July 2 - September 25, 2022. It showed works by U'nichi Hiratsuka (1895-1997), Kawakami Sumio (1895-1972), Oda Kazuma (1882-1956) amongst others. More info can be found, here.  Paul Furneaux - is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Lewis: Orange Black (2020) 135 x 183 x 5 cm mokuhanga stretched over three aluminium panels coated with resin coating Lascaux UV Spray coating - is a UV protecting archival varnish produced by Lascaux, a manufacturer of artist materials since 1963. This is the product used by mokuhanga artist Paul Furneaux for some of his works. More info about their products can be found on their website, here. Lafcadio Hearn (1850-1904) - also known as Koizumi Yakumo, was an Irish/Greek/Japanese author, translator, and teacher of Japanese culture and customs to the West. He spent a portion of his life in Japan where he studied and taught. His most famous books are Glimpses of Unfamiliar Japan (1894), and Kwaidan: Stories and Studies of Strange Things (1904). An interesting article in The Paris Review about Lafcadio Hearn can be found, here.  Yuki Onna (雪女) - was a short story as written from the Japanese ghost story by Lafcadio Hearn, in Kwaidan, in 1904. According to an article about the story by Yoko Makino in 1991, Hearn contends he heard the tale from a someone in Musashino, a district in what is Tōkyō today. There are many different legends of this story from around Japan. You can read the Hearn story, here.  Your First Print: David Bull - this was the first DVD I ever purchased on how to make mokuhanga. This was in and around 2007. While I look back at that time thinking about why I didn't take it up as seriously as I do now, I sometime wonder, "Where would I be now in my Mokuhanga journey?" I realize that that is a redundant way of thinking. I am where I am now today, and to be happy with just that. You can still find this product on Dave's website.  © Popular Wheat Productions opening and closing musical credit - Hater Players, by Black Star from the album Mos Def and Talib Kweli are Black Star (1998). Released on Rawkus Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

This week on Cleaning Up, Michael is joined by James DeMuth. James is co-founder and CEO of Seurat Technologies, a specialist in 3D metal printing, or Additive Manufacturing. With their own licensed laser technology, their aim is to decarbonize traditional, emissions-intensive manufacturing processes by competing with them, and ultimately, displacing them. Relevant Guest & Topic James is evangelical about the potential of Seurat's technology to transform the manufacturing industry for the better:“Our goal is to make hardware production as simple to do and as cheap to produce as it is to write code and software... I don't think we have any concept, at all, for the explosion in applications that we would see when that happens.” Relevant Guest & Topic Links:Area Printing Explained https://www.youtube.com/watch?v=llAcqwD2TBY Seurat Technologies Inc. https://www.seurat.com/ The Economist on Seurat and Additive Manufacturing https://www.economist.com/science-and-technology/2022/03/19/a-new-type-of-3d-printing-may-bring-it-into-the-mainstreamOn Seurat's 2024 plans for a 100,000-square-foot factory https://www.bostonglobe.com/2022/10/06/business/local-3d-printing-startup-build-new-factory-mass-production/?p1=BGSearch_Overlay_LatestStories A comprehensive look at Seurat's approach to additive manufacturing https://issuu.com/inovar-communications/docs/metal_am_spring_2022/141?fr=sN2VjNjQ3NDg2NTg Why the name? https://www.youtube.com/watch?v=QmzUHwFGKtI  Guest Bio: Since co-founding Seurat in 2015, DeMuth has served as the company's CTO, and as of 2020, their CEO. DeMuth spent six years at the Lawrence Livermore National Laboratory, as a Research Associate, then as a Mechanical Engineer working in Advanced Manufacturing and Fusion Energy. At LLNL, DeMuth worked on power generation, additive manufacturing technologies, and the Laser Inertial Fusion Energy (LIFE) Engine. DeMuth holds a BSc from Santa Clara University in Mechanical Engineering, and an MA from Stanford University in Mechanical Engineering.

En 1884, il achève sa première grande composition, Une baignade à Asnières, qui connaît un franc succès dans la communauté artistique contemporaine. George Seurat vient de mettre au point la technique picturale du “divisionnisme”, aussi communément appelée : le pointillisme. Cette technique consiste à juxtaposer de petites touches de couleur sur la toile. Vue de près, l'œuvre semble se composer de points de couleurs désordonnés, mais vue dans son ensemble celle-ci donne vie à des portraits ou des scènes plus élaborées. Les points prennent tout leur sens. La technique de vision par ordinateur nommée segmentation se rapproche nettement dans son esprit à l'art divisionniste de Seurat. Découvrez-en davantage dans ce Podcast!   ROBERTA, le podcast : Nous sommes des spécialistes en intelligence artificielle (IA) et nous souhaitons partager notre passion avec vous. Avec ce podcast Roberta, en hommage à Roberta Wohlstetter, pionnière du renseignement moderne, nous nous sommes intéressés aux parcours de celles et ceux qui ont influencé ou ont été influencés par l'IA. Ce podcast mensuel retrace les histoires de scientifiques, cinéastes, romanciers, politiques et décrypte leur lien avec l'IA.  Ecoutez les épisodes précédents: Episode #1 : Roberta Wohlstetter Episode #2 : Stanley Kubrick Episode #3 : Jules Verne Episode #4 : Hannah Arendt et Hans Jonas Episode #5 : Elizabeth McIntosh Episode #6 : Eric Tabarly Episode #7 : Alan Turing Episode #8 : Ada Lovelace Crédit Musique : Boogie Belgique - Once Have I

In 1884, he completed his first major composition, Une baignade à Asnières, which was a great success in the contemporary art community. George Seurat had just developed the pictorial technique of "divisionism", also commonly known as pointillism. This technique consists of juxtaposing small touches of colour on the canvas. Seen up close, the work seems to be composed of disordered dots of colour, but seen as a whole it gives life to more elaborate portraits or scenes. The dots take on their full meaning. The computer vision technique known as segmentation is very similar in spirit to Seurat's divisionist art. Find out more in this podcast!   ROBERTA, the podcast: We are specialists in artificial intelligence (AI) and we want to share our passion with you. With this podcast Roberta, in honour of Roberta Wohlstetter, a pioneer of modern intelligence, we looked at the stories of those who have influenced or been influenced by AI. This monthly podcast traces the stories of scientists, filmmakers, novelists, politicians and deciphers their connection to AI.  Listen to previous episodes: Episode #1 : Roberta Wohlstetter Episode #2 : Stanley Kubrick Episode #3 : Jules Verne Episode #4 : Hannah Arendt et Hans Jonas Episode #5 : Elizabeth McIntosh Episode #6 : Eric Tabarly Episode #7 : Alan Turing Episode #8 : Ada Lovelace Music credits : Boogie Belgique - Once Have I

Georges Seurat | A Sunday on La Grande Jatte In 1894, George Seurat began going out to an idyllic little island away from the urban center of Paris. It was a place where people of various classes would relax. While the image is of people at leisure, Seurat was anything but relaxed. He was a disciplined artist on a mission to create a work that would be significant in art history. He spent years developing this work. He made dozens of preparatory sketches to work out the composition and technique.  While the 1890s was the heyday for Impressionists, Seurat was part of a new breed. Some consider him a post-impressionist or neo-Impressionist. Today his technique is called pointillism, but in his day, Seurat preferred the term divisionism. He was dividing the image into discrete bits, carefully painted, uniform dots of paint like pixels that make up our digital images. While his process was careful and hand-crafted, Seurat was fascinated by science. He developed his approach after reading the works of scientists like Michel Eugene Chevreul and Ogden Rood. One of the key concepts that Seurat latched onto had to do with how color is perceived in relation to its surroundings. Seurat read about the trouble restoring tapestries because they could not simply dye to match a piece, they had to account for surrounding colors. Seurat's idea was that by dividing the image into discrete dots of color, the painter could arrange combinations that would heighten the contrast and make the colors more vibrant. Seurat wanted to make his work even more vibrant by painting a frame of colored dots around the perimeter of his painting and that was offset by a clean white painted frame. Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christie's Chairman Marc Porter talks about Paul Allen as a collector and the role philanthropy now plays in the sale of the major art collections of our time. Max Carter discusses the challenge of estimating a wide array of artists in a collection that ranges over hundreds of years. Led by works from Cézanne, Seurat, Gauguin, Klimt, van Gogh, Boticelli, Manet, Jasper Johns, Lucian Freud, David Hockney and many more artists.

After, the detour to Italy last week, this week we are going to end our Promenade de l'été. Do you remember? We were in the quartier de l'Europe. We had met the painters from Le groupe des Batignolles, Manet, Monet, Caillebote to quote a few names. At Saint-Lazare, or right above the station, at Europe, you can take the metro line 3 to Pont de Levallois, Bécon. There you can have a walk to the Seine and to the Ile de la Jatte, where Seurat painted Dimanche après-midi à l'Ile de la Grande Jatte. Maybe a peniche will pass by. La Défense is visbile from there. It's another world there. Well, now, it's time to go to the rue du Parc and look for a small green shop. This is where Claire Heitzler has established her pâtisserie. No cakes in the window. No. This place is different. You can order on her Internet website cr discover the cakes at her boutique. They will be showed to you. Claire Heitzler is so famous among pâtissiers, she has an examplary career, won so many prizes. She has chosen to open a shop that is in harmony with what she values most : authenticity.  Let's listen to her now.  In the notes, that go with the transcript Claire Heitzler will describe to you one of her cakes in a bonus audio file. I will also highlight for you some very natural expressions in French.  www.cutlivateyourfrench.com  

durée : 00:22:10 - Les Nuits de France Culture - Marc Chagall : "A Paris en 1910 j'ai été enthousiasmé par Van Gogh, Seurat m'attirait et au Louvre j'ai vu Le Greco"

In the Marketing Studio it's planning season, and Ian Truscott and regular guest rockstar strategy advisor Jeff Clark, former Research Director at SiriusDecisions/Forrester are inspired by a blog post from Forrester - Four Common Strategy Mistakes B2B Marketers Make and discuss the difference between planning and strategy. Ian goes backstage with Joyce Yeung, Head of Marketing for 3D-printing start-up Seurat Technologies. As you'll hear, Joyce enjoys partnering with high-growth companies and founders to build their audience and narrative. She is fascinated by the many ways start-ups can evolve into world-changers and believes that people plus passion equals everything.  Joyce gave us a wonderfully short bio, that is just a teaser to a splendid conversation, sharing insight into working with startups, and you need to hear her nomination for the Rockstar CMO Swimming Pool, excellent advice. Finally, we are transported away to the Rockstar virtual bar to join Robert Rose, Chief Trouble Maker at The Content Advisory, for a cocktail and a contrasting story of two clients, with two different marketing technology challenges. If you have any thoughts or suggestions on the topics we discuss, please let us know. Enjoy! The people: Ian Truscott on LinkedIn and Twitter Jeff Clark on LinkedIn and Twitter Joyce Yeung on LinkedIn  Robert Rose on Twitter and  LinkedIn Mentioned in this week's episode: Four Common Strategy Mistakes B2B Marketers Make – article on The Forrester Blog Joyce's company: Seurat Technologies. Robert's The Content Advisory Blog Robert's latest project: Experience Advisors Rockstar CMO: Rockstar CMO on the web, Twitter, and LinkedIn Previous episodes and all show notes: Rockstar CMO FM Rockstar CMO Advisors Track List: Piano Music is by Johnny Easton, shared under a creative commons license We'll be right back by Stienski & Mass Media – on YouTube Heroes by Moby (planningtorock remix) – on Spotify Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug is calling Dani out and Dani has been on the Oregon Coast diet. This week we continue our That's the Place! series with part two. Doug finds a quiet place in the heart of Yellowstone and Dani takes the Cutthroat route. Don't be a shot blocker, secrets spots aren't real, and it really is YAH HOTS. It was a Seurat. Join us on Patreon for bonus episodes, videos, and more! https://www.patreon.com/ALifeOutside We've merch! https://teespring.com/stores/a-life-outside-podcast Find out more about us and access our stories and episodes: https://www.alifeoutsidepod.com/ Follow us: TikTok https://vm.tiktok.com/ZMeApskrU/ YouTube https://www.youtube.com/channel/UC8azr4noqQqB164qOh3MAoA Twitter http://Twitter.com/alifeoutsidepod Instagram http://Instagram.com/alifeoutsidepod Theme song performed by Jasmine Emery   https://soundcloud.app.goo.gl/7dCRpW27znCU3nEU6

James DeMuth, the CEO of Seurat Technologies, joins the Additive Insight podcast to explain how his company is looking to achieve mass production with its metal 3D printing technology.

Valmir Perez é Graduado em Educação Artística com bacharelado em Artes Plásticas e Licenciatura em Artes pela Unicamp - Universidade Estadual de Campinas (2001) e possui mestrado em Multimeios pelo Instituto de Artes da Unicamp (2007). Trabalhou 32 anos como Lighting Designer responsável pelo Laboratório de Iluminação da Unicamp. Atualmente trabalha como lighting designer autônomo. Sua experiência de mais de 30 anos em projetos de iluminação, design e artes, revela-se em inúmeros projetos de iluminação cênica, iluminação arquitetural de interiores e exteriores, projetos de estruturas cênicas e de iluminação cênica, computação gráfica, desenvolvimento de software na área de iluminação, ensino e pesquisa em design de iluminação arquitetural e artes plásticas. É membro honorário da ABIL - Associação Brasileira de Iluminação e membro fundador da ABRIC - Associação Brasileira de Iluminação Cênica. Atualmente membro diretor social na SBLuz, Sociedade Brasileira de Luz e Iluminação. Conferencista e palestrante em eventos sobre iluminação. Também contribuiu como articulista convidado na revista Lume Arquitetura. Parecerista convidado da Revista "A Luz em Cena" da UDESC. Descrição do livro: No livro de 289 páginas, divididas em 19 capítulos, o autor Valmir Perez traça um paralelo entre as ideias de grandes mestres da pintura e o design de iluminação apresentando a espiritualidade de Kandinsky; pesquisas de Monet; dramaticidade de Caravaggio; ousadia de Picasso; paixão pela sua época de Henri de Toulouse-Lautrec;olhar bondoso de Hopper; processos de formação de Paul Klee, além de Seurat, Henri Matisse, Jackson Pollock, Cézanne, Marc Chagall, Mondrian e Van Gogh. A publicação é a segunda voltada para o setor de iluminação lançado pela De Maio Comunicação e Editora. Autor: Valmir Perez Edição: 2012 Páginas: 289 Dimensões: 14cm x 21cm ISBN: 978-85-63292-01-8 www.luzearte.net.br Para adquirir envie um e-mail para: livro@luzearte.net.br

Dedication: This episode is dedicated to local, Chattanooga physician and all-around great person Dr. William 'Blake' Haren who has served and continues to serve selflessly here in town with the mental health needs of so many. We are so fortunate to have him, his talents and many others like him here, helping us all navigate these tough times. This episode celebrates the beauty of excellent expression of emotion and so we recognize that many folks around us and in our community struggle in this area and with mental health. Therefore, in addition to art and expression, we also celebrate and dedicate this episode to Dr. Blake Haren and all those like him who serve the needs of others in this regard.Blake, we salute you. Thank you.Where to begin! Laura was great- that's where.  You are going to want to hear this.Join the Mountain Echo for a very relaxed and honest discussion about some very real and heavy topics. Laura was brave and fearless in her thoughtful description of how she sees the pain of life and the great rewards and blessings of life. Hear about her family, growing up on Lookout 'back in the day',  growing up as 'Laura Livingston Moore',  local schools' art programs and many more topics. This great episode is full of names - families: Probasco, Moore, Scorey; museums: Hunter, Chicago Museum of Art, Gallery 1401, Townsend Atelier; schools: LMS, Baylor, Ole Miss, Sewanee, UTC. Names of teachers: Gwaltney, Yann and Fazio. Names of artists: Monet, Seurat and Bob Ross. Hear about Kansas City, California, Erlanger East Hospital, COVID lockdowns, Canopy Coffee, Tiffany Armstrong, Dr. Chris Moore, Dr. Steve Scorey, Ashland Terrace Animal Hospital, Dr. George Scorey. Hear about Laura's grandmother and her local art business Montcrest Gallery.This episode is super relaxed and pensive and chocked full of wonderful stories about life and hope. What words of wisdom and peace are shared from this artist as she encourages others to seek expression and to try art. Please join with us for this fun episode and hear local, mountaineer artist Laura Moore Scorey share about her journey and how it has led her back to Lookout with a bold new life yet still with her true family thread still running true through herself and now her children. Laura, super fun and well done!

So you have a great idea, but now you need the talent to get it off the ground - Joyce Yeung, Head of Marketing at Seurat, joined us to talk about she is leveraging what she calls "employee branding" to get a leg up on their competitors when it comes to talent acquisition.

CLIMATE ACTION SHOW 13TH JUNE 2022 RADIOTHON - https://www.givenow.com.au/cause442THE MEDIA How did they bury climate action when most voters had it as their top concern?Produced by Vivien Langford Guests: John Grimes in Canberra -  CEO of the Smart Energy CouncilDominic Geiger in Brisbane  - Media Co Ordinator for Lock the Gate Alliance Fahimah Badrulhisham in Sydney - Wentworth Campaigner for Australian Religious Response to Climate Change SUMMARYWhy did the media bury the subject of climate action when so many voters had this as their top priority?https://www.abc.net.au/news/2022-05-10/climate-change-election-policies-scientists-give-verdicts/101020002 John Grimes was appalled that   parts of the media are now indulging the Nuclear Energy Solution while he predicts the ALP will surpass their own modelling of having 83% of our domestic energy from renewables by 2030. This interview is irresistably upbeat but we would like to know your response : climateaction3CR@gmail.comKetan Joshi found that while Legacy media de-prioritised Climate and the Environment, it was far and away the most discussed issed on Social Media. The 2022 Election result should not have been such a surprise to baby boomershttps://reneweconomy.com.au/the-political-and-media-establishment-ignored-climate-but-voters-didnt/ Dominic Geiger previously a journalist with the Dalby Herald in  QLD, tells us to go on Google Earth to see what damage the Fossil Gas Industry has done to beautiful farmland. The mainstreeam media might not be telling us about it but  he is not so worried by the Murdoch media monopoly in Qld,  because he says young people are all connected to social media and news on the Internet. However at Lock the Gates he is ardent to get us to realise that all the so called "gas basins.".. Seurat, Beetaloo and Bowen Basin are actually place where people live and where  there is an ecosystem to protect in this driest continent on earth. Journalists who blow in and refer to them as basins are doing the work or the gas and petroleium industry and a dis service to the heroic work of conservation by local people.https://www.lockthegate.org.au/energy_crisis_architect_santos_at_it_again_with_qld_coal_seam_gas_expansion Fahimah Badrulhisham  from ARRCC is enlivened by what can be achieved under the radar by social media. She realised that opiniion pieces in the Legacy media are only the opinion of one person. Social media allows the perspective of black and brown people, people in coal affected communities and people worried about the right being trampled on.  They communicate laterally and give each other heart. She participated in many actions in the Wentworth Electorate where a TEAL candidate, Allegra Spender,defeated the Liberal Party incumbent. The  community communication  at Forums and in social media  was way below the Legacy Media commentary and  was vindicated in her opinion by the change in government.https://www.arrcc.org.au/fahimahhttps://twitter.com/arrcc1/status/1527946349597310976   

Dans le transcript avec notes, je continue la balade en photo dans le quartier et je vous emmène jusqu'au pont de Levallois.  Nous allons aussi parler de comment raconter une histoire en français en nous appuyant sur cet épisode et sur celui de lundi. Car nous avons tous des histoires à raconter, n'est-ce pas ? C'était un dimanche après-midi, deux semaines avant l'élection présidentielle. Micaela et moi étions parties nous promener aux alentours de l'Ile de la jatte. Je crois que je vous en avais parlé. Le peintre Seurat y a peint un tableau intitulé Un dimanche après-midi à l'Ile de la grande Jatte. La suite du texte est dans le TRANSCRIPT, abonnez-vous! http://bit.ly/OneThingTranscripts  

Carpenter Additive's Vice President, Ben Ferrar, is joined by James DeMuth, Co-Founder & CEO at Seurat Technologies. Seurat's area printing process focuses 2 million points of laser light on a bed of metal powder, each point fully controllable to create fully melted net-shaped metal components. James describes how he and the company saw an opening in the industry for a new way of thinking and jumped into it.

Our guest is James DeMuth, CEO of Seurat Technologies, one of the most fascinating new companies to emerge, targeting metal additive mass production. Seurat has received a lot of media attention lately because it looks to introduce one of the most innovative and disruptive new technologies we have seen, taking along lessons learned from nuclear fusion studies. James holds an Master degree in Mechanical Engineering from Stanford University with a focus on energy systems and high-temperature gas dynamics, and a Bachelor's degree in Mechanical Engineering from Santa Clara University. He has co-authored 83 patents and 13 academic publications in the fields of additive manufacturing and power generation. Prior to founding Seurat, James was at Lawrence Livermore National Laboratory where he worked on the Laser Inertial Fusion Energy project. Working on one of the most advanced machines ever created by humans, he co-invented and developed the core of Seurat's breakthrough Additive Manufacturing technology, Area Printing Seurat Technologies recently closed a $21M Series B extension with investments Xerox Ventures and SIP Global Partners, bringing total funding for the company to $79M. What makes Seurat's vision for massively scaling metal AM even more credible is that his background focuses on how to efficiently handle and precisely direct huge amounts of energy. In this podcast we will understand more about the company's unique proposition for highly scalable metal AM via Area Printing technology and how this could lead to more sustainable mass manufacturing of metal parts.

Liigalize tänään: (0:00) Kuulumiset (4:40) Liigan siirtoikkuna (30:58) Kuuluuko naisten jääkiekko Olympialaisiin? (36:59) Leijonat kultamitalijunassa (47:42) Ystävyys jääkiekossa (1:06:32) Vuoden tulokas Liigassa? Lue lisää Hockey Basen laukaisuklinikasta: https://www.hockeybase.fi/laukaisuklinikka-kiertue.html

Georges Seurat's masterpiece A Sunday on La Grande Jatte–1884, is the kind of painting that has become so ubiquitous it almost disappears into itself, but within this busy scene of curiously automata-like human interaction lie many clues to the transformations of the period. For one, this picture manifests a shift in thinking from imitation to civilization, mimesis to evolution, insofar as it encapsulates Darwin's theories of natural selection and their ramifications for the understanding of human psychology at the time. 

James DeMuth was a researcher committed to solving some very big problems and creating new technologies at Lawrence Livermore National Laboratory. He opted to become an entrepreneur because of Seurat, a startup with a potentially very disruptive 3D printing technology. Seurat offer a novel metal 3D printing method that scales and significantly reduces the costs of laser powder bed fusion parts. James goes into detail about this hereto unknown technology. We also ask him about his go-to-market, which is also novel. Super exciting podcast which we hope you like.

This week on Funpoint!, we're talking about Romaplasm by Baths. It's an album about Danganronpa, Seurat, and Shrek 2. Thank you for enjoying our music discussion podcast. Slap City picks: "Dancing in the Moonlight" by King Harvest, "Petal" by Chon. Listen to our playlist here Join us in 2 weeks when we'll discuss our next pick, The Beatles' Abbey Road!

In this episode, musician and editor Rob Weinert-Kendt joins hosts Isaac Butler and Catherine Nichols to discuss the musical "Sunday in the Park with George" with music and lyrics by Stephen Sondheim and book by James Lapine. The play focuses on the painter Georges Seurat and his common-law wife Dot, in the time when he was painting A Sunday Afternoon on the Island of La Grande Jatte, but in its second act goes to Seurat's great grandson, also an artist, and his personal crisis. The conversation address issues of muses, second acts, artistic isolation and connection, and how the play is inevitably read through the lens of biography, especially in the wake of Sondheim's death. Rob Weinert-Kendt is the editor of American Theatre and a frequent contributor to America magazine. He is also a musician. Here are some of Rob's pieces on "Sunday in the Park with George" and Sondheim: An interview with Sarna Lapine, who directed the 2017 SUNDAY revival: https://www.americantheatre.org/2017/03/21/how-sarna-lapine-makes-sunday-in-the-park-sing/ A preview of the 2008 revival (not on Time Out's site anymore, but hosted on own janky website): http://robkendt.com/Features&News/sundayinpark.htm Thoughts on Sondheim's death https://www.americantheatre.org/2021/11/30/nothing-thats-not-been-said-on-sondheim/ An in-depth interview with him from 10 years ago https://www.americantheatre.org/2011/04/01/stephen-sondheim-playwright-in-song/ Then two from Isaac: https://slate.com/culture/2021/11/stephen-sondheim-dead-obituary-career-west-side-story.html https://slate.com/podcasts/culture-gabfest/2021/12/review-spencer-yellowjackets-stephen-sondheim Learn more about your ad choices. Visit megaphone.fm/adchoices

Got them back to school blues? Not us, we love September and we've got some tasty art treats to placate you with this autumn: Lee Krasner at the Barbican, Olafur Eliasson at the Tate Modern, and the BP Portrait Award. We then get into the nitty gritty of who is Super-Curator HUO (Hans Ulrich Obrist) and his insane work ethic and distaste for sleep. We ponder if creatives are now expected to be working to such extreme levels of productivity, and what do we lose because of this? Our September artist focus is the queen of the line, Bridget Riley. Now in her 88th year, this British artist hasn't stopped teasing our optic nerves since the 1960s. Ahead of a major retrospective exhibition coming to the Hayward Gallery this autumn, we've taken a moment to reflect on her epic career. SHOW NOTESLee Krasner at the Barbican (sadly now closed): https://www.barbican.org.uk/whats-on/2019/event/lee-krasner-living-colour Olafur Eliasson 'In Real Life' until 5 January 2020 at the Tate Modern: https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson Will Gompertz's review of 'In Real Life': https://www.bbc.co.uk/news/entertainment-arts-48965313 Olafur Eliasson and Minik Rosing 'Ice Watch': https://www.tate.org.uk/whats-on/tate-modern/exhibition/olafur-eliasson-and-minik-rosing-ice-watchVisit the Art Newspaper podcast episode on 26 July 2019 that includes an interview with Eliasson. Instagram recommendations: @campbell.hectorSky Ladder: The Art of Cai Guo-qiang: https://www.netflix.com/title/80097472 Bauhaus 100: https://www.bbc.co.uk/programmes/m0007trf Bauhaus Rules with Vic Reeves: https://www.bbc.co.uk/programmes/m0007tqs 'Curationism: How Curating Took Over the Art World and Everything Else' by David Balzer: https://www.amazon.co.uk/Curationism-Curating-Took-World-Everything/dp/0745335977Hans Ulrich Obrist's morning ritual on Nowness: https://www.nowness.com/story/hans-ulrich-obrist-morning-ritual and via the Guardian: https://www.theguardian.com/culture/2016/aug/28/hans-ulrich-obrist-tastemakers-maria-balshaw-fabien-riggall-inspirations BP Portrait Award until 20 October 2019 at the National Portrait Gallery: https://www.npg.org.uk/whatson/bp-portrait-award-2019/exhibition/Vanessa Garwood: http://www.vanessagarwood.com/about/ 'Messengers' by Bridget Riley at the National Gallery: https://www.nationalgallery.org.uk/whats-on/messengers-by-bridget-riley-a-new-work-at-the-national-galleryBridget Riley's exhibition coming to Hayward Gallery 23 October 2019 - 26 January 2020: https://www.southbankcentre.co.uk/whats-on/exhibitions/hayward-gallery-art/bridget-rileyBridget Riley: Learning from Seurat: https://courtauld.ac.uk/gallery/what-on/exhibitions-displays/archive/bridget-riley-learning-from-seurat London Sinfonietta are commissioning a piece of music inspired by Bridget Riley: https://www.londonsinfonietta.org.uk/homage-bridget-riley A Financial Times interview with Riley: https://www.ft.com/content/aac6af02-deb4-11e8-b173-ebef6ab1374a

On this episode of the DTF podcast Sam really just nerds out about two comedians he has had the privilege working "around" (done the same rooms). Modern day surrealist who push the boundaries of what comedy can conceptually be, Nick Vatterott and Reggie Watts are the Dali and Seurat of their generation. Listen as same sucks both of them of long and hard in this love letter of an episode.