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5 episodes with Don Gibson
2 episodes with Don Gibson
3 episodes with Don Gibson
2 episodes with Don Gibson
2 episodes with Don Gibson
2 episodes with Don Gibson
2 episodes with Don Gibson
2 episodes with Don Gibson
2 episodes with Don Gibson
Rabia from "Suddenly: A Frank Sinatra Podcast" and "TCBCast After Dark" joins Justin for a main feed discussion all about the 1977 compilation "Welcome to My World," which brought together an intriguing collection of country recordings spanning from 1958-1973 with some loose thematic threads that we try to tease out. Plus, Rabia dug up a handful of original contemporary reviews that reveal how critics received this album at the time, both positively and negatively! For Song of the Week, as voted on by TCBCast Patreon backers, Justin rolls with the final track featured on the album, Don Gibson's "I Can't Stop Loving You" which was a mainstay of Elvis's setlists for a number of years and also recorded as a jam during his 1969 sessions. Justin reflects on Gibson's original, Ray Charles' iconic cover, and what Elvis might have intended with his frequent inclusion of it in his live shows. Rabia then takes us home with a dive into the rare one-liner Elvis did (twice!) of "Tiptoe Through the Tulips," a Tin Pan Alley song resurrected in 1968 - the same year Elvis was filmed on the set of his NBC TV special singing the song - by the immensely talented pop culture phenomenon that was Tiny Tim. You can find "SUDDENLY" on most major podcast platforms where TCBCast is also available. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.
Send us a textHard to believe that it was in the 60s that these incredible artists really started hitting. Think back,,,,, sit back,,, and enjoy ROGER MILLER, PATSY CLINE, DON GIBSON, SKEETER DAVIS, BUCK OWENS, GEORGE JONES,EDDIE ARNOLD, JACK GREEN and even WALTER BRENNAN. Please share with someone who loves country music.
Send us a textWAYLON JENNINGS, HANK SNOW, LORETTA, DEL REEVES all in some way relate to traveling in their country hits. It might be a bit of a stretch but TEX RITTER and DON GIBSON relate to times and places you travel to. I am pleased to have had the opportunity to interview one of our Wounded Warriors , Clarence Grear ,who traveled to Saskatchewan to attend Wounded Warriors Weekend. It was a life changing experience for him which inspired him to start a company he calls "Lures For Vets" which produces fishing lures with the purpose of raising money to support our various veterans projects nation wide. LEFTY FRIZZELL , PATSY CLINE and TOM T.HALL and even ME are all here for your enjoyment. I've even added an episode of "Take Charge". Please share with someone ya love.
The debate is over; what's say we have ourselves another. There's certainly no debating democracy at work. Today's Deeper Roots show will find us circulating through the connective tissue of song: themes that connect with one another. A little bit of eclectic free form fused with all the delightful sounds of country, pop, rock and tradition. Our guiding light will be the truth and the American way. Yes, there's always bubble gum, apple pie, and Sunday church but then we also have the bats**t crazies who will blame all the good, the bad and the ugly on those who don't resemble themselves or their own views. So take a break with us on this summer of broken hearts and we'll share country from Don Gibson to Rosanne Cash, rock and roll from The Stray Cats to Fats Domino, and a little bit of sass and blues from Etta James and Charles Brown. Summer's almost over and election day is fast approaching. So make sure you vote.
737. Get 'frantic' for that wild Aztec Werewolf fella, DJ Del Villarreal and his Tuesday nite radio program "Go Kat, GO! The Rock-A-Billy Show!" Enjoy a big 3 hour blast of killer-diller 50's styled rock n' roll served up with style, grace and fun! Dig the latest waxings from modern rockabilly stars like The Reverend Horton Heat, Dixie Fried, Ricky Rialto & the Green Rats, Stormy Trucks, Brandon Wayne and his Lonesome Drifters, The Carnivals, The Quakes, La Perra Blanco, Zacharia Malachi, Seatbelt, The Supersonics and you'll marvel at the amazing new Yep Roc Records single from Nick Lowe and Los Straitjackets! Balancing the playlist is a generous assortment of vintage rockers from old school heroes Mac Curtis, Don Gibson, Sheb Wooley, Brenda Lee, Benny Joy, Lavern Baker, Art Adams, Link Wray, Buddy Holly, Eddie Cochran, Ricky Nelson, Little Richard, Webb Pierce, Faron Young, Jack Scott and even Ronnie Self! This Saturday in New Boston, MI is the 3d annual Tiki Inferno event at the infamous Speedcult compound -we catch up with event organizer Mark Thompson and hear all about Tiki Inferno show in an exclusive LIVE interview! Dig some spicy Mexican-American rockin' songs, sizzling Summertime rock n' roll themes and even a tiki-billy set in honor of Mark's Speedcult show on Saturday. Hot fun for your summer time is packed into each and every episode of DJ Del's "Go Kat, GO!"Please follow on FaceBook, Instagram & Twitter!
Guests: Don Gibson, CISO, KinlyOn LinkedIn | https://www.linkedin.com/in/don-gibson-cyber/Emma Philpott, CEO, IASME ConsortiumOn LinkedIn | https://www.linkedin.com/in/emphilpott/____________________________Hosts: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinMarco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli____________________________Episode NotesIn this episode of On Location with Sean and Marco, hosts Sean Martin and Marco Ciappelli explore the intricacies of cybersecurity budget management and expenditure prioritization at the Infosecurity Europe event in London. The conversation kicks off with Sean and Marco discussing the challenges of balancing a minimalist approach with the need for robust security programs. The discussion swiftly transitions into budgeting strategies where the hosts are joined by guests Emma Philpott, CEO of IASME, and Don Gibson, Chief Information Security Officer (CISO) of Kinley. Emma provides insights into her role at IASME, highlighting their work on the Cyber Essentials program aimed at ensuring basic technical security controls. Don shares his experiences at Kinley, dealing with audiovisual technologies and their importance in security. The dialogue explores the difficulties organizations face, particularly around budget constraints, legacy technology, and the need for consistent investment in security measures.A significant portion of the episode is dedicated to the challenges faced by various-sized companies, from micro-businesses to large corporations, in implementing effective cybersecurity measures. Emma stresses the importance of making security accessible to smaller entities and the efforts IASME is making to provide free guidance and support. Don emphasizes the importance of clear communication and leadership at the board level to properly budget for cybersecurity, balance between technology, and staff investment, and avoid the pitfalls of over-reliance on either.The conversation also touches on the role of community and support networks within the cybersecurity realm. Both Don and Emma highlight the value of having trusted groups where professionals can share experiences, seek advice, and offer mental health support. They underscore how such communities foster a culture of openness and mutual assistance, which is crucial in an industry often grappling with high-pressure incidents and rapid technological changes.The episode wraps up with a discussion on the dynamics of cybersecurity as a competitive advantage and the evolving nature of security leadership. Emma and Don explain how achieving certifications like Cyber Essentials can provide business benefits beyond compliance, such as improved insurance outcomes and differentiation in the marketplace. Don challenges CISOs to think creatively about how cybersecurity can become a revenue-generating aspect of the business, reinforcing the need for innovative and dynamic leadership in the field.Tune in to learn more about budgeting, community support, and forward-thinking leadership in cybersecurity from the vibrant InfoSecurity Europe event.Be sure to follow our Coverage Journey and subscribe to our podcasts!____________________________Follow our InfoSecurity Europe 2024 coverage: https://www.itspmagazine.com/infosecurity-europe-2024-infosec-london-cybersecurity-event-coverageOn YouTube:
Guests: Don Gibson, CISO, KinlyOn LinkedIn | https://www.linkedin.com/in/don-gibson-cyber/Emma Philpott, CEO, IASME ConsortiumOn LinkedIn | https://www.linkedin.com/in/emphilpott/____________________________Hosts: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinMarco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli____________________________Episode NotesIn this episode of On Location with Sean and Marco, hosts Sean Martin and Marco Ciappelli explore the intricacies of cybersecurity budget management and expenditure prioritization at the Infosecurity Europe event in London. The conversation kicks off with Sean and Marco discussing the challenges of balancing a minimalist approach with the need for robust security programs. The discussion swiftly transitions into budgeting strategies where the hosts are joined by guests Emma Philpott, CEO of IASME, and Don Gibson, Chief Information Security Officer (CISO) of Kinley. Emma provides insights into her role at IASME, highlighting their work on the Cyber Essentials program aimed at ensuring basic technical security controls. Don shares his experiences at Kinley, dealing with audiovisual technologies and their importance in security. The dialogue explores the difficulties organizations face, particularly around budget constraints, legacy technology, and the need for consistent investment in security measures.A significant portion of the episode is dedicated to the challenges faced by various-sized companies, from micro-businesses to large corporations, in implementing effective cybersecurity measures. Emma stresses the importance of making security accessible to smaller entities and the efforts IASME is making to provide free guidance and support. Don emphasizes the importance of clear communication and leadership at the board level to properly budget for cybersecurity, balance between technology, and staff investment, and avoid the pitfalls of over-reliance on either.The conversation also touches on the role of community and support networks within the cybersecurity realm. Both Don and Emma highlight the value of having trusted groups where professionals can share experiences, seek advice, and offer mental health support. They underscore how such communities foster a culture of openness and mutual assistance, which is crucial in an industry often grappling with high-pressure incidents and rapid technological changes.The episode wraps up with a discussion on the dynamics of cybersecurity as a competitive advantage and the evolving nature of security leadership. Emma and Don explain how achieving certifications like Cyber Essentials can provide business benefits beyond compliance, such as improved insurance outcomes and differentiation in the marketplace. Don challenges CISOs to think creatively about how cybersecurity can become a revenue-generating aspect of the business, reinforcing the need for innovative and dynamic leadership in the field.Tune in to learn more about budgeting, community support, and forward-thinking leadership in cybersecurity from the vibrant InfoSecurity Europe event.Be sure to follow our Coverage Journey and subscribe to our podcasts!____________________________Follow our InfoSecurity Europe 2024 coverage: https://www.itspmagazine.com/infosecurity-europe-2024-infosec-london-cybersecurity-event-coverageOn YouTube:
Start Ramblin with WAYLON and then LEFTY FRIZZELL will take you to Saginaw Michigan. HANK SNOW names all the places he's been . DEL REEVES and LORETTA join in as well as PATSY CLINE , TEX RITTER AND TOM T. THERE'S LOTS MORE INCLUDING MY EPISODE OF "TAKE CHARGE" and a real story about fishing lures for Veterans. FARON YOUNG and DON GIBSON are with us today too. ENJOY .
Making a Scene Presents an Interview with Joshua Ray HudsonAward winning singer-songwriter, Joshua Ray Hudson was born in the rural mountain town of Casar, North Carolina.Winning the Don Gibson singer songwriter award three times, writing over 350 songs and recording four studio albums, Joshua is already an accomplished musician on the rise.
Gurdip and Bec join forces to gush over Bec's very first Elvis album, Elvis' Golden Records, Volume 2, aka 50 Million Elvis Fans Can't Be Wrong. Encapsulating singles released between 1957-1959, this iconic album captures the Elvis of the 50s at perhaps his very best, accompanied on many tracks by more members of the Nashville A-Team. For Song of the Week, Justin tags in for a brief discussion on the obscure song "The Titles Tell," recorded originally by Elvis' Memphis friend Barbara Pittman while under contract with Sam Phillips, but never released at the time and never done by any other artist - yet we have a home recording of Elvis singing a very credible version of it in Germany! Gurdip, interestingly enough, goes for another Germany home recording, picking "Oh Lonesome Me," the Don Gibson hit, of which Elvis' home version only first surfaced in 2018. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music/movie history enthusiast.
Accomplished former Senior Vice President/Acting President of Major League Baseball Properties and former Chief Executive of the Naismith Memorial Basketball Hall of Fame, and the current Founder of Kavi Sports, Don Gibson, joins Glenn on the Field to discuss the keys to building a successful athletic brand, the differences between athletic branding and personal branding, and how a good marketing campaign can lead to building a successful brand. Don also shares the complexities amateur athletes often face when it comes to brand building, how to establish credibility and relevancy to attract sponsors and how athletes can use their brand to connect with their fan base and community. Don also explains how to tap into the power of social media and the pros and cons behind using branding agencies versus taking personal ownership to enhance their brand. Support the showFollow Field Goals:Twitter | https://twitter.com/myfieldgoalsInstagram | https://instagram.com/myfieldgoalsFacebook | https://facebook.com/fieldgoalsWebsite | www.myfieldgoals.com
This week's show, after a 1981 D.O.A. drill-down: brand new Slowdive, Hold Steady, Art Bergmann, Evening Sons, Cut Worms, Colored Lights, and Face to Face, plus The Seeds, Don Gibson, (Syd Barrett's) Pink Floyd, Dave Berry, Carlton & the Shoes, The Pha...
En el PostPodcast de esta semana: - Don Gibson siempre en nuestro recuerdo - El juego previo a la explosión técnica de David Perry - Virgin, The Gang of Five y desvaríos varios - Nivel técnico de ambos juegos - Vuestros comentarios Nuestra web: https://www.cepeceros.com Ven a charlar con nosotros: https://bit.ly/Cepecerostelegran Ko-fi: https://ko-fi.com/cepecerospodcast
On January 11, 2023, a 21-year-old new employee was being trained at the Missouri Mats sawmill in Brashear, Missouri, when he was caught and pulled into the vertical edger blades of a Hurdle saw. The worker had been on the job less than a month and was fatally injured in the industrial accident. Missouri Mats cuts lumber products that are used in various industries.According to OSHA, company owner Don Gibson failed to report the fatality, delaying the OSHA investigation an entire week. During the visit, OSHA investigators told Gibson to protect employees from amputation hazards and directed him to report when the safety hazard had been corrected. The inspectors returned two months later and found that Gibson not only failed to implement new safety measures but had workers operating the saw in the same way that led to the young worker's demise. Inspectors also discovered that Missori Mats knew sawmill operators let the vertical edger continue to spin while inspecting the machine. Still, the company didn't re-train workers to use the machine safely or change the SOP. The machine is large enough to cut full logs.As a result, OSHA placed an imminent danger notice on the saw, which is only used in extreme safety cases. The posting alerts workers to the threat, and OSHA can also have a federal court order the employer to eliminate the problem. After the notice, the sawmill's owner finally made a change and fixed the safety failure. OSHA has placed Missouri Mats in the Severe Violator Enforcement Program and cited the company for two willful, 53 serious and two other-than-serious safety and health violations. The company faces $346,954 in proposed penalties for lack of machine guards, inadequate lockout/tagout, fall hazards, insufficient training, exposure to electrical hazards and other safety violations. During the investigation, OSHA also witnessed underage workers operating heavy-powered industrial trucks.Unfortunately, this isn't the first time a company helmed by Gibson failed to comply with federal workplace safety laws. In 2012, OSHA investigated a death at a logging site operated by Gibson, as well as a sawmill he owned in Arbela, Missouri.
Mickey Newbury was born Milton Sims Newbury Jr. in Houston Texas, May 19, 1940 to Maime and Milton Newbury. As a child, he was inseparable from younger brother, Jerry; a friendship that continued throughout his life. In high school, Mickey decided to write songs. As a teenager, he shut himself up in his room, writing poetry and learning to play guitar. He organized a doo-wop group called The Embers.In 1959, Mickey joined the Air Force and was assigned to England for three years. When he returned to the United States, he pursued his dream of being a songwriter. He lived in a '54 Pontiac and traveled around Texas, Tennessee, and Louisiana playing gigs and working on shrimp boats. Eventually he found himself in Nashville, and in 1964, signed a publishing contract with Acuff-Rose. He moved to Nashville in 1965 and about this time, his first child Joe was born. Shortly thereafter, Jimmy Elledge was first to cover a Newbury song, Just as Long as that Someone is You.1966 was the year the music industry noticed Mickey Newbury. Don Gibson had a Top Ten Country hit with Newbury's Funny Familiar Forgotten Feelings, while Tom Jones scored a world hit with the same song. In 1968, Mickey saw huge success; three number one songs and one number five – across four different charts; Just Dropped In (To See What Condition My Condition Was In) on the Pop/Rock chart by the First Edition, SweetMemories on Easy Listening by Andy Williams, Time is a Thief on the R&B chart by Solomon Burke, and Here Comes the Rain Baby on the Country chart by Eddy Arnold. This feat has not been repeated. That year, Mickey's first album, Harlequin Melodies, was released by RCA.Mickey met New Christy Minstrel member Susan Pack on a blind date in 1967 and would not see her again until 1969. Soon thereafter, they were married and living on a houseboat on Old Hickory Lake outside of Nashville. Over the next four years, Mickey released three albums that raised the bar on Music Row. Produced at Cinderella Studios outside of Nashville, and utilizing Nashville's best musicians, Newbury's trilogy of albums - Looks Like Rain, Frisco Mabel Joy and Heaven Help The Child are often referred to as masterpieces.Following the birth of their first child, Chris, in 1973, the Newburys moved to Oregon, to Susan's home town, just down the street from her parents, to raise their family. A daughter, Leah, followed in 1977. In 1980, Mickey was inducted into the Nashville Songwriter's Hall of Fame.During the 80s, Mickey took a break from the music business to concentrate on his growing family and golf. Stephen joined the family in 1983 and Laura was born in 1986. In the early 90's, he started writing, recording, and performing again, encouraged by his friends Bob Rosemurgy, Marty Hall, and Owsley Mannier. In 1995, Mickey's health began to fail, but he continued to produce beautiful music. 1995 to 2002 were some of his most productive years, during which time he almost doubled his catalogue. He also directed his attention to other ventures, beginning work on children's books based on his story-songs. On September 29, 2002 he succumbed to a long time lung disease and passed away in his sleep at home in Springfield, Oregon.Mickey Newbury's songs have been covered by hundreds upon hundreds of artists; over 1,000 covers have been documented. Mickey also recorded 25 albums over 35 years. Though he considered himself a songwriter first and singer second, his own albums are critically acclaimed and highly desired by a very passionate fan base the world over.Many consider him to be the best of the best. Kris Kristofferson says, “God, I learned more about songwriting from
Purists love to tell us that many songs with “blues” in their title — “Blues in the Night,” “Birth of the Blues,” “Lovesick Blues” — technically are not blues at all. (Shoot, even the great “St. Louis Blues,” while it certainly opens with a traditional 12-bar blues structure, wraps up with 16 bars in a habanera rhythm that its composer W.C. Handy called his “tango section.”)Of course, many of these cited songs aren't meant to be blues, but to be about having the blues, and 1950s classic rocker “Singing the Blues” certainly meets those specs.A perfect honky tonk tune of its time, “Singing the Blues” was written by 20-year-old Arkansas native Melvin Endsley in 1954. The following year, Endsley took his song to Nashville to pitch it backstage at the Grand Ole Opry. And it worked. In 1956, Marty Robbins recorded the song (which is credited, by the way, with putting Robbins on the musical map). It was pretty good for Endsley's career too. His writing talents were in high demand after Robbins's success. Over his 50-year career, Melvin wrote some 400 songs that were recorded by hundreds of artists.Living the BluesMelvin Endsley himself had more than a passing acquaintance with the blues. In 1937, when he was three years old, he contracted polio, requiring him to use a wheelchair for the rest of his life.Then, starting at the age of 11, he spent three years in the Crippled Children's Hospital in Memphis. However, the resourceful youngster parlayed that into a life-altering experience. While in the hospital, Melvin regularly listened to music on the radio, and he taught himself to play the guitar.After returning to Arkansas, the teenaged Endsley began performing on local radio shows. By the time he was 20, he had an original song — "It Happens Every Time" — that caught the attention of a couple of established artists, Don Gibson and Dorsey Burnette, who encouraged him to continue his songwriting. Within months, Melvin had created the song that would change his life. While “Singing the Blues” was first recorded by Marty Robbins, its best-known recording was released in October 1956 by Guy Mitchell, whose rendering of it spent 10 weeks at No. 1 on the U.S. Billboard chart from December 1956 to February 1957.Two other charting versions of the song — Robbins' original along with one by English singer Tommy Steel — also were released almost simultaneously with Mitchell's.Since then, “Singing the Blues” often has been revived. In the 1960s, for instance, Bill Haley & His Comets, Hank Snow and Dean Martin all made recordings of it. In the 1970s came versions by Black Oak Arkansas and by Marie Osmond. In the 1980s, it was Gene Summers and Randy Travis, while the ‘90s saw takes by The Kentucky Headhunters and by Paul McCartney.The English Football ConnectionWeirdly, the tune also has resonated with English football fans. It has been sung since the ‘60s by fans of various clubs, usually offering parodies of the opening lyrics. For example, Everton fans sing, "I've never felt more like singing the blues, when Everton win and Liverpool lose. Oh Ev-er-ton, you've got me singing the blues." Our Take on the TunePamela Bowen, who has been our band manager for more than 20 years, is a major influence on all things Flood, from the venues we visit to the tunes we play when we get there. So when Pamela recently suggested we augment the roots music portion of our repertoire with some more classic old-time rock, we started casting our thoughts back to the tunes that stirred our youth, like this from the Fifties.Our first public performance of the song was last week at Sal's Speakeasy, where, as we reported here earlier, it even made Pamela's video from the night. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
Don Gibson, Chet Atkins, and me.
Don Gibson, Paul Hampton, Hal David, and me.
Ronnie Milsap – (I'd Be) A Legend In My Time . This was Milsap's sixth country hit and his third number one. The single stayed at number one for a single week and spent a total of ten weeks within the top 40. “(I'd Be) A Legend in My Time” is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit “Far Far Away”, from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green. The song was recorded by Ronnie Milsap and released in November 1974 as the lead single from his album A Legend in My Time. This was Milsap's sixth country hit and his third number one. The single stayed at number one for a single week and spent a total of ten weeks within the top 40. Milsap's recording altered the song from its original 3/4 time signature to a 4/4 time signature. --- Send in a voice message: https://anchor.fm/you-betterknow4/message
Ronnie Milsap – (I'd Be) A Legend In My Time . This was Milsap's sixth country hit and his third number one. The single stayed at number one for a single week and spent a total of ten weeks within the top 40. “(I'd Be) A Legend in My Time” is a song written and recorded by Don Gibson in 1960. It appeared as the B-side of his hit “Far Far Away”, from the album Sweet Dreams. Gibson re-recorded the song on the 1972 album Country Green. The song was recorded by Ronnie Milsap and released in November 1974 as the lead single from his album A Legend in My Time. This was Milsap's sixth country hit and his third number one. The single stayed at number one for a single week and spent a total of ten weeks within the top 40. Milsap's recording altered the song from its original 3/4 time signature to a 4/4 time signature. --- Send in a voice message: https://anchor.fm/you-betterknow4/message
The blog is hosted by Jim Motavalli and Don Gibson, and the guest on this second show is Tom Moloughney, senior editor at InsideEVs.com and the president of Charging Ahead Consulting Services.
Lefty Frizzell, Hank Snow, Patsy Cline, Don Gibson, Tom T hall, Loretta Lynn, and Del Reeves , all have a different perspective on life and it shows up in their music which I'm real happy to present to you on this episode of My Good Ole Country. I think you'll enjoy a great interview with Clarence Grear as we talk about "Lures For Vets". Tex Ritter joins us for one of his incredible recitations . Give a listen on how to "Take Charge " of your life. Enjoy my friends and please click on share. Life is good.
Host Jeremy C. Park talks with Cindy Siler, CEO of Mercy Community Healthcare, along with Dr. Don Gibson, Chief Medical Officer, who highlight how Mercy exists to reflect the love and compassion of Jesus Christ by providing excellent healthcare to ALL and support to their families. During the interview, Dr. Gibson and Cindy talk about Mercy's Integrated Care Model, which encompasses a holistic approach to taking care of the body, mind and spirit. They discuss the importance of focusing on mental health, what it means to be a Federally Qualified Health Center (FQHC), how everyone is welcome at Mercy, and an example of their impact on the lives of patients. They also share how the community can support their efforts and get involved through upcoming events, their new building project, and more.Visit www.MercyTN.org to learn more.Facebook: https://www.facebook.com/mercycommunityhealthcareInstagram: mercycommunityhealthcareTwitter: @MercyInFranklin
127. Truly the finest NEW rockin' sounds can be found each week on DJ Del's "Go Kat, GO!" We're bringing out some fantastically fresh new albums to debut this week including the latest from The Televisionaries, Billy & The Sideburnzz, The Hi-Fi Lowdowns, Strawman Justice, Voodoo Mars, The Surfrajettes, Delta 88, Os Dry Martini, The Mike Bell Cartell, and Slink Moss Explosion, too! Pair up these picks with some amazing vintage stars such as Art Adams, Don Gibson, Gene Vincent, Link Wray, The Collins Kids, Ray Smith, Merle Travis and Bobby Freeman, to boot! Loads of fun requests and some deep cuts from the Motorbilly Studio vaults as well. Your post-Viva hangover ends here with Del Villarreal's "Go Kat, GO! The Rock-A-Billy Show!" -LIVE from the Motorbilly Studios- good to the last bop!™
The image of bluegrass is mountain music played and heard at high altitudes and towns like Deep Gap and remote mountain hollers across the Appalachians. But the earliest form of the music originated at lower elevations, in textile towns across the North Carolina Piedmont. As far back as the 1920s, old-time string bands like Charlie Poole's North Carolina Ramblers were playing an early form of the music in textile towns, like Gastonia, Spray, and Shelby - in Cleveland County west of Charlotte.In this second episode of Carolina Calling, we visit the small town of Shelby: a seemingly quiet place, like most small Southern towns one might pass by in their travels. Until you see the signs for the likes of the Don Gibson Theatre and the Earl Scruggs Center, you wouldn't guess that it was the town that raised two of the most influential musicians and songwriters in bluegrass and country music: Earl Scruggs, one of the most important musicians in the birth of bluegrass, whose banjo playing was so innovative that it still bears his name, “Scruggs style,” and Don Gibson, one of the greatest songwriters in the pop & country pantheon, who wrote “I Can't Stop Loving You,” “Sweet Dreams,” and other songs you know by heart. For both Don Gibson and Earl Scruggs, Shelby is where it all began.Subscribe to Carolina Calling to follow along as we journey across the Old North State, visiting towns like Greensboro, Durham, Wilmington, Asheville, and more.Brought to you by The Bluegrass Situation and Come Hear NCMusic featured in this episode:Charlie Poole & The North Carolina Ramblers - "Take a Drink On Me"Flatt & Scruggs - "Ground Speed"Don Gibson - "I Can't Stop Loving You"Andrew Marlin - "Erie Fiddler" (Carolina Calling Theme)Hedy West - "Cotton Mill Girl"Blind Boy Fuller - "Rag Mama, Rag"Don Gibson - "Sea Of Heartbreak"Patsy Cline - "Sweet Dreams "Ray Charles - "I Can't Stop Loving You"Ronnie Milsap - "(I'd Be) A Legend In My Time"Elvis Presley - "Crying In The Chapel"Hank Snow - "Oh Lonesome Me"Don Gibson - "Sweet Dreams"Don Gibson - "Oh Lonesome Me"Chet Atkins - "Oh Lonesome Me"Johnny Cash - "Oh, Lonesome Me"The Everly Brothers - "Oh Lonesome Me"Neil Young - "Oh Lonesome Me"Flatt & Scruggs - "Foggy Mountain Breakdown"Bill Preston - "Holy, Holy, Holy"Flat & Scruggs - "We'll Meet Again Sweetheart"Snuffy Jenkins - "Careless Love"Bill Monroe - "Uncle Pen"Bill Monroe - "It's Mighty Dark to Travel"The Earl Scruggs Revue - "I Shall Be Released"The Band - "I Shall Be Released"Nitty Gritty Dirt Band - "Will The Circle Be Unbroken"The Country Gentlemen - "Fox on the Run"Sonny Terry - "Whoopin' The Blues"Sonny Terry & Brownie McGee - "Born With The Blues (Live)"Nina Simone - "I Wish I Knew How It Would Feel To Be Free"Cover image courtesy of the Don Gibson TheatreAdvertising Inquiries: https://redcircle.com/brands
Jim Motavalli and Don Gibson, the dean of the business school at Manhattan College, speak about about electric cars.
What a joy it is for me to be able to play the country music artists specially requested by our visiting Wounded Warriors at Camp Independence 2021. We were honoured to host over 30 WOUNDED WARRIORS . I'm thinking you're going to enjoy the music and the artists they chose. Ray price, Kitty Wells, Hank Snow, Don Gibson, Patsy Cline just to name a few. Tune in and you'll also learn how our volunteers and the people of Saskatchewan make it all happen. And that includes our MGOC show. Hope you will "SHARE" and maybe even write a comment . I'll be more than happy to get back to ya. Life is good.
39. We're loading up on great music and delivering it straight to YOUR ears! Climb aboard for the weekly rockin' radio extravaganza known as "Go Kat, GO! The Rock-A-Billy Show!" Check out some sweet rhythms from the UK's own Danny Fisher as we debut another incredible selection from his new Danny Fisher Sings disc! Get wild with the amazing B-Shakers, dropping their PART records release Shaker Attack on the program! Say "Happy Birthday" to the colossal guitar talent Boz Boorer with a special set of Polecats & solo material, take a dip in the ocean with a special Shark Bite set for Thee Liz and enjoy a truckload of vintage passengers such as Sleepy LaBeef, Bob Luman, Gene Vincent, Jimmy Patton & Don Gibson, too! Take a rockin' ride with DJ Del's "Go Kat, GO! The Rock-A-Billy Show!" and you'll always hear the latest n' the greatest rockin' music -> PLUS your requests & dedications Seriously Rockin'!™ del@motorbilly.com
ABOUT DAVE BURGESS:An incredible 62 years after topping the Billboard Pop and R&B charts with the Grammy Award winning “Tequila,” The Champs featuring Dave Burgess are back with 12 freshly recorded tunes in their sensational new album Tequila Party.An experienced bandleader and musician, Dave's forte has always been that of a songwriter. He has over 700 copyrights registered with BMI. Those who have waxed his tunes include Dean Martin, Bing Crosby, Lou Rawls, Don Gibson, The Lettermen, Marty Robbins, Anne Murray, Eddy Arnold, Engelbert Humperdinck, Ray Price, Gene Vincent, Johnny Rivers and Glen Campbell, just to name a few. During his short life, Rick Nelson recorded 10 of Dave's compositions. In addition to writing hit songs, Dave has produced not only The Champs, but also Don McLean, Darlene Love and The Blossoms, and more.In 1965, after a bustling seven years, Dave called a halt and disbanded the group. The Champs had a great run. At various times during its existence members included Glen Campbell, Delaney Bramlett (Delaney and Bonnie), and Jimmy Seals and Dash Crofts (Seals and Crofts).Dave moved on to other projects. For over 40 years he has managed the publishing affairs of Hank Williams, Jr., creating a multi-million dollar business. He has also received numerous awards from ASCAP (7x) BMI (4x) and Cashbox (2x).ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.
ABOUT DAVE BURGESS:An incredible 62 years after topping the Billboard Pop and R&B charts with the Grammy Award winning “Tequila,” The Champs featuring Dave Burgess are back with 12 freshly recorded tunes in their sensational new album Tequila Party.An experienced bandleader and musician, Dave's forte has always been that of a songwriter. He has over 700 copyrights registered with BMI. Those who have waxed his tunes include Dean Martin, Bing Crosby, Lou Rawls, Don Gibson, The Lettermen, Marty Robbins, Anne Murray, Eddy Arnold, Engelbert Humperdinck, Ray Price, Gene Vincent, Johnny Rivers and Glen Campbell, just to name a few. During his short life, Rick Nelson recorded 10 of Dave's compositions. In addition to writing hit songs, Dave has produced not only The Champs, but also Don McLean, Darlene Love and The Blossoms, and more.In 1965, after a bustling seven years, Dave called a halt and disbanded the group. The Champs had a great run. At various times during its existence members included Glen Campbell, Delaney Bramlett (Delaney and Bonnie), and Jimmy Seals and Dash Crofts (Seals and Crofts).Dave moved on to other projects. For over 40 years he has managed the publishing affairs of Hank Williams, Jr., creating a multi-million dollar business. He has also received numerous awards from ASCAP (7x) BMI (4x) and Cashbox (2x).ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.
ABOUT DAVE BURGESS: An incredible 62 years after topping the Billboard Pop and R&B charts with the Grammy Award winning “Tequila,” The Champs featuring Dave Burgess are back with 12 freshly recorded tunes in their sensational new album Tequila Party. An experienced bandleader and musician, Dave's forte has always been that of a songwriter. He has over 700 copyrights registered with BMI. Those who have waxed his tunes include Dean Martin, Bing Crosby, Lou Rawls, Don Gibson, The Lettermen, Marty Robbins, Anne Murray, Eddy Arnold, Engelbert Humperdinck, Ray Price, Gene Vincent, Johnny Rivers and Glen Campbell, just to name a few. During his short life, Rick Nelson recorded 10 of Dave's compositions. In addition to writing hit songs, Dave has produced not only The Champs, but also Don McLean, Darlene Love and The Blossoms, and more. In 1965, after a bustling seven years, Dave called a halt and disbanded the group. The Champs had a great run. At various times during its existence members included Glen Campbell, Delaney Bramlett (Delaney and Bonnie), and Jimmy Seals and Dash Crofts (Seals and Crofts). Dave moved on to other projects. For over 40 years he has managed the publishing affairs of Hank Williams, Jr., creating a multi-million dollar business. He has also received numerous awards from ASCAP (7x) BMI (4x) and Cashbox (2x). ABOUT THE PODCAST: Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices
ABOUT DAVE BURGESS: An incredible 62 years after topping the Billboard Pop and R&B charts with the Grammy Award winning “Tequila,” The Champs featuring Dave Burgess are back with 12 freshly recorded tunes in their sensational new album Tequila Party. An experienced bandleader and musician, Dave’s forte has always been that of a songwriter. He has over 700 copyrights registered with BMI. Those who have waxed his tunes include Dean Martin, Bing Crosby, Lou Rawls, Don Gibson, The Lettermen, Marty Robbins, Anne Murray, Eddy Arnold, Engelbert Humperdinck, Ray Price, Gene Vincent, Johnny Rivers and Glen Campbell, just to name a few. During his short life, Rick Nelson recorded 10 of Dave’s compositions. In addition to writing hit songs, Dave has produced not only The Champs, but also Don McLean, Darlene Love and The Blossoms, and more. In 1965, after a bustling seven years, Dave called a halt and disbanded the group. The Champs had a great run. At various times during its existence members included Glen Campbell, Delaney Bramlett (Delaney and Bonnie), and Jimmy Seals and Dash Crofts (Seals and Crofts). Dave moved on to other projects. For over 40 years he has managed the publishing affairs of Hank Williams, Jr., creating a multi-million dollar business. He has also received numerous awards from ASCAP (7x) BMI (4x) and Cashbox (2x). ABOUT THE PODCAST: Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.
Oscar Wilde is credited with the quote, “Imitation is the sincerest form of flattery … ”. But in popular music, a cover version, remake, cover song, revival, or simply cover, is a new performance or recording by someone other than the original artist or composer of a song. Sometimes, a cover version can become even more popular than the original. Enjoy these 20 cover songs from the 1960s. Another musical exhibit from The Music Museum. Enjoy. **** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 **** or by email at dannymemorylane@gmail.com **** In this episode, you’ll hear: 1) Respect [Cover of Otis Redding's 1965 version] by Aretha Franklin 2) Louie Louie [Cover of Richard Berry's original 1957 version] by The Kingsmen 3) Hushabye [Cover of The Mystics' 1959 version] by The Beach Boys 4) Mustang Sally [Cover of Sir Mack Rice's 1965 version] by Wilson Pickett 5) Do Wah Diddy Diddy [Cover of The Exciters 1963 version] by Manfred Mann 6) I Can't Stop Loving You [Cover of Don Gibson's 1958 country hit version] by Ray Charles (with The Randy Van Horne Singers) 7) You Keep Me Hangin' On [Top 10 cover version of the Supremes #1 hit of 1966] by Vanilla Fudge 8) Twist And Shout [Cover of the 1961 version by The Top Notes] by The Isley Brothers 9) Such A Night [Cover of The Drifters 1954 version] by Elvis Presley 10) All Along The Watchtower [Cover of Bob Dylan's original 1968 version] by The Jimi Hendrix Experience 11) Silence is Golden [Cover of The Four Season's 1964 version] by The Tremeloes 12) Who Do You Love [Cover of the Bo Diddley 1956 version] by The Woolies 13) Gloria [Cover of Them's 1964 version] by The Doors 14) I'm A Man [Cover of Bo Diddley's 1955 blues version] by The Yardbirds 15) The Tracks Of My Tears [Cover of the 1965 million seller by Smokey Robinson & The Miracles] by Johnny Rivers 16) Piece Of My Heart [Cover of the 1967 Erma Franklin version] by Big Brother & The Holding Company 17) Baby It's You [Cover of The Shirelles 1962 version] by Smith 18) Everybody Needs Somebody To Love [Cover of Solomon Burke's 1964 version] by Wilson Pickett 19) Handy Man [Cover of Jimmy Jones' 1960 version] by Del Shannon 20) The "In" Crowd [Instrumental cover of Dobie Gray's 1964 version] by The Ramsey Lewis Trio
I just read an article on Don Gibson, a songwriter from the 50’s and 60’s. And it said he sat down one hot, summer day, in 1958, and wrote two songs. “Oh Lonesome Me” and “I Can’t Stop Loving You.” … Read the rest The post Love songs and time – how they pass is sublime appeared first on Tony Funderburk.
Label: RCA 7890Year: 1961Condition: M-Price: $18.00Here's a beautiful copy of Don Gibson's 1961 masterpiece, fully deserving of 2 stars (our highest recommendation). By the way, this was a non-album single whose A side is available only on later Greatest Hits compilations. Note: This 45 record comes in a vintage RCA Victor Records factory sleeve. The labels look Mint. The vinyl looks only lightly touched, and the audio sounds pristine.
This week we welcome, star of The Grand Ole Opry, Jeannie Seely! On the night of September 16, 1967, Jeannie Seely marked an important milestone in her music career by joining the world-famous Grand Ole Opry. The distinctive-voiced lady referred to as “Miss Country Soul” became the first Pennsylvania native to become an Opry member. Today Jeannie makes clear that it's still a thrill and an honor each time she performs on the Opry stage. "I feel very fortunate to be part of the Opry tradition," the Grammy-winning singer says, "and I truly am indebted to all the wonderful fans who have supported me over the years.” Jeannie Seely is among a select group of country artists who have scored chart- topping hits as a solo artist, as a duet partner, and as a songwriter. Born on July 6, 1940, in Titusville, Pennsylvania – the town where the world’s very first oil well was drilled in 1859 – Jeannie grew up as the youngest of Leo and Irene Seely's four children. The family's two-story farmhouse still stands along a dirt road outside of nearby Townville, a community of about 300 folks located in the northwestern corner of the Keystone State. Jeannie's interest in music was influenced strongly by her parents. Leo Seely worked hard on the family's farm and at a Titusville steel mill, but found time on weekends to play the banjo and call local square dances. Irene Seely would sing with her daughter every Saturday morning while the two baked bread together. “I grew up in a time when all the neighbors gathered together to help each other get the hay in and that kind of thing,” recalls Jeannie. “It seemed like everybody back in the country played guitars and fiddles, and when we got together there was always pickin’ and singin’.” When she was barely tall enough to reach the dial on her family's big Philco console radio, Jeannie was tuning in the Grand Ole Opry on station WSM 650. At age 11, she began singing for a Saturday morning radio show on Meadville station WMGW. "I can still remember standing on a stack of wooden soda cases because I wasn't tall enough to reach the unadjustable microphones," she laughs. By age 16, Jeannie was performing on television station WICU in Erie. Jeannie recalls many Saturday nights as a teenager when she would sit in her family's car, eat popcorn and listen to the Grand Ole Opry while her parents played cards at the homes of friends. "I also remember looking forward to attending country music shows at a place near Franklin called Hillbilly Park," says Jeannie. “They would do an afternoon and an evening show. Mother would bake a chicken and fix up a picnic basket, and we’d just go there and spend the whole day and the evening. I was always on the ground right in front of the front row, looking up at the stage.” At Hillbilly Park Jeannie had the opportunity to see performers like Bill Monroe and Ralph Stanley, as well as Josh Graves who would later play on her Life’s Highway CD. "I still have the 8 by 10 photos I bought and had autographed there by stars like Jean Shepard, Little Jimmy Dickens, and Wilma Lee and Stoney Cooper," she proudly notes. “I’ve been very blessed to later become friends with these Opry legends.” A cheerleader, majorette, and honor student while attending Townville High School, Jeannie sang at local amateur contests and began performing at weekend dances throughout northwestern Pennsylvania. "Back then a lot of people made fun of me because I sang country," she admits today. "In those days calling somebody 'country' was actually a put-down." Jeannie remembers how the residents of tiny Townville didn't believe that anyone, especially a female, could make a living by singing or writing songs. "Some people didn't even think it was right for a girl to be singing with a band at dances,” she remembers. Following high school graduation in 1958, Jeannie worked for three years at the Titusville Trust Company. Initially hired as a stenographer at the bank, she was later promoted to a secretarial position for the bank's auditor. During this period Jeannie continued her education by completing night classes that were conducted by the American Institute of Banking in Oil City. "Those courses in subjects like business finance and law were beneficial even later in my music career," Jeannie says. Both the local and national American Institute of Banking organizations have since made Jeannie an honorary lifetime member for her efforts in promoting the name and spirit of the organization. According to Jeannie, it was the weather conditions one Sunday morning on a country back road that finalized her decision to move to California. "It was Easter, and I got my car stuck in a snow bank," she chuckles. "I had to walk the whole way home in my new dress to get my Dad's help. I decided right then and there that I was ready to make a change." At age 21, Jeannie packed everything she could into her car, shipped the rest to "General Delivery, Los Angeles", and headed west. She initially took a job at a Beverly Hills bank, but left it after a year to take a secretarial position for half the money at Liberty and Imperial Records in Hollywood. With a foot in the door of the music business, she began writing songs for Four Star Music and became a regular act, along with an unknown Glen Campbell, on the "Hollywood Jamboree" television series. Rhythm and blues artist Irma Thomas recorded a composition by Jeannie titled "Anyone Who Knows What Love Is" and scored a national pop and R&B hit with it. Jeannie's songwriting led to her own recording contract on Challenge Records. A couple regional hits and a West Coast tour resulted, but unfortunately she received no national attention. A young songwriter visiting California named Hank Cochran was impressed with Jeannie's talent and suggested she move to Nashville. Jeannie, however, didn't think she was ready. Upon the encouragement of singer Dottie West who recorded one of her songs, Jeannie finally moved to Nashville in the fall of 1965. "When I arrived in town, I only had $50 and a Ford Falcon to my name," she recalls. "Within a month though, Porter Wagoner hired me to replace Norma Jean as the female singer for his road show and syndicated television series." Initially turned down by every record label in town, Jeannie finally got the big break she needed when a recording contract was offered by Monument Records. She went in the studio and recorded a Hank Cochran ballad titled "Don't Touch Me" on March 12, 1966. Within only a few weeks the song debuted on the country music charts where it stayed for over five months. Although it held at the No. 2 position for three weeks on Billboard, the record went to No. 1 on all the other major charts, including Cashbox and Record World. It was also a crossover hit on the national pop charts. Today "Don't Touch Me" is considered a standard in country music. Jeannie’s recording of the song is ranked at No. 97 in the book titled Heartaches By the Number: Country Music's 500 Greatest Singles written by David Cantwell and Bill Friskics-Warren. The book, released in 2003, was published by the Vanderbilt University Press and the Country Music Foundation Press. “Don’t Touch Me” is also included in The Stories Behind Country Music’s All-Time Greatest 100 Songs written by Ace Collins and published by Boulevard Books. The author writes, “Cochran’s ‘Don’t Touch Me’ has stood the test of time like few other works. Hauntingly beautiful, poetry set to meter, this composition merits particular praise for the exquisite manner in which it relates its story of love, doubt, and commitment.” The book describes how Buck Owens desperately wanted the song that Jeannie ultimately recorded and made a hit. Country versions of “Don’t Touch Me” have been recorded by Don Gibson, Tammy Wynette, George Jones, Lorrie Morgan, Ray Price, Lynn Anderson, Eddy Arnold, Barbara Mandrell, Roy Clark, Jack Greene, Dottie West, and many others (but none were charted singles). The popularity of “Don’t Touch Me” has crossed all musical styles – Etta James recorded a rhythm and blues version, Carolyn Hester a folk version, Bettye Swann a soul version, and Eleni Mandell a pop version. A reggae version was even recorded by Nicky Thomas. In June of 1966 Jeannie was invited to make her first guest appearance on the Grand Ole Opry. She received "Most Promising New Artist" awards that same year from all the national trade publications including Billboard, Cashbox, and Record World, as well as from polls of country music fans and radio DJs across the country. On March 2, 1967, the National Academy of Recording Arts & Sciences honored Jeannie with the 1966 Grammy Award for the "Best Country Vocal Performance by a Female". Edging out friends and fellow nominees Loretta Lynn (“Don’t Come Home A Drinkin’”), Dottie West (“Would You Hold It Against Me”), Connie Smith (“Ain’t Had No Loving”), and Jan Howard (“Evil On your Mind”), Jeannie Seely became only the third female country artist to receive the coveted Grammy. She accepted her award from Chet Atkins. With a successful breakthrough hit, Jeannie found herself traveling from coast to coast for concert appearances. The new demands forced her to leave Porter Wagoner's show – and today Jeannie jokes that she was replaced by friend Dolly Parton because Dolly’s ‘hits’ were bigger. New opportunities for Jeannie included many concert and television appearances with the legendary Ernest Tubb. On the liner notes for one of Jeannie's early albums, the legendary Tubb wrote, "She puts heart and soul into every ballad she sings. Whether a new song or an old one, when Jeannie sings it, it becomes 'Jeannie's song'." In September of 1967, Jeannie fulfilled her lifelong dream by joining the Grand Ole Opry. She remembers her Opry induction, attended by her parents from Pennsylvania, as "a very emotional night." "I started crying," she recalls, "and then I encored and that was even worse." Often referred to as the "Mother Church of Country Music", the Ryman Auditorium in downtown Nashville was home to the Opry when Jeannie became a member. Although hot in the summer and drafty in the winter, Jeannie says the Ryman had a magic all its own. She fondly recalls sharing a crowded dressing room, which was actually the ladies restroom, with fellow performers like Minnie Pearl and Barbara Mandrell (who today lists Jeannie as one of her major influences). After 31 years at the Ryman, the Grand Ole Opry moved on March 16, 1974, to the new 4,400 seat Opry House on the grounds of the Opryland theme park. At the much- publicized grand opening show which was broadcast on over 1,300 radio stations worldwide, special guest President Richard Nixon told the audience, "Some girls have looks but can't sing. Others can sing but don't have looks. Jeannie Seely's got them both." That quote subsequently appeared in newspapers across the country. Known throughout her career as an individualist, as well as for her infectious humor, Jeannie Seely is widely recognized for changing the image of female country performers. Jeannie is in fact credited for breaking the "calico curtain" by being the first woman to wear a mini-skirt on the Grand Ole Opry stage. "I really didn't think anything of it at the time, but it did cause quite a stir," she laughs. "The Opry manager even called me into his office." In their book Finding Her Voice: The Saga of Women in Country Music, authors Mary Bufwack and Robert Oermann wrote, "Jeannie's frank talk, striking intelligence, free- spirited life-style, and deeply moving vocals have long set her apart from most female country stars. When she arrived in Nashville in 1965, women were still expected to portray the submissive country sweetheart. Jeannie blazed a nonconformist trail from the moment she hit the Opry in her miniskirt...." A string of hit records in the late '60's and early '70's solidified Jeannie's reputation as a country torch singer and earned her the nickname of "Miss Country Soul", a title still frequently used today. Country Music Hall of Fame member Marty Robbins once said, "Jeannie Seely is one of the great stylists of our time." When at home, Jeannie made frequent guest appearances on television shows like "Hee Haw" and “That Nashville Music”. On March 22, 1970, Jeannie was a featured guest on "Glen Campbell's Goodtime Hour" on CBS-TV. Working with distinguished producers like Fred Foster and Owen Bradley, the blonde, blue-eyed singer recorded more than a dozen albums and over two dozen singles on the Monument, Decca, MCA, and Columbia labels. Jeannie placed singles on Billboard's national country music charts for 13 consecutive years from 1966 through 1978. Among over two dozen hits were "It's Only Love,” "A Wanderin' Man,” "I'll Love You More,” "He Can Be Mine,” "Welcome Home To Nothing,” "Little Things,” "Farm in Pennsyltucky,” and "When It's Over.” In 1973 Jeannie transformed the hobo lament "Can I Sleep In Your Barn Tonight Mister?" into the top ten hit "Can I Sleep In Your Arms?". The following year she adapted the Appalachian ballad "Come All You Fair And Tender Ladies" into another hit single titled "Lucky Ladies.” For two years Jeannie served as a radio disc jockey on her own Armed Forces Network Show, and for several months she traveled on military tours throughout Europe and Asia. Upon returning from an overseas tour, Jeannie noted during an Opry performance that there was no U.S. flag — a patriotic symbol that she was accustomed to seeing. There has been an American flag displayed on the Opry stage ever since. A 1969 duet recorded with fellow Opry member Jack Greene titled "Wish I Didn't Have to Miss You" went to No. 1 on the charts and launched one of the most successful duos and road shows in country music history. Nominated for numerous Country Music Association (CMA) awards and a Grammy, Jack Greene and Jeannie Seely toured together for over ten years, performing everywhere from New York's Madison Square Garden to London's Wembley Arena. The duo changed the format of “package shows” and were considered forerunners in opening doors and bringing country music to wider audiences around the world. Through a special invitation from the White House they were named Goodwill Ambassadors to the annual United Nations Concert. A long list of artists – including Dottie West, Norma Jean, Tex Williams, Lorrie Morgan, Jack Greene, Chris LeDoux, Doyle Lawson, and Hank Williams, Jr. – have recorded compositions written by Jeannie. In 1972, Faron Young took “Leavin’ And Sayin’ Goodbye” to the No. 1 position, earning Jeannie a BMI Songwriter’s Award. In addition to Faron Young, other Country Music Hall of Fame members have recorded Jeannie’s songs – including Merle Haggard, Ray Price, Willie Nelson, Little Jimmy Dickens, Ernest Tubb, Grandpa Jones, and Connie Smith. The lyrics to one of Jeannie’s songs was used for a Hallmark greeting card. For several years Jeannie was married to Hank Cochran, the writer of such songs as “Make The World Go Away.” “She’s Got You,” “I Fall To Pieces,” “The Chair,” and “Ocean Front Property.” The marriage – the first for Jeannie but the fourth for Hank – finally ended in a divorce. In 1977 the career of Jeannie Seely almost ended abruptly when she was involved in a near fatal automobile accident that left her with serious multiple injuries. "You know, it sounds like a cliche, but it's true that your perspective changes when you have a close call," she reflects. "What you took for granted you come to appreciate more." It was with the help and support of best friend Dottie West that Jeannie was able to recover and get back on her feet. Ironically, Dottie West's death in 1991 was due to injuries she suffered in an automobile accident while en route to the Opry. "I still think about Dottie all the time and miss her very much," says Jeannie. In 1995 she served as a consultant for the CBS television movie about Dottie’s life titled Big Dreams and Broken Hearts: The Dottie West Story. Jeannie was portrayed in the movie by actress Cathy Worthington. In the early 80's, Jeannie performed as the opening act for friend Willie Nelson's concert dates across the country. She also appeared in Willie's successful Honeysuckle Rose movie and sang on the soundtrack recording, a contribution which earned her a platinum album. Jeannie became the first female artist to regularly host half-hour segments of the Grand Ole Opry. Those hosting duties actually began on January 19, 1985, when she was called upon as a last minute replacement for Del Reeves, the scheduled host, who was caught in a rare Nashville snowstorm. During the late 80's Jeannie starred in several major stage productions. She played Jean Shepard’s daughter and Lorrie Morgan’s mother in the 1986 country musical called Takin' It Home. In 1988 she portrayed "Miss Mona" in a sold-out run of The Best Little Whorehouse in Texas, and the following year took a nonmusical role as the title character in Everybody Loves Opal. In 1988 Jeannie published her own book, Pieces of a Puzzled Mind, containing a collection of Jeannie's unique witticisms. The popular book was out of print for several years, but Jeannie republished the book in 2012. Also known as "Seely-isms" around Nashville, Jeannie notes that many of the sayings actually began as song titles or opening lines. “County music has made so many of my dreams come true,” Jeannie wrote in the book, “I just wish someone would have warned me about the nightmares.” One of the most popular quotes from the book is “You don’t have to kiss anyone’s a-- in this world, but sometimes it’s best to bend a little bit and make ‘em think you’re goin’ to.” Jeannie portrayed lead singer Danny Shirley’s mother in Confederate Railroad’s 1993 chart-topping music video for the song “Trashy Women”. She also was featured in a video shot at Dollywood for the song “Wrapped Around” by fellow Opry member Brad Paisley who took Jeannie as his date to the 2000 CMA Awards Show. Ironically, the video was shown during Brad’s performance on the 2001 CMA Awards Show – and Jeannie could be seen in the video clip. Throughout the 80’s and 90’s, Jeannie appeared frequently on shows like “Nashville Now,” “Crook and Chase,” “Music City Tonight,” “Grand Ole Opry Live,” “You Can Be A Star,” “Family Feud,” and “Prime Time Country.” She served as a regular host of “Opry Backstage,” interviewing everyone from new and upcoming acts to superstars like Garth Brooks. County artist Lorrie Morgan recorded a song co-written by Jeannie titled "I've Enjoyed As Much Of This As I Can Stand" for her 1997 album Shakin' Things Up. Lorrie has credited Jeannie as being a major influence in her career and often refers to the Opry cohort as her "second mom.” Lorrie’s father, the late George Morgan, was an Opry star who became a close friend of Jeannie’s. “I admire Lorrie not only for her musical talent, but because she also inherited that wonderful sense of humor that her dad had,” notes Jeannie. “I don’t take lightly the fact that I was fortunate enough to know people like George Morgan, to work with him, and then to go on and become friends and work with his daughter. That’s pretty amazing.” Together Jeannie and Lorrie sang George’s hit “Candy Kisses” for an Opry anniversary special televised on CBS. According to Jeannie, recent years have been some of the busiest years of her career. Nashville music critic Robert K. Oermann wrote in his 2003 book Finding Her Voice: Women In Country Music, "With her chin-out, tough/tender, heart-of-gold manner, Jeannie Seely remains one of country's most completely modern female personalities." Jeannie has entertained on several cruise ships, including the week-long Grand Ole Opry cruises, and for several summers she performed at the Dollywood theme park. She’salso been part of a successful overseas tour with the "Grand Ladies of the Grand Ole Opry,” Jeannie performed on extensive tours of Ireland in both 2008 and 2009. Jeannie continues to enjoy acting and for three months in 2000 she portrayed the role of Louise Seger during a successful run of the Always, Patsy Cline musical in Atlantic City. Along with friends Jan Howard and Rita Coolidge, Jeannie filmed the heart-warming motion picture Changing Hearts in late 2001. The movie, which featured Faye Dunaway, Lauren Holly, Tom Skerritt, and Ian Somerhalder, is now available on DVD and VHS. Jeannie portrays a comical role as a do-good Women’s Baptist League hospital volunteer named Mrs. Shelby. Proceeds from the movie help non-profit organizations dedicated to cancer research, education and support. From 2004 to 2007, Jeannie and fellow country singer Helen Cornelius starred in successful runs of the musical production Count It Be Love, including a performance at the historic Ryman Auditorium. In February 2005, Jeannie was featured in a Nashville performance of The Vagina Monologues with fellow entertainers Pam Tillis and Kathy Mattea. Among the many honors and accolades that Jeannie has received is the 2000 induction to the North America Country Music Hall of Fame. In 2003 she was honored with induction into the George D. Hay Music Hall of Fame located in Mammoth Spring, Arkansas. Jeannie also received the 2003 Legend Award from Bluebird Country News. In 2006 Jeannie received the Songwriter of the Year Award from the R.O.P.E. (Reunion of Professional Entertainers) organization. In 2007 she received R.O.P.E.’s Entertainer of the Year Award. In 2009 Jeannie was honored with the prestigious Colonel Aide-de-Camp Award presented by Tennessee Governor Phil Bredesen. The award recognizes citizens for meritorious public service with the distinction of being included in the Honorable Order of Tennessee Colonels. Also in 2009, an interview conducted by Rik Paleri with Jeannie at the Grand Ole Opry for Rik’s “Songwriters Notebook” television show was permanently entered into the archives of the Library of Congress in Washington, DC. Re-released on CD format, Jeannie Seely's Greatest Hits On Monument continues to receive strong praise, including a review in the All Music Guide To Country. Jeannie’s music projects in recent years include a 23-song anthology CD called Personal, an album or traditional holiday songs titled Number One Christmas and a collection of standards, fan favorites, and duets appropriately labeled Been There, Sung That. In 2001 Jeannie sang with fellow Opry member Ralph Stanley on Clinch Mountain Sweethearts which received an International Bluegrass Music Association Award for “Recorded Event of the Year”, as well as a Grammy nomination for “Bluegrass Album of the Year”. In addition to her own recordings, Jeannie’s vocals can be found on over 75 additional compilation albums and CDs.Her vocals on the Janis Joplin hit “Piece Of My Heart” appear on Bluegrass Goes To Town: Pop Songs Bluegrass Style released in April of 2002. In the fall of 2003 Jeannie released her own acoustic and bluegrass project on OMS Records titled Life’s Highway. The album features musicians Josh Graves, Glen Duncan, Steve Wariner, Jesse McReynolds, and Buck White – as well as harmony vocals from Charlie Louvin, the Osborne Brothers, and the Whites. Country Weekly magazine reviewed the CD and wrote, “Life’s Highway is one of the year’s most welcome surprises – a thoughtful, inventive acoustic winner that’s a much- needed slap in the face for anyone who might have forgotten how Jeannie earned her gig as one of the friendliest faces on the Grand Ole Opry. Jeannie simply owns these 13 tracks...” The recording career of Jeannie Seely spanned six decades with the early 2011 release of a new CD titled Vintage Country which is available on Jeannie’s website and at select retail and online outlets. In 2017, Jeannie’s long-awaited new album Written In Song became available in select stores, through digital retailers, and on her website. The 14-track album contains original songs recorded by artists like Merle Haggard (“Life of a Rodeo Cowboy), Dottie West (“He’s All I Need”), Ernest Tubb (“Sometimes I Do”), Willie Nelson (“Senses”) and several more. Written In Song topped the list of CMT’s ‘New Albums in the New Year,’ and The Boot’s ‘Most Anticipated Albums’ and it continues to receive great reviews: She is “Miss Country Soul,” a beloved member of the Grand Ole Opry, a country icon and a Pennsylvania hit-maker well before Taylor Swift was born... Seely’s latest album WRITTEN IN SONG features 14 updated timeless classics she has written and co-written. -CMT.com, Lauren Tingle Jeannie Seely proves that her songs and her voice are as great as they ever were on this fantastic new album. -Roughstock, Matt Bjorke The country music singer has written songs for numerous artists and it’s refreshing to hear her voice along with her very own take and production on these songs. These are, after all, her songs to sing and she certainly has the vocal prowess to do so! -Backstage Axxess, Dee Haley Jeannie Seely soars on her new album, Written in Song. "Miss Country Soul" is back stronger than ever. There is a variety on her latest musical effort. It garners an A rating. -Digital Journal, Markos Papadatos Jeannie brought back the traditional country sound that fans have been longing for on Written In Song. Tracks include “Leavin’ & Sayin’ Goodbye” featuring special guests Kenny and Tess Sears, “Senses” with guests Connie Smith and Marty Stuart and “We’re Still Hangin’ In There Ain’t We Jessi” with Jan Howard and Jessi Colter. Written In Song is distributed by Smith Music Group. “Written In Song is such an exciting project for me for many reasons,” states Seely. “It consists of 14 songs that I have written over the years, most of them recorded by my peers and my heroes. It’s also very rewarding to know that these songs have stood the test of time and are just as viable today. I am extremely grateful to the musicians and singers who made them sound brand new.” For the past three decades Jeannie has lived close to the Grand Ole Opry in a quaint and comfortable home along the Cumberland River that she renovated and decorated herself. A major setback occurred in May 2010 when Jeannie lost her home, car and personal belongings in the devastating Nashville flood. Jeannie decided to rebuild her home and returned to it around the same time the Grand Ole Opry returned to the Opry House, her second home, which was also damaged. On November 20, 2010, Jeannie married Nashville attorney Gene Ward. Jeannie routinely performs at benefit shows for a wide variety of charities and causes. She has served as the co-host for the annual awards program for SOURCE, a nonprofit organization seeking to unify women executives and professionals that work in all facets of the Nashville music industry. Jeannie is proud to serve as a longtime spokesperson for the Humane Society by recording public service announcements and by serving as a HSUS “Special Friend” involved in supporting their animal protection programs. Jeannie is actively involved in numerous other organizations and causes such as the Opry Trust Fund (which provides financial assistance to needy individuals in the country music industry) and R.O.P.E. (Reunion Of Professional Entertainers). In April 2017, the Pennsylvania House of Representatives unanimously approved House Resolution 259 honoring Jeannie Seely on her 50th anniversary as a member of the Grand Ole Opry. In accepting the honor Jeannie noted, “Never have I been more proud of my heritage than I was today. It is my hope that I will always represent Pennsylvania in a manner that would make them proud of their native daughter, and I thank them for this distinguished honor.” Jeannie will be honored by the Nashville Association of Talent Directors (NATD) at their 7th Annual NATD Honors Gala scheduled for November 14, 2017, at the Hermitage Hotel. NATD has been a vital part of the Nashville Music Business Community by professionally representing, directing, and promoting the entertainment industry through its members. When not booked on concert dates out of town, Jeannie performs weekly on the Grand Ole Opry’s shows. She frequently hosts the Ernest Tubb Midnite Jamboree, appears on RFD television shows and specials, and has been featured in the Family Reunion TV and DVD tapings. Jeannie will be one of the featured performers on the Country Music Cruise that will set sail in February of 2018. Looking to the future of the Grand Ole Opry, Jeannie hopes for a peaceful coexistence of the old and the new. “I like adding the new talent to the Opry, but I don’t want them to ever change the Opry to where it becomes just another concert venue,” she states. “I like seeing the new artists, but value that tradition also and the uniqueness of it. And the music and all should change and will change. It always has.” “Hopefully, I will see a future of doing pretty much what I have done in the past,” explains Jeannie. “I want to keep doing personal appearances and shows and what I’ve been so blessed to be able to do in my life. I want to be anywhere they ask me to be. There are plenty of life’s highways I want to travel. I’m not done yet.” Jeannie notes, “I want to extend a huge ‘thanks’ to all of you who have been on my bandwagon for such a long time. To those of you just joining us, I hope the ride’s not over - so welcome aboard - and hang on!” Fans can write to Jeannie Seely in care of the Grand Ole Opry, 2804 Opryland Drive, Nashville, TN 37214. Jeannie’s website can be found at www.JeannieSeely.com, and Jeannie maintains a Facebook page at www.Facebook.com/JeannieSeely.
The RUNATL Podcast is hosted by Big Peach Running Co. Founder, Mike Cosentino, and Director of Marketing, Dave “D2” Martinez. This week on the RUNATL Podcast we welcome Don Gibson, one of our Guest Advocates as he tells us about his 175-mile race that he just completed at 75 years of age!
John Oates of Hall and Oates joins Tom The suit Forst on Episode 23 of Chasing the Blues Podcast Season 2. Known for writing some of the most well known and classic pop songs of all time, John is also a massive blues fan, which Tom finds out in this insightful interview, as John gets into his love of artists like Mississippi John Hurt and Don Gibson. John talks about his brand new solo album, "Live in Nashville," recorded with his band of Nashville veteran musicians the "Good Road Band," which comes out on Friday, September 18, 2020 (the day after this is being written). Finally, John shares a fascinating studio memory of recording the Hall and Oates album "Abandoned Luncheonette" with drummer Bernard "Pretty" Purdie. Recorded live at Factory Underground Studio in Norwalk, CT. Episode Share Link: https://www.spreaker.com/user/10764440/chasing-the-blues-2-ep-23-john-oatesEpisode Direct Download: https://api.spreaker.com/v2/episodes/40949024/download.mp3Links:http://www.ChasingtheBluesPodcast.comhttp://www.TomTheSuitForst.comhttps://johnoates.com/Special thanks to our sponsors:http://www.FactoryUndergroundStudio.comhttp://www.BluesFestivalGuide.comChasing the Blues Proudly Supports: Music Maker Relief Foundation: https://musicmaker.org/Blues Foundation: https://blues.org/
Sleep [00:46] "Dopesmoker, Side 1" Dopesmoker Southern Lord Records LORD158 1999/2003/2012 On translucent green vinyl, of course. Dottie West & Don Gibson [22:50] "Sweet Dreams" Dottie & Don RCA LSP-4131 1969 A might fine Dong Gibson tune. Minutemen [25:02] "It's Expected I'm Gone" Double Nickels on the Dime SST Records SST 028 1984 Hard to choose just one of these incandescent tracks. King Woman [27:07] "Candescent Soul" Doubt The Flenser FR51 2015 Kristina Esfandiari is one of the most powerful performers I've ever seen live. I hope I get to see her perform in whatever incarnation in the After Times. Doug Sahm and Band [30:54] "Wallflower" Doug Sahm and Band Atlantic SD 7254 1973 Doug and Bob and friends clearly having some fun. The Dream Academy [34:34] "Life in a Northern Town" The Dream Academy Warner Bros. Records 1-25265 1985 Hey oo maam maam this nostalgic David Gilmour-produced number made it to number 7 on the Hot 100 and the album reached as high as number 20. Heart [38:51] "Magic Man" Dreamboat Annie Mushroom Records MRS-5005 1976 In the Wax to the Max is inscribed on this a-sides runout. So true. The She's [44:22] "Dream Girl" Dreamers (self- release) An excellent EP released on coke-bottle green vinyl. Waylon Jennings [48:07] "Dreaming My Dreams" Dreaming My Dreams RCA Victor APL1-1062 1975 A fine rendition of this Allen Reynolds number from Waylon's number 1 country album from 1975. Music behind the DJ: "Cold, Cold Heart" by Lawrence Welk and his Orchestra
John Oates & The Good Road Band ‘Live In Nashville’ Set For September 18th Release Four new originals along with covers of Mississippi John Hurt, Jimmy Rogers, Don Gibson highlight second Thirty Tigers album LOS ANGELES, July 31, 2020—Rock & Roll Hall of Famer John Oates has had a home in Nashville for more than a decade, performing with some of the city’s most sought-after musicians. John’s Thirty Tigers debut, Arkansas, performed with The Good Road Band, was released in 2018, proving a critical and commercial success in the Americana and roots community, a combination of originals with classic songs popularized by Mississippi John Hurt, Jimmy Rodgers and Don Gibson. After two-plus solid years of honing their chops through touring, that group – mandolin stalwart Sam Bush, pedal steel maestro Russ Pahl (Dan Auerbach), electric guitar whiz Guthrie Trapp, expert bassist Steve Mackay, cello prodigy Nate Smith (Kacey Musgraves) and drummer/percussionist extraordinaire Josh “Daddy” Day – returns intact for Live In Nashville, set for release on September 18 on all major digital streaming platforms. The set was recorded last January 9 at Station Inn, the legendary intimate listening room in The Gulch section of Nashville where the band first took shape. “This album represents a full-circle moment for me,” said John, in quarantine with his family in his adopted Music City home. “It feels like the culmination of the Arkansas project, being able to bring these guys back, and to be able to make this record after touring and playing so many shows together.” Inspired by Mississippi John Hurt, Live in Nashville features songs like the gospel-blues opener, “Lord Send Me,” the Delta blues of the standard “Stack o Lee” and an electrified take on “Make Me a Pallet on Your Floor,” dubbed “Pallet Soft and Low,” where John manages to show off some of his well-honed rock guitar skills. In yet another “full circle moment,” John pays tribute to his own childhood with a cover of Don Gibson’s “Oh Lonesome Me,” the first song he learned to sing and play on guitar as a six-year-old after hearing it on the radio. Several of the songs come with Oates’ own stories about the songs, connecting the dots as to their connections, including popular hits of the era like the Mississippi Sheiks’ 1930 success, “Sittin’ on Top of the World,” Emmett Miller’s 1924 breakthrough, “Anytime” and Jimmy Rogers’ 1932 classic, “Miss the Mississippi and You.” Watch "Anytime" HERE “I was always fascin
Neste episódio trago mais um texto da minha autoria, "O Amor que Nunca Dançámos": umolharpessoal.blogspot.com/2020/03/o-a…ncamos.html Como inspiração para este texto tenho a canção "I Can't Stop Loving You". Originalmente, o tema é de Don Gibson. Aqui contamos com a versão de Bryan Adams. O livro que tenho na estante e não li: "Quando os Lobos Uivam" de Aquilino Ribeiro. O livro que tenho na estante e li: "Nome de Toureiro" de Luís Sepúlveda. "Uma Espécie de Podcast" é um espaço de partilha, de livros, de histórias, de textos, de conversas... Percorro diferentes temas sempre com a minha paixão pelos livros como pano de fundo. A não perder às 2as, pelas 21:15h com repetição às 5as pelas 23h. Se não puder acompanhar o programa em direto ouça-o aqui!
Mittlerweile sind fast alle Lieder veröffentlicht und das bedeutet erfreuliche Neuigkeiten aus den DACH-Ländern. Sowohl Deutschland als auch die Schweiz schicken modernen Pop, der in die Füße und ins Herz geht. Und dass wir von "Merci, Chérie" Vincent Bueno toll finden, das ist mittlerweile auch bekannt. Unsere deutschen Kolleg*innen Sonja und Sascha vom "ESC Greenroom" haben dem jungen Sänger Ben Dolic und seinem Beitrag "Violent Thing" eine umfangreiche und informative Episode gewidmet, auf die wir an dieser Stelle ebenfalls verweisen möchten. Vor ein paar Wochen reisten Alkis und Marco nach München und trafen die Legende: Schon sein Vater, Ralph Maria Siegel, komponierte für den Eurovision Song Contest. Der deutsche Beitrag "Telefon, Telefon" von Margot Hielscher 1957 war aus seiner Feder, ebenso der deutsche Text zu "Dansevise", dem dänischen Siegerlied 1963, veröffentlicht als "Der Sommer ging vorüber". Seine ersten Kompositionen veröffentlichte unter dem Pseudonym Peter Elversen, um nicht zu sehr mit seinem Vater verknüpft zu werden. Mit "It’s a Long Long Way to Georgia", gesungen von Don Gibson, hatte er seinen ersten Erfolg. Bald schon wurde ebenso Produzent. Er arbeitete er mit groben Namen wie Rita Pavone, Rex Gildo ("Fiesta Mexicana"), Udo Jürgens, Peter Alexander und viele mehr. Seine Erinnerungen hat Ralph Siegel in seinem Buch "Die Autobiographie" veröffentlicht. Sein aktuelles Projekt "Zeppelin - das Musical" in Ludwigs Festspielhaus in Füssen. Seine Eurovision Song Contest-Teilnahmen sind Legende. Er erzählt, wie er Nicole entdeckte und was Marianne Mendt damit zu tun hat. Und wie eine Taxifahrt in München zu einer ESC-Teilnahme 1974 - LUX - Ireen Sheer - Bye, Bye I Love You 1976 - GER - The Les Humphries Singers - Sing Sang Song 1979 - GER - Dschinghis Khan - Dschinghis Khan 1980 - LUX - Sophie & Magaly - Papa Pingouin 1980 - GER - Katja Ebstein - Theater 1981 - GER - Lena Valaitis - Johnny Blue 1982 - GER - Nicole - Ein bißchen Frieden 1985 - LUX - Margo, Ireen Sheer, Chris Roberts, Malcolm Roberts, Franck Olivier & Diane Solomon - Children, Kinder, Enfants 1987 - GER - Wind - Laß die Sonne in Dein Herz 1988 - GER - Maxi & Chris Garden - Lied für einen Freund 1990 - GER - Chris Kempers & Daniel Kovac - Frei zu leben 1992 - GER - Wind - Träume sind für alle da 1994 - GER - Mekado - Wir geben ’ne Party 1997 - GER - Bianca Shomburg - Zeit 1999 - GER - Sürpriz - Reise nach Jerusalem – Kudüs’e seyahat 2002 - GER - Corinna May - I Can’t Live Without Music 2003 - GER - Lou - Let’s Get Happy 2004 - MLT - Julie & Ludwig - On Again … Off Again 2006 - SUI - six4one - If We All Give a Little 2009 - MNE - Andrea Demirović - Just Get Out of My Life 2012 - SMR - Valentina Monetta - The Social Network Song 2013 - SMR - Valentina Monetta - Crisalide 2014 - SMR - Valentina Monetta - Maybe (Forse) 2015 - SMR - Michele Perniola & Anita Simoncini - Chain of Lights 2016 - SMR - Valentina Monetta ft. Jimmie Wilson - Spirit of the Night Sein Lieblingsbeitrag von 2019 Kate Miller-Heidke - Zero Gravity (Australien) Sein Lieblingsbeitrag aller Zeiten aus der neueren Zeit: Salvador Sobral - Amar pelos dois Aus der alten Zeit unter anderem Domenico Modugno - Piove und Gala Atari & Milk & Money - Hallelujah In der kleinen Song Contest Geschichte am Schluss erzählt Marco von einer Legende des heimischen Fußballs. Der Stadionsprecher des SK Rapid, Andy Marek, nahm nach vielen prägenden Jahren des Hütteldorfer Traditionsvereins vor einigen Wochen seinen Abschied. Was viele nicht wissen: Er war mal ein enorm ambitionierter Austropop-Sänger und trat 1984 beim österreichischen Vorentscheid an. Er wollte damals unser Land mit "Top Secret" in Luxemburg vertreten. Daraus wurde bekanntlich nichts, Österreich entschied sich für Anita und ihr "Einfach weg".
Thursday Americana Blues Country and Folk Show with Ian Boyle and John Jenkins on Vintage Radio
Happy new year This week's show our special guest was Liz Owen Other artists featured in this week’s show were Robert Vincent , Vigilantes of Love, E J O-Reilly, C Y Ayon, Ags Connolly, West on Colfax, Don Gibson, Robert Brashear and a lot more wonderful music
Nous avons demandé à Larry de nous composer une playlist à partir de ses chanteurs préférés, merci à lui. « The Most Beautiful Girl » et « Big Boss Man » (version 1968) par Charlie Rich, « I Believe In You » et « Some Broken Hearts Never Mend » par Don Williams, la version originale de « That's How I Got To Memphis » par Tom T. Hall, « You Never Can Tell » chanté par Emmylou Harris, « Lonesome Me » par Don Gibson, « Too Gone, Too Long » et « Honky Tonk Moon » par Randy Travis, « Blue Nun Café » et « Romping Stomping Blues » par les Judds, « Traveling Man » et « It's So Easy to Be Free » par Rick Nelson, « Are You Lonesome Tonight ? », « Long Lonely Highway », « Trying To Get To You », « Suspicious Minds » par Elvis.
Artie Shaw and his Gramercy Five [00:48] a side: "When the Quail Come Back to San Quentin" b side: "Tenderly" Clef Records EP-242 1955 There certainly are lots of quail in the Bay Area, surely there must be some near San Quentin? Planning for Burial a side: "When We Were Ghosts" [11:34] Mother Room b side: "Arise" [16:01] The Native Sound Records NATIVE010 2015 Planning for Burial is a great live act if you have the chance to catch him. Linda Ronstadt [23:43] a side: "When Will I Be Loved" b side: "It Doesn't Matter Anymore" Capitol Records 4050 1974 A mighty fine Phil Everly a-side and a mighty fine Buddy Holly b-side. The Supremes [29:22] a side: "Where Did Our Love Go?" b side: "He Means the World to Me" Motown Records M-1060 1964 Our love is right here! On Vinyl-O-Matic of course. The Damned [34:22] a side: "White Rabbit" b side: "Rabid (Over You)/Seagulls" Big Beat Records NS-85 1980 (1985 RE) Take that, hippies. Whitey on the Moon UK [43:58] a side: "Whitey on the Moon/Dinner for Two" b side: "(in which)/Mo' Tussin" isota records sody004 2002 For some reason, I am reminded of Kermit and Miss Piggy's dinner in The Muppet Movie with Steve Martin as their hapless waiter. Men at Work [55:50] a side: "Who Can It Be Now?" b side: "Anyone for Tennis?" Columbia Records 18-02888 1981 Why it's a hit record, that's who it is now. Don Gibson [01:02:14] a side: "Who Cares" b side: "A Stranger to Me" RCA Victor 47-7437 1958 Hit number 3 on the Country charts. Music behind the DJ: "The Four Seasons: Spring (Vivaldi)" by The New Koto Ensemble of Tokyo.
Welcome to this weeks AM Radio show on KX93.5, Laguna’s only FM – This week we have some oldies from the likes of Webb Pierce and Don Gibson, as well as brand new music from Eilen Jewell and Bonnie Montgomery & Rosie Flores.
Well-known musician, songwriter and comedian Jim Stafford joins us for this special episode of the Life in the Carolinas podcast on location at the Don Gibson Theatre. Jim recounts his surprise encounter with Don Gibson many years ago in Nashville and the pleasant afternoon they spent talking about songwriting. He came to Shelby to do a songwriter’s show at the Theatre, but he rarely travels these days because he lets the people come to him. Jim has been playing at The Jim Stafford Theatre in Branson, Missouri, for more than 3 decades, and he still enjoys it just as much as Year 1. As you may know, Jim writes unique songs that have humorous or unexpected twists and are so entertaining that people come time and again to hear these stories through song. During this interview, he describes for Carl the inspiration behind the song “The Swamp Witch” as well as his tendency to test out new songs on the audience and make adjustments based on their reactions before recording. Jim’s songs have the exceptional capacity of captivating audiences young and old, and he has enjoyed seeing the sizes of the crowds grow over the years as more people come to appreciate his art. He is particularly encouraged by events hosted at historic theaters like the Don Gibson Theatre because of the element of preserving the past and celebrating the present and future at the same time. Connect with Jim Stafford: https://www.jimstaffordtickets.com/ Connect with us: http://www.lifeinthecarolinas.com/ https://www.lifeinthecarolinaspodcast.com/ Carl@lifeinthecarolinas.com
Our guest on this episode of the Life in the Carolinas podcast is Stan Lowery, Executive Director of The Don Gibson Theatre in Shelby, North Carolina. Originally a State Theater movie house which opened in 1939, this theater welcomed patrons to movies such as Gone with the Wind, The Wizard of Oz, and The Jungle Book before falling on hard times in the 1980s when it had to close its doors. In 2007, a group of concerned citizens came up with the idea to open The Don Gibson Theatre in the old State Theater location and breathe new life into the area by boosting tourism in Shelby, a town that had historically been known for textile production. Over the course of the next 2 years, a nonprofit created for this purpose and entities in the public sector collaborated to raise $3.5 million for the revitalization of the old theater and the creation of The Don Gibson Theatre’s infrastructure. The Don Gibson Theatre officially opened in November of 2009, and they host events 160 days per year, including 30-35 national acts and 60 acts who rent out the theatre. The Don Gibson Theatre and its sister venue The Earl Scruggs Center in downtown Shelby attract approximately 30,000 visitors per year and in the past 10 years guests have come from all 50 states and 18 countries. Stan has had a front-row seat to all of the community involvement and the family atmosphere that has been created in the cozy 400-seat auditorium. From his initial interactions with Don Gibson’s widow about the potential opening of the theatre many years ago, to the committee collaboration, to the securing of the talent for the theatre’s shows, he has been so encouraged by the hard work towards the common goal of entertaining the community and attracting visitors to the area. As a result of the increased tourism, many new restaurants and hotels have opened, and Shelby has seen an influx of new residents. Connect with The Don Gibson Theatre: https://www.dongibsontheater.com/ Connect with us: http://www.lifeinthecarolinas.com/ https://www.lifeinthecarolinaspodcast.com/ Carl@lifeinthecarolinas.com
Always, Always by Dolly Parton & Porter Wagoner As Soon As I Hang Up The Phone by Conway Twitty and Loretta Lynn Oh, what a good thing we had by Johnny Cash & June Carter Love Me by Marty Robbins & Jeanne Pruett Mammas Don't Let Your Babies Grow up to Be Cowboys by Waylon Jennings & Willie Nelson We'll Sweep Out The Ashes In The Morning by Gram Parsons & Emmylou Harris On My Knees by Charlie Rich & Janie Frick (Remember Me) I'm the One That Loves You by Patsy Cline & Bobby Lord Did You Ever? by Nancy Sinatra and Lee Hazlewood A Dear John Letter by Jean Shepard & Ferlin Husky Take Me by George Jones & Tammy Wynette Rings Of Gold by Don Gibson & Dottie West We've Got A Lot In Common by Justin Tubb & Lorene Mann From the Bottle to the Bottom by Kris Kristofferson & Rita Coolidge Just Between The Two Of Us by Merle Haggard & Bonnie Owens My Elusive Dreams by Bobbie Gentry & Glen Campbell
Bob Wills performs on the debut of the “Louisiana Hayride,” Conway & Loretta get their first Number One single as a duet, the Oak Ridge Boys score a number one hit, Dolly Parton plays DJ, Garth’s ex-wife gets kidnapped, and we remember the birthdays of Don Gibson and Billy Joe Royal.
Joe Melson co-wrote more than 200 songs with Roy Orbison, including over half of Roy’s sixteen Monument Records singles that appeared on the Billboard chart between 1960 and 1963. Their first major hit together was “Only the Lonely,” a style-defining performance featuring Orbison on lead vocals and Melson on the prominent counter melody. The pair followed up their success with a string of hits, including “Blue Angel,” “Running Scared,” and “Crying.” Legendary songwriter Boudleaux Bryant once wrote, “It would be an unpardonable oversight to overlook the contribution of Joe Melson to Roy’s meteoric rise to stardom.” In the 1960s Joe landed his own record deal with the Hickory label, while continuing to pen songs for other artists. His successes in that era include The Newbeats’ Top 10 pop single “Run, Baby Run (Back Into My Arms)” and Don Gibson’s Top 40 country hit “Ever Changing Mind.” In subsequent years the team of Melson and Orbison reunited, working together as both co-writers and producers. Linda Ronstadt covered their “Blue Bayou” in 1977, making it a Top 5 hit on both the country and pop charts. Credited with creating the template for the dramatic rock ballad, Melson has won multiple BMI awards. “Blue Bayou” was named one of BMI’s Top 100 Songs of the Century, “Only the Lonely” is among Rolling Stone’s 500 Greatest Songs of All Time, and “Crying” appears on both the BMI and Rolling Stone lists. Most recently, Melson joined forces with Australian Idol winner Damien Leith. The pair have released several singles since 2013 and continue to collaborate. Joe was inducted into the Rockabilly Hall of Fame in 2002.
The acclaimed guitarist returns to discuss his new album "Adult Entertainment".
Was JFK the tool of the Eastern Establishment, or was he its bitterest enemy? Don Gibson challenges the conventional wisdom and asserts, with powerful support from Kennedy's own words and actions-and those of his enemies-that Kennedy was always on the side of economic, political and social progress. To achieve his goals of government FOR the people, JFK crossed swords, courageously and vigorously with the real centers of power. They punished him with the ultimate sacrifice--his own life.
This episode was recorded in Beijing. Tony Chou is a Beijing based comedian who does comedy in both Mandarin Chinese and English. If that alone was not enough to qualify him as a Beijing badass he is also an on air financial advisor/commentator for thew state run China news channel CCTV. He has become a good friend I respect that strong developments he has made as a comedian and a performer. In this conversation we talk about the rapid change that has taken place in Chinese society and how money is the religion of China. "I would rather cry in a BMW than laugh on a bike." It is my pleasure to present to you now the one and only Tony Chou! End song: Don Gibson Sea Of Heartbreak
This week we continue our Favorite Elvis Tunes Countdown with #15-#11 along with killer tunes from JD McPherson, Don Gibson, Rev. Horton Heat, The Bayonets, Ritchie Valens and lots more! Intro Voice Over- Rob "Cool Daddy" Dempsey JD McPherson- "Scandalous" Dale Hawkins- "My Babe" Big Sandy & His Fly Rite Boys- "Chalk It Up To The Blues" Dave & Phil Alvin- "You've Changed" Buddy Holly- "Midnight Shift" Favorite Elvis Tunes Countdown 15. "Kentucky Rain" 14. "Surrender" 13. "Paralyzed" 12. "Baby, Let's Play House" 11. "Lawdy Miss Clawdy" Brought to you by Dr. Rubin's Pomade! Ritchie Valens- "Come On, Let's Go" Hasil Adkins- "Chicken Walk" Reverend Horton Heat- "Like A Rocket" The Bayonets- "Crash Boom Bang" Screamin' Rebel Angels- "Let It Rain" Don Gibson- "Oh, Lonesome Me" Carl Perkins & NRBQ- "All Mama's Children" Shorty K- "Up To The Skies"
MANDY BARNETT is a World-Class Vocalist who sings the stylings of pop and jazz standards, torch, and classic country music. A native of Crossville, Tennessee, she started singing at five years-old. As a teenager, Mandy starred as country music legend Patsy Cline in the stage show “Always . . . Patsy Cline� at the celebrated Ryman Auditorium in Nashville, Tennessee. The performances sold out nightly and received rave reviews across the country. Mandy soon began releasing albums under her name including 'I�ve Got A Right To Cry' which was a huge critical success. Her latest is 'I Can't Stop Loving You: The Songs of Don Gibson'. mandybarnett.com THE DUSTBOWL REVIVAL is a Venice, California-based collective that merges old school bluegrass, gospel, jug-band, swamp blues and the hot swing of the 1930�s to form a spicy roots cocktail. Known for their inspired live sets, the Dustbowl Revival boldly brings together many styles of traditional American music. Imagine Old Crow Medicine Show meeting Louis Armstrong�s Hot Seven Band in New Orleans or Bob Dylan and Fats Waller jamming with Mumford & Sons on a front porch in 1938. The band's latest album is 'Carry Me Home'. dustbowlrevival.com
Cracker Barrel is known around the world for it's incredible comfort food, and visitors in the South here always have to grab a bite while they're here. Now Cracker Barrel's music program is growing by leaps and bounds, with albums from many of yesterday and today's biggest stars. Mandy Barnett was fortunate to have Cracker Barrel release her "Winter Wonderland" album three years ago, and now she is teaming up again for "I Can't Stop Loving You," which is a tribute to her good firend Don Gibson.
Christians must make the transition from knowing and doing the will of God as individuals to knowing and doing the will of God within a corporate body of believers. Today we are proud to have special guest speakers Don Gibson and Bob Payne to help us understand this principle of God's Kingdom as well as prepare us for our Experiencing God Together weekend coming up in February 2013. This weekend will help our church experience the fullness of life as a congregation, a manifest presence of God in our midst, and a love that could only come from above.
Sunday Morning Coming Down Podcast - February 27th, 2011 This week we listened to artists like Don Gibson, Jimmy Wakely, Mountain Sprout, Wanda Jackson, and The Oak Ridge Boys. Download the podcast to hear all … See more: Sunday Morning Coming Down Sunday Morning Coming Down Sunday Morning Coming Down
The Cigar of the Week is the Jameson Black Label Perfecto. This week's cigar is a 54 x 5" perfecto figurado from a line we've introduced you to before. The blend in this full falvored line is all Dominican tobaccos wrapped in a gorgious Brazilian Ariparaca wrapper. Brad Mayo, owner of Jameson Cigars has partnered with Luis Sanchez to offer these premium cigars that offer a very rich smoking experience. One of the great all time comedians, Soupy Sales passed away this week. Mark Franks asks us the question - What is a Habano Wrapper? We ask several folks to answer Mark. The Connecticut Valley is hard hit by virus and other maladies of the tobacco crop. What's My Band? Bob smokes a Tatuaje Serie P2, Dale smokes an Alec Bradley Tempus. On the Dark Side - Romeo y Julietta Exhibicion #4 - Corona Extra - Hermosos No. 4 - 48x5.0 (127mm) - Mild, full-flavored Cuban Cigars with a well-rounded taste and good burning qualities. Enjoyable thanks to its fine aroma. The 250th episode of DWCR is coming up at the end of November. Please call in to our herfline (321-594-4373) and give us your thoughts on the longest running, best cigar podcast out there! What Else have the DWCR guys been smokin'? Dales smokes Cuban Crafters Cubano Claro and a Bravo Silverdale.Bob smokes: El PrimerMundo Habano Criollo Maduro Perfecto and 60x6 - I absolutely love the perfecto, I smoke it without cutting the closed foot and just lighting it and smoking through, not diffucultElogio LSV, from Nicaragua, sun grown oscuro wrapper, Nicaraguan puro by master blender Carlos Pareda - robust spice and slight sweetness make this on Bob's favorite daily smokes.Cruzado Domenicos - from Nicaragua a Corona Gorda with Nicaraguan Binder and filler, a criollo rosado claro wrapper 5.6 x 46. I was left looking for the flavors that this cigar seemed to just tease from me, frustrating smoke because something about the cigar and its taste seemed to promise so much more yet it never came together leaving me wanting for flavors though not lacking quality construction.Esencia Petite Corona -Esencia -Petite Corona-Filler/Binder/wrapper Nicaragua "5 1/8" x 42 - the size of this vitola makes it a difficult smoke for me. this size seems to really bring out the spice and pepper of the Esencia line and yet I have a tendency to smoke it too hot, my fault, not the cigars. I prefer this one with nothing at all, sitting in a peaceful location with no distractions and a clear head. Congratulations to Don Gibson for winning this week's one year subscription to European cigar Cult Journal! Congratulations to this months winner of a camofouge Palio Cutter, Chris Campnell. Opening theme music provided by 25 Smokin' Figurados from their album Divine Spirits, Holy Smoke. Closing theme Longboard Cowboy provided by The Surfonics.
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