Podcast appearances and mentions of Huey P Newton

Send us a textTune into the King Cam Ujumbe Podcast to hear about Angela Davis, a radical thinker and social activist fighting for justice. Angela Davis: Radical Thinker, Social Activist, and the Fight for Justice Please use my Amazon Affiliates Link ➜ ⁠https://amzn.to/4gZgra9⁠

Join in as we talk about the life of the co-founder of the Black Panther Party, Huey P. Newton.

Loki chats with Jennifer Koh about the notion of "risk" in western classical spaces, the importance of commissioning new work, and her upcoming collaboration with the Kennedy Center. Loki reads from the autobiography of Huey P. Newton and responds to the outcome of the 2024 presidential election.Jennifer KohARCO Collaborative Fortas Chamber Music ConcertsEchorus by Philip Glass (perf. Jennifer Koh and Jaime Laredo)Her Latitude by Wang Lu (perf. Jennifer Koh and Wang Lu)Huey P. Newton reflects on the Black Panther Party ★ Support this podcast ★

This Day in Legal History: Black Panther Party for Self-Defense FoundedOn October 15, 1966, the Black Panther Party for Self-Defense was founded in Oakland, California, by Huey P. Newton and Bobby Seale. Although primarily thought of as a political and social movement, its founding also had significant legal implications. The Black Panther Party was established to address systemic racism, police brutality, and economic inequality faced by Black communities, particularly in the legal system and law enforcement practices.One of the key legal aspects of the Black Panther Party's activities was their use of California's open carry gun laws. Members of the Party would patrol Black neighborhoods while armed to monitor police interactions, invoking their constitutional right to bear arms. This practice was known as "copwatching" and sought to hold law enforcement accountable. The Panthers' visible use of firearms and legal knowledge led to heightened tensions between them and law enforcement, prompting legislative responses, such as the Mulford Act in 1967, which was designed to outlaw the public carrying of loaded firearms in California and was supported by then-Governor Ronald Reagan.The Black Panther Party's actions brought attention to issues of police misconduct and unequal treatment of African Americans within the legal system, making October 15 a key date in both the civil rights movement and the history of legal rights advocacy in the U.S.In a boon to litigation financing in the Garden State, the New Jersey Superior Court Appellate Division ruled that litigation finance deals do not constitute "loans" under state law, protecting the industry from claims that high-interest rates violate lending regulations. The case originated from a traffic accident plaintiff who received $9,600 in funding from Covered Bridge Capital to support her litigation. After partially repaying the company and discharging the remaining debt in bankruptcy, she sued, alleging violations of consumer protection laws. The court dismissed her claims, stating she lacked standing as an "aggrieved consumer," given that she financially benefited from the agreements. The panel referenced federal court precedent to classify litigation finance as contracts for recovery interests, rather than traditional loans. Both plaintiff and defense attorneys acknowledged the significance of the ruling, with the defense celebrating the clarification of the legality of these deals, while the plaintiff's lawyer expressed concern over its impact on consumer fraud statutes. New Jersey lawmakers continue to debate potential regulations, including a 40% cap on interest rates for litigation finance deals.Litigation Finance Wins With NJ Court Rejecting Usury Claims (1)In the upcoming November election, voters in New Hampshire, Arizona, and Colorado will consider significant judicial reforms. New Hampshire's proposal (CACR 6) would raise the mandatory retirement age for judges from 70 to 75, allowing experienced judges to serve longer. This change has bipartisan support, with proponents arguing that judges often start later in life, and the current retirement age cuts short their careers.Arizona voters will decide whether to eliminate judicial term limits and retention elections with Proposition 137. This move, driven by the state legislature, follows controversy over justices upholding an old abortion law, with opponents concerned about reduced voter oversight. Meanwhile, Colorado voters will determine whether to create a new judicial discipline board in response to a scandal involving the former Chief Justice. The amendment would transfer authority from the state Supreme Court to the board, aiming for more transparency in judicial misconduct cases.Each state's proposal reflects broader questions about judicial accountability and the balance between independence and oversight in the legal system; questions that, at the federal level, have no answer coming in the foreseeable future. Voters to Weigh Judicial Retirement Age, Term Limits, DisciplineBoies Schiller Flexner is defending itself against allegations of collusion with a hedge fund in a class action lawsuit accusing United Wholesale Mortgage (UWM) of conspiring with brokers to overcharge homebuyers. UWM recently requested that the case be dismissed and the law firm sanctioned, claiming Boies Schiller is working with hedge fund Hunterbrook Capital, which is shorting UWM stock. In response, Boies Schiller denied any involvement with Hunterbrook's stock trades or funding of the lawsuit, calling UWM's accusations a "side-show" aimed at distracting from the case's core issues.The lawsuit, filed in April, stems from an investigation by Hunterbrook Press that raised concerns about UWM's practices. Boies Schiller acknowledged receiving data from the nonprofit Hunterbrook Foundation but maintained full control over the case. UWM accuses the plaintiffs and the firm of attempting to damage its business and stock value, but Boies Schiller has dismissed these claims as unfounded. The case, Escue v. United Wholesale Mortgage LLC, continues in Michigan federal court.Law firm Boies Schiller denies hedge fund collusion in home buyer class action | ReutersIn the lead-up to the 2024 U.S. presidential election, voters in various states are turning to the courts to address voting accessibility issues. Ericka Worobec, a Pennsylvania voter, successfully sued to ensure that voters are notified if mail-in ballots have errors after hers was rejected due to an incomplete date. Her case is one of nearly 100 election-related lawsuits in key battleground states like Arizona, Michigan, and Wisconsin.These lawsuits often focus on expanding or restricting voting rights. In Wisconsin, voters with disabilities are seeking electronic ballot access. Some cases have seen partial victories, while others remain unresolved, as courts navigate issues like polling place access, ballot marking, and voter registration. These legal battles highlight the ongoing tension between protecting voter access and ensuring election integrity though it should be noted in all elections, actual voter fraud is exceedingly rare. Some US voters head to court before they head to the polls | Reuters This is a public episode. 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A rattan chair woven together in a light brown hue with a balloon back and round base is familiar. From baby showers to Huey P. Newton's famous photo, this chair has been special to us for generations—but why? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Listen to the Tues. Aug. 27, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode features our PANW report with dispatches on the restructuring of public enterprises in South Africa; Ukraine casualties are mounting in the Russian Special Military operation; Ukraine has been hit by precision airstrikes carried out from Russia; and Moscow is targeting infrastructure in the continuing war with Ukraine. In the second and third hours we continue our Black August programming with rare archival audio files on events from 1970 highlighting interviews with Black Panther Party leaders including Dr. Huey P. Newton.

On this day in 1989, the world lost a prominent figure in the civil rights and Black Panther movements, Huey P. Newton. Newton was an influential leader and co-founder of the Black Panther Party for Self-Defense, which was established in 1966 in Oakland, California. On August 22, 1989, at the age of 47, he was tragically shot and killed in West Oakland. Newton was a tireless advocate for social justice and civil rights, and his commitment to empowering marginalized communities left a mark on American history. The Black Panther Party's dedication to challenging racial injustice and its efforts to uplift disadvantaged communities continue to influence activists and social justice movements today. Learn more about your ad choices. Visit megaphone.fm/adchoices

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight we present our sister podcast Continental Shifts. Hosts Gabriel and Estella speak with Tavae Samuelu.   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Swati Rayasam: [00:00:35] Good evening, everyone. You're listening to APEX Express Thursday nights at 7 PM. My name is Swati Rayasam and I'm the special editor for this episode. Tonight, we're wrapping up the podcast continental shifts created by bi-coastal educators, Gabriel Anthony Tanglao and Estella Owoimaha-Church who embark on a voyage in search of self, culture and the ancestors. Last time we featured the concept's podcast, Gabe and Estella, talked with union leader and educator Yan Yii about creating culturally relevant classrooms, the importance and emotional toll of teachers being a social safety net for marginalized students, and the ever-growing union presence in education. Tonight. They're talking to Tavae Samuelu about what it will take to organize across ethnic groups, specifically Pacific Islander and Asian communities, beyond ethnic or national lines. And what future we're visioning for when the US empire falls. If this is your first touch into the conshifts podcast, I strongly recommend diving into the apex archives on kpfa.org. Backslash programs, backslash apex express to check out the previous episodes. And also to check out the podcast on ConShift's site at continentalshifts.podbean.com or anywhere podcasts are found. But for now, let's get to the show.   Tavae Samuelu: [00:02:05] When Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that [laughs].   Gabriel Tanglao: [00:02:27] What will it take to organize across ethnic groups, specifically Pacific Islander and Asian communities. In this episode, we rap with the amazing Tavae Samuelu to strategize ways we might organize AAPI folks across and beyond ethnic or national lines.   Estella Owoimaha-Church: [00:02:48] What up, what up? Tālofa lava, o lo'u igoa o Estella. My pronouns are she/her/hers, sis, uso.   Gabriel Tanglao: [00:02:53] What's good, family? This is Gabriel, kumusta? Pronouns he/him.   Estella Owoimaha-Church: [00:02:56] Tavae Samuelu is the daughter of a pastor from Leo Lumoenga and a nurse from Salemoa in Samoa as the executive director of Empowering Pacific Islander Communities, she's a passionate advocate for Pacific Islanders and is committed to liberation for all. Tavae was born, raised, and currently resides on Tongva territory. She credits her time on unceded Ohlone land for her political consciousness. During the pandemic, she has learned that her most important title is Auntie Vae. I had the pleasure of meeting Tavae at the Asian Pacific American Labor Alliance Conference in Vegas a couple of years ago when I sat in on her workshop related to organizing Pacific Islander communities. It was, and I'm sure I've told her this by now, one of the first times in my life I have ever felt seen as a Samoan woman. Uso, thank you so much for joining us today. Please go ahead and take a few minutes to further introduce yourself to our listeners.   Tavae Samuelu: [00:03:57] Thank you, Stella. I've heard you say that before and it always makes me tear up [laughs]. That's also probably the most rewarding aspect of this job, of this community work, to be able to hear from people that they feel seen and validated. By, you know, by what we do and what, by what we put out there in the world. As I said, you know, currently residing on Tongva territory, what is momentarily known as Long Beach, California, until we get this land back to who it rightfully belongs to. You know I'm really clear and really intentional in this pro indigenous approach of naming the original stewards of this land because it's important to me that we know who to return the land to when this empire falls and that we're really clear, right? Not to just be in solidarity as a performative aspect, but naming our indigenous siblings who continue to exist, who are incredibly resilient and are still the experts on the best way to take care of this land and each other and how to be good relatives.   Estella Owoimaha-Church: [00:05:13] She said, “when the empire fall,” I went [laughs].   Gabriel Tanglao: [00:05:16] When the empire, when the empire falls. When…so.   Tavae Samuelu: [00:05:19] I mean, let me credit to Dakota Camacho, who taught me to say “momentarily known as” I was like, yeah, that is a manifestation, if ever. I like that. I'm gonna, I'm gonna borrow that. Let me also cite Dakota Camacho for that.   Gabriel Tanglao: [00:05:33] Tavae I would love to know just a little more about your backstory. What brought you to this work in particular, organizing in the Pacific Island community and spaces.   Tavae Samuelu: [00:05:43] My path was circuitous. I think there are a couple of milestones that are important to be explicit about. I've been Pacific Islander my entire life, right? Whatever that means to be born into racism and understand that race is a social construct. And so what it means to be Pacific Islander has also changed every single moment of my life. I would say that the way that I language and articulate my Pacific Islander identity most definitely needs to be credited to black feminist thought and that despite being Pacific Islander my entire life [laughs], it wasn't really until, you know, I was an undergrad at Cal and an ethnic studies major and introduced to Audre Lorde and bell H=hooks and Angela Davis and especially Kimberlé Crenshaw, right? The person who so often is not credited enough for coining intersectionality. But I want to be really clear, I didn't understand Pacific Islander until I got language from these black feminist thought leaders. Folks who were so so brilliant about naming what it means to walk around in a world that is both racist and sexist. And then, through an ethnic studies class that was on time on American History, right? I'm a first year Cal and it also meant I went kindergarten through 12th grade not hearing a single thing about Samoans. And had to get to my freshman year of college to see anything about us and having a lot of critical questions about why that is right. And everything leading to one thing or another. I was like, oh, well, there's not enough of us in higher education. So, well, why aren't there enough of us in higher education? I know. Brilliant smart, talented Pacific Islanders. So you start getting into like the systemic and institutional barriers around. So there was a lot of critical race theory consumption that happened for me really in gaining an elitist language for things that I experienced my entire life, right? And then after getting black feminist thought, then being able to read about Pacific Islanders through Epeli Hau'ofa and Sia Fiegel and Haunani Kay Trask and so many ancestors and elders who really blazed a trail around things, who became definite, and more recently, Teresia Teaiwa. So I say that, and there's also a piece of it where I would love to say that there was like this drive that came from this really positive place, but a lot of it was just anger. Like that initial phase of building your political consciousness where you wake up and realize how up is, oh, man like, what can I do? And then sort of moving throughout these other phases of political consciousness building where then I'm like, oh, but there are ways that I participate in the systems that disenfranchise us, but also that internal work and still being there. And so even most of my organizing and like even professional career has actually been in multicultural spaces outside of the Pacific Islander community. And it's really only with EPIC that I've been able to deeply engage in that. And the irony of being called Palangi or the Samoan word for white my entire life and then never feeling Pacific Islander enough and now being charged as the leader of a national Pacific Islander organization that is frequently asked to define PI, so, you know, that is the irony of the universe for me.   Estella Owoimaha-Church: [00:09:07] There was so much, so much there. Our listeners cannot hear me like banging on the table and snapping and, but, again, you are another guest who has affirmed the absolute importance of ethnic studies in our education, in our process, and you are another guest who has affirmed the absolute necessity of black feminist thought, like in all of our upbringing and conscious awareness rising. And like maybe there's a case study here in season one [laughs] that's formulating on how we became the educators and organizers that we are. Gabriel, you were a social studies classroom teacher, and then moved into taking on union labor work like heavily, what was some of your motivation or inspiration to make the move from the classroom and step heavy into union labor organizing?   Gabriel Tanglao: [00:10:16] If I'm keeping it 100 percent real, I didn't want to leave the classroom. I loved the classroom. I still love the classroom. It was the foundation of just my passion in specifically the Bergenfield community, which we've talked about in the past episodes has a larger Filipino population. So not only was education, just a pathway to be able to help uplift, engage my people, young folks in my community. But the union organizing space in Bergenfield was also formative in allowing me to engage on a broader scale. So that said, when making the transition out of the classroom, which was a difficult decision, to step into the union organizing space on a statewide level, it was really just with the possibility of being able to support educators on a larger scale and have a broader impact and specifically in my role in professional development, I consider this the only type of full time union work that I would leave the classroom for because it's the closest to the classroom. And in professional development, I think there's this old school perception on PD that's really sit and receive canned PowerPoints. And I feel like this conversation around organizing, there's actually a really fascinating exploration between facilitation, education, and organizing. They all pull from the similar skill sets, right? Sharing resources, bringing people together in shared learning, collective understanding, trying to figure out how the collective wisdom can allow us to just transform the community spaces, the up society in which we live. All of the things, Tavae set it off so we can do that she established some new rules. But to keep it relatively brief, I would say the professional development role and the opportunity to organize on a larger scale is the only reason that I considered leaving the classroom.   Estella Owoimaha-Church: [00:12:30] I know you, you touched on this already, but I'll go ahead and ask it and I'll ask both of you and I'll toss it to Tavae first. In what ways does your culture and your identity inform the work or vice versa?   Tavae Samuelu: [00:12:46] I think that it always has. There was a point at which I thought I needed to come to EPIC and sometimes that's still true. That I needed to come to EPIC in order to give primacy to my Pacific Islander identity, I had spoken earlier about most of my professional career and even like, as a student organizing was done in multicultural spaces that were, you know, in, in this sort of umbrella way identified as black and brown. But they weren't spaces where I was PI, I was like, you know, most often a woman of color, more broadly, a person of color, but there was never really an understanding of Pacific Islander. Whether people knew it or not, everything I was doing was in a very Pacific Islander way. From the way I speak to things that people would have identified as very humble. I was like, oh, that's just how PIs do it, right? That there's a protocol to things. The deference to elders, the, I love my best friends says, all I do is quote people [laughs]. But there's this part to me where it's like, everybody quotes people I just cite my sources. But there's a part to it too where even citing your sources is very Pacific Islander in that you are naming the genealogy of something, of a thought, of a practice, of a story, right? That you are always going back to the roots of where you came from and that conclusion. And also like a lot of ways where things that I was recognized for was in storytelling. It's like, oh, that's a really good. And folks not realizing like, oh, that's, that comes from me being Pacific Islander. Like that comes from me being Samoan. Not in spite of, but because of it. And so now there's a lot of ways where the work is defining Pacific Islander. And this other really interesting piece that EPIC does leadership development. That means we work with a lot of young people and the vast majority of our young people are second, third, fourth generation, right? Fairly removed from their indigeneity. And because of that, growing up in diaspora, in particular, growing up in the U. S., that there's always this thirst for Pacific Islander culture, and that's what they come to us for but also this notion and kind of this living conversation about what is PI, right? And that we ask them, and then many of them not feeling Pacific Islander enough, like that being the through line. But when you ask, like, what is Pacific Islander, is advocacy Pacific Islander, is education Pacific Islander? And oftentimes hearing from them, really troubling narratives that they've internalized about what PI is, and then having to untether and tease out, like, where did you get that from? Where did that story come from? Did it come from PIs? Very often, not, right? That, that what it means to have to constantly interrogate the ways that white supremacy controls how you understand yourself, controls your story, right? And so, you know, what does it mean that to our young people, that being PI means automatically and inherently means being part of the military, because that's what it means to be a warrior culture. Or that being PI is playing football or that being like that many of the narratives that they had taken to be factual were also grounded in the consumption of their bodies and wanting to trouble that notion. Right? And then also empower them to participate in the creation of a new narrative. So we sort of sit at this place where our work is to both remember culture, spread that remembering, and also watch it evolve and empower our young people to participate in that evolution and feel ownership of it.   Gabriel Tanglao: [00:17:05] I'm just gonna have a real moment right now on this episode and just say I wish I had a rewind button right now just to run that back because I'm trying to process some of the knowledge you just dropped and thinking about the ways that our culture and identity inform the ways we show up in spaces, specifically the ways that our perception is grounded through the lens of white supremacy culture and the consumption of our bodies is the way that you framed it, but how do we transform those narratives to be grounded in our own indigenous authentic cultural lens. So just Tavae, thank you for jumping in there. I was thinking about this question in what ways does my culture and identity inform my work? And I'm going to keep it real with you that I'm still exploring that right now. I recognize that the knowledge of self, the knowledge of Filipino history is something that I am becoming more familiar with and drawing more connections with in my adult life. Of course, being Filipino, having the cultural roots be present in my life, but also being a first generation person in a predominantly white suburban area, assimilation is something that is very much the reality for first generation folks. It wasn't until college, it was an educator, a professor Osei, on the literature of African peoples that started to help spark that critical race consciousness and sent me down a journey to become more race conscious and explore that. So to respond in short, the cultural identity, I'm still exploring that now, but I will say this. that the more that I learn, the more connections that I'm starting to realize. Being that I'm now heavily involved in the union spaces, and that's been a big part of my journey recently, I've come to learn about the farm workers and the Filipino organizers across Hawaii and the West Coast that have been pivotal in American history, labor organizing that I wasn't aware of. It was actually a moment of pride as I learned about that through APALA so APALA was one of the places where I was educated about this history and I'm realizing a lot of the connections that I'm making in my people, cultural roots.There's something there that I'm still unpacking right now, still exploring right now, and that's part of this Continental Shifts podcast. It's a real time exploration of how our culture and identity inform the ways we show up now. So that's, that's how I think about it in this moment.   Tavae Samuelu: [00:19:56] I love that and I think even as you were saying that what comes up for me is a lot of stuff too. That's also what's unique about EPIC is because I know our young people everywhere else they go will tell them that culture is a deficit. Right. It's the thing that you need to put away in order to succeed. And that we're also really clear of like, well, we are asking them to define success. It's not about aspiring to whiteness. Right. That I'm not trying to replace American exceptionalism with PI exceptionalism. And this other piece around culture is like, culture is not a costume. But it's most definitely a uniform for me, right? Like that when I go to the Capitol, if I'm lobbying in Sacramento, if I'm in D. C., I'm wearing my mom's fulakasi so that everybody can see, right? So to bring her with me as like a physical reminder. But also so my people see me there, right? Like a pulakasi, you wear it for ceremony. You also wear it to do faius or work when you're in service, right? So if I'm wearing a pulakasi, you know that I'm there for teltua. You know that I'm there to be in service, and that signaling to our young people, and then like the ceremony part of it, right? There's a sacredness to it. So if I'm in it, you also know, like, that you know what I'm there for. You know I'm about that business if we're, if we're in it. And you know, it tells other people, like, yo, this is how much we belong in the capital that I didn't put on, you know, I didn't put on some pantsuit or a blazer or whatever the case so that white people will recognize me. I put on a fulakasi so you all could see me. Right? And I think, and I've talked to this to a couple of folks about it, right? Like when Toni Morrison talks about Invisible Man and asked this question of like invisible to who? Like, what do I care if whiteness sees me? Like, the first time white people saw us, they decided, like, we were savage and they needed to take our land from us. It's actually not safe for white people to see me. Like, I just need our folks to see each other, right? And this other piece too, around narratives and story and culture, right? Like, that's the importance of APALA, of EPIC, of, of Ethnic Studies, is like, it'll give you the stories white supremacy never wanted you to know about yourself, right? That, like, white supremacy will tell people about the Aloha spirit, and that, like, Kanaka are just so grateful for tourism to have you on their land. It's like, yo, my favorite stories about Native Hawaiians are when they killed Captain Cook, cause that just like stepped out of line and tried to take too much right.   Like, those are my favorite stories. And so, you know, they'll tell you about us being warriors to recruit our young people for empire, like, yo, if you're gonna talk about words, talk about the Polynesian Panthers who stood toe to toe, inspired by the Black Panther Party to surveil the cops who were harassing, deporting and doing all of this up to our community. Or like tell the stories about our healers, right? Big Pharma will copyright things that we've been using to treat and heal our people for years so that it's not accessible on our lands. Like those are the stories where I'm just like, yo, I need all of our folks to know more of this. And I think even to that note Estella and I got to, after that APALA workshop got to reconnect through LE GaFa. And LE GaFa is also really important, like all of these language revitalization programs that are coming up, because even in a Fa'a Samoa or like a Samoan context, the three pillars of identity are land, family, and language, right? And so many of our young people come to us, you know, if you're in diaspora, that means you, you're divorced from your land. Many have lost language and then family is complicated. Family is real complicated [laughs]. And so how did we also become that space of redefining Samoa?   Estella Owoimaha-Church: [00:23:36] Oh, sis. So much has been said, but when you were speaking earlier, I thought back to how I felt when I first met you. And for the first time I was seen by my sister. You know what I mean? Like, I have never been in space with other Samoan women and felt at home until then. And then in thinking about LE GaFa and why I chose to take the class at 30, trying to learn a language is hard at 30, trying to learn Samoan at 30 oof! It is one of the biggest challenges I've ever accepted in my life. But every time we are in class, things just feel like they were already in my bones. And I didn't have a name for it or I didn't know what it was. So folks are always telling me, Stella, you're a storyteller. And you know, obviously I'm a theater major. Ended up in storytelling. And it's definitely a part of my practice as an educator. But like, now I know, well, that was in my bones, that is my lineage, that's my heritage, that's my ancestry. From both sides, you know, you know what I mean? I'm Nigerian and Samoan, I get it strong from both sides of who I am. I just love holding on to that thought that all of these things that someone tried to rip away from me, tell me was not okay, they couldn't because it is deeply innate. It is literally in… in me and it cannot be taken. And so my journey throughout my life to it was just that. It was something that was misplaced and I just had to find it again and I'm happy that I am there and to what Gabriel said earlier, that was definitely a reason why we chose to start this podcast because I can see it on my social media feeds, that there is a thirst, especially among young Samoans, to find out more about what's going on, I now have so many, oh, Samoan daily words and Samoan proverb, you know what I mean? Like so many folks I'm following and people are also trying to learn the language, I'm meeting and making connection with random Samoan artists on Instagram who now are in the LE GaFa class. And like everyone is now connected through social media. Because all of us, like you said, we are living in diaspora and those three parts of ourselves, we are now having to find. They're misplaced and we're in search of them and are lucky and blessed to be able to find each other so that we can rediscover those pieces of ourselves.   Gabriel Tanglao: [00:26:09] Tavae, when you were talking about the different stories that aren't told that should be told, you got me thinking about Lapu Lapu in the Philippine Islands, the chieftain that defeated, Magellan and stemmed off the first wave of colonizers coming through to the Philippines. I didn't learn about that in my, in my fourth grade class when I had to do a history research project. I learned about Magellan discovering the Philippine islands and that's not the story. Tell me the story about Gabriela Silang and all of the Filipino revolutionaries. So I was feeling what you were saying earlier. And also, with the deficit narratives that are placed on us, Dr. Tara Yasso, who introduced the Community Cultural Wealth Framework, the idea to challenge the dominant culture's narrative, the deficit thinking around us, and recognize the value-based, asset-based, capital-based thinking of cultural wealth that we're bringing to spaces, that's real.   Swati Rayasam: [00:27:07] You are tuned in to APEX Express on 94.1 KPFA, 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno and online at kpfa.org.   Gabriel Tanglao: [00:27:22] Tavae, I do have a question about your organizing work with EPIC. That's a dope name, by the way just got to shout that out. But what success have you and EPIC had in organizing across PI communities?   Tavae Samuelu: [00:27:37] Credit for the name goes to Ono Waifale. You know, so EPIC started in 2009 by a group of young Native Hawaiian and Pacific Islander leaders, mostly in higher ed, Ono, and a lot of it's sort of like the seeds of it planted, in the Pacific Islander leadership pipeline. So there's like a lot of hands that went into building it. Ono Waifale was one of the young people who went through that. And so the name EPIC comes from him. You know, something about the word success gives me trepidation. Like I have a thing about it, and maybe this is also me having a hard time just discerning between, humility and insecurity of like when you call something a success that people come and like want to hold you accountable to that. There are things that I feel good about, things that I feel proud about and. You know, it's my own recovering perfectionism that has me hesitant about it. That has me like, Oh, if I call that a success, there are so many things that I would have nitpicked about it, that I would done differently. You know, I'm always going to say the young people are my favorite part of this work of EPIC as an organization. On like that Huey P Newton, like, the revolution is always in the hands of young people. There's also a way that they are the best compass and litmus test, right? In that audacity that young people have of it could be better. And I'm just like, Oh, that's dope. Like, cause I think there's also a lot of ways where you know, I'm always an aspiring radical elder and trying to figure out how I can be that radical elder right now. But recognizing, a lot of the markers for adulthood and maturity are about sometimes, like, how much closer you get it to status quo, to like being more served by existing systems. And so there's a way in which I'm going to age out of this role. And I'm always looking for the young person who's going to take it on and keep up that mantle of demanding more, right. Of keeping us accountable to that. And so I think it's always the young people who are like over inspiring and also so brilliant and have so much heart around this and are such a good reminder because there's also ways in which they're closer to the problem because of their youth, right? And so because they're closer to the problem, they have more solutions and they're also a better way of vetting the viability of something that I might think is so great, but I'm doing all this grass top of what do I know if I'm spending all my time talking to funders and elected officials?   Like, I need the young people who tell me stories about I couldn't do homework because I had to do files for my mom and my grandma. And then I also had to take care of my little siblings and like, that's the kind of where I'm like, Oh, that's actually what should be dictating our policy agenda, right? Of like, how young people are thriving in this world, right? Because they're always going to be the marker of a healthy society, right? And that because they are part of that most vulnerable group, because they inherit so much . And then also the ways that we're developing young people into adult allies. Like, how are these young people also then looking at themselves of like, oh, let me be that, like, that OG that all the younger folks can come to as well. Like that they're preparing themselves also to take up the mantle and they feel good about it. Like that they feel ready and maybe if not ready, that they feel supported like, when they take that on, all the adults aren't going to disappear. And then there's also like a relativity to it, right? Like, in many spaces, I'm the youngest ED, or I'm the youngest “leader” whatever that means. And so there's me kind of also feeling young in that way, but then sometimes I'm like, oh, I'm the adult in the room [laughs]. Lamenting that ugh I gotta be the grownup. So I think that piece too is a weird in between that, that I'm in, but like I I think those are the parts of EPIC that feel good. And I think this speaks to the API aspect of this episode and where we're going to be diving deeper in. It's always a success to me when I've got more accomplices and allies for the Pacific Islander community. Right. When I have more people beyond PI's that are asking about us, that are fighting for us. Right. And that's a solidarity and then, you know, this is also an inspiration and something I like feel good about the direction that we're moving in is being really explicit about our organization being pro black and pro Indigenous and anti racist. Not because it's trending, because Imma be in this, [laughs] like even after it stops trending, but because it also signals to folks that we're a safe place to land. That if we say it out loud, you can hold us accountable to it, but you also know that you can come here and talk about and go there with us.   Estella Owoimaha-Church: [00:32:48] What you said about young people, I think, is my favorite part about being a classroom teacher. It is, I think, exactly for that reason. And I can sit and sit and lesson plan, lesson plan, lesson plan, get to class, and kids are like, nah. Now you, that's corny. You thought it was, you thought it was great, but Miss, let me tell you, but then I love that they feel absolutely comfortable telling me that it's not as dope as I thought it was [laughs]. And then we, you know, I just let them take over the lesson at that point. What are the critical issues that you foresee us needing to mobilize around? Maybe it's right now or in the immediate future.   Gabriel Tanglao: [00:33:28] Yeah, I guess what's present for me based on this conversation has me thinking about education, thinking about the stories and the narratives that are out there, and thinking about decolonizing curriculum as a primary frontline issue, but I actually need to shout out Kai, who was one of our guests, that decolonizing curriculum, if we flip that framing to indigenizing curriculum, is perhaps a better approach in terms of how we are more historically and culturally responsive in our approach. Why is that important? I think it's important to mobilize because I'm starting to recognize that the narratives that are being shared throughout public education in this country really do have a major impact on perpetuating white supremacy culture and continuing the violence that we're seeing. So, the obvious physical violence, but the forms of emotional violence and trauma that are just part of the mythology of the ways this nation state perpetuates white supremacy, patriarchal culture, capitalist system at large. So, I feel like part of my educator roots always calls me to that. But I think because Tavae and Estella, you're making sure we're grounded in understanding the youth perspectives that's present on my right now as a critical issue. And that's also going to be now and forever, perhaps, right? Oh wait, no, actually, Tavae, I'm gonna take some learning from what you shared at the beginning. The empire, when it falls, right? We're preparing for when it falls. So I'll just, I'll leave it there.   Estella Owoimaha-Church: [00:35:17] I think right now, like, educators across the nation, an immediate charge is to pass ethnic, like, ethnic studies has to be it everywhere, across the board, preschool to 14, like, mandatory, we've got to make sure that ethnic studies, um, so whatever state association across all of our unions. When ethnic studies ends up on your legislative body on the floor, yes on ethnic studies and push it and make sure that, it is what it's supposed to be and not some watered down, BS where you've taken out words like anti blackness and white supremacy. Let's make sure that. Every child has access to that, and it is what it's supposed to be because, like you said, I'm not trying to hear about Magellan discovering some he didn't discover in the first place. I'm trying to learn my whole truth, and it'd be great if I could get it, you know, starting at preschool instead of having to go, like Tavae put it earlier, I had to get that elite language in order to name the stuff. Like, I shouldn't have to go all the way to Graduate school, undergrad to figure out who the hell I am and then do something with that. So ethnic studies, I think, is the thing that needs to happen like right now.   Tavae Samuelu: [00:36:43] Well, I guess I'm also thinking about this ethnic studies piece too, because I fully support it and I know there's like a save PI studies coalition full of brilliant, like PI educators, also like very much Manawahine which folks should definitely follow. I think there's this piece too, where if you're going to mandate ethnic studies, I also need a pipeline for teachers of color and not just a pipeline, but Right, to support and retain teachers of color. Because there's this concern that I have too of what does it mean that most teachers are white? Like that's the other part, right? I was like, oh, white people are, I've never met a white person who teaches ethnic studies well. Never. I don't even know if it's possible, but you'd have to break yourself to do that, right? And also to think back of, like, the origins of ethnic studies in the 1969, the Third World Liberation Front. What it was created to respond to, the fact that it was also meant to be a college, not a department of, what does it mean to do ethnic studies in biology, right? Like, what does it mean to do ethnic studies as a lens through which we observe everything, right? Because if you have ethnic studies, you actually don't need US history anymore. Like, if you have ethnic studies, you don't need European history anymore, because ethnic studies is all of that, right? It's all of that. It also, you know, I agree, Ethnic studies it taught me a set of values and a way to look at the world and not just stories, right? It made me question all the things of like, what is essentially like the propaganda that our young people receive in formal education spaces [laughs]. And so I say this too, of like, yes, absolutely, all of that, it should be accessible, it should be invested in, it should be from us, there should be a naming of the fact that the US and education systems are, traditional education systems are invested in and fans of revisionist white supremacist history and that there's simultaneous campaigns that need to happen. And I defer to you all in your expertise and brilliance as educators. Right.   Every issue is a critical issue right now. Everything. You know, especially like COVID-19 and Pacific Islanders, I think in the context of this episode, in this podcast, this conversation, I'm at an impasse with Asian Pacific Islander or API, the terminology as an aggregate has been around since, you know, 1970s ish, and for me, because it's been around that long, it means that, API spaces and organizations have had since the 1970s to figure it out. So we're in 2021 right now and I'm having conversations with folks about what about PI and like there's a request for patience that just frankly is not fair. There's also just, like, this dynamic that doesn't get investigated. So when I talk about being at an impasse, it's that PIs already don't do API, that data disaggregation is actually just a request for data to catch up to the ways we already organize ourselves as communities API is a false promise and a site of erasure for many communities, not just Pacific Islanders, right? That Southeast Asian, South Asians, Filipinos as well get erased in these things, right? That even under API, we were still actually just being held responsible for a majority East Asian representation. And that it doesn't investigate the inequitable dynamic that exists between and AA and PI so this impasse is that the work that we do in advocacy is in recognition of the fact that power and resources are still distributed and disseminated through API. So we have a critical conversation to have as a community because PIs are already not using PI, and it's actually Asian Americans that use API and that it doesn't feel very good, these accountability conversations of calling folks in of like, how can we be good relatives? How can we talk about, because there's also like, you know, Asian American spaces aren't talking about colonization, like the PI as a colonized people, all the forms of racism that we experience being facilitated through that means, and, you know, if we're real, that some of our PI nations are colonized by Asian Americans, like not American, but like Asian nations, right? That there's like some healing that needs to happen. And so this, I don't know that it's a critical issue so much as like a critical conversation that needs to occur in our communities that is inclusive of PIs. Cause I also know I come across folks who are like, I say API cause I was taught that that was inclusive. And I was like, I bet you a PI didn't tell you that. So, yeah, you know, I think about that in the context of this episode, but there's this other piece too of like, You know, my family and I had COVID back in August, and so that was its own, I don't know that I say wake up call, because I, like, what's the humble way to say, like, I've been awake? It was asking this question of, like, what facilitated our survival, right? And a lot of actually what came to me was around labor. Was around union organizing and those wins of like we survived because I got a livable wage. I have paid sick leave I have like health insurance I have all of these things that I'm really clear were won by unions were made possible by labor and they're treated as privileges right or even like speaking English Like, all of these things that I was just like sitting with, like, oh, those are actually now shaping our demands of how we are going to move our advocacy work, or, you know, that we're housed, all of these things where I was like, oh, these are actually, there's not one critical issue, because the insidious nature of racism and poverty is that it could manifest itself in so many ways in our community that lead to premature death, and in that, like, Ruthie Wilson Gilmore way where she defines racism as the set of systems that lead to premature death. So that being like, oh, those are all the critical issues for me.   Estella Owoimaha-Church: [00:43:12] We need to, we, we're going to have to like come up with a syllabus for this episode, like to drop this [laughs] episode next week that has everyone cited all the articles and all the things listed so that we can like, yeah, I'm disseminating a syllabus with this episode. And I think that you were, you were right in that. First of all the disaggregation of data is something that is a theme that has come up on nearly every episode too in this podcast. It was another reason why, when Gabriel and I met, that was one of the first conversations we had because I have been very vocal in our caucus that there is some healing and reconciliation needs to happen. There is a reckoning that needs to happen. We need to deal with the anti blackness and et cetera, et cetera. In our caucus, right? And the fact that this caucus is meant to represent too many dang people and you try to squeeze us all together and make, like, all of our issues one issue, and it just does not work like that for all of the reasons that you said, but it doesn't mean you said, how can we be good relatives? It doesn't mean that moving forward, we can't be good relatives and figure this out. I think you're right. We've got to stop and have the conversation, before we can really move forward. And it's probably gonna be a long conversation. It's going to be a long conversation and one that happens continuously and in various spaces, but it definitely needs to happen moving forward aside from what you've already shared with us, what do you think it will take to increase the visibility of our communities and mobilize PI people around some of the critical issues that you've already talked about.   Gabriel Tanglao: [00:45:08] So Estella, your question has me thinking, and the energy from this episode in particular has me fired up, if I'm keeping it real, that if we're talking about visibility for our communities, obviously organizing is at the core of that, making sure that we lift up and create spaces for our people to come together and discover that collective wisdom within our own respective communities. But the fire that you all lit right now has me thinking that just being unapologetically and fearlessly courageous in the face of white supremacy culture within our own spaces, whether that's in the organizations, institutions, businesses, all of the places that we exist. I'm recognizing actually in this moment that one of the things that Tavae said earlier about not being seen by white supremacy institutions is actually safer, which is also very true in the way that things manifest. But what I'm feeling right now is increasing visibility. We're in a moment where, we're in this moment where our ancestors have prepared us to do battle in the ways that we are in our generation to try to disrupt the colonizers in our own respective ways. So those are my thoughts.   Tavae Samuelu: [00:46:34] Well, you know, I think the part of your question that I'm grappling with is this visibility piece, right? Because there are a lot of ways where I feel like our community is actually hyper visible, right? Like we've got The Rock, we've got Jason Momoa, we've got like all of these like really visible figures in our community who are also like very loud about our culture. And so there's this piece where I sit with is it that we need to be visible or is it like in this, man, I don't want to cite Chimamanda Adichie because she's like super TERFsy uh, and she had this Ted talk about like the danger of a single story and that actually, what, what troubles our visibility is the community is the singularity of our story here in the US, how there's like one thing that people get to know about. And I think, and maybe it's better to think about Stuart Hall and how he talks about there's no such thing as good or bad representation, because good and bad is constantly changing, right? Even the word bad in some contexts means good. In that sense, that actually what you're looking for as a community is a multitude of representation so that nothing becomes the single story of your visibility. Of how you're seen and understood, right? That that's also like, what white supremacy gets that white people get to be poor and wealthy. They get to be teachers and doctors and criminals, right? And even when they're criminal, we make it Godfather and like, glorify that criminality and so I think that's the part of our community is of wanting that to of, like, how do we get to see ourselves everywhere so that there isn't a limitation around how we mobilize. I also think, and I think this is always the conversation around representation of, like, how do I feel represented? Like you know, I never felt, Tulsi Gabbard is a Samoan woman, and I never felt represented by her like, that's not my people. And so, even that representation piece of, and I've stated this before, of like, yo, if it's not pro Black and pro Indigenous and anti racist, it doesn't represent me. Like, those are not my people.   Like, I'm not throwing down with people who aren't trying to get free. And so if I'm thinking about representation to invisibility, like I want our folks to be exposed and see as many examples of freedom as possible. That the other thing about young people and like language and all this stuff is young people already, really anyone like has a sense of what is not fair or doesn't feel right. That our young people actually, and many of us as marginalized communities, are experts in oppression. Like, you don't need to teach us what up looks like, because we've experienced it our whole lives. And so what does it mean to develop and invest in and build a whole pipeline and lineage of folks who are experts in liberation, who have so deeply exercised that muscle that they don't know anything else, that they only know how to be free. Like, I think that's the part where I'm thinking about, like, that's the kind of visibility I want to see. That's the kind of that I hope that our young people, that I, like, not just our young people, that I also need. And that I also am seeking so much, especially during this pandemic and always as somebody who struggles with anxiety and depression is, you know, on that Miriam Kaba, like hope is a discipline. I am internalizing more and more what that means. You to have to exercise hope as a discipline, as a muscle that needs to grow. I mean, I'll share this with you all, like, thank you Stella for saying happy birthday. It is, just probably one of the most difficult birthdays I've ever had. It is hard to age during a pandemic. In particular, like, because it's so macabre right now. But also because I've been wading through a lot of survivor's guilt. For the last couple of months, I'm just kind of like wondering why other people didn't make it and I did and so I have like a systemic analysis of all the privileges that kept me alive, but I'm still sitting here feeling guilty about making it or about surviving COVID thus far. And then sitting on a birthday, then having, like, every wish just felt really warm, but also sharp. And having to, like, say thank you to every single one to, like, exercise a muscle of gratitude. Like, try to replace some of that guilt with gratitude. But all that to say that I think this is also the direction that EPIC is going in, that like, when I think about these critical issues that it's like translating this thought experiment into tangible action around stuff. I'm sorry, I turned it off, I just completely lost you all.   Estella Owoimaha-Church: [00:51:53] No, I'm, I am with you, I was, y'all, like, I'm. dizzy from just shaking my head. Yes, I legit got lightheaded a second ago. Like, I was just shaking my head. What you just said, I was just like, isn't that the dream? Like, isn't that what we were supposed to be fighting for all those years ago and still today? A whole generation of people who don't know what it is to experience oppression. Like, that's the dream. Like, that's the dream. That, that is what we want and so what you were saying about visibility, you know, I'm, I constantly am struggling, like, with, I think, yeah, The Rock is there, but like, he's a wrestler, he's a movie star, you know what I mean? Like, it's always that same story. And while I appreciate him, I do, because being Black and being someone I always felt like a damn unicorn and The Rock was the only one who was there, who existed other than me and my brothers. And so I do appreciate him and the other celebrities or stars that we have to look to. But like you said, I want where we get to be. Any and everything and all of those things all at the same time.   Gabriel Tanglao: [00:53:19] I'm not sure if this makes it to the episode, but I have to express my gratitude for you just coming through and blazing this whole conversation. And really, I feel like there's just so much that I can't wait to. process and think through. I feel like the impact in this conversation alone is just gonna reverberate not only in my experience, but also our listeners that are tuning in. So Tavae, thank you so much.   Estella Owoimaha-Church: [00:53:47] Recovering perfectionist, that phrase. I'm walking away with it. Actually, it just posted something on like characteristics of white supremacy and the ways in which I was thinking about the ways in which as a theater educator, I have been guilty of perpetuating characteristics of white supremacy because it's so much a part of the way theater folk we do things. And so I was thinking like, but no wait, theater folk and artists, we also have the skills to dismantle white supremacy. It's also in the way that we do things so we do know better and when we know better we should do better so that recovering perfectionist is like in me and it also speaks to something that Gabriel has shared earlier about, you know, assimilation and being a first gen and that very typical immigrant story or child of immigrants like you're going to go to school get straight A's and essay like that show. And then your only options are doctor and lawyer. And don't come talk to me about anything else. So, you know, that that's definitely always been a part of. Me too, is it being in the diaspora and first gen American born, and always feeling like whatever I've done is not good enough. And, but then I'm like, but in whose eyes, whose eyes is it not good enough? And if it's in mine, then I need to sit with that and work past that. So recovering perfectionist, that's where I'm at.   Gabriel Tanglao: [00:55:14] My favorite line from today was aspiring radical elder. I'm holding on to that one. I was feeling that.   Estella Owoimaha-Church: [00:55:22] I wrote that one down too. Fa'a fatai te le lava. Thank you for listening.   Gabriel Tanglao: [00:55:28] Salamat. Thank you for listening.   Estella Owoimaha-Church: [00:55:29] We want to thank our special guest Tavae, one more time for rapping with us tonight. We really appreciate you.   Gabriel Tanglao: [00:55:36] Continental Shifts Podcast can be found on Podbean, Apple, Spotify, Google, and Stitcher.   Estella Owoimaha-Church: [00:55:43] Be sure to like and subscribe on YouTube for archived footage and grab some merch on our site.   Gabriel Tanglao: [00:55:48] Join our mailing list for updates at CONSHIFTSPodcast.com That's C O N S H I F T S podcast dot com. Follow us at con underscore shifts on all social media platforms.   Estella Owoimaha-Church: [00:56:06] Dope educators wayfinding the past, present, and future.   Gabriel Tanglao: [00:56:10] Keep rocking with us, fam. We're gonna make continental shifts through dialogue, with love, and together.   Estella Owoimaha-Church: [00:56:16] Fa'afetai. Thanks again. Deuces.   Gabriel Tanglao: [00:56:19] Peace. One love.   Swati Rayasam: [00:56:20] Thanks so much for tuning into apex express and an extra special thank you to Gabe and Estella for allowing us to feature your incredible podcast. Like I said at the top, you can find other episodes of the ConShifts podcast on our site at kpfa dot org backslash programs, backslash apex express. Or even better, you can go to the ConShifts site to listen on Podbean or wherever podcasts can be found. And make sure to follow them to keep up with where they go next. Please check out our website, kpfa.org/program/apexexpress to find out more about the show tonight and to find out how you can take direct action. We think all of you listeners out there keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex Express is produced by Miko Lee, along with Paige Chung, Jalena Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Kiki Rivera, Nate Tan, Hien Nguyen, Cheryl Truong, and me, Swati Rayasam. Thank you so much to the team at KPFA for their support and have a great night. The post APEX Express – 8.1.24 – Continental Shifts Organizing & More appeared first on KPFA.

Janine Sherman Barrois is an award-winning writer and showrunner known for her work on Claws, Criminal Minds, ER, and Self Made: Inspired by the Life of Madame CJ Walker starring Octavia Spencer. Her latest project, The Big Cigar, follows Huey P. Newton's life as he escapes to Cuba to avoid prosecution for murder with the help of Bert Schneider, the Hollywood producer behind Easy Rider, as well as a few other celebrity radicals. In this interview, we talk about her journey into becoming a screenwriter, how her career progressed from writing comedy to drama, the differences between writing for short-order vs long-order television shows, the importance of mentorship and networking for aspiring writers, and much more. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

From directors Don Cheadle, Tiffany Johnson and Damon Thomas, limited series ‘The Big Cigar' tells the story of Black Panther Party founder Huey P. Newton. When Newton must escape to Cuba, he enlists the help of unlikely acquaintance Bert Schneider — the Hollywood producer behind ‘Easy Rider.' The six episodes follow Newton (André Holland) as he puts Schneider (Alessandro Nivola) to the test before trusting him with his life. ‘The Big Cigar' is inspired by executive producer Joshuah Bearman's Playboy article of the same name. Chicago actor Inny Plemons stars in the series as Richard Pryor, revered comedian and friend of Newton. Plemons sat down with Vocalo's resident film critic Reggie Ponder to discuss how he got the role and the intentions behind the series. The first episode of ‘The Big Cigar' premiered on May 17 on Apple TV+. Follow Reggie “The Reel Critic” Ponder on Instagram and X @thereelcritic.

From directors Don Cheadle, Tiffany Johnson and Damon Thomas, limited series ‘The Big Cigar' tells the story of Black Panther Party founder Huey P. Newton. When Newton must escape to Cuba, he enlists the help of unlikely acquaintance Bert Schneider — the Hollywood producer behind ‘Easy Rider.' The six episodes follow Newton (André Holland) as he puts Schneider (Alessandro Nivola) to the test before trusting him with his life. ‘The Big Cigar' is inspired by executive producer Joshuah Bearman's Playboy article of the same name. Chicago actor Inny Plemons stars in the series as Richard Pryor, revered comedian and friend of Newton. Plemons sat down with Vocalo's resident film critic Reggie Ponder to discuss how he got the role and the intentions behind the series. The first episode of ‘The Big Cigar' premiered on May 17 on Apple TV+. Follow Reggie “The Reel Critic” Ponder on Instagram and X @thereelcritic.

Professor of Philosophy Jim Vernon joins me for an amazing conversation where we dive deep into the mystical waters of consciousness, the reality of the world around us and how do we even know what we think is real or what we think we see is what we think we see? Is there a place for the paranormal in the world of historical thinkers and what in fact would be some of their positions on the existence of the unexplainable? So fun and inspiring to discuss these things with someone like Jim and I know you'll enjoy his incredible perspectives. Jim works broadly in Continental philosophy, with a focus on German Idealism (esp. Hegel) and recent French Philosophy (esp. Derrida, Badiou, and Deleuze), as well as in political theory, with an emphasis on the organic intellectuals of post-war Black Liberation movements in America (esp. Martin Luther King, The Black Panthers, Malcolm X, and Hip Hop culture). Current projects include a Hegelian explication and defence of the aesthetic and cultural practices surrounding the band Phish, and a monograph on the political theory and practice of Huey P. Newton and the Black Panther Party.No ads when you join the Patreon page! https://www.patreon.com/ryansingerI've got tshirts and posters! www.ryansingercomedy.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/me-paranormal-you-with-ryan-singer--5471727/support.

André Holland talks playing Huey P. Newton, Bill Pullman reflects on “Murdaugh Murders,” and Todd Haynes gives us a “gorgeous character study” for The Treat.

"Bridgerton" is back with more scandal and more sex! FRANCE 24's Olivia Salazar-Winspear and Dheepthika Laurent take a look at everyone's fan favourite focusing on Penelope Featherington and Colin Bridgerton's story. Meanwhile, "The Big Cigar" looks at the improbable story of a daring escape by Huey P. Newton, the founder of the Black Panthers. Plus, they discuss the exploration of an alternate universe in sci-fi thriller "Dark Matter" and the return of BAFTA-winning Muslim girls rock band comedy "We Are Lady Parts".

This episode delves into the emergence of the Black Panther Party in 1966, founded by Huey P. Newton and Bobby Seale in response to systemic oppression and police brutality against African Americans. The party's tenets of armed self-defense and community socialism drew national attention but faced fierce government suppression through the FBI's COINTELPRO program, leading to internal strife and eventual dissolution by the early 1980s.

Jim Hecht is a writer and producer, known for Winning Time: The Rise of the Lakers Dynasty (2022), Robots (2005) and the Ice Age movies. His current project is The Big Cigar, a teleplay that follows The Black Panther Party's founder Huey P. Newton's life. He escaped to Cuba to avoid prosecution for murder with the help of Bert Schneider, the Hollywood producer behind Easy Rider, as well as a few other celebrity radicals. (Streaming now.) Listen to the conversation, get some good news, and have some laughs with the guys on Good Things Are Happening.  Visit us on the web at https://www.goodthingspod.com/ Patreon: https://www.patreon.com/goodthingsarehappeningpodcast/

Tom Sutcliffe is joined by journalist Kevin Le Gendre and critic Hanna Flint to review The Big Cigar, which tells the story of Black Panther leader Huey P. Newton; Elton John's Fragile Beauty exhibition at the V&A and IF, a family film about imaginary friends. Tom also announces the winner of the Dylan Thomas Prize.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Three major new series reviewed this week including a Donald Trump satire, a Tudor murder mystery and a drama about a Black Panther leader. The Big Cigar (AppleTV+) is a drama that chronicles the story of Black Panther leader Huey P. Newton's escape to Cuba. Shardlake (Disney+) is a 16th century murder mystery where Sean Bean as Thomas Cromwell sends his lawyer to investigate a murder in a monastery. A Man in Full (Netflix) stars Jeff Daniels is a satire about a Trump-like character who owes a mountain of debt to his bankers. Could getting elected be a way out for him? We also talk this week about Clarkson's Farm (Prime) and its surprise sex scenes warning, The War on Disco (SBS On Demand) and Travel Guides (Nine).See omnystudio.com/listener for privacy information.

Watch Carol and Tim LIVE every day on YouTube: http://bit.ly/3vTiACF. Jim Hecht, Television Creator and Writer, discusses his new drama for Apple TV+ The Big Cigar. Hosts: Carol Massar and Bailey Lipschultz. Producer: Paul Brennan. See omnystudio.com/listener for privacy information.

Toni Morrison is widely considered one of America's greatest writers. She published 11 novels and is the recipient of a Pulitzer, a Nobel and a Presidential Medal of Freedom. The Bluest Eye, Song of Solomon, Tar Baby, Sula and Beloved are just a few of her works that are considered great American classics. Before she was a celebrated author, she was a pioneering editor at Random House, opening doors for a whole generation of Black writers, including Angela Davis, Huey P. Newton and Gayl Jones. Her editorship assembled a strong network of the most prominent Black intellectuals of the 20th century. But Toni Morrison's road to success was not a straight shot. She only published her first novel around 40 years old. And when she found her footing, she changed the face of American literature. On the Making season finale, host Brandon Pope sits down with leading Toni Morrison scholars, including Dana Williams, Carolyn Denard, Autumn Womack and Courtney Thorsson, to unpack the trajectory of an American literary hero. Making tells the story of a different, iconic figure every episode. Subscribe now.

Listen to the Sat. Feb. 17, 2024 edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode features our regular PANW report with dispatches on the Russian military victory in a major stronghold of the Ukrainian forces; the talks mediated by Qatar on the Gaza crisis have stalled; MIT has suspended a student organization for their solidarity work for Palestine; and the United Nations High Court have rejected the motion by South Africa for an emergency measure to halt the IDF assault on Rafah. In the second and third hours we continue our focus on African American History Month with segments on Claudia Jones and Dr. Huey P. Newton.

Kai Frazier is a former educator and the founder and CEO of Kai XR, designed to close the opportunity gap in under-resourced communities. The KaiXR platform, which uses AI and metaverse technologies, is being used by kids in grades 5-8 in schools, as well as juvenile detention centers, to take virtual college tours, learn about advances in science like CRISPR, and teach kids about historical figures like the late Dr. Huey P. Newton of the Black Panther Party. Before creating Kai XR, Kai worked with several museums such as the United States Holocaust Memorial Museum as well as the Smithsonian National Museum of African American History & Culture, specializing in digital strategy and content creation. Kai also served as an entrepreneur in residence at the Kapor Center for Social Impact Techstars' Social Impact cohort sponsored by Cox Enterprises, and T-Mobile's Immersive Accelerator. Her work has been featured by Forbes, The U.S Department of Education, NBC, the Steve Harvey Show & more.Recommended Resources:LinkedinTransition from Teaching to Your New Career Opportunity by Kai FrazierSnapchat

A rattan chair woven together in a light brown hue with a balloon back and round base is familiar. From baby showers to Huey P. Newton's famous photo, this chair has been special to us for generations—but why? _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith, Len Webb, and Lilly Workneh. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Julian Walker serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this day in 1989, the world lost a prominent figure in the civil rights and Black Panther movements, Huey P. Newton. Huey Newton was an influential leader and co-founder of the Black Panther Party for Self-Defense, which was established in 1966 in Oakland, California. On August 22, 1989, at the age of 47, he was tragically shot and killed in West Oakland. Huey Newton was a tireless advocate for social justice and civil rights, and his commitment to empowering marginalized communities left a mark on American history. The Black Panther Party's dedication to challenging racial injustice and its efforts to uplift disadvantaged communities continue to influence activists and social justice movements today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the second installment of the Agnes Varda series, THE FEMININE MYSTIQUE, Carter and I discuss Agnes's 1968 documentary, THE BLACK PANTHERS. The documentary hones in on a Free Huey rally held in Oakland after Huey Newton was arrested for being accused of killing a cop. We dive into the history of the Black Panthers, how Agnes's point of view pulls the curtain back on the Black Panthers and disputes what the media has portrayed them to be, how other Hollywood films have covered the Black Panthers history, and how many Leftist organizations have been heavily inspired by the Black Panthers.Books Referenced in the episode:Black Against Empire by Waldo E. Martin Jr and Joshua BloomThe Enigma of Clarence Thomas by Corey RobinThe Color of the Third Degree by Silvan NiedermeierChaos: Charles Manson, the CIA, and the Secret History of the SixtiesCarter Moon's Writings:https://merrygoroundmagazine.com/author/carter/Support Me:linktr.ee/FromMyLipsPod

Alicia Garza welcomes Fredrika Newton, President and Co-founder of The Dr. Huey P. Newton Foundation. Garza and Newton talk about the legacy of the Black Panther Party for Self Defense, misconceptions, and the comparisons drawn to the BLM movement. Newton also shares about her unexpected path into activism, and her revolutionary love with Huey P. Newton. Alicia's roundup focuses on climate catastrophe, Carlee Russell, losing our icons, and Cube on Carlson. It wasn't all bad, as lady loves the news about Snoop standing in solidarity with SAG-AFTRA.Lady's Love Notes is back, and it's the end of an era: divorce papers have been signed!Dr. Huey P. Newton Foundation on Twitter, Instagram & FacebookLady Don't Take No on Twitter, Instagram, Facebook, YouTube & TikTokAlicia Garza on Twitter, Instagram, Facebook, YouTube & TikTok * Do you have a question for Lady's Love Notes? Seeking advice on love/romance/relationships? CLICK HERE to send Lady Garza your question, and she may read it on the show! This pod is supported by the Black Futures LabProduction by Phil SurkisTheme music: "Lady Don't Tek No" by Latyrx Alicia Garza founded the Black Futures Lab to make Black communities powerful in politics. She is the co-creator of #BlackLivesMatter and the Black Lives Matter Global Network, an international organizing project to end state violence and oppression against Black people. Garza serves as the Strategy & Partnerships Director for the National Domestic Workers Alliance. She is the co-founder of Supermajority, a new home for women's activism. Alicia was recently named to TIME's Annual TIME100 List of the 100 Most Influential People in the World, alongside her BLM co-founders Opal Tometi and Patrisse Cullors. She is the author of the critically acclaimed book, The Purpose of Power: How We Come Together When We Fall Apart (Penguin Random House),  and she warns you -- hashtags don't start movements. People do. 

The year 1968 was a time of rebellion across the US and the wider world. Tremendous demonstrations and rebellions shook American cities in opposition to the Vietnam War, the assassination of Martin Luther King Jr., and the arrest of Huey P. Newton, co-founder of the Black Panther Party. Amidst this tumult, two athletes, John Carlos, and Tommie Smith, captured the spirit of the times by raising their fists at the 1968 Mexico City Olympics after placing first and third in the 200-meter dash. 45 years later, Dr. John Carlos is still with us—but many of his contemporaries have passed on. Dr. John Carlos joins Edge of Sports for a look back on the lives of Jimmy Hines, Ralph Boston, Herb Douglas, Harry Belafonte, Tina Turner, and Jim Brown.Elsewhere in this episode of Edge of Sports, Dr. Maria Veri, co-author of Gridiron Gourmet: Gender and Food at the Football Tailgate, joins to discuss the gender politics of tailgating culture. Dave Zirin also dives into the recently leaked details of a Professional Golfers' Association merger with the Saudi Arabian LIV Golf tour.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The year 1968 was a time of rebellion across the US and the wider world. Tremendous demonstrations and rebellions shook American cities in opposition to the Vietnam War, the assassination of Martin Luther King Jr., and the arrest of Huey P. Newton, co-founder of the Black Panther Party. Amidst this tumult, two athletes, John Carlos and Tommie Smith, captured the spirit of the times by raising their fists at the 1968 Mexico City Olympics after placing first and third in the 200-meter dash. 45 years later, Dr. John Carlos is still with us—but many of his contemporaries have passed on. Dr. John Carlos joins Edge of Sports for a look back on the lives of Jimmy Hines, Ralph Boston, Herb Douglas, Harry Belafonte, Tina Turner, and Jim Brown.Elsewhere in this episode of Edge of Sports, Dr. Maria Veri, co-author of Gridiron Gourmet: Gender and Food at the Football Tailgate, joins for a discussion on the gender politics of tailgating culture. Dave Zirin also dives into the recently leaked details of a Professional Golfers' Association merger with the Saudi Arabian LIV Golf tour.Click here to read the episode transcript:Studio Production: David Hebden, Cameron GranadinoPost-Production: Cameron GranadinoOpening Sequence: Cameron GranadinoMusic by: Eze Jackson & Carlos GuillenHelp us continue producing Edge of Sports with Dave Zirin by following us and becoming a monthly sustainer:Donate: https://therealnews.com/eos-pod-donateSign up for our newsletter: https://therealnews.com/eos-pod-subscribeLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

In this episode of the Groundings podcast, host Musa Springer talks with Dr. Akinyele Umoja, a scholar, activist, and author, about the notorious COINTELPRO program. This program was led by the FBI and local police departments, and was an all-out war on Black organizers. This episode delves into the history, consequences, and the struggle led by Black organizers to expose the violent program.Dr. Umoja provides a comprehensive understanding of the COINTELPRO program, its inception, and first-hand account of its impact on Black liberation movements in the US. The episode begins with a discussion about Assata Shakur, a prominent figure within the Black Panther Party and the Black Liberation Army, and her experiences with COINTELPRO.Dr. Umoja shares his insights on the counterintelligence and counterinsurgency tactics used by the FBI to disrupt and neutralize Black nationalist movements, and how these tactics are relevant and still in use today. He also discusses the discovery of the COINTELPRO program and the subsequent congressional hearings that confirmed its existence.

This episode is about the Black Man's perspective. You'll hear from black men and young black men from ages 12-45 share their perspectives on police officers, police brutality, mental health, being able to release their emotions, and what life has been like thus far living in the world as a black man. Thank you for tuning in! ⁣ ⁣ The men featured in this episode:⁣ Huey P. Newton (audio clip from YT from KPIX-TV's People Are Talking episode)⁣ Akmed Lorence (audio clip from YT from archives videos from the 1950s & 1960s that was used in a PBS series) ⁣ Jerome (IG @jaydamayor15)⁣ Grant⁣ Brandon⁣ William V⁣ William IV⁣ Devin⁣ Willie (IG @thething_aboutus)⁣ George (IG @noceilingsallsky)⁣ ⁣ ⁣ Keep up with your host, Linnea!⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ Instagram: unpacking_the_box_podcast ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ Twitter: @unpackingthebox ⁣⁣ Websites: https://linktr.ee/Linnea?fbclid=PAAaYvpzcKobYVZKDRt5b24kh37E1FEjztt9fB4bFW9KML3S84sPMc-p3crXo_aem_th_AbCfo6PUmztH5U8ezvRA33bFVcJkwHO3wybdsDww_kLemb77O6Yn573LsIBOwsoayIo⁣⁣ ⁣⁣ ⁣⁣ ⁣ --- Support this podcast: https://podcasters.spotify.com/pod/show/linnea-38/support

I speak with author Dr. Alvin Pam about his book, When Black Panthers Prowled Amerika. Set in the turbulent 60's amid the civil rights movement, Nef is an intrepid young black reporter who is covering the story of the Black Panther party in Oakland and its two disparate leaders, Huey P. Newton and Eldridge Cleaver. Falling in love with Newton and seeing the party from all sides, Nef starts to question the future of the Black Panthers and Newton's true intentions. Part autobiographical Pam and I discuss his own civil rights activism and what made him want to write this book.

Listen to Future Now 4.04.2023 It was our pleasure to interview T. Mike Walker and mathematician Dr. Ralph Abraham for this show, pioneers of the 1960’s counterculture, and editors of the new book, Hip Santa Cruz 6.  The latest in a series of magical tales from the early days of hip culture in Santa Cruz, this volume explores the start of Rock & Roll, the first organic gardens, Huey P. Newton’s USCS Dissertation, and ‘mind-blowing truths.’ For our show, Ralph relates a telepathic story of swimming with John Lilly’s dolphins, and what they had to say to him. And if you want to see the folks who wrote all these stories, be sure to check out live readings from the latest volume at the Santa Cruz Art League, 526 Broadway, Santa Cruz, CA Saturday afternoon, April 8, 2023, 3-5 p.m. Lots to share this week, from Space News to AR glasses and bio-printed Wagyu beef, enjoy! The cover of the latest book in the Hip Santa Cruz series

Early in 1966, the people of Lowndes County, Alabama formed an all-Black, independent political organization called the Lowndes County Freedom Organization (LCFO). Organized with the support of activists from the Student Nonviolent Coordinating Committee (SNCC), the LCFO fought the disenfranchisement of Black voters against the palpable threat of white violence. The LCFO was a crucial chapter in the early history of Black Power, providing not only the blueprint for Kwame Ture's theory of Black Power but also the black panther imagery that would inspire Huey P. Newton and Bobby Seale to form the Black Panther Party for Self Defense in Oakland just a few months later. Former SNCC organizers Jennifer Lawson and Courtland Cox join The Marc Steiner Show to offer an oral history of the Student Nonviolent Coordinating Committee and the Lowndes County Freedom Organization.Jennifer Lawson joined the Student Nonviolent Coordinating Committee (SNCC) in 1966 and was elected to its central coordinating committee. She designed the Black Panther symbol and campaign materials for the Lowndes Country Freedom Organization. Lawson continued her civil rights work for several more years before becoming an executive and producer in public television. She currently works with the SNCC Legacy Project to preserve the history of the movement and to encourage young activists to document their stories.Courtland Cox joined SNCC as a student at Howard University in 1960, and appeared as the representative of the organization's central committee at the 1963 March on Washington. He helped organize the 1964 Freedom Summer in Mississippi, and was also one of the organizers of the Lowndes County Freedom Organization. Later in life, he served as Secretary General of the Sixth Pan-African Congress in Tanzania, as well as on the Board of TransAfrica. He was appointed by President Clinton to serve as the Director of the Minority Business Development Agency (MBDA) at the U.S. Department of Commerce. He currently serves as board chair of the SNCC Legacy Project.Studio/Post-Production: David HebdenHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-stGet The Marc Steiner Show updates: https://therealnews.com/up-pod-stLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Early in 1966, the people of Lowndes County, Alabama formed an all-Black, independent political organization called the Lowndes County Freedom Organization (LCFO). Organized with the support of activists from the Student Nonviolent Coordinating Committee (SNCC), the LCFO fought the disenfranchisement of Black voters against the palpable threat of white violence. The LCFO was a crucial chapter in the early history of Black Power, providing not only the blueprint for Kwame Ture's theory of Black Power but also the black panther imagery that would inspire Huey P. Newton and Bobby Seale to form the Black Panther Party for Self Defense in Oakland just a few months later. Former SNCC organizers Jennifer Lawson and Courtland Cox join The Marc Steiner Show to offer an oral history of the Student Nonviolent Coordinating Committee and the Lowndes County Freedom Organization.Jennifer Lawson joined the Student Nonviolent Coordinating Committee (SNCC) in 1966 and was elected to its central coordinating committee. She designed the Black Panther symbol and campaign materials for the Lowndes Country Freedom Organization. Lawson continued her civil rights work for several more years before becoming an executive and producer in public television. She currently works with the SNCC Legacy Project to preserve the history of the movement and to encourage young activists to document their stories.Courtland Cox joined SNCC as a student at Howard University in 1960, and appeared as the representative of the organization's central committee at the 1963 March on Washington. He helped organize the 1964 Freedom Summer in Mississippi, and was also one of the organizers of the Lowndes County Freedom Organization. Later in life, he served as Secretary General of the Sixth Pan-African Congress in Tanzania, as well as on the Board of TransAfrica. He was appointed by President Clinton to serve as the Director of the Minority Business Development Agency (MBDA) at the U.S. Department of Commerce. He currently serves as board chair of the SNCC Legacy Project.Studio/Post-Production: David HebdenHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-st Get The Marc Steiner Show updates: https://therealnews.com/up-pod-st Like us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE SIX - MEISNER DILGOPaul's experiences with Buddhist master Dilgo Khyentse Rinpoche are a pre-cursor to his immersion in the Sanford Mesiner acting technique in a class led by Jon Voight and David Proval that featured some pretty impressive participants. Also in this episode: We announce screenings of Paul Williams' films in NYC at The Roxy Cinema during the last week of March and in Los Angeles at The New Beverly Cinema on April 18th & 19th.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE FIVE - HUEYPaul's relationship with The Black Panthers began on the streets of New Haven, Connecticut and led him to Algiers where he shot a film about the party with Eldridge Cleaver as plans were being laid for a guerilla attack on New York City which ultimately never happened. Years later, in California, Paul became friends with Huey P. Newton which in a roundabout way led him to Cuba and a basketball game with Francis Ford Coppola, Terrence Malick and Fidel Castro.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE FOUR - OUT OF IT In 1967 Paul Williams wrote and directed the film “Out Of It”. His production partner Edward Pressman, cinematographer John G. Avildsen, and a cast of future TV stars and Jon Voight fell in with his sophisticated take on high school. By the time “Out Of It” was released in 1969 films like “The Graduate” & “American Graffiti” had already mined the territory and rendered “Out Of It” quaint. Today, it is celebrated by filmmakers like Quentin Tarantino and Larry Karaszewski, and shares some powerful resonances with the latest from Paul's old friend Steven Spielberg, “The Fablemans”.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesFind all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

Black History Month has come to a close, but Black history is important every day of the year, and it continues to be written in real time.  In the Bay Area, a region teeming with Black history, stories of diaspora, the exploits, struggles and the successes alike, February was full of events to remind us why it matters.  KCBS Radio's Mallory Somera sat down with Fredrika Newton--widow of Huey P. Newton, President of the Dr. Huey P. Newton Foundation and former Black Panther Party member--and Dr. Xavier Buck--Executive Director of the foundation and manager of the Dr. Huey P. Newton Center for Research & Action--to talk about the significance of the center's location and what Black history has to do with the future. For more Bay Area stories, please subscribe to Bay Current on the Audacy app, or wherever you listen.  

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE THREE - MARGOT & THE GANG When Paul and Margot Kidder fell in love in Hollywood in 1971 they found themselves at the center of a scene that included Brian DePalma, Martin Scorsese, Jack Nicholson, Jennifer Salt, Waldo Salt, Jill Clayburgh, Robert DeNiro, Harvey Keitel, Steven Spielberg, and Margot's neighbors; producers Julia Phillips and her husband Michael.  Paul wanted to start a commune. Everyone else wanted to get rich and famous.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesFind all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.

We are exploring a powerful quote from Huey P. Newton that can help us understand and master our reality: "To us, power is, first of all, the ability to define phenomena, and secondly, the ability to make these phenomena act in a desired manner." What does this quote mean, and how can we apply it? The Power of Definition, The first part of the quote refers to the power of definition. In other words, the ability to define things is a form of control in and of itself. When we describe something, we give it meaning and shape, demonstrating how we interact with it. For example, if we define a situation as "impossible, " we will likely approach it with hopelessness and defeat. However, if we define it as a "challenge," we will come it with excitement and determination. The Power of Action is the second portion of the quote, which refers to the power of making things happen in a desired manner. Once we have defined something, we can use that definition to guide our actions and achieve our goals. For example, if we have described a situation as a challenge, we can take steps to overcome that particular challenge. Or, If we have defined a relationship as necessary, we can take steps to strengthen it. By explaining things in a positive and empowering way, we can make them act in a desired manner and achieve our desired outcomes. Here is today's call to action steps. Be Conscious of Your Definitions: Reflect on the words and labels you use to describe things in your life. Are they empowering or disempowering? Reframe Negative Definitions: If using negative or limiting definitions, try reframing them more positively and empoweringly. Define Your Goals: Clearly define your goals and what you want to achieve. This will help you focus your actions and make things happen in the desired manner. What will you define and give power to today with your words? Remember, the words we use to describe things have a powerful impact on how we perceive and interact with them. So choose your words wisely! Until next time, stay powerful! YOU ARE A MIRACLE! LIVE LIFE ON PURPOSE.

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE TWO - ALCHEMICAL BADLANDS Paul reads a segment from his memoir in which his alchemical transformation is interrupted by a labor dispute on the set of “Badlands”.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras Jones    See omnystudio.com/listener for privacy information.

Paul Williams, the director (not the songwriter or the rock critic or the architect…) shares excerpts and outtakes from his memoir “Harvard, Hollywood, Hitmen & Holy Men” currently available as part of the Screen Classics collection from the University Press Of Kentucky. Williams is the director of “The November Men” which World is Wrong listeners will already be familiar with, as well as films like “Out Of It” (1969) and “The Revolutionary” (1970) both starring a young Jon Voight. Williams, with his production partner Edward Pressman, was a producer of films like Brian DePalma's “Sisters” & “The Phantom Of The Paradise” as well as Terrence Malick's “Badlands”. Beyond the movies, Paul rode the many of the movements of 1960's, 70's & 80's, both political and cultural, with characters as varied as Julie Christie and Huey P. Newton, Fidel Castro and most of the “important” directors associated with New Hollywood If you're interested in the story of New Hollywood, Paul's memoir fills in some major gaps. And if you're too lazy to read the book, this podcast will give you a taste of what you're missing. EPISODE ONE - DISCOVERING PAUL WILLIAMS In the inaugural episode of Season 4 of The World Is Wrong podcast: The Other Paul Williams host Andras Jones conducts a brief interview/conversation with Paul about his book “Harvard, Hollywood, Hit Men & Holy Men” from University Press Of Kentucky and previews what is to come.Find all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras Jones  See omnystudio.com/listener for privacy information.

This year (2016) marks the 50th anniversary of the BLACK PANTHER PARTY and MD brings in special guest, LARRY PINKNEY an ORIGINAL BLACK PANTHER to discuss how the PANTHERS are viewed in today's society. Did the BLACK PANTHERS start out as community organization that eventually got away from their principles? How did the PANTHERS feel about MARTIN LUTHER KING'S approach of NON-VIOLENCE? Did the FBI's COINTELPRO infiltrate to bring down the Party or did their own in fighting between HUEY P. NEWTON & ELRIDGE CLEAVER play the biggest role in the demise of the party? At the top of the 2nd Hour, for the MONEY & POWER 15, we ask how did the PANTHERS finance their BREAKFAST PROGRAM and provide 20K meals weekly for the youth, as well as the sickle cell testing for the community? MENTAL DIALOGUE asking the questions America's afraid to ask. "ALL I ASK IS THAT YOU THINK" --- Send in a voice message: https://anchor.fm/montoya-smith/message

Dem Vinyl Boyz are back this week we're diving into one of the most prolific debut albums that tackles political issues with undeniable conviction, Rage Against The Machine. These guys created this album with a purpose, displaying a photo of the self-immolation of Thích Quảng Đức, a vietnamese monk, on the album cover. He was protesting President Ngô Đình Diệm's administration for oppressing the Buddhist religion and the international attention this photo gained persuaded U.S. President John F. Kennedy to withdraw support for Diệm's government. The songs on Rage Against the Machine all feature political messages with activists such as Provisional IRA hunger striker Bobby Sands and Black Panther Party founder Huey P. Newton are listed in the "Thanks For Inspiration" section. Through this album's success, it remains an essential call to activism and a necessary lesson on how to withstand the opposition. Aside from the album's obvious political themes, the music itself defies the way "normal" albums would be released and offers a genre-bending experience that makes it difficult to categorize as one specific thing. Throwing mixes of rock, funk, and rap throughout the album, it is recognized as one of the first albums to successfully merge the seemingly contrasting sounds of rap and heavy metal. The album peaked at number 1 on the US Billboard Heatseekers chart and number 45 on the US Billboard 200 and has gone on to achieve triple platinum sales certification in the US. Thanks for tuning in to Dem Vinyl Boyz, like and subscribe!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining host Michael Azevedo on this episode is Lise Pearlman, producer of the 2023 Oscar short-listed documentary: American Justice on Trial: People v. Newton which tells the story of the death penalty case that put racism on trial in a U.S. courtroom in the fall of 1968. Huey P. Newton, Black Panther Party co-founder, was accused of killing a white policeman and wounding another after a pre-dawn car stop in Oakland.   At his trial, Newton and his maverick defense team led by Charles Garry and his then rare female co-counsel Fay Stender, defended the Panthers as a response to 400 years of racism and accused the policemen of racial profiling, insisting Newton had only acted in self-defense. Their unprecedented challenges to structural racism in the jury selection process were revolutionary and risky.   A retired judge, Lise Pearlman wrote three prize-winning books related to the documentary: The Sky's The Limit: People v. Newton; the 2016 companion book for the film that incorporates the perspectives of key film interviewees, American Justice on Trial: People v. Newton; and a 2018 biography of Newton's pioneering woman lawyer, Call Me Phaedra: The Life and Times of Movement Lawyer Fay Stender. LISA is also the President of Arc of Justice Productions, Inc., the nonprofit that initiated this film project.   The final list of 2023 Oscar nominated documentaries will be announced on January 24.   Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, FC supports creatives at every step in their journey.   About the host: www.mrazvo.com and https://www.linkedin.com/in/michael-azevedo/ Sound Engineer: A.J. Kierstead 

Thank you for listening to Will Wright Catholic. This post is public so feel free to share it.IntroductionWith Martin Luther King day approaching, it struck me that a great number of Americans have no idea who Martin Luther King Jr. was or what he did. They are barely familiar with his most famous speech: “I Have a Dream.” And each third Monday of January, most of us take the day off work for the federal holiday, but we do not take time to appreciate the contributions of this great man. So, in a small way, I would like to respond to that vacancy of attention. This short article will look at the life of Dr. King and his role in the Civil Rights Movement. There are many things that I have had to leave out for time's sake. But may this serve as a primer for further study. I believe that we still have more to learn from Dr. Martin Luther King Jr.Who was Dr. Martin Luther King Jr.?Dr. Martin Luther King Jr. was born Michael King Jr. on January 15, 1929 in Atlanta, GA. He was an American Baptist minister and one of the foremost leaders of the Civil Rights Movement of the late 1950s and the 1960s. As an African American, Dr. King fought for the rights of people of color through nonviolence and civil disobedience. In this regard, he had been inspired both by our Lord Jesus Christ and the example of Mahatma Gandhi. As a Baptist minister, King was steeped in the written word of God. As a young man, he earned a Bachelor of Divinity degree in 1951 from Crozer Theological Seminary in Upland, Pennsylvania. He then went on to pursue doctoral studies in systematic theology at Boston University. He received his Ph.D. degree on June 5, 1955. His dissertation was entitled: A Comparison of the Conceptions of God in the Thinking of Paul Tillich and Henry Nelson Wieman. Before completing his studies, he married Coretta Scott on June 18, 1953 and they became the parents of four children. King was made pastor of the Dexter Avenue Baptist Church in Montgomery, Alabama at the age of 25 in 1954. In December 1959, he moved back to his home city of Atlanta and served as co-pastor of Ebenezer Baptist Church alongside his father, until his death. Sadly, Martin Luther King Jr. was shot and killed while staying at a motel in Memphis, Tennessee on April 4, 1968. The Civil Rights MovementThe Civil Rights Movement began in large measure with the Supreme Court Case Brown v Board of Education in 1954. This ruled that racial segregation in public schools was unconstitutional. This overturned the horrendous Plessy v Ferguson (1896) case which allowed Jim Crow laws that mandated separate public facilities for whites and blacks. Beginning with schools, desegregation quickly spread to other public facilities as well. On December 1, 1955, African American Rosa Parks refused to give up her seat on a public bus to a white passenger. She was arrested and a sustained bus boycott in Montgomery, Alabama began. The protest began on December 5 with the young local preacher, Martin Luther King, Jr. leading - the boycott continued for more than a year. The Supreme Court upheld a lower court's ruling that segregated seating was unconstitutional.In 1957 the Little Rock Nine attempted to attend the central high school whose population had been entirely white. It took an escort of U.S. soldiers to allow these young men to attend school. The Greensboro Four, in 1960, took part in a sit-in at the all-white lunch counter at a F.W. Woolworth department store. The sit-in grew and replacements were brought in to replace those taken off to jail. On November 14, 1960, six-year-old Ruby Bridges was escorted to her first day at the previously all-white William Frantz Elementary school in New Orleans by four armed federal marshals. Many parents marched in to remove their children from the school to protest desegregation. She continued going to school, being escorted, and endured threats. Her teacher, Barbara Henry, continued to teach her (alone in the classroom).Beginning on May 4, 1961, a group of seven African American and six whites boarded two buses bound for New Orleans. Along the way, the riders tested the Supreme Court ruling of Boynton v Virginia (1960) which extended an earlier ruling banning segregated interstate bus travel to include bus terminals and restrooms. In South Carolina, the bus had a tire slashed, it was firebombed, and the Freedom Riders were beaten. A second group of 10 replaced them until they were arrested or beaten, then another group would take their place. On May 29, U.S. Attorney general Robert F. Kennedy ordered the Interstate Commerce Commission to enforce bans on segregation more strictly. This took effect in September 1961.The Birmingham DemonstrationsThe Southern Christian Leadership Conference (SCLC) and Martin Luther King, Jr. launched a campaign in Birmingham, AL to undermine the city's system of racial segregation. The campaign included sit-ins, economic boycotts, mass protests, and marches on City Hall. The demonstrations faced challenges: indifferent African Americans, adversarial white and black leaders, and a hostile commissioner of public safety - Eugene “Bull” Connor. Dr. King was arrested on April 12 for violating an anti-protest injunction and he was placed in solitary confinement. The demonstrations continued for a month, then the Children's Crusade was launched. On May 2, 1963, school-aged volunteers skipped school and began to march - the local jails were quickly filled. Bull Connor ordered the police and fire department to set high-pressure water hoses and attack dogs on the youth.The violent tactics on peaceful demonstrators caused outrage locally and gained national media attention.President John F. Kennedy proposed a civil rights bill on June 11. The Birmingham campaign was eventually negotiated to an agreement locally but tensions were high. A bomb on September 15 at 16th Street Baptist Church killed four African American girls and injured others. The country was in the midst of the war in Vietnam while determining at home what sort of nation we might be.The 1963 March on WashingtonOn August 28, the March on Washington for Jobs and Freedom took place to protest civil rights abuses and employment discrimination. A crowd of 250,000 people peacefully gathered on the National Mall in Washington, D.C. to listen to speeches, most notably by Martin Luther King, Jr. This is where Dr. King delivered his “I Have a Dream Speech.”The Civil Rights Act of 1964On July 2, 1964, President Lyndon B. Johnson signed the Civil Rights Act into law - a stronger version of legislation that President Kennedy proposed before his assassination. The act authorized the federal government to prevent racial discrimination in employment, voting, and the use of public facilities.1965: Assassination of Malcolm XOn February 21, 1965, Malcolm X was assassinated while lecturing at the Audubon Ballroom in Harlem, NY. He was a brilliant speaker and demanded that the civil rights movement move beyond civil rights to human rights. He thought that the solution to racial problems was in orthodox Islam. His ideas contributed to the development of the black nationalist ideology and the Black Power movement. 1965: Selma-Montgomery MarchOn March 7, 1965, Dr. King organized a march from Selma, AL to Montgomery, AL, to call for a federal voting rights law that provided legal support for disenfranchised African Americans in the South. State troopers sent marchers back with violence and tear gas; television cameras recorded the incident. On March 9, King tried again - more than 2,000 marchers encountered a barricade of state troopers at Pettus Bridge. King had his followers kneel in prayer and then they unexpectedly turned back. President Johnson introduced voting rights legislation on March 15, then on March 21, King once again set out from Selma. This time, Alabama National Guardsmen, federal marshals, and FBI agents assisted and King arrived in Montgomery on March 25. The Voting Rights Act was signed into law on August 6. This law suspended literacy tests, provided for federal approval of proposed changes to voting laws or procedures, and directed the attorney general of the U.S. to challenge the use of poll taxes for state and local elections.1965: Watts RiotsSeries of violent confrontations between the city police and residence of Watts and other black neighborhoods in L.A. - beginning on August 11, 1965. A white police officer arrested an African American man, Marquette Frye, on suspicion of driving while intoxicated - he likely resisted arrest and the police possibly used excessive force. Violence, fires, and looting broke out over the next six days. The result was 34 deaths, 1,000 injuries, and $40 million in property damage. The McCone Commission later investigated the cause of the riots and concluded that they were the result of economic challenges including poor housing, schools, and job prospects.1966: Black Panther Party FoundedAfter Malcom X was assassinated, Huey P. Newton and Bobby Seale founded the Black Panther Party in Oakland, CA to protect black neighborhoods from what they saw as police brutality. The group launched community programs providing tuberculosis testing, legal aid, transportation assistance, and free shoes. They believed that civil rights reforms did not do enough. The Black Panther Party was socialist and, therefore, the target of the F.B.I.'s counterintelligence program - they were accused of being a communist organization and an enemy of the U.S. government. In December 1969, police tried to annihilate the group at their Southern California headquarters and in Illinois. The Party's operations continued, less actively, into the 1970s.1967: Loving v VirginiaOn June 12, 1967, the U.S. Supreme Court declared the Virginia statutes prohibiting interracial marriage unconstitutional. Richard Loving, a white man, and Mildred Jeter, who was mixed black and Native American, left Virginia to be married and then return to the state (this was against the law). Their one year prison sentence was suspended on the condition that they leave Virginia and not return for at least 25 years. They filed their suit in 1963 and it took four years to get to the Supreme Court - their conviction was reversed. Chief Justice Earl Warren wrote for a unanimous court that freedom to marry was a basic civil right. This ruling invalidated laws against interracial marriage in Virginia and 15 other states. 1967: Detroit RiotSeries of violent confrontations between African American neighborhoods and police beginning on July 23, 1967 after a raid at an illegal drinking club - 82 African Americans, and others, were arrested. Nearby residents protested and began to vandalize property, loot businesses, and start fires for five days. Police set up blockades but the violence spread - result was 43 deaths, hundreds of injuries, more than 7,000 arrests, and 1,000 burned buildings. President Johnson appointed the National Advisory Committee on Civil Disorders - they concluded that racism, discrimination, and poverty were some of the causes of the violence.1968: Assassination of Martin Luther King Jr.While standing on the second-floor balcony of the Lorraine Motel in Memphis, TN, Martin Luther King, Jr. was killed by a sniper - April 4, 1968. He was staying at the hotel after leading a nonviolent demonstration in support of striking sanitation workers. His murder set off riots in hundreds of cities across the country. Congress passed the Fair Housing act in King's honor on April 11. The Fair Housing Act made it unlawful for sellers, landlords, and financial institutions to refuse to rent, sell, or provide financing based on factors other than an individual's finances. The Civil Rights Movement, after King's death, seemed to be shifting away from the nonviolent tactics and interracial cooperation that had brought about a number of policy changes. Nonetheless, his legacy remains.What is Martin Luther King Jr.'s Legacy?The legacy of Martin Luther King Jr. focuses on his ideas on nonviolence, civil disobedience, and peaceful noncooperation. Dr. King had his faults: plagiarism and adultery were accusations levied against him with considerable evidence. But all of us fall short of the glory of God. What I am concerned about is his impact on the country. What was the legacy of his ideas and actions?Two lines, in particular, of Dr. King's fantastic “I Have a Dream Speech” in Washington, D.C. are more than noteworthy. In a portion of the speech, which seemed to be ad-libbed rather than scripted, Dr. King said, “I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.” This, I think, reveals the heart of the man. Dr. King marched hand in hand with those of any race and religion. Here he is invoking the long past of American slavery which still haunted the nation under the guise of Jim Crow. Where some, like Malcolm X, were threatening or perpetrating violence, Dr. King was speaking of brotherhood and sharing a common meal. Nothing could be more Christian than this. Second, he said the beautiful words that ought to echo down the halls of humanity until we come to our final reward. He says, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.” Racism is a scourge from the depths of hell. To judge another based on their skin color is reprehensible. I would be remiss to say that this extends also to those progressives today who insist on advancing identity and race politics. Dr. King would certainly be opposed to such racist nonsense. In his Letter from the Birmingham Jail, written during his incarceration, he begins by outlining the four steps to nonviolent campaign: “1) collection of the facts to determine whether injustices are alive; 2) negotiation; 3) self-purification [note: how often is this forgotten!]; and 4) direct action.” He saw the heinous reality of the treatment of blacks, especially in the South. And he answered with measured, reasonable action. Much of the rest of the letter then builds off of these four steps. However, Dr. King challenges us, even decades later, in his letter. He speaks of those who are a stumbling block to justice. He mentions, of course, the Ku Klux Klan but then lambasts the “white moderate who is more devoted to ‘order' than to justice.” He goes on to say, “Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.” The words of Dr. King would have certainly ruffled feathers back then, but I am certain that many conservatives today would bristle at hearing this challenge. Yet, what Dr. King is saying what Jesus says to us: “Because you are lukewarm, neither hot nor cold, I will spew you from My mouth.” We have to choose a side. There can be no moderation when it comes to toleration of the sin of true racism. This brings us back to his legacy. We must act when there is injustice. But how should we act? Should we act out with rioting and violence? Certainly, Dr. King would bellow a resounding “no!” Instead, we are to gather the facts, negotiate, allow God to purify our own hearts, and then act directly. May we have the strength, in God's grace, to do so whenever we are convicted by justice to do so.Thanks for reading Will Wright Catholic! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit willwrightcatholic.substack.com

The philosophical underpinnings of a “vanguard of revolution” led by Huey P. Newton, Bobby Seale, and Eldridge Cleaver: the Black Panther Party.

Episode 3 of Tales Of The Town covers the student organizing history of the Black Panther Party's co-founders Huey P. Newton and Bobby Seale, at Oakland City College in the early 1960's. The Soul Students Advisory, the first iteration of a Black Student Union, paved the way for Black Student organizing across the world, and its impact is still felt today! This episode also looks at the Afrikan Black Coalitions fight to force the UC school system to divest from private prisons! Guests: Dar: Former BPP member, student at Merritt College during time of the Panthers Judy Juanita: Former BPP member, editor of Black Panther Party newspaper. Author. Professor at Laney College in Oakland. Anthony Williams: former organizer at UC Berkeley, PhD student at UCLA.

Andrew Abrahams - Director, Producer and President of Open Eye Pictures. He is an award winning, Oscar-shortlisted and Emmy-nominated producer/director of creative non-fiction films. Herb Ferrette - Director and award-winning documentary filmmaker/editor with years of experience in the communications industry. Both join join Tavis to talk about their film “AMERICAN JUSTICE ON TRIAL: PEOPLE V. NEWTON” which tells the untold story behind the murder trial of Black Panther leader Huey P. Newton - the landmark case that put racism on the stand .

Born in Texas and raised in  Wyoming. In this in-depth interview Elder Babu talks about his grandfather who was a slave and a sharecropper his entire life and how his mother and father wanted to carve out a different path for their kids.  Babu was a  high school basketball star in Cheyenne and his 1961 team won the Wyoming State Championship, he was an All-State player that year.  We talk in detail about his move to LA, his time at UCLA, the importance of  black history and consciousness,  his relationships with legendary figures like Angela Davis, Huey P. Newton, Bunchy Carter, H. Rap Brown, Kwame Toure, Harry Belafonte and many others.  Lastly we discuss the value and necessity of the Pan African Film Festival, co-founded with Danny Glover and Ja'Net Dubois.Ayuko Babu is the Executive Director of the Pan African Film Festival and an international cultural, political and legal consultant specializing in Pan African affairs. He has been the Executive Director of the Pan African Film & Arts Festival (PAFF) since its establishment in 1992. From 2016-2018, Mr. Babu served on the California Film Commission. In addition to PAFF, Mr. Babu currently serves as a permanent member of the jury of the annual Africa Movie Academy Awards (AMAA), headquartered in Lagos, Nigeria. AMAA is the world's largest Pan African film awards event, covering the continent of Africa and its worldwide Diaspora.In 1999, Mr. Babu was selected as one of the “103 Most Influential” people in the African American community in Los Angeles by the Our Times section of the Los Angeles Times. He has sat on the Los Angeles Cultural Affairs Peer Grant Review Panel and the Los Angeles County Arts Commission Grant Review Panel. He has been a member of the Los Angeles Arts Loan Fund review panel. He is currently a member of the Mayor's African American Heritage Month Committee for the City of Los Angeles. In February, 2019, Mr. Babu and PAFF were honored on the floor of the Los Angeles City Council for their past and present work during the Black History Month celebration.Currently he is developing formal ties with the National Film and Video Foundation (NFVF) of South Africa, a government agency whose mission is to develop and promote the South African film industry. In December 2010, he was an official delegate to the World Festival of Black Arts and Cultures in Dakar, Senegal. In 2013, he was a presenter and delegate at the Travelling Caribbean Film Showcase in Havana, Cuba. Under his leadership, the Pan African Film Festival has established institutional ties with the Pan African Festival of Cinema and Television (FESPACO) in Ouagadougou, Burkina Faso, the world's largest Pan African film festival held bi-annually. He also works with the Africano Film Festival in Milan, Italy, the Zanzibar International Film Festival in Tanzania, where he has served as a member of the jury, and the Rwanda Film Festival in Kigali, Rwanda, where he served as a member of the jury. He was a presenter at the UNESCO Conference on Images of the South and was a guest of Fund South at the 2004 Cannes Film Festival in France. Mr. Babu has participated in numerous panels and forums discussing the production, distribution and marketing of African American and African films.In 1984, he brought the famed Les Ballets Africains de la République de Guinée to the Olympics in Los Angeles. He was Co-Chair of the Program Committee for The Nelson Mandela Reception Committee at the Los Angeles Coliseum in 1990, appointed by Congresswoman Maxine Waters.Mr. Babu holds a Bachelor of Arts degree from California State University, Los Angeles and attended the UCLA School of Law.https://www.paff.org