Podcasts about weyden

Ever wondered why medieval women were out there plucking their hairlines like their lives depended on it? Join me as we dig into the bizarre beauty trend that left brows bald and foreheads freakishly high. Turns out, looking like a pious, pale ghost was peak hotness in the Middle Ages. We're talking virtue, control, and erasing yourself to fit an impossible ideal. Strap in—it's about to get weird.Are. You. Ready?***************Sources & References:The Trotula: A Medieval Compendium of Women's Medicine, ed. and trans. Monica H. Green (University of Pennsylvania Press, 2001).Karras, Ruth Mazo. Unmarriages: Women, Men, and Sexual Unions in the Middle Ages. University of Pennsylvania Press, 2012.Heller, Sarah-Grace. Fashion in Medieval France. Palgrave Macmillan, 2007.Phillips, Kim M. Medieval Maidens: Young Women and Gender in England, 1270–1540. Manchester University Press, 2003.Classen, Albrecht. “Beauty and Cosmetics in the Middle Ages.” In Handbook of Medieval Culture, 2015.Green, Monica H. “Women's Medical Practice and Health Care in Medieval Europe.” Signs, Vol. 14, No. 2 (1989).The Metropolitan Museum of Art – Heilbrunn Timeline of Art History: “Fashion in Fifteenth-Century Europe.”Images referenced: Rogier van der Weyden, Portrait of a Lady (c. 1460).Quotes from Dr. Eleanor Janega in this episode are paraphrased based on ideas discussed in her book The Once and Future Sex, her blog Going Medieval, and various interviews and media appearances.***************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INC

'Beeldspraak' is de podcast van Poëziecentrum. In deze maandelijkse reeks praat een kenner/liefhebber met een dichter over zijn/haar nieuwe dichtbundel. In deze aflevering praat Melissa Giardina (Vindetta) met Esohe Weyden over haar tweede bundel, 'Richtingloos navigeren' (Pelckmans). Esohe Weyden is een schrijver, dichter, presentator en jurist. Haar debuutbundel 'Tussentaal' (2022) werd genomineerd voor de C.Buddingh'-Prijs. Ze won de publieksprijs van de PrixFintroPrijs 2022 voor Nederlandstalige literatuur. In 2024 verscheen het kinderboek 'En morgen nog een keer'. Sinds januari 2025 is ze stadsdichter van Antwerpen voor een periode van twee jaar. Melissa Giardina is de drijvende kracht achter creatief bureau Vindetta (interviews, moderatie, redactie, ...). Ze is lid van de leesredactie van Behoud de Begeerte en zetelt in het vaste panel van Uitgelezen. Ze zat/zit in de jury van de Bronzen Uil, de PoëzieRevue, de Ultima voor de Letteren en de schrijfwedstrijd Vloed.

En este episodio de "Rogier Van der Weyden: El Maestro del Realismo Flamenco", nos adentramos en la vida y obra de uno de los grandes pintores flamencos del Renacimiento, conocido por su extraordinario dominio del realismo y la emoción en sus retratos y escenas religiosas. Analizaremos sus obras más emblemáticas, como La Virgen de la Misericordia y El Descendimiento, desentrañando la técnica, el simbolismo y la habilidad única de Van der Weyden para capturar la humanidad en cada uno de sus lienzos. Explora cómo su estilo influenció a generaciones de artistas y cómo su maestría en el tratamiento de las texturas, las expresiones y la luz lo consolidó como una figura clave en la pintura flamenca. Si te apasiona el arte del Renacimiento, el detalle en el retrato y la pintura flamenca, ¡no te puedes perder este episodio! Recuerda suscribirte, dejar un comentario y compartir este podcast con todos los amantes del arte.

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Serena D'Italia, Simone Caldano"Piemonte rinascimentale"55 luoghi da scoprire e visitareEdizioni del Capricornowww.edizionidelcapricorno.it  «Era lontana la regione subalpina dai centri ove più vitale si svolgeva l'arte del Rinascimento» e le forme nuove «vi trovarono più ostacoli che altrove, essendo più inerte e più radicato il vecchio stile». Così nel 1911 scriveva il grande storico dell'arte Pietro Toesca. Il pregiudizio secondo cui il Rinascimento non interessò il Piemonte-la cui arte tra il XV e il XVI secolo sarebbe stata solo una parentesi trascurabile e passatista tra un glorioso Medioevo e la fiorente stagione barocca-ha avuto vita assai lunga. Il volume di Simone Caldano e Serena D'Italia (con la collaborazione di Michelangelo Giaccone e Laura Marino) sfata quella errata credenza e “sdogana” il Rinascimento piemontese, portando a testimonianza 55 luoghi che dimostrano come le novità rinascimentali centroitaliane siano state recepite appieno, in pittura (Giovanni Martino Spanzotti, Defendente Ferrari, Macrino d'Alba, Gaudenzio Ferrari, Gerolamo Giovenone, Bernardino Lanino) come in architettura, facendo convivere tutti gli elementi del Rinascimento tosco-romano con quelli della tradizione tardogotica e dell'Ars Nova fiamminga, dando vita a un dialogo unico e di grande fascino. Merito anche di una raffinata committenza. Un esempio fu l'arrivo a Chieri di due trittici di Roger van der Weyden, che influenzarono l'arte locale in modo duraturo.Nel prologo ci si sofferma su tre edifici di impianto gotico ma che contengono già echi rinascimentali (Santa Maria della Scala a Chieri, Collegiata di Santa Maria Assunta a Chivasso e San Giovanni a Saluzzo), mentre nel capitolo conclusivo ci si sofferma su una serie di edifici manieristi che segnano il passaggio tra Rinascimento e Barocco (Santa Croce a Bosco Marengo, Palazzo Scaglia di Verrua a Torino, i Castelli Tapparelli d'Azeglio a Lagnasco, la Cappella di San Dalmazzo a Cigliè, San Gaudenzio a Novara e Palazzo del Maresco a Savigliano). Torino: Cattedrale di San Giovanni Battista, Palazzo Madama (che custodisce anche la Madonna Tucher dello Spanzotti), Galleria Sabauda, il Castello di Vinovo, la Chiesa di San Giovanni ad Avigliana, la Chiesa di San Bernardino ad Ivrea (che ospita il ciclo di affreschi Storie della vita e della Passione di Cristo, il più noto capolavoro dello Spanzotti). Vercelli: San Cristoforo, Palazzo Centori, il Museo Borgogna, la Pinacoteca Arcivescovile, Santa Maria delle Grazie ed il Sacro Monte a Varallo. Biella: San Gerolamo, San Sebastiano, il Museo del Territorio, il Castello di Gaglianico. Novara: la Cattedrale, Santa Maria delle Grazie (oggi San Martino), Casa Tornielli di Nibbiola, già Canobio. Verbano Cusio Ossola: Palazzo Silva a Domodossola, San Gaudenzio a Baceno, il Santuario della Pietà a Cannobio, Madonna di Campagna a Verbania Pallanza, Santi Pietro e Paolo, a Crevoladossola. Alessandria: Santa Maria di Castello, Santuario di Santa Maria a Crea, cattedrale di Santa Maria Assunta ad Acqui Terme, San Domenico e San Michele a Casale Monferrato. Asti: Santa Maria Assunta, San Secondo e Santa Maria Nuova ad Asti, Santa Maria Annunziata, a Roccaverano. Cuneo: Casa Cavassa a Saluzzo, la committenza dei marchesi di Saluzzo a Revello, Santa Maria Assunta ad Elva, il Castello degli Acaja a Fossano, San Giovanni ad Alba, San Lorenzo a Saliceto, la Cappella del Buon Gesù a San Michele Mondovì, la Cattedrale di Mondovì, la Certosa di Chiusa di Pesio.  Simone Caldano: Dottore di ricerca in Storia dell'architettura e dell'urbanistica, è stato assegnista in Storia dell'architettura presso le Università di Firenze e Roma, e docente presso l'Università di Ferrara. Con Capricorno ha pubblicato Piemonte medievale (2020), Liguria medievale (2022) e Il Piemonte che non c'è più (2023).Serena D'Italia: Dottoressa di ricerca in Storia del patrimonio archeologico e artistico, si occupa di pittura norditaliana ed europea dal Quattrocento al Seicento. È stata co-curatrice della mostra “Rinascimento privato” alla Fondazione Accorsi-Ometto di Torino.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

On a great day for Swedish-Irish relations, Sweden has opened a brand-new embassy on Pembroke Row in Dublin, ending a 14-year spell without one in the Irish capital. Ahead of the very first event held at the embassy featuring author and journalist Alexandra Pascalidou, I sat down with new ambassador Lina van der Weyden to talk about what this means for the future of the relationship between the two countries.

¡Vótame en los Premios iVoox 2024! Flandes, esa tierra de brumas y canales donde campos y ciudades se funden con el mar en un horizonte infinito, fue la cuna de una escuela pictórica que deslumbró al mundo hace más de cinco siglos, un ramillete de pintores magistrales que exhibían un detallado realismo y una profunda introspección. Los maestros flamencos, alquimistas de la luz y el color, no solo retrataron la realidad con una precisión asombrosa, sino que también se adentraron en los misterios del alma humana revelando las pasiones, los anhelos, las miserias y las grandezas de una de las sociedades más opulentas de su época. En los albores del Renacimiento, cuando Italia recuperaba los cánones clásicos, Flandes florecía como un centro de comercio y cultura. Brujas, Gante, Amberes, ciudades vibrantes y cosmopolitas, se convirtieron en el escenario donde se forjó esta escuela singular a la sombra de los duques de Borgoña. Los artistas flamencos, herederos de la tradición medieval, pero abiertos a las nuevas corrientes artísticas, desarrollaron un estilo propio caracterizado por la minuciosidad del detalle, la riqueza cromática y la maestría en el manejo de la luz. El óleo, esa sustancia mágica que permite capturar la luminosidad y la transparencia, se convirtió en la herramienta predilecta de estos pintores flamencos. Jan van Eyck, el genio visionario, creo obras de una belleza y un realismo incomparables. Pero la Escuela Flamenca no se limitó a la representación fiel de la realidad. Sus artistas, imbuidos de un profundo sentido religioso y moral, dotaron a sus obras de un simbolismo complejo. Roger van der Weyden, maestro del dramatismo y la emoción, nos conmueve con sus escenas de piedad y sufrimiento. Hans Memling, con su pincel delicado y elegante, nos transporta a un mundo de serenidad y armonía. Sus vírgenes, de rostro dulce y mirada melancólica encarnan la pureza y la bondad. En sus retratos, la nobleza y la burguesía flamenca se muestran en todo su esplendor. Y luego está Hieronymus Bosch, más conocido en los países de habla hispana como El Bosco, que fue un pionero creador de mundos fantásticos poblados de criaturas extrañas y escenas oníricas. "El Jardín de las Delicias", esa obra maestra enigmática y perturbadora, nos sumerge en un universo de pecado y redención, donde la lujuria, la gula y la vanidad se mezclan con la inocencia y la esperanza. Pieter Brueghel el Viejo, por su parte, nos acerca a la vida cotidiana de los campesinos, con sus alegrías y sus penas, sus fiestas y sus trabajos. Sus paisajes, nos muestran la belleza de aquella tierra, pero también la dureza de la vida en el campo. La Escuela Flamenca, con su realismo y su simbolismo profundo, dejó una huella imborrable en la historia del arte. Sus maestros, con su dominio de la luz y el color, nos legaron un tesoro de valor incalculable. Su legado sigue vivo, inspirando a artistas y conmoviendo a aficionados de todas las épocas. Eso mismo es lo que vamos a tratar hoy en La ContraHistoria de la mano de Alberto Garín. Nos sumergiremos en la escuela flamenca que tuvo su continuación en los siglos XVI y XVII con artistas de la talla de Rubens, van Dyck o Jordaens. En el siglo XIX la pintura flamenca renació prefigurando los estilos contemporáneos de la mano de James Ensor. Cinco siglos de de arte con mayúsculas atado siempre a unas circunstancias históricas muy concretas e irrepetibles. Bibliografia: “Los primitivos flamencos” de Erwin Panofsky - https://amzn.to/3NtKjPS “El affaire Arnolfini” de Jean-Philippe Postel - https://amzn.to/4h4PuTX “Rubens” de Gilles Neret - https://amzn.to/48ccZWX “Historia de la pintura” de Paz García Ponce de León - https://amzn.to/3BJCTFn “Leer la pintura” de Nadeije Laneyre-Dagen - https://amzn.to/40658YY · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #pintura #flandes Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Flandes, esa tierra de brumas y canales donde campos y ciudades se funden con el mar en un horizonte infinito, fue la cuna de una escuela pictórica que deslumbró al mundo hace más de cinco siglos, un ramillete de pintores magistrales que exhibían un detallado realismo y una profunda introspección. Los maestros flamencos, alquimistas de la luz y el color, no solo retrataron la realidad con una precisión asombrosa, sino que también se adentraron en los misterios del alma humana revelando las pasiones, los anhelos, las miserias y las grandezas de una de las sociedades más opulentas de su época. En los albores del Renacimiento, cuando Italia recuperaba los cánones clásicos, Flandes florecía como un centro de comercio y cultura. Brujas, Gante, Amberes, ciudades vibrantes y cosmopolitas, se convirtieron en el escenario donde se forjó esta escuela singular a la sombra de los duques de Borgoña. Los artistas flamencos, herederos de la tradición medieval, pero abiertos a las nuevas corrientes artísticas, desarrollaron un estilo propio caracterizado por la minuciosidad del detalle, la riqueza cromática y la maestría en el manejo de la luz. El óleo, esa sustancia mágica que permite capturar la luminosidad y la transparencia, se convirtió en la herramienta predilecta de estos pintores flamencos. Jan van Eyck, el genio visionario, creo obras de una belleza y un realismo incomparables. Pero la Escuela Flamenca no se limitó a la representación fiel de la realidad. Sus artistas, imbuidos de un profundo sentido religioso y moral, dotaron a sus obras de un simbolismo complejo. Roger van der Weyden, maestro del dramatismo y la emoción, nos conmueve con sus escenas de piedad y sufrimiento. Hans Memling, con su pincel delicado y elegante, nos transporta a un mundo de serenidad y armonía. Sus vírgenes, de rostro dulce y mirada melancólica encarnan la pureza y la bondad. En sus retratos, la nobleza y la burguesía flamenca se muestran en todo su esplendor. Y luego está Hieronymus Bosch, más conocido en los países de habla hispana como El Bosco, que fue un pionero creador de mundos fantásticos poblados de criaturas extrañas y escenas oníricas. "El Jardín de las Delicias", esa obra maestra enigmática y perturbadora, nos sumerge en un universo de pecado y redención, donde la lujuria, la gula y la vanidad se mezclan con la inocencia y la esperanza. Pieter Brueghel el Viejo, por su parte, nos acerca a la vida cotidiana de los campesinos, con sus alegrías y sus penas, sus fiestas y sus trabajos. Sus paisajes, nos muestran la belleza de aquella tierra, pero también la dureza de la vida en el campo. La Escuela Flamenca, con su realismo y su simbolismo profundo, dejó una huella imborrable en la historia del arte. Sus maestros, con su dominio de la luz y el color, nos legaron un tesoro de valor incalculable. Su legado sigue vivo, inspirando a artistas y conmoviendo a aficionados de todas las épocas. Eso mismo es lo que vamos a tratar hoy en La ContraHistoria de la mano de Alberto Garín. Nos sumergiremos en la escuela flamenca que tuvo su continuación en los siglos XVI y XVII con artistas de la talla de Rubens, van Dyck o Jordaens. En el siglo XIX la pintura flamenca renació prefigurando los estilos contemporáneos de la mano de James Ensor. Cinco siglos de de arte con mayúsculas atado siempre a unas circunstancias históricas muy concretas e irrepetibles. Bibliografia: “Los primitivos flamencos” de Erwin Panofsky - https://amzn.to/3NtKjPS “El affaire Arnolfini” de Jean-Philippe Postel - https://amzn.to/4h4PuTX “Rubens” de Gilles Neret - https://amzn.to/48ccZWX “Historia de la pintura” de Paz García Ponce de León - https://amzn.to/3BJCTFn “Leer la pintura” de Nadeije Laneyre-Dagen - https://amzn.to/40658YY · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #pintura #flandes

Interview aux Hospices de Beaune de Sophie Caron, conservatrice au département des Peintures au musée du Louvre, commissaire de l'exposition « REVOIR VAN EYCK. La Vierge du chancelier Rolin », présentée jusqu'au 17 juin 2024. Cet épisode a été enregistré en avril 2024 et réalisé dans le cadre d'une collaboration rémunéré avec l'Hôtel-Dieu des Hospices Civils de Beaune. ▪ Infos sur le podcast Créé et produit par Fanny Cohen Moreau depuis 2017. Préparation, enregistrement, montage et mixage : Fanny Cohen Moreau Générique : Clément Nouguier ➡ Plus d'infos sur cet épisode > passionmedievistes.fr/hs-27-nicolas-rolin-van-eyck-van-der-weyden ➡ Soutenir le podcast > passionmedievistes.fr/soutenir/ ➡ Instagram > instagram.com/passionmedievistes/ ➡ Facebook > facebook.com/PassionMedievistes ➡ Twitter > twitter.com/PMedievistes

fWotD Episode 2475: Annunciation (Memling) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Tuesday, 13 February 2024 is Annunciation (Memling).The Annunciation is an oil painting by the Early Netherlandish painter Hans Memling. It depicts the Annunciation, the archangel Gabriel's announcement to the Virgin Mary that she would conceive and become the mother of Jesus, described in the Gospel of Luke (Luke 1:26). The painting was executed in the 1480s and was transferred to canvas from its original oak panel sometime after 1928; it is today held in the Robert Lehman collection of the Metropolitan Museum of Art in New York.The panel shows Mary in a domestic interior with two attendant angels. Gabriel is dressed in ecclesiastical robes, while a dove hovers above Mary, representing the Holy Spirit. It expands upon the Annunciation wing of Rogier van der Weyden's Saint Columba Altarpiece of c. 1455. According to the art historian Maryan Ainsworth, the work is a "startlingly original image, rich in connotations for the viewer or worshiper". The iconography focuses on the Virgin's purity. Her swoon foreshadows the Crucifixion of Jesus, and the panel emphasizes her role as mother, bride, and Queen of Heaven. The original frame survived until the 19th century and was inscribed with a date believed to be 1482; modern art historians have suggested that the number's final digit was a 9, which would give a date of 1489. In 1847 the art historian Gustav Friedrich Waagen described the panel as one of Memling's "finest and most original works". In 1902, it was exhibited in Bruges at the Exposition des primitifs flamands à Bruges, after which it underwent cleaning and restoration. The banker Philip Lehman bought it in 1920 from the Radziwiłł family, in whose collection it might have been since the 16th century; Antoni Radziwiłł discovered it on a family estate in the early 19th century. At that time, it had been pierced through with an arrow and required restoration.This recording reflects the Wikipedia text as of 01:11 UTC on Tuesday, 13 February 2024.For the full current version of the article, see Annunciation (Memling) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Nicole Standard.

St. Luke, evangelist and apostle, responsible for the Gospel and for Acts of Apostles. A native of Antioch in Syria and a physician, and one of the early converts from paganism. He accompanied St. Paul on a considerable part of his missionary journey. He was also his companion while in prison at Rome. He was in the thick of it. He saw the growth of the Church. He saw the drama. But he remained faithful because he had converted to Christ. It had deep roots in his soul. Luke's Gospel is, above all, the Gospel of the Merciful Heart of Jesus. It emphasizes the fact that Christ is the salvation of all men, especially of the repentant sinner and of the lowly. He also preserved some of the most touching of our Lord's parables, for example those of the lost sheep and the prodigal son. We thank him for having left such a beautiful witness of the life of Jesus. He wrote it down, with exquisite detail, especially about the infancy, also the prodigal son account. Luke felt that one of the most powerful events in the Bible is a response to God's call.  What does man say? Simple: Here I am, Lord. Mary said: ‘Here am I, the servant of the Lord; let it be with me according to your word. This is a word he expects to hear from all. Thumbnail: Detail of St. Luke Drawing the Virgin by Rogier van der Weyden, 15th century; in the Hermitage, St. Petersburg, Russia. Music: Recordações do passado (Souvenirs from the Past) a Valsa for piano (1885) by Ernesto Nazareth arranged by Bert Alink.

Europas nya tungviktare Polen går till val på söndag och Europapodden är på plats i Warszawa. Insatserna är så höga de kan bli och tonen i valrörelsen är frätande som galla. Lyssna på alla avsnitt i Sveriges Radio Play. Medverkande: Samuel Larsson, Polenkorrespondent. Georg van der Weyden, pressfotograf. Magdalena Domeradzka, lärare och forskare i politisk diskurs vid universitetet SWPS i Warszawa.Programledare: Caroline SalzingerProducent: Therese Rosenvinge

Hoe zet je slimme software efficiënter in om grote maatschappelijke problemen aan te pakken? En zijn de IT-achterstanden bij de overheid überhaupt nog in te halen?  Perry van der Weyden, algemeen directeur van Netcompany Nederland is te gast in BNR Zakendoen.  Macro met Boot  Elke dag een intrigerende gedachtewisseling over de stand van de macro-economie. Op maandag en vrijdag gaat presentator Thomas van Zijl in gesprek met econoom Arnoud Boot, de rest van de week praat Van Zijl met econoom Edin Mujagić.  Economenpanel  De Nederlandsche Bank komt met strengere regels voor Nederlandse banken.. En: Is de trend van dalende inflatie weer omgekeerd? Dat en meer bespreken we om 13.00 in het economenpanel met:   - Arnoud Boot, Hoogleraar ondernemingsfinanciering en financiële markten aan de Universiteit van Amsterdam   - Menno Middeldorp, hoofd van RaboResearch  Luister l Economenpanel Medicinale Cannabis  Minister Kuipers van Volksgezondheid Welzijn & Sport is van plan om de regels voor de productie en export van medicinale cannabis te versoepelen. Nu staat Nederland internationaal al bekend om de kwaliteit van de recreatieve cannabis, maar kunnen Nederlandse telers van medicinale cannabis dit imago hooghouden?   Te gast is: oprichter en bestuursvoorzitter van Bedrocan, Tjalling Erkelens.  Zakenpartner  Ze studeerde af als ingenieur op de TU/Delft. Tijdens deze studie begint ze met twee medestudenten een bedrijf dat bedtenten maakt voor gehandicapte kinderen. Dit bedrijf besluit ze na haar studie verder te ontwikkelen en daar werkt ze nu met veel passie aan.    De zakenpartner deze week is Lotte Leufkens, oprichter van CloudCuddle.     Contact & Abonneren  BNR Zakendoen zendt elke werkdag live uit van 12:00 tot 14:30 uur. Je kunt de redactie bereiken via e-mail  en Twitter.   Abonneren op de podcast van BNR Zakendoen kan via bnr.nl/zakendoen, of via Apple Podcast  en Spotify. See omnystudio.com/listener for privacy information.

Hoe pakt een Deens IT-bedrijf Nederlandse problemen aan? En hoe kunnen toekomstige problemen bij de Belastingdienst voorkomen worden? In ‘De Top van Nederland' een uitgebreid gesprek met Perry van der Weyden, algemeen directeur Netcompany Nederland  Abonneer je op de podcast  Ga naar ‘De top van Nederland' en abonneer je op de podcast, ook te beluisteren via Apple Podcast en Spotify. See omnystudio.com/listener for privacy information.

Der erste Spätmarkt wurde mit Bravur gemeistert und hat nicht nur bei allen Organisierenden einen phänomenalen Eindruck hinterlassen. Wer sich nicht erinnert, war nicht dabei - oder wie war das? Nachdem es jetzt allerdings mit großen Schritten auf Pfingsten zugeht, ist es für alle in Traar Lebenden völlig klar, was bald ansteht: Schützenfest! Nää, wat schüon! Das letzte Schützenfest aus 2019 konnte völlig normal abgehalten werden und so ist es glücklicherweise mit diesem nun auch. Nachdem Lukas (I.) von der Weyden den Vogel im September letzten Jahres abgeschossen hat, führt er mit seiner Vera (I.) Schubert das Königshaus. Ein ausgebrochen junges Königshaus, das jetzt schon durch Pre-Partys zum Schützenfest und Sympathie besticht. Wie das die Planung zum Abschuss des Vogels und das Führen des Königshauses genau aussieht und welche Gedanken den beiden sonst noch durch den Kopf geht, erfahrt Ihr in dieser Folge. In diesem Sinne ein 3-fach Gut Schuss! Küenig, dä - König Schötzefessg, dat - Schützenfest Schötz, dä - Schütze Rüoskes, die - Röschen

'What I'm predominately interested in, is telling stories of people that might have been overlooked. But you have to be very careful. Because not everyone has the same starting point or opinion on topics that you might want to discuss—for example, if it's about gender, a queer perspective, or a decolonial perspective. I want to present a story that feels respectful to everyone who visits a museum, but that still can be challenging for people with different views. But without scaring them away completely... Museums, in an increasingly individualized society, can offer people the opportunity and chance to come into contact with viewpoints and histories, and stories outside of their own. In this sense, the end goal, for me: it's decreasing polarization and increasing mutual understanding.' —Maaike Rikhof For the tenth episode of ‘Dutch Art & Design Today', I sat down with Maaike Rikhof, who is the Curator of Modern Art at the Frans Hals Museum in Haarlem, the Netherlands. Maaike studied art history at the University of Amsterdam, where she focused her research on the sociological aspects of art and received her BA and MA degrees. She also spent a year studying at the University of Edinburgh in Scotland, which was instrumental in her focusing her work on the late nineteenth and early-twentieth centuries, in relation to the ideas and social movements behind the artworks that were produced during those eras. Before starting in her current role at the Frans Hals Museum, Maaike spent time at the Van Gogh Museum as a researcher, and was also a curator in training at the Rijksmuseum in Amsterdam, and more recently, guest curated the exhibition ‘The New Woman' at the Singer Laren Museum—which was on display at the museum from 13 September 2022-8 January 2023. As Maaike makes clear during the interview, she focuses her research on the ideas behind the art from c. 1880-1920—as opposed to their literal, formal aspects—in her quest to probe the depths, of the socio-political contexts that fueled the creation of art in those eras. In this hour-and-a-half-long talk, Maaike recounts how she found her way to art history and discusses at length, how it is that she approaches her work in museums through the lens of sociology. We first discuss her childhood, and how her father—who was a medieval archivist at the Rijksmuseum—influenced her own interest in museums. She then recounts her early fascination with Netherlandish altarpieces, and a particularly memorable visible to the Hospices de Beaune in Burgundy, where she encountered Rogier van der Weyden's ‘The Last Judgment'; and then muses on her encounter with Botticelli's ‘The Birth of Venus' at the Uffizzi Gallery in Florence; and how these experiences cemented her love of the history of the social contexts that accompany the genesis of works of art. Later, Maaike talks about her use of the digital humanities in relation to her curatorial work, and the advantages of being a digital native, in terms of the ways she makes use of databases for research, and how she disseminates her research using, for instance, digital publishing. We then discuss what it is that enthralls her, concerning museums and their ability to participate in societal discussions. And to conclude, Maaike hints at what she has planned for the Frans Hals Museum, and its collection of modern art. You can learn more about Maaike and follow her and her work, on Instagram. You can find John on X @johnbezold and at his website johnbezold.com. 'Dutch Art & Design Today' is published by Semicolon-Press.

In deze aflevering heb ik een fijne babbel met personal branding fotograaf en mentor An Vander Weyden. Net als ik is An altijd op zoek naar de meest efficiënte, liefst geautomatiseerde, manier om haar business te runnen. Dat maakt An een online ondernemer 'pur sang' wat mij betreft en dus de ideale gast in deze podcast.We hebben het over:hoe An terecht gekomen is in het online ondernemerschapde balans tussen online en offline dankzij een online cursus aanbod en fotoshoots in 'de echte wereld'wat An zo hard aantrekt in het online stukhoe ondernemen toch nog eenzaam kan zijn, zelfs al werk je ook offline samen met klantenwaarom het belangrijk is om een paar goeie business besties te hebbenhet geheim achter heel actief zichtbaar zijn op Instagramwaarom tools en automatisaties zo belangrijk zijn voor Anhet epic leven dat ze voor zichzelf creëerdeAn is online te vinden op www.anepicview.be of op Instagram. Ze heeft ook een eigen podcast. Die kan je hier beluisteren.Luister je graag naar deze podcast?Abonneer je dan, laat een review achter, deel 'em op de socials en tag mij, zodat anderen de weg naar deze podcast makkelijker kunnen vinden.Je vindt de Unclouded Podcast ook op Checkpod, het platform om nieuwe podcasts te ontdekken.

Hablamos de las mujeres poderosas que impulsaron el Museo del Prado. Nuestros dieses a Noelia García Pérez, profesora de Historia del Arte en la Universidad de Murcia, por su trabajo de décadas investigando con perspectiva de género a las mujeres de la casa de Austria. ¿Sabíais que sin María de Hungría, Isabel de Valois o Isabel Clara Eugenia el museo no tendría el 'Descendimiento' de Rogier van der Weyden, las 'Furias' de Tiziano o las esculturas de los Leoni, los retratos de Sofonisba Anguissola ni muchísimas de las obras de Rubens que conocemos? El itinerario 'El Prado en femenino. Promotoras artísticas de las colecciones del Prado (1451-1633)' llega para poner a todas estas reinas, gobernadoras e infantas desde Isabel I de Castilla hasta Isabel Clara Eugenia en el lugar protagonista que se ganaron por derecho propio. 

Adam Roach (Australia) and Phoenix Van Der Weyden (Brazil) have collaborated on a guitar heavy album, 'The Mission'. Adam and Phoenix are both killer players and enlisted some extra heavyweight guests from all corners of the globe including Jennifer Batten, Nili Brosh and Brett Garsed to name a few.   https://roachandweyden.bandcamp.com/album/the-mission   https://becomeaguitaristtoday.podbean.com/   This episode is brought to you by Fretboard Biology    Fretboard Biology - the online guitar college created by Joe Elliott, ex Head of Guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher   Follow us on Facebook & Instagram   Contact us at guitarspeakpodcast@gmail.com  

Lucia Carballeda Suárez (Luli) é unha estradense Licenciada en Historia da arte pola USC, foi Directora do Museo da Madeira e do Moble da Estrada. Levando a cabo a xestión museística, programación de actividades culturais e comunicación. Tamén realizou a función de Técnico de didáctica no Museo etnográfico Manuel Reimóndez Portela na Estrada, desenvolvendo as tarefas de comisariado de exposicións e deseño de actividades vencelladas cos fondos do museo. Este é un breve resumo da súa dilatada traxectoria profesiónal, posto que, a súa inquietude tamén a levou a traballar nos informativos de V televisión. Agora, despois de varios anos en Madrid e coa experiencia acumulada da man do Festival PhotoEspaña, A Fábrica, a Fundación Juan March e tras levar a sede de Delimbo Gallery na capital, volve con máis ganas que nunca á capital compostelana coa Galería DUPLA. DUPLA é o seu proxecto máis persoal e con el abre unha etapa moi ilusionante. Na Galería DUPLA proponse un xogo desde o principio no que as exposicións estarán formadas por dous artistas (salvo excepcións) entre cuxos linguaxes se establecerá un diálogo. «Confabulaciones» inaugura esta sala coa proposta de Iván Prieto e Lara Pintos, artistas que estiveron no seu primeiro proxecto, na etapa madrileña. "Coas inversións en arte o máis normal é que cando te queres desfacer dunha peza teña máis valor ou que como mínimo o manteña. Na galería (DUPLA) hai pezas dende 200€ ata 12.000€". "Estiven tres anos en Madrid, foi unha etapa de moito enriquecimento profesional, traballando en La Fabrica e levando a Delimbo Gallery ". "Charo Santiago díxome, "Luli voume xubilar, porque non tomas o relevo (de espacio 48)" e eso púxome a pensar". «CONFABULACIONES» Iván Prieto e Lara Pintos Fai máis de cincocentos anos Rogier van der Weyden pintou o seu «Descendimiento», un cadro do que Felipe II se encaprichó e mandou traer a España. Actualmente forma parte da colección do Museo do Prado pero antes sobreviviu ao naufraxio do barco que o traía desde Flandes. A escena representada nesa pintura tómase prestada hoxe aquí. Non é a primeira vez que a artista Lara Pintos pon o foco nalgunha das grandes pinturas do pasado. Velázquez ou Vermeer servíronlle de inspiración noutras ocasións, e agora aquí fíxase en van der Weyden e o formato do descendimiento de Xesucristo, reinterpretado na súa «Vitrina iridiscente». Esta peza reflicte moitas claves da pintura da coruñesa. Unha vez máis nos sitúa ante unha arquitectura deshabitada, onde o tempo parece retardarse. Unha pirámide de chanzos conduce a nosa mirada cara ao centro do políptico, onde podemos ver unha serie de teas a través dun cristal. Así, por unha banda, o pano preséntase como unha personificación do sacro, na cúspide da pirámide e protexido por unha vitrina, como outrora exhibíanse as reliquias dos santos nos altares e como aínda hoxe sucede con aquilo que dalgún modo precisa ser «custodiado». Se o estudo da luz e do reflexo son constantes na obra de Pintos, agora explora a refracción newtoniana e a descomposición da luz branca en cores. Un proceso que fai que a súa pincelada sóltese e vire cara a certa abstracción, especialmente nas brochadas de cor. Así como Lara Pintos propón o escenario, o escultor Iván Prieto ocúpase da figuración. Na súa táboa flamenca van der Weyden concibiu aos personaxes cun rechamante sentido escultórico. Resoltos con gran riqueza cromática, envolveunos en teas estruturadas para achegar solidez aos volumes das figuras, dispostas algunhas delas en posturas insoportables: María Cleofás, San Juan, Nicodemo ou José de Arimatea... cada un dos personaxes bíblicos do cadro están evocados hoxe nesta sala. Mentres unha María Salomé fucsia desínflase ou identificamos á Virxe María polo seu vestido lapislázuli, o descendimiento é sustituído aquí polo bamboleo dunha trapecista cunha longa trenza. A liberdade é unha das máximas na plástica de Prieto e aquí faise manifesta. Ocorre o mesmo co emprego de cores flúor, o xogo de texturas e os personaxes fabulosos, moi propios do escultor, cuxa vestimenta os converte en híbridos cun pé no mundo humano e outro no animal. Velaquí un reino no que pintora e escultor fan da súa capa un sayo. Lucía C. Suárez Máis Información GALERIA DUPLA: ✔️Páxina Web: https://www.galeriadupla.art/ ✔️Instagram: https://www.instagram.com/dupla_galeria/ Rúa da Fonte de Santo Antonio, 9, 15702 Santiago de Compostela, A Coruña (https://www.google.com/maps/dir//R%C3%BAa+da+Fonte+de+Santo+Antonio,+9+15702+Santiago+de+Compostela+A+Coru%C3%B1a/@42.8771784,-8.5430162,14z/data=!4m8!4m7!1m0!1m5!1m1!1s0xd2efe4719184317:0x2fabfd5a2b5d97ee!2m2!1d-8.5430162!2d42.8771784 ) ️ "SUSCRÍBETE" ao podcast MÁIS ENTREVISTAS: https://www.ivoox.com/podcast-salta-da-cama_sq_f1323089_1.html Máis Información e outros contidos: ✔️Facebook: https://www.facebook.com/PabloChichas ✔️Twitter: https://twitter.com/pablochichas ✔️Instagram: https://www.instagram.com/pablochichas/ ✔️Clubhouse: @pablochichas ✔️Twich: https://www.twitch.tv/pablochichas

TRANSMITIDO ORIGINALMENTE EL 10 de septiembre de 2021 Hablamos sobre el robo de obras de arte en Puerto Rico y el menosprecio a nuestra historia. Comentamos sobre el robo de la pintura "Virgen de Belén" hecha en el siglo XV y atribuida a Rogier van der Weyden. Esta pintura se encontraba en la Iglesia San José en el viejo San Juan desde el siglo XVI hasta su robo en noviembre de 1972. Al día de hoy nadie sabe donde se encuentra esta obra. De ahí partimos para señalar la falta de interés tanto del gobierno como la sociedad puertorriqueña en preservar la historia y rescatar todo lo relacionado a la cultura puertorriqueña, desde el arte, las ciencias, los deportes, las letras y la misma historia. - - - - - ¿Te gusta nuestro contenido? Apóyanos convirtiendote en un Patreon y tendrás acceso a contenido EXCLUSIVO para ti y otros beneficios. Accede a www.patreon.com/elresaltadordelarealidad o en la app como El Resaltador de la Realidad #podcast #podcastenespañol #podcastpuertorico #podcastpuertorriqueño #contenidopr #política #sátirapolítica #cómics #blog #blogenespañol #podcastdepolítica #historiadepuertorico #puertorico --- Send in a voice message: https://anchor.fm/elresaltadordelarealidad/message Support this podcast: https://anchor.fm/elresaltadordelarealidad/support

Het leven van de heilige Dimpna leest als een sprookje! Het levensverhaal van deze opmerkelijke heilige spreekt zo tot de verbeelding dat Goossen Van der Weyden (1465-1538), kleinzoon van de beroemde Rogier, een altaarstuk met acht panelen schilderde met op elk paneel een episode uit het leven van Dimpna. Maar niet alleen de iconografie van het meesterwerk is verrassend. Meer dan drie jaar lang werden de panelen onderworpen aan een uitgebreid restauratie door de restauratoren van The Phoebus Foundation. Zij ontdekten nog meer uitzonderlijke verhalen, die eeuwenlang verborgen waren onder lagen stof en vuil. Ontdek samen met Sven Van Dorst en Niels Schalley de geheimen van Dimpna en Goossen Van der Weyden. 

„Ich finde es spannend, dass man so viel wiedererkennt: aus der eigenen Stadt, aus dem eigenen Leben, obwohl das Bild 100 Jahre alt ist.“ In der fünften und letzten Folge von MdbK [talk], anlässlich BILDERKOSMOS LEIPZIG, trifft Nastassja van der Weyden die Leipziger Autorin Lisanne Surborg. Bei einem Rundgang durch die Ausstellung sprechen die beiden über Inspiration, Kunst und Literatur sowie die Lieblingsgemälde der Schriftstellerin. Es ist ein sehr persönliches Gespräch über Leipzig, Erinnerungen und die Kraft der Kunst geworden. Mit BILDERKOSMOS LEIPZIG. 1905–2022 präsentiert das MdbK das erste Mal auf der nahezu gesamten Fläche des dritten Obergeschosses seinen vielleicht wichtigsten Kunstschatz: Malerei und Skulptur des 20. und 21. Jahrhunderts. Mehr als 200 Werke, darunter bisher selten ausgestellte, sind im Museum zu sehen. BILDERKOSMOS LEIPZIG. 1905–2022 noch bis zum 06.06.2022 im MdbK Konzeption & Redaktion: Maria-Luise Kunze/MdbK, Nastassja van der Weyden Moderation & Schnitt: Nastassja van der Weyden Aufnahme, Schnitt & Postproduktion: Manuel Schmieder/Soundscape Studios

Die heutige Gesprächspartnerin im MdbK [talk]-Podcast ist Katrin Brause a.k.a. Heichel. Sie ist mit ihrem Gemälde „o.T. (Eule)“ in der Ausstellung BILDERKOSMOS LEIPZIG vertreten. Nastassja van der Weyden spricht mit der Künstlerin über patriarchale Machtstrukturen in der Kunstwelt, Sichtbarkeit von Künstlerinnen, Karriere, Mutterschaft und Chancengleichheit. Sie erzählt, warum es wichtig ist, Netzwerke zu bilden und welcher prominente Maler sie von Anfang unterstützte. Mit BILDERKOSMOS LEIPZIG. 1905–2022 präsentiert das MdbK das erste Mal auf der nahezu gesamten Fläche des dritten Obergeschosses seinen vielleicht wichtigsten Kunstschatz: Malerei und Skulptur des 20. und 21. Jahrhunderts. Mehr als 200 Werke, darunter bisher selten ausgestellte, sind im Museum zu sehen. BILDERKOSMOS LEIPZIG. 1905–2022 noch bis zum 06.06.2022 im MdbK Konzeption & Redaktion: Maria-Luise Kunze/MdbK, Nastassja van der Weyden Moderation & Schnitt: Nastassja van der Weyden Aufnahme, Schnitt & Postproduktion: Manuel Schmieder/Soundscape Studios

„Der Witz ist, […] wenn Dritte von uns Bilder wollen, dann ist es immer wieder Mattheuers ‚Leipzig-Bild‘, […] Heisigs ‚Brigadier‘ […]. Ich denke, dann ‚Meine Güte, nehmt doch mal was anderes‘!“ Dietulf Sander hat viel während seiner Zeit als Mitarbeiter im Museum der bildenden Künste Leipzig erlebt. Er ist mit der Sammlung des Hauses stark verbunden: Als Student hat er Führungen im Museum gegeben. In den 1980er Jahren wurde er Sammlungsleiter der Kunst des 19. und 20. Jahrhunderts. Für die Ausstellung BILDERKOSMOS LEIPZIG hat er Kurator Marcus Andrew Hurttig bei der Auswahl der Kunstwerke unterstützt. Nastassja van der Weyden wagt gemeinsam mit Dietulf Sander einen Blick hinter die Kulissen des Museums. Sie sprechen u. a. darüber wie vielfältig sein Arbeitsbereich war, über die Leerstelle in der Sammlung des MdbK und welches Bild ihn in der BILDERKOSMOS-Ausstellung besonders stolz macht. Mit BILDERKOSMOS LEIPZIG. 1905–2022 präsentiert das MdbK das erste Mal auf der nahezu gesamten Fläche des dritten Obergeschosses seinen vielleicht wichtigsten Kunstschatz: Malerei und Skulptur des 20. und 21. Jahrhunderts. Mehr als 200 Werke, darunter bisher selten ausgestellte, sind im Museum zu sehen. BILDERKOSMOS LEIPZIG. 1905–2022 noch bis zum 06.06.2022 im MdbK Konzeption & Redaktion: Maria-Luise Kunze/MdbK, Nastassja van der Weyden Moderation & Schnitt: Nastassja van der Weyden Aufnahme, Schnitt & Postproduktion: Manuel Schmieder/Soundscape Studios

In dieser Folge von MdbK [talk] dreht sich alles um das Thema Kunst sammeln. Anlässlich der Ausstellung BILDERKOSMOS LEIPZIG. 1905–2022 spricht Nastassja van der Weyden mit der Kunstexpertin Regina Wyrwoll. Die Kunsthistorikerin und Journalistin ist seit zehn Jahren im Kuratorium der Peter und Irene Ludwig Stiftung tätig. Was machte die Kunstsammlung von Irene und Peter Ludwig so besonders? Wieso fanden 20 Kunstwerke aus der Sammlung der beiden ihren Weg ins MdbK (und auch in die Ausstellung)? Was hat Peter Ludwig mit Leipzig verbunden? Und was haben Pralinen damit zu tun? Alle Antworten gibt es in dieser Folge von MdbK [talk]. Mit BILDERKOSMOS LEIPZIG. 1905–2022 präsentiert das MdbK das erste Mal auf der nahezu gesamten Fläche des dritten Obergeschosses seinen vielleicht wichtigsten Kunstschatz: Malerei und Skulptur des 20. und 21. Jahrhunderts. Mehr als 200 Werke, darunter bisher selten ausgestellte, sind im Museum zu sehen. BILDERKOSMOS LEIPZIG. 1905–2022 noch bis zum 06.06.2022 im MdbK Konzeption & Redaktion: Maria-Luise Kunze/MdbK, Nastassja van der Weyden Moderation & Schnitt: Nastassja van der Weyden Aufnahme, Schnitt & Postproduktion: Manuel Schmieder/Soundscape Studios

Nastassja van der Weyden spricht in dieser fünfteiligen Podcastreihe mit ihren Gäst*innen über Kunst, Kultur und den "Bilderkosmos Leipzig". In der ersten Folge trifft die Journalistin, Autorin und Podcasterin den Maler Malte Masemann. Sein Gemälde "Das blaue Zimmer" hängt in der gleichnamigen Ausstellung. Was Malte Masemann mit Neo Rauch verbindet, welche Bedeutung Leipzig für ihn hat und wie seine Arbeitsroutine aussieht, erfährst du in dieser Episode von MdbK [talk]. Mit BILDERKOSMOS LEIPZIG. 1905–2022 präsentiert das MdbK das erste Mal auf der nahezu gesamten Fläche des dritten Obergeschosses seinen vielleicht wichtigsten Kunstschatz: Malerei und Skulptur des 20. und 21. Jahrhunderts. Mehr als 200 Werke, darunter bisher selten ausgestellte, sind im Museum zu sehen. BILDERKOSMOS LEIPZIG. 1905–2022 noch bis zum 06.06.2022 im MdbK Konzeption & Redaktion: Maria-Luise Kunze/MdbK, Nastassja van der Weyden Moderation & Schnitt: Nastassja van der Weyden Aufnahme, Schnitt & Postproduktion: Manuel Schmieder/Soundscape Studios

Esohe Weyden kiest voor een fragment uit 'On & On' van Joey Bada$$.

Adam has launched a new project alongside guitarist Phoenix Van Der Weyden, called Roach and Weyden. Their album is called The Mission, and it's full of slammin' shredding, a treat for the guitar appreciators. We discuss the album and also what's been happening in his podcast, Become a guitarist todayYou can check the album here: https://distrokid.com/hyperfollow/roachandweyden/the-mission-2 . Follow them on Facebook here: https://www.facebook.com/RoachandWeyden/ and over at Bandcamp here: https://roachandweyden.bandcamp.com/releases Check out Adam's podcast here: https://www.facebook.com/BecomeAGuitaristTodayWithAdamRoachPodcast/

In this episode I talk to Phoenix Van Der Weyden and Arnaud Krakowka about our new album “The Mission”. We break down each song from the album and discuss the behind the scenes of each song including the songwriting, recording process plus lots more. The album is available here.   Thank you to my sponsors: Arnaud Krakowka Custom Guitar Picks   To download my online guitar course and all other contacts visit my website:  https://becomeaguitaristtoday.com

More great books at LoyalBooks.com

Dans cet épisode, Thierry Piel nous raconte l'histoire de la fin du grand duché d'Occident sous Charles le Téméraire. A la fin du Moyen-Âge, une vaste principauté est née à partir d'une opération d'apanage. En 1364, Jean II le Bon, roi de France décide de donner à son quatrième fils, Philippe Le Hardis, un territoire pour vivre de ses rentes, le duché de Bourgogne. A force d'alliances matrimoniales, le territoire de Bourgogne prend de l'ampleur jusqu'à déborder du royaume de France et empiéter sur le Saint Empire Romain Germanique. Charles le Téméraire, comte de Charolais, devient le quatrième Duc de Bourgogne en 1467. A son avènement, le vaste territoire de Bourgogne est un des plus riche de l'époque mais il reste difficilement unifiable. Louis XI et Charles le Téméraire, amis proches à l'origine, rentrent en confrontation dès 1463 quand le roi de France reprend des territoires au Nord du duché de Bourgogne. La bataille de Nancy en 1477 mène à la mort de Charles le Téméraire, et avec elle le démantèlement du duché de Bourgogne. Musique : Lamentatio Sanctae Matris Ecclesiae - The Medieval Ensemble Of London and Peter Davies and Timothy Davies. Belle (extrait du spectacle "Notre Dame de Paris 1998") - Garou, Patrick Fiori, Daniel Lavoie. Image : Rogier van der Weyden,  Portrait of Charles the Bold, 1454 on Wikipédia

To learn more, please visit ARCA's website.SHOW NOTES:03:00 Dr. Charney's interest in being a playwright led to foundation of Association for Research into Crimes against Art (ARCA)05:00 Charney's first book 05:30 first conference to bring academics and art police together06:30 criminalistics applied in Slovenia - a balanced policing system that merges the theories of criminology and practice of criminal investigation, forensics & police procedure11:00 ARCA's summer conference on art crime in central Italy14:00 Italy's Carabinieri Art Squad17:50 ARCA's CEO Linda Albertson18:30 Albertson's blog post about return of objects to Cambodia by Doug Latchford's Estate19:00 ARCA's blog21:30 recommendations to those who want to return looted art or cultural heritage objects24:00 Missing Masterpieces exhibition 25:35 thief of Van Gogh's Parsonage arrested though painting is still missing25:50 tip on whereabouts of Jean-Baptiste Oudry's The White Duck26:20 panel of Ghent Altarpiece stolen in 1934 is still missing and is an ongoing open case in Ghent, Belgium27:45 a work is ‘extant' if its location is known28:25 Justice Cycle panels by Rogier van der Weyden referenced in Charney's Museum of Lost Art 29:00 The Deposition in the Prado in Madrid is now considered van der Weyden's masterpiece29:10 van der Weyden considered The Justice of Trajan and Herkinbald from the Justice cycle to be his masterpiece29:45 the Justice cycle destroyed in a fire circa early 17th C.29:55 survivor bias for works that still exist and a negative space history of art is explored in Charney's 2018 book The Museum of Lost Art31:10 Charney's most recent book The Devil in the Gallery: How Scandal, Shock, and Rivalry Made the Art World? also has a negative space approach31:55 Charney's 2017 book The Collector of Lives focuses on the life of Giorgio Vasari 33:00 rivalry of artists as shown in Caravaggio's 1599 The Calling of St. Matthew wherein the artist used a duplicate of Sistine Chapel Ceiling's hand of God by Michelangelo to paint the hand of Jesus 34:15 Charney's online discussion of Caravaggio's 1599 The Calling of St. Matthew 34:50 top missing work that Charney would like to see recovered is the Book of Drawings, twelve folios by Giorgio Vasari36:05 second work is Leonardo da Vinci's Battle of Angiati; Vasari's use of false walls to preserve works he valued like da Vinci's Battle of Angiati37:15 third work would be the Justice Cycle37:30 Charney's preference for work in situ39:00 Vasari's use of false walls to cover paintings 39:50 Vasari's false wall in front of da Vinci's Battle and reasons to keep or remove wall40:50 Charney's recommendations of books published by ARCA41:10 Context Matters: Collating the Past by David W.J. Gill - collection of essays on antiquities, looting and archaeology41:20 Transnational Art Crime by ARCA academic director Edgar Telehouse41:45 The Secret Collector: the Lost Art Collection of Erich Šlomovič by Leon Pogelick and Slavko Pregl42:45 Charney's The Art Thief's Handbook - art theft essaysTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]

A meditation by Fr. Eric Nicolai during a retreat at Cedarcrest Conference, outside of Toronto. It was preached on October 8, 2021. It is about being ready for death. Music: Chiquinha Gonzaga (1847-1935), "Lua Branca" (white moon), played on guitar by Bert Alink. Thumbnail: Rogier Van der Weyden, Descent from the Cross (1435) Prado Museum in Madrid.

#68 El descendimiento de Van der Weyden - Historia del arte con Kenza Una de las obras más emblemáticas del arte flamenco. Historia del arte con Kenza - Obras que encienden el asombro. Una serie sobre el arte a través del la historia y las culturas. Se presentarán obras que transcienden el tiempo por su belleza y por lo que nos cuenta. Nos puedes seguir a través de la cuenta Instagram Historia.del.arte.con.kenza, para descubrir las obras del podcast y muchas más. Producido por @RojoVenado

#68 El descendimiento de Van der Weyden - Historia del arte con KenzaUna de las obras más emblemáticas del arte flamenco.Historia del arte con Kenza - Obras que encienden el asombro.Una serie sobre el arte a través del la historia y las culturas. Se presentarán obras que transcienden el tiempo por su belleza y por lo que nos cuenta.Nos puedes seguir a través de la cuenta Instagram Historia.del.arte.con.kenza, para descubrir las obras del podcast y muchas más.Producido por @RojoVenado See acast.com/privacy for privacy and opt-out information.

Hablamos sobre el robo de obras de arte en Puerto Rico y el menosprecio a nuestra historia. Comentamos sobre el robo de la pintura "Virgen de Belén" hecha en el siglo XV y atribuida a Rogier van der Weyden. Esta pintura se encontraba en la Iglesia San José en el viejo San Juan desde el siglo XVI hasta su robo en noviembre de 1972. Al día de hoy nadie sabe donde se encuentra esta obra. De ahí partimos para señalar la falta de interés tanto del gobierno como la sociedad puertorriqueña en preservar la historia y rescatar todo lo relacionado a la cultura puertorriqueña, desde el arte, las ciencias, los deportes, las letras y la misma historia. - - - - - - - - - - - ¿Te gusta nuestro contenido? Apóyanos convirtiendote en un Patreon y tendrás acceso a contenido EXCLUSIVO para ti y otros beneficios. Accede a www.patreon.com/elresaltadordelarealidad o en la app como El Resaltador de la Realidad #podcast #podcastenespañol #podcastpuertorico #podcastpuertorriqueño #contenidopr #política #sátirapolítica #cómics #blog #blogenespañol #podcastdepolítica #historiadepuertorico #puertorico --- Send in a voice message: https://anchor.fm/elresaltadordelarealidad/message Support this podcast: https://anchor.fm/elresaltadordelarealidad/support

Learn about the social neuroscience of music; songbirds' ultra-precise song control; and how animals can get skin cancer. This is your last chance to vote for Curiosity Daily in the 2021 People's Choice Podcast Awards! Register at https://podcastawards.com, select Curiosity Daily in the categories of Education and Science & Medicine, and then click/tap "save nominations" at the bottom of the page. Voting in other categories is optional. Your vote is greatly appreciated! This is what happens in the brain when people make music together by Kelsey Donk What happens in the brain when people make music together? (2021). EurekAlert! https://www.eurekalert.org/pub_releases/2021-06/bu-whi060921.php  Greenberg, D. M., Decety, J., & Gordon, I. (2021). The social neuroscience of music: Understanding the social brain through human song. American Psychologist. Advance online publication. http://dx.doi.org/10.1037/amp0000819  Songbirds have ultra-precise control over their singing, controlling frequencies under 1 Hz by Grant Currin Songbirds can control single vocal muscle fibers when singing. (2021). EurekAlert! https://www.eurekalert.org/pub_releases/2021-06/uosd-scc053121.php  Adam, I., Maxwell, A., Rößler, H., Hansen, E. B., Vellema, M., Brewer, J., & Elemans, C. P. H. (2021). One-to-one innervation of vocal muscles allows precise control of birdsong. Current Biology. https://doi.org/10.1016/j.cub.2021.05.008 Hays, B. (2021, June 4). Songbirds can precisely control single vocal muscle fibers while singing. UPI; UPI. https://www.upi.com/Science_News/2021/06/04/denmark-songbirds-fibers-vocal-control/4951622821325/  Merlin Bird ID - Free, Instant Bird Identification Help and Guide for Thousands of Birds: https://merlin.allaboutbirds.org/  Do animals that spend time in the sun get skin cancer? by Ashley Hamer (Listener question from Toby in Longmont, Colorado) Grey, H. (2018, June 28). Here's How Much Damage a Really Bad Sunburn Can Do. Healthline; Healthline Media. https://www.healthline.com/health-news/heres-how-much-damage-a-really-bad-sunburn-can-do  ‌van der Weyden, L., Brenn, T., Patton, E. E., Wood, G. A., & Adams, D. J. (2020). Spontaneously occurring melanoma in animals and their relevance to human melanoma. The Journal of Pathology, 252(1), 4–21. https://doi.org/10.1002/path.5505  ‌Bryce, E. (2018, May 27). Do Animals Ever Get Sunburned? Livescience.com; Live Science. https://www.livescience.com/62677-do-animals-get-sunburned.html  ‌Gambino, M. (2011, July 8). Ask an Expert: Do Animals Get Sunburned? Smithsonian Magazine; Smithsonian Magazine. https://www.smithsonianmag.com/science-nature/ask-an-expert-do-animals-get-sunburned-28218217/  ‌Why Would A Fish Make Its Own Sunscreen? (2015, May 13). NPR.org. https://www.npr.org/sections/health-shots/2015/05/13/404444731/why-would-a-fish-make-its-own-sunscreen  Follow Curiosity Daily on your favorite podcast app to learn something new every day withCody Gough andAshley Hamer. Still curious? Get exclusive science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers. See omnystudio.com/listener for privacy information.

The ninth episode travels back to May 19th, 2020, with the recreation of Rogier van der Weyden, Portrait of a Lady, 1460, National Gallery of Art.See the Post - https://www.instagram.com/p/CAYGOklhAJt/See the Teaser - https://www.instagram.com/p/CAWMtxvBTvd/See the Extra - https://www.instagram.com/p/CAYHM6nBzj_/Follow her Instagram at - https://www.instagram.com/portraitpersonas/Follow the Podcast - https://portraitpersonas.transistor.fm/subscribeLearn More!More about the painting - https://www.nga.gov/collection/art-object-page.51.htmlRogier van der Weyden - https://www.nationalgallery.org.uk/artists/rogier-van-der-weydenPhilip the Good - https://en.wikipedia.org/wiki/Philip_the_GoodJan van Eyck - https://en.wikipedia.org/wiki/Jan_van_EyckArnolfini Portrait - https://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portraitThe Annunciation - https://www.nga.gov/collection/highlights/van-eyck-the-annunciation.html

Carlos Marquerie estrena 'Descendimiento', un montaje en torno al poemario de Ada Salas sobre la obra de Van der Weyden y María San Miguel, 'Y llegar hasta la Luna', sobre el deseo y las fantasías sexuales de personas con diversidad

This portrait by Rogier van der Weyden is of an unknown lady who is representing the styles of the Northern Renaissance. Listen in to this podcast to dissect the structural composition of this specific portrait and why it is an important contribution to the art of the Northern Renaissance. --- Support this podcast: https://anchor.fm/before-you-go/support

HeartBeatHero Radio 0025 - The Last Concorde and Susurrous The next live show March 6th Saturday Night - Album Release Party with guests, interviews, trivia and of course great music. Live show on twitch: https://www.twitch.tv/videos/903645664 HeartBeatHero Radio Season 3 Season 3: soundcloud.com/heartbeathero/sets/heartbeathero-radio-season-3 Season 2: soundcloud.com/heartbeathero/sets/heartbeathero-radio-season-2 Season 1: soundcloud.com/heartbeathero/sets/heartbeathero-radio-season-1 Huge thanks to all my guests! The Last Concorde https://soundcloud.com/thelastconcordeofficial Jeff of Jefferson Rift https://soundcloud.com/user-24702868 Joe of The Ozone Nightmare https://ozone.libsyn.com/ Lennard a.k.a. Susurrous https://susurrousmusic.bandcamp.com Music links: Cloud Battalion - Vengeance https://soundcloud.com/cloudbattalionmusic/vengeance The Last Concorde - Light in the darkness https://soundcloud.com/thelastconcordeofficial/light-in-the-darkness The Last Concorde - Looking back https://soundcloud.com/thelastconcordeofficial/looking-back The Last Concorde - Last call https://soundcloud.com/thelastconcordeofficial/last-call Beasuce - High Roller https://soundcloud.com/beasuce/high-roller Pink Flam - Moon City https://soundcloud.com/pinkflam/moon-city StayLoose - Illusions Ft FATHERDUDE (Dream Fiend Remix) https://soundcloud.com/dream-fiend/stayloose-illusions-ft-fatherdude-dream-fiend-remix Advection Stride - The Hawk https://soundcloud.com/advectionstride/the-hawk Warlock - Running Hot (feat. Phoenix van der Weyden) https://soundcloud.com/kris-warlock/running-hot-feat-phoenix-van-der-weyden Jefferson Rift - Emergency Hyperdrive Launch Sequence: Proxima Centauri (HeartBeatHero Radio Exclusive) Arto Ape Aaltonen - San Diego The Mark Vera remix https://markvera.bandcamp.com/track/san-diego-mark-vera-remix-feat-arto-ape-aaltonen Maverick 85 - Slingshot Around The Sun https://soundcloud.com/user-94954961/slingshot-around-the-sun Red Ankh - Orion (HUBRID REMIX) https://soundcloud.com/hubrid-sound/red-ankh-orion-hubrid-rmx DX-Digital - Solo for the last track on his new upcoming album https://soundcloud.com/dxdigital Lucy In Disguise - Dusk (DreamReaper Remix) https://soundcloud.com/dreamreapermusic Super Crazy Dogs - Should I be a dog? https://www.youtube.com/watch?v=Ap4L7fcCFVk Stilz - Midnight Dancer https://www.youtube.com/watch?v=lkJ_0Jx6qds Rene Iova - Transformer (Video by sDwarfs) https://www.youtube.com/watch?v=-VCWEk8vvp8 Rene Iova - Sausage (HeartBeatHero Radio Exclusive) Spadwave - Stella Cadente Falling Star https://soundcloud.com/spadwave/stella-cadente-falling-star Susurrous - A present https://susurrousmusic.bandcamp.com Susurrous - A night like this https://susurrousmusic.bandcamp.com/track/a-night-like-this Susurrous - All Clear https://susurrousmusic.bandcamp.com/track/all-clear HeartBeatHero - Take me to your Heart (The Hot Heels Remix) https://www.youtube.com/watch?v=PzRig2WloxU

In this episode I talk to Phoenix Van Der Weyden from Brazil about her new album “Eyes On The Prize”.  To learn more about Phoenix check out: Episode #93 Get your copy of the album here: shredguyrecords   To get lessons from Phoenix go to: https://www.phoenixguitaracademy.com/   Check out the collaboration videos here:  No Matter What  Tribute to Eddie Van Halen  Am challenge  Let It Be  Don't Stop Believen   Thank you to my sponsors:  Shredd Guitar Worx   Ernieball Yousician: Your Personal Music Teacher. yousician.com Custom Guitar Picks: www.customguitarpicks.com.au   To download my online guitar course and all other contacts visit my website:  becomeaguitaristtoday.com

Versione audio: Il Trittico dell’Adorazione dei Magi è un capolavoro di Rogier Van der Weyden (1399 ca.-1464), considerato uno dei più grandi maestri della pittura fiamminga. Dipinto nel 1455, a olio su tavola, si trovava un tempo nella Chiesa di Santa Colomba a Colonia, e per questo è anche noto come Trittico di Santa Colomba. Oggi è […] L'articolo Il Trittico dell’Adorazione dei Magi di Rogier Van der Weyden proviene da Arte Svelata.

Reconquest Episode 243: The Catholic Reformation, Part IV. Guest: Ryan Grant Episode 243 debuts on August 19, at 8:00 PM Eastern. Rebroadcasts will take place according to the Crusade Channel programming schedule (note: all times listed are Central time). The topic is The Catholic Reformation, Part IV. My Guest is Mr. Ryan Grant, Founder and President of Mediatrix Press. See Links for Earlier Episodes — at reconquest.net Council of Trent Canons on the Sacraments — at documentacatholicaomnia.eu Sacramentarians — at wikipedia.org The Catechism of the Council of Trent — for sale at store.catholicism.org Seven Sacraments Altarpiece, by Rogier van der Weyden, Public Domain, Link “Reconquest” is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center. Each weekly, one-hour episode of Reconquest will debut RIGHT HERE on Wednesday night at 8:00 PM Eastern (7:00 PM Central). It will then be rebroadcast according to the Crusade Channel programming schedule (note: all times listed are Central time). MY TWEET: A priest who invalidates a sacrament by his improvisational ars celebrandi is no longer in persona Christi but in persona diaboli. He is an adversary. What Is The Crusade Channel? The CRUSADE Channel, The Last LIVE! Radio Station Standing begins our LIVE programming with our all original CRUSADE Channel News hosted by 28 year radio ace, Stacey Cohen. Coupled with Mike “The King Dude” Church entertaining you during your morning drive and Rick Barrett giving you the news of the day and the narrative that will follow during your lunch break!  We’ve interviewed over 200 guests, seen Brother Andre Marie notch his 200th broadcast of Reconquest; the The Mike Church Show over 900 episodes; launched an original LIVE! News Service; written and produced 4 Feature Length original dramas including The Last Confession of Sherlock Holmes and set sail on the coolest radio product ever, the 5 Minute Mysteries series! We are the ONLY outlet to cover the Impeachment of President Trump from gavel to gavel!  The Crusade Channel is an open forum for the great thinkers of our time, those who accept the REALITY that Truth is higher than opinion and are willing to speak it with clarity, courage and charity.  Now that you have discovered The Crusade, get 30 days for FREE of our premium service just head to: https://crusadechannel.com OR download our FREE app: https://apps.appmachine.com/theveritasradionetworkappIti- Did you know about the catholic reformation? If you are interested in supporting small business, be sure to check out the official store of the Crusade Channel, the Founders Tradin Post! Not to mention our amazing collection of DVD’s, Cigars, T-Shirts, bumper stickers and other unique selection of items selected by Mike Church! 

Versione audio: Rogier Van der Weyden (1399 ca.-1464), considerato uno dei più grandi maestri della pittura fiamminga, continuò l’opera del suo conterraneo Jan Van Eyck con straordinario vigore; tuttavia, la mancanza di firma e di data nei dipinti che gli sono stati attribuiti ha reso piuttosto problematica la ricostruzione della sua carriera. Nato a Tournai, […] L'articolo La Deposizione del Prado di Rogier Van der Weyden proviene da Arte Svelata.

Vosotros lo habéis querido: hace unos días en nuestras cuentas de Instagram y Twitter os hacíamos elegir entre el Guernica de Picasso y el Descendimiento de Van der Weyden y el 59% votasteis al segundo. Grabamos este episodio un viernes a la hora de comer en la sala 58 del Museo del Prado. Como notaréis, rodeados de visitantes.

In this episode I talk to Phoenix Van Der Weyden from Brazil. Phoenix is an amazing guitarist who has just launched her own guitar academy: https://www.phoenixguitaracademy.com/ She also has a great youtube channel with lots of exercises and playing: https://www.youtube.com/user/VanishaGlamChick6 Check out Phoenix's playing here: https://replayheroes.bandcamp.com/releases   Podcast Intro music “Monkey Fingers” by Marcel Yammouni. Check out Marcel’s website here: marcelyammouni.net   Thank you to my sponsors: Yousician: Your Personal Music Teacher. yousician.com Living Music: livingmusicstores.com Custom Guitar Picks: www.customguitarpicks.com.au Roach Music School: https://www.facebook.com/roachmusicschool/    To find out more about all my podcasts and who is coming up on future episodes check out my website:  becomeaguitaristtoday.com Or on facebook Become A Guitarist Today with Adam Roach podcast. https://www.facebook.com/BecomeAGuitaristTodayWithAdamRoachPodcast/     email: adroach1@hotmail.com

El poemario Descendimiento, de la poeta extremeña Ada Salas, será el gran protagonistadel programa, en el que se podrá escuchar una entrevista que Carmen Díaz-Maroto yPablo G. Boutou le hicieron a la poeta a su paso por la Fundación. Asimismo, algunosmiembros del Laboratorio voz han tejidos sus versos junto a los de la autora, inspiradospor el cuadro en torno al cual gira el libro: El Descendimiento de Rogier van der Weyden.Como broche final, dentro de la sección Legado Hierro, la recuperación de un fragmentode la interesante entrevista que José Hierro le hiciera, en 1984, a la poeta Blanca Andreu,dentro de su mítico programa Aula de poesía, en Radio Nacional de España.

País España Dirección Mar Targarona Guion Roger Danès, Alfred Pérez Fargas Música Diego Navarro Fotografía Aitor Mantxola Reparto Mario Casas, Richard van Weyden, Alain Hernández, Adrià Salazar, Stefan Weinert, Macarena Gómez, Frank Feys, Rubén Yuste, Eduard Buch, Efrain Anglès, Luka Peros, Igor Szpakowski, Marc Rodríguez, Joan Negrié, Roger Vilá Sinopsis Con la ayuda de un grupo de prisioneros españoles que lideran la organización clandestina del campo de concentración de Mauthausen, Francesc Boix (Mario Casas), un preso que trabaja en el laboratorio fotográfico, arriesga su vida al planear la evasión de unos negativos que demostrarán al mundo las atrocidades cometidas por los nazis. Miles de imágenes que muestran desde dentro toda la crueldad de un sistema perverso. Las fotografías que lograron salvar Boix y sus compañeros fueron determinantes para condenar a altos cargos nazis en los juicios de Núremberg en 1946. Boix fue el único español que asistió como testigo.

Back for episode 2 of Kramer Korner, my very special guest for the evening is Phoenix van der Weyden, a new Kramer Guitars artist and popular YouTuber. Phoenix’s YouTube channel… The post Kramer Korner EP2 With Phoenix van der Weyden appeared first on EVH & Gear TV - The Weekly Eddie Van Halen Talkshow.

In this episode we will explore the work of two early Northern Renaissance masters, Robert Campin and Rogier van der Weyden. Follow me on Facebook: https://www.facebook.com/therenaissancepocast/ Instagram: @therenaissancepodcast Instagram: @denisbyrdart

On this voyage through classic literature, we join Humphrey van Weyden and follow his struggle to survive on the ominous ship The Ghost.

Medverkande: Ted Bergdahl, Magdalena Domeradzka, Dorota Tubielewicz-Mattsson och Georg van der Weyden. 

Podcasters: Host do episódio: Valesi, Mateus Ferreira, Rubens Netto e Will Mesquita Convidado: Joshué Fusinato Escreva para nós: contato@edicaorapida.com Nossas Redes Sociais: Twitter | Facebook | Skoob Troféu Prefácio: O nosso Troféu Prefácio vai para Aline Rodrigues http://edicaorapida.com/podcast/edicao-rapida-10-tiragem-listas-os-melhores-livros-de-2015.mp3 LIVRO DO DIA:  LIVROS DOS DIA: Quais livros que cada um de nós escolheu? Valesi: Londres, o Romance, de Edward Rutherfurd, Editora Record, ISBN-13: 9788501052421, ISBN-10: 8501052426, 2003, Páginas 1022; Eu, Robô, de Isaac Asimov, Editora: Aleph, ISBN-13: 9788576572008, ISBN-10: 8576572001, 2014, Páginas: 315; Joshué: Os Anjos do Tempo, de Kevin J. Anderson e Neil Peart, Editora: Belas Letras, Edição digital, Google Play Books, ISBN-13: 9788581742021, ISBN-10: 8581742025, 201, Páginas: 297; Papilon, de Henri Charrière, Editora: Abril, Coleção Grandes Clássico Editora Abril, 1982, Páginas: 492; Will: O 11º Mandamento, de Abraham Verghese, Companhia das Letras, ISBN: 978-85-359-1810-6, 2011, Páginas: 626; O Lobo do Mar, de Jack London, Zahar (Coleção Clássicos Zahar), ISBN: 978-85-378-1122-1, 2013, Páginas:  367; Rubens: STAR WARS – Marcas da Guerra, de WENDIG, CHUCK, Tradutor: KROLL, GUILHERME,  Editora: EDITORA ALEPH, Edição:  1, 2015, Código de Barras:  9788576572787, ISBN:  8576572788 e  n.º de Páginas:  464; Jogador n.º 1, de Cline, Ernest, Leya Brasil, ISBN-13: 9788580442687, ISBN-10: 8580442680, 2012, Páginas: 464; Mateus: A Passagem – Justin Cronin, Editora Sextante, 820 páginas; Peter Pan tem que Morrer – John Verdon, Editora Arqueiro, 400 páginas; Por quê escolhemos este livro? Ouçam!!!! Qual a expectativa antes de ler o livro? Ouçam!!! Ou Sinopses “Alert!”[1] Valesi: Londres, o Romance, de Edward Rutherfurd: Sinopse:Londres, uma das maiores e mais importantes capitais do mundo, tornou-se protagonista de um livro que faz justiça à sua fama e à sua História. Londres, o romance é a saga viva dessa cidade grandiosa. Tudo começa com a chegada dos romanos, que derrotam o povo das ilhas britânicas e, onde havia apenas um povoado, fundam a cidade de Londinium. A aventura do crescimento e da evolução daquele vilarejo chega até os nossos dias através da vida de personagens memoráveis, como Julius, fabricante romano de moedas, que arrisca sua vida para encontrar um tesouro enterrado; Dame Barnikel, dona da taverna freqüentada pelo poeta Geoffrey Chaucer e seus peregrinos; Geoffrey Ducket, fundador de uma importante família da nobreza; Edmund Meredith e os atores da companhia de Shakespeare, no Teatro Globo; e a pequena Lucy, que vivia nas margens enlameadas do Tâmisa de Dickens. Através da vida dessas pessoas, podemos acompanhar a transformação de Londres na metrópole cosmopolita dos dias de hoje. Um romance criativo e inteligente que chegou às principais listas de mais vendidos britânicas e americanas. Eu, Robô, de Isaac Asimov: Sinopse: ‘Eu, robô’ reúne os primeiros textos de Isaac Asimov sobre robôs, publicados entre 1940 e 1950. São nove contos que relatam a evolução dos autômatos através do tempo, e que contêm em suas páginas, pela primeira vez, as célebres ‘Três Leis da Robótica’ – os princípios que regem o comportamento dos robôs e que mudaram definitivamente a percepção que se tem sobre eles na literatura e na própria ciência. Joshué: Os Anjos do Tempo, de Kevin J. Anderson e Neil Peart: Sinopse: Kevin J Anderson é americano de Racine, Wisconsin, nascido em 27 de março de 1962. O primeiro conto escrito por ele foi aos 8 anos de idade (!). No primeiro romance publicado Resurrection, Inc já recebeu prêmios. Isso lhe catapultou para grandes produções, especialmente expandindo universos fictícios já estabelecidos. Noa anos 90 escreveu três livros no universo de Arquivo X, sendo “Ground Zero” de 1995 e Ruins, de 1996, os mais aclamados pelo público, o primeiro alcançando a lista dos mais vendidos do London Times, e o segundo a do New York Times. Também escreveu diversos livros para o universo expandido (atualmente implodido) de Star Wars, tais como Jedi Academy e a série de 14 volumes Young Jedi Knights. Foi o escolhido por Frank Herbert para ser co autor dos livros da saga Duna e 1997, juntamente com Brian Herbert, trabalho que carregou até 2014. Paralelamente, escreveu a novelização dos filme A Liga Extraordinária e Capitão Sky, e uma série de sete livros de autoria própria, chamada “A saga dos sete sóis”. Além disso tudo, foi o co autor, junto com Neil Peart, do livro Os Anjos do Tempo, que é o nosso tema. A obra é ambientada em um universo Steampunk, onde tudo e todos existem e agem de forma controlada. O Relojoeiro é o grande líder desse mundo, e tudo é premeditado, calculado e estável. Até o momento em que o personagem principal, Owen Hardy, um garoto qualquer, que vive sua vida sob as ordens do relojoeiro como qualquer outro, em uma vila afastada, se vê abandonado, e parte para viver uma grande aventura, repleta de civilizações perdidas, pessoas intrigantes, alquimistas, viagens no tempo, barcos voadores e anarquistas. Papilon, de Henri Charrière: Sinopse: Nascido em Saint-Étienne-de-Lugdarès, Ardèche 16 de novembro de 1906  e falecido em Madrid, 29 de julho de 1973, Henri se alistou na Marinha aos 23 anos, e após servir por dois anos, se tornou um membro conhecido da criminalidade de Paris. Em 1931 foi condenado injustamente pelo assassinato de um rufião chamado Roland Le Petit e sentenciado a prisão perpétua, cumulada com trabalhos forçados, a serem cumpridos na colônia penal Francesa, localizada ilha de St. Laurent du Maroni, na Guiana Francesa. É a partir desse momento que começamos a acompanhar a história de Henri no livro. O título da obra faz alusão ao apelido da Charrière, Papilon (borboleta, em francês), pela tatuagem que carregava no peito. Após 11 anos de prisão, Henri, que nunca se conformou com o tratamento da justiça francesa, finalmente consegue fugir, encontrando refúgio na Venezuela. Charrière publicou suas memórias na França em 1969, e o livro vendeu mais de 1 milhão e meio de cópias. Foi transformado em filme em 1973, com Steve McQueen interpretando o papel do herói. Will:  O 11º Mandamento: Sinopse: Depois de se conhecerem no navio que os levou da Índia para o Iêmen, o médico inglês Thomas Stone e a freira carmelita Mary Joseph Praise se reencontram num hospital em Adis Abeba, capital da Etiópia. Da união proibida entre os dois, nasce um par de gêmeos unidos pela cabeça, e operados em seguida. Para completar o cenário dramático, a mãe morre no parto e o pai desaparece no mundo, deixando os meninos nas mãos de um casal de médicos missionários. Shiva e Marion crescem juntos na Etiópia, mas uma mulher abrirá um abismo entre eles, separando-os radicalmente outra vez. Avançando por páginas em que não faltam lugares e personagens fascinantes, a saga se desloca da África para um hospital nos Estados Unidos. Traumas e decepções do passado ressurgem, e será preciso superá-los para reencontrar o amor que os une e a possibilidade de redenção. O Lobo do Mar: Sinopse: Poucos dias antes de completar dezessete anos, após mais uma bebedeira, Jack London caiu na água e só não morreu porque foi resgatado por um pescador. Logo após esse episódio, embarcou no Sophia Sutherland, barco destinado à caça de focas no Pacífico. Essas experiências estão retratadas no livro O lobo do mar. Lançado um ano depois do livro The Call of the Wild (O chamado da floresta) – ambos publicados com estrondoso sucesso -, este romance mostra o embate entre Humphrey van Weyden, um homem das letras, e Lobo Larsen, o implacável capitão da escuna “Ghost”, e a luta que ambos travam para sobreviver às tempestades e outros riscos mortais em alto-mar. Nos vívidos diálogos entre Wolf “Lobo” Larsen e Van Weyden, Jack London revive seus próprios questionamentos e produz uma soberba alegoria sobre a humanidade, o instinto de sobrevivência e o heroísmo. Rubens: STAR WARS – Marcas da Guerra: Sinopse: “Marcas da Guerra” é o primeiro livro oficial mostrando o que acontece depois do clássico “Episódio VI: O Retorno de Jedi”, dando pistas sobre o que podemos esperar de “O Despertar da Força”. Aqui você descobre que a guerra não terminou realmente e os traumas deixados por ela serão sentidos por muito tempo. Novos personagens e velhos conhecidos, agora devem escolher um lado: defender a criação da Nova República ou lutar pela volta do poder absoluto. Jogador n.º 1: Sinopse: “Um mundo em jogo, a busca pelo grande prêmio.” “Você está preparado, Jogador número 1?” O ano é 2044 e a Terra não é mais a mesma. Fome, guerras e desemprego empurraram a humanidade para um estado de apatia nunca antes visto. Wade Watts é mais um dos que escapa da desanimadora realidade passando horas e horas conectado ao OASIS – uma utopia virtual global que permite aos usuários ser o que quiserem; um lugar onde se pode viver e se apaixonar em qualquer um dos mundos inspirados nos filmes, videogames e cultura pop dos anos 1980. Mas a possibilidade de existir em outra realidade não é o único atrativo do OASIS; o falecido James Halliday, bilionário e criador do jogo, escondeu em algum lugar desse imenso playground uma série de easter-eggs que premiará com sua enorme fortuna – e poder – aquele que conseguir desvendá-los. E Wade acabou de encontrar o primeiro deles. As músicas que são citadas no livro vocês conferem nesta playlist no Spotify: Ready Player One Mateus:  A Passagem – Justin Cronin: Sinopse: “Quando o homem tenta ser imortal, o fim da humanidade é questão de tempo”. Essa distopia conta a história de um mundo em que a humanidade está quase aniquilada por um vírus de um experimento biológico militar que saiu do controle, e com isso dizimou grande parte dos Estados Unidos (a falta de comunicação entre as colônias sobreviventes não nos permite saber se o fenômeno é mundial). Grupos de pacientes terminais de câncer são levados para a América do Sul em uma viagem que é o último desejo do enfermo, e voltam milagrosamente curados, pois o vírus dá uma grande resistência e fator de cura ao organismo hospedeiro, de maneira curiosa fazendo desenvolver o Timo. Em experimentos militares para potencializar a ação do vírus utilizam-se de prisioneiros no corredor da morte, que são transformados em criaturas como vampiros, super resistentes, muito ágeis e que os pontos fracos são a luminosidade e um ponto no meio do peito, onde é o coração. Não tendo o efeito esperado, buscam usar como cobaia uma criança, a garota Amy abandonada pela própria mãe. Após os seres escaparem do laboratório, matam 9 em cada 10 pessoas, e um transformam em outro vampiro. Após contar sobre o incidente a história pula 100 anos, e fala sobre uma colônia de sobreviventes que enfrenta o drama de continuarem  sobrevivendo, mantendo a cidade iluminada 24 horas por dia através da energia fornecida em uma usina eólica, mas as baterias que armazenam a energia para ser usada nos dias que não tem vento estão com a vida útil no fim. Quando Amy aparece, os colonos buscam uma nova forma de combater essas criaturas. O livro tem elementos semelhantes aos livros de George Martin, como uma ótima descrição da colônia, cenários, etc, e faz com que o leitor tenha a simpatia por muitos personagens, mesmo os antipáticos. Um momento muito forte é no início do livro o abandono da Amy pela mãe O livro tem também várias narrativas e a história é contada além do modo converncional, por e-mails, e diários. Peter Pan tem que Morrer – John Verdon: Sinopse: Quarto livro de John Verdon sobre o detetive aposentado David Gurney. O livro cita os casos anteriores, porém sem dar spoiler, mesmo assim a leitura dos livros anteriores não é obrigatória para a compreensão deste livro. Como os livros anteriores, mostra um certo conflito das personalidades do David com sua esposa Madeleine, pois ele mesmo aposentado ainda gosta de solucionar casos, e mesmo que ele diz que só vai dar uma olhada no que a polícia tem, ele não consegue deixar de aprofundar nas investigações. Estar diante de um quebra cabeças é algo que ele não consegue estar sem se envolver e resolver o mistério, por outro lado, Madeleine quer uma vida tranquila após a aposentadoria do marido. Pontas que se fecham no final. A esposa de um grande empresário, com aspirações políticas é presa acusada da tentativa de homicídio, e o amigo de David, Jack Hardwick, desconfia que houve muita negligência na investigação, acusando injustamente Katherine Spalter, esposa de Carl da tentativa de homicídio e pede que Gurney dê uma olhada no caso. O assassino de aluguel, Peter Pan, é um criminoso frio e maquiavélico, que não mede esforços para cumprir sua missão. É um assassino de aluguel contratado exclusivamente para solucionar casos difíeis, é um criminoso caro. Após ver muita negligência na investigação (frase célebre do livro: Dave,meu garoto, não precisa me convencer de que a teoria é uma bosta. Eu sei que é. Tem mais furos do que o braço de um viciado em heroína. (Pág.46)) , Gurney percebe que a filha e o irmão de Carl podem ter contratado Peter Pan para matarem o empresário de modo que eles também ganhassem com isso (a filha a herança, e o irmão o controle sobre a empresa). Um destaque na cena quando Gurney está prestes a descobrir quem é Peter Pan, e por que ele atirou em Carl Spalter, cena esta que acontece em um parque de diversões. [1]: As sinopses usadas nestes post foram extraídas dos sites das respectivas livrarias dos quais os podcasters compraram os livros ou os indicaram para compra. CONTRACAPA Outtakes Músicas utilizadas no programa (Creative Commons – Jamendo): The Dust Bowl – Diamond Eyes Kinematic – Louder Michael Ellis – Half a Million  (Tell me what it’s like) Steady Hussle – Stick Around Great White Buffalo – Off The Rails Convey – Colorblind Feed do Edição Rápida: Edição Rápida Podcasters: Host do episódio: Valesi, Mateus Ferreira, Rubens Netto e Will Mesquita Convidado: Joshué Fusinato Escreva para nós: contato@edicaorapida.com Nossas Redes Sociais: Twitter | Facebook | Skoob Troféu Prefácio: Podcasters: Host do episódio: Valesi, Mateus Ferreira, Rubens Netto e Will Mesquita Convidado: Joshué Fusinato Escreva para nós: contato@edicaorapida.com Nossas Redes Sociais: Twitter | Facebook | Skoob Troféu Prefácio: O nosso Troféu Prefácio vai para Aline Rodrigues http://edicaorapida.com/podcast/edicao-rapida-10-tiragem-listas-os-melhores-livros-de-2015.mp3 LIVRO DO DIA:  LIVROS DOS DIA: Quais livros que cada um de nós escolheu? * Valesi: * Londres, o Romance, de Edward Rutherfurd, Editora Record, ISBN-13: 9788501052421, ISBN-10: 8501052426, 2003, Páginas 1022; * Eu, Robô, de Isaac Asimov, Editora: Aleph, ISBN-13: 9788576572008, ISBN-10: 8576572001, 2014, Páginas: 315; * Joshué: * Os Anjos do Tempo, de Kevin J. Anderson e Neil Peart, Editora: Belas Letras, Edição digital, Google Play Books, ISBN-13: 9788581742021, ISBN-10: 8581742025, 201, Páginas: 297; * Papilon, de Henri Charrière, Editora: Abril, Coleção Grandes Clássico Editora Abril, 1982, Páginas: 492; * Will: * O 11º Mandamento, de Abraham Verghese, Companhia das Letras, ISBN: 978-85-359-1810-6, 2011, Páginas: 626; * O Lobo do Mar, de Jack London, Zahar (Coleção Clássicos Zahar), ISBN: 978-85-378-1122-1, 2013, Páginas:  367; * Rubens: * STAR WARS – Marcas da Guerra, de WENDIG, CHUCK, Tradutor: KROLL, GUILHERME,  Editora: EDITORA ALEPH, Edição:  1, 2015, Código de Barras:  9788576572787, ISBN:  8576572788 e  n.º de Páginas:  464; * Jogador n.º 1, de Cline, Ernest, Leya Brasil, ISBN-13: 9788580442687, ISBN-10: 8580442680, 2012, Páginas: 464; * Mateus: * A Passagem – Justin Cronin, Editora Sextante, 820 páginas; * Peter Pan tem que Morrer – John Verdon, Editora Arqueiro, 400 páginas; Por quê escolhemos este livro? Ouçam!!!! Qual a expectativa antes de ler o livro? Ouçam!!! Ou Sinopses “Alert!”[1] Valesi: Londres, o Romance, de Edward Rutherfurd: Sinopse:Londres, uma das maiores e mais importantes capitais do mundo, tornou-se protagonista de um livro que faz justiça à sua fama e à sua História. Londres, o romance é a saga viva dessa cidade grandiosa. Tudo começa com a chegada dos romanos, que derrotam o povo das ilhas britânicas e, onde havia apenas um povoado, fundam a cidade de Londinium. A aventura do crescimento e da evolução daquele vilarejo chega até os nossos dias através da vida de personagens memoráveis, como Julius, fabricante romano de moedas, que arrisca sua vida para encontrar um tesouro enterrado; Dame Barnikel, dona da taverna freqüentada pelo poeta Geoffrey Chaucer e seus peregrinos; Geoffrey Ducket, fundador de uma importante família da nobreza; Edmund Meredith e os atores da companhia de Shakespeare, no Teatro Globo; e a pequena Lucy, que vivia nas margens enlameadas do Tâmisa de Dickens. rubensgpnetto 1 1:22:19 contato@edicaorapida.com.br (Edição Rápida)

Bart Fransen. Institute Royal du Patrimoine Artistique. Bruselas

Griet Steyaert. Groeningemuseum and IRPA. Brujas/Bruselas

Catherine Reynolds, de la Universidad de Lovaina.

Título original Ninja Assassin Año 2009 Duración 99 min. País Estados Unidos Estados Unidos Director James McTeigue Guión Matthew Sand, J. Michael Straczynski Música Ilan Eshkeri Fotografía Karl Walter Lindenlaub Reparto Rain, Naomie Harris, Rick Yune, Ben Miles, Shô Kosugi, Togo Igawa, Numan Acar, Richard van Weyden, Sung Kang Productora Dark Castle Entertainment Género Acción | Ninjas. Artes marciales. Gore Sinopsis Raizo (Rain) es un niño de la calle al que el Clan Ozunu transforma en una máquina programada para matar; pero, cuando el Clan asesina a uno de sus amigos, Raizo desaparece y prepara su venganza. En Berlin, la agente de Europol Mika Coretti (Naomie Harris) ha encontrado una pista que demuestra que los responsables de algunos asesinatos políticos son asesinos del Lejano Oriente. Cuando el Clan se entera ordena su muerte, pero Raizo consigue salvarla, aunque en adelante el Clan no descansará hasta que ambos sean eliminados.

José Juan Pérez Preciado, conservador Pintura Flamenca y Escuelas del Norte del Museo Nacional del Prado

Lorne Campbell, National Gallery de Londres

Albert Chatêlet, Profesor Emérito de Historia del Arte, Universidad de Estrasburgo