Podcast appearances and mentions of henry iv parts

Damien Ryan is managing director and artistic director of Sport for Jove Theatre Company, now in its twelfth year, where he has directed more than 30 productions, written and developed three new works and adapted over a dozen plays.  The company has a comprehensive education program developed by Damien, and works with tens of thousands of Australian students annually at secondary and tertiary levels. Damien has worked extensively with Shakespeare, performing in or directing over 70 productions in Australia and overseas, and has worked as actor, director and writer across Australia's major companies including STC, MTC, Bell Shakespeare, Belvoir, Sydney Festival, Canberra Theatre Centre, Brisbane Festival and Queensland Theatre, and in the independent sector in Sydney.  Recent directing credits include, Venus & Adonis (a feature film), Romeo & Juliet, The Crucible, The Father, Hamlet, Henry V, Henry IV Parts 1&2, Romeo & Juliet, Rose Riot, Merchant of Venice, Antigone, Antony and Cleopatra, The River at the End of the Road, Cyrano de Bergerac, No End of Blame, Othello, The Tempest, Romeo & Juliet, Away, The Taming of the Shrew, Macbeth, Loves Labour's Lost, The Importance of Being Earnest, The Crucible, A Midsummer Night's Dream, All's Well That Ends Well, Twelfth Night, The Libertine, Look Back in Anger. Acting credits include Venus & Adonis, Othello, Romeo & Juliet, Life of Galileo, Twelfth Night, Nora; As You Like It, Antony and Cleopatra, Richard 3, Comedy of Errors, Hamlet; Crime and Punishment, Under Milk Wood; Mother Courage, Isolde and Tristan, Hamlet and King Lear.  Damien has two award-winning play adaptations (Antigone and Cyrano de Bergerac) published with Currency Press. From May 1st to June 1st, Sport for Jove's production of ISOLDE and TRISTAN plays the Old Fitz theatre in Sydney - and it is directed by today's featured guest - Damien Ryan. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

In this episode, we finish up reading Mansfield Park, with Chapters 46 to 48. We talk about contrasts within the book, the attitude to Maria and Henry, Edmund and Fanny's views of Mary, Sir Thomas's reflections in the final chapter, the wrapping up of the other characters and how we are told about Edmund falling in love with Fanny.We discuss Fanny Price, then Ellen talks about principle and education, and Harriet looks at how adaptations and modernisations treat these chapters. Things we mention: General and character discussion:Margaret Drabble,  “Introduction”,  Mansfield Park (1996 – Signet Classics edition)Anthony Powell, Casanova's Chinese Restaurant [volume 5 of A Dance to the Music of Time] (1960)William Shakespeare, Henry IV Parts 1 and 2Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Tony Tanner, various works including “Introduction”, Mansfield Park (1966 – Penguin Books edition)Marvin Mudrick, Jane Austen; irony as defense and discovery (1952)Mary Brunton, Self-Control (1810)Linda V Troost and Sayre N Greenfield, “A History of the Fanny Wars”, Persuasions 36 (1), 2014, pp. 15–33.D W Harding, ‘Regulated Hatred: An aspect of the work of Jane Austen', Scrutiny, 8 (4), 1940, pp. 346–362.C S Lewis, ‘A Note on Jane Austen', Essays in Criticism, IV (4), October 1954, pp. 359–371.Lionel Trilling, “Mansfield Park“, Partisan Review 21 (September-October 1954): 492-511. Also published in Encounter, September 1954: 9-19.Kingsley Amis, “What Became of Jane Austen?”, The Spectator, 4 October 1957 – republished in What Became of Jane Austen? And Other Questions (1970)Historical discussion:Maria Edgeworth, Moral Tales: Angelina; Or L'amie Inconnue. the Good French Governess. Mademoiselle Panache. the Knapsack (1801)Popular culture discussion:Adaptations:BBC, Mansfield Park (1983) – starring Sylvestra Le Touzel and Nicholas Farrell (6 episodes)Miramax, Mansfield Park (1999) – starring Frances O'Connor and Jonny Lee MillerITV, Mansfield Park (2007) – starring Billie Piper and Blake RitsonModernisations:YouTube, Foot in the Door Theatre, From Mansfield With Love (2014-2015)D.E. Stevenson, Celia's House (1943)For a list of music used, see this episode on our website.    

Games of Thrones star Harry Lloyd chats to our hosts this week about Jimmy's favourite play of all time. They discuss head or heart decisions, Star Wars and we even get to hear Jimmy's Gollum impression.

Brian DeChesare is the founder of Breaking Into Wall Street and Mergers and Inquisitions. Mergers & Inquisitions is a website dedicated to careers in the finance industry, with over 600 expertly crafted articles, over 500,000 monthly visitors, and over 100,000 email subscribers. The site features interviews with industry insiders in investment banking, private equity, venture capital, hedge funds, sales & trading, and other fields, as well as career tips, news commentary, case studies, and modeling tutorials. Breaking Into Wall Street is M&I’s sister site. It offers online training products like PDF guides and video courses as well as coaching services designed to help people break into investment banking, private equity, and hedge funds. Early in my career, I was both an avid reader and a customer of Brian’s. Although Brian has been a successful entrepreneur—earning a case study mention in the 4-Hour Workweek, as an example—I’m more impressed by Brian’s ability to “step off the line,” as Jocko Willink would say, to strategically re-orient himself. During our conversation, we discuss two points where Brian strategically pivots in order to achieve his true long-term objectives. We also cover Brian’s experience with angel investing, his biggest business inflection points, and how he structures his life to accentuate his strong suits. Links from the Show Mergers and Inquisitions www.mergersandinquisitions.com Breaking Into Wall Street www.breakingintowallstreet.com Brian’s Reading List www.strategychainpodcast.com/support Time Stamps 0:03:40 – Brian’s “slap in the face” moment 0:07:35 – Connection to Episode 003 with Michael Pollack 0:09:41 – Catch-up since Brian’s latest life story post 0:12:19 – Eliminating policy-borne headaches (refunds, support, payment plans) 0:22:31 – The difficulty of transitioning from a one-man show to a team 0:28:02 – Misinterpretations of the 4-Hour Workweek 0:31:52 – How to leverage obsessive-compulsive traits (spurts, Toggl time tracking, and adapting over time) 0:44:26 – High-yield activities and attribution difficulties (Wicked Reports) 0:50:31 – Issues with partnerships within a niche industry 0:55:46 – Business inflection points (pitching content, product development, marketing) 1:11:30 – The psychological lift from making the first sale 1:17:13 – Developing products by offering services 1:22:03 – The magic decision that improved profitability AND unit sales: pricing 1:30:32 – Brian’s angel investing experience 1:48:19 – What Brian would say to a younger version of himself: think of other options 1:50:40 – Brian’s future plans 1:55:15 – Book recommendations (Dan Kennedy’s work, Jason Fried & David Heinemeier Hansson: It Doesn't Have to be Crazy at Work, Rework, Remote, Henry IV Parts 1&2, Henry V, A Song of Ice and Fire, The Witcher Series, Brandon Sanderson’s The Wheel of Time, Robert Jackson Bennett [City of Miracles, City of Blades, City of Stairs]) 2:06:08 – Closing thoughts: you can only connect the dots in retrospect, find the unconsidered options. Strategy Chain Links Rate and review the podcast at https://podcasts.apple.com/us/podcast/strategy-chain/id1492935567 Find Amazon affiliate links at http://strategychainpodcast.com/support Send me questions at http://strategychainpodcast.com/contact Sign up for the email list at http://strategychainpodcast.com/ Social Media @strategychain (Facebook, Twitter, Instagram, Medium)

Hooray, it's our episode on William Shakespeare's Henry IV. Which part you ask? We're doing both parts in one amazing episode. You'll hear our heroes' theories on whether Hal was faking it or he really loved Falstaff, whether Falstaff is still funny in 2019, and whom to reward and whom to punish when you suddenly become king, or manager of McDonalds for that matter. Plus Brandon goes to Washington, Jake works in Apple and Microsoft somehow. All in all, it's an episode of The Bookening. Yay! Listen now. Support us here!★ Support this podcast on Patreon ★

In this episode of Such Stuff, as the country is in the midst of political paralysis and constitutional crisis over Brexit, we take this moment to look backwards to Shakespeare’s moment and beyond, and forwards to an unknown future, to ask: what is ‘this sceptred isle’?  Over the course of this year, Shakespeare's Globe will present a cycle of Shakespeare’s History Plays. What do these plays say about who we are as a nation? And more importantly, who we want to be? What role does art and theatre have to play in challenging the way society looks and reflecting the country we might want to live in?  We speak to the co-director and star of Richard II, Adjoa Andoh, about the significance of this production, the first ever all women of colour Shakespeare production on a major UK stage, and how the way they’re presenting the show re-examines what – and who – this England, this ‘sceptred isle’, might represent… We chat to our artistic director Michelle Terry about about that relationship between past and present in the Globe Theatre at this moment in our history.  And we catch up with members of our Globe Ensemble, who will be presenting Henry IV Parts 1 and 2 and Henry V on the Globe stage this summer, about the particular version of an English past that the history plays are often associated with, and how you go about examining them with fresh eyes.

In this episode, Mark, Aven, and Jon we watch and discuss Gus Van Sant's 1991 indie classic My Own Private Idaho. A visually stunning and inventive movie, it incorporates the story of Henry IV Parts 1 & 2 and Henry V into a tale about love and loss among the gay escorts in the Pacific Northwest.

As Yet Unnamed London Theatre Podcast 21-Dec-2014 With T R P Watson  - Nick from Partially Obstructed View - Gareth James - Julie Raby - Plays Discussed Golem - Young Vic Theatre  [00:12]   Henry IV part 1 - RSC, Barbican Theatre  [10:05]   Henry IV part 2 - RSC, Barbican Theatre   The Merchant of Venice - Almeida Theatre  [17:45]    

This is a workpack for William Shakespeare's Henry IV Parts 1 and 2, directed by Nicholas Hytner in 2005.

Jamaican born Playwright, Producer and Actor David Heron has been called one of the most successful Caribbean artists of the last decade.He first came to the attention of Jamaican theatre audiences as a playwright, with the runaway success of his first play "Ecstasy", which ran for two years and toured three continents, emerging as one of the most popular Jamaican plays ever. Since then he has penned five more stage plays, all of which have earned him great commercial and critical acclaim in his homeland and internationally- "Intermission" , "Against His Will" , "Love and Marriage and New York City", "Redemption" and "4PLAY" . Heron is the recipient of five International Theatre Institute Awards including Best Producer and Best Script for "Intermission", and Best Production, Best Drama and Best Script for "Against His Will". His biggest international success to date has been his romantic comedy, "Love and Marriage and New York City", which has toured regionally in the USA as well as throughout Great Britain in both 2002 and 2003, playing to packed houses and excellent reviews, and prompting British critic Terry Grimley to christen Heron "Jamaica's own Neil Simon." The 2006 revival of the show at The Billie Holiday Theatre in New York was nominated for the prestigious AUDELCO Award, New York's highest accolade for Off Broadway Black Theater. That production then triumphed as an Official Selection of the 2007 National Black Theatre Festival held in Winston Salem North Carolina in August, 2007.Heron is only the second Jamaican playwright, after Trevor Rhone, to have his work showcased at the festival, one of the largest in the world."Love and Marriage and New York City" went on to enjoy a highly successful limited run in Toronto, Canada in May of 2008, where Heron made the cover of PRIDE Magazine, of the nation's foremost Black publications.As an actor, Heron's credits include "Ecstasy", "Intermission", "Love and Marriage and New York City", (in Jamaica, Britain and Off Broadway) the US regional production of the Broadway hit "Cheaters and Redemption" (Jamaica and US regional tour).Migrating to the USA, he immediately received high praise for his role as Friday in the World Premiere production of "Robinson Crusoe" at the prestigious Orlando Shakespeare Festival in 2006, and played Hotspur in "H", a modern day adaptation of Shakespeare's Henry IV Parts 1 and 2 at the Bric Studios, New York.In 2007, he made his Shakespearean debut as Laertes in Take Wing and Soar's critically acclaimed production of "Hamlet" at The Workshop Theater Off Broadway, and received excellent notices for his role as Prince in The New Federal Theater's revival of Errol John's classic Caribbean drama, "Moon On A Rainbow Shawl".In 2008, he earned further critical acclaim for his performance as The Messenger in the Off Broadway revival of "Medea" at the National Black Theater in Harlem, as well as in Othello and "The Taming of The Shrew" at The Virginia Shakespeare Festival.In 2009, he appeared in the Off Broadway premiere of John Patrick Shay's acclaimed drama, "Trickster At The Gate", as Harlem Jazz musician Roy "Lucky" Luckwood. In August of 2006, Heron received one of the highest accolades of his career when the City Council of New York honored him with a Proclamation and Award at City Hall, in recognition of his "Outstanding theatrical career and his invaluable contribution to the betterment of society."He is a proud member of the Actors Equity Association and The Jamaica Association of Dramatic Artists. If you would like to see David performing live, he will be starring in the first play that he wrote, "Ecstasy" (directed by Douglas Prout and produced by Kingston 6 Entertainment), which is playing in a number of locations in the Greater Toronto area between October 15 - October 24 (see details below)."Ecstasy" locations and showtimes:October 15, 2010 (North York, Ontario):Jamaican Canadian Association (995 Arrow Road) at 8:00 p.m.October 16, 2010 (Barrie, Ontario)::Georgian College Theatre (1 Georgian Drive) at 8:00 p.m.October 17, 2010 (Mississauga, Ontario):Glenforest Secondary School (3575 Fieldgate Drive) at 6:00 p.m.October 23, 2010 (Ajax, Ontario):J. Clarke Richardson College (1355 Harwood Avenue North) at 8:00 p.m.October 24, 2010 (Brampton, Ontario):Central Peel Secondary School (32 Kennedy Road North) at 6:00 p.m. Ticket Prices: $30.00 (In Advance) $40.00 (Day Of) Ticket Locations: Loc' N Twist: 49 Hillcrest Avenue, Brampton, Ontario - (905) 463-1747 and 14 St. Andrews Street, Toronto, Ontario - (416) 850-0336 Majestic Barber & Salon:: 289 Dundas Street East, Mississauga, Ontario - (905) 268-1111 Nicey's Food Mart - 50 Morcambe Gate, Scarborough, Ontario - (416) 497-9717 Ticket Information Online: http://www.ticketweb.ca/snl/Search.action?query=david+heron+ecstasy (Ticket Web) Feel free to email us at info@blackcanadianman.com. If you live in North America, you can leave us a voice mail at 1-866-280-9385 (toll free). God bless, peace, be well and keep the faith, Vibe and Vegas info@blackcanadianman.com http://thevibeandvegasshow.wordpress.com/ Twitter: http://twitter.com/vibeandvegas

Host Scott Farrell is joined by actor Steven Walters, who plays the part of Prince Hal in a production of Shakespeare's Henry IV Parts 1 and 2 at the Dallas Theater Center, to talk about the performance, its three "knightly" characters and what we can learn about modern chivalry from Shakespeare. Plus: Christopher Burns gives chivalry a workout in his Fight Like A Knight exercise program.

While playing the "anchor role" in Off-Broadway's "Love, Loss and What I Wore", actress Penny Fuller talked about her wide-ranging career, noting (even to her own surprise) how many times she got roles because someone else dropped out or was let go fairly late in the production process. She recalls her first Broadway break, understudying Elizabeth Ashley (who would later play her mother in "Dividing the Estate") in the original production of "Barefoot in the Park"; standing by for Jill Haworth and going on more than 100 times in the original "Cabaret", performing "Henry IV Parts 1 and 2" in repertory in Central Park with Sam Waterston as Prince Hal and Stacy Keach as Falstaff; playing the world's most infamous understudy, Eve Harrington, opposite Lauren Bacall in "Applause"; the challenges that faced the ill-fated musical "Rex"; the thrill of appearing in William Finn's "A New Brain"; playing Mrs. Kendal both on stage and on TV in Bernard Pomerance's "The Elephant Man"; and why she's a leading lady in the theatre but a character actress on television. Original air date - July 21, 2010.

While playing the "anchor role" in Off-Broadway's "Love, Loss and What I Wore", actress Penny Fuller talked about her wide-ranging career, noting (even to her own surprise) how many times she got roles because someone else dropped out or was let go fairly late in the production process. She recalls her first Broadway break, understudying Elizabeth Ashley (who would later play her mother in "Dividing the Estate") in the original production of "Barefoot in the Park"; standing by for Jill Haworth and going on more than 100 times in the original "Cabaret", performing "Henry IV Parts 1 and 2" in repertory in Central Park with Sam Waterston as Prince Hal and Stacy Keach as Falstaff; playing the world's most infamous understudy, Eve Harrington, opposite Lauren Bacall in "Applause"; the challenges that faced the ill-fated musical "Rex"; the thrill of appearing in William Finn's "A New Brain"; playing Mrs. Kendal both on stage and on TV in Bernard Pomerance's "The Elephant Man"; and why she's a leading lady in the theatre but a character actress on television. Original air date - July 21, 2010.