Podcasts about Anak Ko

On this week's Talkhouse episode we've got a pair of talented musicians in a chummy chat about making songs and making a life while making songs. It's Melina Duterte, aka. Jay Som, and Pascal Stevenson, aka. Fashion Club. Stevenson just released the second Fashion Club album, A Love You Cannot Shake, but it's different enough than the first that it almost feels like a debut. That surely has something to do with the fact that it's the first Fashion Club music since Stevenson's gender transition; there's a genre freedom that wasn't as evident on the first one, which felt a bit closer to Stevenson's indie-leaning band Moaning. A Love You Cannot Shake clearly honors big pop music but it frequently swerves before giving into any obvious trappings. She found some fantastic guests to add to the sideways fun, too, including Talkhouse Podcast alumni Perfume Genius and Julie Byrne as well as the other half of today's conversation, Jay Som. Now Jay Som made a splash with her first couple of bedroom-pop albums in 2015 and 2016, and though she hasn't released a new album since 2019's fantastic Anak Ko, she's been busy nonetheless, both starting some new projects, producing for other musicians, and playing bass for the indie-rock supergroup Boygenius. She's been working on new material of her own as well, and she had a song on the soundtrack to the critically acclaimed movie I Saw the TV Glow alongside like-minded artists like Caroline Polachek and The Weather Station. And of course there's her contribution to the Fashion Club record, “Ghost.” Check out that song right here. In this lively conversation, Stevenson and Duterte chat about songwriting, including Stevenson's tendency to start with the biggest parts and Duterte's opinion on what constitutes a “treat” while you're producing. They tell each other toward the end of the conversation which pop star they'd most like to write for, and we learn that Stevenson's specialty is what she calls “fucked-up ballads.” Enjoy. 0:00 – Intro 2:20 – Start of the chat 4:45 – On Fashion Club's album, A Love You Cannot Shake 9:20 – Melina loves Pascal's record 13:30 – Contrasting approaches to songwriting 16:36 – "Everyone's a little different when it comes to what I call 'treats'" 31:36 – "Do you think it's easier now to become a producer?" Thanks for listening to the Talkhouse Podcast, and thanks to Pascal Stevenson and Melina Duterte for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

As any parent can attest, sending a child to daycare often comes with an unwelcome side effect: recurring infections. Childcare centres, with their bustling activity and shared spaces, are breeding grounds for germs. Children interact closely, share toys, and sometimes unknowingly carry viruses. - Ang daycare ay madalas na may kasamang hindi kanais-nais na epekto: paulit-ulit na impeksyon. Ang mga daycare centre ay pugad ng mga mikrobyo dahil ang mga bata ay malapitan ang interaksyon sa isa't-isa, nagpapalitan ng mga laruan, at minsan ay hindi namamalayang nagdadala na pala ng mga virus.

TINANGAY NG ENGKANTO ANG ANAK KO (TRUE ENGKANTO STORY BY ROCXAN) | SUBSCRIBER'S HILAKBOT STORIES 67 | HTV Segment Pakinggan ang tampok na real paranormal and scary stories ng ating mga subscribers/listeners mula sa sindakstories2008@gmail.com. FOLLOW OUR 2ND PODCAST - PINOY HORROR RADIO (HTVSindak) FOR NEW STORIES SUBSCRIBE TO HILAKBOT TV ON YOU TUBE SUBSCRIBE TO SINDAK SHORT STORIES ON YOU TUBE SUBSCRIBE TO HILAKBOT HAUNTED HISTORY ON YOU TUBE SUBCRIBE TO RED DIARIES - TAGALOG LOVE STORIES #HILAKBOTTVLive #SubscribersHilakbotStories #SubscribersHorrorStories #SendersScaryStory #LiveAudioNarration #TagalogHorrorStory #Katatakutan #BasedOnTrueStory #MysteryThriller #FictionHorrorStories #FictionTagalogHorrorStories #PhilippineTrueGhostStories #TrueHorrorStory #InspiredByTrueEvents #TagalogHorrorStories #TagalogHorrorAudiobook --- Send in a voice message: https://podcasters.spotify.com/pod/show/hilakbot-tv/message

Alamin ang mga diskarte ng single mum at kilalang Lugaw Queen sa Sydney para mabuhay ang mga anak. At bilang ng mga single parents sa Australia pumapalo sa higit isang milyon, halos 80 porsyento ay mga babae at higit 20 percent ang lalaki o single dad.

i’ve been listening to music as it’s released or comes into my life. i have a very long queue of things to listen to. some years ago i calculated that it would take me six years to get to the point where i’m listening to music as it comes out. this was assuming that each week i’d be listening to 50 albums and only adding 30 albums to the queue. but it seems like i’ve be listening at a slower rate and accumulating at a faster rate. i spent most of the past few years getting through maybe 30 albums each week, and accumulating more like 50. the reverse. hmmm. this means i won’t ever catch up ever ever.i’ll work on the new estimates for next week!DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 First Base “Eastchester Avenue” Not That Bad02:25 Serpent Season “Hearing Voices” The Sky is Alive with Dying Stars04:40 Jay Som “Peace Out” Anak Ko08:57 Bill Baird “Heart’s Got a Hole” Refractions11:50 Boothe “walk step” 8 or 9 walled room12:19 CD-ROM “FIRE” THE NEW PROGRAM16:22 queer choir “idc if it was 2 years ago” sketchbook of songs17:47 Special Moves “No Guarantees” Split w/ Yeehaw Junction20:33 Yeehaw Junction “Needy” Split w/ Special Moves24:03 erin tanner “a dog nap” a dog told me what to do25:29 When Nalda became punk “Long before” Those words broke our hearts28:34 Oh, Rose “Easy” While My Father Sleeps31:05 FRITZ “YUK!” FRITZ33:34 So Cow “Now That I Am 36” Do Re Mi Fa So Cow36:40 Chiffres “purple” static rainbow39:43 Emmerson & Her Clammy Hands “On My Mind” Crazy 4 Love43:50 Slam Dunk “EZ2C” In Hell45:33 ghostplay “Too Much” 3349:51 Bellhoss “geraniums #2” geraniums54:32 No Sister “Pacific” Influence58:40 Was “Falling Out” WAS 260:12 Mallwalkers “It’s Time” Shake the Rust Off61:49 little cake n jack toft “life is rly ez” little cake n jack toft demo tape63:24 unlimited guests “runners guide” the secret64:16 The Living Eyes “Peak Hour Traffic” Peak Hour Traffic 7"66:38 Boys Age “Good Yesterdays” Initiate - Very Best of Boys Age Vol.269:40 Carla dal Forno “Blue Morning” Top of the Pops72:18 Spud Cannon “Runaway Strays” Squeeze74:51 Jungle Green “Happiness” Runaway With Jungle Green78:10 Plunk 67 “Video Game” Therapy80:12 Ghost Orchard “puppy” Bunny82:09 Philippa Zang “damn, strange” pothole diaries84:02 Lina Tullgren “Free Cell” Free Cell

DJ Chico, malapit na akong mag-retire at halos napasa ko na lahat ng yaman na meron ako sa anak ko. Gusto ko na lang talaga eh magkaroon siya ng asawa. Paano ba to? #SDYNN Follow us: Youtube: https://www.youtube.com/c/MOREntertainment Twitter: https://www.twitter.com/MORentPH Instagram: https://www.instagram.com/morentertainmentph

April 27, 2022

This week's Talkhouse conversation features a pair of indie musicians—one of whom is known a bit better for another career—who recently collaborated on a song, and who have lots to say about creativity and the current state of the music biz: Hrishikesh Hirway and Melina Duterte, aka. Jay Som. If you recognize Hirway's name, chances are good it's from one of his popular podcasts: The best known is probably Song Exploder, on which Hirway and a guest break down a single song, spending time to get at its component parts and to explore the creative process. (Perhaps it goes without saying that it shares some DNA with the Talkhouse Podcast.) Guests over the years have included Bjork, Spoon, St. Vincent—the list goes on and on. Song Exploder became a Netflix series in 2020, with Hirway acting host on the TV version as well. In addition to that, he's behind some other great podcasts, including the fun pandemic-era food chat show Home Cooking, which he co-hosts with Samin Nusrat. With all of that on his plate, it's easy to overlook that Hirway spent many years making gentle, melancholy indie music under the name The One AM Radio. That part of his life took a backseat to his other pursuits, but music called him back, and he spent some time over the pandemic recording some songs that he's slowly releasing under his own name. The first was a collaboration with famed cellist Yo-Yo Ma, and just this week came the second: a collaboration with today's other guest, Melina Duterte, who's better known by her project's name, Jay Som. The two met because Duterte was a guest on Song Exploder, where she spoke about her song “Tenderness.” Though he didn't actually host that episode, Hirway loved what he heard, and the two struck up a friendship that led to Duterte guesting on the touching song “Home.” If you like what you hear, the Jay Som catalog is thoroughly fantastic. Her last album under the name was 2019's Anak Ko, but she's spent time producing and collaborating with other folks over the past couple of years, including production duties for the latest album by Julia Shapiro of Chastity Belt—a recent guest on this very podcast. Jay Som's music is often called “bedroom pop,” but after people hear this conversation, they may have to start calling it “attic pop,” since Duterte recently relocated to a private top floor of her own. Elsewhere in this conversation, she and Hirway talk about the hot mess that is the music industry, the software they sometimes use, and the alt-rock band that Duterte obsessed over as a pre-teen. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Hrisikesh Hirway and Melina Duterte for chatting. Check out their collaborative song, “Home,” and be sure to follow them both—and Talkhouse!—on your favorite social media channels. See you next time!

Sabi nila, matitiis ng anak ang magulang pero hinding-hindi matitiis ng magulang ang anak. Pero 40% o 4 out of 10 teenagers sa United States ay pinalayas ng kanilang mga magulang nang mag-“come out” sila sa mga ito as "queer". Hindi biro ang buhay na pagdadaanan mo kung queer ka. Any queer person will tell you this. Kaya't dagdag kalbaryo sa mga Bessie kapag hindi ka pa tanggap ng mga magulang o ng pamilya mo. This is true whether you're gay, trans, lesbian, etc. You alone against the world ang background music forever? Yung inaasahan mong panggagalingan ng lakas mo, itinakwil ka pa na para kang may ketong. Siksik sa drama talaga ang buhay ng mga queer! Aminin!Our friend, Malen, married to a man who comes from a staunch Catholic family teeming with priests,  kikis about how she dealt with the news when her adult son confessed to her what she had suspected all along: that he was queer. Malen offers fighting words of advice and a little bit of admonition to queers out there who might be wallowing in self-doubt and pity, and searching for acceptance, love, and belongingness.  "Can a mother forget the baby at her breast and have no compassion on the child she has borne?" (Isaiah 49:15)Buma-Bible din kami pa-minsan-minsan, mga Bes! Kinakaya naman. Sources: 1. “Serving Our Youth: Findings from a National Survey of Service Providers Working with Lesbian, Gay, Bisexual, and Transgender Youth who are Homeless or At Risk of Becoming Homeless.” The Williams Institute with True Colors Fund and The Palette Fun. 2. “Growing Up LGBT in America” Human Rights Campaign.For more resources: www.balutkiki.com.:::::::::If you are listening to us on Spotify, ApplePodcasts, Podchaser, PodcastAddict, etc., please leave us a rating and a review. The reason we ask this is because this helps us appear on searches much quicker and allows people to discover our podcast easier so we are able reach and empower more.Better yet, please tell a friend about us, especially if that friend needs to relate to somebody going through a tough time, like we all sometimes do. Let them know they're not alone.If you want to support our show, please click on the BuyMeACoffee link below. This will ensure we can keep doing what we do.The Balut Kiki Project is a winner at the 2021 Asia Podcast Festival Awards.(If you are a Filipino living in the Philippines and you, or somebody you know, are undergoing depression or having suicidal thoughts, try talking to somebody you trust or please go to the link:    https://doh.gov.ph/NCMH-Crisis-Hotline . It's okay to ask for help. )Support the show

Paano nga ba kung naging bakla ang anak ko? Matatanggap ko kaya? If you like this podcast, we would be more than happy if you can give us a thumbs up or a 5-star rating and subscribe. You can also send us messages, comments, and suggestions through my IG @kwentuhansessions / FB fan page @kwentuhansessionsph.

Tagalog Horror Story written by CJ Locairo, narrated by Nebb Qerro.

The title of Jay Som’s latest record, ‘Anak Ko,’ is a term of endearment in the Filipino language of Tagalog, and translates to “my child.” Songwriter and frontwoman Melina Duterte describes the title as “a warm blanket over the record,” which finds her rooted in the personal while maintaining a bright, dream pop punchiness. Duterte and her charismatic band join Cheryl Waters in the KEXP Live Room for four songs and an interview on her approach to the record, her many collaborators and the importance of “me time.” Recorded 09/19/2019. 4 songs - Anak Ko, Peace Out, Superbike, Get Well. Support the show.

Melina Duterte goes by the name Jay Som. She’s a singer, songwriter, and multi-instrumentalist. She’s released three albums as Jay Som, and has produced, engineered, and mixed each one. Her third album, Anak Ko, came out in August 2019. And in this episode, Melina breaks down a song from it called “Tenderness.” songexploder.net/jay-som

Jay Som, aka Melina Duterte, speaks with Kyle Meredith about her latest album, Anak Ko. Duterte discusses how the Joshua Tree desert played a large role in its completion and why she invited some of her friends into the recording sessions -- a first for the singer-songwriter. From there, she divulges on her love for Steely Dan, Alanis Morissette, and Prefab Sprout, weighs in on the influence of having music-obsessed parents, and tips us off to her second life as a producer for artists like Chastity Belt and Pendent, which may take on a more starring role for her in the near future. For information regarding your data privacy, visit acast.com/privacy

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture. In my grandfather’s last days He wandered the rice fields alone. What was left of his mind bringing him back to what he spent his entire life building. We are the land—lupa ay buhay, land is living. When my father talks of his poverty, he presents a bowl of rice and says, ‘Your Inang would put one piece of fish on the table, and we would press our fingers against it for flavor.’ Mimicking his hand scooping rice out of the bowl. — fragment from “The Low Lands” Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay,  Insurrecto by Gina Apostol, and Anak Ko by Jay Som. Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin. You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture. In my grandfather’s last days He wandered the rice fields alone. What was left of his mind bringing him back to what he spent his entire life building. We are the land—lupa ay buhay, land is living. When my father talks of his poverty, he presents a bowl of rice and says, ‘Your Inang would put one piece of fish on the table, and we would press our fingers against it for flavor.’ Mimicking his hand scooping rice out of the bowl. — fragment from “The Low Lands” Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay,  Insurrecto by Gina Apostol, and Anak Ko by Jay Som. Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin. You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture. In my grandfather’s last days He wandered the rice fields alone. What was left of his mind bringing him back to what he spent his entire life building. We are the land—lupa ay buhay, land is living. When my father talks of his poverty, he presents a bowl of rice and says, ‘Your Inang would put one piece of fish on the table, and we would press our fingers against it for flavor.’ Mimicking his hand scooping rice out of the bowl. — fragment from “The Low Lands” Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay,  Insurrecto by Gina Apostol, and Anak Ko by Jay Som. Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin. You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture. In my grandfather’s last days He wandered the rice fields alone. What was left of his mind bringing him back to what he spent his entire life building. We are the land—lupa ay buhay, land is living. When my father talks of his poverty, he presents a bowl of rice and says, ‘Your Inang would put one piece of fish on the table, and we would press our fingers against it for flavor.’ Mimicking his hand scooping rice out of the bowl. — fragment from “The Low Lands” Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay,  Insurrecto by Gina Apostol, and Anak Ko by Jay Som. Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin. You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we discussed Jay Som's excellent third studio album and realized most of our favorite projects this year were from Bay Area artists.

In your heeeaad... Decibilibers, llegamos a los 15 episodios y con una invitada muy especial, Meche Nava aka Tha Leader, la primera mujer en el podcast y en su honor, muchas mujeres en la música. En el Essential tenemos a The Cranberries y su segundo disco 'No Need To Argue', el que los puso en todos lados gracias a Zombie y la voz de Dolores O'Riordan. El disco de 2019 a cargo de la Cali-filipina Melinda Duerte aka Jay Som y su Anak Ko, muy buen disco con referencias a los 90s. En el acto emergente a Typhoon con su disco 'Offerings' en el que habla de la pérdida de la memoria y es una joya. En el acto nacional tenemos a Celest, musica eterea con una voz definitivamente influenciada en los Cranberries. Y en el gustado Black Hat, en honor a México, el idiota que malreinventó en vivo nuestro himno nacional. Viva México!

Anak Ko is our most played album. 00:00 - DJ Emily 01:10 - Gold Past Life - Fruit Bats 04:54 - Sorry, I'm Busy - The Harmaleighs 07:52 - Good Ones - Slaughter Beach, Dog 12:44 - For You - Joanna Sternberg 14:46 - Golden Babyland - Lina Tullgren 18:26 - DJ Emily 18:56 - Run It To You - Black Belt Eagle Scout 22:30 - Drive Thru - Infinity Crush 24:05 - I've Been Wrong Before - Generationals 27:25 - University - Versus 31:25 - DJ Emily 32:26 - If You Want It - Jay Som 35:38 - Finish

Chris and Jon review the latest albums by Tool and Jay Som and talk about some other recent releases. If you have any feedback, please don't hesitate to e-mail us at: midnightwavespodcast@gmail.com. 0:00 - Intro (The Smiths, This Charming Man)Main reviews:2:00 - 'Fear Inoculum' by Tool (track samples #7 - Culling Voices, #1 - Fear Inoculum)19:18 - 'Anak Ko' by Jay Som (track sample #2 - Superbike)Mini reviews:29:23 - 'Norman Fucking Rockwell!' by Lana Del Rey (track #3 - Venice Bitch)34:55 - 'How to Live' by Modern Nature (track #2 - Footsteps)37:22 - 'At the Party with My Brown Friends' by Black Belt Eagle Scout39:14 - 'Eve' by Rhapsody41:44 - 'May the Lord Watch' by Little Brother (track #7 - Goodmorning Sunshine)45:44 - 'Moments' (single) by Pinegrove49:55 - Outro (Lynyrd Skynyrd, Tuesday's Gone)    

Als Jay Som kombiniert Melina Duterte Dreampop, Shoezage und Indierock und hat damit schon viel Lob eingefahren. Ihr letztes Album „Everybody Works“ hat bei Pitchfork das Prädikat „Beste neue Musik“ bekommen. Ihr drittes Album „Anak Ko“ ist in einem kleinen Haus in der Wüste entstanden.Der Artikel zum Nachlesen: https://detektor.fm/musik/album-der-woche-jay-som-anak-ko

Bienvenido a un nuevo episodio con un disco alejado de los parámetros del mainstream. Para esta semana me fue a lo underground aunque de cierta forma, Jay Som ya ha tenido un recorrido musical bastante satisfactorio. 'Anak Ko' es su tercer disco y en él encontramos el resultado de experimentar diversos sonidos que vimos en sus dos primeros discos. Debido a eso he escogido este disco compuesto desde sonidos folk, pasando por el country hasta aterrizar en lo más oscuro del indie rock. Bienvenido nuevamente y gracias por escuchar este podcast. Estoy en Instagram cómo @camipetrucci.

Bix rambles about James Bond, the Amazon and writing subtitles for reality shows.

Jay Som - Superbike - from the 2019 album Anak Ko on Polyvinyl.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

“Goat Parade.”The LaBenne boys talk about their birthdays, getting older, and what really goes on at bachelor parties. Luke recaps the Local Natives and Wu-Tang Clan shows he just went to. They talk about Bugs Bunny and Hansel and Gretel. Luke does a song parody, finds out Brian’s fetish and they talk about how to 96. Then they discuss the old clashing with the youth, empathy, and how everyone is dealing with something below the surface. Not to mention they play an all-star lineup of songs from artists who are GOATs! (greatest of all time)Songs Played In This Episode:Purple Mountains - All My Happiness is Gone from Purple Mountains out July 12th on Drag City Chaos Chaos - Armed and Dangerous out nowJay Som - Superbike from Anak Ko out August 23rd on PolyvinylSilverbacks - Pink Tide out now(Sandy) Alex G - Gretel from House of Sugar out September 13th on Domino Recording Co.Jesca Hoop feat. Lucius - Shoulder Charge from STONECHILD out July 5th on Memphis Industries

Nagulat ako sa life story ng caller ko kaninang umaga, ang father nya ay tatay din pala ng anak nya. Tsk tsk. Itutuloy ang kwento nya ngayong thursday 11:30 am sa www.radyolaverdad.com

Celebrating Podcast #150.  I tell stories and play songs. Three hours of awesome!!!“Here We Go” by Duke Evers off Velvet Hipshttps://dukeevers.bandcamp.com/“Too Soon Too Far” by TBASA (unreleased as of recording this podcast)https://tbasa.bandcamp.com/“Fire” by Soltree off Stardusthttps://soltree.bandcamp.com/“Irene” by Courtney Marie Andrews off Honest Lifehttp://tunes.mamabirdrecordingco.com/album/honest-life“I Am That I Am” by Devils Hunt Me Down off In Medias Res IIhttps://devilshuntmedown.bandcamp.com/“Two-Time” by Monsterwatch off Blabbermouthhttps://monsterwatch.bandcamp.com/“Carolina” by Heather Thomas off People in Placeshttps://heatherthomas.bandcamp.com/“Deadline” by Dirty Dirty off Deadlinehttps://sodirtydirty.bandcamp.com/“Finger on the Pulse” by Wonder off This Far Alivehttps://wondertruly.bandcamp.com/“Project 3” by Skyrocket Daydream off Skyrocket Daydreamhttps://skyrocketdaydream.bandcamp.com/“Chase the Clouds” by Erik Blood off Lost in Slow Motionhttps://erikblood.bandcamp.com/“Pretty Teeth” by Ever So Android off The Civilhttps://eversoandroid.bandcamp.com/“Feathers” by The Flavr Blue off Love Noteshttps://theflavrblue.bandcamp.com/“Tender” by Tangerine off Sugar Teethhttps://tangerinetheband.bandcamp.com/“I Can’t Wait to Get Your Clothes Off” by Susy Sun off Susy Sun EPhttps://susysunmusic.bandcamp.com/“Noble Eyes” by Among Authors off I am Becomehttps://amongauthors.bandcamp.com/“Fallin’” by Scarlet Parke off Long Nighthttps://scarletparkemusic.bandcamp.com/“Zero, The Fool” by Spit in the Well off Zerohttps://spitinthewell.bandcamp.com/“Things Like This” by Wookyhttps://wookyofficial.bandcamp.com/“Never Enough” by C-leb & the Kettle Black off Flat Blackhttps://c-lebsounds.bandcamp.com/“Fade To Black” by Tiny Messengers off Tiny Messengers EPhttp://kimomuraki.com/“Gotta Go” by Ten Miles Wide off The Grosshttps://tenmileswide.bandcamp.com/“Love vs Tragedy” by Heels to the Hardwood off Love vs Tragedyhttp://www.heelstothehardwood.com/“Go Limp” by Intisaar off Borrowed Groundhttps://intisaar.bandcamp.com/“No” by Great Grandpa off Plastic Coughhttps://greatgrandpa.bandcamp.com/“Home” by Whitney Mongé off Stonehttps://whitneymongemusic.bandcamp.com/“Pull the Pin” by Patrick Galactic off Running from the Sunhttps://patrickgalactic.bandcamp.com/“Daylights Gone” by Motopony off Welcome Youhttp://www.motoponymusic.com/“White Wizard” by Year of the Cobra off …In The Shadows Belowhttps://yearofthecobra.bandcamp.com/“Anak Ko” by Charms off Human Errorhttps://charmsrock.bandcamp.com/“Don’t Feed the Birds” by General Mojo’s off How Hollow a Hearthttps://generalmojomusic.bandcamp.com/You can find, subscribe, rate, and review the podcast on iTunes for iOS, Google Play Music, Stitcher Radio and Spreaker for Android.Become a Patreon partner to the podcast! https://www.patreon.com/thezim