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This week, Eric and Josh discuss: a giant snowfall, PWHL, Barbarella, Casablanca, Gordon Lightfoot, ELO, Bob Dylan, Roger Corman's Fantastic Four, Tom Green, and more! They also mention the movies screening the week of Friday February 21 - Thursday February 27: I'm Still Here, Universal Language, The Rocky Horror Picture Show, Babygirl, Blue Velvet, Saturday Night Sinema, Flow, and True Romance! Plus, special rental presentations: Green Border, Road Trip & other short films, and The Women's Adventure Film Tour!
Once again, Dennis is joined via Zoom by Glenn Gaylord, Senior Film Critic at The Queer Review, and actor-writer-film enthusiast Drew Droege to talk about the movies of last year; their favorites, the moments that have stuck with them and the movies they just weren't that into. The films discussed include A Real Pain, The First Omen, Conclave, Babygirl, Strange Darling, Maxxine, Late Night With the Devil, The Girl With the Needle, Flow, The People's Joker, National Anthem, September 5, Saturday Night, Sing Sing, Green Border, Nickel Boys, No Other Land, Emelia Perez, I'm Still Here, Good One, My Old Ass, Hard Truths, Thelma, I Saw the TV Glow, Love Lies Bleeding, Nightbitch, Deadpool and Wolverine, A Complete Unknown, The Last Showgirl, The Piano Lesson, Hundreds of Beavers, Hitman and Problemista. They also talk about the movies they're looking forward to in 2025, including Wicked: For Good, Kiss of the Spiderwoman and Paul Thomas Anderson's currently untitled action movie with Leonardo DiCaprio.
On the two hundred and fifty-ninth episode of THE THIRD ACT PODCAST, the crew are in agreement that cramming is life.Christian and Jericho hunker down for the 2024 edition of the annual Cram Session for a gargantuan rundown of films which include:THE END, A COMPLETE UNKNOWN, BIRD, BABYGIRL, NOSFERATU, NIGHTBITCH, THE ORDER, SMILE 2, SHE IS CONANN, RAP WORLD, WICKED, RED ROOMS, HIS THREE DAUGHTERS, INSIDE THE YELLOW COCOON SHELL, LATE NIGHT WITH THE DEVIL, ABOUT DRY GRASSES, DAD & STEP-DAD, FREE TIME, MAMI WATA, THE SHADOWLESS TOWER, LA CHIMERA, GREEN BORDER, COMA, BLACK DOG, MATT AND MARA, REFORM!, IN THE REARVIEW, CLOSE YOUR EYES, BRAMAYUGAM, PAMFIR, IT'S NOT ME, MUSIC, SONIC THE HEDGEHOG 3, CARRY-ON, CADDO LAKE, WALLACE AND GROMIT: VENGEANCE MOST FOWL, THE COFFEE TABLE, FLOW, ROBOT DREAMS, NICKEL BOYS, and QUEER.They also discuss bad tattoos on men in 2024 movies, 3 hr slow cinema from tiny countries Christian only watched because Jericho liked them, and Scoot Mcnairy as drip of the year!Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com
In this episode of the In Depth crew podcast, Graham, our director of photography, Seth Donnelly, and producer Brian Mueller share hilarious behind-the-scenes stories from our interview with comedian Tom Green.
***Join the Seventh Row newsletter to stay updated and find out about more great under-the-radar character dramas: http://email.seventh-row.com ------- Today on the podcast, Alex discusses the new Italian film from Maura Delpero, Vermiglio, set in a remote village in the Italian Alps at the end of WWII. It's Delpero's second feature, which won the Grand Jury Prize at the Venice International Film Festival. It's in cinemas this week. The film is the story of the local teacher's family and the power of both formal and informal knowledge and how it's passed down. When the film opens, the family is hiding a Sicilian soldier who has escape from the army – an open secret in the town. He falls in love with the teacher's eldest daughter, and the film follows their budding relationship — and all the familial relationships around them — over the course of a year, as the seasons change and the war ends. Related Episodes: 139. Green Border: an interview with Agniezka Holland (It won the Special Jury Prize at Venice in 2023) 147. Why is it so hard to see the new Cillian Murphy movie? (On why it's hard to see independent/foreign films in cinemas). Stay updated on Seventh Row Follow Seventh Row on Twitter and Instagram. Read our articles at seventh-row.com. Follow Alex Heeney on Twitter and Instagram.
We're celebrating the Melbourne Cinémathèque's 40th anniversary this week, with two of the pre-eminent film society's co-curators in the studio. Primal Screen favourite Cerise Howard and Associate Professor Adrian Danks (making his PS debut!) join Flick Ford to reflect on Melbourne Cinémathèque's vital contribution to cinema and to talk about their upcoming program on Australian documentary filmmaker Tom Zubrycki. A hugely important filmmaker in his own right, but also a key mentor and producer for many other Australian filmmakers that have followed. They also review Polish filmmaker Agnieszka Holland's latest film Green Border, a brutalising drama rooted in deep research that is so urgently of the moment, its potency is manifold. It tells the story of refugees from the Middle East and Africa trying to reach the European Union court in a geopolitical crisis triggered by the Belarusian dictator Lukashenko.Listen back for more on this discussion of how Zubrycki's and Holland's films remain committed to social justice, human rights and the ethics of filmmaking.
In the Fall 2024 issue of Liberties Quarterly, managing editor Celeste Marcus writes about the great Polish movie director Agnieszka Holland. Marcus argues that the 75 year-old Holland - best known for her 1990 movie Europa Europa - remains as relevant as ever because of her focus on what she calls the “terrifying contingency” of social breakdown. Linking Holland's latest film, Green Border, a movie about the the plight of east European migrants with Donald Trump's dehumanization of American migrants, Marcus argues that “no human hates like the human.” And the very worst humans, Marcus reminds us, with a barely concealed reference to Trump and Putin, “do not live under beds or in our imaginations; they sit in paneled offices behind mahogany desks, signing bills into law, raising and razing cities with the same hand.”Celeste Marcus is the managing editor of Liberties Journal of Culture and Politics and the co-host of “The DC Salon” podcast. She is at work on a biography of the artist Chaim Soutine.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Den polska filmregissören Agnieszka Holland har ägnat sin karriär åt att ta tempen på Europa. Nu är hon aktuell med flyktingdramat Green Border som väckt debatt i hemlandet Polen. Det är en mänsklig historia, och det viktigaste är att ge en röst och ett ansikte till dem som blev utan röst och ansikte på grund av propaganda. Att visa att vi alla är människor, säger Agnieszka Holland till P1 Kulturs reporter Emma Engström. Lyssna på alla avsnitt i Sveriges Radio Play.
P1 Kultur djupdyker i tre bioaktuella filmer. Demi Moore kämpar mot åldrandet i blodiga The Substance, i Agnieszka Hollands drama Green Border försöker flyktingar ta sig till Sverige, och dokumentären Hollywoodgate skildrar talibanernas övertagande efter att USA lämnat landet. Lyssna på alla avsnitt i Sveriges Radio Play. JAKTEN PÅ UNGDOM OCH SKÖNHET SPÅRAR UR I ”THE SUBSTANCE”På sin 50-årsdag får tv-stjärnan Elisabeth (Demi Moore) veta av tv-bolaget att hon är ”färdig”. Lösningen blir att ta ”the substance” och skapa en yngre version av sig själv. Det är premissen för det bioaktuella blodbadet ”The Substance”. Vad är det här egentligen för film? Vi har bjudit in våra filmkritiker Nina Asarnoj och Björn Jansson till studion.AGNIESZKA HOLLAND SKILDRAR FLYKTINGAR PÅ VÄG MOT SVERIGEDen polska filmregissören Agnieszka Holland har ägnat sin karriär åt att ta tempen på Europa. Nu är hon aktuell med flyktingdramat ”Green Border” som väckt debatt i hemlandet Polen. ”Det är en mänsklig historia, och det viktigaste är att ge en röst och ett ansikte till dem som blev utan röst och ansikte på grund av propaganda. Att visa att vi alla är människor”, säger Agnieszka Holland till P1 Kulturs reporter Emma Engström.TALIBANERNA RUSTAR UPP SIN ARMÉ MED AMERIKANSKA LEFTOVERS I ”HOLLYWOODGATE”Under ett år fick dokumentärfilmaren Ibrahim Nash'at vara ”en fluga på väggen” hos talibinerna efter maktövertagandet i Afghanistan 2021. Filmen hämtar sitt namn från CIA-basen med efterlämnat krigsmaterial som talibanerna tar över. Sveriges Radios Sydasienkorrespondent Naila Saleem, som besökt Afghanistan flera gånger sedan maktövertagandet, kommenterar filmen. Dessutom har vi ringt upp regissören Ibrahim Nash'at.VILKA OSCARSCHANSER HAR ”DEN SISTA RESAN”?I går blev det klart att Flip & Fredriks "Den sista resan" blir Sveriges Oscarsbidrag, i konkurrens med "Passage" av Levan Akin och "Syndabocken" av Axel Petersén. Hur stora chanser har filmen att faktiskt bli Oscarsnominerad? Även det danska Oscarsbidraget, ”Flickan med nålen”, har en svensk regissör i Magnus von Horn. Och regissören till det norska bidraget ”Armand”, Halfdan Ullmann Tøndel, är barnbarn till Ingmar Bergman och Liv Ullman. Många svenskkopplingar alltså, men konkurrensen bland de utländska bidragen är tuff. Vår filmkritiker Björn Jansson kommenterar.Programledare: Lisa BergströmProducent: Henrik Arvidsson
Frankiesense & More Host Frankie Picasso and Chicago Movie Critic Brent Marchant bring you September 2024 Movie Reviews.If you are looking for something a little different from mainstream then we have the movies for you.This month we reviewed All Happy Families, Sing Sing, Widow Clicquot,Green Border, Merchant Ivory, and the Chicago Movie Festival and more.
Frankiesense & More Host Frankie Picasso and Chicago Movie Critic Brent Marchant bring you September 2024 Movie Reviews.If you are looking for something a little different from mainstream then we have the movies for you.This month we reviewed All Happy Families, Sing Sing, Widow Clicquot,Green Border, Merchant Ivory, and the Chicago Movie Festival and more.
This week, we're featuring two conversations relating to the so-called Green Border in Podlaskie region of eastern Poland, on the Belarus border concerning topics of migration, repression, militarization, nationalism and solidarity among residents and people on the move into Fortress Europe. Transcript H5Poland Podlaskie PDF (Unimposed) Zine (Imposed PDF) First up, you'll hear Alex, a member of the feminist anti-repression group, Szpila Collective, about the H5Poland case of 5 activists facing charges for aiding people in need in what could be a landmark case in Poland and Europe. More at Szpila.BlackBlogs.Org or on Mastodon: @Szpila@kolektiva.social [ 00:01:34 - 00:15:08] Then, you'll find a chat with an anarchist who grew up in this border region and returned in adulthood and whose affinity group does solidarity with people on the move through the Białowieża forest. [00:19:58 - 01:32:18] To hear past interviews about this border, check out our chat with two folks from Grupa Granica, or other chats where we've covered / carried chat about the border at Calais, the Mediterranean, the Balkan Route, Australia or the US / Mexico border. . ... . .. Featured Track: Help4Dunkerqe by Ratajkovsky
You People, Green Border, The Out-Laws, and Housekeeping
Dave is under the weather this week (feel better soon, Dave!), so Megan and Evan cover the week's movies together. First, Megan reviews Agnieszka Holland's vital, yet harrowing drama GREEN BORDER (3:33), which follows a family of refugees from Syria, a border guard, and a group of activists providing aid to refugees, who converge on the Polish-Belarusian border during a humanitarian crisis. Then Evan and Megan dig into Shawn Levy's much-anticipated superhero film DEADPOOL & WOLVERINE (26:26), which features Ryan Reynolds/Deadpool teaming up with Hugh Jackman as Wolverine! Thankfully we do a show where spoilers are the name of the game because otherwise, this one would be tough to talk about folks. We delve into the action, the comedy, the cameos, and the MCU at large in the context of the TV shows and the multiverse. Plus, in this week's Patreon exclusive audio, we discuss the winner of our summer heatwave poll, Sidney Lumet's 1957 legal drama 12 ANGRY MEN!
Ep. 258: Amy Taubin on Tribeca Picks, Agnieszka Holland, Bleak Week, Mireia Sallarès's Little Deaths Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Why go through the summer without a return visit from the inimitable Amy Taubin? On this episode we discuss a few films cherry-picked from this year's Tribeca Festival; Agnieszka Holland and her incisive latest film Green Border; the intriguing repertory series known as Bleak Week, held annually at L.A.'s American Cinematheque and recently exported to New York's Paris Theater; and two works by Mireia Sallarès, Little Deaths and The Potential History of Francesc Tosquelles, Catalonia and Fear. Plus: I share a remarkable documentary about police investigations called Roubaix, Police Department, Ordinary Business, a discovery on the OVID streaming service. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Announcement: Our new membership, Reel Ruminators: A Movie-of-the-Month Discussion Club is now open for new members in July! Doors close on July 4 at 11:59 p.m. Find out more and reserve your spot by clicking here. ---- Alex Heeney interviews legendary Polish filmmaker Agnieszka Holland about her Venice Jury Prize-Winning film, Green Border. Holland discusses why she wanted to make the film, how it's in conversation with her other work, and why she chose to shoot it in black and white. Green Border is about the ongoing migrant crisis at the Polish-Belarusian border and the horrors happening there. Holland tells the story from multiple perspectives, including a family of refugees, a group of activists helping migrants, and the border guards, to give a picture of the complex and harrowing situation. >> Subscribe to our FREE newsletter for updates on the best new under-the-radar films and streaming theatre productions
We review four movies coming out for the week of June 28. They are:Timestamps(6:12) - Chronicles of a Wandering Saint - Photos courtesy of Hope Runs High(17:36) - Last Summer - Photos - Sideshow and Janus Films(23:15) - Green Border - Photos - Kino Lorber(27:40) - Majority Rules - Photos - AbramoramaOther Movie Reviews(34:43) - Thelma - Photos - Magnolia Pictures(41:24) - The Watchers**We spotlight the year 2011 for June's CinemAddicts Patreon bonus episode. Movies we spotlight are The Kill List and I Saw The Devil.1. Help us get to 1,000 Subscribers by joining our CinemAddicts YouTube Channel.2. Like Our CinemAddicts Facebook Page3. Join our CinemAddicts Facebook Group for daily movie recommendations!4. Questions/comments on CinemAddicts email Greg Srisavasdi at info@findyourfilms.com.5. Our website is Find Your Film.6. Shop our CinemAddicts Merch store: cinemaddictspodcast.com (shirts, hoodies, mugs).7. We do a bonus episode each month and early access spoilers for our CinemAddicts Patreon Members.8. Check out Anderson Cowan's new documentary project Loaded For Bear.CinemAddicts hosts: Bruce Purkey, Eric Holmes, Greg SrisavasdiLegacy member and co-creator: Anderson Cowan Hosted on Acast. See acast.com/privacy for more information.
Julia Paskin and LAist film critics Lael Loewenstein and Peter Rainer review this weekend's new movie releases on streaming and on demand platforms— in three minutes or less!
"Green Border" had its world premiere at the 2023 Venice International Film Festival, where it received critical acclaim for Director/Co-Writer Agnieszka Holland's harrowing depiction of the refugee crisis sweeping its way through the Belarus–European Union border. With stark black and white photography, intense performances and a vast but intimate scope that looks at how the crisis has impacted the lives of so many, the film stands out as one of the most controversial but important films of the year. Holland was kind enough to spend some time talking with us about her work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Kino Lorber. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices
In Part 2 of our interview with acclaimed Polish filmmaker and screenwriter Agnieszka Holland, she discusses her new film, “Green Border” and how she began her long career making movies that are based on true stories during the Holocaust
In Part 2 of our interview with acclaimed Polish filmmaker and screenwriter Agnieszka Holland, she discusses her new film, “Green Border” and how she began her long career making movies that are based on true stories during the Holocaust
We meet two figures in the cultural world known both for their creative practice, as well as their brave attitude towards speaking truth to power. Robert Bound speaks to Polish filmmaker Agnieszka Holland about her new film ‘Green Border' and Alexei Korolyov meets Pussy Riot's Nadya Tolokonnikova to discuss her new exhibition in Linz, Austria. See omnystudio.com/listener for privacy information.
This week, Clarisse sits down with THE BIKERIDERS (10:31) director Jeff Nichols and we hop on our bikes to review the film (28:25), while saying our Hail Marys for the Russell Crowe-led THE EXORCISM (45:22), and follow the path of refugees trying to reach the European Union in Agnieszka Holland's GREEN BORDER (1:00:58). Plus, in our HOT TAKE (1:13:39), we ask: should there be an Oscar for intimacy coordinators? If you would like to donate directly towards humanitarian aid in Gaza please visit https://www.map.org.uk/ https://www.safebowgazanaid.com/take-action-now Join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannainesflint Music by The Last Skeptik If you like the show do subscribe, leave a review and rate us too!
Send us a Text Message.2:51 The Bikeriders15:39 Kinds of Kindness27:15 Thelma36:11 Green Border50:31 The Exorcism01:01:54 The Devil's Bath01:12:26 Humanist Vampire Seeking Consenting Suicidal PersonOn this week's 'Roger (Ebert) & Me,' an imitation 'Siskel & Ebert' movie review show, film critics Brett Arnold of The New Flesh & Mark Dujsik of markreviewsmovies.comtake on seven (7) new release movies out in theaters and streaming the week of Friday June 21st 2024 (06/21/2024).Check out markreviewsmovies.com for several more movies reviewed by Mark. Brett's a slacker!For more on horror titles check out The New Flesh, Brett's other show, out on Monday. Thank you to Banshee Beat for the incredible original theme song. Alien Ant Farm's music video for 'Movies' closes the show. And thanks to Mary Houlihan for the killer hand-drawn artwork."Roger (Ebert) & Me" is a celebration of the late, great Roger Ebert, aiming to keep his unique spirit of film criticism alive by reviewing new movies in the easily digestible format that he pioneered. In other words, it's a movie review podcast. A podcast for regular moviegoers and people who like to keep up with new release movies.Every Friday, join Brett and veteran film critic Mark Dujsik as they review all the movies set for theatrical or streaming release that day and let you know if they're worth your time and money.
This week we take a look at Jeff Nichol's biker gang saga The Bikeriders and review the harrowing refugee drama Green Border. We also spoke to Green Border director Agnieszka Holland about her film and for film club we revisited The Wild One. Joining host Leila Latif are film critics Christina Newland and Marshall Shaffer.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
Philippa Gregory and Briony Hanson join Tom Sutcliffe to discuss the National Portrait Gallery's Six Lives: The Stories of Henry VIII's Queens, award winning film Green Border and Federer: Twelve Final Days co-directed by Asif Kapadia and Joe Sabia.Tom is also joined by the Children's Laureate Joseph Coelho who's just been announced winner of the Yoto Carnegie Medal for Writing for his book The Boy Lost in the Maze. Presenter: Tom Sutcliffe Producer: Claire Bartleet
00.00 – 04.10 Intro and presenters discuss their picks of the week 04.15 – 33.00 Review of The Bikeriders including an interview with writer and director Jeff Nichols 33.05 – 40.25 Review of Green Border 40.30 – 51.30 Review of The Exorcism 51.35 – 1.01.00 Review of Something in the Water 1.01.05 – 1.08.20 Film of the Week and answering the question: “Favourite movie motorcycle?” Read more about the new issue of Total Film: https://www.gamesradar.com/total-film-latest-issue/ Subscribe to Total Film magazine https://www.magazinesdirect.com/TOF-brandsite Contact us at: totalfilm@futurenet.com
David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›
Oyelowo produced and stars in the Paramount+ series about Bass, a formerly enslaved man who went on to become one of the nation's first Black Deputy U.S. Marshals. "We see many stories centering Black people, from a historical context, about how we've been brutalized, how we've been marginalized," Oyelowo says. "But very rarely, in my opinion, do you see those triumphant stories where we overcome."Plus, John Powers reviews Green Border.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Oyelowo produced and stars in the Paramount+ series about Bass, a formerly enslaved man who went on to become one of the nation's first Black Deputy U.S. Marshals. "We see many stories centering Black people, from a historical context, about how we've been brutalized, how we've been marginalized," Oyelowo says. "But very rarely, in my opinion, do you see those triumphant stories where we overcome."Plus, John Powers reviews Green Border.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
El cine tiene la capacidad de abrir una ventana a realidades que escapan al bullicio mediático. Es lo que hace la polaca Agnieszka Holland para retratar la deriva autoritaria y el estado policial de su país contra los refugiados. También el director serbio Vladimir Perisic propone un drama familiar y una coming age en los años 90, en la era de Milosevic y las protestas estudiantiles. Son películas con carga política, al igual que la mirada al colonialismo y los nativos del argentino Lisandro Alonso en 'Eureka' o la visión fatalista del alemán Christian Petzold a una reunión veraniega de jóvenes entre incendios devastadores. Os hablamos de todos estrenos, escuchamos a sus protagonistas y os recomendamos las últimas series de estreno
Arconada y Sergio Pérez hablan de Vidas perfectas, Sombras del pasado... y entrevistan a Álex González y los equipos de Green Border y La Bandera.
A la espera de la anhelada segunda parte de DEL REVÉS (“Inside Out” 2) la peli de PIXAR que marcará el inicio del verano, los del cine volvemos a la carga en la semana después del sorpresivo exitazo de “Bad Boys: Ride or Die”, los Policías Rebeldes que tanto tiempo después han dado la vuelta al calcetín, y en el fin de semana en el que ellas tomar el poder. Jessica Chastain y Anne Hathaway desempolvan la intensidad del Hollywood de Bette Davies y Joan Crawford y agitan su “Instinto Maternal” para ser el gran reclamo de una de los títulos con más gancho de la semana “Vidas perfectas” (min 6). Drama femenino de alta intensidad que se va a tener que batir el cobre con la segunda vida en pantalla de un resolutivo Russell Crowe, que esta vez nos sorprende en el thriller “Sombras del pasado” (min 13) y con el regreso de otro veterano que juega en casa y que ha convencido a nuestro FILTRO LUCHINI. Imanol Arias es el gran aval de “La bandera” (min 20) Y completamos el repaso a la nueva cartelera analizando y puntuando la peli comercial “mala” de la semana “Respira” (min 24) con una inocua Mila Jovovivh y el título más cinéfilo y premiado de la semana, la polaca “Green Border” (min 32) Desde el min 33 entramos en la primera semifinal de nuestra Champions de los Oscar. Atención que puede haber sorpresa entre el mano a mano entre “Oppenhemer” y “Nomadland”. La vencerá del cruce pasará ya a una final en la que le esperan como rival “Parásitos” o “The Artist”. Min 40: BSO BESTIAS DEL SUR SALVAJE Y qué gustazo poder avanzar en esta descripción de capítulo que la protagonista de nuestra sección de bandas sonoras es una joyita de 2012 que no habíamos tenido ocasión de disfrutar. BESTIAS DEL SUR SALVAJE, de Ben Zeitlin, no solo fue un regalazo para los amantes del cine auténtico, sino que se nutre de la maravillosa composición de Dan Romer, el tipo que una década después nos enamoraría con la banda sonora de “Luca”.
En este episodio tenemos cine para todos los gustos. Un melodrama camp con Jessica Chastain y Anne Hathaway como dos madres paranoicas y a la gresca, hay un thriller con Russell Crowe, y sobre todo, hay cine de autor muy político. Uno de los grandes estrenos de la semana es 'Green Border', película de la polaca Agnieszka Holland que denuncia la violencia policial contra los migrantes y refugiados en la frontera de su país. Además, el alemán Christian Petzold propone un drama veraniego de artistas ególatras, tenemos una película sobre la Serbia de Milosevic en el 96 y el personal western del argentino Lisandro Alonso. En televisión, vuelve 'La Casa del Dragón', la serie derivada de 'Juego de Tronos', y hemos entrevistado a parte de su reparto. También conversamos con la primera mujer al frente de una producción de Star Wars, 'The Acolyte'.
Acogidos por el Museo de Arte Reina Sofía, De Película celebra la decimoquinta edición del Concurso de Cortos RNE-EGEDA, una tarde de mucha emoción y nervios, dónde conoceremos a los ganadores. Pero además del Concurso de Cortos, esta semana destacamos la entrevista La Bandera, una película honesta, que trata con especial cariño a nuestro mayores de la que hablamos con su director Martín Cuervo y dos de los actores protagonistas Aitor Luna y Ana Fernández.Eureka es otra de las películas que llega a las salas y en la que nos detenemos con su director Lisandro Alonso, que la ha definido como una historia de sueños encadenados. No salimos de la sala porque otra de la película que no pueden dejar de ver es la Patria Perdida de Vladimir Perišić , una mirada hacia el pasado que nos advierte sobre el futuro y que nos traslada a las manifestaciones estudiantiles contra el régimen de Milosević, en 1996.Elio Castro nos acerca Green Border, Premio Especial del Jurado en el Festival de Venecia 2023. Una película que nos habla directamente al corazón y nos hace reflexionar.Todo esto además del resto de la cartelera y las secciones habituales.Escuchar audio
This week we're excited to present a conversation from the 61st New York Film Festival with Green Border director Agnieszka Holland, cinematographer Tomasz Naumiuk, and cast members Behi Djanati Atai and Joely Mbundu. This conversation was moderated by FLC Assistant Programmer Madeline Whittle. Green Border was a Main Slate selection of NYFF61 and will open in select theaters on June 19th. A Syrian family leaves the violence of their country behind, hoping to cross from Belarus into Poland and then onto the safe haven of Sweden. But, like so many lost souls, they end up caught in a political maelstrom, demonized by the Polish government and press and used as pawns in an inhumane, deadly border game. This harrowing, urgent drama from the veteran Polish director Agnieszka Holland constructs an intricate account of the contemporary global humanitarian crisis, expanding out to encompass the interconnected lives of security patrol officers, activist lawyers, and civilians who put themselves on the line for strangers. With the sobering and sometimes shocking Green Border, Holland reaffirms both her unyielding commitment to political filmmaking and the ability of immersive storytelling to illuminate the darkest corners of the world.
Deze keer kijkt Annette met Mark Middel, NRC-correspondent in Polen, vanuit Pools oogpunt naar de Europese verkiezingen. In het Poolse parlement staat de rechts radicale PiS-partij voorlopig even buitenspel. Maar welke rol speelt zij straks na de Europese verkiezingen in Brussel? En hoe staat de regering Tusk er voor - vlakvoor 9 juni? Tips en verwijzingen uit deze aflevering: - Mark tipt ‘Vrijwillig naar Auschwitz' van Jack Fairweather https://uitgeverijprometheus.n... en de film ‘Green Border' van Agnieszka Holland https://www.nrc.nl/nieuws/2024... - Annette raadt de film ‘Cold War' aan, van de Poolse regisseur Pawel Pawlikowskihttps://www.youtube.com/watch?... Annette van Soest is host van Café Europa en presentator voor o.a. Haagsch College en Follow the Money De podcast Café Europa is een initiatief van Haagsch College en Studio Europa Maastricht Deze aflevering werd mede mogelijk gemaakt door het Europees Parlement
For Episode 392, I am joined by Dan Bayer & Giovanni Lago. In this week's episode, we are delivering our final preview for the 2024 Cannes Film Festival (hours before I actually leave on my flight to go to France), give our reactions to the trailers for "Thelma, "Treasure," "Handling The Undead," "Good One," "Firebrand," "Fancy Dance," "Mother, Couch," "Ghostlight" & "Green Border," go over the weekly polls, answer your fan-submitted questions, and more! Thank you, and enjoy this episode, next week, we'll report to you from the Cannes Film Festival. Au revoir! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices
Some real variety in this episode… The Dark Backward, Star Wars: Episode 1 - The Phantom Menace, Green Border and a visit to the Independent Film Festival of Boston, Who's Going to Pay for These Donuts Anyway?, Cutting Class, and A Beautiful Mind.
durée : 00:46:53 - Le masque et la plume - par : Rebecca Manzoni - Que pensent les critiques du Masque et la plume des derniers films de Quentin Dupieux (avec Gilles Lelouche, Anaïs Demoustier, Edouard Baer, Jonathan Cohen ou Pio Marmaï), de celui de Bertrand Bonello, d'Agnieszka Holland, de Reinaldo Marcus Green, ou de celui de Julien Hervé ? - réalisé par : Lilian ALLEAUME
durée : 00:44:40 - Signes des temps - par : Marc Weitzmann - Le film d'Agnieszka Holland "Green Border" a reçu le prix spécial du jury de la Mostra de Venise. Marc Weitzmann s'entretient avec la réalisatrice qui retrace son parcours et ses choix artistiques depuis "Sacrifice" sur le Printemps de Prague jusqu'aux enjeux migratoires de "Green Border". - invités : Agnieszka Holland Réalisatrice polonaise
Richesse économique, société d'abondance et de protections sociales, berceau des Lumières occidentales, l'Europe comme continent et comme construction politique, l'Europe peut faire rêver, inspirer, attirer. Mais pour bon nombre de malheureux qui fuient la guerre, les désordres climatiques, la dictature, et tout simplement la mort dans leur pays pour trouver refuge sur le sol européen, les routes qui y conduisent sont périlleuses. Et s'ils pouvaient aussi y trouver l'enfer qu'ils fuient ? C'est ce que montre le film « Green Border » en salle depuis mercredi (7 février 2024) en France.Agnieszka Holland braque son objectif sur la frontière entre la Pologne et la Biélorussie où, à l'automne 2021, s'est joué un tragique bras-de-fer entre une dictature alliée de la Russie et un pays de l'Union européenne, avec, au milieu, des êtres humains venus chercher une vie meilleure en Europe.Pauses musicales : Shout par Nouvelle Vague, Mourir 1000 fois par Youssoupha et Te Mata de Kali Uchis.
durée : 00:04:36 - Le cinéma en VO - Il lui a valu dans son pays la Pologne des menaces de morts, mais aussi un prix spécial du jury à la dernière Mostra de Venise. Le nouveau film d'Agnieszka Holland GREEN BORDER est une bombe politique qui s'intéresse aux refugiés ballotés et rejetés à la frontière entre la Pologne et la Biélorussie.
Since premiering in Venice in September, Polish director Agnieszka Holland's refugee drama "Green Border" has been showered with prizes and praise. But it sparked outrage from Poland's now former right-wing government, with politicians calling it "Nazi propaganda". FRANCE 24 film critic Lisa Nesselson explains the backlash to what she calls an "excellent" film.
durée : 00:38:58 - Le Temps du débat - par : Emmanuel Laurentin - Dans son nouveau film "Green Border" la réalisatrice Agnieszka Holland met en scène la crise migratoire à la frontière polono-biélorusse. Que fait l'immigration à la Pologne, dans ce pays anciennement d'émigration ? Comment le nouveau gouvernement se positionne-t-il face à ce sujet ? - invités : Agnieszka Holland Réalisatrice polonaise; Valentin Behr Chargé de recherches au CNRS en science politique
Albrecht; Jörgwww.deutschlandfunk.de, Corso
Paulina's feature film work includes: The Man With The Magic Box, Nina, Prime Time, The Getaway King, Other People, the Oscar-nominated feature film, EO, Mother's Day, and more recently, The Green Border, for Agnieszka Holland. Paulina's television work over the years includes: 1983, Cracow Monsters, Queen, Dead End, and Sexify.
Your nice hosts start this episode with some personal updates, and (spoiler) it does not "go quick" as planned, then take on two really fascinating production topics. Ellen puts both drawings on the fridge, Mark recommends a modern Polish masterpiece, and Stephen is a changed man.BONUS: This week's outtakes were much too long to include at the end of the show, so we put them on Patreon! It's 10+ minutes of behind-the-scenes outtakes that go a littler further than usual in revealing how your nice hosts assemble the program. Plus, bonus-bonus: an explanation of Mark's "Wandelprober." Any monthly donation amount will get you access to this and a bunch of other bonus content, as well as an ad-free episode feed. Join now!Noble Engine - Noble Robot, GitHubM+Dev: A Midwest Gamedev Conference - Wisconsin Games AllianceToppers Pizza Rolls Out Vegan Menu Across All Locations - VegWorld MagazineGreen Border is Agnieszka Holland's Triumphant Stand Against Polish Corruption - Lena Wilson, The Film StageAgnieszka Holland's ‘Green Border' Acquired for the U.S. and U.K. by Kino Lorbe… - Elsa Keslassy, Variety0:42:09Debug FunctionalityThe debug menu Mark made for Widget Satchel.Explaining the "Probes" of TheatreChris PetersonOnStage Blog0:42:09PolishThe Art Of Game Polish: Developers SpeakJ. Matthew ZossGame Developer
Agnieszka Holland is perhaps best known for her films Europa Europa, Angry Harvest and In Darkness, as well as adaptations of The Secret Garden and Washington Square. Her latest film, Green Border, about the Syrian refugee crisis along Poland's border with Belarus, is having its North American premiere at TIFF. In 2013, she spoke to Eleanor Wachtel about her three-part series, Burning Bush, set during the Prague Spring. *This episode originally aired Dec. 17, 2013.
Ep. 202: Venice 2023 with Jessica Kiang: Priscilla, Green Border, Hit Man, Coup de Chance Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I'm reporting from the 80th Venice Film Festival. This time I'm talking with Jessica Kiang, who is writing about the festival for Variety, Sight & Sound, and The New York Times. We discuss premieres from the festival's second week: Sofia Coppola's Priscilla, Agnieszka Holland's Green Border, Richard Linklater's Hit Man, and Woody Allen's Coup de Chance. Please note: the audio may sound different about halfway through because of recording conditions—but don't miss out on Kiang's essential commentary! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass