Podcasts about irish america

For it's 150th episode, Irish Stew podcast welcomes back a clear-eyed optimist for troubled times, Michael J. Dowling. Glucksman Ireland House is honoring him with the Outstanding Public Service and Lifetime Contribution to Public Health Award at its New York City Gala on Tuesday, March 3, 2026. After decades of work transforming Northwell Health into an American healthcare leader, Michael has segued into a CEO Emeritus role, but it sounds nothing like retirement. “Life is a series of changes, a series of journeys,” says the former top-class hurler from Knockaderry, Co. Limerick. “I have stepped down, but I haven't stepped away. I could never retire. I enjoy the battles. I'm working at Northwell full-time for the next two years on the succession with the new leadership team.”On the episode hosted by John Lee, Michael shares his well-honed views on compassionate leadership, how to address social media's  effect on youth mental health, the promise of healthcare progress, the impact of the Irish on U.S. history, immigration's enduring value, why the US must continue to be a beacon for democracy globally, and his commitment to Irish America.“I want to spend a portion of my time continuing to build and enhance the Irish influence in the United States and vice versa.”Listening to the episode, it's easy to see why New York University's Glucksman Ireland House chose to honor Michael at its Gala at New York's Mandarin Hotel. For Michael, the admiration is mutual.“Glucksman House is at the center of Irish and Irish‑American studies. It reminds us about heritage, history, and contribution,” he says. “Loretta Glucksman is an icon, an extraordinary individual. And it's not just her work here in the US, it is her work in Ireland, too, and all she does to bring people together and promote a sense of humility, strength, and kindness to the world around us.”What's next for Michael Dowling? He tells of his work in youth mental health addressing the perils of “so many young people living in a virtual world and not living in the real world,” the book he's writing on leadership fueled by optimism, and his plans to deepen involvement with Irish institutions in the US and in Ireland. “We need more people to be spokespersons about the values of decency and respect and humanity and caring,” he says.Irish Stew is off to DC this weekend to be the Podcast in Residence at the Solas Nua Capital Irish Film Festival, Feb. 26-Mar. 1. Filmmaker Ruán Magan, who has both a feature film and documentary in the festival, headlines the next episode of Irish Stew.LinksGlucksman Ireland House Website Gala Tickets for Tuesday, March 3 at the Mandarin HotelMichael DowlingNorthwell HealthLinkedInXIrish Stew LinksWebsiteFacebookInstagramLinkedInMedia Partner: IrishCentralEpisode Details: Season 8, Episode 9; Total Episode Count: 150

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices

Think the Troubles were only Northern Ireland? Discover America's secret hand in the conflict.The Troubles are often remembered as a conflict confined to Northern Ireland and Britain — but that's a myth. In this episode of History Rage, host Paul Bavill is joined by journalist and Pulitzer Prize finalist Ali Watkins to uncover the overlooked role of Irish America in the conflict. Focusing on radical nationalist movements in Philadelphia, they explore how identity, violence, and diaspora politics shaped the fight far beyond Belfast and Derry.Episode HighlightsThe Philadelphia Five – Meet the five working-class men who became central to a clandestine gun-running operation for the Provisional IRA, challenging assumptions about who becomes a revolutionary.Irish American Identity – Ali reflects on her own family history and how diaspora communities engaged with — and sometimes enabled — the Troubles.Smuggling Guns Across the Atlantic – Discover the rudimentary but effective tactics used to move firearms from Philadelphia to Ireland, often under the noses of customs officials.The FBI Cracks Down – Learn how American law enforcement finally targeted these networks, leading to the collapse of the Philadelphia Five's operations.Legacy & Reflection – How should Irish America remember this hidden history, and what does it reveal about modern nationalism?This conversation challenges the idea that the Troubles were a “local” conflict and reveals the global networks — and moral complexities — that sustained it.

My guest for this episode is Ali Watkins, author of “This Next One's For You”, a book which explores the world of Irish-American gun-running in the early days of the troubles in Philadelphia and New York and how this impacted the conflict.We discuss Clan na Gael, an Irish-American group that pre-date the IRA and how they have been aiding the Irish Republican movement for decades and their efforts to arm the Provos however they could. Ali tells us about the methods they used to get the rifles from the US to the North of Ireland, the mistake that began the US Department of Justice's investigation into them and how the FBI & ATF eventually ended their run, resulting in the famous “Philadelphia Five” trial. PLEASE HELP OUT THE SHOW IF YOU CAN SPARE IT.. THANK YOUhttps://www.buymeacoffee.com/goodlistenerpodcast CONTACT THE SHOW: thegoodlistenerpodcast@gmail.comTIMESTAMPS00:00 Who are CLAN NA GAEL ?4:53 Philly's connection to Ireland 7:35 Vince Conlon10:20 Clan Na Gael & NORAID overlap 14:05 Were NORAID involved in g*n-running ?16:15 Logistics of the g*n-running scheme 21:40 FBI & ATF take on Clan Na Gael 32:35 John Casey (“the tout”)36:40 “The Philadelphia 5” Trial 48:38 Vince Conlon II51:25 Researching the bookBUY THE BOOK: https://bookshop.org/p/books/the-next-one-is-for-you-a-true-story-of-guns-country-and-the-ira-s-secret-american-army-ali-watkins/21633877?ean=9780316538275&next=t&affiliate=2344

In 1984, the British government banned Martin Galvin from entering Northern Ireland. Galvin was a key figure in Noraid, the American organisation raising funds for Republican prisoners. In an explosive appearance on today's Free State, Martin Galvin tells the story of his journey in the republican movement. Ahead of a brilliant new RTÉ documentary he describes the events of that summer in 1984. Galvin was smuggled into the North and made an appearance at a rally where one man was killed by the RUC as they tried to arrest Galvin Joe and Galvin clash with Dion over the events of that day. They also discuss his work to get Gerry Adams a visa in America and how Sinn Fein went in another direction when they decided it was a time for pragmatists.Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG.For more on Free State: https://freestatepodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

 Defend Neutrality.If truth be told the long standing claim of neutrality by the southern Irish state is not all its made out to be. It is a fact that successive Irish governments have turned a blind eye to American war planes using Shannon as a stopping off point for attacks in Iraq and Afghanistan, as well as carrying munitions to Israel for its genocidal war against the people of Palestine.  US planes carrying political prisoners to interrogation and detention sites, where they were tortured, stopped at Shannon to refuel. A breach of international law. The government did nothing.In recent months a significant and increasing number of articles have been published in the mainstream Dublin based media claiming that neutrality was fine in the past but is not fit for purpose in the world today. It is ‘morally degenerate' wrote one writer. Getting rid of neutrality would make the Irish state appear more ‘grown-up' said another. The language has become increasingly belligerent as the demand is made for a substantial increase in spending on weapons and for the Irish government to join the NATO alliance. Support the Occupied Territories BillLast week An Taoiseach Micheál Martin is reported to have told an Israeli lobby group in New York that the Occupied Territories Bill is not on the legislative calendar. He is sticking rigidly to the line that there are constitutional difficulties that require the Bill to be significantly redrafted. The end result of this prevarication is that the Occupied Territories Bill remains in limbo.While Micheál Martin stonewalls meaningful action against Israel that state's genocide against the Palestinian people is unrelenting. Israel has clearly breached the January ceasefire multiple times. Since 15 January Israeli forces have killed over 150 civilians in the Gaza Strip, including women and children, charity workers and journalists. For almost three weeks now Israel has imposed a blockade on desperately needed aid from entering the devastated region. It has also turned off Gaza's electricity preventing the desalination plants from providing water for the besieged residents. Beannachtaí na Féile PádraigSt. Patrick's Day is an opportunity for the Irish people and diaspora to celebrate being Irish. In some parts of the world St. Patrick's Day morphs into a week of celebrations. I hope you enjoyed your St. Patrick's Day/week wherever you are.This year Friends of Sinn Féin published an advertisement in several US based newspapers, including the New York Times urging Irish America to speak out on the right of the diaspora to vote in Irish Presidential elections and called on the Irish government to prepare for Irish Unity. 

Brendan McFarlaneOn Tuesday we buried our friend and comrade Brendan McFarlane. Bik texted me just over 2 weeks or so ago to say he was back in hospital. He had been battling cancer for some time. A few days later the medics stopped his treatment. There was nothing else they could do for him. Suddenly and unexpectedly he was gone. He died peacefully surrounded by his loving family.My solidarity and sympathy to Lene, a mighty woman, and to their children Emma, Tomás and Tina, his brother Gerard and the wider family circle. His loss for them is immeasurable. For his countless friends and comrades his death is a deep blow. Fáilte abhaile LeonardLeonard Peltier was finally released from prison in Florida last week. The 80-year-old political prisoner had spent almost the last 50 years in prison protesting his innocence. Leonard is a member of the Turtle Mountain Band of Chippewa Indians and he now on his reservation in North Dakota. His family and friends gathered to welcome him home. After his release he said: “They may have imprisoned me but they never took my spirit!” and he thanked “all my supporters throughout the world who fought for my freedom.” Fáilte abhaile Leonard.Taking A Stand.The decision by Uachtarán Shinn Féin Mary Lou McDonald and Leas Uachtarán Michelle O'Neill not to attend the St. Patrick's Day events in the White House and the Speakers lunch on Capitol Hill, will undoubtedly upset some of our friends across Irish America. This is very understandable.  Sinn Féin's access to successive US administrations was won after decades of very hard work by many people across North America. Understandably they do not want to jeopardise or lose that influence. It is worth noting that in the past Sinn Féin has always attended White House events when invited, including during President Trump's first term in office.So the Sinn Féin decision was taken after much deliberation.  The catalyst for this was the recent statements from President Trump in which he calls for the expulsion of over two million Palestinian people from the Gaza Strip, his refusal to countenance their return and his proposal that the United States of America will take over the region. The decision would have been the same had a democratic President called for the expulsion of two million Palestinians.  

We reveal how Ireland - the most anti-semitic country in europe that built its economy on American investment and stealing “American jobs”- is losing its relevance in a pro-Israel Trump white House. And not a moment too soon. I wrote about the end of Irish America here or you can listen to it on the podcast here.And speaking of anti-semitism the Irish National Theater rejected Jewish voices on their stage for not aligning with  their values. However as the Bibas children's bodies were returned from Gaza the Irish National Theatre somehow thought it was a good time to celebrate a Palestinian poet on their stage.  Today we show them with their keffiyehs flying. And eventually The New York Times has started to tell the truth about the horrors behind closed doors of Planned Parenthood. There have been horrific abortion "failures" and rushed treatments that prioritize making money over getting informed consent from vulnerable people who could be illiterate non-English speakers. Sounds like the Kermit Gosnell story that we documented in our New York Times best seller. And you won't believe how much tax payers' money they receive and what they do with the money (it doesn't go to help patients).  The saddest news we cover this week  is the truth about what really happened to Shiri Bibas and her precious children, after being taken hostage on October 7. We bring one of the most moving pieces written about their story. It will bring you to tears. It will also make you look differently at every toddler and young child you see.

We're diving into the seismic shifts reshaping America and their ripple effects on Irish identity abroad. With the inauguration of Donald Trump marking the ultimate vibe shift in global politics, we explore how Irish America has evolved, from Kennedy-esque liberals to MAGA-loving MMA enthusiasts like Dana White. Joined by historian Niall Ferguson, we discuss Trump's anti-fragile rise, the decline of woke culture, and how Ireland needs to rethink its relationship with its diaspora in this new era.  Join the gang! https://plus.acast.com/s/the-david-mcwilliams-podcast. Hosted on Acast. See acast.com/privacy for more information.

Ethel KennedyIt was with sadness I heard last week of the death of Ethel Kennedy, the wife of assassinated US Senator Robert Kennedy. She was aged 96. Ethel Kennedy was with her husband in Los Angeles in 1968 when he was shot and killed. She was left to rear 11 children. It was a huge blow to her and to the family. Ethel's response was to found the Robert F. Kennedy Centre for Justice and Human Rights, along with her brother-in-law Sen. Teddy Kennedy. The Centre advocates for gun control and human rights. She was also active in the Special Olympics, and in her eighties she took part in 2016 in a demonstration in support of higher pay for farmworkers in Florida.Irish America's role in Irish UnityLast week Friends of Sinn Féin in the USA organised the first of a planned series of public discussions on Irish Unity and the role of Irish America and the USA in achieving that objective. The American events – and those in Canada that will come later – are mirrored on the People's Assemblies organised by Sinn Féin's Commission on the Future of Ireland. They are intended to engage with the diaspora and others in North America and to help inform the work of the Commission and of Sinn Féin.

Myles talks to Professor Mary Burke, author of 'Race, Politics, and Irish America: A Gothic History'.

Larceny & Last ChancesSometimes, it's about doing the right thing. Sometimes, it's about getting even. Sometimes, it's about taking what you think you deserve. And sometimes, it's your last, best chance. Edited by Judy Penz Sheluk and featuring stories by Christina Boufis, John Bukowski, Brenda Chapman, Susan Daly, Wil A. Emerson, Tracy Falenwolfe, Kate Fellowes, Molly Wills Fraser, Gina X. Grant, Karen Grose, Wendy Harrison, Julie Hastrup, Larry M. Keeton, Charlie Kondek, Edward Lodi, Bethany Maines, Gregory Meece, Cate Moyle, Judy Penz Sheluk, KM Rockwood, Kevin R. Tipple, and Robert Weibezahl.Robert Weibezahl.A playwright, novelist, occasional poet, and book critic.His play, And Lightning Struck: Mary Shelley and the Curse of Creation, was commissioned by Lit Live and presented at the Simi Valley Cultural Arts Center in California in 2017; his short play, “Mission,” debuted as part of the TENx10 Festival at the Bendigo Theatre Company in Australia in 2018; and he had full-length plays selected for staged readings in both 2018 (Which Way the Wind Blows) and 2019 (Hold On) as part of the Palisades Playwrights Festival in Los Angeles. Most recently, Which Way the Wind Blows was a finalist for the Dayton Playhouse's FutureFest 2019.Weibezahl has published two novels, The Wicked and the Dead and The Dead Don't Forget, and two non-fiction books, A Taste of Murder and A Second Helping of Murder (for which he is a two-time Agatha Award finalist and two-time Macavity Award finalist). His poems have appeared in LI Quarterly, The Caterpillar (Ireland), Tipton Poetry Journal, The Fifty-Two, Enjambed, and Brushfire, and his short stories in Futures Mysterious Anthology Magazine, CrimeSpree, Mouth Full of Bullets, Beat to a Pulp, and the anthology, Deadly by the Dozen. He was a finalist for the Short Mystery Fiction Society's 2010 Derringer Award for “Identity Theft.”Since 2002, he has written the monthly review column “Well Read” for BookPage. His reviews and cultural reporting have appeared in the Los Angeles Daily News, Los Angeles Reader, Ventura County Star, Mystery Readers Journal, Bikini, Irish America, and many other national and regional publications.Weibezahl was the Co-Founder and former Co-Producing Artistic Director of the Thousand Oaks, CA-based Panic! Productions, for which he produced, directed, and/or acted in more than a dozen shows and wrote the scripts for three musical revues, Too Old, Too White, Too Male; The Panic! Holiday Radio Hour; and Coming Distractions. He has also worked as a play reader and associate producer for the Odyssey Theatre Ensemble in Los Angeles and various production capacities on feature films and television movies.Robert Weibezahl lives in southern California and is a member of the Dramatists Guild.About – Robert Weibezahl (wordpress.com)Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

In New York for the annual New York New Belfast Conference, Máirtín Ó Muilleoir swung by the Irish Stew Global Headquarters for a transatlantic conversation with co-host John Lee.In this episode, the Belfast Media Group and Irish Echo publisher tells of growing up during The Troubles, watching gun battles on his Belfast street, his move into politics, the less-than-warm reception he got as a Sinn Féin Belfast City Councillor, the superpower he discovered during his eventful year as the Lord Mayor of Belfast, and his tireless efforts to reach across divides, connect communities, and build bridges.“When I had to reach out to the other side--sometimes that was tough--but every time I did I was met halfway--not 50 percent of the time, not 70 percent--every time,“ he says. “Every initiative we did reaching out to the Protestant or Unionist people, they responded with generosity and grace.”He reflects on personal challenges, the conundrum he found waiting for him in the Lord Mayor's office, his fondest memory from his one-year term, the electricity in the air of the new Belfast, the ongoing need for social justice, the imperative to grow economic opportunity, the indispensable contributions of Irish America, and reason the Northern Ireland Hospice earned his “Seamus Plug,”And you'll hear the curious story behind the remarkable Robert Ballagh portrait of him that broke the mold in the “Dome of Delight.”LinksSocial MediaTwitter/XLinkedInFacebookBusiness InterestsBelfast Media GroupIrish EchoAisling EventsSeamus PlugNorthern Ireland Hospice

Professor Mary Burke destroys the myths and caricatures of Irish Americans as a monolithic cultural, racial, and political group. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. Her cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Episode 547.

As Ireland's oldest revolutionary movement and America's oldest transatlantic nationalist organization this is the first book covering the entire history of Clan na Gael. Formed in 1867 and existing up to the present Clan na Gael has been involved directly and indirectly in every violent revolutionary attempt for Irish independence and unification since its formation 155 years ago. Despite this long history it is the least studied and most underappreciated of Ireland's revolutionary movements. A large part of this is due to academic bias and major under appreciation as to the role of Irish America within the broader struggle for Irish independence. Clan na Gael's influence also went well beyond the borders of Ireland. Within the U.S Clan na Gael proved a major model of influence and inspiration for movements such as Zionism, Indian nationalists, African American nationalists and even the Suffragette movement among others. Seán Creagh's book The Wolfhounds of Irish-American Nationalism: A History of Clan Na Gael, 1867-Present (Peter Lang, 2023) attempts to give this long-neglected movement its proper place within the annals of Irish history as well as that of Anglo-American relations and transatlantic nationalism. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As Ireland's oldest revolutionary movement and America's oldest transatlantic nationalist organization this is the first book covering the entire history of Clan na Gael. Formed in 1867 and existing up to the present Clan na Gael has been involved directly and indirectly in every violent revolutionary attempt for Irish independence and unification since its formation 155 years ago. Despite this long history it is the least studied and most underappreciated of Ireland's revolutionary movements. A large part of this is due to academic bias and major under appreciation as to the role of Irish America within the broader struggle for Irish independence. Clan na Gael's influence also went well beyond the borders of Ireland. Within the U.S Clan na Gael proved a major model of influence and inspiration for movements such as Zionism, Indian nationalists, African American nationalists and even the Suffragette movement among others. Seán Creagh's book The Wolfhounds of Irish-American Nationalism: A History of Clan Na Gael, 1867-Present (Peter Lang, 2023) attempts to give this long-neglected movement its proper place within the annals of Irish history as well as that of Anglo-American relations and transatlantic nationalism. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As Ireland's oldest revolutionary movement and America's oldest transatlantic nationalist organization this is the first book covering the entire history of Clan na Gael. Formed in 1867 and existing up to the present Clan na Gael has been involved directly and indirectly in every violent revolutionary attempt for Irish independence and unification since its formation 155 years ago. Despite this long history it is the least studied and most underappreciated of Ireland's revolutionary movements. A large part of this is due to academic bias and major under appreciation as to the role of Irish America within the broader struggle for Irish independence. Clan na Gael's influence also went well beyond the borders of Ireland. Within the U.S Clan na Gael proved a major model of influence and inspiration for movements such as Zionism, Indian nationalists, African American nationalists and even the Suffragette movement among others. Seán Creagh's book The Wolfhounds of Irish-American Nationalism: A History of Clan Na Gael, 1867-Present (Peter Lang, 2023) attempts to give this long-neglected movement its proper place within the annals of Irish history as well as that of Anglo-American relations and transatlantic nationalism. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Ireland's oldest revolutionary movement and America's oldest transatlantic nationalist organization this is the first book covering the entire history of Clan na Gael. Formed in 1867 and existing up to the present Clan na Gael has been involved directly and indirectly in every violent revolutionary attempt for Irish independence and unification since its formation 155 years ago. Despite this long history it is the least studied and most underappreciated of Ireland's revolutionary movements. A large part of this is due to academic bias and major under appreciation as to the role of Irish America within the broader struggle for Irish independence. Clan na Gael's influence also went well beyond the borders of Ireland. Within the U.S Clan na Gael proved a major model of influence and inspiration for movements such as Zionism, Indian nationalists, African American nationalists and even the Suffragette movement among others. Seán Creagh's book The Wolfhounds of Irish-American Nationalism: A History of Clan Na Gael, 1867-Present (Peter Lang, 2023) attempts to give this long-neglected movement its proper place within the annals of Irish history as well as that of Anglo-American relations and transatlantic nationalism. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As Ireland's oldest revolutionary movement and America's oldest transatlantic nationalist organization this is the first book covering the entire history of Clan na Gael. Formed in 1867 and existing up to the present Clan na Gael has been involved directly and indirectly in every violent revolutionary attempt for Irish independence and unification since its formation 155 years ago. Despite this long history it is the least studied and most underappreciated of Ireland's revolutionary movements. A large part of this is due to academic bias and major under appreciation as to the role of Irish America within the broader struggle for Irish independence. Clan na Gael's influence also went well beyond the borders of Ireland. Within the U.S Clan na Gael proved a major model of influence and inspiration for movements such as Zionism, Indian nationalists, African American nationalists and even the Suffragette movement among others. Seán Creagh's book The Wolfhounds of Irish-American Nationalism: A History of Clan Na Gael, 1867-Present (Peter Lang, 2023) attempts to give this long-neglected movement its proper place within the annals of Irish history as well as that of Anglo-American relations and transatlantic nationalism. Aidan Beatty teaches in the history department at Carnegie Mellon University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaos: Charles Manson, The CIA And The Secret History Of The Sixties by Tom O'Neill (Part 2) - Audioboy https://tom-oneill.org/ Tom O'Neill is a writer and editor who has written for daily newspapers (Philadelphia Inquirer, New York Daily News) as well as national magazines and news weeklies (Village Voice, New York, Premiere, Details, Out, Philadelphia, Irish-America, Live, Detour). As a contributing editor at Us magazine (1991-1999) he wrote cover stories on some of the entertainment industry's biggest stars (Tom Cruise, Harrison Ford, Richard Gere) while reporting from the sets of hit television shows (Saturday Night Live, Fraiser, Northern Exposure). His first investigative story for Us, about the cut-throat battles waged by daytime talk-show producers for their guests (“Welcome to the Jungle”), spawned the magazine's popular investigative series, “The Us Report.” A subsequent story for the series by O'Neill, about the stalking and murder of actress Rebecca Schaeffer by a deranged fan (“Dangerous Minds”), was, in turn, used as the prototype for what would become the now-iconic E! Channel documentary series, E! True Hollywood Story. O'Neill's investigation into the unsolved slaying of a Hollywood starlet for Details magazine (“The Life and Death of Miss Hollywood”) was also adapted into a True Hollywood Story by the E! Channel and his expose of sexism at Saturday Night Live (“The Incredible Shrinking Woman of Saturday Night Live“) won an Exceptional Merit Media Award from the National Women's Political Caucus and Radcliffe College in 1995. Since 1999, O'Neill has been researching a book about one of the most sensational crimes of the last century, the murder of actress Sharon Tate and others by the Manson Family. O'Neill graduated with a Bachelor in Fine Arts from New York University's Tisch School of the Arts. He currently resides in Venice, CA. https://tom-oneill.org/about/ Audio taken from: https://odysee.com/@audioboy:7/chaos-charles-manson-2:3

Chaos: Charles Manson, The CIA And The Secret History Of The Sixties by Tom O'Neill (Part 1) - Audioboy https://tom-oneill.org/ Tom O'Neill is a writer and editor who has written for daily newspapers (Philadelphia Inquirer, New York Daily News) as well as national magazines and news weeklies (Village Voice, New York, Premiere, Details, Out, Philadelphia, Irish-America, Live, Detour). As a contributing editor at Us magazine (1991-1999) he wrote cover stories on some of the entertainment industry's biggest stars (Tom Cruise, Harrison Ford, Richard Gere) while reporting from the sets of hit television shows (Saturday Night Live, Fraiser, Northern Exposure). His first investigative story for Us, about the cut-throat battles waged by daytime talk-show producers for their guests (“Welcome to the Jungle”), spawned the magazine's popular investigative series, “The Us Report.” A subsequent story for the series by O'Neill, about the stalking and murder of actress Rebecca Schaeffer by a deranged fan (“Dangerous Minds”), was, in turn, used as the prototype for what would become the now-iconic E! Channel documentary series, E! True Hollywood Story. O'Neill's investigation into the unsolved slaying of a Hollywood starlet for Details magazine (“The Life and Death of Miss Hollywood”) was also adapted into a True Hollywood Story by the E! Channel and his expose of sexism at Saturday Night Live (“The Incredible Shrinking Woman of Saturday Night Live“) won an Exceptional Merit Media Award from the National Women's Political Caucus and Radcliffe College in 1995. Since 1999, O'Neill has been researching a book about one of the most sensational crimes of the last century, the murder of actress Sharon Tate and others by the Manson Family. O'Neill graduated with a Bachelor in Fine Arts from New York University's Tisch School of the Arts. He currently resides in Venice, CA. https://tom-oneill.org/about/ Audio taken from: https://odysee.com/@audioboy:7/chaos-charles-manson:b

I am writing my notes for this week's podcast in New York. Richard and I were there last weekend working on my remarks for Monday night when President Bill Clinton and I will share reflections on the Good Friday Agreement negotiations and developments since then. I will return to this in next week's column. President Clinton played a critical role in the build-up to the Agreement, encouraged and supported by Irish America. He was at the end of the phone as agreement was reached and has been an enabler of our process ever since. So too has Hilary Clinton. Lucilita Bhreatnach: GFA25Gerry and Martin appeared, documents were handed out, which we all read. No time then for much sleep for we had to get ready for the plenary session chaired by George Mitchell. I had met him in the hall and he shook my hand saying "You did very well." (Meaning all of us, I am sure.)When formalities were over one of the loyalists told me he had studied Irish and got a Fáinne while in jail.Twenty-five years later, the Good Friday Agreement has yet to be fully implemented along with other agreements. I look forward to a New Ireland that is multicultural, pluralist and non-sectarian, based on equality with full inclusion of the unionist and other communities in Ireland.Wear an Easter lilyIt is a time when tens of thousands of people across the island, and internationally, will attend Easter commemorations to mark the anniversary of the Easter Rising and the Proclamation of the Republic. The symbol of our enduring commitment to those ideals is the Easter lily. 

Celebrating St. Patrick and the GFAThis week Uachtarán Shinn Féin Mary Lou McDonald and Leas Uachtarán Michelle O'Neill will be in the USA for the St. Patrick's Day events. St. Patrick's Day or week is regular part of the annual calendar for the Irish diaspora everywhere but especially in the USA.Mary Lou and Michelle and Conor Murphy will engage in an extensive round of diplomatic talks with senior political leaders on Capitol Hill. They will brief them on the current situation and attend events with business leaders to promote investment. They will also meet with representatives of Irish America without whom none of this would be possible.Surrender. 40 Songs. One Story.I have just finished reading Bono's book, Surrender. It is a good read and the U2 singer is a very good writer. He knows how to tell a story. But perhaps we should not be surprised at this. Bono has penned a long string of very good songs.This is an impressive  book. Made up of forty short stories. Each based on a U2 song. But it works well also as unit, as a narrative. I like autobiographies. If they are written well. And this one is. It is particularly insightful about the origins of U2, Bono's relationships with the other band members and with Paul McGuinness their former manager. So too about the influence of other lifelong friends. And his youthful religious experiences.This island will be as one by Gerry KellyAs part of my reflection on the Good Friday Agreement I have asked comrades who were part of that process to write about their memories. Last week it was Bairbre de Brún. This week it is Gerry Kelly:I was released from prison in 1989, after serving a total of 16 years in various jails and jurisdictions. I joined Sinn Fein on release and was, soon after, part of the discussions that were going on at that time in pursuit of a peaceful way forward. An intermittent line of communication between Sinn Fein and the British government had existed over many years and had become active again.

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race. Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race. Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

On this Episode I speak to one of Irish America's greatest and most respected writers; Peter Quinn. Peter is a Novelist, Political Historian, and Foremost Chronicler of New York City. Peter was hired in 1979 by  Governor Hugh Carey as his chief speechwriter. He continued in that role under Governor Mario Cuomo, helping craft the Governor's 1984 Democratic Convention speech and his address on religion and politics at Notre Dame University. Peter was also chief speechwriter for Time, as well as editorial director for Time Warner, and found an avocation in writing about his Irish heritage. In his first novel, Banished Children of Eve, he explores the after-effects of the vast Irish immigration into New York City following the famine of 1847. Banished Children of Eve won an American Book Award.Looking for Jimmy: In Search of Irish America, a collection of non-fiction pieces, was published in 2007. Colum McCann has summed up Quinn's trilogy of historical detective novels -- Hour of the Cat(2005), The Man Who Never Returned (2010), and Dry Bones (2013) –have been described  as "generous and agile and profound." Quinn co-wrote the script for the 1987 television documentary "McSorley's New York," which was awarded a New York-area Emmy for "Outstanding Historical Programming." He has participated as a guest commentator in several PBS documentaries, including The Irish in America; New York: A Documentary Film; The Life and Times of Stephen Foster, as well as the Academy Award-nominated film, The Passion of Sister Rose. He was also an advisor on Martin Scorsese's film Gangs of New York.Peter's knowledge of Irish America is unparalleled and his recent memoir “Cross Bronx” is a one-of-a-kind account of his adventures as ad man, archivist, teacher, Wall Street messenger, court officer, political speechwriter, corporate scribe, and award-winning novelist. Quinn is a New Yorker through and through and it was a great honor to have him as a guest on the Podcast.  www.newyorkpaddy.com

This is the title of the new book by Killarney man Pat O’Sullivan Greene which examines the role Irish America played in funding our independence.

Our Story This trio of stories about holy wells, faith, and illness traces the evolution–or perhaps the devolution–of folk belief and the power ascribed to sacred waters and places. Our guest Elizabeth Stack begins with two stories from Tipperary: a teenaged boy cured at St. Patrick's Well in Clonmel and a weeping statue of Mother Mary in Templemore during the Irish War of Independence. Elizabeth closes with a story of her grandmother's family, when a young child died of a mysterious illness in Limerick in 1920.  Our Guest Elizabeth Stack is the Executive Director of the Irish American Heritage Museum in Albany, NY. Previously, she taught Irish and Irish American History and was an Associate Director of the Institute of Irish Studies at Fordham. She completed her PhD at Fordham, writing about Irish and German immigrants in New York at the turn of the twentieth century. She has a master's degree in Anglo-Irish Relations in the 20th Century from University College Dublin. A native of Listowel, in Co. Kerry, Elizabeth sees a clear connection between her own experience as an immigrant - she moved to the US in 2009 - and with the important mission of the museum to preserve and share Irish heritage and culture.  Find the Museum at http://www.irish-us.org (www.irish-us.org) on https://www.facebook.com/IrishAmericaMus (Facebook) and on https://twitter.com/IrishAmericaMus (Twitte)r. Subscribe to their https://www.youtube.com/channel/UC-PPDoD7UXoHbNJfzBjlSkA (YouTube channel) Our Conversation During the centuries of Penal Laws, Irish Catholicism was a strange blend of paganism and what could be remembered from the Latin church. The Devotional Revolution of the mid-nineteenth century crystalized the version of Irish Catholicism we've known in recent history. This was further with Ireland's first president, Éamon de Valera and his insular vision of Ireland.  The way pilgrims flocked to Templemore in the midst of a war when the town was full of IRA and Black and Tan forces. Michael Collins's role in the investigation of the Marian apparitions. The 1920s, when Elizabeth's grandmother was a child, was a time of restriction when dances at the crossroads were banned and women feared being sent to the Magdalene Laundries. Her stories of growing up contained “a kind of darkness.” She despised and denied Frank McCourt's description of Limerick in Angela's Ashes, but perhaps because it was too close to home. Now, Ireland is more progressive than Irish America. In Ireland, where mass attendance is down and there are few priests, and same sex marriage was accepted by a national vote, you'll find a more welcoming, less structured version of the church. It's a conscious return to the original Celtic Christianity.  Ireland didn't have a witch burning phenomenon because herbal medicine and other forms of “women's healing” were commonplace rather than strange and suspect.  The clash and blend of the matriarchal society and patriarchal government and church. In the tradition of the warrior goddesses who trained Cú Chullain, Scathach and Aoife, women were deeply involved in the 1916 rebellion, but they were excluded from public life in the Irish Republic. The evolution of the Irish American Heritage Museum and its mission of creating empathy for all people enduring hunger, exclusion, and exile. It is not intended to be a shrine to a misremembered past. Our Music Music at the start of the show is by Beth Sweeney and Billy Hardy, a Celtic Fiddle and multi-instrumental duo based on Cape Cod, Massachusetts. The traditional Irish reel we play at the start of the show is called "The College Groves." https://www.knotworkstorytelling.com/episode/billyandbeth.com (billyandbeth.com) Work with MarisaMarisa offers 1:1 coaching for Personal and Professional growth with her https://www.marisagoudy.com/healing-for-heroines (Healing for Heroines) packages. She also...

*Corrected file* Noraid has been portrayed on screen many times, usually in the background of stories about terrorism and gunrunning. While TV shows and movies like Columbo, Patriot Games and The Devil's Own aren’t exactly high art, they do reveal how the class politics of Irish America were understood (and misrepresented) by Hollywood. In this […]

Noraid has been portrayed on screen many times, usually in the background of stories about terrorism and gunrunning. While TV shows and movies like Columbo, Patriot Games and The Devil's Own aren’t exactly high art, they do reveal how the class politics of Irish America were understood (and misrepresented) by Hollywood. In this bonus episode, […]

*Corrected file* Noraid has been portrayed on screen many times, usually in the background of stories about terrorism and gunrunning. While TV shows and movies like Columbo, Patriot Games and The Devil's Own aren't exactly high art, they do reveal how the class politics of Irish America were understood (and misrepresented) by Hollywood. In this […]

Comedian "Irish Dave" joins Gary Scott Thomas this week to share hilarious stories about being an Irish comedian in America like how he accidentally put some tourists on top of a Tiger Shark.Also in this episode:Why he thinks it's weird that Americans introduce themselves with what they doHow Ireland differs from AmericaHow America still uses a term that's technically a racial slurGoing for the laugh no matter whatHow he got into comedyHis thoughts on English peopleHis strong stance on peanut butter and America's obsession with itWhy there are no Irish restaurants How he and his buddies tricked their neighbor into calling the police on himselfWaking up wrapped up in an Italian flagWorking on a whale-watching boatAbout David:David is the author of the best-selling book Do You Talk Funny? and the Founder of FunnyBizz Conference. His work has been featured in Inc., Lifehacker, The Huffington Post, Fast Company, Entrepreneur, Forbes, NPR, The Wall Street Journal, The Irish Independent, TV3, Newstalk, TED, and The Irish Times.“One of the best speaking coaches out there” according to Forbes.com, David's program with over 34,000 students has been featured by Prezi as one of the best training courses for presenters. His book remains one of the highest-rated in the world on the (usually not so wildly exciting) topic of public speaking and his content has been read by over one million people.A sought-after international business speaker, David also performs standup comedy and was the winner of the prestigious 43rd annual San Francisco International Comedy Competition. As a storyteller, he finished runner up in NPR's the Moth's largest US storytelling competition. As a lecturer, he has taught at Stanford Graduate Business School, UC Berkeley, University of Oxford, and University College Dublin. (Told you this was random). A graduate of the UCD Michael Smurfit Graduate Business School he calls San Francisco home when immigration officials permit. David was named on the Irish America 100 List, which recognizes the accomplishments of the best and the brightest Irish-American and Irish-born leaders, and the Top 30 Global Guru's List for communications professionals.A big fan of travel and languages David has lived and worked in 12 countries and visited 74 and counting.https://davidnihill.com/

Mary Brophy travels to the heartland of Irish-America to tell the story of one of our most iconic ballads Danny Boy in one city, and attempt to uncover how it rose to such heights. (First broadcast 4th July 2014)

 Steve Yusko our host interviews Andy Clooney, a native Long Islander who is an ambassador of Irish American music for the United States and abroad. Steve gets to know his guest's roots and inspiration.  Andy Cooney has nine Carnegie Hall sellouts under his belt and filled The David Geffen Hall at Lincoln Center with The New York Tenors. His outstanding voice and dynamic stage presence have long been a favorite among young and old alike. His talent and versatility provide the ability to deliver a song directly to the hearts of his audience; Andy is surely one of the greatest singing sensations on the Irish Music scene today. Christened Irish America's Favorite Son by The New York Times, it is a title he richly deserves. Andy Cooney is one of The New York Tenors, along with New York Italian Tenor Christopher Macchio & New York Puerto Rican Tenor Daniel Rodriquez, a trio that has been receiving high critical acclaim for several years. Andy has recorded 19 albums to date, including Bright Brand-New Day with Phil Coulter and his Orchestra. Andy and Phil frequently tour together and in March 2017, completed a three-week tour of the US. Cooney's latest CD, Irish Country Skyline, was released in the summer of 2016 as a journey back to his Country music roots. This release has been getting huge airplay all over Ireland and the UK with his hit singles On the Eighth Day and My Rose of Ballinrobe, both his own compositions.  2020 turned out to be an unusual year where  Coronavirus shut down the music industry.  In 2020, Andy managed to release 4 new singles during the pandemic, “Take Me Back To Dublin”, “We're All In This Together” with his son Ryan, “Come Tennessee Me Tonight” with Country Music legend Larry Gatlin and his latest single release in November 2020, “The Waltz of the Angels”.    Andy Cooney is also known for his Cruise of Irish Stars which annually draws over 1,000 Irish and Irish Americans on a Caribbean Cruise enriched with the finest Irish entertainment including the great Ronan Tynan.Cooney is a musician, songwriter, vocalist, and complete entertainer. With his Irish charm and good looks, Andy is a true professional who brings the best of Irish entertainment on every tour. Andy Cooney maintains a mailing list of over 48,000 fans & maintains an extremely busy website with countless daily hits. Andy and his band receive the highest reviews wherever they perform; whether playing before a packed theater or at a family gathering, his feelings are the same: I still feel as though I'm singing for my family… the room is just a little bigger.Connect with The Long Island Sound Podcast:Website: Https://GigDestiny.com/podcast Follow Steve Yusko, GigDestiny.com, and his adventures:  Website: https://www.GigDestiny.com  The growth of The Long Island Sound Podcast has been exponential. Help us grow the show!Subscribe to the GigDestiny.com Site here for bonus contentSubscribe to our YouTube ChannelCall the Listener Line & leave your comments: (631) 800-3579 Remember to Rate & Review the show! Help us keep the conversation going with your donation - Click Right Here or go to GigDestiny.com Buzzsprout - Let's get your podcast launched! Start for FREE

Why does Joe Biden often refer to his mother's Irish ancestry but not his father's English roots? Why does being "Irish" in America have such cachet? In this episode, Adam talks to Professors Kevin Kenny of New York University and David Gleeson from Northumbria University to explore the complex history of Irishness in American culture. From the "wild Irish" of the southern backcountry, through to the political fixers of Tammany Hall and the challenges that John F. Kennedy's (Irish) Catholicism caused him, Adam and his guests talk about how a community that was once so reviled came to embody key aspects of what it means to be an American. 

Many of us would agree that a more diverse organization creates a more thriving organization. And research has proven that more diverse leadership teams and employee groups are more innovative and creative, perform better and also make better decisions. The questions become, how do you create a more diverse team? How do you catapult diversity within your own organization? In our conversation today with Sheila Murphy, we will answer these questions and talk about Sheila's 5 Pillars of a More Diverse Environment. We also discuss the structural and emotional intelligence barriers to achieving a more diverse, thriving organization, as well as the benefits that companies can reap when they have more diverse leadership.   Key Takeaways:Businesses that have diverse teams outperform and are more creative than homogeneous teams.When people are not progressing the same, it is often because they aren't getting the same information or types of assignments. Having a sponsor can make a tremendous difference in an individual's career.  "You can't be a good manager or leader unless you understand that people are different and they need different things." —  Sheila Murphy About Sheila Murphy:Sheila MurphyCEO and President, Focus Forward ConsultingAfter 20 years of successfully litigating and developing and coaching talent in corporate America and law firms, Sheila is pursuing her passion for helping others reach their full potential. Leading with passion and purpose, Sheila is CEO and President of Focus Forward Consulting LLC and Chief Learning & Talent Officer of WOMN LLC, which are focused on having lawyers, leaders and legal organizations achieve their career and business goals. Sheila also continues to support the financial industry in her role as an expert and consultant at Bates Group.In 2018, Sheila retired as Senior Vice President and Associate General Counsel at MetLife where she provided litigation, regulatory, and risk mitigation advice. As a well-respected thought leader, Sheila served as an executive sponsor to MetLife's U.S. Women's Business Network, co-chaired the Legal Affair's Academy providing developmental opportunities to legal and compliance professionals worldwide, and served as a member of its U.S. Task Force on diversity. Prior to joining MetLife, Sheila was at the law firm of Thacher Proffitt & Wood.Sheila is a member of the Board of Directors of National Association of Women Lawyers (NAWL). Sheila serves on the advisory board of Transforming Women's Leadership in Law and co-chairs the CARE's Women's Network of New York, which works on eradicating poverty through empowering women and girls. Previously, she was a member of the Board for Read Alliance and PowerPlay, NYC. Sheila received from Corporate Counsel and Inhouse Counsel the Women, Influence, Power in Law, Lifetime Achievement Award for her commitment to advancing and empowering women in the legal profession. Women's Venture Fund awarded Sheila the highest Leaf Award in recognition of her commitment to helping others advance in their careers. She was named a Most Influential Irish Woman by the Irish Voice, a Leading Women Lawyer in NYC by Crain's New York, a Business 100 honoree by Irish America, and one of 250 Inspiring Women Entrepreneurs by Databird Journal. Sheila also has received the Benchmark Litigation In-house Award at the Americas Women in Business Awards, the Virginia S. Mueller Outstanding Member Award from NAWL, and a First Chair award for hard work, innovation, and significant contributions to the legal community.Sheila is a graduate of the University of Pennsylvania Law School, where she served on the Comparative Labor Law Journal and the School of Management at the State University of New York at Binghamton where she graduated magna cum laude. Sheila earned her Associate Certified Coach and Certified Professional Co-Active Coach from the International Coaching Federation and the Co-Active Leadership Institute, respectively. Sheila is a frequent speaker on litigation and regulatory issues, talent, and business development, leadership, and diversity. Connect with Sheila:  Website: focus-forward-consulting.comTwitter: twitter.com/SheilaMurphy_LinkedIn: linkedin.com/in/sheilamurphy333/Facebook: facebook.com/sheila.murphy.524 Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

Many of us would agree that a more diverse organization creates a more thriving organization. And research has proven that more diverse leadership teams and employee groups are more innovative and creative, perform better and also make better decisions. The questions become, how do you create a more diverse team? How do you catapult diversity within your own organization? In our conversation today with Sheila Murphy, we will answer these questions and talk about Sheila's 5 Pillars of a More Diverse Environment. We also discuss the structural and emotional intelligence barriers to achieving a more diverse, thriving organization, as well as the benefits that companies can reap when they have more diverse leadership.   Key Takeaways:Businesses that have diverse teams outperform and are more creative than homogeneous teams.When people are not progressing the same, it is often because they aren't getting the same information or types of assignments. Having a sponsor can make a tremendous difference in an individual's career.  "You can't be a good manager or leader unless you understand that people are different and they need different things." —  Sheila Murphy About Sheila Murphy:Sheila MurphyCEO and President, Focus Forward ConsultingAfter 20 years of successfully litigating and developing and coaching talent in corporate America and law firms, Sheila is pursuing her passion for helping others reach their full potential. Leading with passion and purpose, Sheila is CEO and President of Focus Forward Consulting LLC and Chief Learning & Talent Officer of WOMN LLC, which are focused on having lawyers, leaders and legal organizations achieve their career and business goals. Sheila also continues to support the financial industry in her role as an expert and consultant at Bates Group.In 2018, Sheila retired as Senior Vice President and Associate General Counsel at MetLife where she provided litigation, regulatory, and risk mitigation advice. As a well-respected thought leader, Sheila served as an executive sponsor to MetLife's U.S. Women's Business Network, co-chaired the Legal Affair's Academy providing developmental opportunities to legal and compliance professionals worldwide, and served as a member of its U.S. Task Force on diversity. Prior to joining MetLife, Sheila was at the law firm of Thacher Proffitt & Wood.Sheila is a member of the Board of Directors of National Association of Women Lawyers (NAWL). Sheila serves on the advisory board of Transforming Women's Leadership in Law and co-chairs the CARE's Women's Network of New York, which works on eradicating poverty through empowering women and girls. Previously, she was a member of the Board for Read Alliance and PowerPlay, NYC. Sheila received from Corporate Counsel and Inhouse Counsel the Women, Influence, Power in Law, Lifetime Achievement Award for her commitment to advancing and empowering women in the legal profession. Women's Venture Fund awarded Sheila the highest Leaf Award in recognition of her commitment to helping others advance in their careers. She was named a Most Influential Irish Woman by the Irish Voice, a Leading Women Lawyer in NYC by Crain's New York, a Business 100 honoree by Irish America, and one of 250 Inspiring Women Entrepreneurs by Databird Journal. Sheila also has received the Benchmark Litigation In-house Award at the Americas Women in Business Awards, the Virginia S. Mueller Outstanding Member Award from NAWL, and a First Chair award for hard work, innovation, and significant contributions to the legal community.Sheila is a graduate of the University of Pennsylvania Law School, where she served on the Comparative Labor Law Journal and the School of Management at the State University of New York at Binghamton where she graduated magna cum laude. Sheila earned her Associate Certified Coach and Certified Professional Co-Active Coach from the International Coaching Federation and the Co-Active Leadership Institute, respectively. Sheila is a frequent speaker on litigation and regulatory issues, talent, and business development, leadership, and diversity. Connect with Sheila:  Website: focus-forward-consulting.comTwitter: twitter.com/SheilaMurphy_LinkedIn: linkedin.com/in/sheilamurphy333/Facebook: facebook.com/sheila.murphy.524 Don't forget to download your free guide! Discover The 5 Business Benefits of Empathy: http://red-slice.com/business-benefits-empathy Connect with Maria: Get the podcast and book: TheEmpathyEdge.comLearn more about Maria's brand strategy work and books: Red-Slice.comHire Maria to speak at your next event: Red-Slice.com/Speaker-Maria-RossLinkedIn: Maria RossInstagram: @redslicemariaTwitter: @redsliceFacebook: Red Slice

This week we're diving even deeper into the world of everything St. Patrick's Day with the most Irish person we know (and one of our oldest friends), Margaret Moore! She'll explain what it means to her to be Irish and how to respectfully celebrate everyone's favorite day to drink (hint: it doesn't involve a Kiss Me I'm Irish t-shirt or shamrock sunglasses). We suggest you put on your Irish sweater, listen to some bagpipes, and truly get to know the reason for the season. And grab a Guinness while you're at it.Some articles to learn about Irish culture:PRAOH.org - The Forgotten Saint PatrickPRAOH.org - The Penal LawsTheIrishStory.com - The Easter Rising of 1916PRAOH.org - The First Bloody Sunday: Jim Larkin and the Dublin Lockout 1913Lohud.com - This St. Patrick's Day honors 'heroes of 1916'NYTimes.com - CITY LORE; For the Irish, Dancing Days Are Here AgainYouTube.com - Mary Holt Moore "I Am of Irish America"AOH.com - Wren Night

This week I speak to Journalist, author, publisher and peace negotiator Niall O Dowd. Niall has been a leading and powerful voice for Irish America over the last four decades and has created several media publications including the Irish Voice Newspaper in New York City and IrishCentral.com - the largest Irish digital media site in North America. Niall played a crucial role in the Northern Ireland peace process during the 1990s in which he served as an intermediary between SinnFéin and the White House. He has also been a staunch advocate for the undocumented Irish in America. Niall speaks to me about his career and looks ahead to what a Biden presidency means for Irish America and Ireland going forward. #irishinamerica #irishamerica #thelonghallpodcast #podcast #irishinnyc #irishinnewyork Hosted on Acast. See acast.com/privacy for more information.

While de Valera had plans to remain on in the United States into 1921, his stay came to an end in December. By then he had moved against the Friends of Irish Freedom and created a new organisation, though he had left before it grew to over 700,000 members. He would leave as quietly has he had arrived, but he and the Irish Delegation had done much to promote Ireland's cause, as well as doing much to unbalance Irish-America. References: David McCullagh - “De Valera: Rise” Dave Hannigan - “De Valera in America” Eileen McGough - “Diarmuid Lynch: A Forgotten Irish Patriot” David Fitzpatrick - “Harry Boland's Irish Revolution” Social Media: Twitter: https://twitter.com/theirishnation Facebook: https://www.facebook.com/TheIrishNati... Instagram: https://www.instagram.com/theirishnat... Soundcloud: https://soundcloud.com/theirishnation... iTunes: https://itunes.apple.com/ie/podcast/t... Twitch: https://www.twitch.tv/maniacalinc Main Sources: Military Archives - http://www.bureauofmilitaryhistory.ie Century Ireland - https://www.rte.ie/centuryireland Diarmuid Lynch, Irish Revolutionary - http://diarmuidlynch.weebly.com/ Atlas of the Irish Revolution Maurice Walsh - “Bitter Freedom” Charles Townshend - "The Republic" Michael Hopkinson - ”The Irish War of Independence” Diarmuid Ferriter - “A Nation and not a Rabble” Richard Abbot - “Police Casualties in Ireland 1919 - 1922” Photos: Military Archives NLI Flickr account Wiki Commons

After 20 years of successfully litigating and developing and coaching talent in corporate America and law firms, Sheila Murphy is pursuing her passion for helping others reach their full potential. Leading with passion and purpose, Sheila is CEO and President of Focus Forward LLC and Chief Learning & Talent Officer of WOMN LLC, which are focused on having individuals and businesses achieve their career and business goals. Sheila also continues to support the financial industry in her role as an expert and consultant at Bates Group.  In 2018, Sheila retired as Senior Vice President and Associate General Counsel at MetLife where she provided litigation, regulatory and risk mitigation advice. As a well-respected thought leader, Sheila served as an executive sponsor to MetLife's U.S. Women's Business Network, co-chaired the Legal Affair's Academy providing developmental opportunities to legal and compliance professionals worldwide and served as a member of its U.S. Task Force on diversity.  Prior to joining MetLife, Sheila was at the law firm of Thacher Proffitt & Wood.  Sheila is a member of the Boards of Directors of National Association of Women Lawyers (NAWL) and PowerPlay, NYC, an organization that engages and educates underserved girls with a focus on sports. Sheila serves on the advisory board of Transforming Women's Leadership in Law and co-chairs the CARE's Women's Network of New York, which works on eradicating poverty through empowering women and girls. Previously, she was a member of the Board for Read Alliance. Corporate Counsel and Inside Counsel recognized Sheila for her commitment to advancing the empowerment of women in law with their Women, Influence, Power in Law Life Time Achievement Award for Inhouse Counsel. Women's Venture Fund awarded her the highest Leaf Award in recognition of her commitment to helping others advance in their careers. Sheila was named a Most Influential Irish Woman by the Irish Voice, a Leading Women Lawyer in NYC by Crain's New York, and a Business 100 honoree by Irish America. She also has received the Benchmark Litigation In-house Award at the Americas Women in Business Awards, the Virginia S. Mueller Outstanding Member Award from NAWL and a First Chair award for hard work, innovation and significant contributions to the legal community.  Sheila is a graduate of the University of Pennsylvania Law School, where she served on the Comparative Labor Law Journal and the School of Management at the State University of New York at Binghamton where she graduated magna cum laude. Sheila is a frequent speaker on litigation and regulatory issues, talent, and business development, leadership and diversity.  https://focus-forward-consulting.com/  

Acclaimed biographer John Loughery tells the story of John Hughes, son of Ireland, friend of William Seward and James Buchanan, founder of St. John's College (now Fordham University), builder of Saint Patrick's Cathedral on Fifth Avenue, pioneer of parochial-school education, and American diplomat. As archbishop of the Archdiocese of New York in the 1840 and 1850s and the most famous Roman Catholic in America, Hughes defended Catholic institutions in a time of nativist bigotry and church burnings and worked tirelessly to help Irish Catholic immigrants find acceptance in their new homeland. His galvanizing and protecting work and pugnacious style earned him the epithet Dagger John. When the interests of his church and ethnic community were at stake, Hughes acted with purpose and clarity.In Dagger John, Loughery reveals Hughes's life as it unfolded amid turbulent times for the religious and ethnic minority he represented. Hughes the public figure comes to the fore, illuminated by Loughery's retelling of his interactions with, and responses to, every major figure of his era, including his critics (Walt Whitman, James Gordon Bennett, and Horace Greeley) and his admirers (Henry Clay, Stephen Douglas, and Abraham Lincoln). Loughery peels back the layers of the public life of this complicated man, showing how he reveled in the controversies he provoked and believed he had lived to see many of his goals achieved until his dreams came crashing down during the Draft Riots of 1863 when violence set Manhattan ablaze.To know "Dagger" John Hughes is to understand the United States during a painful period of growth as the nation headed toward civil war. Dagger John's successes and failures, his public relationships and private trials, and his legacy in the Irish Catholic community and beyond provide context and layers of detail for the larger history of a modern culture unfolding in his wake.John Loughery is the author of, Alias S. S. Van Dine, John Sloan: Painter and Rebel, The Other Side of Silence: Men's Lives and Gay Identities, a Twentieth Century History, the last two of which were New York Times Notable Books. His biography of John Sloan was a finalist for the Pulitzer Prize in Biography. His most recent book is Dagger John: Archbishop John Hughes and the Making of Irish America.