Podcasts about dmg entertainment motion picture group

Chris Fenton joins the podcast to discuss China's influence in America and how it has evolved over the years. We explore the history of Hollywood and media in the culture and whether or not they can be a force for good. We also discuss the complicated place the U.S. business community finds itself in with the Chinese Communist Party—is it still possible to export American ideals through capitalism, or is that a thing of the past? For seventeen years, Chris Fenton served as president of DMG Entertainment Motion Picture Group and GM of DMG North America—a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office sales. As an author, Fenton chronicled much of that work in Feeding The Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business. At present, he speaks regularly on China and the exchange of commerce and culture globally and hosts U.S. Congressional member delegations on diplomatic missions to China and ASEAN countries focused on trade, media, and investment.--She Thinks is a podcast for women (and men) who are sick of the spin in today's news cycle and are seeking the truth. Once a week, every week, She Thinks host Beverly Hallberg is joined by guests who cut through the clutter and bring you the facts. You don't have to keep up with policy and politics to understand how issues will impact you and the people you care about most. You just have to keep up with us. We make sure you have the information you need to come to your own conclusions. Because, let's face it, you're in control of your own life and can think for yourself. You can listen to the latest She Thinks episode(s) here or wherever you get your podcasts. Then subscribe, rate, and share with your friends. If you are already caught up and want more, join our online community. Be sure to subscribe to our emails to ensure you're equipped with the facts on the issues you care about most: https://iwf.org/connect. Independent Women's Forum (IWF) believes all issues are women's issues. IWF promotes policies that aren't just well-intended, but actually enhance people's freedoms, opportunities, and choices. IWF doesn't just talk about problems. We identify solutions and take them straight to the playmakers and policy creators. And, as a 501(c)3, IWF educates the public about the most important topics of the day. Check out the Independent Women's Forum website for more information on how policies impact you, your loved ones, and your community: www.iwf.org. Subscribe to IWF's YouTube channel. Follow IWF on social media: - on Twitter- on Facebook- on Instagram#IWF #SheThinks #AllIssuesAreWomensIssues Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

How is the Chinese Communist Party controlling the Hollywood film industry? Newt's guest is Chris Fenton, author of FEEDING THE DRAGON: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business. A Hollywood insider, Fenton served as president of DMG Entertainment Motion Picture Group and has negotiated with the Chinese in the film business for decades. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Chris is an author and has served as president of DMG Entertainment Motion Picture Group and GM of DMG North America, internationally orchestrating the creative and business activities of DMG—a multi-billion dollar global media company headquartered in Beijing. Chris has also produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. As an author, Fenton chronicled much of that work in "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business." ————————————————————————— To learn more about this episode, including podcast transcripts and show notes, visit *salt.org/talks* ( http://salt.org/talks ) Moderated by Anthony Scaramucci.

In this episode, host Scott Paul speaks with Chris Fenton, the author of "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business", who previously served as the president of DMG Entertainment Motion Picture Group and lead the production of Hollywood blockbusters "Iron Man 3" and "Looper" in collaboration with the Chinese government. Fenton argues that though commercial and cultural ventures like the films he worked on with the Chinese government are valuable opportunities for resolution between the U.S. and China, Beijing's crackdown on criticism and its censorship overseas makes progress impossible. Learn more about "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business" at https://feedingthedragonbook.com/.

Chris Fenton has leveraged his experience in film production across Hollywood and China to share his lessons with America’s top diplomats, executives, and policy makers. He and host Greg Wool relive his story on becoming a producer, navigating China’s complex requirements for international films, and his hopes for the future of this delicate relationship between the world’s two strongest powers. Along the way, Chris explains what a producer does and how they make the difficult decisions of which films to produce. Focusing on China’s relationship with Hollywood and the impact it may have in the future, he also shares his views on the impact of factors outside of Hollywood’s control, such as the NBA. Finally, they look at how the major events of 2020 (COVID-19 & the U.S. Presidential election) have further complexified this already difficult situation. Chris Fenton is a Hollywood executive and author of the new book, “Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA & American Business.” After graduating from Cornell, Chris literally worked his way up from the mailroom at William Morris, quickly becoming a talent agent.  He subsequently spent 17 years as the president of DMG Entertainment Motion Picture Group and GM of DMG North America, orchestrating the creative and business activities of that multi-billion dollar global media company headquartered in Beijing. He has produced or supervised 21 films including “Looper” and “Iron Man 3”. Fenton’s book, “Feeding the Dragon,” serves as part memoir, part warning cry, sharing what he has learned about international relations with China. He speaks regularly now as a China expert, and serves as CEO of media capital technologies, an entertainment finance company.  A regular guest on Fox News, the BBC, and CNBC, Chris’s work has also appeared in RealClearPolitics, The Federalist and The Wrap. Links from the Episode at presentvaluepodcast.com Twitter: @TheDragonFeeder Book Website: Feeding The Dragon

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country's culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country's culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights.

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

For seventeen years, Chris Fenton served as the president of DMG Entertainment Motion Picture Group, a multi-billion-dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In his new book, Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business (Post Hill Press, 2020), Fenton shares not only his journey from waiting tables at the Olive Garden to producing some of the most recognizable Hollywood blockbuster movies. And, in the process, he discovers his diplomatic mission: connecting the US and China through commerce and culture: I felt a sense of mission that went far beyond box-office numbers. US-China relations were on the line. We all knew it. We had to make it work. But as an American, something bigger was at stake. We were pulling a rival country’s culture into our own. We were doing more than opening a market or making nice with China. We were bridging a cultural gap, making the world smaller, more stable, less contentious, and much safer. Failure would surely result in the opposite effect. Fenton conveys not only the regulatory obstacles that U.S. movies face when entering the Chinese market but also the cultural barriers. For the media to be successful in China, it needs to be relevant to Chinese audiences. But, while facing challenges in Asia, DMG also found trouble in the U.S. when the Securities and Exchange Commission launched an investigation of their dealings in China Like the blockbuster movies Fenton produces (and talks of a cinematic adaption of Feeding the Dragon are underway), this book has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Like the blockbuster movies Fenton produces (and talks of a cinematic adaption are underway), Feeding the Dragon has broad appeal. It is a gripping page-turner, a glimpse into the regulatory complexity of the Chinese entertainment market, and an introduction into what Fenton calls “film diplomacy.” Punctuated by succinct chapters, the book is an easy read, mixing a compelling story with rich insights. Nick Pozek is Assistant Director of the Parker School of Foreign and Comparative Law at Columbia University and a host of New Books in Law. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Sonny talks to “Feeding the Dragon” author Chris Fenton. For seventeen years, Fenton served as president of DMG Entertainment Motion Picture Group and GM of DMG North America, internationally orchestrating the creative and business activities of DMG—a multi-billion dollar global media company headquartered in Beijing. He is currently CEO of Media Capital Technologies and a Trustee of the US-Asia Institute.

Charlie sits down with Chris Fenton, author of "Feeding the Dragon" and former president of DMG Entertainment Motion Picture Group who has spent much of his career internationally orchestrating the creative and business activities of a multi-billion dollar global media company headquartered in Beijing. Explaining his perspective as a film producer beholden to China, Fenton breaks down how the CCP is organized, how it has become ingratiated to the Chinese ruling class, and how most American businessmen are complicit in helping China create a new world order.

China has slowly been subverting Hollywood, using its massive movie market to censor American films, like Top Gun, as well as influencing how movies like Looper and Iron Man 3 get made. Joining us today is Chris Fenton. He’s the former president of DMG Entertainment Motion Picture Group, and he worked in Hollywood for two decades on some of the biggest blockbuster movies. He’s also the author of the new book “FEEDING THE DRAGON: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business.” Find out how one of the people responsible for delivering Hollywood to China had a change of heart, after Houston Rockets General Manager Daryl Morey got censored in America by the NBA for speaking out in support of the Hong Kong protests and criticizing Carrie Lam. Hollywood is now the ultimate in china soft power. Follow Chris Fenton on Twitter! https://twitter.com/thedragonfeeder And pick up a copy of "Feeding the Dragon" https://www.amazon.com/dp/1642935867

Chris Fenton served as president of DMG Entertainment Motion Picture Group and GM of DMG North America for 17 years, internationally orchestrating the creative and business activities of DMG--a multi-billion dollar global media company headquartered in Beijing. He has produced or supervised twenty-one films, grossing $2 billion in worldwide box-office. In this conversation, we discuss China and US relations, how Hollywood has been complicit in spreading Chinese propaganda, why the US needs an unified approach to stand up to the CCP, how cultural diplomacy could work, what role the Federal Reserve is playing in all this, and Chris uses specific examples to illustrate the problems. You can buy the book Feeding The Dragon here: https://www.amazon.com/Feeding-Dragon-Trillion-Hollywood-American/dp/1642935867 =============================== Crypto.com is the only all-in-one platform that allows you to BUY / SELL / STORE / EARN / LOAN / INVEST crypto all from one place. Join over 1 million users currently using the Crypto.com app. Download and earn $50 USD using my code ‘pomp2020’, or use the link https://platinum.crypto.com/r/pomp2020 when you sign up for one of their metal cards today. =============================== The BTSE exchange allows you to trade confidently. They are the leader in futures, which means they are pioneering Futures 2.0. With BTSE, you can trade next-level futures: freely choose and combine your margin and settlement assets and trade with up to 100x leverage. You can also sign up for a BTSE Elite membership that gives you unbeatable discounts and bonuses across the BTSE Exchange, OTC platform, and more. Go to BTSE.com/pomp to get a 10% discount on your BTSE Elite membership. =============================== Pomp writes a daily letter to over 50,000 investors about business, technology, and finance. He breaks down complex topics into easy to understand language, while sharing opinions on various aspects of each industry. You can subscribe at https://www.pompletter.com

In his 17 years as the President of DMG Entertainment Motion Picture Group, Chris Fenton helped bring 20 Hollywood movies to China, facilitating co-productions, financing and distribution on blockbusters such as “Iron Man 3” and “Looper.” In his new book, “Feeding the Dragon,” the former William Morris agent details his time working in the entertainment […] The post Showbiz Sandbox 505: The Marvel and Mao Effect: A Hollywood Exec Heads to China, Hijinks Ensue appeared first on Showbiz Sandbox.

Chris Fenton most recently served as the president of DMG Entertainment Motion Picture Group & general manager of DMG North America.Fenton produced or supervised twenty films ranging from big budget franchises such as “Iron Man 3,” “Point Break,” and “47 Ronin” to more niche-oriented films such as “Looper,” “Waiting,” “Blockers” and “Chappaquiddick,” grossing almost $2 billion in worldwide box-office.In 2004, he pushed DMG to be the first to properly license American music for national ads in China, kicking off with a popular Hanson song for a VW brand campaign. Four years later, Fenton negotiated the largest athletic endorsement deal ever in China for US olympian Michael Phelps. Among his accomplishment was securing Lionsgate’s “Knowing” a release in China, making it the first ever non- major studio motion picture to receive a highly coveted spot in country’s quota system.

Chris Fenton most recently served as the president of DMG Entertainment Motion Picture Group & general manager of DMG North America.Fenton produced or supervised twenty films ranging from big budget franchises such as “Iron Man 3,” “Point Break,” and “47 Ronin” to more niche-oriented films such as “Looper,” “Waiting,” “Blockers” and “Chappaquiddick,” grossing almost $2 billion in worldwide box-office.In 2004, he pushed DMG to be the first to properly license American music for national ads in China, kicking off with a popular Hanson song for a VW brand campaign. Four years later, Fenton negotiated the largest athletic endorsement deal ever in China for US olympian Michael Phelps. Among his accomplishment was securing Lionsgate’s “Knowing” a release in China, making it the first ever non- major studio motion picture to receive a highly coveted spot in country’s quota system.

A panel discussion with Janet Yang (producer of Joy Luck Club and Shanghai Calling), Daniel Hsia (writer and director of Shanghai Calling), Bennett Pozil (Executive VP of EastWest Bank), and Chris Fenton (President of DMG Entertainment Motion Picture Group) on the globalization of Hollywood. Panelists: Janet Yang, Producer Throughout her life, Yang has distinguished herself by serving as a cultural ambassador, whether by bringing the creative and business worlds together, or by bridging East and West. As a film producer, Yang has worked with some of the most formidable directors and actors in the world, as well as discovering unique, often unheard voices and stories, and bringing them into the mainstream. Janet Yang holds a B.A. from Brown University in Chinese sutdies and an M.B.A. from Columbia University. She is a member of the Academy of Motion Picture Arts and Sciences. Ms. Yang has been named one of the "50 Most Powerful Women in Hollywood" by the Hollywood Reporter and is frequently named as one of the most prominent Asian-Americans. She has been featured in articles in the The New York Times, LA Times, Wall Street Journal, Variety, and Harper's Bazaar. Daniel Hsia, Writer and Director Daniel Hsia is a filmmaker and comedy writer who has worked on the television comedies Psych, Andy Barker, P.I., and Four Kings, and has sold original pilot screenplays to Sony Pictures Television, ABC Network, and USA Network. Shanghai Calling is his first feature film. Daniel's interest in the expat world was sparked when a close friend, a young man who had never been abroad, moved to China and began relating to Daniel the hilarious experiences of Americans living there. Convinced there was a compelling story to be told, Daniel spent two months roaming around Shanghai, interviewing locals and foreigners about their lives and absorbing every detail the city had to offer. Midway through Daniel's trip, the story for Shanghai Calling was born. Daniel is an alumnus of Stanford University and USC's Graduate Program in Film Production. He lives in Los Angeles with his wife, Mary, and dog, Jetpack. Bennett Pozil, Executive Vice President, East West Bank. Mr. Pozil has been a Banker for over 20 years and currently serves as an Executive Vice President at East West Bank where he manages the Bank's International Banking Group, Large Corporate Leveraged Finance, Syndications and Specialized Lending. As part of his role, Mr. Pozil oversees the development of the Bank's Entertainment Lending sector in the United States as well as China. Prior to joining East West Bank, Mr. Pozil served for 11 years as the Managing Director of the Los Angeles office for Natixis, the French Banking Concern. At Natixis, Mr. Pozil structured the financing of over one hundred motion pictures including Crouching Tiger, Hidden Dragon and Hero. Mr. Pozil is active in the Los Angeles community, serving on the Boards of the Music Center of Los Angeles and the Asia Society's Southern California Chapter. Chris Fenton, President, DMG Entertainment Motion Picture Group Chris Fenton is the President of DMG Entertainment Motion Picture Group and General Manager of DMG North America. He worked as a motion picture agent at the William Morris Agency from 1994 to 2002. Since then, he has been the chief architect in creating new business opportunities for DMG with North American based partners, and, most recently, has concentrated his efforts in forming partnerships with various Hollywood studios for the development, production, marketing, and distribution of various forms of international content in China.

A panel discussion with Janet Yang (producer of Joy Luck Club and Shanghai Calling), Daniel Hsia (writer and director of Shanghai Calling), Bennett Pozil (Executive VP of EastWest Bank), and Chris Fenton (President of DMG Entertainment Motion Picture Group) on the globalization of Hollywood. Panelists: Janet Yang, Producer Throughout her life, Yang has distinguished herself by serving as a cultural ambassador, whether by bringing the creative and business worlds together, or by bridging East and West. As a film producer, Yang has worked with some of the most formidable directors and actors in the world, as well as discovering unique, often unheard voices and stories, and bringing them into the mainstream. Janet Yang holds a B.A. from Brown University in Chinese sutdies and an M.B.A. from Columbia University. She is a member of the Academy of Motion Picture Arts and Sciences. Ms. Yang has been named one of the "50 Most Powerful Women in Hollywood" by the Hollywood Reporter and is frequently named as one of the most prominent Asian-Americans. She has been featured in articles in the The New York Times, LA Times, Wall Street Journal, Variety, and Harper's Bazaar. Daniel Hsia, Writer and Director Daniel Hsia is a filmmaker and comedy writer who has worked on the television comedies Psych, Andy Barker, P.I., and Four Kings, and has sold original pilot screenplays to Sony Pictures Television, ABC Network, and USA Network. Shanghai Calling is his first feature film. Daniel's interest in the expat world was sparked when a close friend, a young man who had never been abroad, moved to China and began relating to Daniel the hilarious experiences of Americans living there. Convinced there was a compelling story to be told, Daniel spent two months roaming around Shanghai, interviewing locals and foreigners about their lives and absorbing every detail the city had to offer. Midway through Daniel's trip, the story for Shanghai Calling was born. Daniel is an alumnus of Stanford University and USC's Graduate Program in Film Production. He lives in Los Angeles with his wife, Mary, and dog, Jetpack. Bennett Pozil, Executive Vice President, East West Bank. Mr. Pozil has been a Banker for over 20 years and currently serves as an Executive Vice President at East West Bank where he manages the Bank's International Banking Group, Large Corporate Leveraged Finance, Syndications and Specialized Lending. As part of his role, Mr. Pozil oversees the development of the Bank's Entertainment Lending sector in the United States as well as China. Prior to joining East West Bank, Mr. Pozil served for 11 years as the Managing Director of the Los Angeles office for Natixis, the French Banking Concern. At Natixis, Mr. Pozil structured the financing of over one hundred motion pictures including Crouching Tiger, Hidden Dragon and Hero. Mr. Pozil is active in the Los Angeles community, serving on the Boards of the Music Center of Los Angeles and the Asia Society's Southern California Chapter. Chris Fenton, President, DMG Entertainment Motion Picture Group Chris Fenton is the President of DMG Entertainment Motion Picture Group and General Manager of DMG North America. He worked as a motion picture agent at the William Morris Agency from 1994 to 2002. Since then, he has been the chief architect in creating new business opportunities for DMG with North American based partners, and, most recently, has concentrated his efforts in forming partnerships with various Hollywood studios for the development, production, marketing, and distribution of various forms of international content in China.