Making Obama

A Chicago woman, Irna Phillips, birthed the daytime serial — and a Chicago woman, Michele Val Jean, is ushering in new interest in the genre. Val Jean has written for several shows, including Generations, Santa Barbara, General Hospital and The Bold and the Beautiful. Now, she's the creative force driving Beyond the Gates, the newest American soap, which debuted on CBS in February. The drama features a core Black family, the Duprees, who live outside Washington, D.C. It's full of delicious soapy drama, with slaps, villains, cliffhangers and fabulous clothes. Val Jean talks about her career, from writing the infamous catfight scene on Generations and revisiting the Luke and Laura rape on General Hospital to the joy she feels watching the reception of Beyond the Gates.

Go behind the scenes at Days of Our Lives in Burbank, California. Hear from actors, set designers and wardrobe as we pull back the curtain on how soaps manage to come on five days a week, every week — no reruns. Plus, we take you back to 1994, when Marlena was possessed by the devil!

Without soaps, we wouldn't have melodramas or reality shows. Without soaps, we wouldn't have many of the TV tropes and shows we love to stream and binge-watch. Cliffhangers, serials, vixens — in television storytelling, all come from soaps. Network television would not exist if not for the financial success of soap operas, according to Elana Levine, author of Her Stories: Daytime Soap Opera and US Television History. During the 1970s, Levine said soaps brought in 75% of the networks' revenue. “Soaps were a legitimate kind of pop culture sensation. As a result, the networks are able to charge more for those ad slots,” she said. “It's a way to reach young people in particular for a time. [Networks] were willing to pay more, because what they were paying was still a whole lot less than what primetime TV cost them, in terms of advertising time.” Ad sales on soaps bore the load of a broadcaster's overall business model, even as production costs inevitably increased. Production costs for a soap opera, Levine said, were “still never at the level of what it cost to make a primetime show.” The decline of soaps can't be attributed to a singular event. Over time, viewers' habits changed and how we consume television evolved, from the VCR to streaming. Soaps are not dead, though, and there are good reasons why they have endured.

Before the mainstreaming of Ellen and the hit show Will and Grace, soaps did their best to bring tenderness to LGBTQ+ storylines. That's the nature of the form: It gives room for anyone and everyone to be complex, fleshed out, loved and hated all at once. From supporting roles to legacy characters to complex depictions in their full humanity, from respectability politics to sometimes making missteps, soaps have found ways to evolve their depictions of queer life. Ryan Phillippe played a gay teen in the 1990s on One Life to Live. Eden Riegel played Bianca, Erica Kane's gay daughter in the 2000s on All My Children. Today, progress looks like a villain, according to Days of Our Lives actor Greg Rikaart. “I came on as the ‘gay villain,' if you will, and to me, that felt like the ultimate equality, in that I didn't have to just say the right thing and follow the rules in order to be palatable to the audience,” he said. “And when I would get blowback from some people … I would just argue all those things: That that is further pushing the envelope open by saying, ‘Yeah, we can be multifaceted. We don't all have to be good guys.' ”

From Ossie Davis and Ruby Dee on The Guiding Light to the first Black super-couple, Jesse and Angie on All My Children, Black soap actors have been on the canvas. According to an executive at CBS, Black women overindex as soap watchers, which has led to the first new daytime soap in decades. Beyond the Gates debuted with a core Black family in February 2025. It's an exciting time to be a Black soap fan. Even though there's been Black representation, Black writers and actors have often had to push to be more than sidekicks, according to soap writer Shannon Peace. “You see the faces; they're there,” Peace said. “But what are the storylines? Why do we still feel often like they're being backgrounded or there being support staff, to prop [up] other characters or other families? And when I say other characters or other families, I mean white characters or white families.” Peace said she doesn't see that problem in primetime television, but it still exists in daytime. “I feel in primetime mode, for the most part, they've done away with a Black sidekick, with a Black friend — that Black best friend — and you have Black characters in meaningful front-facing roles that are driving story. I don't see that in daytime.” You can listen to this podcast episode by following “Making: Stories Without End” on Apple, Spotify, Pocket Casts, NPR One or wherever you get your podcasts. Episodes drop every Tuesday for six weeks starting April 8.

Irna Phillips created the cliff-hanger in broadcast storytelling and perfected the serial drama, first in radio, then on television. She mentored the creators of All My Children, One Life to Live, The Young and the Restless and The Bold and the Beautiful. The latter two remain on television today. Phillips also created the television vixen, an archetype first seen on soap operas that still endures. Agnes Nixon and married couple William and Lee Phillip Bell worked for Phillips in Chicago. Nixon was head writer of The Guiding Light. In 1962, she wanted to do a cancer storyline, about how uterine cancer is curable if caught in time. Doctors said women proactively asked for pPap smears after watching the character Bert Bauer struggle with her health. The Bells also ushered the sexual revolution into soaps in the 1970s, with glitz and glamor and pushing the envelope on sexuality. Soap operas created complex and groundbreaking women-centered storylines. In 1964, Another World ran an abortion storyline. In 1971, All My Children's biggest vixen, Erica Kane, was a married pregnant model who didn't want to be a mother. That abortion storyline was disruptive because the character was not seen as the “right” woman to tell an abortion story. Rape storylines on soaps have played out for decades because the form allows real-time nuance with storytelling. Nothing is ever wrapped up in one “Very Special Episode.” The uniqueness of soaps, airing five days a week, allows for pioneering storytelling.

Soap operas have long been trivialized as low-brow women's entertainment. Even the term “soap” is pejorative when describing television. But there's a deeper story to tell about the genre that changed storytelling on the small screen. Irna Phillips doesn't get enough credit for her creation. She's the Chicago woman who birthed the daytime serial for radio in the 1930s and ushered it onto television in the 1950s. Phillips established staples in the genre like the cliff-hanger; she was a prolific writer who knew the daytime audience wanted to see their own problems in stories. As she summed it up in 1947: “[T]heir own conflicts, their own heartache, their hopes and their own dreams. Everything isn't happiness, is it? No.” Beyond the melodrama and romantic escapism, soaps took bold risks, embracing social consciousness with groundbreaking women-centered storylines. “Daytime dramas have grappled with social change and offered thoughtful explorations of romantic and familial relationships to an extent rarely seen in evening schedules, with controversial subject matter airing to little notice and thereby little upset,” said soap scholar and University of Wisconsin-Milwaukee professor Elana Levine. Whether you know it or not, soaps are a foundation of U.S. television. They've given us the medium's longest-running scripted series — and worlds that do not end. What Natalie read: “Afternoon Delight: Why Soaps Still Matter” by Carolyn Hinsey “Her Stories: Daytime Soap Opera and US Television History” by Elana Levine “The Survival of Soap Opera: Transformations for a New Media Era” edited by Sam Ford, Abigail De Kosnik and C. Lee Harrington “Worlds Without End: The Art and History of the Soap Opera” from the Museum of Television and Radio Natalie Moore is a senior lecturer at Northwestern University's Medill School of Journalism. Follow her on X at @natalieymoore.

Soap operas are the foundation of American television storytelling. From early radio days in the 1930s to the invention of TV to streaming, soaps have endured by telling intergenerational family stories. Daytime dramas are an important part of American television history and popular culture. It's been said that television is socially ahead of movies. Soap operas take that social consciousness a step further. Rape, abortion, AIDS, LGBTQ+ storylines – before primetime or even mainstream America was ready. But soaps have been written off as low-brow drivel for women. For decades, soaps routinely pushed serious social issues the general public didn't even know about because they weren't paying attention to them. Take this journey to learn the history of soaps, the innovative creators who pushed social impact and how the genre was the moneymaker for networks for decades. This is television's unique immersive storytelling.

Toni Morrison is widely considered one of America's greatest writers. She published 11 novels and is the recipient of a Pulitzer, a Nobel and a Presidential Medal of Freedom. The Bluest Eye, Song of Solomon, Tar Baby, Sula and Beloved are just a few of her works that are considered great American classics. Before she was a celebrated author, she was a pioneering editor at Random House, opening doors for a whole generation of Black writers, including Angela Davis, Huey P. Newton and Gayl Jones. Her editorship assembled a strong network of the most prominent Black intellectuals of the 20th century. But Toni Morrison's road to success was not a straight shot. She only published her first novel around 40 years old. And when she found her footing, she changed the face of American literature. On the Making season finale, host Brandon Pope sits down with leading Toni Morrison scholars, including Dana Williams, Carolyn Denard, Autumn Womack and Courtney Thorsson, to unpack the trajectory of an American literary hero. Making tells the story of a different, iconic figure every episode. Subscribe now.

“I don't believe I'm going to die slipping on a piece of ice. I don't believe I'm going to die because I got a bad heart…I believe that I will be able to die as a revolutionary in the international revolutionary proletarian struggle.” - Fred Hampton, 1969 Fred Hampton became the Chairman of the Illinois Chapter of the Black Panther Party when he was just years out of high school. His oratory talent and intellectual grasp on leftist literature quickly shot him to stardom in activist circles. But, his leadership did not last long. In 1969, when he was just 21 years old, he was assassinated during a raid on his home orchestrated by the Cook County State's Attorney's Office, the Chicago Police Department and the FBI. “He knew the power and potential of Fred Hampton,” former Congressman Bobby Rush said of the FBI Director at the time. “So I'm telling you, the man was nothing but greatness.” Today, in a special Black History Month episode of Making, in collaboration with The Rundown podcast, we tell the story of iconic Chicago liberation activist, Fred Hampton. Our hosts Brandon Pope and Erin Allen sat down with original members of the Black Panther Party, attorneys who fought his post-assassination lawsuits in the 1960s and family members who carry on his legacy. Making tells the story of a different, iconic figure every episode. Subscribe now.

In just 86 years Maya Angelou lived dozens of lives. Perhaps best known for her seminal autobiography I Know Why The Caged Bird Sings, Maya Angelou is one of the most celebrated literary minds in history, whose poetry and prose has touched generations of readers. But before Caged Bird, Angelou danced and sang on and off Broadway, earned the moniker “Miss Calypso” in the 1950s, called dozens of American cities and African nations home, and even became the first Black woman to work as a cable car conductor in San Francisco. On this episode of Making, host Brandon Pope sits down with Rita Coburn, co-director of the Peabody-Award-winning PBS documentary Maya Angelou: And Still I Rise; Randal Jelks, professor of African and African American studies and American studies at the University of Kansas; and Dr. Maxine Mimms, the founder of the Tacoma Campus of Evergreen State College and a longtime friend of Angelou. “Her main word was courage,” Dr. Mimms said, “The courage to love, the courage to walk, the courage to move.” Making tells the story of a different, iconic figure every episode. Subscribe now.

“Why can't I be MVP of the league?” Derrick Rose said. With unimpressive statistics and an unselfish playing style, sports media did not take the third-year point guard seriously. Eight months after those famous words, he became the youngest MVP in NBA history. Derrick Rose was Chicago's pride and joy. Fans and journalists alike called him the next Michael Jordan. Some thought he would be the greatest of all time. When an ACL tear took him out of the game, those high hopes turned to high scrutiny. On this episode of Making, host Brandon Pope explores the years before Derrick Rose changed the NBA. He grew up in the South Side neighborhood of Englewood, raised by a loving mother and three protective older brothers. By his sophomore year of high school, his talent and name was known across the city. We chatted with his high school coach who shaped his rise, veteran Chicago journalists who traced his steps, and Bulls insiders who witnessed his history-making. “He'll forever be one of the greatest basketball players to come out of the city,” NBC Chicago host Jason Goff said. “I make no bones about it.” Making tells the story of a different, iconic figure every episode. Subscribe now.

With 36 billion streams on Spotify, 14 No. 1 hits and 9 Grammys, Rihanna is regarded as one of the most well-known artists of the 21st Century. But she also spent the last decade changing the fashion world, launching brands that transformed her from music star to business mogul and billionaire. Her illustrious career began 20 years ago, when she was just a 15-year-old in Barbados. She performed Destiny's Child songs in a trio with her friends. Soon, an American record producer visited the island, saw her audition and launched her to stardom. This week on Making, hear the tale of Rihanna's come-up from record producer Evan Rogers, music journalist Bill Werde and head of British Vogue Chioma Nnadi, featuring exclusive archival tape of Rihanna's early rehearsals.

Virgil Abloh changed fashion in the 21st century. His brand Off-White redefined streetwear and youth culture for a notoriously elite and inaccessible industry. And he broke barriers to become the first Black artistic director at a French luxury fashion house. “His whole career is dedicated to opening up the gate for everyone,” said Marc Moran, his long-time friend and collaborator. “And I think that's what made him such a force to reckon with.” Virgil Abloh passed away from cancer on November 28, 2021 at the age of 41, leaving behind a sprawling legacy. But before he took over an industry, he was a quiet and humble suburban kid who loved soccer, skateboarding, T-shirts and turntables. This week on Making, host Brandon Pope talks with Abloh's family, friends, critics and collaborators – including his father, his high school soccer coach and the head of British Vogue – to look back at the life of a Chicago icon. Making tells the story of a different, iconic figure every episode. Subscribe now.

Hyphy Kids Got Trauma is an exploration of a transformative year in Bay Area music history, 2006, through the eyes and ears of Pendarvis Harshaw. A college student and burgeoning journalist at the time, Pendarvis navigates the shifting tides of a culture in transition, all set to the seminal sounds of the Bay Area's “Hyphy Movement.” an era fueled by uptempo, bass-heavy songs with a free and fun-loving vibe. But 2006 also marked the second highest homicide total Oakland has ever seen. The violence was compounded by drugs, over-policing, the onset of gentrification, and the ongoing War On Terror. The wounds that occurred almost twenty years ago still impact the adults of the Bay Area today. Hyphy kids got trauma, and this is why. Listen to the whole series today on Rightnowish.

In early September, 19-year-old Coco Gauff won the U.S. Open. She is the first American teenager to win the tournament since 1999, when 17-year-old Serena Williams took the crown. Gauff has said Serena is the reason she plays tennis. She is her tennis idol, and for good reason. Serena Williams has won 23 Grand Slam titles – more than any player in the Open era. But before becoming a household name, Serena was a girl from Compton with a drive. This week on "Making", Brandon Pope revisits the years before anyone knew Serena's name. Hear from the people in the room and on the court during her evolution to tennis prodigy, including her sister Isha Price, former tennis pro Chanda Rubin, and childhood coach Rick Macci.

Over the course of her climb to the Hollywood A-List, Whoopi Goldberg has worn many hats: stand-up comedian, Broadway star, screen actress, and daytime television host. But before her breakout role in a Steven Spielberg film, she was a young mom hopping around the country, taking odd jobs and doing avant-garde theater. This week on Making, we chart Whoopi Goldberg's winding path to stardom, from living off welfare, to landing on Broadway with her one-woman show. Host Brandon Pope chats with her first theater partners, her first director, and her first stage manager to discover who Whoopi was when she was just a wide-eyed talent waiting to be discovered. “The first time I saw her, I knew she was going to make it,” said William Farley, the director for her first on-screen performance. “She was an original. And an original, they become seen.”

Since November, dozens of states have introduced legislation that could criminalize drag performances, including Florida, Tennessee and North Carolina. This week on Making, we look at the life of an iconic Black TV creator whose art is at the center of this new political hot button. RuPaul Andre Charles brought drag to America's main stage and opened doors for queerness. But before his Emmys and Tonys, he was a go-go dancing young person determined to be a star. Host Brandon Pope chats with RuPaul's close friends, collaborators and mentees, including drag queen Lady Bunny, DJ and songwriter Larry Tee, drag historian Simon Doonan and RuPaul's Drag Race All Stars winner Shea Coulee. This episode was originally published on Nov 17, 2022. This season of Making covers a different, iconic figure every episode. Subscribe and don't miss an episode.

Shonda Rhimes has been called TV's greatest. With groundbreaking shows like Grey's Anatomy, Scandal and How to Get Away with Murder, she became one of the most powerful showrunners in Hollywood history. But, the battle to Hollywood's highest echelons wasn't a joyride for a Black woman from Chicagoland. Hear from mentors, colleagues and cultural commentators on how the queen of television came to be.

Jordan Peele is responsible for modern classics in the horror genre, including the films Us, Nope and the Oscar-winning Get Out. Before all that, he was a self-described nerd. He majored in puppetry in college before dropping out with his friend Rebecca Drysdale to pursue a career in comedy. Hear from Drysdale, Peele's early collaborator Brendan Hunt and cultural critic Aisha Harris about Jordan Peele's rise to comedic and horror genius.

Part 1: Touch the sky. Before becoming a cultural lightning rod, Kanye West was a self-confident teenager, handing out mixtapes on the South and West sides of Chicago. In the first episode of our two-part podcast series, we track Kanye's meteoric rise from uncredited producer to headlining star. Making tells the story of a different, iconic figure every episode. Subscribe and don't miss an episode.

Part 2: It all falls down. Ye becomes a mouthpiece for the more sinister parts of American society. In the second episode of our two-part podcast series, hear from friends, journalists, activists, fans (and former fans) on Ye's second act, from superstar status to cultural pariah. Making tells the story of a different, iconic figure every episode. Subscribe and don't miss an episode.

Robyn Rihanna Fenty was just a 15 year-old student in Barbados when she showed up late for her audition with record producer Evan Rogers. Fortunately, her tardiness didn't matter. She crushed it. “I just heard something really unique and special in her vocals, even though they were raw,” Rogers said on Making. “It was just one of those moments where I think I have something really special here.” This was just one of many critical moments we've dissected in this season of Making – the make-or-break moments that change the course of a life and often the course of history. In this week's season finale, host Brandon Pope takes a look back at some of the key put-up-or-shut-up moments from this season, from Serena Williams to Frederick Douglass to RuPaul and more.

When Ida B. Wells was just 21 years old, authorities kicked her off a train for sitting in the all-white “ladies' car.” She sued. She wrote about the experience in her local church newspaper. “I felt that one had better die fighting against injustice than to die like a dog or a rat in a trap,” she said later. Wells would soon become one of America's greatest journalism pioneers. After the lynching of her close friend, she investigated the prevalence of lynchings across the American South. She collected data, interviewed sources on the ground and wrote fiery articles that dispelled racist myths. By the end of the campaign, she was one of the most famous Black women in America. While her force can be felt over a century later, in her time Wells faced backlash from the white and Black community alike. She co-founded the National Association for the Advancement of Colored People – or NAACP – in 1909, but was temporarily ousted for being too radical. “Doing good journalism actually means that you're not making any friends,” said journalist Caitlin Dickerson, who wrote Wells' obituary for The New York Times series Overlooked. “It's a bad sign if there's one group of people who think of you as ‘on their side.'” On the latest episode of Making, host Brandon Pope leads a conversation with Dickerson, Wells' great-granddaughter Michelle Duster and acclaimed scholar Paula Giddings, author of Ida: A Sword Among Lions, on the life and legacy of this journalism and civil rights hero.

Jesse Owens' four gold medals at the 1936 Olympics in Berlin is the stuff of legend. “A man who's a second class citizen at home, son of a sharecropper, grandson of slaves, going over to Hitler's Germany,” explained ESPN reporter Jeremy Schaap on Making. “And he rose to the occasion in a way that embodies true greatness.” But Owens' journey from Alabama to Ohio to Germany and back again was filled with many highs and lows. His mother used a hot knife to excise a tumor from his chest when he was 5. He tied the world record in the 100 yard dash as a senior in high school. His college years at Ohio State were marked by both racial segregation and unparalleled athletic achievement. And after his return to America following the Berlin Olympics, Owens and other African-American medalists did not receive the same invitation to the White House that their white counterparts did. “It was one of the things that really hurt him,” said Marlene Rankin, Owens' daughter and the co-founder of the Jesse Owens Foundation. “Not everything got to him, but I think that did.” On this week's Making, host Brandon Pope leads a conversation on the years that defined Jesse Owens' life, featuring Rankin, NBCNews.com contributor Cecil Harris, Owens' son-in-law and former business partner Stuart Rankin, and Schaap, author of Triumph: The Untold Story of Jesse Owens and Hitler's Olympics.

Frederick Douglass' journey out of slavery and into the most powerful rooms in the country is a story of tenacity, luck and self-liberation. Hear the story of his improbable rise with Douglass' great-great-great-grandson, Ken Morris; Douglass' Pulitzer-prize-winning biographer, David Blight, and Emmy-award winning actor Jeffrey Wright, who's lent his voice to Douglass for HBO and Apple Books. "He's a founding father of the American conscious.” Wright says of Douglass on Making. “That's how I view him.”

When RuPaul's mother was pregnant, she went to a psychic who said RuPaul would be famous. That psychic was right. With Emmys, Tonys and 14 studio albums, RuPaul Andre Charles has become the world's most famous drag queen. But before superstardom, Ru was just a kid in the big city, go-go dancing to make ends meet. “None of us had any money back then. We were all shopping at thrift stores,” said friend and legendary drag queen Lady Bunny. “We were all kind of artsy-fartsy bums.” Joining Lady Bunny are DJ and songwriter Larry Tee, author and drag historian Simon Doonan and RuPaul's Drag Race All Stars winner Shea Couleé in conversation with host Brandon Pope. A dive into the critical years that turned RuPaul into a supernova.

Perhaps best known for her seminal autobiography I Know Why The Caged Bird Sings, Maya Angelou is one of the most celebrated literary minds in history, whose poetry and prose has touched generations of readers. But before Caged Bird, Angelou danced and sang on and off Broadway, earned the moniker “Miss Calypso” in the 1950s, called dozens of American cities and African nations home, and even became the first Black woman to work as a cable car conductor in San Francisco. On this episode of Making, host Brandon Pope leads a conversation on Maya Angelou's early days and what made her who she was. Joining him is Rita Coburn, co-director of the Peabody-Award-winning PBS documentary Maya Angelou: And Still I Rise; Randal Jelks, professor of African and African American studies and American studies at the University of Kansas; and a legend in her own right, Dr. Maxine Mimms, the founder of the Tacoma Campus of Evergreen State College and a longtime friend of Angelou.

Hear the story of how a legendary athlete climbed the NBA's mountaintop of greats. It's a story that takes asymmetrical turns before ending tragically and prematurely. On this episode of Making, we look at the whole picture of Kobe Bean Bryant. Join Making host Brandon Pope for a conversation about Bryant's origin story with his high school basketball coach, Gregg Downer, and Bryant biographer Mike Sielski. Then, Pope leads a conversation on the complex second half of Bryant's life, with ESPN senior writer David Dennis Jr. and former sports radio host, attorney and author Julie DiCaro.

Before there was Barack Obama on the ballot, there was Jesse Jackson. Preacher, civil rights soldier and activist, Jackson ran two memorable campaigns for the American presidency. “Our time has come,” Jackson declared during his famous ‘David and Goliath' speech while he was running for the Democratic nomination in 1984. “Red, yellow, black and white, we're all precious in God's sight! Our time has come.” But what ingredients create a civil rights legend? Join biographer Barbara Ann Reynolds, long-time friend and collaborator Frank Watkins and Jackson's son, Jonathan Jackson, in conversation with host Brandon Pope. They dissect Jackson's decades-long career – as a mentee of Martin Luther King Jr., as the leader of Rainbow PUSH and as a renowned orator – on the latest episode of Making.

Robyn Rihanna Fenty was just 16 when she signed a record deal with Jay-Z. She was 19 when her smash hit “Umbrella” took the world by storm. Now at 34, she is not only known as a popstar but also a fashion mogul and billionaire. But how did she get here? On this week's episode of Making, host Brandon Pope explores Rihanna's origin story with music journalist Bill Werde, Vogue.com editor Chioma Nnadi and record producer Evan Rogers, who discovered Rihanna in Barbados in 2003. “I warned her it's a roller coaster, you're gonna get kicked in the gut. Are you sure?” Rogers recalls asking the then-15-year old. “And I'll never forget, with no hesitation it was like, ‘It's all I've ever wanted.'” Featuring exclusive archival tape of Rihanna's early rehearsals, learn how Rihanna became a global icon.

Serena Williams is a household name. The recently retired tennis legend has won 23 Grand Slam titles – more than any player in the Open era. But before becoming one of the most dominant athletes of all-time, Serena was a girl from Compton with a dream. In the Season 4 premiere of WBEZ's Making podcast, host Brandon Pope revisits the years before anyone knew Serena's name. Hear from the people in the room and on the court during her evolution to tennis prodigy, including her sister Isha Price, former tennis pro Chanda Rubin, and childhood coach Rick Macci.

From the creators of Making Oprah, Obama and Beyoncé, WBEZ brings you a new season of its hit bio-podcast series, Making. With new host Brandon Pope, each episode tells the origin story of a different iconic Black figure. Through inner circle interviews and exclusive archival tape, this series looks at Serena Williams, Kanye West, Maya Angelou and many more. The years before they skyrocketed to success – the making years.

Former President Barack Obama recently spoke with Aarti Shahani, host of WBEZ's Art of Power podcast, about masculinity in the post-Donald Trump era. Obama said society has made progress in recognizing the most toxic elements of bad behavior by men. But now he wants to flip the focus. “What are the positive values that we're trying to instill in our boys?” he said. “Showing compassion is not weakness. Listening is as important as talking.” We're bringing you this exclusive interview with the former president as a bonus to the Making Obama podcast series. Hear the former president explain his experience balancing ambition with family obligations and how he wants to expand the definition of what it means to be a man. And if you like what you hear, subscribe to WBEZ's Art of Power podcast for more conversations with people who have changed the world.

In the lead up to Beyoncé's solo album debut, Dangerously in Love, a lot was at stake. She was hoping to break out not only as a solo artist, but as a star on multiple levels — music, endorsements and film. Along the way she’d find love, but she’d also have to battle doubt, even within the record label.

After Girls Tyme dissolves, Beyoncé and the other girls begin building their new group, Destiny’s Child. Finally, things start to click.

After failing to secure a record deal, Beyoncé and the members of Girls Tyme try another avenue to success: a TV talent competition. The girls are poised and ready for the national spotlight, but tensions in the group are rising behind the scenes.

Before the Grammys, before the platinum records, before Destiny’s Child, there was just a shy girl growing up in Houston. We follow Beyoncé Knowles from the stages of local talent shows to her first crack at a record deal with the group Girls Tyme.

From the makers of Making Obama, WBEZ Chicago presents Making Beyoncé, a new three-part bio-podcast series that explores Beyoncé Knowles’ rise from local talent shows to global musical icon. Find episodes of Making Beyoncé right here beginning Friday, Nov. 15, 2019.

Just two and a half years after his 2004 Democratic National Convention speech, Barack Obama announced he was running for president.

Barack Obama burst onto the national stage during his U.S. Senate run. Hear how ambition and luck propelled him to Washington. wbez.org/making

Former president Barack Obama has only lost one election in his life. It was in 2000, and that defeat set him on the course for his eventual U.S. Senate run. Making Obama is a production of listener-supported WBEZ Chicago. Support WBEZ and the future of podcasts like this at https://wbez.org/making