Podcasts about when will i be loved

David Bowie would leave the glam rock genre of his previous albums for a more soulful sound with his ninth studio album, Young Americans.  This album features blue eyed soul, or what Bowie would refer to as "plastic soul."  David Bowie moved to the United States in 1974 during a time when tax concerns were driving many artists out of the UK.  He was living in New York City at the time, and starting production on the album in Philadelphia where he worked with guitarist Carlos Alomar.  A funk guitarist, Alomar had worked as a session musician at the Apollo Theater and would become a collaborator and band leader for Bowie over the next decade.  In addition to Carlos Alomar, Bowie worked on this album with a number of artists including Robin Clark, Ava Cherry, saxophonist David Sanborn, and a new musician named Luther Vandross.He would also collaborate on this album with ex-Beatle John Lennon who was recording in New York at the same time as Bowie's recording moved there.  Bowie and Lennon had met previously at a party hosted by Elizabeth Taylor.  Lennon collaborated with Bowie during his "lost weekend" period.Young Americans contains elements of soul, funk, and R&B, and was a deliberate attempt to garner more success in the U.S. market.  It certainly achieved this result, though critics would deliver mixed reviews.  The transition from glam rock to blue-eyed soul would not be one which all fans embraced, but David Bowie would follow his own creative muse.  It would not be the last time we would see a significant stylistic change from Bowie.  It was nevertheless a commercial success, going to number 9 on the US albums chart, remaining on the charts for almost a year.Rob brings us this funky example of “plastic soul.” Young AmericansThe title track was recorded in Philadelphia, and hit number 18 on the Billboard Hot 100, Bowie's second-highest chart success to this date.  Then unknown singer Luther Vandross conceived the backing vocal arrangement.  The song provides impressions of American life through the eyes of an English man.  David Sanborn provides the saxophone work.Across the UniverseThis cover of the Beatles song also found collaboration with Beatles' alumnus John Lennon.  Backing vocals and guitar are provided by Lennon, who considered this song a better version than his own.  Critics tend to disagree, as reviews on the Bowie version were primarily negative.FascinationThis track began as a jam by Luther Vandross entitled “Funky Music (Is a Part of Me)” which was performed before the Bowie concerts in 1974.  When Vandross was retained from the “Diamond Dogs” tour, the two collaborated to create the song “Fascination.”  The song was an homage to the Philadelphia funk sound.FameThis single hit number 1 on the US charts, the first Bowie song to do so.  Composed by Bowie, Alomar, and Lennon, the high backing “Fame” vocalizations are provided by John Lennon.  Bowie would describe it as a “nasty, angry” song directed at management with which he had previous issues. ENTERTAINMENT TRACK:Ease On Down the Road by Consumer Rapport (from the motion picture The Wiz)A soulful take on The Wizard of Oz featured Diana Ross as Dorothy and Michael Jackson as the Scarecrow. STAFF PICKS:Judy Mae by Boomer Castleman Wayne initiates the staff picks with a controversial song that went to number 33 on the Billboard Hot 100.  The lyrics tell of a father to a 17 year-old girl who marries a woman half his age.  When an affair ensures between the stepmother and the daughter, the father dies of an accident shortly thereafter.  It feels like a racier version of “The Night the Lights Went Out in Georgia.”Long Haired Country Boy by the Charlie Daniels BandBrian brings us a song about a guy with a very passive attitude about life. “I ain't asking for nobody for nuthin' that I can't get on my own.  If you don't like the way I'm livin' you just leave this long-haired country boy alone.” It was off the second album from the CDB entitled “Fire on the Mountain.”When Will I Be Loved by Linda Ronstadt Bruce features Ronstadt doing a cover originally from the Everly Brothers in 1960.  While the original peaked at number 8, Ronstadt's cover would go to number 2 on the Billboard Hot 100.  The song is a vocal trio between Ronstadt, Kenny Edwards, and Andrew Gold. Trampled Under Foot by Led Zeppelin Rob finishes the staff picks with a song John Paul Jones claims was inspired by Stevie Wonder's “Superstition.”  The lyrics were inspired by blues artist Robert Johnson's “Terraplane Blues” from  1936.  A Terraplane was a classic car that serves as a not-so-subtle source for sexual innuendo.  It is off the band's double album, “Physical Graffiti.”  COMEDY TRACK:Bertha Butt Boogie by The Jimmy Castor Bunch This funk novelty track went to number 16 on the US pop chart and number 22 on the US R&B chart.

To Support the Channel: https://www.patreon.com/AskZacTip jar: https://paypal.me/AskZac Venmo @AskZac Or check out my store for merch - www.askzac.comThe late Andrew Gold was a mere pup when he walked into the studio with Linda Ronstadt to jumpstart her career with the tracks "You're No Good," and "When Will I Be Loved." His arrangement ideas, harmony vocals, and most noticeably his iconic guitar work, placed the "Gold" stamp on what would end up being two of her greatest hits. Today we will look at both tracks, and lay out the gear he used for both tracks. We will also look at Andrew's career, and how his guitar playing influenced the sound of pop guitar in the 80s and 90s.Early clip of "You're No Good."   • Video  Spotify Playlisthttps://open.spotify.com/playlist/7cn...Gear Used: 1982 Kubicki body, 2022 Danocaster Neck, Glaser Convertible Bender, 80s Duncan middle, Ron Ellis 50/60 Tele pickup set. Strings: D'Addario NYXL 10-46 Amazon affiliate link https://amzn.to/3uD1WnZ Pick: D'Andrea Medium-Heavy Amp: 2021 Fender Vibro Champ Reverb Effects used: amp verb & Ibanez Mostortion#askzac #guitartech #telecasterSupport the show

Welcome to the Instant Trivia podcast episode 535, where we ask the best trivia on the Internet. Round 1. Category: Questionable Songs 1: Million seller in which Elvis Presley asks, "Are you sorry we drifted apart?". "Are You Lonesome Tonight?". 2: It's what Patti Page asked about "the one with the waggly tail". "(How Much Is) That Doggie In The Window?". 3: It followed Linda Ronstadt's lament "I've been cheated, been mistreated". "When Will I Be Loved?". 4: The Shirelles said, "Tonight you're mine completely" but weren't sure about this. "Will You Love Me Tomorrow?". 5: In her first top ten hit, Connie Francis asked this title question. "Who's Sorry Now?". Round 2. Category: Just Desserts 1: In England, a biscuit can be a cracker or one of these sweet treats. cookie. 2: The original Toll House cookies were this type. chocolate chip. 3: Sharing its name with a French novel, this candy bar was originally 3 nougat bars. Three Musketeers. 4: Shhh! A chocolate one of these is just out of the oven. soufflé. 5: It's the 2-word French name for a custard dessert with a hard, caramelized sugar topping. crème brûlée. Round 3. Category: Name That Roman Emperor 1: 54-68 A.D.:Presided during a big barbecue. Nero. 2: 117-138 A.D.:Had his own "wall" of fame. Hadrian. 3: 37-41 A.D.:Nutty guy who once "declared war" against the ocean. Caligula. 4: 306-337 A.D.:Converted to a non-Roman religion and moved the capital city. Constantine. 5: 27 B.C.-14 A.D.:His sister married Mark Antony and he defeated Mark Antony. Augustus. Round 4. Category: Eagle Hodgepodge 1: In 1782 the U.S. chose this eagle as its national bird. Bald eagle. 2: Young eagles are called eyases or these. Eaglets. 3: It's a synonym for sprawl. Spreadeagle. 4: The chapters of the Fraternal Order of Eagles are called these after the nests of eagles. Aeries. 5: Eddie "The Eagle" Edwards won the hearts of Englanders in 1988 competing in this Olympic event. Ski jumping. Round 5. Category: Tough Potpourri 1: Wow! This man bought Manhattan with trinkets worth about 60 guilders, usually quoted as $24. (Peter) Minuit. 2: It's the specific word for a person between 90 and 100 years old. nonagenarian. 3: If you've read "The Flame Trees of Thika" (or if you saw the miniseries) you know that Thika is in this country. Kenya. 4: She was the first African-American author to win a Pulitzer Prize; she won in 1950 for her poetry. Gwendolyn Brooks. 5: This explorer was the governor of the Louisiana territory when he died mysteriously at a Tennessee inn in 1809. Meriwether Lewis. Thanks for listening! Come back tomorrow for more exciting trivia!

Amy and Beth AND returning guest, Beth Schindler cover "When Will I Be Loved" by Linda Ronstadt.  Listen to the song first before Amy & Beth AND Beth ruin it for you.Email us at amyandbetharesorry@gmail.comVisit us on Instagram at https://instagram.com/sorryiruinedthatsong?igshid=1cqqhy050qg8qVisit us on Twitter at https://twitter.com/sorry_songListen to our Spotify Playlist here:https://open.spotify.com/playlist/1N6BzJ2NejvzSmuhpkZhRb?si=ladyFquiSkqsrb4np4I3ow

info@podcastone.com93b46e32-aece-41c1-8572-6475a1b6b4dfThu, 22 Jul 2021 1

Linda Ronstadt cumplió 75 años el pasado jueves como una de las grandes damas de la música de raíces norteamericanas. Empezó a darse a conocer con los Stones Poneys, un trío de folk formado cuando ella dejó la Universidad de su Arizona natal tras el primer trimestre. Era el año 1964 y se marchó a Los Ángeles, siendo habitual del Troubadour y grabando tres discos muy recomendables. Cuando se aventuró como solista contó con el apoyo de toda la escena del sur de California, llegando a tener como músicos de acompañamiento a quienes más tarde formarían los Eagles. Linda nunca ha olvidado sus raíces, teniendo muy en cuenta que su madre era alemana y, sobre todo, que su padre era mejicano. Este último, Gilbert, cantaba con ella y sus otros dos hijos canciones de su tierra natal en los pocos ratos de ocio que les permitía la ferretería que regentaban. Linda Ronstadt siempre ha hecho guiños a su herencia hispana y en ocasiones se ha permitido versionar al castellano algunos éxitos resonantes e incluso grabar dos álbumes dedicados a esa herencia musical paterna. Hoy, para celebrar en TOMA UNO su cuarto de siglo desde que nació en Tucson, Arizona, hemos querido acogernos a algunas de sus canciones más poderosas y eclécticas, que hemos iniciado con una sorprendente versión de “We Will Rock You” de Queen para acercarnos a mitos de rock and roll como Chuck Berry o Buddy Holly antes de saltar el océano y escucharla versionar a los Rolling Stones. Linda se refugió en “When Will I Be Loved” de los Everly Brothers y se dejó embaucar por el rhythm and blues de Martha & The Vandellas o de Betty Everett, saltándose todas las normas establecidas gracias al atrevimiento de su productor, el enorme Peter Asher. Tampoco ha menospreciado los cambios que la escena musical ha experimentado con el paso del tiempo y la hemos escuchado interpretar temas de Tom Petty o Elvis Costello, aunque siempre ha tenido una inclinación especial hacia sus viejos compañeros de aventuras de sus comienzos como es el caso de Warren Zevon, Jackson Browne o el propio Neil Young. Para despedir un homenaje tan entrañable hemos querido escucharla junto a sus viejas amigas Dolly Parton y Emmylou Harris. Es la mejor manera de cerrar el círculo. Escuchar audio

We are pleased to have Matt Muckle as our guest this episode, our most recent for Drummer Awareness Month. Matt thoroughly impressed me when he delivered his drums for our video performance of When Will I Be Loved (feat. Charlie Starr, Keith Nelson and Jeff Rouse). I immediately started following him on socials and watching with much delight as I revealed more and more depth to his playing, nailing every feel and groove with conviction and convincingly. We dive right into how he's able to do that in this conversation and barely come up for air. This one flew by! I hope you enjoy this as much as I did. If you're enjoying Couch Riffs podcast or our accompanying quarantine covers please support us via PATREON. Your support is integral in the continuing and evolving improvements for these shows. Your support means so very much to Couch Riffs. Thank You! https://patreon.com/couchriffs https://couchriffs.com

Legendary Styx frontman Tommy Shaw stops by the cellar to tell Phil the "true story" of writing the hit song "Blue Collar Man (Long Nights)" - including experiences with family, friends, and an intoxicated Hawaiian boat ride. He details the path of his career, leaving Montgomery, Alabama as a teenager, turning down offers for a solo career, and joining a band in Nashville's famed Printers Alley - the latter which garnered a large fan base in Styx's hometown of Chicago, leading to them calling Shaw and asking him to audition for the band. Phil and Tommy talk about the timelessness of Styx music, still enjoyed today by people of all ages as the band continues to tour around the world. Phil ends the show solo with one of his favorite songs to play on tour, "Amazing Grace."Performances:“Blue Collar Man (Long Nights)“ - Tommy Shaw“When Will I Be Loved” - Tommy Shaw & Phil Vassar“Amazing Grace” - Phil VassarTo stay up to date with Tommy Shaw & Styx, head on over to http://tommyshaw.net/wp/ and https://styxworld.comMore info on Songs From The Cellar & details on how to watch the TV series can be found at https://www.songsfromthecellar.comKeep up with Tommy Shaw on Social media at:FacebookInstagramTwitterKeep up with Styx on Social media at:FacebookInstagramTwitterYouTubeSpotifyFollow Phil Vassar and Songs From The Cellar at:FacebookInstagramTwitterYouTubeSpotifyCheck out more awesome podcasts at:American Songwriter Podcast NetworkAnd go!

There's an old song that I like by The Everly Brothers, When Will I Be Loved? Or perhaps you've heard the Linda Ronstadt version? As a leader, this might be a question you've asked before - WHEN will I be loved? How do others feel about me as a leader? Am I making a difference? Am I having an impact of my team and organization? And while these are valid questions that we will all likely have at one time or another, they are a bit misguided. Rather, we need to frame it and think about it another way. Tweet it out: Our job as a leader isn't to be loved or even liked - but to be likable and work to build good working relationships. @KevinEikenberry From This Episode: Learn more about and listen to episodes of The Remarkable Leadership Podcast.

Artie Shaw and his Gramercy Five [00:48] a side: "When the Quail Come Back to San Quentin" b side: "Tenderly" Clef Records EP-242 1955 There certainly are lots of quail in the Bay Area, surely there must be some near San Quentin? Planning for Burial a side: "When We Were Ghosts" [11:34] Mother Room b side: "Arise" [16:01] The Native Sound Records NATIVE010 2015 Planning for Burial is a great live act if you have the chance to catch him. Linda Ronstadt [23:43] a side: "When Will I Be Loved" b side: "It Doesn't Matter Anymore" Capitol Records 4050 1974 A mighty fine Phil Everly a-side and a mighty fine Buddy Holly b-side. The Supremes [29:22] a side: "Where Did Our Love Go?" b side: "He Means the World to Me" Motown Records M-1060 1964 Our love is right here! On Vinyl-O-Matic of course. The Damned [34:22] a side: "White Rabbit" b side: "Rabid (Over You)/Seagulls" Big Beat Records NS-85 1980 (1985 RE) Take that, hippies. Whitey on the Moon UK [43:58] a side: "Whitey on the Moon/Dinner for Two" b side: "(in which)/Mo' Tussin" isota records sody004 2002 For some reason, I am reminded of Kermit and Miss Piggy's dinner in The Muppet Movie with Steve Martin as their hapless waiter. Men at Work [55:50] a side: "Who Can It Be Now?" b side: "Anyone for Tennis?" Columbia Records 18-02888 1981 Why it's a hit record, that's who it is now. Don Gibson [01:02:14] a side: "Who Cares" b side: "A Stranger to Me" RCA Victor 47-7437 1958 Hit number 3 on the Country charts. Music behind the DJ: "The Four Seasons: Spring (Vivaldi)" by The New Koto Ensemble of Tokyo.

Skip ahead to 2:00 for the lesson. My second FREE chord book is out – Guitar By The Glass Book 2. Go to my website to download it. If you’d like to learn to harmonise, I have a new section on my website called “Learn To Harmonise“. This song has great harmonies in it (a bit … Continue reading "Jam 22 – When Will I Be Loved? by The Everly Brothers"

Here this inspired set from The Lone Bellow from the Newport Folk Festival 2015 LONE BELLOW: Zach Williams-/vox Kanene Donehey Pipkin-Vox/Keys/Bass JasonPipkin-Bss/Keys BrianElmquist-Elec. Git Justin Glasco-Drums Set List: 1. Then Came The Morning 2. Fake Roses 4. Cold As It Is 5. Green Eyes And A Heart of Gold 6. Heaven Don't Call Me Home 7. Watch Over Us with Leon Bridges 8. When Will I Be Loved (with Holly and Jess of Lucius) 9. Call To War 10. Teach Me To Know 11. You Never Need Nobody 12. If You Don't Love Me 13. The One You Should've Let Go with New Breed Brass Band

Playlist: Devon Allman- Strategy, X Y Eli- If I Could Be, The Mighty Soul Drivers- Blind, Crippled & Crazy, Tom Sanders & The Hornets- Routine Blues, Cheryl Arena- Love Gone Wrong, Hash Brown & the Browntones- I’ve Got the Blues, Roxy Perry- Do It, Bronze Radio Return- Mister, Mister, Girls,Guns and glory- Nighttime, Sarah Borges-The Waiting & the Worry,Shawn Holt & the Teardrops- Mean Little Woman,Ryan Hartt & the Blue Hearts-Oh Espanada, Popa Chubby- Universal Breakdown Blues, Brent Johnson- Meet Me In The Morning, Anni Piper- Great Big Baby, Damon Fowler- Sugar Lee, Shaka & the Soul Shakers- Would You Would, Alexis P. Suter Band- John the Revelator, Alexis P. Suter Band- Free, Mojomatics-Soy Baby. Win $100 in the Feed Our Friends Contest: There was no winner in our Feed Our Friends Contest this week . To win a $100 gift card from Black-Eyed Sally’s in Hartford simply send us an 8-15 second video about why you want the gift card. Send your videos to music@onthehorn.com and you are in the running. Good luck next week!! Black-Eyed News: In a year of declining album sales, Justin Timberlake's The 20/20 Experience was the biggest selling album of 2013, according to Billboard. A total of 2.43 million copies sold. While the ranking is certainly an honor for Timberlake, it's less flattering for the record industry as a whole: The 20/20 Experience was the only album to sell over 2 million in 2013, which marks the lowest top-seller in SoundScan's 22 years of tracking sales. The previous low came in 2008, with Lil Wayne's Tha Carter III selling 2.87 million copies. Rounding out the top 10 was Eminem's acclaimed The Marshall Mathers LP 2 (1.73 million), Luke Bryan's Crash My Party (1.52 million), Imagine Dragons' Night Visions (1.4 million), Bruno Mars' Unorthodox Jukebox (just under 1.4 million), Florida Georgia Line's Here's to the Good Times (1.35 million), Drake's Nothing Was the Same (1.34 million), Beyoncé's surprise LP Beyoncé (1.3 million), Blake Shelton's Based on a True Story (1.11 million) and Jay Z's app-backed Magna Carta...Holy Grail (1.1 million). What do we think this means to the future of album sales? Total sold in top 10 14.67 Million average of 1.46 million per but 7 of those albums were not even close to that number. Editorial Aside: What is to blame for the low sales? Piracy claims the record company; the artists say streaming is the villain here. But how about the cost of an album at the store. Not a digital copy but a hard copy. I have seen them for as much as $18 in the store. Also quality some of the stuff is just not that good. Back to the Numbers: The top single sales were led by a different set of artists. Robin Thicke's ubiquitous "Blurred Lines" came in at Number One with 6.5 million sales. Mackemore and Ryan Lewis' "Thrift Shop" was a close second, with 6.15 million. The other top sellers were Imagine Dragons ("Radioactive," 5.5 million), Florida Georgia Line ("Cruise," 4.69 million), Lorde ("Royals," 4.42 million), Katy Perry ("Roar," 4.41 million), P!nk featuring Nate Ruess ("Just Give Me a Reason," 4.32 million), another from Macklemore and Ryan Lewis ("Can't Hold Us," 4.26 million), Bruno Mars ("When I Was Your Man," 3.93 million) and Rihanna ("Stay," 3.85 million). http://www.rollingstone.com/music/news/justin-timberlakes-20-20-experience-tops-2013-album-sales-20140103#ixzz2pZu3Stlq Phil Everly, whose hits with his older brother, Don, as the Everly Brothers carried the close fraternal harmonies of country tradition into pioneering rock ’n’ roll, died on Friday in Burbank, Calif. He was 74. The group’s official website said he died in a hospital near his home in Southern California. His son Jason said the cause of death was complications of chronic obstructive pulmonary disease. With songs like “Wake Up Little Susie,” “Bye Bye Love,” “Cathy’s Clown,” “All I Have to Do Is Dream” and “When Will I Be Loved?,” which was written by Phil Everly, the brothers were consistent hitmakers in the late 1950s and early 1960s. They won over country, pop and even R&B listeners with a combination of clean-cut vocals and the rockabilly strum and twang of their guitars. They were also models for the next generations of rock vocal harmonies for the Beatles, Linda Ronstadt, Simon and Garfunkel and many others who recorded their songs and tried to emulate their precise, ringing vocal alchemy. The Everly Brothers were inducted into the Rock and Roll Hall of Fame in its first year, 1986. http://www.nytimes.com/2014/01/05/arts/music/phil-everly-half-of-pioneer-rock-duo-dies-at-74.html?hpw&rref=arts&_r=0 Blues man Tabby Thomas, a well known & widely influential Baton Rouge musician, club owner, radio DJ and recording artist, and the father of blues musician & actor Chris Thomas King, has passed away. He was 84 and just four days shy of his birthday. Born Ernest J. Thomas in Baton Rouge January 5th, 1929, Thomas owned and operated a blues club called Tabby’s Blues Box and Heritage Hall for nearly three decades until it’s closure in 2004. “There was something about Tabby’s Blues Box,” wrote Chelsea Brasted for the New Orleans Times Picayune, “An intangible quality seeped out of the joint on nights when legends were being made on its stage, solidifying its place in local music lore.” Thomas has long been one of the best known blues musicians in Baton Rouge. Having learned music in a local church Choir as a child, and following an Air Force stint, Tabby relocated to California and began a touring and recording career, notably with Hollywood Records and the well-known Excello Records label. Returning to Louisiana, Tabby’s records were quickly played on local radio on New Orleans’ WBOK. His music earned him a spot at New Orleans’ famed Dew Drop Inn venue — a premiere live blues room that was host to Sam Cooke, Ray Charles, Guitar Slim and dozens more top acts of the time. He caught the attention of Louis Armstrong, who arranged for the Eric Shaw Agency to book Thomas a tour. Tabby’s son, Grammy award winner Chris Thomas King, found his first experiences at the club that he helped his father create. He signed his first recording contract with Sire Records, a subsidiary of Warner Brothers, at Tabby’s Heritage Hall. King went on to sell more than ten million records, earning a Grammy for Album of the Year for his cover of Skip James’ “Hard Time Killing Floor Blues” track on the O! Brother Where Art Thou? soundtrack. King famously played bluesman Tommy Johnson in the film. http://www.americanbluesscene.com/2014/01/famed-baton-rouge-bluesman-passes-away/ Rolling Stone Magazine recently published a story reporting that Allman Brothers bass player Oteil Burbridge, the man who has been providing the lower end for the Allman Brothers for decades is leaving the band. Fans of the band immediately began protesting and about the shake-up. “We’re here to assure you that that is not true,” said Oteil, refuting the claim on Social Media, “and he will be playing with the Allman Brothers throughout 2014. Happy New Year and thank you to all the fans for your support!” Oteil also had this to say on his website: “For the record…. It was an amazing experience recording and playing with the Zac Brown Band and with Dave Grohl in November. It was an awesome time and a reunion of sorts for me with old friends Chris Fryar, Penn Robertson, and Eric Pretto (the drummer, bass tech and guitar tech for ZBB, respectively) who I’ve known for over a decade. I am proud to be part Zac’s record. 2014 will mark the beginning of my 16th year with the Allman Brothers and as we celebrate the bands 45th anniversary, it reminds me what a huge part of my musical life this incredible band has been. I’m really grateful and proud to be such a big part of the ABB history. And we ain’t done yet! I certainly hope to work with the Zac Brown Band again in the future. They are incredibly talented and great guys. Wherever I land in the future, I hope my fans understand that my primary concern is for the wellbeing of my family and will continue to bring you the highest level of groove and improv that I can muster.” http://www.americanbluesscene.com/2014/01/trucks-says-oteils-staying-put-despite-rolling-stone-story/ and Lastly Jack White has a new album in the works, and it looks like it could be coming out soon. In a recent chat with fans on the message board of his label, Third Man Records, White dropped the news: "I'm producing two albums this month, and finishing them," he said. "One of them is mine." Assuming White is referring to a solo album, this could mean a follow-up to 2012's Blunderbuss will be appearing shortly. In an interview with Rolling Stone last February, White mentioned that he had 20 to 25 songs already written. "It's definitely not one sound," he said of the new material. "It's definitely several. Like you heard in Blunderbuss, there's many different styles there. I don't pick my style and then write a song. I just write whatever comes out of me, and whatever style it is is what it is, and it becomes something later." http://www.rollingstone.com/music/news/jack-white-finishing-up-new-album-20140105#ixzz2pZxGOBhK Blues In The Area: 1/10 FRIDAY Ronnie Earl - The Katherine Hepburn Center for the Arts (8pm) - Old Saybrook, CT Dan Stevens - Perks & Corks (9pm) - Westerly, RI Johnny Hoy & the Bluefish - Chan's (8pm) - Woonsocket, RI Blues Alley - The Mona Lisa Restaurant (8-11pm) - Wolcott, CT Eight To The Bar - The Knickerbocker Cafe (8pm) - Westerly, RI 1/11 SATURDAY The Alexis P. Suter Band - Black-eyed Sally's (9pm) - Hartford The Cobalt Rhythm Kings - The Park Central Tavern (9pm) - Hamden, CT Dan Stevens - MCC on Main (8pm) - Manchester, CT Black-Eyed Sally’s Weekly Rundown: Wednesday Blues Open Mic hosted by Brandt Taylor Friday Bruce Gregori Trio Saturday Alexis P. Suter Band Monday Monday Night Jazz Featured performer Stephen King Porter Group Featuring Jazzmeia Horn Tuesday Mike Palin’s Other Orchestra I hope to see you out and about this week but if not please continue to support live music wherever you are. subscribe-with-itunes-button