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Après ses "Mémoires dʹun discomane", François Gorin rappelle à notre bon souvenir les plus beaux titres de Prefab Sprout dans son livre "Je resterai inconnu". Quatre décennies sur les traces de Paddy McAloon, des débuts en 1984 sur "Swoon" aux dernières expérimentations musicales avec "I Trawl The Megahertz".
On this week's episode, we're joined by Thomas Dolby, musician, producer, inventor, storyteller, and one of the most inventive minds to emerge from the golden age of synth-pop. Best known for classics like “She Blinded Me With Science” and the groundbreaking album The Golden Age of Wireless, Dolby's career has taken him far beyond the world of 80s pop stardom. From building homemade synthesizers out of discarded circuit boards in South London, to performing with David Bowie at Live Aid, producing landmark records for Prefab Sprout, and later becoming a pioneer in music technology and Silicon Valley innovation, his story is one of constant reinvention. In this conversation, Thomas reflects on the grey, chaotic energy of 1970s London, the explosion of punk and electronic music, and how he carved out a sound that brought warmth and humanity to synthesisers at a time when electronic music often felt cold and mechanical. He shares hilarious stories including working with eccentric British scientist Magnus Pyke and explains how a global novelty hit unexpectedly opened the door to a deeper, more personal body of work. We also talk about busking in the Paris Metro, touring with bands like The Fall and Gang of Four, the pressure and excitement of performing at Live Aid with Bowie, and his belief that the best music comes from emotional honesty rather than chasing trends. Later in the episode, Thomas opens up about life beyond pop fame from launching tech companies during the dot-com boom, helping pioneer early mobile ringtone technology with Nokia and developing ambitious new live shows that blend music, storytelling, and orchestral performance.Let Christy Take It are proud to bring you Thomas Dolby.If you enjoy our show please like and subscribe wherever you listen to your podcasts. Thanks to our sponsor Irish Woodcraft, please check them out at https://irishwoodcraft.ie
I denne uges udsendelse har vi valgt at hylde nogle af de fantastiske popkunstnere som fortjener mere kærlighed. Vi har derfor iklædt os et par professionelle dykkerdragter, og dykket helt ned på havets bund på udkig efter musikalske popperler. De perler som er druknet i mængden, dem som folk har glemt, eller som måske aldrig rigtig er blevet hørt. Vi dykker altså ned i den musikalske skattekiste, og anbefaler numre fra 80'erne, 90'erne, 00'erne og 10'erne. Vi skal bl.a. lytte til det vidunderlige britiske band Prefab Sprout (som ligger godt i maven), vi skal til et ambient, udendørs rave med duoen The Beloved, vi tager en tur i rummet med dejlige Tasmin Archer, vi genopdager det danske 90'er band Pockets og så glæder vi os over musikken fra Ginger Ninja og begejstres over deres bandnavn. Alle gode eksempler på glemte popperler. Derudover spiser vi igen havregryn ved morgenbordet, vi roder rundt i Steve McQueen og James Dean, vi mindes den regnvåde sommer i 2011, Andy går i gang med en afhandling om canadiske Tegan & Sara og så bliver der også lige plads til tvivlsomme solcitater, Steen Stig Lommers husband, John Hahn Petersen, Norwegians gamle direktør og et computerspil med en skydeglad Peter Gabriel. Playliste: Prefab Sprout - Appetite The Beloved - The sun rising Pockets - Diggin' Tasmin Archer - Sleeping satellite Opus X - Loving you girl Ginger Ninja - Bone will break metal Freja Loeb - Never stop coming back IDER - King Ruby Tegan And Sara feat. The Lonely Island - Everything is awesome
He's back! Writer of over 25,000 songs Matt Farley joins the boys today to talk their upcoming New Hampshire gig on Mother's Day, and ponder over larger questions regarding the music biz. Thomas warms up the discussion with an ode to Prefab Sprout. https://moternmedia.com Thin Lear's new album "Many Disappeared" releases this week! And the LMO boys are back on tour! Dates at https://www.thinlear.com/ https://www.niagaramoonmusic.com/ Bluesky IG Tiktok
W/C 13th April 2026Nothing fancy in the notes this week, just an explanation as to the track I have chosen for the title.It's a Paddy McAloon song, recorded by Jimmy Nail as part of the Crocodile Shoes project, which was a TV show about a songwriter in the North East. Had I not mentioned it as part of a discussion about Prefab Sprout it may never have come up in conversation, but that would also have meant that I wouldn't be booked out for what promises to be a special evening on the 8th October.Thanks Shane, life is indeed a circular ride.Stay safeDragons - Jimmy NailDragons - Paddy McAloon
Access this entire 161-minute episode (and additional monthly bonus episodes, including the entire Prefab Sprout series) by becoming a Junk Filter patron! https://www.patreon.com/posts/230-prefab-with-154429820On the fifth episode of the Junk Filter miniseries exploring the work of the cult UK band Prefab Sprout, Jared Bailey, the cohost of the Southern Accents pod, returns from Columbia, South Carolina to discuss their magnum opus, 1990's Jordan: The Comeback.Conceived by frontman Paddy McAloon as a collection of “nuclear-powered Walt Disney film themes,” the 19-track album was produced by Thomas Dolby and reportedly cost half a million dollars. Structurally, it's divided into four distinct suites: a set of pop songs, a galaxy-brained section centered on Elvis Presley (including the idea of his faked death and surprise return), a medley of love songs, and a final movement contemplating God, death, and redemption.On Jordan, McAloon fuses the accessible melodicism of The Beatles and The Beach Boys with the lyrical and musical intricacy of Steely Dan, all filtered through his own literary and theatrical sensibilities, to create a dreamy, atmospheric, forward-facing masterpiece that sounds like nothing else and holds great appeal to modern ears. Jared and I go track-by-track on the album, which includes many of the band's greatest songs.My thanks to the Sproutology website, the ultimate online resource for the band.Follow Jared Bailey on Twitter and Bluesky. Jared is the co-host (with @fenderbelly) of the new Tom Petty podcast Southern Accents. Listen to the show and support their Patreon!Radio Love (Prefab Sprout b-side from 1982)Music video for Carnival 2000 (1990)
Access this entire 115 minute episode (and additional monthly bonus episodes, including the entire Prefab Sprout series) by becoming a Junk Filter patron! https://www.patreon.com/posts/228-prefab-songs-151720106In the fourth episode of the Junk Filter miniseries exploring the work of the UK band Prefab Sprout, I'm joined by Patrick Svensson, a library worker in Seattle, for a track-by-track discussion of their “lost album” Protest Songs.Recorded quickly and cheaply in Newcastle right after Steve McQueen, Protest Songs was intended for release at the end of 1985 but shelved by CBS Records to avoid cannibalizing sales of the hit single “When Love Breaks Down”. After four years of bootlegs and rumours, the album was released without fanfare in 1989, serving as a stopgap between From Langley Park to Memphis and Jordan: The Comeback, yielding no hit singles while still making the Top 20 UK album charts.Patrick and I wish to make a case for this album as one of their best releases, with a more stripped-back, less hyperproduced sound that captures the band's live energy and provides further background on Paddy McAloon's upbringing and sensibilities, as he delivers “protest songs” about the struggles of daily existence in Thatcher's England as opposed to stridently political material.We dive into our favourite Protest Songs tracks, era-specific B-sides, and the unmistakable influence of Steely Dan on McAloon's songwriting.Follow Patrick Svensson on Bluesky.My thanks to the Sproutology website, the ultimate online resource for the band.Demo version #2 of Talkin' Scarlet from 1983- more of a duet, with a different set of lyrics.Tiffanys, live in Munich, December 1985
A (relatively) in-depth analysis of Boat to Bolivia by British rock/folk/pop band Martin Stephenson and the Daintees.Having become busking sensations the group were signed by Kitchenware around the same time as Prefab Sprout and released their first single in 1982. Like other Kitchenware acts the group had its origins in the North East England. The band enjoyed a high critical profile and some minor commercial success. Their best-selling and most acclaimed album is Boat to Bolivia released in 1986.Both The Daintees and Martin Stephenson have remained active in recent years. Stephenson currently lives in the highlands of Scotland and splits his time between solo and small collaborative projects with band albums and annual celebratory Daintees UK tours.I do hope you enjoy this episode.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.
"Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week we have Martin McAloon on the show, founding member and bassist of Prefab Sprout, one of the most quietly influential bands to come out of the UK. Along with his brother Paddy and bandmate Wendy Smith, they were and known for their timeless melodies, poetic lyrics, and understated brilliance. Today, Prefab Sprout's music continues to inspire artists and listeners alike. Martin joins us to talk about how cows and COVID played a surprising role in drawing him back to the music of Prefab Sprout, and how that eventually led him to start touring the songs—honoring the band's legacy and stepping into a role long held by his brother Paddy McAloon. Martin McAllon's site Music Credits: Cornicob by Blue Dot Sessions The Extension by Blue Dot Sessions If you like the podcast, please subscribe and maybe leave a tip at Buy Me A Coffee! I'd really appreciate your support! Be sure to look for my books, "Lived Through That" and "80s Redux" where ever you buy your books. You can find out more about my work at my website here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Access this supersized 148 minute episode (and additional monthly bonus episodes, including the continuing Prefab Sprout series) by becoming a Junk Filter patron! Only $5 (USD) a month!https://www.patreon.com/posts/226-prefab-from-145775014In part three of the podcast's series exploring the work of the extraordinary UK band Prefab Sprout, I am joined by Atlanta-based critic and theatre scholar Brice Ezell to discuss the band's most commercially successful album: 1988's From Langley Park to Memphis.Following the critical acclaim of Steve McQueen, frontman Paddy McAloon aimed for a glossy, broadly commercial sound this time. With full label support, no expense was spared on production, a sweeping, cinematic soundscape that blends sophisticated synthesizers and polished studio techniques with full orchestration, gospel choirs, and even a guest appearance from Stevie Wonder.Heavily influenced by Barbra Streisand's The Broadway Album, McAloon goes full Theatre Kid on this record. The project employed multiple producers (including the returning Thomas Dolby) and experimented across genres from arena rock to Broadway show tunes and adult contemporary. This approach generated two enduring UK radio hits: “The King of Rock 'n' Roll” (their only Top Ten single) and “Cars and Girls” (a subtle critique of Bruce Springsteen's persona).Brice and I dive deep on Langley Park, offering track-by-track analysis. We explore the album's surprising global footprint, tracing its influence from Norwegian singer-songwriters to Japanese City Pop, anime scores, and video game music. And we zero in on the album's central theme: an epic statement where Paddy deconstructs the American mythmaking machine from the vantage point of Northeast England, all while processing his band's sudden success and grappling with an uncertain future.My thanks to the Sproutology website, the ultimate online resource for the band.Follow Brice Ezell on Bluesky.The King of Rock 'n' Roll - from the Dutch music show TopPop, 1988Nightingales - Paddy McAloon on piano, from KCRW, 1988Mashup of Prefab Sprout's Knock on Wood and a track from the Japanese anime High School Aura Buster.
There's a booking trope in wrestling where a wrestler loses their championship, and instead of working their way back to the belt, they say "I have a rematch clause!" and automatically get a second match. This episode of Music of the Mat Remix is all about seconds, specifically second albums. Andrew is joined by first-time guest DJ Convoy to discuss some great sophomore efforts. Artists played include Nirvana, Carole King, Prefab Sprout, Massive Attack, MS MR, Rainbow, Weezer, and many more. No need for a rematch clause to listen to this episode, just click play and enjoy!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @djconvoyDJ's blog: lazonamuerta.netAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Bill Cummings from God Is In The TV is the guest for this episode, talking about Prefab Sprout's Steve McQueen. Charity shops to modern indie, the episode covers a whole load of stuff! Host: Matt LathamGuests: Bill CummingsHomepage - God Is In The TV------------Listen to The Spotify Hall of Fame PlaylistEmail: Pick A DiscFollow us on:Bluesky | Instagram | FacebookPick A Disc(Ord) Discord ServerListen to We Dig Podcasts Shows: @wedigpodcasts | LinktreeLogo designed by: Dan Owen
During this talk show episode, Frez Wave was our featured guest! Known primarily for their groggy, bitcrushed take on vaporwave and lo-fi house, Frez Wave was Roge Corp's number one pick for potential guests, and we had a delightful time joking around about gen Z brainrot and getting put on countless artists that inspire Frez Wave's style. Since having gotten involved with music production and the vaporwave scene five years ago, Frez Wave has released several albums, many via reputable labels such as Business Casual and 18 Carat Affair's own label Fiat LX. A true connoisseur of sound textures and effects with a hilarious sense of humor to boot, uncovering as much information about Frez and his thoughts was a joyous journey! We covered a lot of topics during our two hour stint together, including but not limited to experiences with 18 Carat Affair, describing one's music to someone on a date, and trickshotting on Call of Duty. Frez gave us the scoop on discovering vaporwave via Bronze56K and their production process with Garageband on their phone, and a small debate broke out over the work of Blank Banshee. Don't miss out on Roge Corp saying "Prefat Spout" instead of Prefab Sprout or Shiro's rant about Death's Dynamic Shroud's methods of sampling vocals. Be sure to follow us on social media and join the public community Discord server if you couldn't make it the live broadcast! "Hot Takes" is a safe space for all opinions! Join the conversation at https://linktr.ee/hottakesvapor
Access this entire 115 minute episode (and additional monthly bonus episodes) by becoming a Junk Filter patron! https://www.patreon.com/posts/225-prefab-steve-144565815On the second episode of our Prefab Sprout series, I am joined by Vanity Fair staff writer Erin Vanderhoof for a detailed discussion of the band's second album, Steve McQueen.Released in 1985, Steve McQueen was produced by a fan of the band, Thomas Dolby, who handpicked a selection of Paddy McAloon's older songs (some dating back to his late teens). The goal was to create a commercially appealing, modern pop record that still captured McAloon's idiosyncratic brilliance. The critically-acclaimed album was a modest hit in the UK but made little splash in America, where it was released as Two Wheels Good to avoid issues with Steve McQueen's estate.Forty years later, it is amazing how fresh this distinctly '80s album still sounds. It's a rich blend of rock, jazz, country, adult contemporary, and show tunes, finished with a beautiful electronic polish. Dolby's perfect production showcases McAloon's sophisticated songs about heartbreak and complicated feelings, alongside the masterful musicianship of the band, notably featuring the key arrival of drummer Neil Conti.During our track-by-track discussion, we reveal how we each got Sproutpilled, debate whether the band deserved the UK "Sophisti-Pop" label, explore their notable popularity in Italy, and share our hopes for a future Spike Lee Prefab Sprout movie musical.Follow Erin Vanderhoof on Bluesky and follow her work at Vanity Fair.My thanks to the Sproutology website, the ultimate online resource for the band."Thriller in England: Steve McQueen by Prefab Sprout at 40" by Fergal Kinney, for The Quietus, June 10, 2025Live performance of When Love Breaks Down from The Old Grey Whistle Test, 1985Live performance of Goodbye Lucille #1 (aka Johnny Johnny), from The Tube, 1986Appetite from the 1986 Sanremo Music FestivalLondon in Love, from a series of Burberry 2025 adverts soundtracked by When Love Breaks Down.
Die letzte Oktoberwoche gehört traditionell dem Sounds!-Rückblick auf jene Musik, die vor exakt vier Jahrzehnten erschienen ist. Bis und mit Freitag hören wir ausschliesslich Musik aus dem Jahrgang 1985: New Order, Prefab Sprout, Kate Bush, The Cure, und und und. Es war ein Jahr, in dem Synthesizer und britische Unterkühltheit gemeinsam die Klanglandschaft prägten: Auf der einen Seite New-Wave-Hits von Tears for Fears, den Simple Minds und auch die Pet Shop Boys standen bereits in den Startlöchern, auf der anderen Seite die düstere, goth-y Melancholie von The Smiths, The Cure, The Sisters of Mercy oder Killing Joke. Wir laden euch herzlich dazu ein, im Verlaufe der Woche mit uns Tracks von Prince, Prefab Sprout, Tom Waits, The Jesus and Mary Chain, Grace Jones, Sade und vielen mehr (wieder) zu entdecken. Wie immer ist unser Flashback thematisch aufgeteilt: Morgen Dienstag gibt's z. B. den Rückblick auf die Metal- und Punkkracher aus dem Jahrgang 85.
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Writer, filmmaker and co-host of the Box Office GROSS podcast Rob Stammitti joins me from Pittsburgh to begin a miniseries on the UK cult band Prefab Sprout, a critically acclaimed band that sold millions of albums and yet didn't become as huge as they deserved to be. They were hard to categorize, barely toured outside of continental Europe and were somewhat out of step with prevailing trends in popular music in their day and still left behind a fascinating body of work that more people should be aware of.In part one we discuss arriving late to the game in discovering Prefab Sprout and the long shadow Paddy McAloon casts on modern music before returning to the origin story in County Durham, England, their attention-getting early singles and then track-by-track on their 1984 debut LP Swoon (Songs Written Out Of Necessity). McAloon throws down the gauntlet here, combining post-punk with Bacharach and Broadway influences to create a stunning set at odds with the commercial trends of the era, songs about hard-to-express emotions presented in complex arrangements, which also served as a portrait of the artist as a young man and his declaration of intent, which included projecting an insane youthful self-confidence in his own greatness and great scorn for his contemporaries, wanting to be compared to Sondheim, not Spandau Ballet.Along the way we discuss the importance of Wendy Smith's voice, the Steely Dan factor, Paddy's “Shots Fired” diss tracks, and some of our favourite moments from Swoon that we hope will Sproutpill the uninitiated.Follow Rob Stammitti on Bluesky, subscribe to his Substack, visit his YouTube page and listen to his podcast with Brian Schmid, Box Office GROSS.“Side by Side with Sondheim – Swoon and the Great American Musical”, from the Sproutology website, a great resource for the Sproutpilled.Music video for Don't Sing, Prefab Sprout, 1984
MyMusic with Graham Coath — Nick HaeffnerGraham sits down with songwriter, producer, and all-round musical explorer Nick Haeffner to dive into the stories behind his new album What Time Can Do (Dimple Discs), his love of ear-worm melodies, and why he writes from characters rather than confessional diaries.From Australian sheep-shearing songs and Melanie's Candles in the Rain to Roxy Music, Canterbury-scene textures, and a dash of Prefab Sprout-style chord craft, Nick traces the threads that shaped his sound. He talks production (yes to reverb and atmosphere), the melodica-meets-mellotron blend, and why listeners need time to truly live with an album.We also unpack:The art of enunciation (and why he avoids the default American vocal)Mystique vs authenticity in modern music cultureCharacter pieces like “It's All Maggie Thatcher's Fault” and the sci-fi-tinged “Back in the Life”Why younger audiences are rediscovering richly produced, song-forward recordsHit play for a thoughtful, funny, and deeply musical conversation that might send you crate-digging—and then pressing repeat.
'All the TV shows they liked'Quentin Crisp, Rogê, Susan Orlean, Simon Rich, Stuart Moxham, Laura Marling, Thelonious Monk, Mary Wells, Langley Schools Music Project, Jan Steele, Cascades, Richard Hawley, Ketty Lester, Neu!, Prefab Sprout, The Essex, Mathilde Santing
"The Song Forlorn" Perhaps best known as the Peter portion of the Swedish outfit Peter Bjorn and John, Peter Morén and his band have put out close to ten albums of catchy indie rock that's yielded worldwide hits like "Young Folks," tours around the globe, international television ads and TV and movie placements in everything from Gossip Girl to Bandslam. Raised in the Swedish countryside, Morén grew up listening to Ride, Depeche Mode, The Housemartins and the Stone Roses and his sonorous and melodic body of work reflects his love of well-crafted pop songs. With four fabulous solo albums under his belt, a side project with members of The Shout Out Louds and The Concretes and handling producer duties for Robert Forster's wonderful new album Strawberries, Morén is a busy guy. And I'm leaving things out, I'm sure. But what I'm not leaving out is his second album under the moniker SunYears. The follow up to the dazzling Come Fetch My Soul, The Song Forlorn is a stirring and rousing song-cycle filled with wistful pop, affecting ballads, fuzzed out psych jams and rootsy instrumentals. Featuring guests like Lisa Hannigan, Sam Genders, Nicole Atkins, and Madison Cunningham, The Song Forlorn is an album that's filled with tremendous stylistic range. There's touches of Aztec Camera and Prefab Sprout, Beatle-esque jangle and spare indie folk. It's percussive, melodic and magical work. https://www.roughtrade.com/en-us/product/sunyears/the-song-forlorn IG: @sunyearssongs www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com
Bastille - Pompeii Teddy Swims - Bad Dreams The Corrs - Breathless Katy Perry - Last Friday Night Fun Boy Three - Our Lips Are Sealed John Newman - Love Me Again (Ivan Santana R.E.M.ix) Daft Punk Vs Tina Charles - Get Lucky Vs Saturday Lizzo - Still Bad Brigitte - A Bouche Que veux Tu (Yuksek R.E.M.ix) Hozier - Too Sweet Prince - I Wanna Be Your Lover Jain - Makeba Prefab Sprout - Cars And Girls Culture Club - Church Of The Poison Mind Wham - I'm Your Man Pet Shop Boys - New York City Boy The Communards Feat. Sarah Jane Morris - Don't Leave Me This Way Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Review of “Crimson/Red” by Prefab Sprout Grades: Music A Lyrics A- Production A- Overall A- Email your comments and album suggestions to Feedback@FiveMinuteMusicReviews.com Follow us on Twitter @FiveMinuteMusic Like us on Facebook at www.Facebook.com/FiveMinuteMusicReviews Listen to us on SoundCloud at www.SoundCloud.com/FiveMinuteNetwork
Hollow Horse aus Glasgow sind eine besondere Band. Die Truppe existiert seit den Achtzigern, begann erst 20 Jahre später damit, Platten zu veröffentlichen, legte 5 Jahre später eine 16-jährige Pause ein und ist seit 2024 wieder aktiv. Musikradio360-Stammgast Sebastian Voss hat sich der Band angenommen und stellt seine Entdeckung heute vor. Für Fans von Prefab Sprout, China Crisis und guter schottischer Popmusik.
Tókst Paddy McAloon að knýja fram eina bestu poppplötu allra tíma með sveit sinni Prefab Sprout árið 1985? Og er Steve McQueen virkilega það meistaraverk sem fólk segir það vera? Og er McAloon virkilega frá Norðymbralandi, gengur við staf í dag og með galdramannalegra útlit en sjálfur Merlin? Einhverju af þessu verður svarað í þætti vikunnar. #0242 Pink Floyd - The Piper At the Gates of Dawn
Amidst the unprecedented destruction wrought by the multiple fires that swept across Southern California in January 2025, there are opportunities, and causes for optimism that we can build back, better than before. Among these is the prospective role of prefabricated construction, which can be 30 to 50 percent faster than traditional methods. Steve Glenn, CEO of Plant Prefab, shares his thoughts on the role prefab can play in reconstruction. -- Intro/Outro: “Elevator,” by The Cooper Vane -- Discussed: Bloomberg CityLab: Los Angeles Fire Victims Turn to Prefab Homes for Quick Builds Regulations: California Coastal Commission CEQA CALGreen Title 24 HUD Code (Manufactured Homes) Wildland Urban Interface (WUI) Zones Woolsey fire, 2018 Architecturally significant buildings (at least 32) lost in the fires
Though you might hear laughing, spinning, swinging madly across the sun, it is in fact just two old lags reviewing the current events, which this week include … … the made-up scene in A Complete Unknown which Dylan apparently insisted was included. … the Day of the Locust: do the LA fires spell the end of the Hollywood Dream? … why does no-one write songs about world events anymore? … the unwelcome return of AJ Weberman. … can you date records made between 2000 and 2025? … Sam & Dave, Booker T & the MGs, the Stax horns, Isaac Hayes and David Porter and their purple patch from ‘65-‘68. … Led Zeppelin's five song-stealing court cases – but hadn't what they stole been stolen in the first place? … why most biopics would be better as a six-part TV series. … “where there's a hit there's a writ”. … plus birthday guest John Innes and the best and worst bands names – from Roxy Music to Prefab Sprout.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Though you might hear laughing, spinning, swinging madly across the sun, it is in fact just two old lags reviewing the current events, which this week include … … the made-up scene in A Complete Unknown which Dylan apparently insisted was included. … the Day of the Locust: do the LA fires spell the end of the Hollywood Dream? … why does no-one write songs about world events anymore? … the unwelcome return of AJ Weberman. … can you date records made between 2000 and 2025? … Sam & Dave, Booker T & the MGs, the Stax horns, Isaac Hayes and David Porter and their purple patch from ‘65-‘68. … Led Zeppelin's five song-stealing court cases – but hadn't what they stole been stolen in the first place? … why most biopics would be better as a six-part TV series. … “where there's a hit there's a writ”. … plus birthday guest John Innes and the best and worst bands names – from Roxy Music to Prefab Sprout.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Though you might hear laughing, spinning, swinging madly across the sun, it is in fact just two old lags reviewing the current events, which this week include … … the made-up scene in A Complete Unknown which Dylan apparently insisted was included. … the Day of the Locust: do the LA fires spell the end of the Hollywood Dream? … why does no-one write songs about world events anymore? … the unwelcome return of AJ Weberman. … can you date records made between 2000 and 2025? … Sam & Dave, Booker T & the MGs, the Stax horns, Isaac Hayes and David Porter and their purple patch from ‘65-‘68. … Led Zeppelin's five song-stealing court cases – but hadn't what they stole been stolen in the first place? … why most biopics would be better as a six-part TV series. … “where there's a hit there's a writ”. … plus birthday guest John Innes and the best and worst bands names – from Roxy Music to Prefab Sprout.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreatorFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Part 2 with keyboard magic-dust provider, ~Andy Richards with more hits, more number ones (including a potential 2 more to make the full 10).And so much brilliant 80s pop…5. GEORGE MICHAELAn opportune meeting, a Sunday afternoon session and more immortality as Andy works with George on the iconic Careless Whisper. A later session with David Cassidy (on yet another top 10 smash) allows him the opportunity to work with George again.6. PET SHOP BOYSA triple whammy of number one singles between July 87 - April 88 as Andy works on It's a Sin, Always on my Mind and Heart (which he also produces). Not forgetting more hits in Suburbia and Rent as well as working on the Actually album.Later he works on the Liza Minelli album, Results (produced by the Pets) ‘resulting' in another top 10 hit in Losing My Mind.Comparisons are made between working with Liza and Dusty Springfield (who he produced on her Reputation album).7. CHRIS DE BURGHFrom the great experience working on the sublime pop of the Pets to the more problematic cheesy monobrow of The De Burgh.Another massive number one single with The Lady In Red (with a little help from George Michael) but at some cost.Despite the experience (and like mothers forgetting the pain of childbirth) Andy returns and works on another top 3 hit in Missing You. Plus discussion at the end on where else George Michael appears in the ARoeuvre.8. PREFAB SPROUTAndy produces the wonderful “Hey Manhattan!” By The Sprouts from their From Langley Park To Memphis album.Discussion on Paddy's views of the track (and why he is wrong, bless the little genius).9. PRODUCINGAs well as being the keyboard maestro go-to guy, Andy also produced many artists in the 80s.Here we go through some of them, from less successful experiences (Berlin) to yet more chart success with Fuzzbox and Holly Johnson. 10. MISCELLANEOUS80s odd and sods including the start of his film/TV work and a chance to mop up any other hits worked on, including a potential 10th number one (Foreigner's I Want To Know What Love Is being the potential 9th). THE 80SOGRAPHY QUICKFIRE ROUNDAnd why not.For more on Andy - andyrichards.comTo help fund the pod or say hi - 80sography@gmail (PayPal)Vaughn George. Neil Tennant vocal analysis “Heart”.https://www.youtube.com/watch?v=BtMjGpyzAIsSend us a text
We're back, and this time we've gone back 4 whole decades to talk about our favourite songs from 1984, including lots of jazzy indiepop, metal (from extreme to hair), german pop, and the mystery of whether Lionel Richie or Prince's girlfriend keep phoning Rockwell.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) -The Blue Nile, Billy Bragg, Nick Cave & The Bad Seeds, Celtic Frost, Cocteau Twins, Lloyd Cole & The Commotions, Julian Cope, Dio, Echo & The Bunnymen, Everything But The Girl, Husker Du, Iron Maiden, Killing Joke, Kenny Loggins, Manowar, Metallica, Nena, Phil Oakey & Giorgio Moroder, Prefab Sprout, Prince, The Psychedelic Furs, Ratt, Lionel Richie, Rockwell, Sandie Shaw, The Smiths, Swansway, Thompson Twins, Ultravox, and Van Halen!Find all songs in alphabetical order here - https://open.spotify.com/playlist/7JDSRATZtdBU5yJtD4zbFM?si=256411ee4df7417aFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next month or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com
Cork artist Yenkee aka Graham Cooney released his long-awaited debut album Night Golf via Soft Boy Records on October 25. He talks about making the album, being inspired by labelmates Kojaque and Kean Kavanagh, life in London, the dream of owning a house, the housing crisis, songwriting, and lots more on this episode of TPOE. Yenkee tour dates: December 1: Upstairs at Whelan's, Dublin December 10: Old Blue Last, London December 15: Folklore Rooms, Brighton December 21: City Hall, Cork Buy Night Golf: https://yenkee.bandcamp.com/album/night-golf --- Press release: Yenkee is now based in London, but it's where he was raised on the Northside of Cork City in Ireland where he developed his admiration for simplicity and his love for music. “Being Irish, you are always brought up around music and song. It's so ingrained, you can't avoid it”. It's this immersion that bred inspiration from a diverse array of artists. Arthur Russell's versatility, Dolly Parton's timeless songwriting, Manu Chao's eclectic style, Talking Heads' playful spirit and Fionn Regan's graceful depictions of Ireland all play a role in who Yenkee is today. His early projects, marked by an experimental spirit and a penchant for blending genres, laid the groundwork for what would become Yenkee. The transition to a solo career allowed him to fully explore his artistic vision, leading to a widely loved series of singles and EPs that garnered him placements on TV series' Normal People and Conversations With Friends and finding fans in people like Florence Pugh. Throughout these early days of Yenkee, ‘Night Golf' would begin to develop. It all started with a throwaway tweet Yenkee had posted in 2014 that simply said “#NightGolf”. The phrase stuck with him for years, eventually guiding the whole album's creation. “I had songs written but I just thought right, that's the name of the album. How do I fit the music around that title?.” The name inspired a strong visual component and evoked an 80s musical awakening within, guiding Yenkee back to his love for that era's music with Prefab Sprout, in particular, becoming a significant influence. Yenkee recorded most of the album himself in various makeshift setups, but his best days were spent with others. Whether that was with producer Peter Brien in his Belfast studio, working with Adam Kaye in Hackney or knocking out single-session songs with Karma Kid in South London, it was these moments that solidified what the album would become. ‘Night Golf' is a labour of love, a project born out of instinct rather than meticulous planning, designed more for dancing than deep contemplation. As Yenkee puts it, “It's only music at the end of the day.”
Rig Doctor Podcast: Tone Tips, Pedalboard Tricks, & Easy DIY Hacks
Seal gained international fame in the early 1990s with his distinctive soulful voice and unique blend of pop, R&B, and dance music. His breakthrough hit came with "Crazy" in 1991, followed by the globally successful "Kiss from a Rose" in 1994, which earned him Grammy Awards and became his most recognizable song. Over the years, Seal has released multiple albums, showcasing his versatile style across genres, including collaborations with the industry's biggest artists and producers. Today, we're sitting down with Seal as he plays some of his biggest hit songs, reflects on his legendary music career, and talk about the gear he used to create some of the biggest pop songs in history. MORE FROM SEAL: WEB - https://www.sealofficial.com IG - seal YT - @SealOfficial SPONSORS Telefunken TF17: https://www.telefunken-elektroakustik... Telefunken TF47: https://www.telefunken-elektroakustik... Kiesel AC275: https://www.kieselguitars.com/models/... Neural DSP: https://neuraldsp.com (promo code: vertex) Sweetwater Gear Exchange: https://www.sweetwater.com/used Skool: https://www.skool.com/vertex Table of Contents 00:00 Seal Plays “Kiss from a Rose” 04:28 Introducing Seal! 06:25 The Story Behind “Kiss from a Rose” 27:55 Telefunken Microphones 30:12 Seal's Musical Influences 42:54 Seal Plays “Bonny” by Prefab Sprout 46:27 Neural DSP 47:30 The Story Behind “Crazy” 01:04:55 Seal Plays “Crazy” 01:09:18 Kiesel Guitars 01:10:52 Stories from Seal 2 01:21:01 Seal's Experience Making “Prayer for the Dying” 01:28:23 Seal Revisits “Prayer for the Dying” 01:33:22 Sweetwater Gear Exchange 01:35:23 The Depth of “Prayer for the Dying” 01:44:45 Working with Joni Mitchell 01:48:12 Seal Revisits “If I Could” 01:52:20 Vertex Tone Academy 01:54:06 What Seal Loves about “If I Could” 02:02:19 Seal's work on the Space Jam Sountrack 02:14:03 What sets “Human Being” apart from Seal's other Albums 02:23:43 Seal Revisits “Colour” 02:29:05 Seal's Favoritism for “Human Being” 02:33:21 Seal Revisits “Latest Craze” 02:39:55 Reflecting on Photos from Seal's Career 02:57:16 Thanks for Watching! 02:58:04 Seal Sings “Still Love Remains”
'I don't bend the rules'Terri Gross, David Bowie, Joy Crookes, Daniel Kitson, Mark Beer, Aaron Sorkin, The High Llamas, Sean O'Hagan, James, Robert Wyatt, Mercury Rev, Prefab Sprout, Scritti Politti, Werner Herzog, The Monkees, Roddy Frame, The Roches
'An unending list' Malcolm Gladwell, K.D. Lang, Banda El Recodo De Don Cruz Lizárraga, David Bowie, The Bulgarian State Radio & Television Female Choir, Los De Abajo, Joy Crookes, Linton Kwesi Johnson, Ismo, Sean O'Hagan, The Atlantics, David Byrne, Prefab Sprout, Scritti Politti
The Netflix series of David Nicholls' worldwide hit novel One Day was Top Ten in 89 countries and he's been heavily involved in its soundtrack album, a process as enjoyable, he says, as devising the compilation tape the fictional Emma made for Dexter in 1989 featuring the Smiths, Prefab Sprout and Public Enemy. We talk to him here about the glorious pitfalls of using pop music to broadcast your personality. All bases covered, from the Geoff Love Orchestra to Joy Orbison, along with … … prog rock drummer replacement fantasies. … when a compilation tape is a Valentine's card. … music as a way of telegraphing a time. … what the 1812 Overture does to a five year-old. … the eternal impact of Shipbuilding and Running Up That Hill. … “punk terrified me”. … classic male musical taste paranoia. … memories of Live Aid – Bowie onstage, Kiki Dee in the car park. … buying a knock-off cassette of Sgt Pepper. … remembering every note of a record you haven't heard for 50 years. … and the greatest record of all time! Order the One Day Netflix soundtrack here:https://www.amazon.co.uk/Jessica-Jones-Morrish-Anne-Nikitin/dp/B0CXJNM4WVFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The Netflix series of David Nicholls' worldwide hit novel One Day was Top Ten in 89 countries and he's been heavily involved in its soundtrack album, a process as enjoyable, he says, as devising the compilation tape the fictional Emma made for Dexter in 1989 featuring the Smiths, Prefab Sprout and Public Enemy. We talk to him here about the glorious pitfalls of using pop music to broadcast your personality. All bases covered, from the Geoff Love Orchestra to Joy Orbison, along with … … prog rock drummer replacement fantasies. … when a compilation tape is a Valentine's card. … music as a way of telegraphing a time. … what the 1812 Overture does to a five year-old. … the eternal impact of Shipbuilding and Running Up That Hill. … “punk terrified me”. … classic male musical taste paranoia. … memories of Live Aid – Bowie onstage, Kiki Dee in the car park. … buying a knock-off cassette of Sgt Pepper. … remembering every note of a record you haven't heard for 50 years. … and the greatest record of all time! Order the One Day Netflix soundtrack here:https://www.amazon.co.uk/Jessica-Jones-Morrish-Anne-Nikitin/dp/B0CXJNM4WVFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
The Netflix series of David Nicholls' worldwide hit novel One Day was Top Ten in 89 countries and he's been heavily involved in its soundtrack album, a process as enjoyable, he says, as devising the compilation tape the fictional Emma made for Dexter in 1989 featuring the Smiths, Prefab Sprout and Public Enemy. We talk to him here about the glorious pitfalls of using pop music to broadcast your personality. All bases covered, from the Geoff Love Orchestra to Joy Orbison, along with … … prog rock drummer replacement fantasies. … when a compilation tape is a Valentine's card. … music as a way of telegraphing a time. … what the 1812 Overture does to a five year-old. … the eternal impact of Shipbuilding and Running Up That Hill. … “punk terrified me”. … classic male musical taste paranoia. … memories of Live Aid – Bowie onstage, Kiki Dee in the car park. … buying a knock-off cassette of Sgt Pepper. … remembering every note of a record you haven't heard for 50 years. … and the greatest record of all time! Order the One Day Netflix soundtrack here:https://www.amazon.co.uk/Jessica-Jones-Morrish-Anne-Nikitin/dp/B0CXJNM4WVFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Producer and singer-songwriter Thomas Dolby joins the podcast to primarily discuss his collaborations with another band whose songs contain obtuse lyrics and complex chord sequences, Prefab Sprout. Thomas shares his experiences producing the albums Steve McQueen (1985) and Jordan: The Comeback (1990), and also talks a bit about his own solo work and of course, Steely Dan. A member of The FM Podcasts Network.
This week's episode of The Album Years continues our journey into the groundbreaking year of 1985, where we discuss seminal art pop masterpieces by Kate Bush, Tears for Fears and Prefab Sprout, plus more experimental and under the radar releases from the year. Watch the video version of this podcast on our YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices
For our 50th episode, Ryan DeRobertis AKA Skylar Spence (FKA Saint Pepsi) joins us to talk about playing Duran Duran on a boombox in middle school, going on tour, and the greatest song he's ever heard in his entire life, "Appetite" by Prefab Sprout! Plus, Scott and Katherine look back at the first 50 episodes of the podcast and gush about the new film Challengers Follow Skylar Spence on instagram @skylarspencemusic or twitter @skylar__spence and listen to his music wherever you get music @gr8songpod on twitter, instagram, and tiktok @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence Mixing Assistance by Michael Isabella Podcast Art designed by Roger Feeley-Lussier We're now on YouTube! Like And Subscribe, as they say, @gr8songpod
English/Irish composer and arranger Sean O'Hagan (Microdisney, Stereolab) is perhaps best known as the visionary behind The High Llamas, whose second album Gideon Gaye (1994) blended a healthy respect for the harmonic tableaus of both Brian Wilson and Steely Dan with a delicate UK pop sound reminiscent of his contemporaries such as Prefab Sprout. On the brand new High Llamas album, Hey Panda, (featuring guests including Fryars, and Bonny "Prince" Billy) O'Hagan has been absorbing many of the production tricks of contemporary hip-hip records from the likes of Tyler The Creator or Solange, while retaining most of the melodic tendencies that first endeared High Llamas' fans to his music. As you'll hear, O'Hagan cares deeply about keeping his ear to the ground for the new while honoring the past. It's a great conversation. And Record Store Day co-founder Carrie Colliton returns after a highly successful Record Store Day 2024. The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, we're here every week and we love making new friends.
"I Just Want To Go Home" I've been obsessed with the Trashcan Sinatras since 1990 and for good reason--the Scottish outfit's winning discography featuring albums like Cake, I've Seen Everything, Weightlifting and In The Music is a perfect body of work. From the punchy pop of "Obscurity Knocks" to the sweeping rush of "All The Dark Horses," the Trashcan Sinatras' sound is shimmering and pastoral. They've toured rather extensively over the years and have an international fanbase that cherishes every note. The recent reissue of Cake found their debut album hitting #2 on the charts and a new album is around the corner. In the meantime, guitarist John Douglas has just put out his debut solo album and it's a stunner. A riveting 11-song collection featuring original material, a few Trashcan numbers and a Prefab Sprout cover of We Let The Stars Go, it's a stirring song-cycle that's nostalgic, achingly beautiful and emotionally precise. Douglas' delivery is gentle and thoughtful and his phrasing is redolent with subtle flourishes that end up being unforgettable and deeply moving. www.johndouglas.bandcamp.com www.trashcansinatras.com www.bombshellradio.com www.alexgreenbooks.com www.stereoembersmagazine.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com
Join our PATREON for bonus episodes. This week we have songwriter/producer/vibe poet John Vanderslice on to discuss the cult masterpiece Steve McQueen by Prefab Sprout. We also dig into: switching hands, Dan pods topless, traveling less, TrueAnon, Keep the Dream Alive, the office brain, the Vanderslice band lineage, the other MK Ultra, it's good to be pushed out, the crazy first solo show, John Darnielle, the coroners gambit kinda changed my life, The Prayers and Tears of Arthur Digby Sellers, Pixel Revolt, the demands of being on a band, the cost of being an ophthalmologist, the genius of Evan Weiss, Dolby worked on it, a product of its time, the remaster sounds bad, Vanderslice gives an offer Andrew can't refuse, and honestly a million more things. ________ Order our Gatekeep Harder shirt here! // Follow us at @danbassini, @mysprocalledlife, @johnvanderslice and @runintotheground.
Sit down with your favourite tipple as Andy uncorks another two hours of tunes. A whole melange for you to sup away to from amongst others Richard Hawley, Prefab Sprout, Steel Pulse, Ray Lamontagne, Big Star, The Cure, Blondie, Lou Reed and Talking Heads.Tune into new broadcasts of Uncorked LIVE, Monday from 8-10 AM EST / 1 - 3 PM GMTFor more info visit: https://thefaceradio.com/uncorked//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Our piercing Hubble Telescope Of Truth scans the rock and roll heavens to see what new patterns emerge, among them … … running into Rod Stewart at a friend's funeral. … the priceless spectacle of rock critics dancing. ... Prefab Sprout and the fine art of bathos – “We were songbirds, we were Greek Gods, we were singled out by fate/We were quoted out of context - it was great!” … the best songs about being in a band. … Jackson Browne's Running On Empty (and its hymn to self-love). … King Kong, the most famous movie of all time - and why, like Jaws and Jurassic Park, the special effects now seem creaky but the drama still holds. … our new pop star category: “dancer-singer”. ... how Tom Hibbert invented a whole new whole method of music journalism (and the only song that could get him on a dancefloor). … “the crack of the backbeat on Vine Street”. … and birthday guest Roger Millington on Heroes by David Bowie, the Archers theme tune and anything else that might make a new National Anthem.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content and much more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Our piercing Hubble Telescope Of Truth scans the rock and roll heavens to see what new patterns emerge, among them … … running into Rod Stewart at a friend's funeral. … the priceless spectacle of rock critics dancing. ... Prefab Sprout and the fine art of bathos – “We were songbirds, we were Greek Gods, we were singled out by fate/We were quoted out of context - it was great!” … the best songs about being in a band. … Jackson Browne's Running On Empty (and its hymn to self-love). … King Kong, the most famous movie of all time - and why, like Jaws and Jurassic Park, the special effects now seem creaky but the drama still holds. … our new pop star category: “dancer-singer”. ... how Tom Hibbert invented a whole new whole method of music journalism (and the only song that could get him on a dancefloor). … “the crack of the backbeat on Vine Street”. … and birthday guest Roger Millington on Heroes by David Bowie, the Archers theme tune and anything else that might make a new National Anthem.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content and much more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
C'est l'aléatoire du mercredi, on ne sait pas où on va, mais on y va !TRACKLISTVirgo - Free YourselfBjörk & Rosalía - Oral Brent Faiyaz, FELIX!, Tommy Richman - UpsetGeorge Riley - Skin Le disque de 19h22 (envoyez votre proposition, un morceau aux couleurs Nova Club, à @davidblot sur Instagram!) :Prefab Sprout - Cars and Girls Bruce Springsteen - State Trooper Jockstrap - Sexy 2 Suicide - Frankie TeardropUnkle G - Popcaan Said my Riddims Aren't Good Megan Thee Stallion - CobraKurt Vile - Another good year for the roses Chet Baker - I'm Thru With Love David Bowie - Be My Wife PinkPantheress & Destroy Lonely - Turn Your Phone Off Amii Stewart - Friends Gina X Performance - No G.D.MJeanette - Porqué Te Vas ?The Rolling Stones - Undercover Of The NightCashmere Cat - 9 (After Coachella) ft. MO & SOPHIESqueeze - Cool For Cats Bicep - Opal (Four Tet Remix) Ravyn Lenae - Skin Tight (ft. Steve Lacy) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
The king welcomes Inez Feltscher Stepman to discuss the evolution of many conservatives from free markets to free nations. Inez is a senior policy analyst at IWF and host of High Noon with Inez Stepman, a Ricochet podcast that hosts conversations with heterodox thinkers on a variety of important cultural and political subjects. She has over a decade of experience in education policy, and also handles issues related to institutional capture and the definition of sex in law and culture.Jon then rambles on about all the stuff in the news: Asa Hutchinson fever! Sununu-mentum! San Francisco vs. Spain! Stop hate! Subscribe to the King of Stuff Spotify playlist featuring picks from the show. This week's track is “Faron Young” by Prefab Sprout.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5818319/advertisement