legendary king of Ithaca
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23 episodes with Laertes
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3 episodes with Laertes
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3 episodes with Laertes
3 episodes with Laertes
2 episodes with Laertes
The themed clues in today's crossword were so good that they might've out shone some other gems. Fortunately we always solve our crosswords while wearing shades, so we can report that these clues -- 64D, Sending help?, UPS; the delicious combo of 6D, "It's so c-c-c-old!", BRR and 7D, Refreshment served with a spoon, ICEE; and 4D, Fool, from the Yiddish, YUTZ -- were also worth the price of admission. A nice work, 5 squares for sure on the JAMCR scale.A reminder, yesterday we featured our Triplet Tuesday Contest. Check it out right here to enter, or risk losing out (
THE FINAL BOOK! Dcn. Garlick is joined by Adam Minihan, David Niles, Thomas Lackey, and Dr. Frank Grabowski to discuss Book 24 of the Odyssey: Peace. Check out thegreatbookspodcast.com for more information.From our guide:111. What happens in book twenty-four? Hermes leads the souls of the suitors to Hades, to the fields of asphodel, where they meet Achilles and Agamemnon (24.130). One of the suitors tells Agamemnon their story, and Agamemnon praises Odysseus calling him “happy” and praises his wife Penelope in contrast to his wife, Clytemnestra (24.210). Meanwhile, Odysseus and his men arrive at his country estate, and he elects to test his father, Laertes (24.238). Laertes passes the test, and Odysseus reveals himself to his father by showing him the scar (24.368). Elsewhere on Ithaca, the families of the suitors have discovered their deaths and cries arise in the city (24.457). Eupithes, father of Antinous, rallies the kinsmen of the suitors to take revenge upon King Odysseus (24.471). Medon, the bard, warns the mob that the deathless gods helped Odysseus (24.485), and Halitherses, a seer, tells them it was due to their own “craven hearts” that the massacred occurred (24.501).Athena intercedes on Odysseus' behalf, and Zeus declares there should be peace in Ithaca (24.534). The mob arrives outside the country estate, and Odysseus, Laertes, Telemachus, and others prepare for combat (24.552). Athena strengthens Laertes to spear Eupithes in the head (24.576), and then she brokers peace between the two factions (24.584) 112. Who gained the most glory: Achilles, Agamemnon, or Odysseus?The opening passage on the plains of asphodel serves to compare the lives of Achilles, Agamemnon, and Odysseus. Agamemnon recounts the funeral of Achilles and the glory he achieved there, e.g., the Muses sang, he's buried in a golden urn made by Hephaestus, etc. (24.64). Agamemnon explicitly states Achilles has achieved immortal glory (24.100), and Achilles' death and burial serves as a comparison to the ignoble death of Agamemnon (24.30). If Agamemnon would have died in glory at Troy, he too could have had immortal glory—but instead, he was betrayed and slaughtered by his own wife. Despite Achilles having the better of the glory, we have already seen that he would trade it all in to be alive again—even if only to be a dirt farmer. Thus, when Agamemnon calls Odysseus “happy,” this seems to be a final judgment that Odysseus has found the best path: he has the glory (kleos) of both fighting in Troy and returning home—but he also now has political and familial peace. In a certain way, whereas Achilles had to choose between two fates (glory or peace), Odysseus has been given both.Good work everyone!
Before today's episode, Toby and TJ had never heard the word "stramash", but now we can't stop saying it! Scottish musician, editor, author, and all-rounder Tommy MacKay joins the WAKE fold, not only to teach us this ever-so useful Scottish term for chaos, but also to discuss his amazing Joyce-music 'stramashups', the pitfalls of adaptation, pioneering punk music, creepy death masks, and the things that may or may not be appropriate to say to a younger sister. Yes, Shaun is up to all sorts of trouble this time around, lecturing Issy and her classmates in a mansplainy way that has shades of Laertes and Ophelia, but way filthier. It's an accessible, rollicking chapter, and the only one so far that features Denti Alligator, so everyone wins. This week's readers: Tommy MacKay, TJ Young, Toby Malone Progress: 448 pages complete, 180 pages to go; 71.34% read. For early drops, community and show notes, join us at our free Patreon, at patreon.com/wakepod, or check out our Linktree, at https://linktr.ee/wake.pod. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!
Dcn. Harrison Garlick is joined by Mary Pat Donoghue, Executive Director of the Secretariat of Catholic Education at the USCCB, to discuss Book 19 of the Odyssey: Penelope and her guest. Check out thegreatbookspodcast.com for more!From our written guide:93. What happens in book nineteen?With the suitors retired for the evening to their own houses, Odysseus and Telemachus clear the hall of weapons, as Athena carries a golden lamp to light their way (19.35). Odysseus is harassed by the maidservant Melantho (19.70), and Melantho is warned by both Odysseus the beggar and Penelope that judgment is coming (19.97). Odysseus sits down with Penelope, and the two begin to trade carefully crafted responses (19.110). Odysseus, still disguised as a beggar, spins a falsehood for his wife about his history, which includes that he had met Odysseus (19.193). Penelope tests the beggar by asking about Odysseus' clothing, which Odysseus is easily able to answer (19.259). Odysseus the beggar tells Penelope her husband is alive and returning soon (19.310). Penelope, skeptical of the claim (19.354), arranges for the old maid, Eurycleia, to wash Odysseus' feet (19.406). Eurycleia recognizes Odysseus due to his scar—and we hear the story of how Odysseus received his name (19.445). Odysseus threatens the old servant, his old wetnurse, into silence (19.554). The book ends with Odysseus interpreting a dream for Penelope, and Penelope tells Odysseus the beggar how she intends to test the suitors (19.644).94. What should be noted in the dialogue of Odysseus and Penelope?The matchless queen of cunning and the man of twists and turns have their reunion—to a degree. Notice that Odysseus' original answer to Penelope is a non-answer (19.114). Penelope, in response however, appears to be quite open with her beggar-guest (19.137). What is the impetus of her openness to this stranger? Is she simply isolated, exhausted and recognizes in the beggar a noble spirit to which she can decompress? Or is Penelope's openness and invitation for the beggar to be open, because she suspects it is Odysseus? If Argos the dog can recognizes his master through this disguise, why not his cunning wife? The question of when Penelope suspects the beggar is Odysseus haunts the text.Odysseus arguably loves Penelope because of her wit, and she sharing the story of the loom would have been quite endearing to him (19.169). Odysseus tests his wife—recall the Clytemnestra episode—but the reader should be cognizant of to what degree Penelope is testing Odysseus (19.248). She certainly tests him in the story he presents, but one wonders to what degree she is testing him in her suspicions of who he really is. One notes how often Odysseus the beggar refers to his wife as “noble wife of Laertes' son, Odysseus” (19.299, 384).It is notable as well that the oath given is on the hearth of the home of Odysseus and Penelope (19.349). Odysseus' commentary on curses for those who are cruel toward guests and glory for those who are kind toward colors both his return home and his episode with the cyclops (19.376). Note also that xenia can be a source of glory and fame (19.382). In other words, glory comes not simply from wartime excellence but also peacetime hospitality. It reveals a path to glory in peace, which aligns with the Odyssey being a parallel to the city of peace of Achilles' shield. The book ends with another episode of Penelope seeming to be overly open to this beggar in her house, as she tells him her dream (19.603). Again, one wonders what she suspects and whether her openness is supposed to draw out a reciprocal openness. Her weeping at the end lends to theories that she suspects the beggar is Odysseus but the safeguards she has put in place around her heart will not admit it (19.680).Join us!
Today's poem is some of the greatest ironic advice ever offered on the stage–do as Polonius says, not as he does, and you'll be just fine. Happy reading. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Dcn. Harrison Garlick is joined by independent scholar and friend of the podcast Mr. Thomas Lackey to discuss book 16 of the Odyssey: Father and Son.Check out thegreatbookspodcast.com for our written guide!From the guide:83. What happens in book sixteen?Telemachus arrives at the home of the Swineherd and, the Swineherd greets him like a father welcoming “home his darling only son” (16.19). Telemachus meets Odysseus disguised as a beggar, and the three men discuss the problem of the suitors (16.100). Telemachus tells the Swineherd to tell Queen Penelope he is back in Ithaca (16.148), and to have one of her servants tell Laertes the same (16.172). After the departure of the swineherd, Odysseus sees Athena outside the house under the guise of a woman “beautiful, tall and skilled at weaving things” (16.179). Odysseus goes to meet her, and she says now is the time to reveal himself to his son, Telemachus (16.189). She transforms him back into Odysseus the hero, and Telemachus is “wonderstruck” and believes some god has entered the house of the Swineherd (16.194). Odysseus tells Telemachus he is his father (16.212) and, after some disbelief, the father and son embrace and weep together (16.243). The two then discuss the slaughter of the suitors and form a plan in which Odysseus, disguised again as a beggar, will go into his own home with the suitors until Athena tells him the time is right (16.298). Meanwhile, the suitors are told that Telemachus escaped their ambush and is back in Ithaca (16.382). Antinous, one of the suitors, calls for the murder of Telemachus (16.401), and Penelope overhears the plot and chastises Antinous (16.453). The book ends with the Swineherd returning home and feasting with Telemachus and Odysseus—who is once again disguised as a beggar by Athena (16.505). 84. What do we see in the reunion of Odysseus and Telemachus?It seems fitting that Odysseus, who has been testing everyone, would in turn be tested by his son upon his grand reveal (16.220). Notably, the concern that a spirit or god would attempt to trick Telemachus with an imposter Odysseus (16.220) is a concern that Penelope shares and will later voice—but it is only the latter who has devised a test to avoid that fate. Telemachus seems to eventually simply trust Odysseus' testimony (16.243). Telemachus still appears unexperienced with the gods, as he confuses his father for one (16.202) and doubts Athena's plan (16.273). It is hard not to read Odysseus' response about whether Athena and Zeus will be adequate as sarcasm (16.291). Telemachus, however, has grown into his own wit as shown by his retort: “off in the clouds they sit” (16.299). He has also grown in confidence of his own strategic thinking (16.342).Odysseus shares with Telemachus he'll return to his home in disguise and bear whatever he must until Athena says it is time (16.303). The strategy behind Odysseus' return seems patterned off the Agamemnon narrative, but the problem itself seems patterned off his episode with the cyclops. He will come home to find guests of malintent within his home and then consume them.The YEAR WITH HOMER continues!
Dcn. Harrison Garlick and Adam Minihan continue the YEAR WITH HOMER by discussing Book 15 of the Odyssey: The Prince Sets Sail for Home. Check out our guide at thegreatbookspodcast.com.80. What happens in book fifteen?Athena goes to Sparta and inspires the young Telemachus to return home quickly (15.10) and advises him on how to avoid the ambush set by the suitors (15.31). Menelaus gives Telemachus kingly gifts and sends him and Nestor's son back to Pylos (15.112). Telemachus asks Nestor's son to leave him at his ship and not take him back to Nestor's house—as to be able to return home quickly and not be hosted again by the old king (15.222). As Telemachus is praying to Athena before launching his ship (15.246), a stranger approaches and asks to sail with him (15.286). Telemachus agrees, and the prophet Theoclymenus joins him on his journey back to Ithaca (15.312).Meanwhile, Odysseus the beggar tells the Swineherd he plans to go beg from the suitors (15.351). The Swineherd tells Odysseus the beggar his own story—and we discover that the Swineherd comes from a royal line (15.463). He was a toddler kidnapped, sold into slavery, purchased by Laertes, Odysseus' father, and raised by Odysseus' mother (15.540). The book ends with Telemachus returning to Ithaca and heading to the home of the Swineherd (15.618).81. What is notable about the story of the Swineherd?The story of the Swineherd reveals him to be royalty (15.437). To wit, he was kidnapped by a female servant who was subsequently killed by Artemis (15.534), and he ended up being purchased by Laertes, Odysseus' father (15.540). The noble soul of the Swineherd now has a fitting backstory. Note also the contrast between the unworthy servant who kidnapped him and the noble servant he has become. The piety or gratitude the Swineherd shows Odysseus' family is remarkable given the opportunities he has for bitterness. One may argue that the Swineherd shows the arete or excellence of a simple life—the excellence of a servant, as Penelope shows the excellence of a wife. One should return to the Swineherd's epithet, the “foreman of men,” and discern whether Homer has placed here a second meaning: a man who is the best of men.[1][1] We are thankful to Alec Bianco for raising many of these questions and exploring the richness of the Swineherd. Be sure to check out the podcast on Book 15 for further discussions.
Veteran theater and film actor James Sutorius has performed for the most prestigious regional and repertory theater companies including The Old Globe, La Jolla Playhouse, Center Theatre Group, South Coast Repertory, and Pasadena Playhouse. He's also performed at Lincoln Center, Yale Repertory, Long Wharf Theatre, Seattle Repertory, and many more. In 2007, he won two San Diego Theatre Critics Awards for his performance as George in "Who's Afraid of Virginia Woolf?" and for his multiple supporting roles in John Strand's play "Lincolnesque." James made his Broadway debut in 1973 in "The Changing Room." In his very first entrance as a member of a rugby team, he had to walk downstage and strip off all his clothes! Instead of finding the experience terrifying, he actually found it liberating. And he played Laertes opposite Sam Waterston's Hamlet at the Vivian Beaumont Theater, alongside a cast of rising stars including Jane Alexander, Mandy Patinkin, George Hearn and John Heard. Most recently James was seen on Broadway in Aaron Sorkin's play "The Farnsworth Invention" that was directed by Des McAnuff and produced by Steven Spielberg. James was the voice for Ragu Spaghetti Sauce for 17 years, spawning the national catchphrase "Now, THAT'S Italian!" He continues to pitch other products for Coca Cola and Wrangler Jeans. He also lends his distinctive voice to audio books and short story anthologies on tape.On TV, James' break came when he starred as investigative reporter Mike Andros in The Andros Targets. He's also appeared on such well-known TV series as Dynasty, Cannon, Kojak, St. Elsewhere, Family Ties, 21 Jump Street, Murder, She Wrote, L.A. Law, The X Files, Judging Amy, and many others. And he was a regular on Bob Crane's short-lived sitcom, The Bob Crane Show. Additionally, he's appeared in such notable TV movies as: A Death in Canaan, A Question of Love, Skokie, Space, and On Wings of Eagles. In feature films, James can be seen in Dancing as Fast as I Can starring Jill Clayburgh and Windy City with John Shea and Kate Capshaw.
Neither a Borrower Nor a Lender Be- Ep#69Welcome to episode 69 of the One for the Money podcast. I am so very grateful you have taken the time to listen. In this episode, I shared whether it is wise to lend money to family or friends. In the tips, tricks, and strategies portion, I share a tip regarding loans from a 401k. In this episode...Just Say No [1:24]If You Can't Say No [6:06]401k Emergency Loan [9:20]MAINRecently I re-read The Tragedy of Hamlet by William Shakespeare. There are so many great quotes from this play. Just a few of these include:Brevity is the soul of witthere is nothing good or bad but thinking makes it soand one of the more famous lines - to be or not to be, that is the question.But the quote most relevant to the subject of this podcast episode comes from Polonius' counsel to his son Laertes. Amongst other sage advice he provides his son, he tells him t0 “Neither a borrower nor a lender be; for loan oft loses both itself and friend.”Over the course of life, we will invariably all experience times where friends and family will ask us for money. It's important to prepare prior to such a request as the wrong approach could ruin some of our closest relationships. Charles Barkley shared his thoughts on giving money to family.Barkley and the rest of the Team USA basketball players were in Atlanta preparing for the 1996 Olympic Games when he heard a conversation between his teammate Grant Hill and Hill's mother. Janet Hill told her son that she was only staying in town for a few days, because she had to return to work. Barkley wondered why she was still working, considering that her son was making tens of millions of dollars playing in the NBA. And Grant Hill's mom said the following:“Do not start taking care of your family and friends. They never gonna stop, and it's gonna ruin all your relationships,” She also said. “When you start giving people money, they never gonna ask for money [just] one time. No matter what you do for them, the first time you tell them no, they hate you.”Barkley took the advice to heart and started to tell people no when they asked for money, which temporarily led to some ruined friendships.“It was a tough and painful lesson for me,” Barkley said.Some would think that professional athletes should share. Here is why most shouldn't:Nearly 80% of NFL players go bankrupt or are under financial stress within two years of retirement and 60% of NBA players go broke or are bankrupt within five years of retirement. Just look at the sad cases of Antoine Walker, Bernie Kosar and others.When a family or friend asks for money, there could be a variety of reasons. Investing in their startup or helping them during a financially hard time. -The first thing I recommend is to thank them for coming to you and before you can consider helping them you will need to ask them for more details.For those wanting you to invest in their startup or small business, you have every right to ask for their business plan. How will they generate profits, what sort of experience do they have in that line of business, how many others have invested, what is their path to profitability, etc. If they can't answer those basic business questions, they are likely doomed to failure as most...
Laertes returns to Denmark incensed over the murder of his father, Polonius, and seeking revenge. Things go from bad to worse when Laertes finds out that his sister has gone mad and then drowns herself. But Claudius is able to turn the wrath of Laertes away from himself and toward Hamlet, whom Claudius has sent… Read More »“To Cut His Throat I’ Th’ Church”: Hamlet Act IV, scenes 6 & 7: Brush Up Your Shakespeare: 019
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 7, Claudius and Laertes plot Hamlet's death. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi; Hamlet 1948 by Laurence Olivier, starring Basil Sydney; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart; Hamlet 1990 by Franco Zeffirelli, starring Nathaniel Parker and Alan Bates; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber; and Hamlet 2009 by Gregory Doran, starring Patrick Stewart and Edward Bennett. Leave a comment, I love to read!
For only the second time, this episode of the podcast is recorded in situ (Latin) in the same room as the guests! Melbourne Shakespeare Company returns to fortyfivedownstairs to present possibly the most famous play in the English language - Shakespeare's timeless tragedy Hamlet. And John has crashed their rehearsal room to ask the actors playing Laertes and Claudius (Laurence Boxhall and Peter Houghton) the ten questions from the quiz in The Saturday Paper. Hamlet is on at 45Downstairs from the 5th to 22nd of September.Get your tickets here:https://fortyfivedownstairs.com/event/hamlet/#1452941644640-19a0de81-e87a0201-342dcb0a-2ec9a177-581a2513-a5c51f1f-8993a3c4-5ca5cb85-3d54189f-4d6f8ba6-b9f1574b-a81dSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 5, Part 2, Laertes returns from France, incensed. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi and Kate Winslet; Hamlet 1948 by Laurence Olivier, starring Basil Sydney, Jean Simmons and Terence Morgan; Hamlet 1980 by Rodney Bennett, starring David Robb and Lalla Ward; Hamlet 1990 by Franco Zeffirelli, starring Nathaniel Parker; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Diane Venora; Hamlet 2007 by Alexander Fodor, starring Tallulah Sheffield; Hamlet 2009 by Gregory Doran, starring Mariah Gale; and In a Bleak Midwinter by Kenneth Branagh, starring John Sessions and Nicholas Farrell. Leave a comment, I love to read!
With Hamlet safely on his way to certain death in England, Claudius must deal with another threat to his throne: Laertes, the son of slain Polonius, is coming back from France to seek revenge for HIS father’s murder, and Laertes has his sights set on Claudius as the likely suspect! Adding to his rage, Laertes… Read More »“When Sorrows Come, They Come Not Single Spies, But In Battalions”: Hamlet, Act IV, scene 5: Brush Up Your Shakespeare: 018
Many people will (hopefully) identify the above quote as coming from the speech of Polonius in Act 1, Scene 3 of Shakespeare's Hamlet. It was part of the fatherly talk he gave to his son Laertes before the boy moved away to university. It is now often quoted as a bit of perennial wisdom for life (it was written by Shakespeare, after all). It is not as often known that it was part of a speech that Shakespeare meant to be recognized as almost meaninglessly platitudinous, a kind of Elizabethan “blah-blah-blah, yada-yada-yada”.
Many people will (hopefully) identify the above quote as coming from the speech of Polonius in Act 1, Scene 3 of Shakespeare's Hamlet. It was part of the fatherly talk he gave to his son Laertes before the boy moved away to university. It is now often quoted as a bit of perennial wisdom for life (it was written by Shakespeare, after all). It is not as often known that it was part of a speech that Shakespeare meant to be recognized as almost meaninglessly platitudinous, a kind of Elizabethan “blah-blah-blah, yada-yada-yada”.
We were thrilled to have Broadway's Nick Rehberger on Creative Risk to talk about the modern challenges of becoming a workaday actor. Nick is currently appearing in Patriots on Broadway and was recently seen as Laertes in the latest production of Shakespeare in the Park, now featured on PBS' Great Performances. Since graduating from Carnegie Mellon, he has worked consistently in television, on Broadway, and in the regions. In this freewheeling and deeply personal episode, we discuss the craft of acting, some of Nick's career highs and lows, and how he has continued to carve a name for himself on Broadway and beyond. You won't want to miss this episode!CREATIVE STARTUP E-LEARNING PROGRAMhttps://www.artists-strategy.com/our-work"EVERY DAY SPECIAL" by JESSICA FONTANAhttps://www.jessica-fontana.com/album“CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.____________________________________________________________________Get exclusive content as well as discounts on merch and coaching at our Patreon.https://www.patreon.com/CreativeRiskPodcast
7. Hamlet in Howth - Psychologist Maureen Gaffney on Polonius's advice to Laertes. Act 1. Sc. 3. Lines 205 -220
40. Hamlet in Howth - Favourite Scene. Laertes and Ophelia. Act 1.Sc. 3. Lines 45 - 51
38. Hamlet in Howth - Laertes and Claudius plot their revenge. Act 4. Sc. 7. Lines 123 - 165
36. Hamlet in Howth - Ophelia's madness and Claudius's manipulation of Laertes's grief. Act 4. Sc. 5
13. Hamlet in Howth - Laertes advice to Ophelia - Act 1.Sc. 3. Lines 5 - 51. …. I shall th'effect of this good lesson keep
En este programa homenajeamos a la revista Micromania que nos ha dejado hace poco repasando un número emblemático. En Febrero de 1995 Micromania abandonaba el formato «sábana» y adoptaba el tamaño y composición de una revista normal de informática. En ese número estamos en el punto álgido del MS-DOS, justo antes de que Windows 95 se impusiese en los ordenadores de sobremesa de todo el país. Damos este repaso a la revista con unos invitados de lujo: Antonio Lozano, el Ayatolá de la emulación. El Capitán Laertes, experto en simulación. David «La Abadia del Crimen é lo mehó» Skywalker, el auténtico defensor del Amstrad. Vampirro, el único de los presentes que escribió en Micromania y, además, cobró por hacerlo. Andreu, el 50% de RM30, un believer del formato sábana y de la Federación de Planetas Federados. Javier Sancho «Kal», uno que pasaba por allí. Esperamos que os lo paséis tan bien escuchando el floppy como nosotros grabándolo, o al menos la mitad. ¡Adelante programa! Si te gusta nuestro contenido puedes apoyarnos en Paypal, Patreon y recomendando el podcast. ¡Gracias de antemano!
48. Hamlet in Howth - Hamlet pleads madness to Laertes. Act 5. Sc. 2. Lines 222 - 239
MNMT Label Showcase presents Northallsen Records mixed by Aleja Sanchez (@djalejasanchez) Northallsen Records is an electronic music label founded in Bogotá, Colombia in 2016 by Aleja Sanchez. The label's sound embraces the realms of hypnotism and explores the fusion between organic soundscapes, experimental and acoustic elements, with the powerful load of techno music, revealing a sonic narrative that flows between the mysticism of ancestral cultures and the spiritual power of nature. In order to build the concept, far away from trying to emulate a sound, the label curation is focused on artists with their own identity and particular voice, with a foundation into their musical and artistic proposals. Recent releases have featured the likes of Oscar Mulero, Deepbass, Reggy van Oers, Magna Pia, Polygonia, Tekra, !nertia, Psyk, Laertes, Iori and founder Aleja Sanchez. The label is intended to keep and highlight the deepness and beauty of techno and electronic music since Northallsen considers music as a tool to help bring harmony and peace in the middle of the tragic war-related situation we all are facing currently around the world. TRACKLIST NTS032-Martin Goodwin-Descent NTS035-Sqeef - Equilibrium Point NTS029-Svarog - Decepticons (Alderaan Remix) NTS046-Reggy Van Oers & Aleja Sanchez - Estado de Empatía NTSAL004-Tekra-Ybbob NTSRAI001-Reggy van Oers-Flexible Morality NTSRAI001-Oscar Mulero - Form of Subsistence NTS019-JustLocal - Persistence NTSRAI002-Tekra - Iridecence NTS028-Infinity (CRO) - Space drone (Sandra Mosh remix) NTS-041-Sqeef - Flickering Lights NTSRAI002-Aleja Sanchez--Frozen eyes NTSLTD003-CHPTR - Apodictic Certitude NTSAL004-Tekra-Skogafoss NTS041-Sqeef - Instanton NTSLTD001-Aleja Sanchez-Caelum NTSRAI001-Deepbass-Sietch NTS046-Reggy Van Oers & Aleja Sanchez - Respiración Circular NTSLTD003-Oscar Mulero - Self Determination NTSRAI003-Psyk - Yugen NTS035-Sqeef & Strom (UA) - Disturbed Motion NTSLTD002-Aleja Sanchez & Dino Sabatini-El Resplandor de los Ciervos NTSRAI003-Inertia - El Respiro de la Tierra NTS025-Tekra - Eudaimonia NTS046-Reggy Van Oers & Aleja Sanchez - El Mito del Alma FOLLOW: https://northallsenrecords.bandcamp.com/ https://soundcloud.com/northallsenrecords https://www.instagram.com/northallsenrecords/ https://www.facebook.com/northallsenrecords https://soundcloud.com/djalejasanchez https://www.instagram.com/alejasanchezofficial https://www.facebook.com/AlejaSanchezOfficial
'Tis the season ... awards season, that is! The Golden Globes nominations are out, kicking off the entertainment awards season that will culminate with the Academy Awards. "Barbie" edged out "Oppenheimer" for the most nominations (you can get the full list here) and we break down some of the top nominees. Actor David Rysdahl played a part in two of this year's nominees, first as Donald Hornig, a chemist at Los Alamos, in the movie "Oppenheimer," and now as Wayne Lyon in the current season of "Fargo." He will also appear in the upcoming "Alien" series that is being led by Fargo showrunner Noah Hawley. Rysdahl talks about those roles in an interview with co-host Bruce Miller. Be sure to tune in for the final two episodes of the year that look back at the top movies and tv shows of 2023. Where to watch "Fargo" on Hulu "Oppenheimer" to own on digital services "Barbie" to rent on streaming services Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened and entertainment podcast about movies and tv from Lee Enterprises. I'm Terry Lipshetz, managing editor of the national newsroom at Lee and co-host of the program of Bruce Miller, editor of the Sioux City Journal and longtime entertainment reporter. Bruce 'tis the season. The season is here. Award season. Bruce Miller: It's award season. Never mind the holidays. I think that's a better holiday to celebrate. Great, right? Because you don't have to buy gifts and you just get, the only thing. Terry Lipshetz: You might be buying are subscriptions, subscriptions to streaming services and ways, to watch if you've missed anything, like I have. Bruce Miller: YouTube can be a critic. All you need to do is have all the services so you can see everything. You can walk in my shoes for a day or two. I'll tell you, I have been watching movies around the clock, I kid you not. And I've been seeing a lot of things this week. We came out with the Golden Globe nominations and those were kind of underground for a while. They know. Terry Lipshetz: I was like, I don't think. Bruce Miller: We're going to give them any attention this year because they've had some kind of organizational problems, but it's going to be on CBS and Paramount plus. So I think they have a profile. And even some of the nominees said, well, I don't know how to react to this. So there you are. But it is a great bellwether for the Oscars because they hit just about all of the films that would likely be nominated for something. You'll still see some stray ones, but I think, for the most part, the big names are in there. Terry Lipshetz: Well, and going back to some of the episodes we did this past summer, particularly around Barbenheimer, which know, the big moment of the time we talked about know Barbie is a movie you have to take seriously. This isn't some kid movie about the doll. And we predicted that Barbie could be a big showing at Oscar season. Bruce Miller: It led everything here and it's dominating the music categories. I think it has three nominations in the Golden Globes for best song. Now that says something. Did you think it was a musical? I didn't think it was a musical necessarily, but I wouldn't doubt that the best song Oscar winner would come from Barbie. Terry Lipshetz: Best original song. Six nominees, three of them are from Barbie. I'm not great at math, but three out of six seems like a pretty good odd to, win something. Bruce Miller: And I think in the Oscars they're limited to two nominees. Terry Lipshetz: Okay. Bruce Miller: They used to have it, but I think they've changed the rules now so that two out of the five could be from one movie. Terry Lipshetz: Even going back to some of the acting aspects and the directorial we had talked about, this could be an opportunity for Ryan Gosling. And sure enough, he's nominated. Bruce Miller: Margot Rock was in there, Greta Gerwig. Terry Lipshetz: For best director, best screenplay. I mean, it's what you kind of expected, which is a movie to be taken seriously. Bruce Miller: Oppenheimer. It is interesting to see how it all is going to shift down. I think fillers of the Flower Moon is another big consideration. So those are probably the big three that will get attention at the Oscars and all the other ones. Now we'll be seeing a lot of those critics' awards. We've already had the New York film critics, but I think as you see those kind of spill out, you'll see these same names repeat, and then we'll see where kind of the strongest contenders. Terry Lipshetz: I think, you know, we talked about this with Oppenheimer because Matt Damon did not get a nomination in this. Correct. Bruce Miller: For that. And he did for air. Right? Terry Lipshetz: He did for air. And I think we talked a little bit about that months ago. But Robert Downey Jr. And I think he predicted that would be the one that would get the nomination for a supporting role in Oppenheimer. And that's exactly what happened. Bruce Miller: And without any other competition, that helps. It's when you have two from one movie that it, eh, I don't know if we can pull this out because you're competing against somebody in your own film. And I think there are a couple of those in the Golden Globe competition. Terry Lipshetz: Was there any big surprises for you in the Golden Globes, either on the movie side or on the tv side? Bruce Miller: No. They all said, oh, they were snubbed. Not necessarily. Some of these people deserve not to get a nomination, but they think they should get a nomination. I think it pretty much is as expected. The interesting thing is, are, the foreign films that got into the best picture. Normally if you get one in that category, that's usually enough, but this year I think we have two or three of them. So that's an interesting, development. And, it is more international. There are a lot of first timers, too. Two women in the directing category. That's an interesting thing. So who knows where it's going to lead? And award season is such an unpredictable time. You can start award season by saying, absolutely, Robert Downey Jr. Is going to win. And then by the time the Oscars are given out, he's not a player even snubbed in the nomination, so it ebbs and flows as the time goes. Terry Lipshetz: Yeah, I think what was interesting, for me, at least, I wasn't surprised. For instance, Succession got nominated for a best drama. I mean, I pretty much expected that would get it. And The Crown is usually up. There is one to be considered. I guess I shouldn't be too surprised, but to a degree I am. To see The Last of Us nominated in that best drama because it is science fiction, but it's also something that's based off of a video game. And I think that one, it was so long ago, you almost forget that it premiered in 2023 because it came out, I think, the first week in January. Bruce Miller: Right. Terry Lipshetz: That was one where I remember seeing the previews for it and thinking, well, it's on HBO, I'll probably give it a chance. It looks kind of interesting. It seems like something I might want to watch. And by the time I got to the end of the series, I'm thinking, wow, this is one of the best things I've seen, in a long time. It was kind of nice. But I think if you asked me twelve months ago, do you think The Last of Us would end up being nominated in the drama? I probably wouldn't believe it. Bruce Miller: Well, and there are different years, too. One goes calendar year, one goes, season year. And that kind of throws you off, like, well, what year was this? Is this part of this year? Was this the year that white Lotus was involved? It's hard to figure it all out. One of the things people have been mentioning is that may December is listed in the musical comedy, and that's a drama that shouldn't have been in there. But they probably figured they needed one more to fill that it didn't quite make the cut for drama. But there is no color purple in the musical comedy category for best picture. So that says something about that film's chances. It might not be the strong contender that people think. Terry Lipshetz: There's another show that was nominated. It has three nominations for a limited or anthology series, and then also a couple, in the acting categories. But that's Fargo, and that's a show that just debuted a few weeks ago, and I've been sucked into it. It is so good. You set me up so well on that one where you told me it's like the best Fargo since at least maybe the first Fargo. It is so good. It is so, so good. I'm angry now because that first week, they gave us two episodes. I want two every single week. And I get to the end of it, it's like, I got to wait a week. I have to wait one more, so. Good. Bruce Miller: Well, today I have a little surprise for you, because I know you'd like this. Terry Lipshetz: I love surprises. Bruce Miller: I was able to talk with David Rysdahl, and he plays Wayne Lyons. That's Juno Temple's husband in the show, who seems like just the nicest dad, the most beleaguered person. And his mother is that evil, mean kind of woman who controls everything in this part of the midwest. And he's also, if you didn't know, a part of Oppenheimer. So he has double duty here this time. and he talks about both of those jobs. But the more interesting factor of it is that he wasn't really planning to be an actor. He liked acting, but he was geared toward becoming a chemist, which fits in right well with Oppenheimer. And then he has this Midwestern background. He's from Minnesota. How that fits into Fargo. So the stars are aligning for him. And I want you to meet him because he is such a fascinating young actor. He's married to Zazie Beetz, and she was in Atlanta, if you happen to watch that series. They're both so busy now. And he also has a starring role in the next Noah Hawley's series, which is alien. And they'll start filming that after the first of the year. This is one, It's kind of like we're predicting something big is going to happen from this. Bruce Miller: Hey, bud. How are you? David Rysdahl: I'm good. How are you? Bruce Miller: Well, I'm bowled over by your performance. I really am. Bruce Miller: And I'm not trying to grease you. Bruce Miller: Or anything, but you capture the essence of Fargo better than anybody I've seen. Bruce Miller: In five seasons of this series. Bruce Miller: It has to do with the fact that you're from Minnesota. But is there something else that you tapped into? David Rysdahl: I, definitely tapped into my dad and to my uncle, I think there is that sense of being from a place that's hard to authenticate. So the fact that you feel that way means a lot to me. Bruce Miller: did you ever think that you would be playing somebody that you knew. David Rysdahl: So well in so many of your life? You're trying to outrun your parents, and then the reality is that you're going to go play them? I think there's a beautiful irony to it, a universal irony. But when I first got the audition, I told my dad, dad, I'm finally accepting the fact that I am you in a different way. And he loves it. He's like, oh, Dave, you're playing. He's having the time of his life. He's having the most fun of all of us with it, which is great. Bruce Miller: Were you kind of the one everybody would go to like, am I doing it right? Am I getting the acts? I bet Juno was constantly asking you about it. David Rysdahl: Oh, yeah. Rich, Juno, everyone kind of came, and I felt responsibility as a Minnesota. I'm like, I got to get these right? So I actually asked a few. I asked friends from all over the state. I'm from New Walmart, which is a more german influence, so it's a little different than the Fargo, right? But my dad's from. He's norwegian and swedish ancestry from, the middle of the state. And that's where his accent is. Like, it's really Fargo y. And my grandpa had that same. But I wanted to give them a variety. So I had some friends and relatives record just saying how their weekend was. And we got on the scandia, Facebook page and listened to real people there and just tried to make it as authentic as possible. Bruce Miller: Oh, yeah, you really went there, didn't my dad? David Rysdahl: We go home, and my dad, he gave a genuine uff da. And I was like, yeah, see, no, people don't even realize he's like, uff da. And I'm like, we have it on our, coffee mugs. And it's always funny when some of my friends, especially in the Minneapolis area, they're like, we don't talk like that. Bruce Miller: When the movie came out, were you offended by it? David Rysdahl: I wasn't. I thought it was a celebration of Minnesota culture. And Marge Gunderson is, like, a really good person. She's like my aunt. She felt like. Like, I have aunts that speak like that. Who. The idea of what you owe your neighbor, our next door neighbor always blows out our whole yard. We give him a tearing. My mom makes these little coffee cakes, brings them over, and he'll always be over here. He's got this big truck blows out our driveway. My grandpa, he is a volunteer snow remover old guy for 40 years in Clarkfield, Minnesota. So I really thought it was these two filmmakers are talking about this state that they grew up in, the Coens. And I felt like they was celebrating us. Some people, I think, think that it's making fun of it, but I really didn't feel that way. And then being a part of it, it was really important for me that Wayne wasn't a joke, because he's one of the only decent men in this whole season. And I'm like, hey, there have to be some decent men. And I'm from Minnesota. I don't want Minnesotans to come off as like, oh, they're just silly or kind of. There's something genuine there. That's my experience with Minnesota and the Midwest in general. Bruce Miller: He's a good father, too. That I think is extremely important, and, it resonates. Well, how did you hear about it? Did you get a call? And they just, Mike, you might be good for this or what? David Rysdahl: No, it was an old fashioned audition. It was a self tape. came through. We had two scenes. We did the scene, oh, I just want to play floor hockey. My sots with Scotty scene, and then the, oh, you want to take a tumble scene. Those are the two scenes I got to do. And my wife is an actor also, so I got to do them both with her. And then we send them in. They had a few notes. I do it again. And then Noah's like, he wanted a zoom with me, so I did a zoom. My wife was on a black mirror episode in Spain, so I was over there, jumped on a zoom with Noah, and then you don't hear back for a couple of weeks. We were in Berlin. She's half German. I get a call at 11:00 at night from my agents because it's like la time, right? And they're like, you got it. And then we went out dancing until, like, three a. m. It was pretty amazing, but it was a normal casting experience. I think it definitely helped that I just felt like I knew him. Sometimes as an actor, you're like, oh, is this person inside of me? Can I portray him? And I'm like, and Wayne, instantly, I was like, oh, I know him. I know this man. And therefore, it's going to be really fun to audition for it. I don't know if I'll get it, but I definitely know my way into this character. Bruce Miller: It's an easier one to audition for than it would be Oppenheimer, for God's sakes. Bruce Miller: How does that come about? David Rysdahl: Oh, yeah, that one was hard because they gave you dummy sides because you have no idea what the script is. They don't want to give it to anybody. It was literally, you're a professor of physics lecturing to a group of students, and it's like two monologues full of science jargon. One thing about me is I was a chemistry major at St. Olive College. I knew some of the science and allowed me to be like, all right, I know what this stuff is. It's not just words to me. I can make it real. And also, I loved my science professors, so I was channeling them. I channeled my dad in Fargo. I channeled this fun science professor I had, the organic chemist professor I had at St. Olive College for the Oppenheimer. But it was a very different experience because there were dummy sides. You had no idea what the relationship was. They want to make sure that you could do the scientific talk without it feeling like you're an actor. Bruce Miller: So what was that like, though, being part of such a huge film? This. David Rysdahl: so we shot at Los Alamos, and I got there, and I was at a holiday inn, and I couldn't sleep the whole night because I was like, and then you get there the first day, and the first person I met, I got into this van to go to set, and it was, And, and he was like, hi there. Welcome. I'm Killian. And it was just like a normal wasn't. And I was like, oh, yeah, I know. and then we just chatted on the way to set, and he was so down to earth and inviting, and I was like, oh, this is going to be a fun experience. He's my leader in the scene as Killian, but he's also a leader as Oppenheimer. So all those feelings I was having of kind of looking up to him, emulating him as an actor, I could just put into the role. And I think we all felt that all the scientists, he was such a great leader as the lead on the film, and that's exactly what was happening to the scientists. So we could just put everything that was happening in, this meta way into the character. Bruce Miller: Did you have to do a lot of research on him, though? Or did you say, that's not going to read. David Rysdahl: I read the book that it was all based on. We all read the book that it's based on. Nolan wanted us all to read that, and we all read that. And then we also, growing up a chemistry major, I knew a lot of that history already, and it was the breakthrough of thought that was happening at that time. Not only we're starting to realize that we can. I mean, philosophy was changing because at that moment in life and at that turn of the century, and I think we're also there right now with AI. And to have those same conversations now that are mirroring the same conversations we had about this thing that's man made, that's harnessing intelligence or harnessing the power of the atom, and we shooting it during, at the beginning of the Russian invasion, there was a lot of things happening in the world that charged that set. So not only was the research that we were doing in the books, but it was also what was happening in the world. Felt like we were replaying a moment in history that was being recycled in our everyday lives. Bruce Miller: And we'll never be the same again. Bruce Miller: Yeah. Bruce Miller: But then how do we go from being a chemistry major to being an actor? That seems like a leap. David Rysdahl: Yeah. No one from where I'm from is an actor. Right. The idea of being a professional actor was so far outside of my realm of possibilities that I kept it a secret to myself. I acted all through high school. And, I grew up. I was homeschooled, actually, until 7th grade. So I did a lot with, in my home school group, whatever. And then I went to college and I was a chemistry major because I love science. Every elective I could have that was free was an acting course or a writing course. And then I auditioned for the plays and I got into the plays at St. Olive. And then my senior year, I could do apprenticeship at great River Shakespeare Festival. I got into that. I also got an internship at a lab. And it was a very pivotal moment in my life. I was a senior, it was in April. And I was like, I'm going to try it. I'm going to try it. I'm going to go do this great river Shakespeare festival in Winona. I played Laertes in the apprentice program of Hamlet. And I had the time of my life. You got to be around those professional artists, these actors, and life can be like this. You can do this for a living. And one of them was from New York, her apartment in Astoria, Queens. She was going to be gone for a tour. And she was like, well, you can come and live for a month with my roommate. And I was do a sublet. And so I went home and I painted. Told my parents, I'm a tried and living. I'm about to New York. I became a huge Dylan fan at that time, too. And I was like, Bob Dylan came from Minnesota. I went to New York City. Let me just try this out for a year. I painted houses to get $3,000, got a job at this standard hotel. And I used my chemistry major to tutor kids. I tutored a lot of high school kids and did a lot of short films. Spent, my first three years in New York every year. I just felt more in love with it. And it was hard. I was broke the whole time but I was also getting better. And around all these young artists I lived with ten people in Bushwick, Brooklyn. We had three bathrooms and it was like one of these crazy places and one was a musician and a cartoonist. And if nothing else comes from this I get to have had this amazing experience of living in New York and making little short films every weekend. And I remember thinking don't try to look ahead too much. Just look at what's happening right now and appreciate what's happening right now. And if something else comes it comes. And that really saved me. During the dark times when you're confused about what you're doing and you're feeling kind of lost you just kind of like ground yourself in your friends and the art that you're making even if it's at a level that's like a short film. I made like 50 short films in. Bruce Miller: My twenty s. The thing is though. Bruce Miller: You come from a place like I do where they say well that's no career, you've got to have something to fall back on. Bruce Miller: Right. Bruce Miller: And how do you deal with that? David Rysdahl: It was hard as a chemistry major. All my friends were now something many doctors and I did a lot of thought of like well what kind of life do I want to have and who am I trying to impress? Am I trying to impress my uncle who I love to live his life? As long as I feel like it's the life that I'm living and I'm being good to people I'm going to be good to myself, I'm paying my rent. Then who cares? And that choice I think in life everyone has those moments in life. Sometimes people decide to live somebody else's life. But I remember this great Charles Bukowski poem that is about this guy. He talks about he falls in love with a waitress and his family kind of poo poo's it. And then he goes and marries somebody else and is unhappy his whole life and he's in his seventy s and he's divorced and lonely and he's like I should have married. Her name was like Marianne or something and his brother is like well why didn't you? And the idea of like nobody really as if somebody else was living your life or telling you how to live your life and I think that's a choice you have to make is I just kept enjoying it and I was feeling fulfilled by it. Was meeting great people and my soul kept on being fulfilled and that's what ended up being the more important thing than what people thought of it. Bruce Miller: I am not in a rich profession. Every day is different. Every day is interesting. Every day is fun. And I think it's much more important to have those kind of rewards than to be somebody who's just kind of bitter, disgruntled, and maybe makes a lot of money. David Rysdahl: Amen. Bruce Miller: now you prove me wrong and you become very rich and famous, and then you'll have all of it, the best of all worlds. David Rysdahl: Like, I've met people now who are rich and famous. And I can tell you, I feel like we were having more fun broke in our 20s than I did all these short films. A lot of these actors are in their eighty s and we're doing films for no money. And he loved. We were having so much fun. And now I think about being on these big sets, we're doing the exact same thing. This is the same part of the soul it's coming from. You have a little more resources. If you're trying to do this work to become famous, it will eat you alive. But if you love it, if you love the storytelling aspect of the acting, then it doesn't really matter what level you're doing. You get to work with people who maybe just have more resources and are really talented. You get to work with Noah, Holly and Christopher Nolan. And it blows your mind, but your happiness is not contingent on that need. Bruce Miller: But you still get to work with Noah. You're going to be in his next know. David Rysdahl: I know. Bruce Miller: But then you were really good, at the Fargo set. Could I get you coffee? Is there anything more I can do? David Rysdahl: Yeah, you got to ask Noah that. I think he sent me an email after the final day and was like, hey, there's something maybe in alien for you. And I was like, I'm there. And then he called me about a month later and told me about this other guy that you will soon meet. Bruce Miller: You haven't started yet though, right? David Rysdahl: No, we start in February. Bruce Miller: So how did you and your wife juggle this? Because you're both working, you're both busy. Is it like one for you, one for me, or, we'll see you on the weekends or when we can get together or. David Rysdahl: What a great question. She was already working a lot, been together for ten years, and I was doing all these shorts and indies, and suddenly she was gone a lot on bigger projects. And I realized that if we get successful with this, both of us, this is going to be our life. And we had to have a real come to Jesus about that. Are we happy? Are we fulfilled? I mean, it's similar to me, the choice to stay in New York and pursue this thing, it's like you have to ask, know yourself well enough. Like, is this going to fulfill me? Is this going to fill? Like, that's the question every couple, I think has. But now we just enjoy when we're apart, and then when we're together, we're really together. We spend a lot of time together when we're together. And that's what a beauty about being an actor. You also have these moments, like a month where you're both not working. You get to really invest in each other in those moments and then find romantic ways while you're both away shooting to stay and connected. We'll watch movies together over zoom, or have a zoom date, or making sure that during the shoot we'll spend a weekend together and nobody else is invited, just like us being very intentional about our time together. and then also always checking in, like, how are you feeling? Are you feeling good? All right. Creating those avenues of real communication. Bruce Miller: You've got a book in this. You should write this down somewhere, because you know how often you see that people are jealous because they're somehow too busy doing this or whatever, and it's just like, oh, come on, you knew what you're getting into. You know what the demands are. Don't be that way. David Rysdahl: I think stories are interesting when the character gets what they want and then what happens? I think that happens a lot in life. Like, we have this idea of what will fulfill us, and then you get it and then what? Think so? I think for us, it's like, well, we have this life now that we can live. Is it fulfilling to us? Do we want to keep living it? Or if we don't, then let's go to something else. Bruce Miller: What lesson do we learn from Fargo? David Rysdahl: For me, Fargo is all a morality tale, like a fable about the good and the not so good of life. And this season is really about the past trauma, the past debts you can't outrun, right? It's going to catch you, and you're going to have to deal with that. And as a society, I think we're also asking that we all have debt. We have past trauma as a nation, as a society that is being brought up, and we're going to have to sit with it and deal with it before we can actually move forward. For Wayne's character, he can't avoid anymore. There's a lot of avoidance at the beginning of the season, and I think he has to sit in it and go through it together with his. Bruce Miller: Oh, that's great. Was it too cold for you in Canada? David Rysdahl: I bet you, know, I was used to that. And what's nice about Calgary, I don't know if you know that, but they have these warm spells that come up the mountain range. But Minnesota, we didn't have that. It's just know it's blistering the Great Plains, so we actually had a few. In Calgary, it'd be freezing, but then you'd have, like, a week of warmth coming from the know. Bruce Miller: I always say that because we're from the Midwest, we're going to live longer than everybody else because we've been frozen half our lives. And it's like cryogenics, but it's just. David Rysdahl: A good Minnesota way to look at it. Bruce Miller: David, thank you so much. And like I say, and I'm not lying to you, I really warm to your character in this series, and I love this version because I think it has stuff that we can latch on to. I think when they go too far back, it's very difficult to kind of relate to it. But this one is a real test of our strength. But your character, he caught it. He knows exactly what he's doing. David Rysdahl: thank you so much, Bruce. I really appreciate it. Bruce Miller: When we see you for alien, just know I'll, be the one. Oh, good. Maybe then we'll be in person. We'll see what happens. David Rysdahl: Oh, I would love that. That'd be great. Bruce Miller: Hey, thanks so much and have a great holiday season. Terry Lipshetz: All right, Bruce, thanks for that. Real fascinating. Real interesting. Know, it's kind of interesting because obviously he's from the Midwest, so he does sound like he's from the Midwest, but he sounds like he's a little bit in character, but he's also out of character, too, if that makes. Bruce Miller: Right. Right. Well, he knows better and. Hey, where'd he go? He would talk to his dad. His dad was his guidepost there. But there's your second episode of Fargo this week. I'm sorry I can't do better, but there's your chance now, next week, you've got some homework to do before we get to next week, because I want to do the top ten movies of 2023. So I think you have some that you've got to see. I've seen everything that could possibly be a contender. I have even a couple of independent films that I don't even know if they're on anybody's list, but, I want to go through the list of the top ten movies of 2023, and then the following week, we'll do the top ten tv shows of 2023. But that's a calendar year, so make sure you look from January to the end of December. Terry Lipshetz: Looking forward to that. As we slowly wind down this year. Bruce Miller: Hopefully people who listen will send in their list so we can see what you have to say about your favorite films and tv shows. Absolutely. Terry Lipshetz: You can do that through podcasts@lee.net. Send us your thoughts and we'll be happy to share them in a future episode. And for that, Bruce, thanks again for this episode, and we will see you again next week with another episode of streamed and screened.See omnystudio.com/listener for privacy information.
We guarantee you've never truly seen "Hamlet" until you've seen Jacob perform Laertes in pink sweatpants. Unfortunately for you, this means you will never see Hamlet as pictures of this stunning endeavor no longer exist. Happily for us, we got to see what Frank's inner child needs to grow into an adult, Sebastian improvise a goth peanut allergy, and Luella go absolutely mental on mushrooms. But can we guess the murderer? We watched Shakespeare & Hathaway, series 1, episode 8, "The Chameleon's Dish." Hey! Check out www.cluedunnitpodcast.com and let us know what you guessed, your logic cop catches, and anything else! While you're online, sign up for your very own official Cluedunnit Private Investigator license! (https://www.buymeacoffee.com/cluedunnit2/commissions) Or just follow us on the socials and let us know what you think! Facebook: @cluedunnitpodcast Instagram: @cluedunnitpodcast
The panel discusses the two scenes of the final act of Hamlet, with attention to the text's focus on death, the mirroring of Hamlet with Fortinbras and Laertes, Horatio's constant companionship, Ophelia's burial, and the ultimate defeat of Claudius.Continue reading
The panel discusses seven scenes, with attention to Ophelia's innocence and madness, Laertes' hot-blooded response to the death of his father, Claudius' failure to demonstrate the wisdom and prudence of a good king, and Hamlet's apparent inscrutability.Continue reading
Odysseus is shipwrecked on the island Phaeakia. He has been stripped of literally everything, including his clothes. The princess Nausicaa is on the beach with her consorts engaged in the age-old renewal and purification ritual of washing and airing out clothes. Odysseus boldly approaches her completely naked; the servants are frightened and run, but he manages, naked and stripped of every outward mark of power and wealth, to reconstruct his kingly status through the power of aristocratic speech and of his bearing. The true measure of the man, his nature, is in all these cases revealed: heredity and blood become apparent in body. Reduced to mere body, to utter destitution, a shipwreck, or, in the case of his father Laertes, to an unkempt tiller of the soil, the blood of a king, and the fact of heredity--the phusis, nature, the truth about a being--reveals itself precisely in this reduction to bare biology.
En su nuevo libro, publicado por Laertes, la autora nos lleva por un mar de recuerdos de sus viajes. Un recorrido por su mundo tan universal. Escuchar audio
Viajamos a la hamada, el pedregoso desierto de la provincia argelina de Tinduf donde malviven desde hace casi cincuenta años más de 160.000 saharauis en jaimas y modestas casas de adobe sobre un suelo prestado. Es un pueblo en pausa, en actitud de espera, como lo describe la periodista de RTVE Ebbaba Hameida, nacida en el campamento de refugiados de El Aaiún. Un interminable muro levantado por Marruecos en los años ochenta, durante la guerra contra el Frente Polisario, impide el regreso a las ciudades del Sáhara Occidental. Ese territorio no autónomo, disputado entre Rabat y la República Árabe Saharaui Democrática (estado con reconocimiento internacional limitado), ha sido anexionado de facto por el reino alauí, poblado con colonos y algunos saharauis sometidos a la ley marroquí. El historiador y periodista Enrique Vaquerizo nos plantea un interesante y arriesgado viaje por Marruecos, las zonas ocupadas, Mauritania y los territorios liberados al sur del muro. Seguimos los pasos que narra en su libro 'Sin noticias de Ítaca. Un viaje a los dos lados del Sáhara' (editorial Laertes), que incluye una travesía muy salvaje a bordo del Tren del Hierro, el segundo ferrocarril más largo del mundo. Además, la presidenta de la Asociación de Amistad con el Pueblo Saharaui de Toledo, Ana Garrido, y la periodista de RNE Cristina Hermoso de Mendoza nos hablan del programa Vacaciones en Paz, una iniciativa de la que se benefician los niños saharauis en verano y que nuestra compañera ha reflejado en el cuento 'Melón y Sandía' (editorial SM). Escuchar audio
This lecture discusses key ideas from the ancient doxographer Diogenes Laertes' Lives of the Philosophers book 6, The Life of Aristippus It focuses specifically on the philosopher Theodoras' reinterpretation of the key ideas, doctrines, and concerns of Cyrenaic ethics. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Diogenes Laertes Lives of the Philosophers - https://amzn.to/3IfUBA4
This lecture discusses key ideas from the ancient doxographer Diogenes Laertes' Lives of the Philosophers book 6, The Life of Aristippus It focuses specifically on the philosopher Hegesias' reinterpretation of the key ideas, doctrines, and concerns of Cyrenaic ethics. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Diogenes Laertes Lives of the Philosophers - https://amzn.to/3IfUBA4
This lecture discusses key ideas from the ancient doxographer Diogenes Laertes' Lives of the Philosophers book 2, The Life of Aristippus It focuses specifically on how Aristippus and the Cyrenaics viewed the figure of the "sage" or wise person, how they understood happiness, and where virtue and the virtues figure into the good life. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Diogenes Laertes Lives of the Philosophers - https://amzn.to/3IfUBA4
This lecture discusses key ideas from the ancient doxographer Diogenes Laertes' Lives of the Philosophers book 6, The Life of Aristippus It focuses specifically on Aristippus' teaching about the centrality of pleasures and pains in moral decision-making and the good life. It also discusses how the Cyrenaics classified and valued different pleasures and pains. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Diogenes Laertes Lives of the Philosophers - https://amzn.to/3IfUBA4
This lecture discusses key ideas from the ancient doxographer Diogenes Laertes' Lives of the Philosophers book 6, The Life of Aristippus It focuses specifically on the lifestyle, mindset, and priorities of Aristippus, displayed in his choices and actions. Philosophy made it possible for him to feel at ease in any situations, and to adopt the right attitudes towards wealth, power, and those who possess them To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Purchase Diogenes Laertes Lives of the Philosophers - https://amzn.to/3IfUBA4
This week on The Secret Sits, I am going to tell you the stories of a literary forger or two, all based around the most illustrious dramatist and poet to ever live, William Shakespeare. But don't worry, we are also going to have some fun telling these stories.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Shakespeare #WilliamShakespeare #Forgery #WilliamHenryIreland #Hamlet #Laertes #MSC #Bard #AnneHathaway #England #Mulberry #Mystery #TrueCrimes #unsolved #truecrimefan #coldcase #podcast #Crime Support the show
This week on The Secret Sits, I am going to tell you the stories of a literary forger or two, all based around the most illustrious dramatist and poet to ever live, William Shakespeare. But don't worry, we are also going to have some fun telling these stories.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Shakespeare #WilliamShakespeare #Forgery #WilliamHenryIreland #Hamlet #Laertes #MSC #Bard #AnneHathaway #England #Mulberry #Mystery #TrueCrimes #unsolved #truecrimefan #coldcase #podcast #Crime Support the show
This week on The Secret Sits, I am going to tell you the stories of a literary forger or two, all based around the most illustrious dramatist and poet to ever live, William Shakespeare. But don't worry, we are also going to have some fun telling these stories.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Shakespeare #WilliamShakespeare #Forgery #WilliamHenryIreland #Hamlet #Laertes #MSC #Bard #AnneHathaway #England #Mulberry #Mystery #TrueCrimes #unsolved #truecrimefan #coldcase #podcast #Crime Support the show
In Shakespeare's Hamlet, Polonius counsels his son Laertes, exclaiming: “Neither a borrower nor a lender be; for loan oft loses both itself and friend”. If you've been a fixed income investor this year, you are nursing your wounds and might have wished you heeded this advice! At a global level we've seen over a decade of nominal bond returns wiped out for the first time since the early 1950s. Therefore this seems a good time to discuss fixed income, and to do so with PGIM Fixed Income, who manage $790 billion in bonds (as of 30/06/22). Greg explains his perspective of the flaws in the 60/40 model, before reviewing the question of whether and where the bond rout has created opportunity across the spectrum. He discusses government, corporate credit, emerging market debt, and index-linked bonds. He describes why the Fed may remain more hawkish than consensus believes, why restoring “yield” is a good thing, and explains how active fixed income management has delivered more consistent outperformance versus benchmarks (unlike the world of equity management!). Sign up to our newsletter for more in-depth insights | Follow us on LinkedIn The Money Maze Podcast is kindly sponsored by Schroders, Bremont Watches, LiveTrade and Mintus. DISCLAIMER: The Money Maze Podcast covers views, opinions and recommendations of other investment managers which may not represent the views of PGIM. The views expressed by PGIM is not intended to constitute investment advice, were accurate at the time of recording and are subject to change.
This week on The Secret Sits, I am going to tell you the stories of a literary forger or two, all based around the most illustrious dramatist and poet to ever live, William Shakespeare. But don't worry, we are also going to have some fun telling these stories.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Shakespeare #WilliamShakespeare #Forgery #WilliamHenryIreland #Hamlet #Laertes #MSC #Bard #AnneHathaway #England #Mulberry #Mystery #TrueCrimes #unsolved #truecrimefan #coldcase #podcast #Crime Support the show
In today's mini-episode, we are joined by independent author Carly Stevens to discuss her recently released novel, Laertes, and the process and inspiration behind writing a piece of modern narrative fiction based on Shakespeare's characters. Carly Stevens lives in Colorado Springs, where she has taught high school English (and Hamlet!) for over ten years. Writing Laertes is the fulfilment of a long-time dream. She also writes immersive YA fantasy novels set in the dark but beautiful world of the Tanyuin Academy. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Stevens, Carly. Laertes. Carly Stevens, 2022.
Ubicada en el centro sur de Albania, la ciudad de Berat es uno de los principales núcleos monumentales del país. La apodan “la ciudad de las mil ventanas” por la encantadora estampa de sus casas otomanas, que parecen observarnos desde las colinas de los barrios musulmán y cristiano ortodoxo: Mangalem y Gorica. Los separa un poderoso río de caudal variable, el Osumi, y los vigila desde las alturas el castillo de Berat, toda una ciudadela habitada desde la antigüedad, donde las viviendas siempre han coexistido con iglesias y mezquitas. Una mezcla que puede resultar chocante, pero que refleja la buena relación entre confesiones motivada por cinco siglos de convivencia a raíz de la ocupación turca. En la historia más reciente de Albania, sus casi cincuenta años de régimen comunista han dejado visibles cicatrices en el patrimonio religioso de esta ciudad, declarada Patrimonio de la Humanidad conjuntamente con la sureña Gjirokastra. Paseamos por sus tres centros históricos en compañía de la traductora Edlira Gabili; además visitamos el imprescindible Museo Iconográfico Onufri con el guía Andi Shahini y la profesora de la Universidad Complutense Isabel Rodríguez López, experta en iconografía clásica. Viajamos también al pasado en el Museo Etnográfico Nacional con el historiador Eladi Romero, coautor de la guía de Albania de la editorial Laertes. Recorremos el barrio ortodoxo con la guía Anxhelika Hodo y probamos la deliciosa gastronomía beratesa junto a la traductora Alba Beqaj. Por último buscamos el costado más natural de la región en los parques nacionales Tomorr y Bogovë, así como en los impresionantes cañones del río Osumi. Escuchar audio
This lecture discusses the depiction of the Cynic philosopher Diogenes within Diogenes Laertes' Lives of the Philosophers, book 6 It focuses specifically on Diogenes' frankness of speech (parrhesia), its purpose and value, with reference to a lot of examples. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler You can find the text of Diogenes Laertes Lives of the Philosophers here - https://amzn.to/3NqRsi2
This lecture discusses the depiction of the Cynic philosopher Diogenes within Diogenes Laertes' Lives of the Philosophers, book 6 It focuses specifically on Diogenes' ways of living, thinking, and interacting with others and the world, embodying his Cynic moral philosophy To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler You can find the text of Diogenes Laertes Lives of the Philosophers here - https://amzn.to/3NqRsi2
This lecture discusses the depiction of the Cynic philosopher Antisthenes within Diogenes Laertes' Lives of the Philosophers, book 6 It focuses specifically on what Antisthenes' beliefs, teachings, and actions bearing upon the virtues and wisdom. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO You can find over 2000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler You can find the text of Diogenes Laertes Lives of the Philosophers here - https://amzn.to/3NqRsi2
Micaela Mannix joins host Stephanie Crugnola on this week's episode to choose their respective MLS squads of Shakespeare characters! Micaela's Real Salt Lake Squad includes: Coriolanus , Chiron, Titania, Celia, Joan la Pucelle, Pisanio, Tybalt, Laertes, Margaret of Anjou, Helena, and Ariel Steph's Austin FC Squad includes: Rosalind, Tybalt, Mercutio, Hector, Lysander, Puck, Laertes, Cleopatra, Hamlet, Beatrice , and Feste, with Hal on bench Vote for who you think should win on Facebook (/p2mpod), instagram, Twitter (@p2mpod), and now TikTok! Make sure to follow Micaela through 10kShakespeare on Instagram and TikTok, and her podcast Bowls with the Bard on Instagram! Please check out our Patreon for bonus materials and extra content - including my picks for each of the months' episodes, and some new audition monologue content! Special thanks to our new network: Serious Business for bringing us on board and giving us the space to discuss such an important element of Shakespearean Theatre. Check out their other two shows Adventure Incorporated (an actual play DnD 5e podcast) and Ask The Pokedexpert (a highly academic question and answer podcast/stream about Pokemon)!
The eighth circle of Dante's Hell are the Malabolge, the evil ditches. In the eighth evil ditch false counselors are punished, trapped in flames. Dante the pilgrim asks Virgil his guide about one flame in particular Virgil answers, "Within this flame find torment Ulysses and Diomedes.” Ulysses is also known as Odysseus who, after conquering Troy, wandered ten years trying to get home to his kingdom of Ithaca, to his father, Laertes, to his beloved wife, Penelope, and to their son Telemachus. After he finally returns to all that was dear to him, Dante tells us, Odysseus succumbed to wanderlust "to gain experience of the world and learn about man's vices, and his worth." The voyage did not end well. Death and Hell take him. But did he deserve to be in Hell? Was his sin really as great as all that? Prof. Adam Cooper has been teaching Dante helps us understand.
Auspiciada por el proyecto de investigación financiado Memorias de las masculinidades disidentes en España e Hispanoamérica, esta colección de ensayos aborda la representación de masculinidades disidentes (periféricas, heterodoxas, queer, LGBTIQ+) en el cine y la literatura del ámbito hispánico en el último cuarto del siglo xx y las dos primeras décadas del xxi. Las masculinidades no heteronormativas conocen en este período histórico una serie de procesos de reconstrucción estética, ética y política cuyo resultado es una extraña, exagerada y sin embargo provisional normalización de la disidencia genérico-afectiva. Más allá de los beneficios legales de la nueva normalidad, esta época se caracteriza por una intensa hipernormalización en el terreno discursivo: valores, estructuras y paradigmas que deberían proporcionarnos solidez y certidumbre resultan más provisionales y líquidos de lo que estaríamos dispuestos a aceptar. La incompleta normalización de la disidencia genérico-afectiva transita, hoy día, por un terreno difícil de cartografiar en el que el deber-ser (la teoría, la ley, los discursos sociales) no acaba de encajar con el ser y con la experiencia de vida que encontramos en los múltiples testimonios que encierran los relatos, literarios y cinematográficos, analizados en este libro. Alfredo Martínez Expósito es catedrático de Estudios Hispánicos en la Universidad de Melbourne, miembro de la Academia Australiana de Humanidades y miembro honorario del Madrid Institute for Advanced Study. Es autor de La poética de lo nuevo en el teatro de Gómez de la Serna (Universidad de Oviedo, 1994), Los escribas furiosos: configuraciones homoeróticas en la narrativa española (University Press of the South, 1998), Escrituras torcidas: ensayos de crítica queer (Laertes, 2004), Live Flesh: the Male Body in Contemporary Spanish Cinema (IB Tauris, 2007, con Santiago Fouz Hernández) y Cuestión de imagen: cine y Marca España (Academia del Hispanismo, 2015). Ha editado los volúmenes Gay and Lesbian Writing in the Hispanic World (Antípodas, 2000) y Repensar los Estudios Ibéricos desde la periferia (Ca' Foscari, 2019, con José Colmeiro). Presenta Santiago Fouz-Hernández, catedrático en Film Studies and Iberian Studies en Durham University (Reino Unido).
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