Podcast appearances and mentions of Elizabeth Campbell

¡Mas luchadora movies please! Jonny and Aileen watch the Mexican film by Rene Cardona, Las Mujeres Panteras. Two fierce female wrestlers are pitted against La Mujeres Panteras, a glamorous and satanic cult of were-panthers waging relentless war against the descendants of the druid who once killed their ancient leader. Jonny and Aileen also talk about the fabulous actresses Ariadna Welter, María Douglas, Elizabeth Campbell and Yolanda Montes AKA Tongolele. Remember to subscribe, rate and review! Follow our redes sociales: BlueSky: @uyquehorror.bsky.social TikTok: @uyquehorror Insta: @uyquehorror Twitter: @Uy_Que_Horror Find all the películas we cover on our LinkTree. Join our Patreon!   Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 2 of 2. Twenty-year-old Elizabeth Campbell's family didn't know how to find  their daughter, a missing person, but at first, they did a far better job than police. Still, the efforts led nowhere. After four years with nothing to show, physical evidence materialized out of the blue in Ozona, Texas in a lost and found box at the Crockett County Sheriff's Office: Elizabeth's purse. Only, no one knew how or when it got there. Also, when the crimes of Robert Ben Rhoades, AKA the Truck Stop Killer, became widely known, the public began wondering if he could be responsible for Elizabeth's disappearance.If you have any information about the disappearance of Elizabeth Ann Campbell, please call the Copperas Cove Crime Stoppers at (254) 547-1111 or Bell County Crime Stoppers at (254) 526-8477. You can also submit a tip online at https://copperascovecrimestoppers.com/team/missing-elizabeth-ann-campbellYou can support Gone Cold – Texas True Crime and listen to the show ad-free at https://www.patreon.com/gonecoldpodcastFind us at https://www.gonecold.comFor Gone Cold merch, visit https://gonecold.dashery.comFollow gone cold on Facebook, Instagram, Threads, TikTok, YouTube, and X. Search @gonecoldpodcast at all or just click https://www.linknbio.com/gonecoldpodcastThe Austin American Statesman, kxxv.com, kcentv.com, kwtx.com, Unsolved Mysteries Season 2 Episode 8, and charleyproject.org/case/elizabeth-ann-campbell were used as sources for this episode. #JusticeForElizabethAnnCampbell #Killeen #Lampasas #CopperasCove #Texas #TX #TrueCrime #TexasTrueCrime #TrueCrimePodcast #Podcast #Unsolved #GoneCold #UnsolvedMysteries #Homicide #UnsolvedMurder #ColdCase #CrimeStories #PodcastRecommendations #CrimeJunkie #MysteryPodcast #TrueCrimeObsessed #CrimeDocs #InvestigationDiscovery #PodcastAddict #TrueCrimeFan #CriminalJustice #ForensicFilesBecome a supporter of this podcast: https://www.spreaker.com/podcast/gone-cold-texas-true-crime--3203003/support.

Part 1 of 2. On a night in late April of 1989, 20-year-old Elizabeth Campbell and her boyfriend had a disagreement about studying. It turned into a full-blown argument, and Elizabeth stormed off on foot from his Killeen home, heading back to her home in Lampasas, some 28 miles away. A short time later, she called her boyfriend from a 7-11 store in Copperas Cove, a town in between Lampasas and Killeen, and the two argued again. After hanging up, she called home, but no one answered. Elizabeth was never seen again.If you have any information about the disappearance of Elizabeth Ann Campbell, please call the Copperas Cove Crime Stoppers at (254) 547-1111 or Bell County Crime Stoppers at (254) 526-8477.You can also submit a tip online at https://copperascovecrimestoppers.com/team/missing-elizabeth-ann-campbellYou can support Gone Cold – Texas True Crime and listen to the show ad-free at https://www.patreon.com/gonecoldpodcastFind us at https://www.gonecold.comFor Gone Cold merch, visit https://gonecold.dashery.comFollow gone cold on Facebook, Instagram, Threads, TikTok, YouTube, and X. Search @gonecoldpodcast at all or just click https://www.linknbio.com/gonecoldpodcastThe Austin American Statesman, kxxv.com, kcentv.com, kwtx.com, Unsolve Mysteries Season 2 Episode 8, and charleyproject.org/case/elizabeth-ann-campbell were used as sources for this episode. #JusticeForElizabethAnnCampbell #Killeen #Lampasas #CopperasCove #Texas #TX #TrueCrime #TexasTrueCrime #TrueCrimePodcast #Podcast #Unsolved #GoneCold #UnsolvedMysteries #Homicide #UnsolvedMurder #ColdCase #CrimeStories #PodcastRecommendations #CrimeJunkie #MysteryPodcast #TrueCrimeObsessed #CrimeDocs #InvestigationDiscovery #PodcastAddict #TrueCrimeFan #CriminalJustice #ForensicFilesBecome a supporter of this podcast: https://www.spreaker.com/podcast/gone-cold-texas-true-crime--3203003/support.

Don't miss Elizabeth Campbell - VP Field & Culture Marketing at McDonald's on this episode of The CMO Suite podcast - presented by MiO Marketplace and hosted by Sean Halter. This weeks episode is sponsored in part by MindgruveMacarta, AdNode, Longblink, Thumbstopper and Connectivity.

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

On this episode of Catholic Forum, after a news update from The Dialog, we learn about Catholic Charities' Marydale Retirement Village in Newark, Delaware. Catholic Charities' Stephanie Kelton talks with Esther Lovlie, Marydale Program Manager and Elizabeth Campbell, Marydale resident. Who can qualify to live at Marydale and what makes this community off of Salem Church Road so special? We will find out with Esther and Elizabeth. You can see a video of this interview that contains additional footage on the Diocese of Wilmington's YouTube channel - YouTube.com/DioceseofWilm. Catholic Forum is a production of the Diocese of Wilmington's Office of Communications. Please like, comment and follow!  

This week on Modern Marketers, McDonald's VP of Marketing Elizabeth Campbell joins Google's Joshua Spanier and Bethany Poole to talk about her 20-year career at the company and how the brand keeps consumers at the center of everything it does. Elizabeth shares some of McDonald's most iconic marketing campaigns and product launches she has worked on over the years, as well as tips for engaging with consumers in a way that feels natural to them and how the brand decides what does and doesn't need to be tested.

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e9-transcript-bonfire Content Warnings can be found at the end of the show notes. Keep the fires burning. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. This is the final episode of Camlann - for now. If you'd like to join us for our finale listen along with Ella, Amber and some of the cast and crew, you can do that on Tin Can Audio's Twitch from 8-10pm GMT on Monday 6th May 2024. If you missed it, don't worry - this and all of our livestreams are available to be watched back on Tin Can Audio's YouTube channel. The first season of Camlann was made possible with funding from Creative Scotland and the Inevitable Foundation. We'll be applying for funding to make more. Funding applications do much better if shows have: high listener figures, public reviews, and if they can provide some of their own seed money to get started. So please consider leaving us a review, donating to our Ko-Fi or Patreon @camlannpod, or just telling a friend about the show. We really appreciate it. The Welsh folk song Dai is humming in this episode is Lisa Lân, a lament for a dead lover. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Nicole Miners as Gwen (or Shújūn), Paul Warren as Gwaine, Felix Trench as Kay and Pip Gladwin as Arthur. Additional voices were provided by Marc Sollinger, Amber Devereux and the cast. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Content Warnings: Attempted Mind Control, Loss of Agency, Threatening Behaviour, Strong Language

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e8-transcript-christmas Content Warnings can be found at the end of the show notes. Everybody finds each other. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The English folk song featured in this episode is The Gower Wassail, a song traditionally sung with friends and neighbours at Christmas in orchards and the countryside. The tradition has begun to be picked up in orchards in Scotland. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Nicole Miners as Gwen (or Shújūn), Paul Warren as Gwaine, and Felix Trench as Kay. Additional voices were provided by the cast. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Discussion of Bereavement, Strong Language, Mention of Child Abuse, Fantasy Violence, Major Character Death (22:09-23:10)

Keller unleashes the full fury of the law, and Fleet and Clara search for a final chance to stop the Beast. --- Support Victoriocity with a pay-what-you-choose donation. You'll get access to Murder in the Pharaoh's Tomb, a 70-minute standalone Fleet & Clara mystery.  High Vaultage, available in hardback, ebook and audiobook. --- Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib  The Narrator – Peter Rae  Chief Inspector Keller – Chris Sugden  Constable Tiller – Gemma Arrowsmith Titus Byrne – Richard Rycroft  Mrs Keller – Lucy Rayfield-Cross Baron DeVries – Pip Gladwin Queen Victoria – Ida Berglöw Kenneway Prince Albert, Don Emilio and Rutland – Nathan Peter Grassi Additional voices by Sarah Bunnell-Pyper, Gemma Arrowsmith, Susan Harrison, Len Gwyn, Nathan Peter Grassi, Jen Sugden, Ben Keaton, and Adam Courting. Crew Sound design by Fredrik Baden and Dominic Hargreaves.  Editing by Maddy Searle. The Beast was created by Amber Devereux. Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.  

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e7-transcript-hill Content Warnings can be found at the end of the show notes. In the Otherworld. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Robin Ddiog, a nursery rhyme. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Nicole Miners as Gwen (or Shújūn), Felix Trench as Kay, Fay Roberts as Rhiannon, David Charles as Lapwing, and Peter Wicks as The News Anchor. Additional voices were provided by the cast. Special thanks to Hobbes the Lion for playing Gelert. With thanks to Méabh de Brún for her advice on Gaeilge, and to Angharad Philips and Tobias Weatherburn for their guidance on pronunciation in Welsh. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio and special guest sound designer Oliver Morris. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Discussion of Mental Illness, Brief Reference to Attempted Suicide (3:15-3:30), Discussion of Bereavement, Reference to Starvation, Emotionally Heightened Scenes and Dialogue.

In the aftermath of the events on the Gyratory, Fleet and Keller conduct a critical interrogation while Clara and DeVries head to the exhibition above which the train was travelling.   Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Baron DeVries – Pip Gladwin Frances Byrne and the Guard – Susan Harrison Miss Waverley – Molly Beth Morossa Chief Inspector Keller – Chris Sugden Genevieve Wallace – Lucy Farrett Titus Byrne – Richard Rycroft   Crew Sound design by Odinn Orn Hilmarsson and Dominic Hargreaves. Exhibition music by Odinn Orn Hilmarsson. Editing by Will Payne. Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.  

Fleet and Clara race across the city in pursuit of Frances Byrne and answers.   Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Gertrude Babworth-Tome – Sarah Bunnell-Pyper Baron DeVries – Pip Gladwin Frances Byrne – Susan Harrison Herbert the Telegraph Operator – Ben Keaton Cambridge Don – Andy Secombe Chief Inspector Keller and Searle – Chris Sugden Roberts – Mark Fiddaman Gyratory Tour Guide – Will Payne Inspector Bouvet – Adam Courting Additional voices by Len Gwyn, Lucy Farrett, Pip Gladwin, Sarah Bunnell-Pyper, Elizabeth Campbell, Nathan Peter Grassi, Gemma Arrowsmith, Philip Cotterill, Adam Courting, Duncan Wilkins, and Chris and Jen Sugden.   Crew Sound design by Amber Devereux, Dominic Hargreaves, and Odinn Orn Hilmarsson. The Beast was created by Amber Devereux.  Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e6-transcript-odysseus Content Warnings can be found at the end of the show notes. Elsewhere. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Greek folk song featured in this episode is Ikariotikos - it's a traditional dance and song from the island of Ikaria which has a ‘slow' and ‘quick' version. Odysseus sings the slow version. This episode featured: Dimitri Gripari as Odysseus, Christina Appana as Ariadne, and Will de Renzy-Martin as Polyphemus. Additional voices were provided by the Camlann ensemble. Special shoutout to Ross McFarlane, for getting eaten by a cyclops. With thanks to Eleni Sfetsiori for her work proofreading and consulting on this episode. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Σας ευχαριστώ πολύ που με ακούσατε. Thank you so much for listening. Keep sailing. Content Warnings: Fantasy Violence, Discussion of Death and Grief, Gore and Violent Death (11:41-11:50), Eye Trauma (18:49-19:09)

As a huge of of post-apocalyptic shows and King Arthur mythology, I am delighted to introduce to this great new show . . . Camlann.Camlann is a post-apocalyptic urban fantasy podcast inspired by folklore and Arthurian legends. It's written and directed by Ella Watts (Doctor Who: Redacted, Eliza: A Robot Story), and produced by Amber Devereux at Tin Can Audio (The Tower, Folxlore), with production management from Ross McFarlane (Folxlore). The show is made possible with funding from Creative Scotland and the Inevitable Foundation.Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e1-transcriptContent Warnings can be found at the end of the show notes.Dai lights a fire.Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon.If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation.The Welsh folk song featured in this episode is Tân yn Llŷn, a protest song about the destruction of Penyberth.This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Paul Warren as Gwaine and Peter Wicks as The News Anchor. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane.This episode is dedicated to Angharad Gilbey, without whom this show would not exist. Caru ti, cariad.Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you.Diolch yn fawr iawn am wrando. Thank you so much for listening.Keep the fires burning.Content Warnings: Fantasy Violence, Strong Language, Fantasy Disaster, Death and Grief.Support this show http://supporter.acast.com/ostium. Hosted on Acast. See acast.com/privacy for more information.

Fleet & Clara pursue the woodland trickster-creature through the Boundary Forest and into an industrial town. — High Vaultage is out Thursday 14th March! Find out more at https://www.victoriocity.com/high-vaultage — Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Sarah Bunnell-Pyper – Gertrude Babworth-Tome Baron DeVries – Pip Gladwin Titus Byrne – Richard Rycroft Frances Byrne – Susan Harrison Dr Trotter – Ben Keaton Septimus Bell – Phillip Cotterill   Crew Sound design by Odinn Orn Hilmarsson and Dominic Hargreaves. Editing by Maddy Searle.  Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.  

Hosted by writer Emma Atkinson, RadioEd is a triweekly podcast created by the DU Newsroom that taps into the University of Denver's deep pool of bright brains to explore the most compelling and interesting research coming out of DU. See below for a transcript of this episode. The Manhattan District Attorney's Office says the Art Institute of Chicago demonstrated “willful blindness” when it purchased “Russian War Prisoner,” a drawing by Austrian Artist Egon Schiele. The museum insists it came by the piece legally.  Why all the drama? Well, the drawing was stolen by the Nazis during World War II.  We'll let the courts decide what happens in Chicago. But right here in Colorado, University of Denver professor of history Ellizabeth Campbell is leading a national conversation about what happened to art looted by the Nazis in World War II—and why the rehoming, or restitution, process isn't as straightforward as it might seem. Elizabeth Campbell is a history professor at the University of Denver. She also serves as director of the Center for Art Collection Ethics (ACE). Campbell teaches courses in modern European and French history, including the French Revolution, Europe during the World Wars, Nazi art looting and seminars on the history and memory of World War II in France and the Algerian war of independence.  Her latest book, “Museum Worthy: Nazi-Era Art in Postwar Western Europe,” focuses on the Allied recovery of plundered art, comparing restitution practices in France, Belgium and the Netherlands. In all three cases, postwar governments held unclaimed works for display in state-run museums, setting the stage for controversy and litigation in the 1990s and ongoing cultural property disputes. (Oxford University Press, forthcoming)  In the spring of 2017, Campbell began developing plans for ACE in consultation with DU faculty and staff in related programs. ACE promotes ethical art collection stewardship through social media and on-campus training programs. More Information: "Museum Worthy: Nazi-Era Art in Postwar Western Europe” by Elizabeth Campbell “Art Institute showed ‘willful blindness' in buying Nazi-looted art, New York prosecutors say” Chicago Sun-Times “Russian War Prisoner” Art Institute of Chicago “An Art Critic's Secret Critique Of Hitler's Paintings Shown Uncanny Insight” History Daily Center for Art Collection Ethics  

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e5-transcript-voicemail Content Warnings can be found at the end of the show notes. Gwaine finds what he's been looking for. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Cariad Cyntaf, it means “first love”. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Nicole Miners as Gwen (or Shújūn) and Paul Warren as Gwaine. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Fantasy Violence, Strong Language, Heroic Suicide (25:14-27:09), Major Character Death (25:14-27:09)

Fleet and Clara follow the Beast's trail to the very edge of the city.   Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Baron DeVries – Pip Gladwin Gertrude Babworth-Tome – Sarah Bunnell-Pyper Rutland – Nathan Peter Grassi Old Noah the Cabbie – Adam Courting Alderman Creek – Fanos Xenofos Septimus Bell – Philip Cotterill Additional voices by Len Gwyn, Lucy Farrett, Pip Gladwin, Nathan Peter Grassi, Elizabeth Campbell, Molly Beth Morossa, Mark Fiddaman, and Chris and Jen Sugden. Crew Sound design by Odinn Orn Hilmarsson and Dominic Hargreaves.  Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production manager by Elizabeth Campbell.  

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e4-point-5-transcript Content Warnings can be found at the end of the show notes. Dydd Gŵyl Dewi Hapus! Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. This episode featured Paul Warren as Gwaine. This episode was written and directed by Ella Watts, with sound design from Amber Devereux at Tin Can Audio. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Fantasy Violence, Strong Language.

The mysterious DeVries guides Fleet and Clara on their first steps towards the Beast.   Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Baron DeVries – Pip Gladwin Lovell – Len Gwyn Gertrude Babworth-Tome – Sarah Bunnell-Pyper Rutland – Nathan Peter Grassi The Gnawing Terror and Pheasant's Fisherman's Choir – Julian Fox, Chris Sugden, Nathan Peter Grassi, Peter Rae, Duncan Saunderson and Dominic Hargreaves.  Additional voices by Molly Beth Morossa, Pip Gladwin, and Fanos Xenofos.    Crew Sound design by Dominic Hargreaves and Fredrik Baden. Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.  

A new case begins for Fleet-Entwhistle Private Investigations.   Cast Inspector Fleet – Tom Crowley Clara Entwhistle – Layla Katib The Narrator – Peter Rae Augusta Bell and Constable Tiller – Gemma Arrowsmith Fitchums – Duncan Wilkins Septimus Bell – Philip Cotterill Queen Victoria – Ida Berglöw Kenneway Prince Albert – Nathan Peter Grassi Chief Inspector Keller – Chris Sugden Sedgewick – Mark Fiddaman Gertrude Babworth-Tome – Sarah Bunnell-Pyper Aurelia Bell – Beth Eyre Miss Waverley – Molly Beth Morossa The Relaxation Booth – Susan Harrison Additional voices by Len Gwyn, Lucy Farrett, Pip Gladwin, Duncan Wilkins, Sarah Bunnell-Pyper, Nathan Peter Grassi and Chris and Jen Sugden.    Crew Sound design by Fredrik Baden and Dominic Hargreaves.  Editing by Maddy Searle. The Beast was created by Amber Devereux.  Victoriocity is written by Chris and Jen Sugden, produced by Dominic Hargreaves and directed by Nathan Peter Grassi, with original music by Jon Ouin. Production management by Elizabeth Campbell.

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e3-transcript-lantern Content Warnings can be found at the end of the show notes. Turn off the lights. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Dacw ‘Nghariad, a love song. Huge thanks to the podcast Wooden Overcoats, and its lead writer David K. Barnes for letting us quote their show this episode. The phrase “other people are all there is” is a recurring motif throughout the series, and we echo the sentiment wholeheartedly. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Nicole Miners as Gwen (or Shújūn), Felix Trench as Kay, Peter Wicks as The News Anchor and Will de Renzy-Martin as The Lantern Man. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Emotional Manipulation, Misgendering (10:53-11:05), Triggered Anxiety (11:05-11:19) Fantasy Violence, Extreme Stress.

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e2-transcript-horses Content Warnings can be found at the end of the show notes. The gang deals with the local wildlife. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Pais Dinogad, an Old Welsh lullaby. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Paul Warren as Gwaine, Peter Wicks as The News Anchor and Beth Crane as The Kelpie. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Child Death (4:20-4:33), Drowning (19:12-19:28), Fantasy Violence, Death and Grief, Loss of a Family Member, Strong Language.

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e1-transcript Content Warnings can be found at the end of the show notes. Dai lights a fire. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Tân yn Llŷn, a protest song about the destruction of Penyberth. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Paul Warren as Gwaine and Peter Wicks as The News Anchor. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. This episode is dedicated to Angharad Gilbey, without whom this show would not exist. Caru ti, cariad. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Fantasy Violence, Strong Language, Fantasy Disaster, Death and Grief. Learn more about your ad choices. Visit megaphone.fm/adchoices

Camlann is a post-apocalyptic urban fantasy podcast inspired by folklore and Arthurian legends. It's written and directed by Ella Watts (Doctor Who: Redacted, Eliza: A Robot Story), and produced by Amber Devereux at Tin Can Audio (The Tower, Folxlore), with production management from Ross McFarlane (Folxlore). The show is made possible with funding from Creative Scotland and the Inevitable Foundation. Camlann will begin releasing episodes fortnightly from 15th January 2024. Subscribe to their feed wherever you get your podcasts and follow them on social media @camlannpod to stay updated. Share your thoughts with them using #Camlann Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e1-transcript Content Warnings can be found at the end of the show notes. Dai lights a fire. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Tân yn Llŷn, a protest song about the destruction of Penyberth. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Paul Warren as Gwaine and Peter Wicks as The News Anchor. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. This episode is dedicated to Angharad Gilbey, without whom this show would not exist. Caru ti, cariad. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Fantasy Violence, Strong Language, Fantasy Disaster, Death and Grief. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcripts are available here: https://www.tincanaudio.co.uk/camlann-s1e1-transcript Content Warnings can be found at the end of the show notes. Dai lights a fire. Follow us on social media @camlannpod to stay updated. Share your thoughts with us using #Camlann. If you'd like to support the future of the show, you can do so on Ko-Fi and Patreon. If you'd like to listen along live to episodes as they come out with Ella and Amber, you can do that on Tin Can Audio's Twitch channel from 8-10pm GMT on Mondays. On Wednesdays at the same time, Amber will be going through the process of composing the score, and on our ‘off weeks' on Mondays, Amber will go through the sound design for the show. Camlann is made possible with funding from Creative Scotland and the Inevitable Foundation. The Welsh folk song featured in this episode is Tân yn Llŷn, a protest song about the destruction of Penyberth. This episode featured: Tobias Weatherburn as Dai, Angharad Phillips as Morgan, Robyn Holdaway as Perry, Paul Warren as Gwaine and Peter Wicks as The News Anchor. Special thanks to Hobbes the Lion for playing Gelert. This episode was written and directed by Ella Watts, with original scoring and sound design from Amber Devereux at Tin Can Audio, and additional Music Direction from Alessa Catterall. Our Production Manager is Ross McFarlane. This episode is dedicated to Angharad Gilbey, without whom this show would not exist. Caru ti, cariad. Special thanks to: Angharad Gilbey, Holly Thwaites Bee, Samuel Thompson, Sara-Luise Edge-Smith, Elizabeth Campbell, Marc Sollinger, Sarah Shachat, David K. Barnes, Rosenkranz Vermilion and Max Degan. We wouldn't have got here without you. Diolch yn fawr iawn am wrando. Thank you so much for listening. Keep the fires burning. Content Warnings: Fantasy Violence, Strong Language, Fantasy Disaster, Death and Grief.

Elizabeth Campbell was a 20-year old student, daughter, and friend. After a heated argument with her boyfriend, she left on foot from his home in Killeen around 11 PM. She is seen at a 7-11 in Copperas Cove making a phone call. She leaves the store and eyewitnesses see her getting into another vehicle, heading back in the direction of Killeen. Who was this person, and what happened to Elizabeth Ann Campbell. Support the show

We start the final hour by looking back at the first two hours of today's show, that included interviews with CBS reporter Elizabeth Campbell, attorney Amy Wilburn and John Rooney.

It once looked like a DeSantis v Trump face off was inevitable but DeSantis can't seem to get out of his own way, Amy and Chris debate why. Plus, Elizabeth Campbell of CBS news is in Maui with updates.

Elizabeth is on the scene in Maui as she gives us an update on rescue efforts and frustrations from citizens with local officials.

Join Elizabeth L. Campbell, Ph.D., and Sherry Seethaler, Ph.D., for an in-depth discussion of gender inequality in organizations and careers. They examine research on pay gaps, mentorship, and systemic solutions. Campbell highlights the significance of female mentors and sponsors, especially in STEM. Intersectionality is also explored, addressing how gender intersects with age in the workplace. Series: "Career Channel" [Business] [Show ID: 38994]

Join Elizabeth L. Campbell, Ph.D., and Sherry Seethaler, Ph.D., for an in-depth discussion of gender inequality in organizations and careers. They examine research on pay gaps, mentorship, and systemic solutions. Campbell highlights the significance of female mentors and sponsors, especially in STEM. Intersectionality is also explored, addressing how gender intersects with age in the workplace. Series: "Career Channel" [Business] [Show ID: 38994]

Join Elizabeth L. Campbell, Ph.D., and Sherry Seethaler, Ph.D., for an in-depth discussion of gender inequality in organizations and careers. They examine research on pay gaps, mentorship, and systemic solutions. Campbell highlights the significance of female mentors and sponsors, especially in STEM. Intersectionality is also explored, addressing how gender intersects with age in the workplace. Series: "Career Channel" [Business] [Show ID: 38994]

Join Elizabeth L. Campbell, Ph.D., and Sherry Seethaler, Ph.D., for an in-depth discussion of gender inequality in organizations and careers. They examine research on pay gaps, mentorship, and systemic solutions. Campbell highlights the significance of female mentors and sponsors, especially in STEM. Intersectionality is also explored, addressing how gender intersects with age in the workplace. Series: "Career Channel" [Business] [Show ID: 38994]

This is a must-listen episode for anyone contemplating a career shift, But even if you're not necessarily looking for a new job right now, this conversation will be highly relevant to anyone trying to live a life of greater purpose and meaning.Dr. Elizabeth Campbell, better known to her clients and students as “Dr. Bethy,” is a clinical psychologist, a marriage and family therapist, with special expertise and certification in career development counseling.  I know you'll appreciate the resonance between the approach we take in this podcast toward working on behavior change and her approach to career counseling.  Things to listen for How long you're likely to be happy in your current job, according to research Finding the courage to leave a dream job, when you realize it's not your dream.  Where to start with your career explorations Why your idea of who you are (and what you want) may be out of date Re-invention vs Re-alignment How False Expectations of Risk (FEAR) can keep us stuck How micro-steps can help you gain clarity (and courage) The peril of expecting your job to make you happy Thinking beyond work that earns money Mentioned in this EpisodeEpisode #51: Habits and Identity Episode #33: Aligned Actions50K Tuneup Series: Navigation SystemChange Academy Playlist for Career Development  101 Career Myths Debunked: The Ultimate Career Planning Workbook Follow Dr. Bethy on LinkedIn

Elizabeth Campbell went missing outside of a convince store in late April of 1988. She was only 20-years-old, and had planned to attend Texas A&M that fall for Marine Biology. To this day, no one has come forward yet with where Elizabeth could be, despite the case being featured on the iconic show Unsolved Mysteries. Tune in to this weeks episode to learn more about Elizabeth and what has happened since that tragic April evening. Need a distraction? I got you. If you or anyone has any information regarding what happened to Elizabeth (or her whereabouts) please contact The Copperas Cove Crime Stoppers: 254-547-1111 (https://www.p3tips.com/tipform.aspx?ID=614#) or the Copperas Cove Police: 254-547-8222. Listener discretion is advised. Shout out to Patrons Tom, Bailey, Angela, Jon, Alicia, Lynn, Shadow, Courtney, Cheryl, Susan, Jennifer and Kristin! Thank you for supporting Weird Distractions on Patreon. You can also support the show on Patreon and get monthly bonus episodes, behind the scenes footage, and more - www.patreon.com/weirddistractionspodcast  NEW MERCH - https://www.bonfire.com/store/weird-distractions/  If you want to provide feedback or even your own weird story to be read on air in an upcoming Listener Distractions episode - please email: weirddistractionspodcast@outlook.com. If you're listening on Apple Podcasts, please consider rating & reviewing. It's the best way to support the show (for free)! Weird Distractions is a proud member of the Cultiv8 network: https://www.patreon.com/cultiv8podcastnetwork/  Resource list: https://docs.google.com/document/d/1xm0SZhGt48CKnPqR0HeZtBv-oSWgdHN_pG8zqahhT_8/edit?usp=sharing Learn more about your ad choices. Visit megaphone.fm/adchoices

Break that old cd in half and make yourself some killer homespun earrings with the fantastic Jeffrey Elizabeth Copeland (Quarandream!), who talks Georgia, The Big Apple, treasuring-but-maybe-also-questioning that daring teenage style phase some of us had, and much more! Including giant steampunk spiders!

The full finale. Our hero is close to victory! Original music by Juliet Hargreaves. Lyrics by Dan Proctor. CAST: Saisha Bacon, Michael Harwood, Chris Proctor, Matthew Lacey, Elizabeth Campbell, Elli Brooks, Dan Proctor, Camilla Draycott SINGERS: The Hero's Voice - Juliet Hargreaves The Rebels -Sarah Moriarty, Katie Lawlor, Sarah Hodgson, Tom Garner, John Hargreaves PRODUCTION: 'No Space for Heroes' was written and produced by Dan Proctor.

Part Two of the finale. Our hero is close to victory! Original music by Juliet Hargreaves. Lyrics by Dan Proctor. CAST: Saisha Bacon, Michael Harwood, Chris Proctor, Matthew Lacey, Elizabeth Campbell, Elli Brooks, Dan Proctor, Camilla Draycott SINGERS: The Hero's Voice - Juliet Hargreaves The Rebels -Sarah Moriarty, Katie Lawlor, Sarah Hodgson, Tom Garner, John Hargreaves PRODUCTION: 'No Space for Heroes' was written and produced by Dan Proctor.

Part one of the finale. Our hero is close to victory! Original music by Juliet Hargreaves. Lyrics by Dan Proctor. CAST:  Saisha Bacon, Michael Harwood, Chris Proctor, Matthew Lacey, Elizabeth Campbell, Elli Brooks, Dan Proctor ​SINGERS: The Hero's Voice - Juliet Hargreaves The Rebels - Sarah Moriarty, Katie Lawlor, Sarah Hodgson 

Prior to entering the real estate industry, Elizabeth owned and operated a Bed & Breakfast in rural northern California, outside of Sacramento on a 142-acre ranch. She and her husband raised their three kids there, had a rescue zoo, and met many wonderful people from around the world over that thirteen year time-span. Some famous people stayed with them, like David Hasselhoff–he was very funny and has a great sense of humor!  As the market declined, Elizabeth and her husband worked to keep things going, but eventually decided to sell the property. The agents they were working with asked Elizabeth and her husband to get into real estate with them. She discovered the best training on the internet for real estate was from…Keller Williams agents! Being remote and rural, Elizabeth wanted to go farther faster, and she chose Idaho as her brother was moving there. In June 2016 they moved to Idaho, and she started interviewing and joined Keller Williams. She also joined the coaching program and took all the training she could, then joined a team as a Listing Agent. Elizabeth pushed to do door knocking, and went with a partner. As a result, she met many very nice people. It was this experience that helped her realize that Idaho was the place for her to be.  At one point she went to a different brokerage, but the database was not current, and she helped the agent know that they needed an inside salesperson, not her as a Listing Agent. At the same time, she was getting callbacks from the previous work she did, and the KW brokerage asked her to come back as a Buyer Agent. Elizabeth created her own process for data collection from open houses and follow up. Following the MREA model, she eventually hired an Executive Assistant, and her business doubled.  By following more pointers from a book called Perk Your Sphere, Elizabeth has implemented many programs and continues to build her business. She has become the Vice President of Training and Growth to help other agents learn important points through a well-organized program. They are focused on a three level training program called Mission-Vision-Mastery, with all the training available on an app that is also available on desktop through a platform called The Mighty Networks. Contact Elizabeth by email at elizabeth@lysibishop.com. Visit Elizabeth's real estate website, Lysi Bishop Real Estate. Stop by her Facebook page or her Instagram page to see what's new with her real estate business. Check out Elizabeth's LinkedIn page. Visit the Invested in Idaho YouTube channel. Visit Amazon to find Perk Your Sphere, the book Elizabeth mentioned that helped her reach over one million GCI. Follow David at @daviddmorse on Instagram and Joe at @joe.quattrucci. Join David & Joe at Keller Williams Arizona Realty, where productive agents redefine their business. Reach out by DM, email at davidmorse@kw.com or directly at 480-767-3000.

In this episode you meet Elizabeth A. Campbell. Elizabeth is a +20 yr marketing veteran with a proven track record of successfully cultivating consumer insight to deliver integrated marketing programs that drive consumer demand. In September 2019 she was chosen to lead McDonald's Cultural Engagement Team into its next evolution. Her responsibilities include managing a $30M budget to elevate McDonald's Cultural Strategy in the areas of Music, Sport and Entertainment, amplifying McDonald's social media presence and driving forward our Multicultural Youth marketing strategy. Elizabeth uses her cultural curiosity and her ability to partner with the McDonald's franchisees to build cultural brand experiences that touch the consumers passion points. Elizabeth has led some of the brands most iconic platforms to advance the brand with consumers including; McDelivery with UberEats; Dorado with J. Balvin; The Saweetie Meal; The Mariah Carey Meal; Future 22 Black and Positively Golden and the brands most recent steps in to the Metaverse through a partnership with Humberto Leon and IWG to celebrate Lunar New Year. Prior to joining McDonald's, Elizabeth honed her business acumen at Kraft Foods, New York in Brand Management and as an Account Executive with the Coca-Cola USA Fountain Division of The Coca-Cola Company. Elizabeth holds a Bachelor of Science Degree in Business Management from the Purdue University, Krannert School of Business and a Master of Business Administration from the Clark Atlanta University, School of Business. She currently resides in Chicago, Illinois and is a native of Benton Harbor, Michigan. Some of the things we discussed that stood out to me were: - The freedom that career tenure has given her - Mistakes that young Black women are making - How the next generation of leaders can help their mentors and sponsors help them - Being at the same company for 18 years - Dealing with impostor syndrome - Being an example of what Black excellence is - The pressures of a seat at the table as a Black woman Enjoy!