Podcasts about a6400

Today’s episode our friends Ant & Jannah check in with us. We talk about Ant’s latest EP “shmood!” & his most recent single “So Lavish” while Jannah recently released her latest single & first music video titled “Who?”. We talk about traveling as they recently visited LA, Hillcrest Productions, future collabs & upcoming projects. Two great artists and even better people that we consider family. Lock in on this episode & see what they been up to. #TTMN__Instagram Accounts:Robert DiDomenico Christiano JordanoTalk To Me NiceJannahJust AntHillcrest ProductionsHillcrest Artwork__#TTMN Wesbite: https://ttmnbrand.com/Facebook: https://www.facebook.com/TTMNPodcastTwitter: https://twitter.com/TTMNPodcastYoutube: Lil Jannah | Just Ant | Talk To me Nice

In this episode…In a world where the vast majority of internet traffic is video content, how can we leverage the creation, production and value of video to maximise sales return? In this episode I'll talk to video marketer Ed Lawrence, the co-founder of https://businessfilmbooth.com/ (,) a video production and editing business based in Hertfordshire, UK.  Having shot and produced more than 10,000 videos for businesses, he is a great resource to talk to about some global issues facing key account management professionals and the leaders that manage them. We talk about: The returns that salespeople can get from creating video content How business leaders can maintain brand image and professionalism through quality control ·The power and value of the video testimonial So, to get Ed's top tips on video marketing strategy; the process; and the recommended kit to make great quality video content that yields massive returns from your most important customers – make sure you listen to this episode.   Highlights from this episode: Here are a handful of important points that stood out in my chat with Ed: Video shouldn't just be seen as a marketing tool but rather as a hugely valuable approach for sales and account teams who are looking to build relationships and win more business in this remote world. If you are new to making video content, it is so important that you put the hard graft into getting the systems and processes set up from the outset. This saves you time in the long run so that you can create more content and add more value to your customer network. I love Ed's suggestion of personalised, 1 view videos, designed to speak DIRECTLY to a single client. Really showing them how much you care about their custom. So great for KAM professionals to do. With many of us having a huge fear or dislike of how we look on camera, breaking through that feeling and embracing creating video will give way to the opportunity to really maximise your success with your key accounts. Fantastic conversation on this episode – a big thank you to Ed! Killer Question SegmentIn each episode we ask you, our listener, a killer question that is designed to get you reflecting on your business, your KAM Culture and where changes in thinking and behaviour could lead to increased customer success. In this episode we asked Ed to give us his killer question which was: What are you doing to bring your communication with video up to the same standard as everything else in your branding and the way you communicate? Nice one! I'm sure there are many key account management professionals who will be wrapping their heads around that one. My gut instinct is that if we don't up our video game – we will lose some valuable footing in retaining and building relationships with our key accounts in the near future. Let's do this! Quick ref to resources or links we mentioned:In this episode Ed wanted to share some resources and links with you to help you on your video marketing journey. Here are his suggestions on your technical set-up for your video creation: CAMERA Ed uses a Sony a6500 for his video calls. The new versions are the a6400 and the a6600. (At time of writing – Amazon UK are doing a great deal on the Sony Alpha 6400 with a lens – https://www.amazon.co.uk/Sony-mirrorless-Real-time-Tracking-movie-shooting/dp/B07MWDP1VD/ref=sr_1_6?dchild=1&keywords=sony+a6500&qid=1602003489&sr=8-6 (find that here)) The benefit of the A6400 is the screen spins around so you can see yourself but when you set it up to the computer, you'll be able to see yourself on screen anyway so this is good if you ever wanted to make videos with it without being near a computer.  CAMERA LENS Ed suggests the Sony SELP1650 E Mount - APS-C 16-50mm F3.5-5.6 Zoom Lens. He just bought another one second hand for £70, they should be about £150 for a new one. TRIPOD Ed uses the Manfrotto Compact Advanced tripod, to sit the camera behind...

Ho venduto la mia A6400 dopo averne parlato benissimo nel mio video su YouTube. Perché ho fatto questa scelta? Te ne parlo in questo percorso. Link al video sulle Tre Cime di Lavaredo: https://youtu.be/xEFnMXEqps4 Segui il mio canale: https://t.me/alessiontheline Diventa un Patrons: https://www.patreon.com/AlessioFurlan Scrivimi: https://t.me/alessiofurlan

Aaron shows you how to set up the function menu on your Sony RX100 IV, RX100 V, RX100 VA, RX100 VI, and RX100 VII. This also applies to the Sony Alpha A6400 and Sony Alpha A6600. The function menu allows you to quickly change camera settings without having to dig into the camera’s complex menu system. […] The post How to Set up the Function Menu on the Sony RX100 IV V VI VII and Sony Alpha A6400 / A6600 appeared first on AARON LINSDAU Adversity Expert.

Aaron shows you how to use the memory recall function for video on the: Sony RX100 IV, RX100 V, RX100 VA, RX100 VI, RX100 VII. This also applies to the Sony Alpha A6400 and Sony Alpha A6600. The Memory Recall function is a very powerful function for videographers. However, it isn’t explained well in the […] The post How to use Memory Recall on the Sony RX100 IV V VI VII and Sony Alpha A6400 / A6600 appeared first on AARON LINSDAU Adversity Expert.

Head to http://squarespace.com/Chelsea to save 10% off your first website or domain with code “CHELSEA” PIXEL AWARD WINNERS (and Nominees) Firmware Update of the Year: Nikon Smartphone Camera of the Year: Pixel 4 http://SDP.io/Pixel4 Biggest Broken Promise: Zeiss ZX1 Lens of the Year: WINNER: Canon 70-200mm R f/2.8 http://sdp.io/C70200r Canon 24-70mm R f/2.8 http://sdp.io/C2470r Sony 200-600mm f/5.6-6.3 http://sdp.io/S200600 Sony 600mm f/4 http://sdp.io/Sony600 Canon 85mm R f/1.2 http://C8512r Most WTF Camera: WINNER? Sigma fp http://sdp.io/fp Fuji XPro 3 http://sdp.io/XPro3 Drone of the Year: Mavic Mini http://sdp.io/MavicMini Most Innovative Camera: Olympus E-M1 X http://sdp.io/EM1X Biggest Disappointment: Peak Design Tripod http://sdp.io/PDTripod Camera of the Year (under $1,000) WINNER: Fuji X-T30 http://SDP.io/XT30 Canon SL3 http://sdp.io/SL3 Fuji X-A7 http://SDP.io/XA7 Sony a6400 http://SDP.io/a6400 Sony a6100 http://SDP.io/a6100 Nikon Z50 http://SDP.io/Z50 Camera of the Year ($1,000 - $2,000) WINNER: Canon EOS RP http://sdp.io/RP Sony a6600 http://sdp.io/a6600 Canon 90D http://sdp.io/90D Flop of the Year Olympus E-M1X http://sdp.io/EM1X Camera of the Year $2,000+ WINNER: Sony a7R IV http://sdp.io/a7R4 Panasonic S1 http://sdp.io/S1 Panasonic S1R http://sdp.io/S1R Panasonic S1H http://sdp.io/S1H Leica SL2 http://sdp.io/LSL2 Sony a9 II http://sdp.io/a92 Fuji GFX100 http://sdp.io/GFX100 Music provided by Epidemic Sound (affiliate): https://bit.ly/2MwDey7 Watch a video of this podcast at http://sdp.io/2019Pixel

In the 2000s and early 2010s, Sony’s cameras were TERRIBLE. They were SO FAR behind Canon and Nikon that it seemed impossible for them to catch up... but, they did catch up around 2018, and in 2019 Sony solidly surpassed the Canon and Nikon mirrorless cameras. HOW DID THEY DO IT?! I researched it and the answers are fascinating and directly relatable to your personal life and business. Head to http://squarespace.com/Tony to save 10% off your first website or domain with code “TONY”

Links talked about in this episode: https://brentbergherm.com/course-info/ https://brentbergherm.com/workshops/ww-print/ Time to talk about two pieces of gear. The iPad Pro and a mobile workflow opportunity that it provides, and the Sony a6400. Let’s talk about the 6400 first. I took it with me to my conference in April 2019 to San Francisco. I was there for a web design conference, but I landed at about noon on Sunday and went straight for Cataract falls in the Marin Headlands area. Took only this camera Was concerned about leaving the Canon kit behind. This is a very capable camera, but I’m just so used to my Canon and three lenses. Took a small bag that went into my computer bag. Took two batteries and my normal ThinkTank photo pixel pocket secure with my cards. It charges via USB plugged straight into the camera. Let’s look at a few Specs of the camera. Sony E mount, crop sensor  24MP ISO to 32,000, extendable to 102,400 Electronic Front Curtain Shutter to 1/4000thsec. Silent shutter, is completely silent Tons of video options, all the way up to 4K and full HD at 60fps I’ve yet to do any video with this camera. 425 Phase Detect AF sensors 425 Contrast Detection Areas Viewfinder resolution almost 2.4MP Monitor resolution 921,600 dot Tilting screen (up and down, flips up but not flippy screen. Rather annoying that it is hard to operate with an arca swiss plate attached) USB 2 micro b for charging L Weight: 14.22 oz, 403g (with battery and memory card) All in all, not a bad camera for less than $900. Quite respectable in fact.  There’s a few things I couldn’t get used to, or couldn’t yet figure out. Screen resolution is too low.  Hand keeps turning off screen when I reach toward the camera, the sensor for the viewfinder senses the hand, turns off screen. Kind of annoying. I know I can switch it to be only the rear screen or the viewfinder. I don’t want that. I want a sensor that actually senses it’s on a tripod and that when something approaches it it should leave the screen on. Then, when I have it in one hand or both hands, and that sensor is tripped, it should then go back and forth between EVF and the screen. But I like it when I want to use the viewfinder. Viewfinder is too low resolution as well. The AF system is good, but I couldn’t intuitively figure out how to change it so I can manually select which AF spot I want. I had to rely on the ability to touch the screen to override the camera’s auto selection of AF points. But when using the viewfinder, I was out of luck. Probably just my inexperience, and my being used to the Canon system. But it should be more intuitive to make that selection. On my 5D4, it’s a quick flick of the joystick item. Comparisons to the Canon 5D4 In one sense it’s rather unfair to make a comparison because these are two totally different cameras. But that too is my point. I’ll be looking at image quality soon, so that ultimately tells the whole story, but for now, let’s look at the physical differences.  I use a Pro Media Gear L bracket with my 5D4, it makes this package a massive beast to behold. But I do like it and it has worked well for me. But I’m very much interested in a smaller kit. I want to travel more and take more pictures, and I do know that the girth of the camera does cause me to not get it out sometimes. I bought the Sony with the 18-135 lens. Together they weigh 25.72 oz or 1.6 pounds. Not bad. The Canon with the 24-70 I shoot weighs in at about 48 oz. or 3 pounds. That’s nearly twice the weight. The Sony is rated with the battery, the Canon is not. Add the battery and my L bracket and I’m saving half the weight when going with the Sony. Image Quality: I just completed working on several images in LR. Before I get too far into this I gotta say one thing, This is not a direct comparison of the same exact scenes between the Canon and the Sony.  I did not take my Canon so I only had the Sony to shoot and think about on this trip. Thoughts: Golden Gate Bridge at night: Came out very well. I shot mostly in the 100, 200 and 400 ISO range and I let the shutter speed go on up to 10 seconds or so. I did a lot of experimenting so I’m just going off of the two that made it to my keepers file thus far.  I’m really impressed with the flexibility of these files. I can push them up in LR easily about ½ stop more than my Canon with the same amount of noise build up. Past 400 though and it starts to fall apart in my opinion. And by “fall apart” I really mean that you can see the noise, it’s still very well controlled, but it’s certainly there. Pretty much on par with the Canon. This is impressive given that the Pixel area of the Sony is 15.13 µm²and the Canon is 28.73 µm² Story behind shooting these images Woke up at about 4:30 a.m. Drove to the Marin Headlands area, specifically, to the Battery Spencer overlook. Arrived way before sunrise. Had the place to myself.  Looked at a few options for framing. Decided to largely hang out a bit to the left of the battery area so I could have a slightly better angle on the bridge and the city behind it. Got plenty of shots with it pitch black. However,  my favorite shot is the ones where just a bit of blue is starting to come through.  Reds of the bridge are not feeling all that “original” or natural. Not sure if this is a lighting issue, a Sony issue or something else. I was able to manipulate the colors in post to get them pretty good, but to begin with they were awful. I’ve never had this problem with my Canon. Initially, however, I’ll chalk this up to just loads of experience with the Canon, and preconceived expectations. As the sun continued to rise it looked promising. I wanted to catch the harsh light on the bridge with the city behind. But the fog rolled in on the horizon. It remained mostly clear where I was, but over the main land area it got a bit thick.  So I went over to the edge of the ridge and shot the sun coming through the clouds. It was quite good actually. Very pleased with how those came out. I was able to frame up Alcatraz with a large ship, and with the sun poking through the clouds and reflecting off the water, it was rather sweet. I then got back on the main road and headed down towards Point Bonita Lighthouse. There were signs posted saying it’s only open for a few hours on Sunday afternoon, but I had no idea they’d close a tunnel that is the only access to the area and you can’t even see it from the trail. I was a bit disappointed.  I then drove to the Battery Alexander Parking lot and walked to the beach that leads to Bird Island. It was all right, but nothing too exciting. I just shot a few wet sand texture and pattern studies.  One afternoon I walked downtown after the conference and I got on top of a parking garage and shot an old fashioned street car. I zoomed in and framed it up tight, the curvy lines, windows and the pattern of the road made for a striking composition. I really like the guy in the back window. You can see his face and that’s the only major human element in the shot. And then finally, I got the sailboat with the ridge behind it. I like the simplicity of this shot. Waterfall shots. Actually, before I shot the bridge and downtown I went to Cataract falls a bit further north. It was an excellent hike. But it was also the first time shooting with this camera in CA. I had shot it a bit before with two listeners who met me in Clarkston, WA, and we went to Hell’s canyon and did a bit in the Palouse area. Anyway, I got a few images that worked, but I was really spending too much time getting used to the camera, most of what I got wasn’t worth much. But it was still a valuable experience. Really the only true keeper is a B&W vertical panoramic with a log crossing over the top portion of the frame and the water flowing into a small pool area with rocks surrounding it. The files held up really well to how far I have to push them when doing a shot like this. B&W helps too, but still, it’s a good quality image. Lens quality The 18-135 is a quality lens. I was almost surprised at how good it is. I could easily trust most of my shots to this lens. I tried it with severe backlighting, side lighting and some of my favorite types of subjects, and they were rendered quite well.  I’m not done testing, and my opinion may change, but so far so good. I did not do quality tests at various focal lengths, I’m just speaking candidly from what I was able to see from these initial images. Can I actually do it, make the switch? It’s hard to make the switch just now. I think the lower res screens and EVF bothered me too much. I need something like the EOS-R with a higher resolution viewfinder and flippy screen. The FujiFilm X-T3 has a much higher resolution EVF at 3.69mp, but the rear screen is only barely a few more pixels at 1.04mp. The canon EOS R has the same resolution EVF as the FujiFilm but it has a 2.1MP rear flippy screen. So if I’m looking for the best experience in shooting, and I did notice the lower res rear screen was annoying, then the Canon EOS R still has a bit of a nod.  The Panasonic has a whopping 5.7MP EVF and the same 2.1MP rear screen as the EOS R.  This is why I’m still officially waiting to declare which direction I’ll be going with my shooting. Canon has predicted a drop in camera sales and we’re seeing that now with the latest reports coming out in the last couple months. Is it any wonder? There’s lots of good equipment out there, but when you have a 5D4 already, not much is really pulling me one way or the other. Things are to incremental at this point to make me want to pull out the plastic an make it happen with a new body. Video capabilities. I’ve yet to shoot video on the Sony. Though I just got the ThinkTank Photo PhotoCross 15 in the mail today. I’ll be doing a YouTube video on that soon and then I’ll be able to talk about this camera and it’s video capabilities. iPad Use I’d love to be able to use my iPad Pro 2 as an exclusive platform for when out on a trip and I think I’m getting close to saying that is becoming more and more feasible for me. Download images to camera roll. Then import into LR mobile. Rather annoying. iOS 13 supposed to fix this issue, allowing us to import directly into 3rdparty apps such as LR mobile. I look forward to that.  Then I have to wait for LR to upload the images to the cloud and then wait for LR on the computer to download them. If you thought importing images into LR was slow, just do this. However, it would be rather worth it for me if I can do this because I’d be able to leave the computer at home if I needed or wanted to.  Still waiting for full PS on the iPad. Once that happens things are going to get very interesting.  However, with the changes in pricing Adobe has started “testing” even I’m tempted to find another solution even though I get the creative cloud through work. And the price they give educational institutions… it’ll be hard for us to justify moving away from adobe anytime soon, but that doesn’t mean I can’t personally make a switch. Time will tell. The Jury is still out on that one. Closing Remarks Finally, some information you’ve been waiting for on Denver. I’m going to do a one-day print workshop on July 28. I’m working with a local camera club for hosting it but the best part is that they said that I can easily invite my listeners to join in on the fun as well. We don’t need to keep it exclusive. Club members will get a small discount but otherwise it’ll be open to you folks as well.  I don’t have everything figured out just yet, but you can check out the FB group for an announcement and those of you who have contacted me personally, I’ll be reaching out to you once I have the details all worked out. I have another workshop for you as well. It’s based here in Walla Walla. We’ll plan to get up to the Palouse as well, but it’s all about shooting, processing and printing. We’ll spend five days going through the whole process from start to finish. And you’ll return home with some great images and new skills. If you’re interested in pushing your image making to new heights this workshop is for you. It happens June 17-21 of this year. Check out all the details on the website, https://brentbergherm.com/workshops/ww-print The Walla Walla workshop does include access to the online course as well. So you’ll get access to over 8 hours of learning and inspiration for taking your images off the screen and into the real world. We’ll talk about working with labs too, so you don’t need your own printer to make this a valuable experience. And quickly, a quick shout out to all those who have purchased the online course. It’s been out almost a month now and I’m thrilled to see the progress many folks are making. I get the stats of video downloads and such and I’m loving the opportunity to help so many folks who have decided to take the plunge. I’m about to announce my first group session that’s associated with the course, so those of you enrolled, watch for that in your email. I’m talking to David, Bill, Steven, Hank, Dino, Gary, Jeremy, Brian, Steve and the others. Thank you so much. I really appreciate it. So if you’re ready to take that next step head on over to the website and sign up today! In the next few episodes I’ll be talking with the host of the longest running photography podcast, Chris Marquardt. I’m also bringing on Mary Malinconico to talk about selecting workshops and participating in other photo outings. Jeff and I recently talked a bit about workshops and how to select them on the Master Photography Podcast, but with Mary we’ll go quite a bit deeper. I’ve also got three people interested in talking with me about the book Making Photographs by Ibarionex Perello. So that episode will be exciting and it’ll happen in early July. Thank you so much for listening. I hope you have a fantastic day, whatever you’re doing and until next time, happy shooting!

We used the Sony a6400 and Canon EOS R for video at a couple of weddings recently and we discuss how we felt about using them and the quality of the video. One we blown away by the quality and the other was a bit disappointing. Which was which might surprise you.Then we talk about Netflix's Bandersnatch, the choose your own adventure interactive movie. What did we think of the story, the cinematography, and how your choices affected the overall story.Finally, we got Raising Cane's Chicken Fingers and discuss what makes Cane's different, and better, than the competition. Spoiler alert: it's the sauce.

Aquí estamos de nuevo rozando ya el medio centenar de "Ola K Ase", que se dice pronto, y para celebrarlo Photolari vuelve a mudarse. Sí amigos, apenas unos meses después de nuestro último movimiento hemos vuelto a hacer las maletas, somos así de inquietos. Así el nuevo cuartel general se traslada en esta ocasión a Lightbox Bcn Studios ( https://www.lightboxbcn.com ), un fantástico estudio fotográfico en pleno barrio de Poble Nou en el que ya habíamos grabado algún vídeo y del que estamos totalmente enamorados. Por cierto, el estudio cuenta con dos estupendos platós equipados que se alquilan por horas, y para los suscriptores de Photolari hay precio especial que descuento.Total, que a partir de hoy nos veréis habitualmente por aquí, en cualquiera de los muchos espacios que tiene el estudio. De momento inauguramos nuevo decorado para los consultorios, que ahora es un pelín más íntimo y oscuro, como nuestra almas atormentadas.Lo que si se mantiene es el patrocinio de los amigos de Vanguard, que siguen apostando por el formato y por Photolari. Así que queredlos mucho de nuestras parte.Hoy hemos hablado de todos estos temazos: 04:35 ¿es mejor el Tamron G2 o el Sigma Sport? 06:30 ¿Cómo segundo cuerpo es mejor una A7M2 o una 6300/6400/6500? 08:52 ¿Para cuando un vídeo del Sigma 56mm con una micro 4/3? 14:00 ¿Hay mucho cambio de la Olympus E-M10 II a la Panasonic GX9? 16:33 Quiero cambiar mi Nikon 7200, ¿Qué me interesa más, la Sony A7III, Nikon D750 o esperar a la siguiente generación de mirrorless de Nikon? 20:15 Quiero cambiar mi Canon 80D por una opción más ligera ¿Sony 6400 con el 16-70 f4, fuji xt3 o Canon RP con el 24-105 f4 y mi 70-200? 23:40 ¿Fuji X-Pro3? 25:30 ¿Para cuando un reportaje de cámaras analógicas e instantáneas? 27:27 ¿Para fotografía de naturaleza que objetivo me recomendáis para una GH4? 30:40 ¿Qué objetivos no muy grandes ni pesados y que no pasen de 1500€ me recomendáis  para una Sony A7III? 33:08 Me gustaría adquirir una compacta con sensor de una pulgada y zoom mínimo 24-200 38:54 ¿Cual es la mejor opción de micro 4/3 formato estilo telemétrica que puedo comprar? 41:30 Busco una cámara no muy pesada, resistente, con calidad en los ISOS altos con un presupuesto de 2000€ 42:53 ¿que cámara puedo comprar que no se quede corta en un par de años? ¿Existirá una Sony A7IIII? 44:15 Busco una cámara para hacer time-time-lapses 47:35 ¿Qué objetivo compro para una olympus OMD para arquitectura, paisaje y retrato? 51:10 Obturador mecánico VS obturador electrónico 56:33 Objetivo para micro 4/3 para Olympus OM D EM 10III57:00 Para vlogging mejor A6400 o A6000/6300 con monitor feelworld? Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

In questa puntata di Messa a Fuoco parliamo di Autofocus e di quanto sia importante imparare a fare il fuoco a mano.

This show is loaded with mirrorless news and hands-on experience with some of the new cameras. For this show, Marco has invited back his friend, journalist, and reviewer of cameras and photographic equipment Angela Nicholson. This show is sponsored by:   Skylum Luminar3 - The cutting edge photo editor http://bit.ly/PPN-Luminar3   and   COSYSPEED - The fastest camera bags in the world. http://bit.ly/Streetomatic Fuji X-T30 - Fuji has introduced the replacement for the X-T20. The new X-T30 gains some features of the top of the line X-T3, like the 26.1 MP BSI sensor, the AF-joystick, and a faster AF. But some features as lacking from the big brother like the second SD-card slot, the high res EVF, and the dedicated ISO dial. Angela has used the camera and shares her experience with it.   Fuji X-T30 B&H: https://bhpho.to/2IpXtPa Amazon Germany: https://amzn.to/2NnJPLr Fuji announced the XF 16mm f2.8 lens. This lens is a much smaller and lighter version of the XF 16mm f1.4 lens. Its built quality is similar to the XF23, 35, and 50mm f2 range of lenses and at about 40% of the weight and 40% of the price of the XF 16mm f1.4 this lens may be worth a second look if you like to add a classic 24mm field of view lens to your bag.   Fuji XF 16mm f2.8 R WR lens B&H: https://bhpho.to/2IoZb36 Fuji has also announced the GF 100-200mm f5.6 LM OIS WR tele-zoom lens for the Fuji GFX medium format camera. This lens will yield an EFV of 80-160mm in FF terms.   Fuji GF 100-200mm f5.6 R LM OIS WR B&H: https://bhpho.to/2IoleXO In April, Fuji will offer a FW update for the X-T3. FW 3.0 will improve the AF speed and face & eye-detection accuracy. A new face-select AF option, when you have multiple faces in the screen, will also be added. Panasonic has released the final specs of the Lumix S1 and S1R full frame cameras. Marco has used a pre-production review unit of the S1R for a couple of days and shares the specs and some info on the usability and purpose of this camera.   Panasonic Lumix S1 B&H: https://bhpho.to/2Ip0pLK   Panasonic Lumix S1R B&H: https://bhpho.to/2IoT9zJ To go along with the new Lumix S1 cameras, Panasonic has also released three new lenses for the new L-mount. The S PRO 50mm f1.4, the S 24-105mm f4 Macro O.I.S., and the S PRO 70-200 f4 O.I.S. lens. Each lens fills an interesting niche in terms of focal length, weight, features, and price.   Panasonic Lumix S PRO 50mm f1.4 lens B&H: https://bhpho.to/2InALHr   Panasonic Lumix S 24-105mm f4 Macro O.I.S. lens B&H: https://bhpho.to/2IqOopm   Panasonic Lumix S PRO 70-200mm f4 O.I.S. lens B&H: https://bhpho.to/2Ip0FdG Canon has countered the trend of making new mirrorless full frame cameras larger and introduced the compact entry-level EOS RP with a 26 MP sensor.   B&H: https://bhpho.to/2Ir5Rho Amazon Germany: https://amzn.to/2Vdcbux And Canon will bring out these 6 new RF-mount lenses in 2019:   RF 85mm F1.2 L USM RF 85mm F1.2 L USM DS RF 24-70mm F2.8 L IS USM RF 15-35mm F2.8 L IS USM RF 70-200mm F2.8 L IS USM (super compact!) RF 24-240mm F4-6.3 IS USM Angela shares her hands-on experience with the new Olympus OM-D E-M1X camera and for whom this camera has actually been made.   Olympus OM-D E-M1X camera B&H: https://bhpho.to/2CEmWhH Sony has announced the a6400 APS-C that replaces the a6300. The compact 24 MP camera has been pimped with a processor and AF system that Sony claims is the world’s fastest autofocus. And with the speed, they have also added real-time eye AF and real-time tracking. This APS-C camera sounds like the cropped version of an a9, but we are wondering if the rangefinder style shape is really appealing for whom this speedy APS-C camera is targeted at?   Sony a6400 camera B&H: https://bhpho.to/2IDRpmr Amazon Germany: https://amzn.to/2SeBF8D Angela has tried and then bought the DJI Osmo Pocket camera with its built-in gimbal and 12MP photo and 4k60p video at 100Mbps feature.   DJI Osmo Pocket camera B&H: https://bhpho.to/2IscOi4 Amazon Germany: https://amzn.to/2TZVWR0 Mirrorless question of the month:   Hi! I mostly shoot weddings and families with a Nikon D750 and have an X-T10 for fun. I want to switch completely to the Fuji X-T2. There are other mirrorless brands but they just don’t interest me and I don’t want full frame due to the size of the lens. The one thing that is holding me back is the time between shutter actuation on the X-T10. I know Marco uses the X-T2 and was curious if he has noticed it on that camera. The X-T10 has a slight delay between shots and would not work in my professional work. Thanks in advance and I love all of your podcast. Question by: Shaun, Indiana, USA We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Amy Hoogerbrugge - Title: The male cat named Moana. See his image at the bottom of this page. Links to Angela Nicholson: Twitter: https://twitter.com/AngeNicholson Instagram: https://www.instagram.com/angenicholson/ Facebook: https://www.facebook.com/angenicholsonmedia/ Twitter: https://twitter.com/AngeNicholson   Links to Camera Jabber: Web: CameraJabber.com Facebook: https://www.facebook.com/camerajabber Twitter: https://twitter.com/camerajabber Instagram: https://www.instagram.com/camerajabber/   Links to SheClicks: Facebook: https://www.facebook.com/groups/sheclicksnet/ Twitter: https://twitter.com/sheclicksnet Instagram: https://www.instagram.com/sheclicksnet/    Links to Marco Larousse: Web: www.MarcoLarousse.com Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/ Facebook: https://www.facebook.com/MarcoLarousse1 Workshops: https://www.marcolarousse.com/street-photography-workshops/   Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: https://www.youtube.com/channel/UCWaUn2M1BBoecISFEOJGRCg Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) that will not cost you a penny more than when you are buying at B&H or Amazon without our link. And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

El año ha empezado como acabó el anterior, metidos de lleno en una vorágine de presentaciones, viajes y movidas varias que nos impide ser todo lo regulares que quisiéramos con el "Ola K Ase". Pero aquí estamos de nuevo para intentar resolver vuestras dudas existenciales y fotográficas con sabiduría, sentido del humor y mala leche a partes iguales. Nos complace comprobar que cada vez más lectores se animan a enviarnos regalitos y cosas de comer, lo que nos acerca a nuestro sueño de convertir este espacio en algo parecido a un Sálvame Deluxe de la fotografía. Y sin más preámbulos os dejamos con el índice temporal de todos los temas que hemos tratado en este programa. Un índice por cierto que sólo usan los cobardes, los Photolarianos de verdad se tragan el vídeo entero. Es broma. Regalos de los lectores, canal de Telegram y auto-promociones varias (1:26) Cámara full frame con muchas exigencias (10:40) ¿Cambio de Fujifilm APS-C a Nikon Z6? (15:05) ¿Qué tal la DJI Osmo Pocket? (17:38) La mejor cámara APS-C con estabilizador en el cuerpo (20:55) Busco duplicador para mi Tokina 70-200 mm f4 (24:43) ¿Vale la pena pasar de Sony A6000 a la nueva A6400? (28:30) ¿Cual es el factor de recorte de los sensores de una pulgada? (32:32) ¿Es la Canon 5D Mark II mejor que la MArk IV? (38:11) ¿Compro ópticas para mi Lumix G80 o lo vendo todo y compro una Sony A7S II? (42:06) Voy de safari ¿Compro un tele de montura E o una Nikon P900? (46:06) Pedimos perdón a un lector enfadado (49:38) ¿Donde están los vídeo de Quesabesde? (52:32) Para naturaleza, ¿Sony A7 III o Fujifilm X-T3? (54:48) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! 

In tonight's episode I question the necessity of Photoshop for photographers in 2019, chat about the new Sony A6400, and detail my sons awesome, and insane birthday! Don't forget to check out the new and improved larntzphoto.com for all your photo and video needs.

Ja der Titel stimmt. Das ist die vorerst letzte Folge des Stammtisches. Wir möchten uns bei allen Zuhörern ganz herzlich bedanken. Es hat viel Freude gemacht mit euch zu kommunizieren. Nun gibt es noch ein Mal eine Portion News mit viel Humor für euch. Viel Spass. Neuer Bildsensor von Samsung Nikon Z bekommt nun Eye AF https://bit.ly/2G0efBr Sony A6400 https://bit.ly/2FPHYxX Sony a9 bekommt neue Firmware mit Realtime- Eye AF wie die A6400 https://bit.ly/2AYfYUL Neues iPhone 11 mit Triple-Kamera Setup? https://bit.ly/2Uh9M18 Schöne Bilder: Hunde springen aus Farbstaub https://bit.ly/2DyOIh4 Schöne Bilder: Das selbe Ferienhaus immer wieder fotografiert https://bit.ly/2Hp09Mo Funny: Das meist gelikte Bild auf Insta-Grääm https://bit.ly/2DyOyX0 Funny: Glove and Boots über Insta-Fotografie https://bit.ly/2Uh93Ns

《摄影叨B叨》第545期- 索尼在上周发布了新品A6400，为啥有6300和6500之后又发布了一个中间产品6400呢？这期节目纳纳老师5分钟给你聊明白>>>

《摄影叨B叨》第545期- 索尼在上周发布了新品A6400，为啥有6300和6500之后又发布了一个中间产品6400呢？这期节目纳纳老师5分钟给你聊明白>>>

La nuova Sony a6400 è la prima camera presentata nel 2019, e già fa discutere. Parliamone!