Podcasts about Kenny Edwards

Our good friend Dr. Kenny Edwards is on the show today. Kenny's passion for hunting whitetails began at an early age on the farm in Crawford, MS and grew throughout his time in the Navy, med school and through his career as an orthopedic surgeon. A few years ago he was looking for a farm to buy and develop as hunting tract. We discuss that process with Kenny and get some great insight on the details and relationships that make the difference when buying (or selling) a tract of land.

A wild look at the game and its superstars!!! 10 interviews this episode, we're chattin' exclusively with...  Jason Saab, Kenny Edwards, Mark Graham, Reed Mahoney, Mat Rogers, Gorden Tallis, Jaiman Lowe, Will Penisini, Michael Potter & Michael Gordon!With thanks to these Legends...@bisleyworkwear - Check em out & Tell them we sent you. https://www.bisleyworkwear.com.au/ Bisley WorkwearAnd the major sponsor of the RLSP - @topsportaus  - Best prices, most markets, greatest service & proudly Aussie owned. https://www.topsport.com.au/

He says he is happy to be moving out of the cold of England to the warms of our tropics?See omnystudio.com/listener for privacy information.

David Bowie would leave the glam rock genre of his previous albums for a more soulful sound with his ninth studio album, Young Americans.  This album features blue eyed soul, or what Bowie would refer to as "plastic soul."  David Bowie moved to the United States in 1974 during a time when tax concerns were driving many artists out of the UK.  He was living in New York City at the time, and starting production on the album in Philadelphia where he worked with guitarist Carlos Alomar.  A funk guitarist, Alomar had worked as a session musician at the Apollo Theater and would become a collaborator and band leader for Bowie over the next decade.  In addition to Carlos Alomar, Bowie worked on this album with a number of artists including Robin Clark, Ava Cherry, saxophonist David Sanborn, and a new musician named Luther Vandross.He would also collaborate on this album with ex-Beatle John Lennon who was recording in New York at the same time as Bowie's recording moved there.  Bowie and Lennon had met previously at a party hosted by Elizabeth Taylor.  Lennon collaborated with Bowie during his "lost weekend" period.Young Americans contains elements of soul, funk, and R&B, and was a deliberate attempt to garner more success in the U.S. market.  It certainly achieved this result, though critics would deliver mixed reviews.  The transition from glam rock to blue-eyed soul would not be one which all fans embraced, but David Bowie would follow his own creative muse.  It would not be the last time we would see a significant stylistic change from Bowie.  It was nevertheless a commercial success, going to number 9 on the US albums chart, remaining on the charts for almost a year.Rob brings us this funky example of “plastic soul.” Young AmericansThe title track was recorded in Philadelphia, and hit number 18 on the Billboard Hot 100, Bowie's second-highest chart success to this date.  Then unknown singer Luther Vandross conceived the backing vocal arrangement.  The song provides impressions of American life through the eyes of an English man.  David Sanborn provides the saxophone work.Across the UniverseThis cover of the Beatles song also found collaboration with Beatles' alumnus John Lennon.  Backing vocals and guitar are provided by Lennon, who considered this song a better version than his own.  Critics tend to disagree, as reviews on the Bowie version were primarily negative.FascinationThis track began as a jam by Luther Vandross entitled “Funky Music (Is a Part of Me)” which was performed before the Bowie concerts in 1974.  When Vandross was retained from the “Diamond Dogs” tour, the two collaborated to create the song “Fascination.”  The song was an homage to the Philadelphia funk sound.FameThis single hit number 1 on the US charts, the first Bowie song to do so.  Composed by Bowie, Alomar, and Lennon, the high backing “Fame” vocalizations are provided by John Lennon.  Bowie would describe it as a “nasty, angry” song directed at management with which he had previous issues. ENTERTAINMENT TRACK:Ease On Down the Road by Consumer Rapport (from the motion picture The Wiz)A soulful take on The Wizard of Oz featured Diana Ross as Dorothy and Michael Jackson as the Scarecrow. STAFF PICKS:Judy Mae by Boomer Castleman Wayne initiates the staff picks with a controversial song that went to number 33 on the Billboard Hot 100.  The lyrics tell of a father to a 17 year-old girl who marries a woman half his age.  When an affair ensures between the stepmother and the daughter, the father dies of an accident shortly thereafter.  It feels like a racier version of “The Night the Lights Went Out in Georgia.”Long Haired Country Boy by the Charlie Daniels BandBrian brings us a song about a guy with a very passive attitude about life. “I ain't asking for nobody for nuthin' that I can't get on my own.  If you don't like the way I'm livin' you just leave this long-haired country boy alone.” It was off the second album from the CDB entitled “Fire on the Mountain.”When Will I Be Loved by Linda Ronstadt Bruce features Ronstadt doing a cover originally from the Everly Brothers in 1960.  While the original peaked at number 8, Ronstadt's cover would go to number 2 on the Billboard Hot 100.  The song is a vocal trio between Ronstadt, Kenny Edwards, and Andrew Gold. Trampled Under Foot by Led Zeppelin Rob finishes the staff picks with a song John Paul Jones claims was inspired by Stevie Wonder's “Superstition.”  The lyrics were inspired by blues artist Robert Johnson's “Terraplane Blues” from  1936.  A Terraplane was a classic car that serves as a not-so-subtle source for sexual innuendo.  It is off the band's double album, “Physical Graffiti.”  COMEDY TRACK:Bertha Butt Boogie by The Jimmy Castor Bunch This funk novelty track went to number 16 on the US pop chart and number 22 on the US R&B chart.

Chattin' with... Kurt Capewell, John Cartwright, Terry Campese, Steve Martin, Greg Alexander, Paul Harragon, Craig Bellamy, Moses Mybe, Jamie Feeney, Max Krilich, Lote Tuqiri, Sam McIntyre & Kenny Edwards!

Chattin' with... Will Kennedy, Josh Jackson, Jesse Ramien, John Dorahy, Jason Nightingale, Jeremy Smith, Kenny Edwards, Taane Milne, Christian Welch, Ash Taylor, Matt Scott & Tim Mannah!

The Podcast goes back to New Hampshire where we visit with Kenny Edwards, CMAA who is the Activities and Athletic Director at Merrimack Valley High School in Penacook. Kenny spent some time at the college level (including D-!) as well as serving in the Virginia AD Association before moving to New Hampshire this summer. Kenny shares his story + some Best Practices on this episode of The Educational AD Podcast! --- Send in a voice message: https://anchor.fm/educational-ad-podcast/message Support this podcast: https://anchor.fm/educational-ad-podcast/support

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Nick WaetjenWarren Zevon “Lawyers, Guns, and Money” from the 1978 album "Excitable Boy" released on Asylum. Written by Warren Zevon and produced by Jackson Browne and Waddy Wachtel.Personel:Warren Zevon lead, harmony and backing vocals, piano, organ, synthesizerJorge Calderon - harmony and backing vocals (Buckingham/Nicks)Danny Kortchmar - guitar, percussionRuss Kunkel - drumsJackson Browne - guitar, harmony and backing vocalsKenny Edwards - bass guitarThe Gentlemen Boys (Jackson Browne, Jorge Calderón, Kenny Edwards, J. D. Souther and Waddy Wachtel) – backing and harmony vocalsRick Marotta drumsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton. 

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Nick WaetjenWarren Zevon “Lawyers, Guns, and Money” from the 1978 album "Excitable Boy" released on Asylum. Written by Warren Zevon and produced by Jackson Browne and Waddy Wachtel.Personel:Warren Zevon lead, harmony and backing vocals, piano, organ, synthesizerJorge Calderon - harmony and backing vocals (Buckingham/Nicks)Danny Kortchmar - guitar, percussionRuss Kunkel - drumsJackson Browne - guitar, harmony and backing vocalsKenny Edwards - bass guitarThe Gentlemen Boys (Jackson Browne, Jorge Calderón, Kenny Edwards, J. D. Souther and Waddy Wachtel) – backing and harmony vocalsRick Marotta drumsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Iron and Wine “Great Heights”Pink Floyd “Wish You Were Here”Deep Purple “Smoke on the Water”The Beatles “Nowegian Wood”Kansas “Dust in the Wind”Sylvester StalloneSamaritanArnold SchwarzeneggerRocky VRockyRocky IIRocky IIIRocky IVDemolition ManSandra BullockOver the TopTango and CashMr T The Suicide SquadJudge DreddStop! Or My Mom Will ShootBruce WillisKeanu ReevesJeremy Renner “House of the Rising Sun”Warren Zevon “Werewolves of London”Widespread PanicDawesBill MurrayMike O'MalleyBob DylanWarren Zevon “Excitable Boy”The DeadLynyrd Skynyrd “Sweet Home Alabama”Kid Rock “Cowboy”Bill CosbyKid Rock “Bawitdaba”Elvis PresleyFather John MistyHunter S ThompsonElton JohnNeil Young Needle and the Damage Done”Buckingham/NicksLinda RonstadtThe EaglesPink FloydLed ZeppelinWarren Zevon “Roland the Headless Thompson Gunner”Gordon Lightfoot “The Wreck of the Edmund Fitzgerald”Brokedown PalaceMidnight ExpressBritney GrinerSteely DanCakeLittle FeatModest MouseJoe WalshThe James GangBruce SprinsteenWilcoDawesThe JayhawksThe Counting CrowsHank Williams Jr.MeatloafThe WallflowersRick DerringerJimmy BuffettJosh DanielThe SimpsonsDisco Stu

Chattin with... Jake Turpin, Kenny Edwards, Sam Verrills, Will Hopoate, John Asiata, Max Krilich, Bayley Sironen, Curtis Sironen, Mark Geyer, Ash Taylor, Jamie Simpson, Ray Price and Cody Walker!

Karla Bonoff, Paul Kelly, and Kenny Edwards.

Billy & Bryce sit down with region champion coach, Kenny Edwards! Coach Edwards led the Central Lion Boys to a region championship this year beating NW Whitfield in the finals! Listen in as we discussion the Lions roster, how they're going to compete in the State tournament, along with highlighting all on court and off court accomplishments this team has had!

Iffn' you missed the fabulousness that is Wendy Waldman - tada! So what if it took years - this was the perfect moment. On the eve of the high holy day, two Jewish girls being of service, as Wendy put it. Happy New Year! This was indeed a joyous celebration of life and art. What a glorious sit down with the singer, songwriter, arranger, producer, recording artist, Grammy nominee, and multi-platinum-selling hitmaker. Our conversation ran the gamut from indigenous agriculture, early COVID, childhood influences, Taj Mahal, for one, Fred Steiner, her wildly successful composer father, early days in LA, waiting on line behind Jackson for her moment in the spotlight, getting an ovation, touring first as a solo, becoming We the youngest member of the Warner Bros. brain trust - a group of artists who were known for their innovative approaches to music. The pack included Maria Muldaur, Randy Newman, Ry Cooder, Captain Beefheart, forming Bryndle with Karla Bonoff, Andrew Gold, and Kenny Edwards. Opening for Linda Ronstadt, moving to Nashville in the early days, how Fishing in the Dark came to be, and then Wendy played it. The Nitty Gritty Dirt Band and Garth Brooks had huge hits with it, but there ain't nothing like hearing a song from its source. Passionate, generous, thoughtful Wendy, acknowledged and praised pretty much every artist who's crossed her path as a musician, songwriter, producer, human. She's about collaboration in all that she does, and it shows in her vast body of work. At my request, she sang her Wild Bird. Goosebumps. Wendy is one of those rare vocalists, like Laura Nyro (IMO), at the top of the top, who chills and thrills. And, she Saved The Best For Last, taking us out with her Grammy-nominated platinum hit for Vanessa Williams. Ain't nothing like the real thing- the source of the creation. I loved getting to know Wendy. Adore her even more now. I savored every second - thrilled to share this up close and personal with youes. Wendy Waldman Live on Game Changers with Vicki Abelson Wed, 9/15/21, 5 pm PT, 8 pm ET Streamed Live on my Facebook Replay here: https://bit.ly/3990QVh For all things Wendy:https://wendywaldman.com All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Stitcher bit.ly/2h3R1fla tunein bit.ly/2gGeItj Also on iHeartRadio, SoundCloud, Voox, OwlTail, Backtracks, PlayerFM, Himalaya, Podchaser, and Listen Notes Thanks to Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com Nicole Venables of Ruby Begonia Hair Studio Beauty and Products, for tresses like the stars she coifs, and regular people, like me. I love my hair, and I love Nicole. http://www.rubybegoniahairstudio.com/ Blue Microphones and Kevin Walt

Matt, Jake and Josh are on the panel to discuss Kenny Edwards' cryptic message to Ian Watson. We review the Wigan defeat, questionable disciplinary rulings and look at the latest transfer rumours. We end by looking ahead to Friday's Wigan rematch.

... featuring Junior Paulo, David Gillespie, AJ Brimson, Rod Silva, Kobe Hetherington, Michael Morgan, Josh Morris, Kenny Edwards and Cody Walker!Hosted by Andy RaymondStalk us on social media:Instagram - https://www.instagram.com/theandyraymond/Twitter - https://twitter.com/TheAndyRaymondFacebook - https://www.facebook.com/TheAndyRaymond/And visit us @ http://www.andyraymondunfiltered.com.au

So... it'll be England and Italy in Sunday evening's Euro 2020 final, a match set-up by a dodgy penalty award for the Three Lions and a decisive shootout win for the Azzurri. While Spain might argue otherwise and France will shake their head in disgust, it definitely feels like the tournament - and what a tournament it has been - will climax with the final it deserves. We review this week's semi-finals and look ahead to a potentially momentous moment for English football. Will Cathal be able to watch? In South America, the Copa America will pitch the continent's two heavyweights against each other in its final. Argentina, thanks to penalty heroics from Aston Villa's Emi Martinez, will face Brazil, who beat Peru 1-0. Will the winner be bigger favourites for next year's World Cup than their European counterparts?Elsewhere in football, we try and make sense of Barcelona's finances with speculation mounting they're so broke, they have to make €200 million worth of savings before they can register some of the new players they've bought. How on earth do they keep Messi? After the break, we cast a discerning eye over Wimbledon where Britain'sEmma Raducanu stole the nation's hearts before having to retire with breathing difficulties. Her exit was greeted by some odd comments from John McEnroe who earned the ire of fans on social media. We end the show discussing the 10-game ban handed out to rugby league player Kenny Edwards. His crime? Fingering another player's bum. And if you're not put off by that, there's also time for some chat about competitive eating.Enjoy the show!Every week on Left Field, Wogan and Allen dissect the latest in Football and Not Football. Subscribe to make sure you don't miss out, because that would be a real shame, wouldn't it?Subscribe: il.ink/leftfield_podTwitter: twitter.com/leftfield_podInstagram: instagram.com/leftfield_pod/Facebook: facebook.com/leftfieldpod/And your co-hosts...Allen: twitter.com/AAllenSportWogan: twitter.com/CathalWogan

Kane sat down with head basketball coaches Mark Veal of Lagrange High School, Kenny Edwards of Central Carrollton and Trent Gatzmayer of Newnan High School. They discussed what it would take to be a Division 1 player, summer preparation and many other topics. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Welcome to Episode #24 of The Sideline Story: Rugby League Podcast "the platform for all rugby league identities to voice their journey; their sideline story" . Click the master link to listen on various podcast platforms, follow us on our socials, or view our sponsors: https://linktr.ee/thesidelinestoryrlpodcast . TIMESTAMPS: 00:00 - The Sideline Story Ethos + Introduction 03:17 - State of Origin Game III lineups announced! / Big changes for both teams! 19:50 - Ronaldo Mulitalo eligibility for QLD is denied! . Around the Grounds with The Sideline Story: 25:06 - English Super League round 12 wrap-up / Greg Inglis retires again / Kenny Edwards becomes the new Hopoate / COVID dramas . The Sideline Story's Round 16 NRL Recap (+ "The Sideline Story M's" 321s): 35:45 - The Panel's tips update 36:35 - Storm def Roosters / Melbourne to become highest scoring team in history? 47:50 - Dragons def Warriors / Party Boy Paul and the Dragons twelve in strife 1:02:58 - Panthers def Eels / No Cleary, no worries 1:10:58 - Sea Eagles def Bulldogs / Record-breaking victory for Manly / Turbo in '21 > Hayne in '09? 1:18:54 - Titans def Raiders / Has Sticky lost the locker room? 1:26:25 - Knights def Cowboys / KP brings back the magic / Knights to hit for at the right time? 1:32:15 - Broncos def Sharks / Bunker sets a dangerous precedent 1:38:07 - Rabbitohs def Tigers / Souths cruise to easy victory / Clarkie to marry Cam Murray? 1:45:06 - Rapid fire tips for Rd17 . The Sideline Story's Bunker Review (brought to you by Rusty Penny Brewing Co): 1:46:43 - IG fan poll results (from Ep#23 Bunker Review) 1:56:14 - Bunker Review Topic #1: Try celebrations: Like or Dislike? 2:01:27 - Bunker Review Topic #2: Is 2021 the most uncompetitive season you've witnessd? . FOLLOW US ON OUR SOCIALS: Facebook: @thesidelinestoryrlpodcast Instagram: @thesidelinestoryrlpodcast . Proudly sponsored by The Rusty Penny Brewing Co. Podcast mixed by Daniel Tassone using Garageband. Podcast distributed to all major listening apps using Anchor. Music credit for this episode: 'Lockdown' (royalty free) [prod. by Pold and Baribal] via Youtube Audio Library. Introduction credit to the National Rugby League (NRL) . Logo designed by Tahlia Zaccomer © The Sideline Story: Rugby League Podcast, 2021.

Fans are back! (at a price - thanks Derek..) The Giants leave Leigh Sports Village with the spoils and Jake, Nathaniel and Matt are here to get maybe a little over excited at a top 2nd half display by Ian Watson's men. The lads discuss the main talking points from the game, Josh sends a voicenote about the best stats and there is a lot of love for Kenny Edwards, Aidan Sezer and Ricky Leutele. We look ahead to the Wakefield game, offer some predictions before the Adam O'Brien section (AOB) where we discuss the RFL's decision to contract Rugby League Academies. In association with https://www.feefifofum.co.uk/

... featuring AJ Brimson, Jai Arrow, Kenny Edwards, Connelly Lemuelu, Tyson Frizell, Wayde Egan, Gorden Tallis, Melissa Hoffman .... and her husband Ryan too!The Legends Series - One on one interviews with some of the greatest names in sports. The Weekly Wodge - A fast paced, engaging and fun look at the wonderful world of sports. The Blast - Short sports based stories and interviews. Just something!Press Conference - Unedited Press Conferences.1 on 1 - MMA, Boxing and Wrestling Interviews with the greats.Hosted by Andy RaymondStalk us on social media:Instagram - https://www.instagram.com/theandyraymond/Twitter - https://twitter.com/TheAndyRaymondFacebook - https://www.facebook.com/TheAndyRaymond/And visit us @ http://www.andyraymondunfiltered.com.au

... featuring Chris Walker, Kenny Edwards, Reece Robson, Danny Green, John Sutton and Laurie Daley!The Legends Series - One on one interviews with some of the greatest names in sports. Meet the person behind the athlete. Human interest stories detailing achievement, challenges and emotion have never been more engaging.The Weekly Wodge - A fast paced, engaging and fun look at the wonderful world of sports. Interviews, segments, debates, specials and special guests.The Blast - Short sports based stories and interviews. Just something!Hosted by Andy RaymondStalk us on social media:Instagram - https://www.instagram.com/theandyraymond/Twitter - https://twitter.com/TheAndyRaymondFacebook - https://www.facebook.com/TheAndyRaymond/And visit us @ http://www.andyraymondunfiltered.com.au

Kelly Winrich y Sam Outlaw siguen al lado de Michaela Anne tras el éxito de su álbum Desert Rose con la producción de un nuevo trabajo aún sin fecha de edición, pero con un par de canciones que ya hemos podido anticipar en el tiempo de TOMA UNO. Después del esperanzador “Good Times” llega un toque mucho más cercano a la tradición de la country music con “Burn My Bridges”. La canción surgió cuando la propia Michaela entendió que su vida no estaba encaminada de la mejor forma posible. Al parecer, una mañana de resaca decidió que no podía seguir viviendo así y que debía escribir sobre ello. El problema es que Rodney Crowell ya había compuesto muchos años antes "Ain’t Living Long Like This", por lo que decidió darle un toque más cercano al honky tonk con el piano Brian Whelan y el pedal steel de Philip Sterk. Así nació “Burn My Bridges”. Cuando Muscle Shoals y Nashville se encuentran ahí está Skylar Gregg, que acaba de publicar su tercer álbum, Roses, cuyo tema central es realmente conmovedor, hablando sobre los seres queridos perdidos con una tesitura vocal que recuerda a Dolly Parton. Con sede en Nashville, donde se mudó su familia para poder seguir las inclinaciones artísticas de sus padres, también músicos, Skylar tiene la férrea convicción de una cantante y compositora de talla. “Roses” no es un disco fácil en su contenido, ya que sus letras están llenas de situaciones difíciles donde se hallan el arrepentimiento, la muerte, las adicciones, la moralidad y los abusos. Todo ello envuelto en sonidos atemporales en los que sí es sencillo reconocerse. Bruce Robison y Kelly Willis persisten en ser los mejores anfitriones de un hogar musical que han llamado The Bunker y que tiene como sede muy cerca de Lockhart, en Texas, convertida en la sede de The Next Waltz, una aventura vital alternativa en la que no hay ordenadores ni efectos digitales. Todo se graba en una cinta de 2 pulgadas. Y, entonces, surge la magia. Uno de los ejemplos más cercanos es esta versión de la pareja a “Tennessee Blues”, una maravillosa canción de Bobby Charles, un cantante y compositor con raíces en la Cajun music, nativo de Abbeville, en Louisiana, y pionero del “rock pantanoso” gracias a temas como este, que en 1972 empezó a darle a conocer gracias al apoyo de Rick Danko de The Band, que produjo su álbum de debut y le invitó a participar en The Last Waltz, el concierto de despedida del grupo en el Winterland Ballroom de San Francisco cuatro años después. Bobby Charles murió hace 10 años. Tish Hinojosa, Stephanie Urbina Jones y Patricia Vonne tienen una larga carrera por separado y muchos puntos de unión. Crecieron en la tejana San Antonio y el Tex Mex ha sido una de sus raíces compartidas. Ahora han decidido poner en común esa riqueza sonora bajo el nombre de The Texicana Mamas y con ese título lanzan su disco de debut como trío, que ellas mismas han coproducido. Su perfección para armonizar se ha trasladado también a la selección de canciones, a la mezcla de inglés y español, y a la riqueza del sonido procedente de ambos lados de la frontera. Las tres mujeres se turnan para cantar las distintas composiciones y se reúnen para versionar “Lo Siento Mi Vida”, la canción que Linda Ronstadt compuso junto a su padre Gilbert y a Kenny Edwards, su compañero en los Stone Poneys, para el álbum Hasten Down The Wind de 1976. La continuación del disco de debut de Molly Tuttle reivindica como ninguno la sensibilidad de una mujer que en 2019 publicaba When You're Ready. Ahora, ...But I'll Rather Be with You, muestra a Molly Tuttle es una colección de versiones que pone de manifiesto su eclecticismo y su habilidad para filtrar los más distintos sabores sonoros. Son diez canciones plenas de brillantez en las que el productor, Tony Berg, ha tenido un papel preponderante, siendo capaz de construir un edificio que tiene sus cimientos en Nashville, donde Molly ha centrado su participación, y al que se han añadido músicos de estudio de Los Angeles como Matt Chamberlain y Patrick Warren. Recorriendo canciones desde National a Harry Styles, pasando por los Stones, Grateful Dead o Rancid hasta llegar a "How Can I Tell You" de Cat Stevens, que en septiembre del 71 formó parte del álbum Teaser and the Firecat, marcando una línea emocional cuya protagonista es la soledad. Ashley Campbell ha recogido muy buena parte de las esencias de su padre, el legendario Glen Campbell para recuperar su más que reconocible sonido en “Something Lovely”, la canción que compuesta junto a Brandon Kress da nombre a su segundo trabajo, que verá la luz a primeros de octubre. Sigue mezclando una diversidad de influencias que combinan la vieja escuela del country, el bluegrass que a veces desarrolla como excelente banjista que es, el folk más enraizado y nuevas propuestas contemporáneas más atrevidas. Tener a su lado como padrino a Carl Jackson, es un apoyo personal y artístico impagable. Carl Jackson siempre ha sido un músico cercano convertido en un referente del bluegrass y el country más enraizado. Colaborador de Glen Campbell, Jim & Jesse o Emmylou Harris, entre muchos otros, también estuvo cerca de Alecia Nugent, que no es, ni mucho menos, una desconocida para los oyentes de TOMA UNO. Nativa de Hickory Grove, en el estado de Louisiana, la llegaron a apodar “Hillbilly Goddess”, tal y como se titula su tercer álbum de hace 11 años. Era debido, sin duda, a la serenidad que se les supone a los veteranos en un terreno tan complicado como el del bluegrass, donde siempre se ha desenvuelto a la perfección. Ella, por entonces, tenía 37 años y la International Bluegrass Music Association la nombró Vocalista Femenina de la temporada. Tras abandonar Nashville y después de todos esos años, Alecia reaparece con The Old Side of Town, un proyecto con 10 nuevas canciones, que sigue explorando sus raíces y que cuenta con la producción del veterano Keith Stegall, que ha estado al lado de Alan Jackson desde sus comienzos. Una de las canciones más vulnerables de este nuevo registro es, sin duda, "They Don’t Make‘ em Like My Daddy Anymore", dedicada a su padre, que murió de cáncer el primer día de julio de 2013. Han pasado casi cuatro años desde que Mo Pitney debutó con Behind This Guitar, un disco muy bien considerado que dejo el mejor sabor de boca para un debutante tan joven. Ahora con 27 años, este nativo de Cherry Valley, en Illinois, regresará a primeros de octubre con el esperado Ain’t Lookin ’Back, un disco que corrobora los buenos augurios de su debut. Colaboraciones como la de Jamey Johnson, Ricky Skaggs y Marty Stuart dan impulso a un trabajo que nos remonta a comienzos de los 1990, una etapa especialmente brillante del resurgir de la industria de Music Row. Incluso su voz recuerda mucho a aquellos tiempos, evocando a Keith Whitley, Daryle Singletary o Randy Travis. Es evidente que Mo Pitney tiene la capacidad de saltar en el tiempo y poner de acuerdo a diferentes generaciones. “Looks Like Rain” es una de las muestras más sólidas de este álbum. La nueva generación de artistas de Americana nos va despejando un panorama esperanzador con la llegada de Mo Pitney o de Daniel Donato, un músico de 25 años convertido en todo un maestro de la Telecaster que debuta con el álbum A Young Man’s Country. Nativo de Nashville y criado en sus calles y sus locales, especialmente el legendario Robert's Western World de Lower Broadway, le hemos escuchado tocar en el Ryman junto a The Wild Feathers o grabando Hard to Please con The Black Lillies. El veterano guitarrista Robben Ford ha producido un disco de presentación formal que rezuma esa Cosmic American Music que elevó a los altares Gram Parsons, aireada con las mejores esencias psicodélicas de Grateful Dead y el toque outlaw de Waylon Jennings. Daniel Donato compone con coherencia, pero es evidente que cuando versiona algunas de sus canciones favoritas pone un tinte de emoción inevitable. Así ha ocurrido con “Angel From Montgomery” de John Prine, una canción del disco de debut del recordado músico de Illinois, cuando faltaba casi un cuarto de siglo para que Donato naciera. Con una carrera envidiable hasta sus últimos días, no era sencillo impresionar a una leyenda como John Prine. Pero el artista ahora desaparecido escuchó a Arlo McKinley y decidió que debía pasar a formar parte de su sello discográfico, Oh Boy Records.El músico de Ohio ha debutado con Die Midwestern, con una mezcla perfecta de country y folk para hablar de buenos momentos, decisiones equivocadas y rupturas dolorosas con la sensación de que estas escuchando las historias que siempre cantaron los clásicos, aunque las formas son propias de coetáneos como Jason Isbell, Tyler Childers, Ian Noe o John Moreland. Así ocurre con “She’s Always Been Around”, un tema de honky tonk de carretera con la jukebox encendida que hubiera interpretado George Jones con sumo gusto. Se fue a grabar a Memphis con músicos como Ken Coomer de Uncle Tupelo y Wilco), Rick Steff (Cat Power) y Reba Russell que ha acompañado a maestros como Johnny Cash y Roy Orbison. Si el tejano Lefty Frizzell fue el referente de Merle Haggard, es evidente que el artista de Bakersfield es el espejo en el que se mira Zephaniah OHora, un músico de Brooklyn que ha adquirido su estética y su sonido. Su segundo álbum, Listening to the Music, mantiene esa prestancia, pero es evidente la madurez alcanzada desde que hace tres años debutó con This Highway. La producción del desaparecido Neal Casal ha tenido una importancia vital para que se produzca una empatía de toques agridulces que pudiera servirnos para estos tiempos duros como para los buenos que están por venir. El tema central, “Listen To The Music”, reconoce el poder de la música para cambiar las cosas y servir de escape de todo el dolor que nos rodea. En cierta forma es una especie de regreso a las maneras de los 70, cuando todo se hizo más reflexivo, incluyendo al inevitable Merle Haggard. Ya que hablábamos de honky tonks, en este primer fin de semana de la nueva temporada de TOMA UNO en Radio 3 queremos despedirnos recordando que somos conscientes de tener amigos en los mejores sitios. Hace exactamente un mes se cumplieron 30 años de la publicación de un clásico como “Friends In Low Places” de Garth Brooks. Cuando en 2015 aquel tema celebraba su cuarto de siglo, el artista de Oklahoma decidió volver a grabarlo juntos a amigos como Florida Georgia Line, Jason Aldean, Keith Urban y George Strait. La canción se incluyó exclusivamente en una caja de 10 CDs titulada Garth Brooks: The Ultimate Collection. Volvemos el próximo fin de semana a la sintonía de Radio 3, donde nos encantará seguir cumpliendo años juntos. Escuchar audio

Christian and Russ Kunkel sit down to go over a long illustrious career as first call session drummer, road dog and being the heartbeat of the Immediate Family Band!Famous drummer Russell Kunkel, better known as Russ, has been a part of the music world for more than two memorable decades. Serving as drummer, and sometimes even as producer, Kunkel has appeared and performed with top musical artists in almost every genre and style known to fans, including Sydney Forest, Stevie Nicks, Wynonna Judd, Aaron Neville, Dan Fogelberg, James Taylor, the Bee Gees, Dolly Parton, Jimmy Buffet, B. B. King, Bob Segar, Carly Simon, and many, many others. Kunkel has also been featured in, and been on the cover of, magazines such as Modern Drummer.Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song "Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately six different bands, including the Barons, and appeared at many sock hops and high school dances, playing surf music and Beatles songs. In his last two years of high school he was a jazz drummer and later worked for John Stewart and his band the Kingston Trio.In early 1970s, while rehearsing for the upcoming tour, he met Chris Darrow, a former player of John Stewart's, who was a friend of Peter Asher, and together along with James Taylor and bassist Leland Sklar they had put out an album. Later on, guitarist Danny Kortchmar came to them from The Flying Machine along with keyboardist Craig Doerge and together, the four of them, had formed a band called The Section. The group existed between 1972 and 1977, during which time they had recorded three albums. Three years later, Kunkel participated in the Carly Simon's song "Waterfall" and played a part in the James Taylor's album Gorilla in a song "How Sweet It Is (To Be Loved By You)". In 1977 during the recording of Jackson Browne's Running on Empty album, Kunkel played on Pearl and North Drum sets, and went on a tour to promote the album. During the same year, Kunkel played hi-hat on the Crosby, Stills, Nash & Young album CSN. A year later, he worked with Warren Zevon on Excitable Boy as part of the Section.In 1980 during his tour with Jackson Browne to promote his album Hold Out, he played a tom, a floor tom, a bass drum, a snare drum, and two cymbals. During those years, he also was a drummer for the Lawyers In Love album where he played in a song "Say It Isn't True". In 1980s album Mad Love by Linda Ronstadt, Kunkel along with Waddy Wachtel and Danny Kortchmar performed in the songs "How Do I Make You" and "Mad Love".In 1980, Kunkel played in Linda Ronstadt's band for a concert that was shown on HBO, along with the guitarists Kenny Edwards and Danny Kortchmar, bassist Bob Glaub, keyboardist Billy Payne, pedal steel guitarist Dan Dugmore, and backing vocalist Wendy Waldman. https://www.facebook.com/TheImmedFamily

Christian and Russ Kunkel sit down to go over a long illustrious career as first call session drummer, road dog and being the heartbeat of the Immediate Family Band!Famous drummer Russell Kunkel, better known as Russ, has been a part of the music world for more than two memorable decades. Serving as drummer, and sometimes even as producer, Kunkel has appeared and performed with top musical artists in almost every genre and style known to fans, including Sydney Forest, Stevie Nicks, Wynonna Judd, Aaron Neville, Dan Fogelberg, James Taylor, the Bee Gees, Dolly Parton, Jimmy Buffet, B. B. King, Bob Segar, Carly Simon, and many, many others. Kunkel has also been featured in, and been on the cover of, magazines such as Modern Drummer.Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song "Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately six different bands, including the Barons, and appeared at many sock hops and high school dances, playing surf music and Beatles songs. In his last two years of high school he was a jazz drummer and later worked for John Stewart and his band the Kingston Trio.In early 1970s, while rehearsing for the upcoming tour, he met Chris Darrow, a former player of John Stewart's, who was a friend of Peter Asher, and together along with James Taylor and bassist Leland Sklar they had put out an album. Later on, guitarist Danny Kortchmar came to them from The Flying Machine along with keyboardist Craig Doerge and together, the four of them, had formed a band called The Section. The group existed between 1972 and 1977, during which time they had recorded three albums. Three years later, Kunkel participated in the Carly Simon's song "Waterfall" and played a part in the James Taylor's album Gorilla in a song "How Sweet It Is (To Be Loved By You)". In 1977 during the recording of Jackson Browne's Running on Empty album, Kunkel played on Pearl and North Drum sets, and went on a tour to promote the album. During the same year, Kunkel played hi-hat on the Crosby, Stills, Nash & Young album CSN. A year later, he worked with Warren Zevon on Excitable Boy as part of the Section.In 1980 during his tour with Jackson Browne to promote his album Hold Out, he played a tom, a floor tom, a bass drum, a snare drum, and two cymbals. During those years, he also was a drummer for the Lawyers In Love album where he played in a song "Say It Isn't True". In 1980s album Mad Love by Linda Ronstadt, Kunkel along with Waddy Wachtel and Danny Kortchmar performed in the songs "How Do I Make You" and "Mad Love".In 1980, Kunkel played in Linda Ronstadt's band for a concert that was shown on HBO, along with the guitarists Kenny Edwards and Danny Kortchmar, bassist Bob Glaub, keyboardist Billy Payne, pedal steel guitarist Dan Dugmore, and backing vocalist Wendy Waldman. https://www.facebook.com/TheImmedFamily

Christian and Russ Kunkel sit down to go over a long illustrious career as first call session drummer, road dog and being the heartbeat of the Immediate Family Band! Famous drummer Russell Kunkel, better known as Russ, has been a part of the music world for more than two memorable decades. Serving as drummer, and sometimes even as producer, Kunkel has appeared and performed with top musical artists in almost every genre and style known to fans, including Sydney Forest, Stevie Nicks, Wynonna Judd, Aaron Neville, Dan Fogelberg, James Taylor, the Bee Gees, Dolly Parton, Jimmy Buffet, B. B. King, Bob Segar, Carly Simon, and many, many others. Kunkel has also been featured in, and been on the cover of, magazines such as Modern Drummer. Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song "Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately six different bands, including the Barons, and appeared at many sock hops and high school dances, playing surf music and Beatles songs. In his last two years of high school he was a jazz drummer and later worked for John Stewart and his band the Kingston Trio. In early 1970s, while rehearsing for the upcoming tour, he met Chris Darrow, a former player of John Stewart's, who was a friend of Peter Asher, and together along with James Taylor and bassist Leland Sklar they had put out an album. Later on, guitarist Danny Kortchmar came to them from The Flying Machine along with keyboardist Craig Doerge and together, the four of them, had formed a band called The Section. The group existed between 1972 and 1977, during which time they had recorded three albums.  Three years later, Kunkel participated in the Carly Simon's song "Waterfall" and played a part in the James Taylor's album Gorilla in a song "How Sweet It Is (To Be Loved By You)". In 1977 during the recording of Jackson Browne's Running on Empty album, Kunkel played on Pearl and North Drum sets, and went on a tour to promote the album. During the same year, Kunkel played hi-hat on the Crosby, Stills, Nash & Young album CSN. A year later, he worked with Warren Zevon on Excitable Boy as part of the Section. In 1980 during his tour with Jackson Browne to promote his album Hold Out, he played a tom, a floor tom, a bass drum, a snare drum, and two cymbals. During those years, he also was a drummer for the Lawyers In Love album where he played in a song "Say It Isn’t True". In 1980s album Mad Love by Linda Ronstadt, Kunkel along with Waddy Wachtel and Danny Kortchmar performed in the songs "How Do I Make You" and "Mad Love". In 1980, Kunkel played in Linda Ronstadt's band for a concert that was shown on HBO, along with the guitarists Kenny Edwards and Danny Kortchmar, bassist Bob Glaub, keyboardist Billy Payne, pedal steel guitarist Dan Dugmore, and backing vocalist Wendy Waldman.  https://www.facebook.com/TheImmedFamily

Christian and Russ Kunkel sit down to go over a long illustrious career as first call session drummer, road dog and being the heartbeat of the Immediate Family Band! Famous drummer Russell Kunkel, better known as Russ, has been a part of the music world for more than two memorable decades. Serving as drummer, and sometimes even as producer, Kunkel has appeared and performed with top musical artists in almost every genre and style known to fans, including Sydney Forest, Stevie Nicks, Wynonna Judd, Aaron Neville, Dan Fogelberg, James Taylor, the Bee Gees, Dolly Parton, Jimmy Buffet, B. B. King, Bob Segar, Carly Simon, and many, many others. Kunkel has also been featured in, and been on the cover of, magazines such as Modern Drummer. Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song "Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately six different bands, including the Barons, and appeared at many sock hops and high school dances, playing surf music and Beatles songs. In his last two years of high school he was a jazz drummer and later worked for John Stewart and his band the Kingston Trio. In early 1970s, while rehearsing for the upcoming tour, he met Chris Darrow, a former player of John Stewart's, who was a friend of Peter Asher, and together along with James Taylor and bassist Leland Sklar they had put out an album. Later on, guitarist Danny Kortchmar came to them from The Flying Machine along with keyboardist Craig Doerge and together, the four of them, had formed a band called The Section. The group existed between 1972 and 1977, during which time they had recorded three albums.  Three years later, Kunkel participated in the Carly Simon's song "Waterfall" and played a part in the James Taylor's album Gorilla in a song "How Sweet It Is (To Be Loved By You)". In 1977 during the recording of Jackson Browne's Running on Empty album, Kunkel played on Pearl and North Drum sets, and went on a tour to promote the album. During the same year, Kunkel played hi-hat on the Crosby, Stills, Nash & Young album CSN. A year later, he worked with Warren Zevon on Excitable Boy as part of the Section. In 1980 during his tour with Jackson Browne to promote his album Hold Out, he played a tom, a floor tom, a bass drum, a snare drum, and two cymbals. During those years, he also was a drummer for the Lawyers In Love album where he played in a song "Say It Isn’t True". In 1980s album Mad Love by Linda Ronstadt, Kunkel along with Waddy Wachtel and Danny Kortchmar performed in the songs "How Do I Make You" and "Mad Love". In 1980, Kunkel played in Linda Ronstadt's band for a concert that was shown on HBO, along with the guitarists Kenny Edwards and Danny Kortchmar, bassist Bob Glaub, keyboardist Billy Payne, pedal steel guitarist Dan Dugmore, and backing vocalist Wendy Waldman.  https://www.facebook.com/TheImmedFamily

Esta vez queremos mostrar la faceta más tradicional, la más apegada a las raíces. En muchos casos, es la cara menos conocida de una mujer que ha sido capaz de hacer de su versatilidad una de sus características fundamentales. El pasado miércoles fue el cumpleaños número 74 de Linda Ronstadt. A lo largo de su carrera, ha cantado temas de todos los estilos musicales imaginables, desde country a opera y comedia musical, pasando por folk, rhythm and blues, rock'n'roll, pop o música latina. En todos los casos, su voz ha brillado tanto que se ha convertido en una de las vocalistas femeninas de mayor prestigio. No busques la perfección en una voz que no sea la de Linda Ronstadt. Trístemente, el Parkinson la ha obligado a dejar de hacerlo. Pero hoy estamos dispuestos a rescatar esa voz insuperable seleccionando algunas de sus canciones más cercanas a la tradición. La mayor parte de ellas no son las que suenan habitualmente cuando se recuerda su carrera. Así, hemos abierto el programa con esta versión inédita de marzo de 1973 a “Lighting Bar Blues”, un tema de Hoyt Axton que Commander Cody cantaron de forma extraordinaria. La mayor sorpresa está en el hecho de que Linda Ronstadt tocaba el fiddle junto al también violinista Gib Guilbeau,que hizo también los coros vocales junto a Herb Pedersen. En 1956, Wanda Jackson grabó por primera vez una canción compuesta por Dick Reynolds y Jack Rhodes, que fue un éxito en el 62 por los Springfields, la banda familiar londinense en la que militaba Dusty Springfield. Era “Silver Threads And Golden Needles”, grabada más tarde por artistas de country como Skeeter Davis, Hawkshaw Hawkins, los Everly Brothers, Rose Maddox, Jody Miller o los Pozo-Seco Singers de Don Williams. En 1969, Linda Ronstadt la incluiría de esta forma en su LP de debut en solitario, Hand Snow… Home Grown. Decimos “de esta forma”, porque cuatro años más tarde, en el 73, realizaría una nueva versión, mucho menos enraizada, en su álbum Don't Cry Now. John D. Loudermilk fue bien conocido como compositor en los 50 y 60 dejando canciones para la historia como “Break My Mind”, que George Hamilton IV cantó por primera vez en el 67 y que Linda Ronstadt llevó a su disco de debut, Hand Snow… Home Grown, dos años más tarde. Al margen de un sinfín de artistas que echaron mano en alguna ocasión del tema, los Flying Burrito Brothers, con Gram Parsons al frente, también la cantaron, aunque quedó fue de sus álbumes oficiales. De aquel binomio mítico formado por Lester Flatt y Earl Scruggs resultaba evidente que este último estaba dispuesto a ampliar sus horizontes desde la separación de la pareja en 1969. Tres años después editó I Saw The Light With Some Help From My Friends junto a sus tres hijos, Gary, Randy y Steve, y una pléyade de invitados como la Dirt Band, Tracy Nelson o Linda Ronstadt, con quien realizó una versión sublime del clásico de Merle Haggard “Silver Wings”. Tras la publicación en 1968 del tercer disco de los Stone Poneys, Kenny Edwards dejó el grupo tras una gira y Linda Ronstadt se quedó sola con la obligación de grabar un nuevo Lp para el Capitol. Así, al año siguiente vió la luz Hand Sown… Home Grown, un trabajo de muy escasa repercusión. Pero las cosas parecieron cambiar con su siguiente trabajo. Linda consiguió la nominación para el Grammy con "Long Long Time", incluida en el álbum Silk Purse de 1970. Pero hoy hemos preferido escuchar la versión en directo que realizó en el Troubadour de Los Angeles por aquellas fechas. Su compositor, Gary White, es un tejano al que conocimos como bajista de Circus Maximus, una banda de Austin de la segunda mitad de los 60, en la que militaba Jerry Jeff Walker. Cuando Linda Ronstadt se lanzó a la aventura en solitario, comenzó a reclutar músicos del Troubadour para formar su propia banda de acompañamiento. Instrumentistas como Bernie Leadon, Glenn Frey, Don Henley y Randy Meisner pasaron a ser sus nuevos compañeros, de tal forma que a su alrededor se estaban gestando los Eagles. En Silk Purse había una versión de “He Darked the Sun”, una canción de Gene Clark y Bernie Leadon en el álbum The Fantastic Expedition of Dillard & Clark de dos años antes. Pero Linda realizó una llamada Nashville version, con un sonido más propio de la versión original que hoy hemos querido recuperar. Ha pasado medio siglo desde la publicación de Silk Purse, en 1970, su segundo disco en solitario. Su apertura era esta versión de “Lovesick Blues”, un tema aparecido en los años 20 en un musical al que Hank Williams puso en el mapa sonoro cuando empezó a actuar en el Louisiana Hayride y lo llevó al primer lugar de las listas en el 49. Grabado en los Cinderella Studios de Nashville, fue la única vez en su carrera que la artista de Arizona se acercó a la Music City para grabar sus canciones. En aquella ocasión, Linda contó con músicos de la altura de Bernie Leadon, Weldon Myrick, Buddy Spicher, Troy Seals o Kenny Buttrey. El legendario Troubadour de Los Angeles fue la cuna de un buen número de artistas convertidos en referentes de la música popular con el paso del tiempo. Aquel local de West Hollywood del que James Taylor decía que era “como un cenicero puesto boca abajo”, vio nacer al artista de Boston, además de a Buffalo Springfield, los Byrds, Jackson Browne, Bonnie Raitt, Linda Ronstadt o los Eagles, cuyos primitivos miembros estaban en la banda de acompañamiento de Linda Ronstadt. Con ellos editó su tercer álbum, de título homónimo en 1972, con un claro sonido country‑rock grabado entre California y Alabama con la producción de John Boylan. Como muestra de su versatilidad, Linda se acercó al honky tonk con una versión de “Crazy Arms”, el primer No.1 de Ray Price en 1956. La producción de John Boylan permitió también que otros músicos como Herb Pedersen, Gib Guilbeau, Sneaky Pete, Buddy Emmons, Jimmy Fadden de la Nitty Gritty Dirt Band o John David Souther participaran en el proyecto. Aquel disco fue, en cierta forma, la puerta para conocer también a nuevos compositores como Eric Kaz, Jackson Browne, Livingston Taylor o Eric Andersen, pero también recurrió a mitos de la categoría de Woody Guthrie, Harland Howard, Hank Cochran o Johnny Cash. Del Hombre de Negro, que llevó a la vocalista a su programa de televisión en sus comienzos, eligió “I Still Miss Someone”, una pieza de finales de los 50 que había compuesto con su sobrino, Roy Cash, Jr. y que conocimos cuando grabó en la prisión de Folsom. Una de las vocalistas favoritas de Linda Ronstadt es Patsy Cline, cuya primera grabación en el sello Decca, "I Fall To Pieces", pasaría a ser el mayor de sus éxitos, consiguiendo llegar por primera vez a la cima de las listas de country poco antes de sufrir un tremendo accidente de coche cerca de su casa de Madison, un barrio de Nashville. La explosiva facilidad de Linda en sus años de Capitol Records para interpretar clásicos como este sorprendió a muchos. En su tercer disco en solitario, con su nombre en el título y editado en 1972, dejó constancia de su respeto por la tradición y de su sensibilidad extrema. Linda Ronstadt comenzó a trabajar con John Boylan en un nuevo disco para el sello Asylum Records, al que se unió John David Souther, con el que mantenía una estrecha relación, antes de encontrar a Peter Asher -antiguo miembro de Peter & Gordon- en el Bitter End de New York. El álbum Don't Cry Now salió al mercado en 1973 tras un año de sesiones, 150.000 dólares invertidos y tres productores. Aquel disco era fantástico, pero nosotros hoy estamos centrados en canciones más tradicionales. Linda había fichado por Asylum, pero debía un álbum a Capitol por contrato. Ese disco que se tituló Heart Like A Wheel y fue publicado en el 74, mezclando antiguas canciones con nuevos temas, incorporando country, rock y rhythm and blues. De todos es recordada su versión al clásico de Hank Williams "I Can't Help It (If I'm Still In Love With You)", donde Emmylou Harris hacía las armonías vocales, la llevó al segundo lugar de las de country y a conseguir un Grammy. Pero esta versión de “Honky Tonk Blues”, también de Hank Williams, que contaba la historia de un joven granjero que deja la granja familiar para irse a la ciudad, fue grabada en octubre de 1974 de nuevo junto a Emmylou y quedó inédita durante 25 años. Es muy posible que Linda Ronstadt y Patsy Cline sean las dos vocalistas más sobresalientes de la historia de la música, con una versatilidad incomparable. Patsy sufrió un tremendo accidente de coche cerca de su casa de Madison, un barrio de Nashville, se fracturó la cadera y tuvo importantes heridas en la cabeza al salir despedida por el parabrisas. Fue hospitalizada durante varios meses y, apoyada aún en sus muletas, grabó una composición de Willie Nelson llamada "Crazy", que pasaría a ser su canción más vendida. Linda Ronstadt la recordó de esta forma en Hasten Down The Wind, un trabajo de 1976 que llegó tras publicar Prisoner In Disguise Ronstadt un año antes y donde eligió canciones de amigos y compositores cercanos. No olvidemos que la madre de Linda era alemana y, sobre todo que su padre era mejicano. Este último, Gilbert, cantaba con ella y sus otros dos hijos canciones de su tierra natal en los pocos ratos de ocio que les permitía la ferretería que regentaban. Nuestra invitada de hoy nunca olvidó aquellas raíces, no solo en los distintos álbumes dedicados íntegramente a canciones hispanas, sino a lo largo de toda su carrera. Como ejemplo, hemos escogido “Lo siento mi vida”, un tema propio, creado junto a su compañero en los Stone Poneys, Kenny Edwards, y a su padre Gilbert, para el álbum Hasten Down The Wind de 1976. En 1977, Linda Ronstadt publicaba su octavo álbum de estudio, Simple Dreams, convertido en una de las más altas cotas de su carrera y vendiendo más de tres millones de copias. Es el último de los discos en los que nos vamos a detener hoy para celebrar el cumpleaños número 74 de su protagonista. Aquel registro, además, fue el encargado de desplazar del No.1 de las listas de pop al mítico Rumours de Fleetwood Mac… y a Elvis Presley de la cabecera de las de country. Producido por Peter Asher, la fórmula fue sencilla: recoger algunas de las grandes canciones interpretadas por una de las voces más distinguida, arropada por los músicos más relevantes del momento, incluidos los Eagles. Para conmemorar los 40 años desde su lanzamiento, se reeditó el disco original con tres temas de bonificación grabados en directo en un concierto especial realizado por la cadena HBO en 1980. Entre ellas estaba "Blue Bayou", un tema de Roy Orbison que la vocalista de Arizona cantó en directo en inglés y castellano. Escuchar audio

Folkscene guest session with Tom Kell, Kenny Edwards, with their special guest Wendy Waldman. Recorded 9-10-2002. Hosted by the late Howard Larman. Engineered and remastered by Peter Cutler. ©Folkscene

CJ Chats with Former Parramatta Eels & Catalans Dragons Enforcer, Current Huddersfield Hard Hitter KENNY EDWARDS. They talk about his time in the NRL, Sobriety, Covid and much more. This Episode is Sponsored By:   Grange Hotel - https://www.facebook.com/Grange-Hotel-144857345702571/         Everything Sports - https://everythingsports.com.au/            Boot Computers - https://www.facebook.com/Bootcomputers3864/         iHeartMoissanites - https://iheartmoissanites.com.au/

The Grammy Song of the Year nominee and ASCAP Song of the Year winner joins us to chat about her wide-ranging career and multi-genre songwriting success. About Wendy Waldman From recording artist to musician to backing vocalist to record producer to multi-platinum songwriter for other performers, Wendy Waldman has a diverse music industry resume. Though her father was a film and television composer who wrote the Perry Mason theme and worked on classics such as The Twilight Zone and Star Trek, Wendy was drawn to the blues and folk music at a young age. Her first serious group was Bryndle, featuring Karla Bonoff, Kenny Edwards, and Andrew Gold. Though they split up before their first album was released, all four would be instrumental in Linda Ronstadt’s success and would re-form in later years to record three albums that are now regarded as modern-day classics. Wendy’s solo career began when she signed with Warner Bros. Records and released her first album, which Rolling Stone magazine called the “singer-songwriter debut of the year.” A series of critically-acclaimed releases followed before Wendy relocated from Los Angeles to Nashville, where she found commercial success with Crystal Gayle’s #1 single “Baby, What About You,” The Nitty Gritty Dirt Band’s chart-toppers “Fishin’ in the Dark” and “Home Again in My Heart,” as well as Top 10 singles for Lorrie Morgan, The Forester Sisters, and Nicolette Larson with Steve Wariner. Always difficult to pigeonhole, Waldman’s achievements on the country charts were rivaled by her success in the pop world, where she scored with Don Johnson’s Top 5 single “Heartbeat” and Vanessa Williams’s “Save the Best for Last.” which reached #1 on the pop, R&B, and adult contemporary charts, earned Wendy a Grammy nomination for Song of the Year, and was named ASCAP Song of the Year.   Wendy’s songs have additionally been covered by Patti Austin, Kenny Rogers, Reba McEntire, Cher, Alison Krauss, Randy Travis, Percy Sledge, Kathy Mattea, Aaron Neville, Rita Coolidge, CeCe Winans, Bette Midler, Johnny Mathis, Judy Collins, Restless Heart, Barbara Mandrell, Tanya Tucker, Patty Loveless, and many others. 

Multi-platinum songwriter, producer, and recording artist Wendy Waldman (https://wendywaldman.com) shares her roots as a lifelong Los Angeles musician in the debut episode of From the Longhouse. Featuring music by Bryndle, the legendary band founded by Wendy, Karla Bonoff, Andrew Gold, and Kenny Edwards.

In this episode, Rachel Hendricks, BCS Communications Specialist sits down with Kenny Edwards, Dean of Students. They discuss redemptive discipline and how BCS aims to reach the heart of each student.

Tot just acaba de començar el mes d’agost i ja ha començat la verema a Canet. Al domini Lafage es van collir els primers raïms ahir. Una fruita que tot just comença a madurar, amb un grau d’alcool feble que servirà per elaborar vins escumosos lleugers amb un toc d’acidesa. En general s’espera que la temporada de verema comenci al voltant del 20 d’agost. 4 militants de l’associació « Bouge Toit » van ser detinguts dilluns per la policia quan intentaven obrir el local desocupat del Socors Catòlic de Perpinyà a l'avinguda Mercader. L'objectiu era trobar un local per allotjar families sense papers que es troben al carrer. Els 4 militants van ser convocats ahir a la comissaria central de Perpinyà. En van sortir lliure i sense càrrecs al cap d’unes hores. A fora de la comissaria una concentració de suport es fa formar per defensar el dret a l’allotjament per a tots. La policia ha obert una investigació després de la descoberta, dissabte passat, d’un home ferit greument al seu domicili del Baix Vernet. Els bombers van ser alertats per culpa d’una important fuita d’aigua que venia del seu apartament. A dins van trobar l’ocupant inconscient a la sala de bany i ferit de gravetat. Actualment és hospitalitzat però no està en condicions de respondre, de moment, als investigadors. Avui comença a Talteüll la Festa de la Prehistòria. Durant dos dies diversos tallers animaran el Museu i el Vilatge de Talteull. La Festa de la Prehistoria tindrà lloc a Talteüll avui i demà. Per més informació una web : 450 000 anys.com. ESPORTS Els Dracs Catalans tenien cita ahir amb la comissió de disciplina de la Supoer Lliga arran de la baralla que es va produir durant el darrer partit contra Warrington. 2 jugadors van ser finalment disculpats per la comissió de disciplina, Brayden Wiliame i Michael Simon podran doncs jugar divendres al camp de Leeds. La comissió en canvi va decidir ampliar la sanció al teloner Micky Mcllorum de 1 a 2 partits. Cap canvi pels dos altres sancionats, Sam Tomkins es perdrà 3 partits mentre que Kenny Edwards serà castigat amb 4 partits. D’altra banda s’ha sabut que d’aquí un mes s’hauran acabat les retransmissions dels partits dels Dracs per la televisió. El canal BeIN ha anunciat que no pensa presentar candidatura per renegociar els drets televisius per l’any 2020. En causa l’augment del preu que reclama la Supe Lliga a BeIN.

Singer, Songwriter, Record Producer Wendy Waldman hit the Southern California music scene as a member of Bryndle - where other members included Karla Bonoff, Andrew Gold, and Kenny Edwards, back in 1970.  In 1973 her solo career was launched when Rolling Stone named her "Singer-Songwriter Debut of The Year" after releasing her first album.  As a songwriter, Wendy reached the pinnacle when she co-wrote "Save The Best For Last" for Vanessa Williams, which was nominated for a Grammy.  Her credits as a record producer includes albums for Jonathan Edwards, New Grass Revival and Suzy Bogguss.  Award-winning program director, Ray White, catches up with Wendy in January 2019 to talk about her years as part of the second wave of outstanding female musicians and her soon to be released album, Blue Balloon.  In our showcase segment we feature long time lead guitarist for the Eagles, Don Felder, who is in the Rock and Roll Hall of Fame as a member of the iconic band,  Don's latest solo release is American Rock 'n' Roll.  For more information about our show visit us at Classic Artists Today.    

Thin skinned Davey Warner 2. Kenny Edwards driving record 3. Winx ads another Cox to the Cabinet 4. Violet Crumbles report

This week, Nic Campton (@campo37) is back, usurping Bungard's host chair as the Raiders toppled the Bunnies, The Broncos rolled on and the Dragons fell short again. The Catalans won the Challenge Cup, the Sharks are cheating again maybe and the Warriors are giving away tickets. This, all the other news and all your fan questions as per usual.  See acast.com/privacy for privacy and opt-out information.

Kenny Edwards on the run Cam Smith retires South Sydney the new benchmark?

2:31 - Cam Smith retires from Rep Footy, 7:52 - Rugby Union - A National Crisis, 22:00 - Drugs and Australian Field Hockey, 27:34 - The Zen Do Kai Master speaks, 29:52 - Tomic is back in the winners circle, 36:10 - Manly sign an Origin legend, 39:32 - A brief history of Kenny Edwards, 43:59 - We continue to crap on Rugby and Folau

- Kenny Edwards, Vice-President of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

- Kenny Edwards, VP of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

Fuzzbee Morse is one amazing guitarist...and much more. A multi-instrumentalist, session musician and producer, Fuzzbee has toured with Karla Bonoff and Kenny Edwards, and worked with artists like Ric Ocasek of the Cars and Andy Pratt. We take a look at Fuzzbee's guitar playing, including his work with drummer Jerry Marotta, keyboardist David Sancious and bassist Tony Levin, and take a look at his latest album, "Dreams And Other Living Things." It's a night of some tasty guitar playing, awesome tone, and talk about gear and technique!!

Fuzzbee Morse is one amazing guitarist...and much more. A multi-instrumentalist, session musician and producer, Fuzzbee has toured with Karla Bonoff and Kenny Edwards, and worked with artists like Ric Ocasek of the Cars and Andy Pratt. We take a look at Fuzzbee's guitar playing, including his work with drummer Jerry Marotta, keyboardist David Sancious and bassist Tony Levin, and take a look at his latest album, "Dreams And Other Living Things." It's a night of some tasty guitar playing, awesome tone, and talk about gear and technique!!

Fuzzbee Morse is one amazing guitarist...and much more. A multi-instrumentalist, session musician and producer, Fuzzbee has toured with Karla Bonoff and Kenny Edwards, and worked with artists like Ric Ocasek of the Cars and Andy Pratt. We take a look at Fuzzbee's guitar playing, including his work with drummer Jerry Marotta, keyboardist David Sancious and bassist Tony Levin, and take a look at his latest album, "Dreams And Other Living Things." It's a night of some tasty guitar playing, awesome tone, and talk about gear and technique!!

This week, all of our team's lost but we somehow pump out 1 hour and 50 mins of solid rugby league mediocrity. We review round 21, run a fantasy draft provided by @mesut_ausil, go through the week's news and answer your fan questions.  See acast.com/privacy for privacy and opt-out information.

Where do you stand on the Kenny Edwards issue? This as well as Ivan vs Nathan Cleary, player contracts, the Bulldogs' salary cap and Paul McGregor’s $10,000 fine get a run the show as Phil Gould and James Bracey deliver another great episode of Six Tackles With Gus.

- Kenny Edwards, Vice-President of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

- Kenny Edwards, VP of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

- Kenny Edwards, VP of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

- Kenny Edwards, VP of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio

- Kenny Edwards, Vice President of California Numismatics - Please call 1-800-388-9700 for a free review of your financial portfolio