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Subscribe to Receive Venkat's Weekly NewsletterAfter finishing High School, Dr. Cannon joined the Marine Corps as an Arabic Cryptologic Linguist. Dr. Cannon loved the process of learning a language. So, after the Marine Corps, Dr Cannon attended the University of Pittsburgh where he discovered archaeology which he combined with his love for languages. Dr. Cannon joins us on our podcast to talk about UG Research at Frederick Honors College, Research Infrastructure, Research Fellowships, Success stories, and Advice for High Schoolers.Topics discussed in this episode:Introducing Dr. Josh Cannon, University of Pittsburgh []Hi Fives - Podcast Highlights []Background []Why Languages? []Interest in Research []Research Infrastructure and Resources []Students' Research Participation []Fellowships []Success Stories []Advice for High Schoolers []Our Guest: Dr. Josh Cannon is the Director of Research at Frederick Honors College, University of Pittsburgh.Memorable Quote: “So if you're going to spend time doing this research, you really should present, or you should try to publish, or you should try to use it as kind of a launching pad for a different research project that you do by yourself or you do with another faculty member. So we kind of work with them on how would that, what would that look like? And how do you find a professional conference that you might want to present at? Oh, you found it now. How do you write an abstract? And how do you submit it?”Dr. Cannon.Episode Transcript: Please visit Episode's Transcript.Calls-to-action:Follow us on Instagram.ToAsk the Guest a question, or to comment on this episode, email podcast@almamatters.io.Subscribe or Follow our podcasts at any of these locations: Apple Podcasts, Spotify.
Subscribe to Receive Venkat's Weekly NewsletterIn the Fall semester of 2024, Dr. Cannon used the Getting Started with UG Research Workbook as a resource in a class he taught the Honors College freshmenIn this special episode, we talk to Dr Cannon and 3 students - John, Preeti and Jacob about their experience with the workbook!On our podcast, Dr Cannon talks about using the workbook, the students describe their experiences and suggestions, and finally some advice for high schoolers.To learn more about the Workbook, please email using the subject line ‘UGR Workbook' podcast@almamatters.io.using the subject line ‘UGR Workbook')In particular, we discuss the following with them: Dr. Cannon on Using the Workbook in a classUse of Podcast StoriesStudents' Feedback on the WorkbookStudent TakeawaysAdvice for High SchoolersOur Guests: Dr. Josh Cannon, Director of Research, Frederick Honors College, University of Pittsburgh.3 Current Freshmen - John Logue, Preeti Rao and Jacob Halka.Memorable Quote: “My biggest takeaway was really just seeing that process kind of laid out [in the Workbook]. I think coming in, I feel like the biggest obstacle for me was really understanding where to go to look for research. It seems there's not like a set way to just go about doing it. ”John Logue, Freshman.Episode Transcript: Please visit Episode's Transcript.Recommended Episodes:College ExperiencesCalls-to-action:Follow us onInstagram.ToAsk the Guest a question, or tocomment on this episode, emailpodcast@almamatters.io.Subscribe orFollow our podcasts at any of these locations:Apple Podcasts,Spotify.
Subscribe to Receive Venkat's Weekly Newsletter Sydney grew up surrounded by different cultures, languages which shaped his interests. He worked summers in the High School and used that money to travel. Sydney joins our podcast to share his University of Pittsburgh Honors journey, the Honors College, Getting the Voyager Scholarship, Majoring in Political Science, and his Advice for High Schoolers. Check Out: The College Application Workbooks for Juniors and Seniors In particular, we discuss the following with him: Overall Undergraduate Experience Honors College Voyager Scholarship Advice to High Schoolers Topics discussed in this episode: Introduction to Sydney Wilhelmy, U of Pittsburgh [] Hi Fives - Podcast Highlights [] Overall Experience at Pitt [] High School Interests [] Honors at Pitt [] Transition to College [] Academics & Honors Program [] Doing Research [] Voyager Scholarship [] Dept of Education Scholarship [] Interest in Languages [] Majoring in Political Science [] After Graduation [] Advice for High Schoolers [] Memory [] Our Guests: Sydney Wilhelmy graduated with a Bachelor's degree in Political Science from the Frederick Honors College University of Pittsburgh. Memorable Quote: “ …but last year, I did start working with a professor in the Political Science Department. That's been so rewarding. And I really kind of wish I would have started earlier, but, yeah.” Sydney Wilhelmy. Episode Transcript: Please visit Episode's Transcript. Similar Episodes: College Experiences Calls-to-action: Follow us on Instagram. To Ask the Guest a question, or to comment on this episode, email podcast@almamatters.io. Subscribe or Follow our podcasts wherever you get your podcasts.
Subscribe to Receive Venkat's Weekly Newsletter In school Mary played rugby and took part in speech and debate. She was always interested in healthcare, and participated in Youth Partnership for health. Overall, she was committed to doing service and justice, and was very much grounded in Jesuit values. Mary joins our podcast to share her University of Pittsburgh Honors journey, Why Pitt?, Transferring to Pitt, Joining the Honors College, Social Innovation, Majoring in Healthcare Services Management, and her Advice for High Schoolers Check Out: The College Application Workbooks for Juniors and Seniors In particular, we discuss the following with her: Overall Undergraduate Experience Honors College Social Innovation Program Advice to High Schoolers Topics discussed in this episode: Introduction to Mary Angbanzan, U of Pittsburgh [] Hi Fives - Podcast Highlights [] Overall Experience at Pitt [] Picking Pitt [] High School Interests [] 1st College [] Transition to College [] Being a Transfer Student [] Academics [] Getting into Honors College [] Social Innovation Program [] Back Full Time at Pitt [] Summers - John Lewis UG Scholarship [] Advice for High Schoolers [] Memories [] Our Guests: Mary Angbanzan graduated with a Bachelor's degree in Health Services Management from the Frederick Honors College University of Pittsburgh. Memorable Quote: “I think Pitt does an amazing job, honestly, with the transfer students. I think that they are very intentional about making sure that the transfer students kind of have the same experience as the first year students. So then it's almost like, Oh, we're not transfer students, this is like, their first years. We are first year's. You know what I mean?” Mary Angbanzan. Episode Transcript: Please visit Episode's Transcript. Similar Episodes: College Experiences Calls-to-action: Follow us on Instagram. To Ask the Guest a question, or to comment on this episode, email podcast@almamatters.io. Subscribe or Follow our podcasts wherever you get your podcasts.
Subscribe to Receive Venkat's Weekly Newsletter Dean Nicola Foote discovered Honors education, when she came to the US after getting her PhD in History from University College London. She found that Honors education allowed students to explore different disciplines in addition to being part of a community. Three years ago, Dean Foote became the Dean of Frederick Honors College University of Pittsburgh. On this Podcast, Dean Foote introduces the Frederick Honors College, BPhil & Experiential Programs, Undergraduate Research, Scholarships, How to Apply, and Career Opportunities. In particular, we discuss the following with him: Dean Nicola Foote's Background Frederick Honors College Student Requirements Career Opportunities Topics discussed in this episode: Introducing Dean Foote, Frederick Honors College University of Pottsburgh [] Hi Fives - Podcast Highlights [] Background [] Frederick Honors College [] Program Highlights [] Experiential Programs [] UG Research Process [] Types of Research [] Applying to Honors College [] HC Student Body Profile [] Program Size [] Scholarships [] Career Opportunities [] Advice for High Schoolers [] Our Guest: Dr. Nicola Foote is the Dean of the Frederick Honors College University of Pittsburgh. Dean Foote is a Distinguished English Professor, writer and novelist. Memorable Quote: “And then most significantly, what I'm most proud of is that we also offer a BPhil degree. And we're one of only a handful of universities anywhere in the world that offer that it's the highest research distinction available to an undergrad.” Dean Foote. Episode Transcript: Please visit Episode's Transcript. Similar Episodes: College Experiences Calls-to-action: Follow us on Instagram. To Ask the Guest a question, or to comment on this episode, email podcast@almamatters.io. Subscribe or Follow our podcasts at any of these locations: Apple Podcasts, Google Podcasts, Spotify.
Subscribe to Receive Venkat's Weekly Newsletter Dean Nicola Foote discovered Honors education, when she came to the US after getting her PhD in History from University College London. She found that Honors education allowed students to explore different disciplines in addition to being part of a community. Three years ago, Dean Foote became the Dean of Frederick Honors College University of Pittsburgh. On this Podcast, Dean Foote introduces the Frederick Honors College, BPhil & Experiential Programs, Undergraduate Research, Scholarships, How to Apply, and Career Opportunities. In particular, we discuss the following with him: Dean Nicola Foote's Background Frederick Honors College Student Requirements Career Opportunities Topics discussed in this episode: Introducing Dean Foote, Frederick Honors College University of Pottsburgh [] Hi Fives - Podcast Highlights [] Background [] Frederick Honors College [] Program Highlights [] Experiential Programs [] UG Research Process [] Types of Research [] Applying to Honors College [] HC Student Body Profile [] Program Size [] Scholarships [] Career Opportunities [] Advice for High Schoolers [] Our Guest: Dr. Nicola Foote is the Dean of the Frederick Honors College University of Pittsburgh. Dean Foote is a Distinguished English Professor, writer and novelist. Memorable Quote: “And then most significantly, what I'm most proud of is that we also offer a BPhil degree. And we're one of only a handful of universities anywhere in the world that offer that it's the highest research distinction available to an undergrad.” Dean Foote. Episode Transcript: Please visit Episode's Transcript. Similar Episodes: College Experiences Calls-to-action: Follow us on Instagram. To Ask the Guest a question, or to comment on this episode, email podcast@almamatters.io. Subscribe or Follow our podcasts at any of these locations: Apple Podcasts, Google Podcasts, Spotify.
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr Lynsey Black is a lecturer in criminology, in the School of Law and Criminology, Maynooth University. She researches in the areas of gender and punishment, the death penalty, historical and postcolonial criminology, and borders. In this interview she discusses her new book, Gender and Punishment in Ireland: Women, Murder and the Death Penalty, 1922-64 (Manchester UP, 2022). Gender and Punishment in Ireland explores women's lethal violence in Ireland. Drawing on comprehensive archival research, including government documents, press reporting, the remnants of public opinion and the voices of the women themselves, the book contributes to the burgeoning literature on gender and punishment and women who kill. Engaging with concepts such as ‘double deviance', chivalry, paternalism and ‘coercive confinement', the work explores the penal landscape for offending women in postcolonial Ireland, examining in particular the role of the Catholic Church in responses to female deviance. The book is an extensive interdisciplinary treatment of women who kill in Ireland and will be useful to scholars of gender, criminology and history. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh
Andrew Phemister is Research Associate at Newcastle University. He has previously held postdoctoral positions in History at NUI Galway, the University of Oxford, and Edinburgh's Institute for Advanced Studies in the Humanities. In this interview he discusses his new book, Land and Liberalism: Henry George and the Irish Land War (Cambridge University Press, 2023) Irish land in the 1880s was a site of ideological conflict, with resonances for liberal politics far beyond Ireland itself. The Irish Land War, internationalised partly through the influence of Henry George, the American social reformer and political economist, came at a decisive juncture in Anglo-American political thought, and provided many radicals across the North Atlantic with a vision of a more just and morally coherent political economy. Looking at the discourses and practices of these agrarian radicals, alongside developments in liberal political thought, Andrew Phemister shows how they utilised the land question to articulate a natural and universal right to life that highlighted the contradictions between liberty and property. In response to this popular agrarian movement, liberal thinkers discarded many older individualistic assumptions, and their radical democratic implications, in the name of protecting social order, property, and economic progress. Land and Liberalism thus vividly demonstrates the centrality of Henry George and the Irish Land War to the transformation of liberal thought. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Justin Dolan Stover is Associate Professor of transnational European history at Idaho State University, where he teaches courses on war and violence, modern Irish history, and the world wars. He holds a doctorate in history from Trinity College Dublin and has held several research fellowships throughout Ireland. He is currently a research fellow with the Netherlands Institute for Advanced Study in Amsterdam. In this interview, he discusses his new book, Enduring Ruin: Environmental Destruction During the Irish (U College Dublin Press, 2022), which uncovers the environmental and spatial history of the Easter Rising and Irish War of Independence. The Irish Revolution inflicted unprecedented damage to built-up and natural landscapes between 1916 and 1923. Destruction transcended national and ideological divisions and remained a fixture within Irish urban and rural landscapes years after independence, presenting an Ireland politically transformed yet physically disfigured. Enduring Ruin: Environmental Destruction during the Irish Revolution examines how and to what degree revolutionary activity degraded, damaged and destroyed Ireland's landscapes. This book represents the first environmental history of the revolutionary period and in doing so incorporates the roles animals, earth, water, trees, weather, and man-made infrastructure played in directing and absorbing revolutionary violence. It traces the militarisation of private and public spaces, and how the destruction of monuments renegotiated Ireland's civic spaces and colonial legacy. It considers Crown force reprisals, agrarian disputes, and sectarian division as amplifying Ireland's contested spaces, where environmental damage occurred in the vacuum of public order. The decade of commemoration presents the opportunity to challenge traditional narratives and examine Ireland's revolutionary experience afresh. As such, this book re-evaluates conventional interpretations and introduces new arguments; in doing so, it pioneers a new phase in the study of the Irish Revolution. Enduring Ruin: Environmental Destruction during the Irish Revolution is published with UCD Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project. In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022) Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Aidan Enright holds a PhD in History from Queen's University Belfast and is an Associate Researcher and Part-Time Lecturer in History at Leeds Beckett University, where he teaches Modern British History and he is also a Teacher of Social Sciences at University of Bradford International College. In this interview, he discusses his first book, Charles Owen O'Conor, the O'Conor Don: Landlordism, Liberal Catholicism and Unionism in Nineteenth-Century Ireland (Four Courts, 2022) This book uncovers the world of Charles Owen O'Conor, the O‘Conor Don (1838–1906), one of the most prominent Catholic landlords and Liberal MPs of his generation. The scion of the last high king of Ireland and one of a long line of politically active O'Conors, he was a wealthy, fair-minded landlord who served as MP for his native County Roscommon between 1860 and 1880. In parliament, he supported reforms in education, juvenile care, factory law, Sunday closing, the Irish language and landownership. However, as a loyalist, unionist and imperialist, he was out of step with the mood and aims of popular Irish nationalism, especially on the issue of home rule. Indeed, although he was a devout Catholic, proud Irishman and critic of the union, his liberal Catholic and unionist outlook ensured that he became an increasingly marginalized figure as Irish politics polarized along Catholic nationalist and Protestant unionist lines. Charles Owen O'Conor, the O'Conor Don: landlordism, liberal Catholicism and unionism in nineteenth-century Ireland is published by Four Courts Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Robert J. Savage is a professor in the Boston College History Department and served as one of the directors of the University's Irish Studies program for close to twenty years. He has been awarded Visiting Fellowships at Trinity College, Dublin, the University of Edinburgh, Queen's University, Belfast and the University of Galway. Savage's publications explore contemporary Irish and British history and include The BBC's Irish Troubles: Television, Conflict and Northern Ireland (2015) short listed for the Ewart-Biggs Literary Award; A Loss of Innocence? Television and Irish Society 1960-1972, (2010) winner of the James S. Donnelly Sr. Book Prize from the American Conference for Irish Studies and Sean Lemass, a biography (2014). In this interview, he discusses his new book Northern Ireland, the BBC and Censorship in Thatcher's Britain (Oxford University Press, 2022), which explores issues of censorship, paramilitary violence and British and international politics in the 1980s. Northern Ireland, the BBC and Censorship in Thatcher's Britain is a study of how the Northern Ireland conflict was presented to an increasingly global audience during the premiership of Britain's 'Iron Lady', Margaret Thatcher. It addresses the tensions that characterized the relationship between the broadcast media and the Thatcher Government throughout the 1980s. Savage explores how that tension worked its way into decisions made by managers, editors, and reporters addressing a conflict that seemed insoluble. Margaret Thatcher mistrusted the broadcast media, especially the BBC, believing it had a left-wing bias that was hostile to her interests and policies. This was especially true of the broadcast media's reporting about Northern Ireland. She regarded investigative reporting that explored the roots of republican violence in the region or coverage critical of her government's initiatives as undermining the rule of law, and thereby providing terrorists with what she termed the 'oxygen of publicity'. She followed in the footsteps of the Labour Government that proceeded her by threatening and bullying both the BBC and IBA, promising that the draconian Prevention of Terrorism Act would be deployed to punish journalists that came into contact with the IRA. Although both networks continued to offer compelling news and current affairs programming, the tactics of her government produced considerable success. Wary of direct government intervention, both networks encouraged a remarkable degree of self-censorship when addressing 'the Troubles'. Regardless, by 1988, the Thatcher Government, unhappy with criticism of its policies, took the extraordinary step of imposing formal censorship on the British broadcast media. The infamous 'broadcasting ban' lasted six years, successfully silencing the voices of Irish republicans while tarnishing the reputation of the United Kingdom as a leading global democracy. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Dieter Reinisch is a Government of Ireland Irish Research Council Fellow in the School of Political Science and Sociology, University of Galway, and an Adjunct Professor in International Relations at Webster University, Campus Vienna. He holds a PhD in History from the European University Institute in Florence). Since 2016, he serves on the editorial board of the academic, open-access journal Studi irlandesi: A Journal of Irish Studies, published by Florence University Press. In addition to his new book on republican prisoners in Ireland, he is the co-editor (with Luisa Passerini) of Performing Memory: Corporeality, Visuality, and Mobility after 1968 published with Berghahn Books, and Irish Republican Counterpublic: Armed Struggle & the Construction of a Radical Nationalist Community in Northern Ireland, co-edited with Anne Kane and published with Routledge. In this interview, he discusses his new book, Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland (University of Toronto Press, 2022), which uncovers the everyday life and education of IRA prisoners during the Troubles in Northern Ireland. Learning behind Bars is an oral history of former Irish republican prisoners in the Republic of Ireland and Northern Ireland between 1971, the year internment was introduced, and 2000, when the high-security Long Kesh Detention Centre/HM Prison Maze closed. Dieter Reinisch outlines the role of politically motivated prisoners in ending armed conflicts as well as the personal and political development of these radical activists during their imprisonment. Based on extensive life-story interviews with Irish Republican Army (IRA) ex-prisoners, the book examines how political prisoners developed their intellectual positions through the interplay of political education and resistance. It sheds light on how prisoners used this experience to initiate the debates that eventually led to acceptance of the peace process in Northern Ireland. Politically relevant and instructive, Learning behind Bars illuminates the value of education, politics, and resistance in the harshest of social environments. Learning Behind Bars: How IRA Prisoners Shaped the Peace Process in Ireland is published with University of Toronto Press. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Tim Murtagh completed his PhD at Trinity College Dublin. He was a historical consultant on the Dublin Tenement Museum at No. 14 Henrietta Street and a book based on this research will be appearing later next year. Since April 2020, Tim has been an Archival Research Fellow with the Beyond 2022 project, an international research project working to create a virtual reconstruction of the Public Record Office of Ireland, which was destroyed in the opening engagement of the Irish Civil War in 1922. In this interview he discusses his new book Irish Artisans and Radical Politics, 1776-1820: Apprenticeship to Revolution (Liverpool UP, 2022), a study of working-class life and politics in the major urban centers of Ireland in the years before and after the United Irishman Rebellion of 1798. Irish Artisans and Radical Politics is a comparative study of the political activities of workers in three Irish cities: Dublin, Belfast and Cork. It investigates how Ireland's journeymen and apprentices engaged in campaigns for political reform, as well as in revolutionary conspiracies, during the years 1776 to 1820. This book marks the first ever attempt to analyse the role of Irish workers in the creation of eighteenth-century republicanism, representing the careful distillation of nearly a decade of research on the topic. It argues that Irish craftsmen truly did serve an ‘apprenticeship to revolution'. In the literal sense, the experience of the workshop provided artisans with a set of traditions which shaped how new revolutionary doctrines were received. But generations of Irish workers also served a figurative apprenticeship to successive political movements: the campaigns of Irish ‘Patriot' MPs, the Volunteering movement of the 1770s, and the revolutionary campaigns of the United Irishmen. The book explores the role of urban workers within the 1798 Irish Rebellion and Robert Emmet's 1803 rising and, adopting a transnational framework, places the actions of these Irish artisans within the context of British radicalism and the creation of an industrial working class. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
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