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On episode 100 of the show, I'm joined by South African multi instrumentalist/producer and 'Just Jinjer' bassist - Denholm Harding.Denholm began his musical career in Cape Town at the age of 5, when he appeared on a nationally televised talent show open to all ages called ‘Follow That Star' where he made it through to the finals. By Grade 7, he joined popular kids program K-TV as the ‘K-TV Kids' Band drummer and moved up to Johannesburg to pursue his musical career. The band toured Southern Africa extensively for 3 years and appeared numerous times on multiple television shows.Barely out of his teens he then joined South African Multi-Platinum super group Just Jinjer shortly after the release of their critically acclaimed debut album.Just Jinjer are considered one of the most successful Rock bands to ever come out of South Africa and have shared stages with artists like U2, Counting Crows, Stevie Wonder, Maroon 5, Goo Goo Dolls, Def Leppard, Spice Girls and Live… just to mention a few.In taking the next step Denholm coupled his deep understanding of music and instruments with his spectacular ear and began producing albums for other artists and bands like Jesse Clegg and Prime Circle,. He has since been nominated multiple times for “Best Producer” and “Best Engineer” at the South Africa's music awards the SAMA's numerous times.For more information on Denholm or his work, please search for him across all socials or visit https://ardmatthews.com/just-jinjerFor further information on Travis Marc or 'Musicians-Mentor' website, please visit www.musicians-mentor.com As usual, thanks for checking out the channel and if you're getting anything useful from my content, please feel free to comment, like, share and subscribe, thank you. Additionally, for those interested - you can support this channel by - 'Buying Us Coffee'. https://buymeacoffee.com/musiciansmentor Or visiting our affiliate page with the lovely folks over at - 'Soundbrenner'. https://www.soundbrenner.com where you can use code TRAVISMARC-DEAL for 20% off of their products.

It's all Harry Styles’ fault that the 'taxi cab theory' is everywhere you look. His engagement has everyone debating whether finding 'the one' is a matter of fate, or as Sex And The City’s Miranda Hobbes told us, all about timing? We do not agree. The Devil Wears Prada 2 is officially massive. So, is it good? Why did it almost make Amelia Lester cry and why do some Americans just not 'get' our Aussie love interest Patrick Brammall? REMEMBER: We drop segments just for subscribers on Tuesdays and Thursdays, hosted by Mia Freedman, with Emily Vernem and Holly Wainwright. Become a subscriber, HERE. Why is there a Sperm Olympics? How is Australia performing in it? And… again, why the hell is there one? Clare Stephens explains spermmaxxing. Are you super-stylish, or are you just thin? Lena Dunham is heading back to the Met Gala this week, and a new essay from her about the reaction to her past appearances reveal who’s considered cool enough to go. VOTE FOR US PLS & THX: We’ve been nominated for Best Society & Culture Podcast and Best Producer (go Ruth!) at the The Australian Audio Awards. Vote for us RIGHT HERESUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Listen: Is WFH Bad For Women? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: 'My commitment-phobic ex is married with kids. This viral theory explains everything.' The 10 defining moments that made Sex and the City perfect television. 'The 5 types of Met Gala guests I look forward to seeing every year.' A brutally honest review of The Devil Wears Prada 2, a movie that breaks everything. 'I spent a day with Meryl Streep and Anne Hathaway. One moment changed my view on The Devil Wears Prada 2.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.- - - - - AUTO GENERATED TRANSCRIPT:Speaker 1: Hello, and welcome to Mama Mia. Out loud, It's what women are actually talking about on Monday, May the fourth. I'm Hollywayen right, I'm Clays Stephen, I'm Amelia Lester, and here's what's on our agenda for today. The taxiicab relationship theory gets an update thanks to my close personal friend Harry Styles. Speaker 2: Plus dispatches from the Worst Dressed list ahead of the met Gala tomorrow, and a lister shares what it was like to be mocked over her fashion choices for a decade. Speaker 3: And the Devil West product is absolutely everywhere right now, so we unpack why, and we also talk about the fact that Meryl Streep, who must be the most celebrated actress of all time, apparently didn't discover her worth until she was fifty six. Speaker 1: In case she missed it, though out loud as speaking of knowing your worth, we are pulling on our big girl pants and asking you for a favor. Speaker 3: You have to know, if you're listening to this, that Holly is so uncomfortable right now to just go with us. Speaker 1: To still like asking for this. I don't like asking, okay, But there's this thing called the Australian Audio Awards. It's like like the Oscars or the Emmys of the logos, except it's not but for people who speak into microphones like us, right, and we're up for some awards this year and we need your help to win them. So if you love love, love out loud, and we know that lots of out louders do, and you listen all the time, and you think you know what those those women need. They need some public accolades, Yeah, some affirmation. Speaker 2: Think you think you know what I'd like to see. I'd like to see them dress up in some frocks, you get on a stage and make a speech. Speaker 1: Yeah, but particularly you class evens, I would like to see you do that. The very pregnantness you will be when this event occurs, very high heel, great, and you're in your flop here you keep telling us, so maybe you'll be really indiscreet and just get up there and say something rude. Yeah, anyway, we digress. Tell the out louders how they can help. Speaker 2: Okay, So basically these Audio Awards, you go there's a link that will put in the show notes and you can vote for There's two things and sorry, you can vote anyway that you got. Speaker 1: We're not voting, you know, we've got suggestions. Speaker 2: In our interests. We like you to vote for best Podcast Producer Ruth to Vine, Mummy are Out Loud, and Best Society and Culture Podcast Mummy. Speaker 4: Because we are society high society, and we are very we're so cultured. Speaker 2: And we do. The thing is we pretend to be cool, but we really like awards. Speaker 4: And I think that's what people think of when they think of you and me. They're just like, we're. Speaker 1: Too cool for school. Speaker 2: And meanwhile we're like, we rely on achievement for something. But it would be funny. I think. So the podcast Awards the end of this month, right the twenty eight. I believe I would like to win this award. While Jesse's on Matt lead, I think. Speaker 1: You want to just wade right into that weird Steven's Sister dynamic. Just get into the weird Twin stuff. Come in and help. I think there's a people's choice too, So anyway, like just vote for us, vote for wherever you get to vote for us, and we would love it. We can't bribe you with anything except our affection. Yeah, yeah, anyway, shall we get on with the friends over to you, Amelia Lester, I'm up. Speaker 3: Well, it's been hard to escape the Devil Wears prior to of, like, really has it has been everywhere? Speaker 4: I kind of felt like bullied into going to see it. Speaker 1: I feel like Merril's chasing us down with that red pitchfork. She's like, literally, go theater on and look. Speaker 4: It's done really well. Speaker 3: It's done better than anyone expected at the box office over the weekend. I'm going to tell you what the critics said. They basically liked it, and then I want to know what you thought, Holly Claire. I know you haven't seen it yet. Yeah, the critics praised it. They said it was glamorous, they said it was wishy, They said it was the fun we need right now. They called it a millennial nostalgia bath. I love a millennial nostalgia brath. Look, some did question the whole premise of updating a movie that came out twenty years ago. Someone wrote it's less a follow up than a tribute at the satire apparently didn't bite so hard. Speaker 4: Holy. What I want to know. Speaker 3: Is did this movie live up to the marketing height machine for you? Speaker 1: I don't want to be a debbie down of it. No, I went to see it with my sixteen year old daughter, and that was really interesting because the absolute enormous generation gap there in terms of so this is a magazine. Once upon a time, magazine editors were considered very important and influential. She's like, this was a job everybody wanted. That was a lot of groundwork being laid there with my daughter. And look, I'm not allergic to a nostalgia bath. I like that. I mean I back in the day, I was first in line for the Sex and the City movie like I was. Speaker 4: And the vibes were similar. Speaker 1: And even though as we know, that run of movies ended up disappointing us bitterly, in that first movie, I remember the excitement of seeing those women on screen again and being in the movie theater and seeing them walk down the street and like the audience was kind of like, yeah, there's a girl, and we're back in that world. And I think the Devil Wears Prada nostalgia is similar in that these were great characters who've entered, you know, our culture in lots of different ways. Miranda Priestley and Andy Sex and Emily Blunt's character Emily is just heaven. So I understand that wanting to jump back into that, but they've had to give it quite a cynical update to reflect where media culture is now, and so it ends up to me feeling like quite a negative, like it's not and to be honest, the Sex and the City movie was a bit like this too. I remember they were grappling at the time of the financial crisis and so they were like, this cushion costs two hundred and fifty dollars, and lots of the critics were like, who are these women and why are they spending that money? And this feels a bit like that, and that we're supposed to all be lolling and laughing along while they're telling us our media has been hollowed out, billionaires run everything. Speaker 4: I don't know. Speaker 1: Am I being a bit too cynical? No? Speaker 4: I think you're right. Speaker 3: When I went to see it, I went to see it with two friends and they both turned to me at the end and said, are you all right? Because I kind of feel on the verge of tears and didn't Nicki Gammel, Yes. Speaker 1: I saw a review from Nicki Gammel in The Australian where she said, she cried, And she didn't cry because the plot line was really touching it. She cried because of what it was saying. Yea journalism, which is obviously not everybody's industry and they don't care. But if it is yours, you have this kind of affection for it, and this does not dress that up. Speaker 5: No. Speaker 3: And what's interesting is Lauren Weisberger, who wrote who wrote the book, The Devil was Prida a piece for Vogue dot Com on the occasion of this movie coming out about what her life has been like after that book came out. Now, that book was not seen particularly favorably when it came out. People criticize the bad writing. It was kind of seen as a little bit mean, a little bit throwaway, and then that first movie kind of gave the book a bit more of a sheene than it had on first publication. Now, Lauren Weisberger has done great for herself. She apparently announces in this article that she now lives on a boat in a remote part of the Bahamas, which is good for me. Absolutely sounds difficult to get your mail there, but other than that sounds delightful. But her article reminded me that her book was first and foremost about a bad boss. Yes, that's what people loved about it because everyone, practically everyone has been in a work situation where they felt oppressed underappreciated, and everyone could relate to that kind of idea that when you're young, you want to make your mark on the world, but older people kind of are trying to push you down, or that's what it feels like. So everyone knows what it feels like to be young and underappreciated, but the new movie is so far removed from that idea of bad bosses and bad workplaces as it feels alien to. Speaker 1: It's also funny because the bad Boss, Miranda Priestley, obviously became a cultural hero, so much so that Anna Wintour, who she's famously based on, kind of kept her distance very much from the first movie, but now is entirely in on it. She's appearing in all the promo. There's a lot of partnerships between Vogue and this movie, so she's accepted that. But there are a couple of nods in the movie to how times have changed in that now Miranda Priestley isn't allowed to just throw her coat at people anymore, and she has someone who sits next to on the meetings and says things like you can't say that all the time, as if there has been like a woke update, if you like. And that feels a bit funny, But you're right, it was everybody related to this idea that these people are monsters like glamour. Speaker 6: Like. Speaker 1: The idea was that, you know, the Miranda Priestley was kind of a glamorous monster who you got to see a little bit of the humanity of. But by this movie, we're all supposed to be rooting for her, unquestionably. Speaker 2: Because I think even if that was the kind of premise of the book, in the first movie, you're very much you're looking at Miranda Priestley, but you're also it's obvious that she's an icon and that it's Andy's character arc to kind of fight against that, not that there's something inherently wrong with Miranda. So so I'm interested to see in the second in the second one, whether, yeah, what the stakes are then if there's none of that tension. But as much as you say it was depressing, am I like because I'm going to go see it. I like a film that isn't good. Speaker 1: I don't know what you mean, but for me it felt and look, I'm not no spoilers here. And you do get lots of fashion montages, you get lots of a fashion show montages. You get you know, they're walking in a different coat every two minutes, there's music, there's celebrities everywhere like this. It delivers all that, okay, but it just for me, it felt kind of a bit empty. And basically the steaks are which billionaire is going to get to own this business? Which was kind of the stakes the first time around two is like will Miranda get to keep a job? And it kind of feels like I don't know if I care about that. But Patrick Brammel, isn't it Remember last Wednesday we were all giddy on the show because he was here and we bumped into him in the offices. He wasn't here to see us, sadly, he was here to be interviewed by the amazing Kate Langbrook for No Filter, and that episode's out today. Speaker 2: I have purely been absorbed being vibes so far online and I think you guys are pretty spot on with the vibe of people. People I've seen they're like, yeah, yep, fun But Patrick Brammel. I'm obsessed. I'm obsessed with him and Harriet Dyer, who's his wife. They co wrote, co starred in Colin from Accounts, and now he's. Speaker 4: Maybe one of the funniest TV shows ever. Speaker 2: Yeah, and now he's in a bloody Hollywood movie with Anne Hathaway. Is he hot? Is he car like? What's the what's the go? Is there? Is there? Speaker 4: Bare? So I want to. Speaker 3: Say the outset that I love Patrick Bramore and I think he's so good in this movie. And to me he was a highlight. He was he was just so he gets to play an Australian. So you might remember in the first movie, Andy Sack's love interest is also played by an Australian, Simon Baker, my personal friend has discussed on the show, but he has to put on an American accent, whereas in this one, in recognition of the fact that there are a lot of Australians in New York these days, he gets to play an Australian. So I loved it, But then I started to hear the rumors that his part has really been cut down. People observed that it felt a little underdeveloped, and I. Speaker 4: Was surprised to read that. Speaker 3: A lot of the reviews felt there was zero chemistry between him and Anne Hathaway. Oh. Speaker 1: I didn't feel that necessarily, But what I did fit I knew that his part had been cut. And the reason I knew this is because when we first found out about Patrick Brammle, there lots of pap of him and Anne Hathwayne. She's wearing this particularly incredible sort of bluey purple sequin slithery dress that's just like oh, and she was like spinning around a lamp post and it looked like she was tipsy, and he was holding her back and this kind of stuff. That whole sequence is not in the film, so it obviously has been cut back a lot. Speaker 3: Boy, I love your forensic knowledge of this so bad. Speaker 1: I did spy on that. But I think one of the reasons why he plays such a small part because basically he's the love interesting Again, no spoilers about whether or not that works out, But this movie is about girl bosses. Even though girl bosses are out of fashion now, this movie is ultimately about that. It's about Andy's ambition, It's about Miranda's ambition. They sort of talk a lot about how much they love work, and they're the partners are all a bit beta and a bit like not relevant. Speaker 3: Including by the way, Meryl Streeps, who was played by Kenneth Branner. Yes, and the reviews also commented that that didn't work for them either. So maybe just the writing around these boyfriends and husbands felt hollow because that's not where the interests lay. Speaker 1: But isn't it funny because we used to critique girlfriend roles, you know in movies. We'd be like, oh, the so and so actress, she just has to play the girlfriend. Not no character development, right, no particular complex characteristics or backstory. They're just the girlfriend. And I feel like this and so maybe this is progress. This is one of those movies where there are just the boyfriend roles. Speaker 4: So it's just like true sort of. Speaker 1: Middle aged guy. Well, I don't know whether Patrick Brewmle will qualify as middle age whatever, like nice enough age appropriate guy of name recognition is in this person's life, but we don't really care about them. Speaker 2: There is one person who is pretty convinced that there was chemistry between Anne Hathaway and Patrick Brammel, and it is Patrick Brammle's wife, Harriet Dyer. She I lulled so hard at this. She has uploaded this Instagram video where the caption is trust No One, and she is filming her TV as her daughter stands in front of it, and Patrick's on a red carpet and he is asked by the interviewer about Anne Hathaway, and he says, playing someone who falls in love with Anne Hathaway. Tough gig, tough gig, and he looks straight at the camera, and then the interviewer says, the world's most beautiful person according to People Magazine and everybody in here, and he says, and me too. Andy rewinds it and plays that again and then switches a camera to her and she's like what, And she's got her glasses on and just sitting at home, and then she interspersed it with all this footage of like when you propose to her their wedding. Speaker 4: Apparently they got engaged five days after he proposed. Speaker 2: Yeah, yea, yeah, they got married five days up. Speaker 3: Yeah. Speaker 2: It was like, so they've had this beautiful love story in him reading Newborn books and being miscored and hath the way talking about how gorgeous and joyful he is, and it's just so good But a great part that Amelia directed me to is that so ninety nine percent of the comments from Australians absolutely get it. That they're like, yeah, this is funny because like whose husband ends. Speaker 4: Up in Hollywood? Speaker 2: Blod faster. But there are a few Americans who are like, oh no, this is this isn't right. Speaker 5: Yeah. Speaker 3: No, there's a distinct portion of the comments that are like I don't understand what's happening here, or like check on your husband, or like just completely missing the point. And I have reason to believe, in part from the spelling of said comments that they may be from Americans. There's a suspicious lack of us in words like coloring. And that got me thinking as to why Patrick Bramle, who I thought worked so well in the movie, had evidently been cut down. And I wonder if it's just because he is allowed to play such a quintessentially Australian part in it. He is very laconic, he's very understated, he's got that very kind of irony seeped Australian wit about him, and maybe it just didn't play very well in a movie that's actually not very irony drench. Speaker 1: That's true. I just have to mention one more thing, because I think Mia would throw something at my head if I didn't. Twenty years have passed between these movies. Twenty years has not passed on these ladies' faces. Yeah, it's just be very clear about that. Speaker 2: I could have told you that without saying any Yeah. Speaker 1: That doesn't matter because in lots of ways, I think particularly Emily Brunt Blunt's character she plays, she's obviously still Emily, you know, the former assistant, but she's got a villain arc in this and she is meant to be again, this isn't a spoiler, the hot new girlfriend of a billionaire character. So they're like commenting. The script is commenting on the fact that the tech bros run the world now, and there's kind of a Bezosi character who's had a glow up in her hot new girlfriend, and she would have done all that stuff to her face. Question so perfectly character, you know, in character, and appropriate for the industry, for the vibe and all those things. But it is astounding to think it was twenty years ago. Because Anne Hathaway, Meryl Streep, who is just one of them. Speaker 2: She seventy, She is incincredible. Speaker 1: To look at her Jita performance and this is great. You're just like, Wow, my twenty years and your twenty is not the same. Maybe I live in doggy well, Meryl. Speaker 3: I did want to also say that Meryl had a great moment in her interviews for this She was being interviewed on the American Today Show by Jenna Bush Hager, who was incidentally George W. Bush's daughter, and Jenna was talking to her about the fact that she initially turned down the. Speaker 4: Role on the Devil Wes product Let's Have a Listen called me up and they made an offer and I said, no, I'm not going to do it. Why because I. Speaker 1: Wanted to see. I knew it was going to be a hit, and I wanted to see if I doubled my ask. Wow, And they went. Speaker 4: Right away and said sure, And I thought, I'm fifty six year It took me this long to understand that. Speaker 1: I could do that, that you can ask for what you want. Yes, and I wanted it. But you know, if they didn't want to do that, I was okay, because I'm old. I'm ready to fifty six. Speaker 4: I was ready to retire. Speaker 1: But you know, I love that story. I also love that story because, as she says at the end, there she was fifty six, and she thought, well, I'm winding down, you know, like good years. Her career has been unbelievably amazing in the last twenty years. Speaker 3: I know. Speaker 2: And it's also quite inspiring to think you can have that lightning rod moment at fifty six, because I beat myself up thinking, oh goodness, maybe it's too late for me. I should have had it backbone before. Now I've got some time. Speaker 4: We've got time time to develop it. Speaker 1: Merril's shown us all that after the break. What Harry Styles can teach us about love? I don't think so what Harry Styles can teach us about taxicabs, which I also have to explain to my daughter what they are as well. God help me. But while we're on a roll of things from another time, A TV show that ended in two thousand and four has provided some of the most enduring relationship theories of several eras. I think there was He's just not that into you, which can also be She's not just not that into you. It's fine, And the other is everywhere in the news this week because of my close personal friend Harry Styles. I think we touched on it last week that Harry and Harry is engaged to Zoe Kravitz. Now, he hasn't said that because he never says anything about his personal life, but sources close to have confirmed. Speaker 4: Oh good, old sources. Speaker 1: The woman is wearing a golf ball sized diamond on her finger. It's on. It's definitely on. And this has started a lot of headlines like this one. Harry Styles and Zoe Kravitz are reportedly engaged after less than a year, and fans think this wild theory explains why, and they mean the theory I'm about to explain to you. Harry Styles proposing after eight months is further proof that taxi cab theory is real and none of us are safe. Okay, are you across what taxi cab theory is? Speaker 2: Yes, I'm across it from Sex and the City. As you say, I believe it was a bit of Miranda Wisdom. Speaker 1: Oh no, it was Miranda brand I'm about to play it to you. Yeah, Season three, episode eight. This iconic statement the wait. Speaker 2: Hedge, it's fate. Speaker 4: It's not fate. Speaker 5: His light is on, that's all what lights. Men are like cabs. When they're available, their life goes on. They wake up one day and they decide they're ready to settle down, have babies, whatever, and they turn their light on the next woman they pick up them. Speaker 2: That's the one, Mary. Speaker 5: It's not fake. It's dumb luck. Speaker 1: It's not fake, it's dumb luck, so says Miranda Hobbs. Now, obviously none of us, not even me with my close relationship to missus Steals, knows whether or not there's any truth to this in terms of their relationship. But the reason that it's being applied to him is because it has one of the classic characteristics of taxi cab theory, which is that he has had quite a lot of high profile relationships. And when I say high profile again, he's never mentioned any of them ever, but there are photographic evidence. Speaker 4: Is that right? Speaker 1: He doesn't talk. Speaker 2: About his was his most recent one before. Speaker 1: So he was with Taylor Russell, who's a British actress, for quite a long time. He obviously famously dated Taylor Swift. Yeah, he was with Olivia Wilde for quite a long time. He's dated Kendall Jenna, He's dated Caroline Flack, He's dated a lot of people. Speaker 3: Can I just interrupt Holly and ask do you think he's going to come to the tailor swift wedding now that he's engaged to no should wedding guests. Speaker 1: I we really hope so that wedding is going to be the best. The reason why they're applying this theory to him is they're saying that a trademark of a taxi cab the taxi cab theory, And I don't think this is just a men thing. I think this is men and women. Is that you know, you date lots of people and you try them all on and whatever, and the theory is that one of them is right for you. But taxi cab theory says it's not that one of them is right for you, it's that the timing is right for you. And they're saying that's why Zoe and another trademark of it is quick. So you've been dating, dating, dating, dating quite long relationships a year here, two years here, three years there, whatever, But then eight months he has been dating Zoe that we know of, he puts a ring on it. Taxi cab theory thoughts. Speaker 2: From the outside, he's looking ready to settle down, and so we all then assume that he's gone, Okay, who am I? Who am I next to right now? Who do I happen to be at dinner with? Speaker 1: Oh? Speaker 2: I happen to be with Zoe kra which is Bloody Convey, which. Speaker 1: Is a very good dinner because, as I discussed, absolutely amazing. Speaker 2: She's incredible. But the way at least this article was constructed was very much that it was about him and his readiness. And the thing I worry about is that do we start thinking if we use this theory, do we start thinking that someone is only with somebody because of timing, that it's interchangeable, it could have been anyone. It's not real, it's not a real life. Speaker 1: I don't think that's the correct way to view taxi cab theory. I think it's not about you'll do, it's that the timing is right. And the reason they're not applying it to Zoe Kravitz is because she's been married before and she's been engaged before, so it doesn't apply to her in the same way, do you know what I mean? So my theory on this, and the reason why I think it's true not for everybody, like everything isn't for everybody, is that we like to have a romantic narrative that there's one right person for us, and whether we meet them when we're nineteen or fifty nine, we will just know that's the right person for us. That's it. And what taxicab theory says is that's not true. There could be lots of right people for you, but in order for you to to get together and settle down in verted commas, you have to it has to be the right timing. So other examples for this might be Taylor and Travis. Right if they'd have met at twenty two, because at the same age, would we not have any of these beautiful songs that we have for Taylor, Or if they'd have met when they're twenty two, would the timing not have been right for them both to commit in the way that they are now ready to commit. So in my mind, taxicab theory doesn't mean you're settling or it's the wrong person. It just means timing is everything. So the people I dated before I met my guy, if you're a serial monogamist, and many of us are, we like to go, well, none of those people were right, This one's right. But the truth of it is is probably like that one probably would have been fine, but if we weren't ready, I don't. Speaker 2: Know it's by romantic sensibility. Speaker 3: I think I sort of agree with both of you a little bit, and agree with both of you a little bit because I think what the taxicab theory misses is it makes it very one sided, now, whether that side is a man or a woman. I take your point, Holly that even though sex and city talks about men are like cabs, we could equally apply to women. But a relationship is about a dynamic between two people. And what I think this theory overstates is that it's just about one person picking another person. And I don't think that's how relationships work. I don't think a relationship works or like ends in marriage. And I'm using air quotes here for anyone listening, just because one person decided, Yes, this is the person I'm going to make it work. It's about two people meeting and deciding together. And that's what's different about when you get in a cab. It's not about a mutual decision. Speaker 4: It's about one person deciding. Speaker 1: I agree. But the way that I've always thought of taxi cab theories, you both have to have your lights on, do you know what I mean, like, you have to both have your lights on for the timing to work. If one of you has the light on and the other one doesn't, it's not going to work. You both have to have your lights on. Speaker 3: I feel like that was what was really You know, we've been talking on this show about what happens over twenty years, and I think that that line from Sex and the City, they weren't talking about both people having their lights on. I think back then we had an idea of relationships which was that men in heteronormative heterosexual relationships men picked women. Yes, I think, and you're trying to update it, which is good. Speaker 6: Yeah. Speaker 1: Although I think I always that was always my understanding of that quote, because I think in later in the show, Carrie's talking about my lights not on, his lights not on, Like I always sort of understand it to mean it's all about timing. And I genuinely do believe that a great deal of whether or not a relationship will work or not is about time. Speaker 2: I think you only have to watch one to eight seasons I've Married at First Sight to see that it is not oh that much about time, because you've got two people who's lights could not be more on who are matched by very clever, non manipulative psychologist and they go in and you can have your light on as bright as it can possibly be, and it still doesn't vibe. Speaker 1: I don't buy that because I don't think their lights are on for that at all. Speaker 2: Oh holy just because they're getting Instagram followers. I am not looking for real love. But the other thing is, I don't know. I think you hear so many stories of people who may be met at a time that wasn't on paper a particularly good time. Speaker 4: Oh that's a good point to people. Speaker 2: To meet, and it's still and it still happens. Speaker 3: Yeah. Speaker 1: But I think, like any theory, it doesn't apply to everybody. One person's going to meet. Some people are going to football in love of their childhood sweetheart stay with them forever, right. But in the dating world, in the world where you are trying people on, if you are serial and anogamizing, I think that's where this comes in, because sometimes your lights on even when it shouldn't be. Like if you heard of the getaway car theory of like you find a relationship to get you out of the relationship you're in, so you could be married and one person's light is on and the other one doesn't know. Like I think the point of it is that for a lot of people, the one true love theory isn't necessarily it. It's more like, is this the right moment? Clooney and a mile? Very good, very good advertising for that. Speaker 2: No, hard because I'm also like A miles A mile. Speaker 3: Zoey, like, I don't know for a proving any extraordinarily Well, no, but I don't like that theory right because I bet that. Speaker 1: I mean, of course a mile is extraordinary, and of course so is extraordinary. But that theory buys into the idea that everybody who didn't get picked there was something wrong with that and we're waiting for like. So my point about A mile and George is he was married when he was young, but through all his big rise he was single, and he was known as the most eligible bachelor in Hollywood. And I think that he made a bet with Nicole Kidman comes to mind, I will never get married again? Speaker 3: Is that during that period, as people may remember, I had a long phone conversation with him. She went for about an hour in a work context, and I guess he's light his life just wasn't. Speaker 2: Why. Speaker 1: But the thing is is that of course these women are amazing, because of course they are. But if you believe that it just takes the right woman, then that's like a model of exceptionalism that I'm not that into. Was more likely getting to a point in his life where it's like, I don't want. Speaker 3: To be a six I don't want the pot belly pig as my life, and. Speaker 1: Then he meets an extraordinary woman, and he would have met other extraordinary women in Amma would have met a million extraordinary men who wanted to tie her down like she's a catch and a half in a million ways, intellect, beauty, human rights, like savior. She's incredible, but her light probably was not. Speaker 3: I feel like you just out sexist argument to know. I thought the taxi like theory was sexist, which turns out I was carrying. Speaker 2: Around the sexes I think. I think that there are I think the taxi light theory does make us feel better about ourselves, but that doesn't necessarily mean that it's true, because because I think it's really convenient to be like, oh, that man like George Clooney. The reason he didn't end up with all those women was because of timing, not because he wasn't compatible, it wasn't right whatever, Whereas I think I lean towards Amal and George were always destined? Speaker 4: Is that do I? Speaker 1: Did we just say the word destined? Speaker 2: I think romantic you. Speaker 4: Are because you met the love of your life quite young. Speaker 2: Yes, I think maybe I'm trying to justify my own choices, which is. Speaker 1: And maybe I'm trying to just always because I don't. I don't buy the theory necessarily that everybody before was wrong and it was the right fit. Speaker 4: Oh, you haven't met my ex boyfriend, fair cool. Speaker 1: I'd love to know what we think about the taxi light theory, and also if there's an update, because I've heard a couple like some people say it's musical chairs, who are you with when the music stops? Some people say it's coughing season. EMM has said that, like there's times of years, seasons in your life where you're just like, Okay, let's do it. Speaker 2: I need someone. Speaker 1: But I was wondering because my daughter wouldn't even know about taxis and lights on. Speaker 4: No, no, we need to fit into this. Speaker 2: But yeah, yeah, it's like the ubers available and empty. Speaker 6: The. Speaker 1: Waiting time on this No, I can't ten minutes too long. Tell us out louder. Speaker 2: We're really in an era of maxing, which we've touched on on this podcast. Not me personally. I'm not maxing anything. Speaker 1: I'm just everything is maxim but everything. Speaker 4: Other people very optimi everything. Speaker 2: Yes, so looks maxing, sleep maxing, fun maxing, which sounds gross. But here's one I hadn't heard of until this weekend. Sperm maxing. I like it because it's not something I can personally participate in. I feel excused from sperm maxing. Speaker 1: What how does? Speaker 6: What? Speaker 4: How do you? Speaker 1: Maxis swem? I'm not I don't need to know. I'm just curious. Speaker 2: Headline in Sydney Morning heralds red iced testicles and abandoned underwear. This is the world of sperm maxing. And it begins by telling us about a lovely man named Mick and his partner Holly, and oh there you go, Holly, I'm in. So they were discussing their plans to have a family, and Holly was and Holly was saying she had fears about her fertility, and Mick said, you leave that to me, love, And so what he did was he stopped wearing underwear because most underwear is made of polyester, and that's apparently and a crime disruptor. Come on, and lowers testosterone. Speaker 1: I believe many babies have been born to polyester wearing people. Speaker 2: And then he would ice spark at least once a week, not that shrunk, No, no, no, Heat's the bad thing. Because then another guy called Tom was explaining that he goes in the sauna, but don't worry because he takes an ice pack with him. Speaker 1: And puts it on this necessary that would be a very confusing sensory experience. Speaker 2: Because apparently excessive heat is damaging to sperm. So apparently there is some evidence about heat and sperm. But the rest of this is complete. You won't believe it, but it's complete bullshit. But Brian Johnson, who's that tech entrepreneur who's obsessed with longevity, claims to have the one who has his sons. Speaker 1: Yes, the one who has his son's blood injected into He's done so many and measure time erections. He doesn't need food after eleven am. Speaker 4: Like that guy. Speaker 1: He's living a long but very boring life. Speaker 2: Yeah, well, he claims to have sperm quality to rival a twenty year old. He's got no basis that claim, but that's what he says, which brings me to the Sperm Racing World Cup. Are we aware of the Sperm Racing World Cup? Speaker 1: Totally? Speaker 2: I discovered this and it is the funnest thing I've discovered as of late. It's founded by tech entrepreneurs. Speaker 1: They have too much money, too much money that they should come to my We did frog racing, peak racing, like good. Speaker 2: Sperm race should be doing some sperm racing. It's a race that's going to be held in San Francisco next month. Speaker 4: I think what they're saying is that their cab light is on. Speaker 2: Yeah, I'll show you with my literal sperm. And it's one hundred and twenty eight men, each representing a different country, and they submit semen samples which then compete in a microscopic race for a one hundred thousand dollars prize. Now here's the ad for it, because I know you guys are interested. Speaker 6: The Sperm Racing World Cup one hundred and twenty eight countries, one hundred thousand dollars grand rights, the highest stakes competition elequancy. We are searching for the healthiest man alive. This race will immortalized a nation to your country is watching, the world is ready. Speaker 3: I don't want to know what images are currently playing. Speaker 2: It's sperm racing. Speaker 1: This brings a whole new meaning to the term wanking. Frustrating one hundred thousand dollars price. Speaker 2: Yeah, but I as much as trust the tech bros To make a literal tournament out of sperm racing, which I have to say I'd love to attend. I mean, how do you make it exciting? I don't know. This is interesting in the sense that fertility has traditionally been in something that women have seen as their soul responsibility and burdens. And it's nice that men are starting to recognize that. You won't believe it, but fifty percent of fertility is down to the man. Speaker 4: This feels like Elon Musky to me. It feels musky. Speaker 3: Yeah, and I imagine, yeah, and. Speaker 4: You got the That was the joke I needed. Speaker 2: And obviously the problem is that not every fertility issue is has a cause or like it's it's not your fault. Speaker 3: I'm sorry you're trying to what's problematic about the spermilm? Speaker 4: So I think we get a crash and it's. Speaker 2: Literally not a race. Do you reckon? Speaker 3: You can do a little bit of a race. Are you familiar with the facts of life? It is literally a race. Speaker 2: But do you reckon? You can tell when a man has very fast spur? Speaker 4: Oh my god. Oh interesting. Speaker 1: But do you think he's putting it on his dating profile like one this it would definitely be on that. Speaker 3: It's going to immortalize his nation. Yeah, for Australia, I need an update on this. Speaker 2: When it happens, we'll have to keep everybody updated on the tournament and Australia's participation. We need to find who's representing Australia. Oh my god, sorry, I've got another contact. Speaker 4: So clear, like you asked, you posed a question to the group. Can you tell first sperm? Speaker 2: Yeah, something tells me like you kind of know who would have fast sperm. But I don't think it's necessarily a good thing. Speaker 4: No, it's not always. Speaker 2: No, I think it's it's aggressive and it's like congrats Elon musk. But like you're releasing a lot of sperm and you're not like hanging out with that sperm very much? Speaker 1: Are you may not taking the sperm to soccer again. Speaker 2: No, you're not taking a sperm to sport on the weekend, and I think that's very sad. Oh my god, after the break, we get you across everything you need to know about the Met Gala before tomorrow. Tomorrow on the evening of the first Monday of May, which is always confusing. But America exists in a different time to us. Speaker 1: There are one day behind us. Speaker 2: They're one day behind us, and I always have to google time in New York. As is tradition, four hundred and fifty very glamorous guests are going to start arriving at the Met Gala. The dress code for this year is Fashion is Art and the theme is Costume Art and I don't understand the difference between dress code and a theme. Speaker 1: And also always yeah, the Met Gala is about a costume institute in an eye museum. Speaker 2: Yeah, okay, I'm glad I'm not the only one who was feeling like because I was like, I think it's just me not understanding fashion. But no, it's weird. So guests are invited to explore their relationship to fashion as an embodied art form. That might mean that there are references to literal art, literal paintings, literal kind of art, moments like whether it's the Renaissance or whatever. But it's the Met Gala, so I think everybody just goes bat it crazy and we don't really understand the tide of the theme. Most of her time, Anna Wintur is still the chair despite having handed the rains reluctantly. Speaker 1: Streep is still the chair. Speaker 4: Yes she is. Speaker 2: And she's enlisted Beyonce, Nicole Kidman and Venus Williams to serve as their evening's. Speaker 1: Co chair, so they have to go. Speaker 2: Yes they do. Holly, there's a little bit of gossip about Anna Wintour and whether we can expect to see Harry and Meghan at the met Gala. Speaker 1: You see, the thing is about the Met Gala, and we'll get to this in a minute too, but whether this is is particularly fraught with who will accept an int because of the involvement of one aforementioned Jeff Bezos and his wife Lauren Sanchez Bezos, because they are bankrolling it. So in the past, big companies bankrolled it. I think Apple's bankrolled it before, TikTok's bankrolled it before. Now it's Lauren and Jeff, and some people are like, I don't think we want to be part of that, So we're not going. Speaker 3: And there have been protests. People have been putting bottles of urine or a liquid that appears to be urine, scattering them around the Metropolitan Museum of Art in the lead up to the gala to protest the fact that the alleged fact that Amazon warehouse workers are not provided with toilet breaks. Speaker 1: Wow, that's a protest. And for the last few years they have been to kind of eat the rich vibe boiling away about the met gala for good reason, but this year it's overt, right, So I reckon that Harry and Meghan might use that as the excuse for why they weren't invited. You I didn't want to go any who wants to go and hang out with Jeff and Lauren. Those people are bad, evil, naughty. But actually it's that Anna wouldn't invite them, And why would Anna not invite them? So the word on the street is that Anna because it used to be Anna. Winter's relationship with celebrities evolved a lot over the years, and if you watch The Devil We was Proud of Too, you'll know that was a matter of survival. There was a time when she was like Kim Kardashian, I don't think so she's not vogue, and then she literally is exceptionally vogue these days. But she apparently doesn't like Harry and Meghan because she's a royalist, a staunch royalist. She's a dame after all. This might be overregged a bit, but she's a royalist, so she doesn't approve of what happened there and the way that Harry treated the late queen allegedly, and also that Meghan chose to do her first ever Vogue cover with Edward Ennafel in Britain and Anna was not happy about that and sees her as a bit. Speaker 2: So I wonder if eventually they'll be considered. Speaker 1: I think Anna's backtracked on enough things and in fact, you know, but as I say, I think that Harry and Megs, if they're not there, which I don't think they will be, well, could definitely use a social justice excuse. But there are a lot of very famous people who are going to be there, of course, including as you've said, the afore mentioned Nicole. Lena Dunham's going, which I find amazing because I've just read a memoir and she talks about the Metgala and not glowing terms, but she was on one of the committees as well. I think we've got Sabrina Carpenter, We've got Zoe Kravitz, so we might get Harry. We've got a lot of very famous people who are going. But this year, more than ever, it's kind of political. Speaker 3: There's a bit of a tipping point being reached about it. Amy O'Dell, who writes a fashion subject called The back Row, wrote last week a piece that I've seen a lot being quoted and circulated which basically argues that the met Gala is in danger of becoming uncool. Speaker 4: And the whole point of the met. Speaker 3: Gala was that it was cool, right, It was like the ultimate and fashion. And the problem is that by allowing the Bezoses to bankroll the whole thing and a winter, risks turning the whole thing into this very craven exercise that no one will want to be a part of. So it's interesting. I'm going to be watching the Red Cup very carefully this year to see if it does feel like the star wattage has been slightly dimmed. Speaker 2: Yeah, and if the people who make it cool because Ndaya is not going Zendaya makes things cool. Speaker 4: She does. Speaker 2: So what I found interesting in all the kind of stuff I've seen about the Met Gala coming up, there was a great piece on Lena Dunham's substack called and her subtacks called good Thing Going, and she wrote a piece called Dispatches from the Worst Dressed List, and I clicked straight away because having been a huge fan of girls, having been a huge fan of her, I remember years and years and years of seeing her constantly mocked for her fashion choices, and I remember wanting to scream at my computer and be like, it's not the fashion, you're talking about her body, And I was so frustrated. And she has now kind of processed that. And as you say, Holly, she's going to be at the Metgala, which is a bit of a surprise. But she writes at the beginning that she's in the process of getting ready for the Met Gala, which she loves to watch but tends to wobble through. And she talks about some of the things that were written about her and how it destroyed her relationship to fashion, and she had loved it when she was little, she had found it really really fun, but it got confusing. She writes when dressing became a bit more of a public affair. Basically, she quotes a bit that Joan Rivers said about her, where she said, it's okay stay fat, but don't say it's okay that other girls can look like this. Try to look better, and Lena Dunham Wrights, I was trying. We just have a different definition of what better meant. And do you guys remember those years? Oh yeah, her just being made fun of. Speaker 1: But also because as I said, I've just read the book, or nearly at the end, it's very clear that she's got like she went through years where she was conventionally skinny, and if you correlate this in the book, that coincides with time when she was really struggling with her health and her addiction issues and with mental health and all those things. Since she'd be super skinny and people would celebrate her for that. She made the cover of Vogue famously once in one of those eras, and then there were other times where she was encouraged. There's a part at the beginning about girls where she was told put more weight on the fact that your body looks the way it does is the thing that makes this show Edgy get bigger. So like her body has obviously been objectified to send different messages at different times about all kinds of things. But it's also clear in her book that she does love clothes and style and fashion and that her mind did does and so it was part of her world. But that's not the case for everybody. Right, If you go to the Met Gala, especially these days, you're generally paid to be there by a brand. They will dress you, they will style you, they will do your duels, they will do your put you up at the hotel, and you'll do all these things and it will cost them millions. But I was reading about how it's seen as the best possible advertise, which is be interesting. If the coolness factor wears off, as you're talking about Amelia, that is the best marketing spender brand can have. Because apparently the media impact of the Metgala is bigger than the Super Bowl in terms of how Father's pictures travel, how much coverage it gets, the fact it's televised, it will be on every news side, it will be on every social media feed forever. That not only the brands who are actively involved, like Vogue and whichever are actually sponsoring it will be the ones who cover it, so it is seen as money well spent, and the event itself costs about six million to put on. Speaker 3: Yeah, I mean, it's obviously at a level that few of us can relate to the met Gala, But that Lena Dunham piece gave me a lot of feelings. Speaker 4: I loved it. Speaker 3: I read it as a companion piece to the love Story discourse. This whole idea of Carolyn Bessett Kennedy, who was lauded for her fashion sense. Speaker 4: People ask the question, is this fashion or is she just thin? Speaker 3: And this was kind of the flip side to that argument, which is can I not be fashionable if I am not thin? And I loved the fact that she asked that question. This really hit home to me because I have never felt like someone who knows how to dress. I am surrounded by very stylish people, and I grew up with like friends. And I interrupt, Please don't I think of myself as I feel like I've struggled with what to wear my whole life. And I do enjoy clothes. But it's interesting that when I was at my skinniest and probably at a pretty unhealthy relationship with my body. I was lauded much more for my clothes and for my supposed style than at other points in my life. And I love that Lena's teasing out that connection. And just recently I saw some comments online that said that I don't dress very well, and it hurt my feelings because I was like, I try, and I do try with my clothes, and I meant to not try. I mean, as as Miranda Priestley reminds us in The Devil wes Prata, we all have to get dressed in the morning, so you may as well put some thought into it. But I do wonder how much of what we perceive of as stylish is actually connected to bodies. Speaker 1: Oh so much of it is. And I mean this last night literally, I was packing for the week because I always come up to Sydney on a Monday morning. I usually stay for a couple of nights, so I've got to think on Sunday when I'm in my most harried, like what am I wearing? Obviously we're on camera, but and I was in my huffing around in my bedroom, going I hate all my clothes. I hate all my clothes, and my kids could hear me, and obviously because I am aware, you know, feminist mother, I do not huff around my bedroom going I hate my body, nothing fits me. But the code is I hate all my clothes. I've got nothing to wear, and my son it's like, what do you mean, why have you even got those clothes if you hate them? You know, But there is no question that these things are so connected, and that fashion world, particularly the high fashion world, they say we like to imagine that they've made a lot of progress on that in the ten years. But I don't think in Anna Wintour's world that progress. Speaker 4: I'm just not talking about it as much. I think that's what it is. Speaker 2: I remember it still sticks with me. Speaker 3: Now. Speaker 2: Remember when Kim Kardashian went on a red carpet wearing a It was kind of like a high neck dress. There's a lot of fabric, and she was very, very pregnant. Speaker 1: I was working gossip mags and I'm not proud of this at all, but everybody says she looked like a couch. I think we printed that. I think we took the piss out of that overtly, and she was trying very hard to be high. Speaker 2: Fashion exactly and I think about that all the time. As a pregnant person. I'm like, I the idea of being mocked and being so embarrassed because you're like, I didn't choose for my body to grow, Like, like it just grows in the direction and grows when you're pregnant, and it can grow in weird direction. And to be totally honest, this this move now, and I'm sure people have the total opposite perspective to me, But the move now of people having really cool maternity, you know, people make it look really really cool and sexy, having a bump like the Sienna Millers of the world with their like little top that will open and it looks really sexy. I'm like, God, you can't even be pregnant and be able to give up for just a few months. Speaker 1: No, we're not allowed hot at all times. Okay, I just need to ask, right, Because as we said, this mat Gala has got this political weight to it. I feel like for the last few years it has, and there's been a sort of oh but it's fun and we all need the distraction. Are we going to be looking at that red carpet tomorrow? Because I know I will, Yeah, I will. I will I will. Speaker 3: Yeah, I will too, And I think that why I will be looking is because fashion is fun. It should be fun, it should be something that we enjoy looking at. And I love how Lena ties up her piece because it's not a hopeless piece. Speaker 4: She ultimately concludes. Speaker 3: By saying, what I realize now is I was making choices that maybe made people feel uncomfortable, whether it was because I was wearing clothes that that type of body should not have been wearing, for instance, or she was wearing clothes that weren't regarded as as exactly mattering me. She talks about how she spoke to a very well known fashion critic about this sort of debate recently, and the fashion critics said to her, you just have a point of view that's called taste. And I love the idea that just because you're wearing something that might not be universally regarded as flattering or fashionable, you can still have a point of view about it. And I guess that's ideally what these kind of red carpet events are meant to showcase is a unique point of view. Speaker 4: So yeah, I'll be watching. Speaker 1: We will rope in our absolute fashion expert May who used to love the met Gala. As she said, people take more risks there than they do when they're you know, at the Oscars or whatever, because it is the whole point of it is to be quite bad shit. So we will be doing a met Gala wrap up for subscribers tomorrow afternoon, and I'm sure that Maya will have many thoughts. That's all we've got time for this Monday. I hope everybody's week starts well. We will be back in your ears tomorrow for subscribers, and the three of us will be here on Wednesday. Thank you to our team. We'll see you then, Bye bye. Speaker 2: Mummy acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

In this podcast episode, we break down our list of the best producer, artist, and engineer combinations in music. From iconic collaborations to legendary studio chemistry, we talk about the teams that created timeless records and changed the sound of music. If you're into music production, audio engineering, recording, and the creative process behind great songs, this episode is for you.➡️ Get Our Rosetta Plugins: https://helpmedevvon.com/s/rosettaseries➡️ The Black Vortex Plugin: https://helpmedevvon.com/s/theblackvortex➡️ Our Site With Goodies: https://helpmedevvon.com/s/helpmedevvon➡️Buy From Sweetwater: https://cutt.ly/7hamejT _________________________________________________________ ▶ JOIN OUR COMMUNITY HERE: ➡️ Become A Member Of This Channel To Access Perks:https://thehmdcircle.com➡️Instagram: https://instagram.com/helpmedevvon➡️Twitter: https://twitter.com/helpmedevvonEmail Me: helpmedevvon@gmail.com #mixing #mastering #tutorial

The wait is over! The best fake hip-hop awards show on the internet is finally here. 2025 was an incredible year for rap music, from the Clipse's omnipresent comeback to woods and August Fanon cooking up one of the most interesting remix records in recent memory. The year of our lord 2025 truly had a little something for everybody, and we do our best to rank and rate it all in this year's edition of Quibble Jam. We break down categories like Best New Voice, Best Rapper Alive, Best Producer, Song of the Year, and Album of the Year. We also spend some time at the top of the episode talking about the Nas and Preemo Light Years record, as well as De La Soul's Cabin in the Year. Happy New Year yall! DEM ONE produced this episode. That's DJ CUTSO and DEM ONE on the theme song. Dad Bod Rap Pod is a proud member of the Stony Island Audio Network.

The crew is back at it on the Wake & Bake Show with hot takes and wild debates!

The second Draft episode of The Questions Hip-Hop podcast takes an in-depth deep dive into the year 2005. Sean Kantrowitz, MidaZ the BEAST, Justin Hunte (The Company Man) and The Last MJ (Don't Quote Me podcast) comb through the year 2005, selecting their picks for Best Mainstream Album, Best Independent Album, Best Beat, Best Emcee, Best Verse, Best Guest Feature/Verse, Best Producer, Best Album Cover, and Best Video. Buckle up and get ready for some hot takes, debates, and a thoughtful look back at what was happening in hip-hop 20 (!) years ago. Patreon.com/thequestionshiphop⁠⁠ ⁠⁠questionshiphop.com⁠⁠ ⁠⁠youtube.com/thequestionshiphop⁠ The Questions Hip-Hop: ⁠Instagram⁠ Sean Kantrowitz: ⁠Instagram⁠ MidaZ the BEAST: ⁠Instagram⁠ Justin Hunte: Instagram The Last MJ: Instagram

In this episode, we dive into some of the most legendary producer runs in hip-hop history. From dominating the mainstream charts to shaping the underground scene, Beezy430 put together a list of producers who had incredible back-to-back years delivering nothing but heat. Did your favorite make the cut? Drop your thoughts in the comments and let us know who had the most impressive run! #HipHop #MusicProducers #DeadEndConversations Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

In this episode, we dive into some of the most legendary producer runs in hip-hop history. From dominating the mainstream charts to shaping the underground scene, Beezy430 put together a list of producers who had incredible back-to-back years delivering nothing but heat. Did your favorite make the cut? Drop your thoughts in the comments and let us know who had the most impressive run! #HipHop #MusicProducers #DeadEndConversations Learn more about your ad choices. Visit megaphone.fm/adchoices

Patreon.com/thequestionshiphop questionshiphop.com youtube.com/thequestionshiphop It's the inaugural Draft episode of The Questions Hip-Hop podcast. Sean Kantrowitz, MidaZ the BEAST, Trackstar the DJ (Run the Jewels, Killer Mike), and Jason Gloss (Philaflava) are combing through the year 1995, selecting their picks for Best Album, Best Beat, Best Emcee, Best Verse, Best Guest Feature/Verse, Best Producer, and Best Album Cover. The Questions Hip-Hop: Instagram Sean Kantrowitz: Instagram MidaZ the BEAST: Instagram Trackstar the DJ: Instagram Philaflava: Instagram

Find us on social media for daily content and information regarding all things music industry Twitter: https://twitter.com/soundcentricmus Instagram:https://https://www.instagram.com/soundcentricmusic/ Tik Tok: https://www.tiktok.com/@soundcentricmusic Facebook: https://www.facebook.com/SoundCentricmusic Website: https://soundcentricmusic.com Podcast: https://www.soundcentricmusic.com   00:00:00 - Intro  00:01:15 - Feelings after "Pumpkin Seeds" release 00:02:35 - Why they decided to make a cohesive album that features transitions versus a collection of "random" songs   00:04:05 - How they decided what songs would make the album  00:06:15 - How you stay in love with a song that you've had for years that you haven't released yet 00:08:45 - Mount Rushmore of producer/artist combo  00:11:45 - Dream producer/artist combos  00:14:35 - Artists who have the best business acumen  00:16:05 - Producer/Rapper buzzwords (what sound tends to get them the most excited) 00:18:05 - Why Jermey makes such vulnerable music  00:20:25 - How they gain motivation to create in moments of losing faith 00:22:25 - How Kirti balances college and making music  00:23:45 - How Jeremy decided he wanted to rap  00:24:30 - An artist's career Jermey and Kiriti would like to emulate 00:28:15 - What they look for in producers and artists that they work with  00:30:40 - How the beats were picked for the album 00:31:40 - The importance of repping Jersey for Jeremy  00:34:30 - Outside interest that they include in their music  00:37:35 - Is rap dying? 00:40:45 - Music we're listening to right now 00:44:15 - Closing thoughts    

Producer Tyler Milner, outside of Los Angeles & New York of course.. Lolol

Welcome back to another episode of TheManToMoonPodcast! This episode was all about getting out of my comfort zone as well as my guest, ClayH! As you listen to the episode, you'll learn what drawn Clay into music, how he started, the process of producing, and his drive! We appreciate you all for watching and we hope you all enjoy! Instagrams: Len: Ilovelennie Clay: Clayh_music The Podcast: theofficialmantomoonpod --- Support this podcast: https://podcasters.spotify.com/pod/show/len-robinson5/support

What's in this episode:It's time to say goodbye to the Why Are We Shouting? podcast. This is our last moment together after over 3 years of shouting into your earholes.Why is this the last Why Are We Shouting? episode? You'll have to tune in for the full story. But the TL:DR of it?

After a reshuffle that saw Suella Braverman leave her post as Home Secretary, and left the government with no women in the “big four” offices of state, Justice Secretary Alex Chalk spoke to Emma Barnett. They discussed the impact of the reshuffle, as well as sentencing reforms which will affect women, and the alleged rapist currently serving as a Conservative MP. Endometriosis is a chronic condition which affects one in 10 women, for whom tissue similar to the lining of the womb starts to grow in other places, causing debilitating pain and in some cases fertility complications. But a charity that looks to support women suffering from the condition - Endometriosis South Coast - has faced criticism this week after announcing that a trans woman, Steph Richards, would be their new CEO. The decision to appoint Steph was made by Jodie Hughes, Chair of the Trustees, who also founded the charity. They spoke to Emma about the appointment. Lisa Lintott always enjoyed writing, but being a single mum meant that this had to take a back seat. But when her son Jazz, an aspiring actor, found that he was only being sent typecast roles, Lisa enrolled herself into a creative writing masters and wrote her own play, casting her son in the lead role. Going for Gold, which tells the life story of British boxer Frankie Lucas, has since won multiple awards, including Best Production Play, Best Producer and Best Actor at this year's Black British Theatre Awards, catapulting them both into the spotlight. Jazz and Lisa told Emma about this unexpected partnership. Minnie the Minx is turning 70. In December the much loved Beano cartoon character will celebrate 70 years since her first appearance. The writers and illustrators of the Beano, based in Dundee, Scotland, created Minnie to “be just as tough as the boys” and “kick back against pre-war societal norms.” Well, that was in 1953. Today, a special edition of The Beano is coming out, guest-edited by England's football captain, Leah Williamson. Laura Howell has been drawing Minnie since 2018 and explained why Minnie's popularity has endured.

This week musical guest Shaun Jacobs, the award-winning singer, songwriter, and producer from South Africa takes us through his songwriter's journey.  Shaun has received recognition for his versatile sound and critical acclaim for his chart-topping hits, including a SAMA® (South African Music Award) for Best Adult Contemporary Album for Love Can,  which you'll be able to enjoy in this episode, as well as nominations for Best Producer and Best Engineer. Since his move to the United States Shaun has worked with top songwriters in both LA and Nashville, like "Youngr” that was co-written with Brazilian DJ Bruno Martini and produced by Timbaland with more than 16M streams on Spotify.Love Can held the #1 spot on the local iTunes chart for 12 weeks consecutively and came in as the 14th most played song in all of Africa against all international music on Simfy for 2013. And that's not all, Shaun's music has been featured in campaigns for BMW, Ralph Lauren and Bitmoji, including his single, “Look At Me Now”.In this interview we talked about the role in society that musicians have of expressing with songs people's feelings that they don't necessarily know how to get out. He also shared useful advice for new artists out there, the importance of expressing without fear their pure own sounds and not being influenced by trying to fit somewhere. We also talked in depth about how to constructively deal with rejection, competition and self-demand in the entertainment industry, among many other things!You can find him on social media as @imshaunjacobs.  Watch his music video “Say You Will Remember Me” https://youtu.be/kwanNreW78I?si=_DTGF-4YPOYprnpW which we mention in the interview, and also this concert at the Coca Cola Dome in South Africa https://youtu.be/F8FTbeMGTiE?si=tUpWDM95TAd9s7L3Here is another one of his music hits “Hurt” https://youtu.be/V_JkQWWqi08?si=eDbIkpFu3UcP1w8B**Visit www.nickymondellini.com/podcast and download the ebook “Learn to handle the NOs of the industry” for free, and subscribe to receive La Pizarra's monthly newsletter with news about new episodes and various resources for the best development of your artistic career*Squadcast is the best platform to record your podcast or virtual meetings with up to nine guests with professional sound quality. They have now teamed up with Descript for video and audio editing.You can download your audio files already mastered with Dolby sound.Choose your membership level after trying it free for seven days at: https://squadcast.fm/?ref=lapizarra  *Subscribe to La Pizarra and get access to all the episodes, download them and share them on social networks, your comments are well received too!** Visit https://www.nickymondellini.com to learn about the work of actress, host and voiceover artist Nicky Mondellini.Nicky Mondellini is an internationally known multilingual artist with more than thirty years of artistic career, her voice is heard in commercials on television, radio and digital platforms worldwide. She is the host and producer of La Pizarra since 2020.Her work as an actress includes more than a dozen telenovelas,  and drama shows, classical and contemporary Spanish plays, short and feature films, and the hosting of morning shows in Mexico and the United States, as well as on camera commercials, and advertising and corporate videos.Follow Nicky on:Instagram @nickymondelliniX @nicky3ch_nickyFacebook https://www.facebook.com/nickymondellinivoiceover     LinkedIn https://linkedin.com/nickymondellinivoiceover   

We discuss the work of the man with the most records in the top 10 of our 50 greatest Gangster Rap albums of all time.  See omnystudio.com/listener for privacy information.

Radio show [Proud Eagle] #492 @ "14 YEARS IN DA MIX" (Mixed by Nelver) [Pirate Station Online] (01-11-2023) ⚡ Vote for "Nelver - Supernova" in "BEST TRACK" and "Nelver" in "BEST PRODUCER" nominations: https://awards.breakbeat.co.uk/2023 ✅ Subscribe to Telegram channel: https://t.me/nelvermusic All episodes: https://fanlink.to/proudeagle YouTube Video: https://youtu.be/_CD_sIZAC7Y Tracklist: 01. Dux n Bass - I'm Ok 02. Nelver - Cosmic Gate 03. Ben Rolo - Netrunner 04. Audioholic - All I Need 05. Bensley & Justin Hawkes - Don't Be Scared 06. ESKR - Light Path 07. Arkala Dre - Axel 08. SyRan - Ripper 09. Easy - Get Down 10. DJ Madd - Prosper (Minor Forms Remix) 11. Nelver - Supernova 12. Rohanvrm - Fleeting 13. Thread - Intravenous Sonics (feat. Freddy B) 14. Trinist - Never 15. Kusp - Tu Amor 16. Voitech & DJ DNS - Mirage 17. Nelver - Start Key 18. Kidsonic - Harmony (feat. Luke Truth) 19. Hound - Inquest 20. Qumulus - No Going Back 21. Virtue & Malicious - Cap Down 22. The Caracal Project - Balazuc (Rueben Remix) 23. Nelver - Flicker 24. Drumsound & Bassline Smith - Galaxy Dub 25. Subtension - Tween Wave (Matens Remix) 26. Monika & Akuratyde - Shape & Form 27. Alhox - Nights 28. Vandek - Move All Night 29. Eddy Don't Sail - Beautiful Dreamer 30. Nelver - Betelgeuse 31. Riya & Collette Warren & Technimatic - Little Things (The Vanguard Project Remix) 32. Archangel - Garden Dance 33. Blu Mar Ten - Hunter [feat. Seba] (Nelver Remix) 34. Emba & Inigma - Heartbeat (feat. Leah Rye) 35. Nelver - Still In My Mind 36. RoyGreen & Protone - Tomorrow 37. Con-Figure - Ivory Shards 38. Nelver & EmTee - Resolutions 39. Archangel - Eden 40. Villem - Love Rays 41. Stunna - Lost Nation 42. Nelver - Towards The Sun Weekly updated Playlist "Proud Eagle" on Spotify: https://spoti.fi/2W5vkVa Follow Nelver: https://www.instagram.com/nelvermusic/ https://vk.com/nelver https://spoti.fi/2ThGKDT https://soundcloud.com/nelver https://www.facebook.com/nelverdnb/ https://www.mixcloud.com/Nelver/ https://twitter.com/Nelvermusic

This week's guest is producer Helen Gladders. I became aware of Helen's work through the 2016 short film RHONNA & DONNA, directed by Daina O. Pusic, and then I kept seeing her name popping up everywhere and knew she was a producer to watch.  More things you might want to know about Helen:   She is a graduate of the National Film and Television School having done their MA in Producing for Film & Television. She set up her own company Gingerbread Pictures in October 2016 and was nominated for the “Best Producer” award at Underwire for her short THE WYRD written and directed by Chloë Wicks, in 2017. She is an alumni of the BFI NETWORK'S Producer weekender, Edinburgh Film Festival talent lab, and NETWORK@LFF. Her recent short films include NIGHT BUS directed by former podcast guests Jessica & Henrietta Ashworth and the Film4 & BFI Network backed RUN written & directed by former podcast guest Ruth Greenberg and starring Niamh Algar.  At the time of recording, she was in post-production on her first feature TUESDAY, written and directed by Daina O. Pusic, starring Julia Louis-Dreyfus and Lola Petticrew and backed by A24, BBC Films, BFI, and Cinereach. And excitingly, the film has since had two festival appearances confirmed. It will premiere at this year's Telluride festival in the US, followed shortly after by the BFI London Film Festival, where it will screen in the First Feature Competition.  Elsewhere, Helen is busy working on several projects including debut features from filmmakers Jessica & Henrietta Ashworth, Astrid Thorvaldsen, Morayo Akande and Zoe Alker. We talk about how Helen discovered a knack for producing, her experience studying at NFTS, establishing a vision and a voice for her production company, the short film funding landscape, what it means to package a project, the differences between producing shorts and features, and how Titanic kickstarted both of our fascinations with the film industry…   SHOW NOTES: Watch Helen's shorts RHONNA & DONNA, RUN and NIGHT BUS. Listen to my episodes of Best Girl Grip with filmmakers Ruth Greenberg and Jessica & Henrietta Ashworth.   Read Deadline's review for the feature TUESDAY, starring Julia Louis-Dreyfus. Buy tickets for TUESDAY at the BFI London Film Festival.  Find out where you can watch Helen's film recommendation: JUMBO.  For more conversations with producers, listen to episodes of Best Girl Grip with Jeanie Igoe, Chi Thai, Sarah Brocklehurst, Emily Morgan and Elhum Shakerifar.     

The NSW entrepreneurs, Elena and Andrei Swegen, the owners of the Burraduc Buffalo Dairy, named as the winners in the Delicious Produce Awards 2023. Elena told SBS Russian about their family farm and the changes that have taken place in their business lately. - В конце августа состоялось вручение высокой награды Delicious Produce Awards 2023 и номинация ‘Best Producer of the Year' досталась русскоязычным предпринимателям из Нового Южного Уэльса - Елене и Андрею Свиген, владельцам Burraduc Buffalo Dairy.

Today is a VERY fine Friday indeed, not only did we just get announced as finalists in this year's ACRA awards (for Best Podcast and Best Producer!!!), but just wait till you get the low down on how the girlies got their own back on the scammer who duped JRic's Instagram account!  Plus we share your money wins, Bec is back with her broke tips AND we answer a Money Dilemma all about what to do with your juicy tax return. And this week in our D.Ms was an interesting message about having your own family, and whether you should use an opportunity to save money by moving back home with your parents. Links  Skye Wealth Acknowledgement of Country By Natarsha Bamblett aka Queen Acknowledgements. The advice shared on She's On The Money is general in nature and does not consider your individual circumstances. She's On The Money exists purely for educational purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD and obtain appropriate financial advice tailored towards your needs.  Victoria Devine and She's On The Money are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708,  AFSL - 451289.See omnystudio.com/listener for privacy information.

Today we catch up with Chris Chiari about his work on Denver's historic Patterson Inn, the keystone of The 420 Hotels portfolio. We discuss the obstacles to building up cannabis hospitality and what the upcoming Las Vegas consumption lounges are currently dealing with.  Chris Chiari is a driven entrepreneur and award-winning film producer with a wealth of experience in corporate strategy and regional politics. Skilled in marketing and messaging, he has engaged exclusively with the cannabis industry since 2011 and is a tireless advocate for cannabis policy reform and fostering industry growth. Chris owns and operates Denver's historic Patterson Inn, the keystone of The 420 Hotels portfolio. As CEO, he uses his expertise in hospitality, operations, and community outreach to address the stigmas and ignorance that still exist around cannabis use while creating a unique and upscale environment for cannabis consumption. With a deep appreciation for the power of collaboration, Chris has built a wide-ranging network throughout his career spanning corporate boardrooms and the entertainment industry. Public Enemy Number One, a film by Chris Chiari, is a feature documentary about the War on Drugs and counts entertainer Ice-T as one of its executive producers. The film won awards for Best Producer and Best Storyteller at its world premiere at DOC LA 2019 and Best Documentary at the 2020 Seattle Film Festival. It is currently available for rent on Amazon Prime and streaming on Pluto TV and Tubi. Chris is a former Deputy Director of Colorado NORML, serving for over eight years.. When not working on The 420 Hotels portfolio, Chris likes to stay involved with grassroots advocacy and advancing social reform; he was one of the five members of the petitioner's committee of Denver's successful 2019 psilocybin ballot initiative.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Proud theatre geek turned Army Special Forces Green Beret, turned 'Medal of Valor'-earning firefighter and now back to actor, Jeff Bosley is a film and television actor. During his years in theatre performing on stage Jeff's studies focused on The Meisner Technique. As he transitioned to film & television his education expanded to Stanislavski's 'Method' while studying for nearly 5 years at the Lee Strasberg Theatre & Film Conservatory. He continues to train and study at Strasberg, the American Film Institute, the SAG-AFTRA Conservatory and multiple studios in the Los Angeles area.His current work and projects have earned him major roles transporting him to international movie sets and Cannes Film Festival Screenings. His indie feature film 'Parallax' (which he starred in and produced) has been making the festival rounds for the last several years with 11 awards as of December 2021- including multiple winners of Best Actor, Best Producer, Best Short Film and Best Thriller.

Proud theatre geek turned Army Special Forces Green Beret, turned 'Medal of Valor'-earning firefighter and now back to actor, Jeff Bosley is a film and television actor. During his years in theatre performing on stage Jeff's studies focused on The Meisner Technique. As he transitioned to film & television his education expanded to Stanislavski's 'Method' while studying for nearly 5 years at the Lee Strasberg Theatre & Film Conservatory. He continues to train and study at Strasberg, the American Film Institute, the SAG-AFTRA Conservatory and multiple studios in the Los Angeles area.His current work and projects have earned him major roles transporting him to international movie sets and Cannes Film Festival Screenings. His indie feature film 'Parallax' (which he starred in and produced) has been making the festival rounds for the last several years with 11 awards as of December 2021- including multiple winners of Best Actor, Best Producer, Best Short Film and Best Thriller.

Jim Wyatt joins the show to talk Titans OTAs and we say farewell to the Best Producer in the World Jonathan ShafferSee omnystudio.com/listener for privacy information.

Jim Wyatt joins the show to talk Titans OTAs and we say farewell to the Best Producer in the World Jonathan ShafferSee omnystudio.com/listener for privacy information.

This month we welcome Jeff Bosley to the podcast. Jeff is a talented film and television actor with a remarkable background and extensive training that originated on the stage. Jeff's impressive achievements in theatre include numerous nominations and awards, such as the Theatre Recognition Award, Theatre Service Award, and two Best Actor nominations.In addition to his theatrical accomplishments, Jeff has also made a name for himself in the film industry. He produced and starred in the indie feature film 'Parallax,' which has garnered 11 awards since December 2020, including Best Actor, Best Producer, Best Short Film, and Best Thriller.Jeff's life experiences are as diverse as they are impressive. A former Army Special Forces Green Beret and Medal of Valor-earning firefighter, Jeff pours every ounce of his hard-earned wisdom into his craft, both on and off the screen. Jeff and Kervin discuss transitioning from the military to Hollywood, Stoicism, and the 2023 Oscars. We are excited to share this episode with you.--------------Links:https://www.instagram.com/thejeffbosley/https://twitter.com/thejeffbosley/https://www.facebook.com/thejeffbosley/https://www.jeffbosley.com/https://www.imdb.com/name/nm4759617/-------------Get your discount on a brand new BlendJet2 by going to our link: https://zen.ai/analytics12----------------------Disclaimer:The views and opinions expressed on the podcast are those of the hosts and guests and do not necessarily reflect the official policy or position of any organization or entity. The information provided on the podcast is for general informational purposes only and should not be considered as professional advice or as a substitute for independent research and analysis. Each individual listener should research and identify their own opinions based on facts and logic before making any decisions based on the information provided on the podcast. The podcast hosts and guests are not responsible for any actions taken by individuals based on the information provided on the podcast.

London-based musician I. JORDAN—a disciple of fast-paced, high-energy dance music—has undergone a creative renaissance since 2021. Last February, they were nominated for Best Producer at the annual NME awards, and they celebrated a jam-packed touring and release schedule, which included signing to Ninja Tune. Now, they're on the heels of a residency they oversaw designed specifically for trans and nonbinary artists. They're also planning a tour with close friend and collaborator SHERELLE. "There is something really beautiful about trans only spaces, something that I can't put words into," they tell host Vanessa Maria in this week's RA Exchange. "It's just a feeling. Trans people get it. Trans people know it. It just does stuff to you, and I can't really explain." Their conversation touches on the power of queer community, the spectre of imposter syndrome and the growing importance of nurturing creative outlets for marginalised musicians. Critically, I. JORDAN and Maria also take stock of what the underground scene can do to support trans and nonbinary artists by reconfiguring some of the industry's deeply rooted discriminatory practices from the ground up. Take a listen to the episode in full.

This week the crew welcomes back Tha Goonez and PlayMoreDior to the show. We talk about their recent projects and upcoming projects, and we discuss how it felt to take home the Kansas City People's Choice award for Best Producer in 2022. We round out the show with GFTS, and Holy Grails!! Enjoy!!

This week the crew welcomes back Tha Goonez and PlayMoreDior to the show. We catch up on their latest projects, talk about them winning the Kansas City People's Choice award for Best Producer, and round out the show with GFTS and Holy Grails. Enjoy!!

Rob GEE on the Virtual Sessions presented by The DJ Sessions 1/12/23   About Rob GEE - Rob GEE is famous all across The Universe as "the hardest DJ to ever play the Limelight in NYC." In the club's early 90's heyday, the versatile GEE kept delirious audiences going through spinning at Limelight's "Future Shock" dance/techno nights and performing with his live band as well as spinning at the club's "Rock And Roll Church" metal/ rock/ industrial nights. The crowds kept coming back to Limelight, just like they did in Australia, Japan, Italy, Spain, Scotland, Austria, Hungary and Belgium to name a few. GEE is a recurring headliner at Sensation,Thunderdome, Mysteryland, and Love Parade, where GEE played before one million people.  His diverse appeal keeps him performing weekly at all types of musical events and concerts. GEE has shared the stage with everyone from Hatebreed and Biohazard to Crystal Method, Busta Rhymes, Kurtis Blow, and Afrika Bambaataa. His GEEness has also has spun at many Slipknot and Korn after parties with his good friend, DJ Starscream a.k.a. #0 of Slipknot.  GEE's history of DJing and live performances shows his dedication of bringing the fusion of organic and electronic music to a wide variety of listeners. GEE's love of hip-hop, hardcore, techno, metal and every other genre for that matter set him apart from the rest. While other DJs make tracks and spin records, GEE is an Artist who writes original songs. His indecisiveness as to whether or not he wanted to breakdance and spin hip-hop or jump in the mosh pit and play in a metal band was one of the reasons he began to cultivate his own style of both.  Rob GEE is the only artist of his kind to collaborate and create with members of respected rock, metal, hardcore and hip-hop acts such as Slipknot, Hatebreed, Biohazard, Wu-Tang Clan, Cypress Hill, and System Of A Down (just to name a few) creating a unification of Rock, Electronic, & Metal as well any other style GEE chooses to use. The GEEsult is Rob GEE gabber music.  Rob GEE says, "There are no boundaries in music" . GEE is writing history launching gabber into the scene of the galaxy...... "The Gabber Guru," as GEE is known for his constant motivation of #PositivianVibes gained worldwide fame after the release of "Ecstasy You Got What I Need". The song went Gold and was the #1 video on The Box for 13 straight weeks. At the same time, "Ecstasy" rose to #9 on the pop charts and earned him Best Artist, Best Producer and Best Song of the year at The Thunder Awards in Holland. The GEE Man has recently enjoyed more worldwide success along with band mates Neophyte and Tieum with their collective efforts "Coming At You Strong", "Anxiety", & "Rage With Pride" under the name "Riot Squad". Rob GEE is still pushing solo success globally with his most recent hit "Right Now". GEE, always with his open mind, has enjoyed recent Hardstyle & Rawstyle bangers teaming up with heavy hitters like The Prophet and Adaro. While in the same breath has been rocking the mainstream airwaves collaborating with hardcore giants Noize Suppressor, Mad Dog, & Furyan. Look out later this year, nu metal will meet hardcore in the studio ring when Rob GEE teams up with none other than Shavo Odadjian of System Of A Down. Rob GEE won't be stopped!!!!!! The sound is 100% Rob GEE, which means eclectic, unexpected and completely unique. Much #GEEspect & #PositivianVibes   About The DJ Sessions - “The DJ Sessions” is a Twitch/Mixcloud "Featured Partner” live streaming/podcast series featuring electronic music DJ's/Producers via live mixes/interviews and streamed/distributed to a global audience. TheDJSessions.com The series constantly places in the “Top Ten” on Twitch Music and the “Top Five” in the “Electronic Music", “DJ", "Dance Music" categories. TDJS is rated in the Top 0.11% of live streaming shows on Twitch out of millions of live streamers. It has also been recognized by Apple twice as a "New and Noteworthy” podcast and featured three times in the Apple Music Store video podcast section. UStream and Livestream have also listed the series as a "Featured" stream on their platforms since its inception. The series is also streamed live to multiple other platforms and hosted on several podcast sites. It has a combined live streaming/podcast audience is over 125,000 viewers per week. With over 2,400 episodes produced over the last 12 years "The DJ Sessions" has featured international artists such as: BT, Youngr, Sevenn, Wuki, Scott Slyter, Simply City, Micke, Netsky, Rich DietZ, Bexxie, Boris, MJ Cole, Flipside, Skeeter, Bissen, Katie Chonacas, Hollaphonic, Lady Waks, Arty/Alpha 9, Miri Ben-Ari, DJ Ruby, DJ Colette, Nima Gorji, Kaspar Tasane, Andy Caldwell, Party Shirt, Plastik Funk, ENDO, John Tejada, Hoss, DJ Sash U, Arkley, Bee Bee, Cozmic Cat, Superstar DJ Keoki, Crystal Waters, Swedish Egil, Martin Eyerer, Dezarate, Maddy O'Neal, Sonic Union, Lea Luna, Belle Humble, Marc Marzenit, AthenaLuv, Maximillian, Inkfish, Kidd Mike, Michael Anthony, They Kiss, Downupright, Harry “the Bigdog” Jamison, DJ Tiger, DJ Aleksandra, 22Bullets, Carlo Astuti, Mr Jammer, Kevin Krissen, Amir Sharara, Coke Beats, Danny Darko, DJ Platurn, Tyler Stone, Chris Coco, Purple Fly, Dan Marciano, Johan Blende, Amber Long, Robot Koch, Robert Babicz, KHAG3, Elohim, Hausman, Jaxx & Vega, Yves V, Ayokay, Leandro Da Silva, The Space Brothers, Jarod Glawe, Jens Lissat, Lotus, Beard-o-Bees, Luke the Knife, Alex Bau, Arroyo Low, Camo & Crooked, ANG, Amon Tobin, Voicians, Florian Kruse, Dave Summit, Bingo Players, Coke Beats, MiMOSA, Drasen, Yves LaRock, Ray Okpara, Lindsey Stirling, Mako, Distinct, Still Life, Saint Kidyaki, Brothers, Heiko Laux, Retroid, Piem, Tocadisco, Nakadia, Protoculture, Sebastian Bronk, Toronto is Broken, Teddy Cream, Mizeyesis, Simon Patterson, Morgan Page, Jes, Cut Chemist, The Him, Judge Jules, DubFX, Thievery Corporation, SNBRN, Bjorn Akesson, Alchimyst, Sander Van Dorn, Rudosa, Hollaphonic, DJs From Mars, GAWP, Somna, David Morales, Roxanne, JB & Scooba, Spektral, Kissy Sell Out, Massimo Vivona, Moullinex, Futuristic Polar Bears, ManyFew, Joe Stone, Reboot, Truncate, Scotty Boy, Doctor Nieman, Jody Wisternoff, Thousand Fingers, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Patricia Baloge, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, The Crystal Method, Beltek, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring international artists TDJS focuses on local talent based on the US West Coast. Hundreds of local DJ's have been featured on the show along with top industry professionals. We have recently launched v3.1 our website that now features our current live streams/past episodes in a much more user-friendly mobile/social environment. In addition to the new site, there is a mobile app (Apple/Android) and VR Nightclubs (Oculus). About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed via live and archival viewing. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.

For this episode, the guys revisit Metro Boomin's NOT ALL HEROES WEAR CAPES. Is he the best producer of his generation? Hosts: Taurian B. https://instagram.com/taurian_b https://Twitter.com/taurian_b First Klass Regg https://instagram.com/firstklass_regg https://Twitter.com/firstklass_regg Subscribe for more exclusive FKB content: https://bit.ly/FKBYTSub Connect with FKB! Website - http://fkbonline.com Twitter - https://twitter.com/FKB_Online IG - https://instagram.com/firstklassbreakfast https://www.tiktok.com/@firstklass_breakfast #metroboomin #podcast #music

The woman, the legend, the voice - Tami Neilson! She's won big time at this year's Aotearoa Music Awards, taking out Best Solo Artist, Best Country Music Artist and Best Producer for her work on her own album, Kingmaker. She joins us now.See omnystudio.com/listener for privacy information.

Radio Show [Proud Eagle] #440 "13 YEARS IN DA MIX" (Mixed by Nelver) [Pirate Station Online] (02-11-2022) ⚡ Vote for "Nelver - Sakura" in "BEST TRACK" and "Nelver" in "BEST PRODUCER" nominations: https://awards.breakbeat.co.uk/2022/ ✅ Subscribe to Telegram channel: https://t.me/nelvermusic This episode is dedicated to my upcoming DJ Birthday - "13 YEARS IN DA MIX"! November 6, 2009, for the first time, I got up behind the CD decks and played my first DJ set at the event (not to be confused with the recording of my music, here I have been in business for over 18 years ⚠). All episodes: https://fanlink.to/proudeagle YouTube Video: https://youtu.be/nVNMR0MVPlk Tracklist: 01. Voicians - Never Go Back (feat. Rhode) 02. S.P.Y - Steady Jam 03. Tephra & Edison - Connection 04. Amoss - Sagan 05. Justin Hawkes - Inheritance 06. Subshock & Evangelos - The Flute 07. Dimension - Offender (Montell2099 Remix) 08. Audioscribe - Higher 09. Slippy - Wanna Know 10. Moekel - Forever High 11. Qumulus & Leniz - Heartbeat 12. Plasmator - 500 13. Nelver - Skyline 14. Millbrook - You & Me feat. Selin 15. Manuve - Evolution 16. Hologram & Degs - Self 17. Nelver - Dreamstate 18. Nelver - Viewpoint 19. Kove - Motor 20. Felov - Runaway (Framer Remix) 21. KYRIPH - Nordic Prayer 22. Nelver - Sakura 23. Skuff - Foundations 24. Portrait - Your Worth 25. Winslow - Slapbox Funk (feat. PRSPKTV) 26. Terror & Lottie Woodward - Come As You Are (BCee Remix) 27. SyRan - Beyond the Heavens 28. Nelver - Search Within 29. Mackadena & Emery & Dreazz - Visions 30. Random Movement - Ditty Bitty 31. HK Sage - Forest Moon 32. D-Code & Psylence - Everyday (feat. DuBois) 33. Nelver - City Lights 34. Rainline - Time Files (feat. Theoretical) 35. Hydro & War - At the End of the Day 36. Sub Focus & Wilkinson - Just Hold On (Pola & Bryson Remix) 37. Phaction - Revelation 38. Afteraphex - Nice Hell 39. Nelver & Ian Urbina - Ocean of Rain Weekly updated Playlist "Proud Eagle" on Spotify: https://spoti.fi/2W5vkVa Follow Nelver: https://www.instagram.com/nelvermusic/ https://vk.com/nelver https://spoti.fi/2ThGKDT https://soundcloud.com/nelver https://www.facebook.com/nelverdnb/ https://www.mixcloud.com/Nelver/ https://twitter.com/Nelvermusic

“I don't think I ever recovered from Tower going away” Zev Feldman tells us towards the end of this episode.If you worked at Tower Records on the East Coast, you most certainly worked with Zev Feldman. Starting as a salesman for Polygram Distribution, young Zev covered Washington DC, Philadelphia, New York City and Boston. A visit from Zev Feldman was full of energy, enthusiasm and a pure music fan's zeal. Later Zev had a stint with Rhino Records as the Northeastern Classical & Jazz Sales ManagerWhen Tower Records went away and the music business tried to figure itself out (has it succeeded?) Zev landed at Concord Music Group as a National Sales and Marketing Director for catalog recordings in Los Angeles. In 2009 Zev moved to Resonance Records where he was given free reign to search out previously unreleased recordings by some of the legends of Jazz. Zev's releases have been critical and sales smashes, so much so that he was elevated to the position of Co President of Resonance Records. As each ensuing project dominated the jazz landscape, Zev was hired as a consulting producer of archival and historical recordings for Blue Note Records in 2018 working with Don Was. But it doesn't stop there. Zev Feldman is also a consulting producer with Elemental Music, Sunset Blvd Records, Real Gone Music  and Reel To Real Recordings. Very recently Zev was named Best Producer in the 70th Annual DownBeat Critics Poll. Throughout our conversation Zev discusses growing up in Record Stores, working for Universal Distribution and doing all of his work in Record Stores, he explains the complicated process of putting these gorgeous jazz box sets together and how brick and mortar retail is always the jumping off point for releasing these labors of love. He also tells us about his regular visits to the Tower Records stores in Dublin Ireland and Japan  and the feelings invoked. Finally Zev tells us how Tower's demise hurt him personally.

This week we are joined by Chris Chiari, Co-Founder of 420 Hotels to discussCannabis Consumption HotelAlcohol vs Cannabis RegulationsPublic Enemy #1Haunted Experience & Cannabis hospitalityThe 420 Hotels will be amongst the nation's first hotel chains where guests will be able to consume cannabis onsite in legally licensed lounges. The idea is to convert intimate boutique hotels into high-end, members-only cannabis consumption clubs merged with luxury overnight accommodations.  Chris Chiari is a driven entrepreneur and award-winning film producer with a wealth of experience in corporate strategy and regional politics. Skilled in marketing and messaging, he has engaged exclusively with the cannabis industry since 2011 and is a tireless advocate for cannabis policy reform and fostering industry growth. Chris owns and operates Denver's historic Patterson Inn, the keystone of The 420 Hotels portfolio. As CEO, he uses his expertise in hospitality, operations and community outreach to address the stigmas and ignorance that still exist around cannabis use while creating a unique and upscale environment for cannabis consumption. With a deep appreciation for the power of collaboration, Chris has built a wide-ranging network throughout his career spanning corporate boardrooms and the entertainment industry. Public Enemy Number One, a film by Chris Chiari, is a feature documentary about the War on Drugs, and counts entertainer Ice-T as one of its executive producers. The film won awards for Best Producer and Best Storyteller at its world premiere at DOC LA 2019 and Best Documentary at the 2020 Seattle Film Festival. It is currently available for rent on Amazon Prime and streaming on Pluto TV and Tubi. Chris is a former Deputy Director of Colorado NORML, serving for over eight years.. When not working on The 420 Hotels portfolio, Chris likes to stay involved with grassroots advocacy and advancing social reform; he was one of the five members of the petitioners committee of Denver's successful 2019 psilocybin ballot initiative. In his free time Chris can be found on the rail at a Twiddle show. #Cannabis #CannabisCommunity #CannabisHotelInvest in the 420 Hotels on Republic Websites: The Patterson Inn | The 420 Hotels | Republic CrowdfundingFacebook: @ThePattersonInn | @The420HotelsInstagram: @12spiritstavern | @thepattersoninn | @the420hotelsTwitter: @PattersonInnAt Eighth Revolution (8th Rev) we provide services from capital to cannabinoid and everything in between in the cannabinoid industry.8th Revolution Cannabinoid Playbook is an Industry-leading report covering the entire cannabis supply chain The Dime is a top 50 Cannabis Podcast  Contact us directly at info@8threv.com Bryan Fields: @bryanfields24 Kellan Finney: @Kellan_Finney 

This week we are joined by Chris Chiari, Co-Founder of 420 Hotels to discussCannabis Consumption HotelAlcohol vs Cannabis RegulationsPublic Enemy #1Haunted Experience & Cannabis hospitalityThe 420 Hotels will be amongst the nation's first hotel chains where guests will be able to consume cannabis onsite in legally licensed lounges. The idea is to convert intimate boutique hotels into high-end, members-only cannabis consumption clubs merged with luxury overnight accommodations.  Chris Chiari is a driven entrepreneur and award-winning film producer with a wealth of experience in corporate strategy and regional politics. Skilled in marketing and messaging, he has engaged exclusively with the cannabis industry since 2011 and is a tireless advocate for cannabis policy reform and fostering industry growth. Chris owns and operates Denver's historic Patterson Inn, the keystone of The 420 Hotels portfolio. As CEO, he uses his expertise in hospitality, operations and community outreach to address the stigmas and ignorance that still exist around cannabis use while creating a unique and upscale environment for cannabis consumption. With a deep appreciation for the power of collaboration, Chris has built a wide-ranging network throughout his career spanning corporate boardrooms and the entertainment industry. Public Enemy Number One, a film by Chris Chiari, is a feature documentary about the War on Drugs, and counts entertainer Ice-T as one of its executive producers. The film won awards for Best Producer and Best Storyteller at its world premiere at DOC LA 2019 and Best Documentary at the 2020 Seattle Film Festival. It is currently available for rent on Amazon Prime and streaming on Pluto TV and Tubi. Chris is a former Deputy Director of Colorado NORML, serving for over eight years.. When not working on The 420 Hotels portfolio, Chris likes to stay involved with grassroots advocacy and advancing social reform; he was one of the five members of the petitioners committee of Denver's successful 2019 psilocybin ballot initiative. In his free time Chris can be found on the rail at a Twiddle show. #Cannabis #CannabisCommunity #CannabisHotelInvest in the 420 Hotels on Republic Websites: The Patterson Inn | The 420 Hotels | Republic CrowdfundingFacebook: @ThePattersonInn | @The420HotelsInstagram: @12spiritstavern | @thepattersoninn | @the420hotelsTwitter: @PattersonInnAt Eighth Revolution (8th Rev) we provide services from capital to cannabinoid and everything in between in the cannabinoid industry.8th Revolution Cannabinoid Playbook is an Industry-leading report covering the entire cannabis supply chain The Dime is a top 50 Cannabis Podcast  Contact us directly at info@8threv.com Bryan Fields: @bryanfields24 Kellan Finney: @Kellan_Finney 

ENTERTAINING SHORT FILMS is a new category on the RPA Network, which features indie short films for your enjoyment! We applaud these creators!   When a sword maker is accused of treason and sentenced to death by dragon, he must become allies with the dragon in order to survive.   An official selection at 24 film festivals. MAN OF FIRE received 21 awards including 3 awards for Best Director, 3 awards for Best Female Director, 2 awards for Best Short Film, 4 awards for Best Fantasy Film, 4 awards for Best Soundtrack/Composer, 1 award for Best Producer, 1 award for Best Cinematographer, 1 award for Best Fight Choreography, and 2 awards for best VFX.

David Serero is a critically acclaimed and awards-winner opera singer, actor, director, and producer. He has performed more than 2,500 performances in more than 45 countries, directed and produced nearly 100 theatrical productions, starred in over 100 films and TV series, recorded and produced over 100 albums and, played more than 50 lead and title roles (in several languages) from the opera, theatre, and musical repertoire. In New York, he starred Off-Broadway in iconic roles such as Shylock, Cyrano, Othello, Barabas, Yiddish King Lear, Don Giovanni, Figaro, Romeo, Nabucco, as well as new works such as Napoleon by Kubrick, Queen Esther, Anne Frank a Musical, among others. In his native Paris, he also starred as Don Quixote (Man of La Mancha) and Happy Mac (Beggar's Holiday by Duke Ellington). He entered the prestigious Who's Who America for demonstrating outstanding achievements in the entertainment world and for the betterment of contemporary society. In 2019, he received the Albert Nelson Marquis Lifetime Achievement Award, the Morocco Day Distinguished Achievement Award, the Trophy of the Culture of Morocco, and was named among the fifteen most influential Moroccans worldwide by Morocco's airline Royal Air Maroc. David is a member of the Recording Academy and the Television Academy and a voting member of both the Grammys and Emmys. In 2020, David Serero received the UNESCO Award for Diversity in Paris and became an Honorary Member of the United Nations of Arts and Science. In 2021, he won 4 BroadwayWorld Awards for Best Performer of the decade, Best Producer of a Musical of the decade, Best Producer of a Play of the decade, Best Opera singer of the Year. He was awarded the Certificate of Recognition by the Mayor of New York, Bill de Blasio, for his contribution to the City's dynamic cultural landscape, enriching the vibrant performing arts sector, and uplifted and inspired diverse New Yorkers. www.davidserero.com www.thetencommandmentsthemusical.com

The New Old Heads podcast episode 280 had discussions on Rick Ross saying hip hop has embraced LGBTQ+, Dame Dash talking social media being at fault for rap beef, the TikTok winner for the open verse competition Russ had, and part 3 of our "Best Producer of All Time" list. Vote here: https://docs.google.com/forms/d/e/1FAIpQLSdz84HWH8hSDeXH1Je4mGGUauMTlV0fWK8wym55_6m9SM5Rrg/viewformSupport the show (https://www.patreon.com/NewOldHeads)

In this weeks episode, Clay and Tanner create their Hip-Hop producer tag tier list. The list includes names like Pierre Bourne, Wheezy, Metro Boomin, Dj Mustard and many more! Listen as Clay and Tanner break down who has the most iconic and most satisfying producer tag in Hip-Hop.Soul Serum:https://discord.gg/Ny3rjqshttp://www.twitter.com/souIserumhttp://www.instagram.com/soulserumhttp://www.soulserum.shop

This is Episode 46 of the Dr. Finance® Live Podcast hosted by Dr. Anthony M. Criniti IV (aka “Dr. Finance®”). Dr. Criniti interviewed Ryan Blair, #1 New York Times bestselling author & successful entrepreneur with billions in sales and exits. Ryan Blair is a #1 New York Times bestselling author, serial entrepreneur and the founder of his latest company, AlterCall. In March 2013, Blair released his paperback version of his #1 New York Times Best Seller, Nothing To Lose, Everything To Gain: How I Went From Gang Member To Multimillionaire Entrepreneur. In 2016, Blair released his second book, titled 'Rock Bottom To Rock Star.' In April 2014, Blair debuted Nothing To Lose: The Documentary. The documentary has won the “Best Producer” award at the Beverly Hills Film Festival and “Best Documentary” at the Los Angeles Art-House Film Festival. His biggest endeavor yet has been the overhaul of ViSalus. In 2012 Blair sold the company in a $792.4-million-dollar transaction. Ryan Blair has appeared on Dr Phil, CNBC, MSNBC, Bloomberg TV, CNN, and Fox. He has also been featured in major publications including Forbes, Business Insider, Inc Magazine, Fortune Magazine, BusinessWeek, Wall Street Journal, and Financial Times. Dr. Anthony M. Criniti IV (aka “Dr. Finance®”) is the world's leading financial scientist and survivalist. A fifth generation native of Philadelphia, Dr. Criniti is a former finance professor at several universities, a former financial planner, an active investor in diverse marketplaces, an explorer, an international keynote speaker, and has traveled around the world studying various aspects of finance. He is an award winning author of three #1 international best-selling finance books: The Necessity of Finance (2013), The Most Important Lessons in Economics and Finance (2014), and The Survival of the Richest (2016). As a prolific writer, he also frequently contributes articles to Entrepreneur, Medium, and Thrive Global. Dr. Criniti has started a grassroots movement that is changing the way that we think about economics and finance. For more information about Doctor Finance, please visit https://DrFinance.Info​​​​​ Disclaimer: This Podcast is for informational purposes only. It is presented with the understanding that the author(s) and the publisher(s) are not engaged in providing financial, legal, or other professional services. If financial, legal, or any other form of advice is needed, please consult a financial advisor, an attorney, or another professional advice-giving entity. Also, the opinions and views expressed by any guests on this Podcast do not necessarily represent the opinions and views of Dr. Finance® or its affiliates. Copyright © 2021 to Present by Dr. Anthony M. Criniti IV - All Rights Reserved.

Camo & Krooked on the Virtual Sessions presented by The DJ Sessions 12/13/21 About Camo & Krooked - Austrian duo Reinhard Rietsch and Markus Wagner, otherwise known as Camo & Krooked have quickly become one of the hottest production outfits in Europe. Working together since 2007 and signing exclusively to Hospital Records in 2010, the Viennese pair have created a whirl of dancefloor anthems and a fearsome reputation for their untouchable production skills. Since signing to Hospital Records they have have brought us soulful, sultry tracks like massive hit single “Turn Up The Music” alongside raw power of smashers like “Climax”, proving that they are not only super talented, but they are also incredibly versatile. In autumn 2011 they released their first album on Hospital “Cross The Line”; a fourteen-track rollercoaster ride of emotions, veering between polished vocal-led beauties to filthy tear-out monsters, which delved into dubstep, drumstep, electro-house and everything in between. The album was a universal success and the duo won not one, not two, but three awards in the Drum & Bass Arena Awards 2011 for “Best Producer”, “Best Video” and “Best Album”. Another exciting development was the birth of Camo & Krooked live show; a multi-sensory show, featuring the pair perched inside an LED-lit cage using iPads and various MIDI-controllers to rearrange and modify their recent hits and trigger visuals, with album vocalists. The pair toured with the live show throughout the rest of 2011. 2012 saw the release of their remix album “Between The Lines” which featured remixes of key “Cross The Line” cuts by a range of producers including Metrik, Mefjus, Subwave, BCee and more. Since then, the boys have also had their music featured on some high profile computer games and have released LP ‘All Night' in anticipation to their new album ‘Zeitgeist', due out on 30th September 2013. With Eighteen months of hard graft under the belt, ‘All Night' foresees the new album in its influences from French house, disco and minimal techno that creates yet another angle to the Camo & Krooked signature sound, as does the recently released follow up ‘Move Around'. On the release of their latest album ‘Zeitgeist' Camo & Krooked toured extensively, playing to full capacity clubs across Europe, Australia and America. This included a sold out tour of Austria with their brand new Zeitgeist production show; an audio-visual spectacular, that is now set for a full tour of major festivals in summer 2014. About The DJ Sessions - With over 2,200 episodes produced over the last eleven years “The DJ Sessions”, a Twitch and Mixcloud “Featured Partner”, has featured international artists such as: BT, Robert Babicz, Camo & Krooked, Simon Patterson, Lindsey Stirling, Mako, Morgan Page, Jes, Cut Chemist, Yves Larock, Judge Jules, DubFX, DJs From Mars, Rudosa, Thievery Corporation, Sander Van Dorn, GAWP, Hollaphonic, Kissy Sell Out, Somna, David Morales, Roxanne, JB & Scooba, Massimo Vivona, Moulinx, Futuristic Polar Bears, Many Few, Joe Stone, Reboot, Truncate, Scotty Boy, Jody Wisternoff, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Thousand Fingers, Dirtmonkey, Crystal Method, Beltek, Dyro, Andy Caldwell, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more. In addition to featuring national/international artists “The DJ Sessions” featured hundreds local top DJs from their homebase of Seattle. We have also undergone a massive upgrade in our TDJS studios and to our TDJS Mobile Studio to full HD streaming and HD audio to make the quality of the shows even better than before. Along with that we have launched a new website that now features our current live streams and past episodes in a much more user friendly mobile/social environment. About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed through broadcast television and the internet for live and archival viewing. "The DJ Sessions" is a Twitch "Featured Partner" and MixCloud "Featured Partner" series and has been recognized by Apple twice as a "New and Noteworthy" and "Featured Video” podcast. UStream and Livestream have also listed TDJS as a "Featured" stream in their lineups. The TDJS combined live streaming/podcast audience is over 125,000 viewers per week. For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com

“Decriminalizing, legalizing, creating a space for patients, creating a space then for recreational consumers...The stepping stones were part of a strategy to try not to bite off more than the state and voter populace could chew.” -  Chris ChiariWelcome back to the To Be Blunt podcast! In this episode, Shayda Torabi welcomes Chris Chiari, Founder/CEO at The 420 Hotels Inc, to share his insights on cannabis tourism, the undefined freedom to consume, and how lawmakers are treading with caution in policy enforcement. [00:01 – 07:44] Perspectives on Safe Cannabis Consumption in Differing Premises[07:45– 20:00] Opening the Window for Legal Cannabis Consumption and Hospitality[20:01 – 34:43] Initiatives to Take: The Realities of the Cannabis Bureaucracy[34:44 – 53:14] Business Models on Crafting Avenue for Cannabis Users[53:15 – 01:01:09] What Consumers Don't Realize about Crafting Safe Environments[01:01:10 – 01:03:32] Food for Thought: What is the future of cannabis tourism, hospitality, and experiential events? Chris Chiari is a driven entrepreneur with a wealth of experience in corporate strategy and film production. Skilled in marketing and messaging, he has engaged exclusively with the cannabis industry since 2011 and is a tireless advocate for cannabis policy reform and fostering industry growth. Chris owns and operates Denver's historic Patterson Inn, the keystone of The 420 Hotels portfolio. As CEO, he uses his expertise in hospitality, operations and community outreach to address the stigmas and ignorance that still exist around cannabis use while creating a unique and upscale environment for cannabis consumption. Chris has built a wide-ranging network throughout his career spanning corporate boardrooms and the entertainment industry. His most recent film project, Public Enemy Number One won awards for Best Producer and Best Storyteller at its world premiere at DOC LA and Best Documentary at the 2020 Seattle Film Festival. It is currently available for rent on Amazon Prime and streaming on Pluto TV and Tubi. Chris has been on the Board of Directors for Colorado NORML since 2013 and serves as the organization's deputy director. When not working on the 420 Hotels portfolio, Chris likes to stay involved with grassroots advocacy and advancing social reform; he was one of five original signers of Denver's successful 2019 psilocybin ballot initiative. He also enjoys twiddle shows in his free time.Connect with ChrisVisit https://the420hotels.com/ and follow him on Facebook, Instagram, Twitter, and LinkedIn @the.420.hotelsShayda Torabi has been called one of the most influential Women in WordPress and now she's one of the women leading the cannabis reformation conversation building one of Texas' premier CBD brands. She's currently the CEO and Co-Founder of RESTART CBD, a female-run education first CBD wellness brand. And has formerly held marketing positions at WP Engine and WebDevStudios. Shayda is the host of a podcast for cannabis marketers called To Be Blunt, where she interviews top cannabis brands on their most successful marketing initiatives. When Shayda's not building her cannabiz in Texas, you can find her on the road exploring the best hikes and spots for vegan ice cream. Follow Shayda at @theshaydatorabiKey Quote:“All crime is at enforcement, not at commitment.” - Chris Chiari SPONSORSHIP is brought to you by Restart CBD. Check them out for your CBD needsLEAVE A REVIEW + help someone who wants to join me for episodes featuring some serious cannabis industry by sharing this eRESTART CBD RESTART CBD is an education first CBD wellness brand shipping nationwide. restartcbd.com

In this episode of "A Conversation With," I sat down with Emelyn Stuart, owner, and creator of the "Ocktober Film Festival". Emelyn shared how she opened Stuart Cinema & Café, an independent movie theater in New York, quickly making it a beloved community cinema. She didn't just open a cinema: she really put her heart and soul into it and turned it into a place that's unique and important in its community. ====================== Emelyn Stuart BIO Emelyn Stuart embodies all things are possible when you marry purpose, passion, serious work ethic, and commitment. Production wasn't an obvious path for this businesswoman that doesn't deem herself an innate “creative,” but it has proven to be a fit for an extraordinary woman that has allowed making a difference to propel her to uncharted territory. With a degree in business and less than a decade in the industry, Emelyn Stuart has exemplified leadership and provided inspiration to filmmakers globally. Stuart's first project, “Wings and Beer” (2009), started as a script and a dream from a friend and then morphed into an award-winning short film—a testament to the difference realized with a producer that brings partnership, rigor, and powerful execution. The CEO and President of Stuart Films LLC, Emelyn Stuart, is a proven force in the independent filmmaking community. A vast range of projects that includes a successful off-Broadway play makes a difference for her collaborators but also garners her recognition internationally. Her wildly successful web series, “12 Steps to Recovery,” earned Emelyn the Best Producer award at the 2011 LAWebfest. Stuart is partly responsible for multiple award-winning feature films, including The Turnaround and Title VII. Her feature film Life Is Too Short premiered to sold-out audiences in New York for its 2015 screening debut, and in 2017 it was awarded Best FeatureFilm domestically and internationally. The ability to produce projects but still look at them objectively is a keen talent Stuart possesses and is a catalyst for her creating the coveted New York based Ocktober Film Festival founded in 2012. The Ocktober Film Festival is a “teaching festival.” Film screenings, workshops, resource fairs, pitch contests, award presentations, and special celebrity guests are a small part of the stimulating things that happen at OFF. The festival is a unique experience for filmmakers, industry guests, and moviegoers. In 2018, Stuart opened an independent movie theater in New York. Stuart Cinema & Café quickly became a beloved community movie theater. The theater offers a distribution alternative for independent filmmakers and is a resource hub for artists. In the meantime, Stuart can still be found speaking at conferences and film festivals around the country. In addition to speaking engagements and producing, Stuart continues to receive accolades and awards for her work in the entertainment business. Acknowledged by visionaries in the industry for her accomplishments, she has proven to not only be a name that rings bells but a revolutionary presence that makes a difference. Submit Your Short Film: The Film Collective --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/aconversationwithfm/message Support this podcast: https://anchor.fm/aconversationwithfm/support

Quake and Veto discuss Silento getting indicted on 4 felonies for murdering his cousin, Cassidy drops a new diss track towards Tory Lanez, Lil Wayne opens up about mental health issues, Drake breaks more records, Jay-Z makes history once again, 50 Cent enrolls Eminem for his BMF series on Starz, Pop Smoke is running out of music, 2010's Best Producer debates and much more. --- Support this podcast: https://anchor.fm/diversementalitypodcast/support

DS Interviews Dame Jefferson on the life, impact and Humbleness of legendary producer/ hitmaker Jaydee AKA J Dilla. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/deshaun-walker/message

Rik Green joined Pulse as a Music Video producer in 2012, since then he has gone on to helm some of the studio's most iconic videos including award winners “Genghis Khan” for Miike Snow (Ninian Doff), “Nobody Speak” for DJ Shadow & Run the Jewels (Sam Pilling), “No Reason” for Bonobo (Oscar Hudson) and most recently produced “Process”, Kahlil Joseph's epic film for Sampha which launched globally on Apple Music. Working with the most celebrated names in music, Rik was recognised at the 2016 UKMVA's with a “Best Producer” nomination. Rik heads up Pulse's UK music division, driving forward its continued success and emboldening the studios talent to create ambitious work that cuts through the noise . IG: @pulsefilms Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

GARRY PASTORE: With over 70 television and feature films under his belt since 1985, Garry has no intention of stopping. As an ACTOR, some of his television appearances have been in the HBO series “The Sopranos” and later on “The Deuce”, “Blue Bloods”, “The Flight Attendant”, “High Intensity”. Some of his film credits are “The Last Call”, “The Irishman”, “Shooting Heroin” for which he won Best Supporting Actor Award, “Goodfellas” working with Martin Scorcese and “Carlito's Way” working with Brian De Palma. Garry has also written 10 screenplays for tv and film under his Willowcreek Entertainment production company. His 1998 published book “You're Not in Mom's Kitchen Anymore” is a cook-book for college students, with a second “Destressed” due for publication this 2021. His body of work also includes: STUNT WORK for “Do The Right Thing”, “The Dark Knight Rises” for which he was nominated as an ensemble member for a SAG Award; PROPERTY PERSON; DRESSER; DIRECTOR AND PRODUCER for “Waiting For...Budd, which garnered awards for Best Director, Best Producer and Best Film. With all his successes, the bottom line for Garry is his love of family and being around his four children. Couple this with his love for fishing, golf and cooking and you have a very happy man, who gives back by raising money for POAC which provides recreational and support-services to children with autism and their families, as well as the Autism Shield Program, to train law enforcement and first responders in dealing with missing autistic children, with a100% success rate to date. Check out Garry's work at www.garrypastore.com IG: garry_pastore and Facebook at: garrypastore --- Support this podcast: https://anchor.fm/ozzie-stewart/support

Alvin and German conduct a great conversation with filmmaker and educator Jeffrey Williams '89. He was a student athlete (track and football) while at Colgate from Minneapolis, Minn. An award-winning producer/director/screenwriter, he attended the Howard University's Film school after Colgate. While at Howard, he won the prestigious School of Communications' Paul Robeson Award for Best Producer and Best Screenplay. Check out Jeff as he shares lessons learned and provides helpful tips from his journey.

This week we talk with Jason Griff about the greatest producer albums of all time. This means albums with one producer and a gang of random rappers. We also discuss Jason's great new producer album Fireside Chats which can be found here: https://jasongriff.bandcamp.com/album/fireside-chats For early access to episodes and exclusive episodes and content be sure to support our patreon: https://www.patreon.com/calloutculturepodcast --- Support this podcast: https://anchor.fm/calloutculture/support

After dropping a brief video on Monday sporting her new blonde look, Billie Eilish has announced that she will release her second full-length album, titled “Happier Than Ever,” on July 30, and will drop a new song on Thursday morning. “MY NEW ALBUM ‘Happier Than Ever' OUT JULY 30TH!,” she wrote in a social media post. “This is my favorite thing i've ever created and i am so excited and nervous and EAGER for you to hear it. i can't even tell you. i've never felt so much love for a project than i do for this one. hope you feel what i feel. alsoooo new song out thursday at 9am too!!” Judging by titles of the songs from the album (listed below) and it's clearly ironic title (she appears in tears on the cover), the lyrics continue the dark — at times playfully dark — vibe of her Grammy-sweeping 2019 debut full-length, “When We All Fall Asleep Where Do We Go?” It includes her two most recent singles, “My Future” and “Therefor I Am,” although not her recent collaboration with Rosalia. Like her debut, it was written and produced with her brother and musical collaborator, Finneas. Eilish told Stephen Colbert in February that she'd recorded a new album in lockdown, the result of her first prolonged period of not touring since her career began in earnest in 2016. The logistics of recording an album may be easier for Eilish and her brother and musical collaborator Finneas, as they famously recorded most of their previous releases, 2019's “When We All Fall Asleep, Where Do We Go?” and the “Don't Smile at Me” EP, in the Los Angeles home they grew up in. Eilish kept details about the album light, although Colbert asked her later in the interview if she showed off her vocal chops on the new material. “There's a couple of moments on this album where I pull some tricks out. It's really just about what I feel like sounds good.” She has released four new songs in the nearly two years since “When We All Fall Asleep” dropped: “All I Ever Wanted”; the title theme from the delayed James Bond film “No Time to Die”; “My Future” and a recent duet with Spanish singer Rosalia, “Lo Vas Olvidar.” The album arrives more than two years after her debut, “When We All Fall Asleep, Where Do We Go?,” which swept the 2020 Grammy Awards, with her and/or brother/collaborator Finneas winning Album of the Year, Record and Song of the Year, Best New Artist and Best Producer.

Producer Katy Lipson (Aria Entertainment) co-hosts The West End Frame Show! We're also joined by actor & producer Lucy Eaton to discuss her new podcast Hear Me Out. Andrew & Katy discuss Brooklyn (stream.theare) as well as the latest news about Pretty Woman, The Lion King, & Juliet, Samantha Barks and more. Katy also discusses her upcoming productions of Cruise and A Killer Party. Katy founded Aria Entertainment in 2012. In 2017, Katy was awarded the Best Producer award by the Off-West End Awards and is a recipient of the Stage One Bursary and Start Up Award. She made “The Stage 100” in 2018, 2019 and 2020 for her work at Hope Mill Theatre and in 2021 for her work as a solo producer. Just a few of her many productions include the UK premiere of The Addams Family, the 50th anniversary production of Hair, Pippin at the Southwark Playhouse, Rags, The Return of the Soilder, Aspects of Love, The Last Five Years, Vanities, The Toxic Avenger and Mame. The filmed production of Cruise is available on stream.theatre 15th - 25th April. The play will then run in the West End at the Duchess Theatre 18th May - 13th June.   Visit www.cruisetheplay.co.uk for info and tickets. A Killer Party is being streamed 26th April - 23rd May on stream.theare.   You can follow Katy on Twitter @AriaEnts and Instagram @KatyAriaEnts Lucy Eaton most recently starred alongside Michael Sheen & David Tenant in Staged (BBC / Huli) written by her brother Simon Evans. Her theatre credits include: The Duchess of Malfi (Old Vic), A Day in the Death of Joe Egg (Trafalgar Studios), The Resistable Rise of Arturo Ui (Donmar Warehouse) and Khadija is 18 (Finborough Theatre).  Lucy is the host of new podcast Hear Me Out. Each week, she asks a different guest about their favourite speech which leads to wonderfully insightful conversations. Guests include Mark Bonnar, Denise Gough, Adrian Lester and Claire Skinner. Hear Me Out is available wherever you get your podcasts. Hosted by Andrew Tomlins @Andrew_Tomlins Thanks for listening! Visit www.westendframe.co.uk to stay up-to-date with our podcasting adventures. 

Barely in her 20s, Ruby Locknar has a lot of creative credits to her name. She's an actor, technical director, and podcast host. Her theater credits include a national tour with TheaterWorks USA, multiple recordings with Kristen Chenoweth and Alice Cooper, among others. Ruby's technical production work includes "Jim Caruso's Pajama Cast Party," and "Virtual Halston" with actress Julie Halston, for which she won a BroadwayWorld Award for Best Producer of a Virtual Program. We know you're going to really enjoy meeting this engaging, enthusiastic, classy lady!

In this episode Mr. Styles and Prez get right back to action. Ear To The Street: Rip Dustin diamond (screech),Nick cannon gets Covid, Super bowl week but Dr. Fauci says cancel party, Floyd vs 50 cent , Roscoe's man turned away for not wearing mask comes back holds place up ,Prosecutors' request arrest warrant for Kyle Rittenhouse ,T.I rape drugging abuse allegation', R. Kelly associate pleads guilty to bribe of 500k,Jeff Bezos step down as CEO amazon worth 1.6 trillion, Ja rule got his Harvard business certificate , Ryan Coogler inks new deal with Disney new black panther series coming to Disney+, Megan Markle name removed from her baby birth certificate, Joe Budden Announces Multi-Faceted Deal With Patreon, Silhouette challenge !! Effect can be removed Flavor Of The Day: Cheese Cake Piss  5 Blunts Of Kush - Stoner Drinks Real Sports - Super Bowl, Watson Considering Broncos , NCAA Football return, NBA All-Star Game, Who is the better Ball? Top 10 Real Countdown - This week we Countdown Top Hip-Hop Producers  Plus the Segments Weed News, Faded & X-Rated, The Oval Office plus F-U Fridays   

For those new to the podcast, please give us a follow on our social pages:@thebeardthebald on Twitter@thebeardandthebaldpodcast on InstagramThe Beard and The Bald Podcast on FacebookAnd for those who have been with us for a while, please take a moment, please take a moment to give us a rating and a review! CLICK HERE TO LEAVE US A REVIEW!Here's this week's Agenda:RIP Larry King - His appearances in movies will last the test of timeRelease Date Shuffle Part XXI - A Quiet Place 2, Bond, Morbius, Ghostbusters, The Kings Man, Bob's Burgers, UnchartedNolan unlikely to work with WB again over HBO Max deals - Is he right or an insufferable hold-out during a trying time?Wonka prequel in the works at WB with either Chalamet or Holland in the lead - A potential franchise series? What makes Wonka such an interesting character to keep remaking?The Boys season 3 to feature Herogasm - How far will they go in adapting this?Affleck says Kevin Feige is the best producer ever - Is he right?Liam Neeson in talks for a Naked Gun Reboot - What would that be like?What we're watching - Paul - The Wraith, The White Tiger, Face/Off, WandaVision, TMNT - Chris - The Little Things, Blind FuryListener Questions

Aria Entertainment was founded in 2012 by Katy Lipson. In 2017, Katy was awarded the Best Producer award by the Off-West End Awards and is a recipient of the Stage One Bursary and Start Up Award. She made “The Stage 100” in 2018, 2019 and 2020 for her work at Hope Mill Theatre and in 2021 for her work as a solo producer.Katy produced the UK Premiere Tour of The Addams Family and the 50th Anniversary production of HAIR at the London Vaults, which she originally co-produced with Hope Mill Theatre in 2016, where she was the Producing Artistic Director for all in-house musicals from 2016 – 2019. HAIR (The Vaults) won the award for Best Off-West End Production at the 2018 Whatsonstage Awards and completed a major UK Tour in 2019. Their transfer of Pippin, which played at the Southwark Playhouse, was nominated for a record number of Off West End Awards. Their production of Spring Awakening won the award for Best Regional show at the 2019 WOS awards. In 2012, the bicentenary year of Charles Dickens' birth, she produced a revival of The Mystery of Edwin Drood at the Arts Theatre, West End. This was followed by a transfer to the same venue in 2017 of new musical The Toxic Avenger following runs at The Edinburgh Festival's Pleasance Theatre and the Southwark Playhouse.Katy set up the From Page to Stage festival to support new musicals at all difference stages of development. In 6 years FPTS has given platform to over 100 new musicals of which many have gone on to have full productions and be licensed worldwide and now they run a full-time literary department for new musicals.Other productions include: Mame (UK Tour), which was nominated for 7 WhatsOnStage Awards and starred Tracie Bennett; Unexpected Joy(Southwark Playhouse and York Theatre, Off-Broadway); It's Only Life (Union Theatre); Mame, The Astonishing Times of Timothy Cratchit, Rags, Putting it Together, The Return of the Soldier, Pippin, Spring Awakening, Aspects of Love, Little Women, The ToyBoy Diaries, Yank!, Parade and HAIR (Hope Mill Theatre); the London transfers of Pippin (Southwark Playhouse) and Yank! (Charing Cross Theatre); Rags and tick, tick…BOOM! (Park Theatre); The Last 5 Years, Aspects of Love, The Toxic Avenger and Promises, Promises (Southwark Playhouse); Vanities The Musical (Trafalgar Studios); The House of Mirrors & Hearts(Arcola Theatre); See What I Wanna See and The Return Of The Soldier (Jermyn Street Theatre); The Adventures of Pinocchio, Lizzieand The Who's Tommy (Greenwich Theatre), Marry Me A Little, Jerry's Girls and Forever Plaid (St. James Studio); Bar Mitzvah Boy, That's Jewish Entertainment, Bette Miller and Me, The Jewish Legends, The Great Jewish American Songbook and The MGM Story (Upstairs at the Gatehouse and The Radlett Centre).Other current projects include: The Osmonds (UK Tour); C-o-n-t-a-c-t (Various Worldwide Productions); Sammy (Lyric Hammersmith); The Addams Family (UK Tour) and Elton John: It's A Little Bit Funny (UK Tour).Twitter: @AriaEntsWebsite: aria-entertainment.com

Hope you enjoy my conversation with Film Director Bradley Hawkins as much as I did... (Available where ever you listen to Podcasts.) This coming-of-age family drama wrapped up 2020 with its 100th win for the year with this award for Best Producer from the Chicago Indie Film Awards for December 2020. Resources: @calf_rope @bradley_hawkins Show Sponsors: @moderncowboyperformance www.moderncowboy.global @nrsworld www.nrsworld.com Show Music: “Cowboy” By: Kolt Barber https://www.koltbarber.com/ (https://www.koltbarber.com/) “The Ropin Pen” By: Trent Willmon https://trentwillmon.com/ (https://trentwillmon.com/) MC Podcast Production & Editing: Tyler Hillenbrand @tyhbrand

Is Kevin Feige the best producer in history? Ben Affleck thinks so. In this episode I share some of the things I don’t like in the Marvel movies as well as our thoughts on horror films. We also continue the MCU in chronological order breaking down the 14th movie in it’s chronological order Ant-Man. Checkout my website: brauliosshow.podbean.comFollow me on instagram: https://www.instagram.com/braulio_show/Follow me on Twitter: https://twitter.com/braulioshow1Send me your emails: brauliosshow@gmail.com

Continuing our round up of all our favourite things this year, we host the first edition of our (not so) prestigious award ceremony! Featuring Best DJ, Best Producer, Best Label, Best New Label, Mix Of The Year, Best Event, Best Remix, Heroics Award, One To Watch, A.A.H Tune Of The Year and the A.A.H. Album Of The Year.

Wake up with me! Today I am dishing on the Lily James & Dominic West drama, Hillary Duff's new baby, Real Housewives of New Jersey, and Justin Bieber's new documentary! Then I am sitting down with Actress Sarah Best to talk about her recent role in Buried in the Backyard on Oxygen and Producer Amanda McCune to talk about her company Aardvark Girl! Sarah Best is a drama and comedy actor best known for her roles in Buried in the Backyard on Oxygen, Untethered, Eden, and Rogue Saints. She has an extensive background in theater and is currently studying improv at the Groundlings. Amanda is a Producer and the host of the ‘Business for Self Employed Creatives' podcast. She has a background managing production companies for more than a decade working with tv shows, live events, presidential debates, and even a rocket launch. She has also produced a feature-length documentary about U2 titled ‘Dream Out Loud'. She then started her business, Aardvark girl helping other creatives manage their business. Follow me on Instagram @meganshahroozi for updates on the show & DM me with your thoughts on today's headlines! Follow Sarah on Instagram here:@sarahthebestt See Sarahs IMDB here: https://www.imdb.com/name/nm3753508/ Follow Amanda on Instagram here: @aardvarkgir Listen to Amanda's podcast here: https://pods.link/aardvarkgirl Support the show by supporting my sponsors: https://www.espressoyourselfbox.com/ Use code MORNING15 for 15% off at checkout!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/meginthemorning/support

Qui sont les meilleurs Beatmaker / Producer des tous les temps ? La question est difficile mais dans cet épisode nous tentons d'y répondre en comparant les morceaux, les dicographies, les impacts de chacun. Et tentons de faire un classement avec un système de chapeau pour les départager. _________________________________ Paroles Veritables Podcast, le podcast qui traite de la Musique, Culture et Lifestyle.  Par des passionnés, pour des passionnés.    #parolesveritables #montedanslescalatorHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

text by RNZThe winners of the 2020 Pacific Music Awards have been announced in an online ceremony, which included musical performances from the cream of the Pacific music community.Elijah Manu and Albert Purcell – better known as hip hop duo Church & AP - won Best Pacific Group and Best Pacific Hip Hop Artist, for their debut album "Teeth", as well as the Radio Airplay Award for their single "Ready or Not". The pair's producer Dera Meelan won Best Producer for his work on "Teeth".Singer songwriter Olivia Foa'i, of Te Vaka and "Moana" fame celebrated with three awards of her own, recognising her success as a solo artist.She won Auckland Council Best Pacific Female Artist, Sunpix Best Pacific Language, and Recorded Music NZ Best Pacific Music Album for her debut solo album "Candid".The legacy of the late Fijian guitarist Daniel Rae Costello was honoured with the Manukau Institute of Technology Lifetime Achievement Award.Costello released his debut album "Tropical Sunset" in 1979 and went on to put out 19 more throughout his lifetime. His hits such as "Take Me to the Island", "Dark Moon" and "Samba", are ubiquitous on radio, and at nightclubs and family gatherings across the Pacific to this day.Gospel singer Lani Alo took a break from his work with previous winners EFKS Te Atatu Junior Youth Choir to release his first single "Alo I Ou Faiva". The track won Best Pacific Song, and he won Best Pacific Gospel Artist.Kiwi hip hop sensation Kings won the Streaming Award for his single "6 Figures", while the award for Best Pacific Male Artist went to rapper Poetik for Hamofied EP 2, which continues to put Polynesian culture and issues on the map.A Special Recognition Award was presented to Jawsh 685 – AKA Josh Nanai – a 17-year-old producer from Manurewa who's catchy "Laxed (Siren Beat)" went viral on social media platform TikTok, before being picked up by US pop star Jason Derulo.The resulting collaboration "Savage Love / Laxed (Siren Beat)" has had global success, reaching the #1 spot in 17 countries including New Zealand, Australia and the United Kingdom.Performances on the night showcased the new wave of Pacific talent with sets from finalists Church & AP, Lomez Brown, Lou'ana, Shepherds Reign, Lani Alo, and Disciple Pati. There was also a special tribute performance for Lifetime Achievement recipient Daniel Rae Costello by Stevie Heatley and TCB, the band that toured with him across NZ and the Pacific from 2013 to 2015.Chairman and spokesperson Reverend Mua Strickson-Pua said: "The 2020 Pacific Music Awards again travel new oceans of richness, diversity and inclusivity, mirroring the Pasifika wairuatanga/spirit of overcoming life struggles and giving back to loved ones from Atua/God, to sacred tupuga/tupuna/ancestors."2020 Pacific Music Awards WinnersAuckland Council Best Pacific Female ArtistWINNER:Olivia Foa'i – CandidBella Kalolo – 'Ends of the Earth'Lou'ana – 'Move Along'NZ Music Commission Best Pacific Male ArtistWINNER:Poetik – HAMOFIED 2 EPLepani – 'Pockets Full of Love'Noah Slee – TwiceFlava Best Pacific GroupWINNER:Church & AP – TeethShepherds Reign – 'Le Manu'Tomorrow People – 'Fever feat. Fiji'NZ On Air Best Pacific Music VideoWINNER:Disciple Pati – 'The Boy Who Cried Woman', directed by Shae Stirling and Sapati ApaLou'ana – 'Eye To Eye', directed by Annie DuckworthSWIDT – 'Bunga', directed by Anahera ParataAPRA Best Pacific SongWINNER:Lani Alo – 'Alo I Ou Faiva', written by Metitilani Alo and Livingstone EfuGeneral Fiyah – 'It's You feat. Three Houses Down', written by Charlie Pome'e and Nicholas Pome'eShepherds Reign – 'Le Manu', written by Oliver Leupolu, Filivaa James, Joseph Oti–George, Gideon Voon, Shaymen RamekaSunPix Best Pacific LanguageWINNER:Olivia Foa'i – CandidLani Alo – 'Alo I Ou Faiva'Punialava'a – Sili'aga I Fa'atufugaga, Beyond Our StoriesShepherds Reign – 'Le Manu'Base FM NZ & Island Base Samoa Best Pacific Hip Hop ArtistWINNER:Churc...

Aria Entertainment was founded in 2012 by Katy Lipson. In 2017, Katy was awarded the Best Producer award by the Off-West End Awards and is a recipient of a Stage One Bursary and Start Up Award. She took part in the first ever UK/US Producer Exchange in 2019 and was nominated for International Producer Of The Year in 2020 by the League Of Professional Women in New York. She made “The Stage 100” a list of the most influential people working in British Theatre in 2018, 2019 and 2020 for her work as producing artistic director of the Hope Mill Theatre. Katy produced the UK Premiere Tour of The Addams Family in 2017 and the 50th Anniversary touring production of HAIR in 2019 which also ran at the London Vaults in 2017 and which she originally co-produced with Hope Mill Theatre in 2016, where she was the Producing Artistic Director for all in-house musicals from 2016 – 2019. HAIR (The Vaults) won the award for Best Off-West End Production at the 2018 WhatsOnStage Awards. She transferred a production of Pippin, to Southwark Playhouse, which was nominated for a record number of Off West End Awards and her production of Spring Awakening won the award for Best Regional show at the 2019 WOS awards. In 2012, the bicentenary year of Charles Dickens’ birth, she produced a revival of The Mystery of Edwin Drood at the Arts Theatre, West End. This was followed by a transfer to the same venue in 2017 of new musical The Toxic Avenger following runs at The Edinburgh Festival’s Pleasance Theatre and the Southwark Playhouse. Katy set up the From Page to Stage festival to support new musicals at all difference stages of development. In 6 years FPTS has given platform to over 100 new musicals. Many have gone on to have full productions and be licensed worldwide. Aria runs a full-time literary department for new musicals. Instagram: @ariaents Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

My guest today is Hollie Smith.   Hollie Smith is one of New Zealand's most predominant & iconic musicians. After working with numerous bands including Trinity Roots, Fat Freddy's Drop and Detroit dance legend Recloose, she was approached by NZ songwriting royalty Don McGlashan to perform on a movie soundtrack single ‘Bathe in The River' that topped the New Zealand singles charts and became one of the biggest and iconic singles in New Zealand history.   This set the stage for Hollie's debut album ‘Long Player' released in 2007 which went straight to number one on the NZ charts. The album reached multi-platinum status, and was followed with sold out tours and then saw her take away several NZ music awards that year which included ‘Best Producer', ‘Best Female Solo Artist' and ‘Breakthrough artist of the year'.   Hollie has gone on to record 2 more solo albums, "Humour and the Misfortune of Others", and "Water or Gold". And she's has recently begun production on a long awaited new album.    Hollie Smith is a prolific hardworking singer/songwriter and performer, and has always maintained a highly respected reputation of creating music with the upmost integrity & passion, not to mention her incredible live performances and powerhouse vocals.   Im extremely honoured to have gotten to sit and chat with Hollie for this podcast. So ladies and gentleman, please sit back and open your ears to some of the life and times of Hollie Smith.   This podcast episdoe was recorded 08/07/2020.   Intro Music: "Lady Dee" - Hollie Smith (Water or Gold) Outro Music: "Philosophy" - Hollie Smith (Long Player)   For more on Hollie: Facebook Instagram Website  ------------------------------------------------------------------------------------------------------------------------------   Click here to securely donate to The Gig Life Podcast via PayPal.   Your support is very much appreciated. Thank you. The Gig Life Podcast: Website Instagram Facebook  Twitter  

Mashonaland Central Arts...Arts

Griffin and Evan dive into the life of a music producer with SAB-Z (Pedrom) and Bardia and talk about the future of music and their hopes to make an album together!

"It's impossible to lie through the nose", "Its so important that you treat every day as a gift", playing the flute on a camel in front of the pyramids and the power of communicating through your whole body. Just a few of the wonderful subjects that are covered in this joyful 'Talking Flutes Extra' podcast with Viviana Guzmán.  Described by the New York Times as “an imaginative artist,” Chilean-born flutist, Viviana Guzmán performs over 80 concerts a year throughout the world and has performed in 131 countries.  Her latest album “Traveling Sonata” received a GRAMMY Nomination for Best Producer.  Viviana has presented three TEDxTalks and at TEDxBerkeley, she spoke immediate before Steve Wozniak, co-founder of Apple, Inc.  She has been featured on programs for PBS, ABC, CBS, NBC, FOX, Good Morning America and NPR, and seen on the cover of Latina Style Magazine, and in COSMOPOLITAN en Español.  Having started musical training at the age of 5, by age 15, she had played as a soloist with orchestra, studied with Jean-Pierre Rampal and was featured on NBC’s nationally televised John Denver music special.  Her YouTube channel boats 2.5 million views.  Viviana Guzman is currently teaching flute at the University of California, Santa Cruz. 'Talking Flutes' and 'Talking Flutes Extra' are podcast productions by the Trevor James Flute Company.  For more information www.trevorjamesflutes.com

Hello and welcome to the NGFP Local Lunch trailer for podcast episode 7 which reveals everything you need to know about Nottingham’s local food heroes and how you can get more involved in our vibrant local food scene! Local lunch is brought to you by your hosts Penney Poyzer and Shona Munro of Nottingham Good Food Partnership the go to organisation for sustainable food in our fair city. This Friday our guest joining us for lunch is Kimberley Bell, who is not just a local food hero but an international food educator. Kim who only began small food bakery as an experiment in 2014, was Winner of the BBC Food and Farming Award 2018 for best food producer. Kim creates breads that taste radically different and connects farms to the end result. She advocates for change in the way we grow, produce, trade, cook, eat, think about food. Small Food is a sourdough bakery, kitchen and grocery store who trade directly with farmers and sell directly to their customers. They do not use non food or industrial ingredients and are equitable and responsible in the way they work with people and the environment. Small Food Bakery works alongside Neighbour Food and Having the bakery serving their small food supper on the Thursday night to coincide with food collection for the Neighbour Food on line shopping platform - really adds to the experience of social food shopping, its a mutually beneficial way of working cooperatively with a shared customer base. We will be learning from Kim what makes a loaf of bread that is good for us and good for the planet? What will it take to transform our broken food system which is based on commodity rather than as a vehicle for nutrition and societal health? How do we make food fit for purpose? Lunch this week will be sourdough bruschetta with slow roasted leeks and a drizzle of hedgerow ketchup accompanied by a fresh green salad straight from the NGFP Local Lunch garden. Now that’s a local carbon lunch for sure! So join us for lunch this Friday at 1.30pm with Kimberley Bell simply search NGFP Local Lunch see you Friday! --- Send in a voice message: https://anchor.fm/ngfplocallunch/message

Listen back to BestOfBritish show with YourHostRob. Playing the best of Uk and Signed and Unsigned music This week YourhostRob is joined by special guest DreamReal. Producer turned artist sits down to talk about his upcoming mixtape 'From Dreams to Reality' ,his win as Best Producer at Linkuptv event and his work with Fekky Follow all the socials Special Guest : @dreamreal_official

Part II of the recap including the following topics: (:31) Sugarhill Gang - Rapper’s Delight Not the first Hip Hop release, but the first big hip hop single that pushed the genre into the spotlight; at the time, Hip Hop records were considered "specialty records", and the song was released an R&B/Disco EP. (2:41) LL Cool J - Walking with a Panther "Jinglin' Baby" and "Going Back to Cali" are the standouts. (3:29) The D.O.C. - No One Can Do It Better Yinka still revisits this album; Yinka ponders if D.O.C. would have contributed as heavily to projects like The Chronic and Doggystyle had D.O.C. not gotten injured; Outlaw poses the question if rappers offer their best bars when they ghost write for other artists. (7:57) Warren G - Regulate… G Funk Era Warren G's inclusion on Dej Jam helped save the label; "Regulate" was a summer smash; Outlaw poses the question if certain Hip Hop singles help keep the original sampled songs in the limelight. (12:05) Da Brat - Funkdafied Da Brat was the first female artist to go platinum; everything dope that JD did, he copied from someone else that came before him; Yinka feels Da Brat is criminally underrated, as she's one of his favorite female emcees. (16:47) Bone Thugs-N-Harmony - Creepin on ah Come Up Bone had an unparalleled knack of creating intoxicating singles; despite this being an EP, the sound was ubiquitous . (19:51) Coolio - It Takes a Thief Coolio is an artist whose singles were way bigger than his albums; despite some middling music, he was a legit popstar; Yinka and Outlaw somehow deviate to a discussion about Hot Ones and Nardwuar. (25:20) Organized Konfusion - Stress: The Extinction Outlaw respects Pharoahe Monch, but thinks his fans slightly overrate him; Yinka suggests a "Put You Up" episode for this album. (28:19) UGK - Super Tight Pimp C should be in the conversation for Best Producer on the Mic; Outlaw includes Pimp C in his 4th tier; Yinka claims Pimp C is one of Hip Hop's top personalities; in today's cancel culture climate, would UGK still exist if Pimp C were alive? (33:50) Ja Rule - Venni Vetti Vecci Ja Rule's pivot to commercial pop was annoying. (36:36) Missy Elliott - Da Real World Yinka's favorite Missy Elliott album; we invested money in the artists from the '90s, which is partly why we feel such nostalgia for them; Outlaw asks if this album helped reshape the word "Bitch". (41:50) Lootpack - Soundpieces: Da Antidote "Real Hip Hop", but Yinka acknowledges Outlaw probably would get bored with this album. (44:42) Gang Starr - Full Clip: A Decade of Gang Starr Gang Starr deserves a dedicated episode. (47:36) EPMD - Out of Business This was Yinka's introduction to EPMD; "The Symphony" is the clear stand out. (49:06) Memphis Bleek - Coming of Age A 10 minute rant from Yinka about how disappointing this album is; Outlaw makes the groundbreaking claim that water is wet. (1:00:27) The Beatnuts - A Musical Massacre Not as dope as we remembered; the filler is poor but the good tracks are really good; Outlaw reevaluates his stance that Juju is a 4th tier emcees (he's way lower). (1:03:18) GoldLink - Diaspora Outlaw likes the project; Yinka likes the idea of the project. (1:04:51) Chris Brown - Indigo Neither of us listened to the album; we devote this segment to market manipulation. (1:07:58) Dreamville - Revenge of the Dreamers III Yinka says "I told you so"; this project is dope; Dreamville is having a good year. (1:10:27) Inspektah Deck - Chamber no. 9 Outlaw likes the project; Deck still has bars, but doesn't skip around on the beat as well as he used to. (1:12:00) YBN Cordae - The Lost Boy Dope project; Yinka and Outlaw ponder why DMV artists don't collaborate as much as artists from other cities.

In this episode: Celebrity encounters, death row meals, awkward knocks at @loewsregency, nasty gnats, #crackerbarrel, anyhoo, Today in Yiddish . . . and Greek, verrrrrry popular birth dates, youth vigilanteism, Greenland’s loss, Pelican Rapids’ great response, @teddimellencamp’s moral compass, and the interview with the most genius and hilarious producer ever: Executive Producer of the Real Housewives of Beverly Hills, Chris Cullen!

Tune in as Dj Deem, LAUD & special guest World Champion MMA fighter Andre "The Bull" discuss a range of topics from Best Producer of the Decade "Industry Plants" & if they have been present, or are changing the landscape of Hip-Hop. You won't wanna miss it!!!!

THIS EPISODE MYCOAL TALKS WITH ALFONSO VEGA WHO WILL BE PREMIERING HIS INDEPENDENT HORROR FILM "LIMBO" AT THE HORRIFIC FILM FEST IN SAN ANTONIO, TX. PLEASE ATTEND THIS EVENT TO HAVE A GREAT TIME AND SUPPORT YOUR INDEPENDENT HORROR FILMS. LIMBO PREMIERES AT 12PM ON SUNDAY AT THE HORRIFIC FILM FEST. LINK: http://horrificfilmfest.com/ALFONSO VEGA IS NOMINATED FOR : BEST FEATURE, BEST PRODUCER, BEST DIRECTOR, BEST CINEMATOGRAPHY, ALSO EVLIN LAKE FOR BEST ACTRESS.

A staple in the Austin Jazz community, Sarah Sharp is a singer that embodies the cool-jazz era of the 1940s. Sharp has topped the Austin Music Award Polls for Best Female Vocalist, Best Producer, Best Songwriter, Album of the Year, Song of the Year, Band of the Year, and Best Jazz Band. She has been featured on NPR’s “Song Travels with Michael Feinstein” where he suggested some of her original songs were destined to become standards. Sway starts as a Jazz EP with standards “Oh What A Beautiful Morning” a nod to Peggy Lee’s version and “Everytime WE Say Goodbye,” clearly displaying her jazz background before continuing on to remind us that she is, and always will be a southern girl. With her rockabilly  influenced originals like “ Your Girlfriend hates me” to ther iconic “Always On My Mind,” that has been performed by countless country icons such as Elvis Presley and Willie Nelson.   Sarah Sharp holds nothing back as she paints a clear picture of her musical identity from its inspiration to its realization.

This episode The Wizeguyz talk about these topics: White man calls police on Black family and loses his job, Teen attacked for wearing "MAGA" hat, March 14 Vs Story of Adidon, Drake throws subs at Kanye, Lee Daniels wants thank you from Cardi B, Releases: Meek Mill,and Future, Will Smith interview, Ant-Man and The Wasp review, Sports(NBA) and the main topic: Best Producer in Hip Hop. Happy Birthday Clinton!!

In this week's Pocket Edition we host a panel discussion with three of the Best Producer nominees at this year's Pacific Music Awards, and feature live tracks from Louis Baker and Being.

Alex Behan hosts a roundtable discussion with three of the Best Producer nominees at this year's Pacific Music Awards.

Det har varit en slö vecka, och Shonnarna langar ett lite löst avsnitt. Vi pratar om Rae Sremmurds kommande trippelalbum och har ett litet tema om rappande producenter. Ältigt men mysigt. Hoppas ni gillar det! Följ oss på: Instagram:https://www.instagram.com/shonnarvetpodd/ Facebook: https://www.facebook.com/shonnarvetpodcast/ Spotify: https://open.spotify.com/user/shonnarvet

Ben Edwards has taken out the Best Producer award for his work on Reid's 2017 album Preservation. Other winners include Clint Murphy – Best Engineer for his work on Hamilton rockers Deviskin's album, and Henrietta Harris – Best Cover Art for her work on Grayson Gilmour's album Otherness.

by Cwspod © Copyright - Jeffrey Zakovec / Creative Wind Studios (191924331094) High Energy Jams for the Lonely DJ needing background sounds as they speak over. Catchy Instrumentals also used for freestyle, TV Commercials, Party Events. Genre: Hip-Hop/Rap: Instrumental Hip-Hop Release Date: 2017

Jayne Kennedy Overton (née Harrison; October 27, 1951) is an American television personality, actress, model, a corporate spokeswoman, producer, writer, public speaker, philanthropist, beauty pageant titleholder and sports broadcaster. Kennedy won a 1982 NAACP Image Award for Outstanding Actress in a Motion Picture award for her performance as Julie Winters in the 1981 film Body and Soul co-starring alongside her then–husband Leon Isaac Kennedy. Kennedy won the NAACP Theater Award for Best Producer along with her current husband Bill Overton for their production of the highly acclaimed staged musical, The Journey of the African American. Kennedy is also an Emmy Award winner for her coverage of the Rose Parade and was nominated for an Emmy for her coverage of the news feature on soldiers on the DMZ in South Korea for NBC’s Speak Up America in 1980. Ebony Magazine announced as “One of the 20 Greatest Sex Symbols of the 20th Century,” and in the 1980s, Coca Cola USA named Jayne Kennedy “The Most Admired Black Woman in America”.

We speak to the big award winners from the past year.Paul Beatty is the first American to win the Man Booker Prize for Fiction for his satirical novel The Sellout; Denise Gough was on the point of giving up acting when she was offered the role that would win her an Olivier; Sonia Friedman, who won Best Producer at the Stage Awards, brought Harry Potter to the stage; Leonardo DiCaprio finally won an Oscar after being nominated 5 times; Helen Marten won not only the inaugural Hepworth Prize for Sculpture but the Turner Prize and split the winnings; 17 year old Sheku Kanneh-Mason won the BBC's Young Musician of the Year playing Shostakovich.Presenter: Kirsty Lang Producer: Hannah Robins.

Ryan Blair is a New York Times bestselling author, self-made multimillionaire and serial entrepreneur who established his first company when he was twenty-one years old and has since created and actively invested in multiple start-ups. Now at age of 38, he has founded and sold numerous businesses for hundreds of millions of dollars, runs global healthy lifestyle company, ViSalus, and is a venture capitalist. In March 2013, Blair released his paperback version of his #1 New York Times Best Seller, Nothing To Lose, Everything To Gain: How I Went From Gang Member To Multimillionaire Entrepreneur. Uncensored and raw in his account of growing up in the face of adversity, Blair effectively imparts lessons learned from obstacles he faced and provides a road map for entrepreneurial success. Blair is no ordinary businessman: he’s a master of personal reinvention. His captivating story was also a USA Today, Wall Street Journal and Inc. Magazine, bestseller amongst others. Through a candid and unfiltered voice, Nothing to Lose speaks to everyone, from struggling youth to thriving businessmen alike, illustrating how to turn failures into successes. In April 2014, Blair debuted Nothing To Lose: The Documentary, which follows his inspirational story as he overcomes challenges and adversity as well as his personal hurdles while building ViSalus into a household brand. The documentary has won the “Best Producer” award at the Beverly Hills Film Festival and “Best Documentary” at the Los Angeles Art-House Film Festival. On October 4, 2016, Blair revealed his second book, Rock Bottom to Rock Star: Lessons from the Business School of Hard Knocks, which explores how he rose to the top and shares his personal formula for going from rock bottom to "rock star” to be the absolute best at what you do.  His biggest endeavor yet has been the overhaul of ViSalus, the company behind the Body by Vi™ 90-Day Challenge, a weight and fitness transformation platform. In 2008, as CEO, Blair went all-in, personally investing his last million dollars on a new business model that would later revolutionize the 118 billion dollar direct selling industry. In just 21 months, ViSalus went from 600,000 to 30 million dollars in monthly sales, and in 2011, they increased sales seven-fold from 34 million to 231 million dollars. In September 2014, Blair, with his co-founders, announced ViSalus and former parent company, Blyth, had reached an agreement to sell back 90-percent of shares to the founders of the company. Blair appears regularly on CNBC, MSNBC, Bloomberg TV, CNN, and Fox. He has also been featured in major publications including Inc Magazine, Fortune Magazine, BusinessWeek, Wall Street Journal, and Financial Times. Blair took a turn in movie production serving as Executive Producer of Man in the Glass: The Dale Brown Story, an award-winning documentary about the legendary LSU Basketball Coach. Growing up in a “Brady Bunch” family environment, Ryan shares with us how his life wasn't always as grandiose as it is now. Being a child in a veteran a family, at the age of 13 he witnessed his Fathers downward spiral, leaving his Mother alone to raise the children. Being paid just above minimum wage at the deli job she accepted to pay for her family, Ryan remembers a life of unfortunate poverty. Being forced to move “to the other side of the tracks” due to their financial situation, Ryan gets real about life on the other side. After his sisters best friend lost her life in a drive by shooting, Ryan decided to retaliate, indulging in the gang scene or “illegal entrepreneurship activities” as he called it. Growing up first-hand in the “rock bottom” kind of lifestyle, his real life experiences made it easier for him to write about it all, and gave him that extra motivation and push to not end up like his other brothers and sisters. Ryan wanted a plentiful and peaceful life for himself and his own future family. Thankful for his spiritual upbringing because of his Grandmother, Ryan goes on to share with us that at times, it was truly his spirituality that he leaned on heavily, to get him through life, along with love the he had for his Grandmother and Mom. “They had always told me, 'You can be anything you want to be.'” And Ryan did just that! In fact he went far beyond his wildest imagination. If you're in need of a shot of inspiration, you've come to the right place! Ryan’s interview is the answer you've been looking for. In This Episode You Will Learn About: Going from rags to riches Leaps of faith Overcoming adversity Perseverance Hard work Choosing your path Spirituality Resources: Nothing To Lose, Everything to Gain by: Ryan Blair Rock Bottom To Rock Star by: Ryan Blair Couldn't get enough of this interview? In need of some more rock star tips and advice? Visit rockbottomtorockstar.com. Follow me on social media @LoriHarder on Instagram and Lori Harder on Facebook. You can also see more at my website: LoriHarder.com

Paco Osuna is one of the most renowned artists in the industry with a career spanning over 20 years. Blazing a trail for his fellow Spanish techno artists to become a vital cog oin the Spanish electronic dance music scene, Osuna has been recognised with several of the most important local music awards: Best Artist, Best Techno DJ and Dj of the year (Vicious Music Awards, from 2011 to 2014); Best Producer and Best Remix: Plastikman-Ethnics (DJ Mag Sp 2011). Production-wise Osuna has released techno on some of the global scene’s most legendary labels including Plus 8 and Minus (check the 2014 album release ‘Long Play’ on Minus), and he is also one of the most in-demand remixers going around. We can’t be more excited to have a legend like Paco Osuna on board for our final Balance Selections podcast of 2015. Enjoy! Interview and tracklisting here: http://www.balancemusic.com.au/balance-news/balance-selections-015-paco-osuna

Ein weiterer spannender Gast in der 15. Ausgabe der Kessel.TV Radioshow: Unser Tourfotograf Jaytext hat Marten Hörger eingeladen, der als Produzent und DJ von Ravensburg über Stuttgart quasi die ganze Welt erobert. Angefangen hat er mit Veranstaltungen im legendären Club Douala in Ravensburg, in dem u.a. Jeff Mills eine Residency hatte, legte bald auch in anderen Clubs in ganz Deutschland auf, anfangs vor allem im Breakbeats-Umfeld. Inzwischen wohnt er in Stuttgart, ist mit Bass Music auf der ganzen Welt unterwegs und spielt von Australien bis Miami, hat zahlreiche Tracks veröffentlicht und 2014 sowohl den Titel „Best Track“ als auch „Best Producer“ bei den renommierten Breakspoll Awards abgestaubt. Außerdem bildet er mit Leeroy Thornhill, ehemals Mitglied von The Prodigy, das Duo Smash HiFi. Über all das reden wir in der Sendung, untermalt natürlich mit viel Musik und viel Bass.

YOU ARE LISTENING TO EPISODE 377 with St. Louis' Spiritual Radio Host, Kimmie Kim from eLations magazine and eLations Radio, and Special Guests, Gospel Recording Artist, Dare David on PositivePower21.org.BiographyDare David is a US based gospel artist, music producer, recording engineer, and choir/ band director. He studied music in OAU Ife in Nigeria and media technology in SAE institute, Malaysia. He was born and raised in Abeokuta, Nigeria, and later moved to Lagos, Nigeria, He was influenced by a lot of great musicians in Nigeria, such as Soji Israel, Sammy okposo, Kunle Pinmiloye (kaysticks) and also international gospel artists such as, Donnie McClurkin and Marvin Sapp. He was the Praise worship leader and music director at the following branches of The Redeemed Christian Church of God (RCCG) - Court of His Majesty in Ipaja Lagos, Nigeria, RCCG - Covenant House in Victoria Island, Lagos, and RCCG - Power House, Kuala Lumpur, Malaysia.Dare launched his debut album titled "U BE GOD" in Nov 2009 and his Second album DO ME WELL was lauched in Malaysia 2011 and he is currently promoting his latest album that is making waves all around the world titled "OPEN DOORS" Dare has worked with and produced many artist such as Kenny Kore from the group Infinity, Dafidi (malaysia) soji isreal (BaBa ye), Bumie Dada (US) and more In 2011 he won the GAMA (Global African Music Award) for the Best Song of the Year and was nominated for the Best Producer and Best Gospel Song at the AEA (African Entertainment Awards in Malaysia. Also he has shared the stage with great African acts like Sonnie Badu, Uche Agu, Sammy OKposo and more Dare David recently won the award for the African artist on the year in US /CANADA at the AFRICAN GOSPEL MUSIC AWARDS (AGMA)

YOU ARE LISTENING TO EPISODE 377 with St. Louis' Spiritual Radio Host, Kimmie Kim from eLations magazine and eLations Radio, and Special Guests, Gospel Recording Artist, Dare David on PositivePower21.org.BiographyDare David is a US based gospel artist, music producer, recording engineer, and choir/ band director. He studied music in OAU Ife in Nigeria and media technology in SAE institute, Malaysia. He was born and raised in Abeokuta, Nigeria, and later moved to Lagos, Nigeria, He was influenced by a lot of great musicians in Nigeria, such as Soji Israel, Sammy okposo, Kunle Pinmiloye (kaysticks) and also international gospel artists such as, Donnie McClurkin and Marvin Sapp. He was the Praise worship leader and music director at the following branches of The Redeemed Christian Church of God (RCCG) - Court of His Majesty in Ipaja Lagos, Nigeria, RCCG - Covenant House in Victoria Island, Lagos, and RCCG - Power House, Kuala Lumpur, Malaysia.Dare launched his debut album titled "U BE GOD" in Nov 2009 and his Second album DO ME WELL was lauched in Malaysia 2011 and he is currently promoting his latest album that is making waves all around the world titled "OPEN DOORS" Dare has worked with and produced many artist such as Kenny Kore from the group Infinity, Dafidi (malaysia) soji isreal (BaBa ye), Bumie Dada (US) and more In 2011 he won the GAMA (Global African Music Award) for the Best Song of the Year and was nominated for the Best Producer and Best Gospel Song at the AEA (African Entertainment Awards in Malaysia. Also he has shared the stage with great African acts like Sonnie Badu, Uche Agu, Sammy OKposo and more Dare David recently won the award for the African artist on the year in US /CANADA at the AFRICAN GOSPEL MUSIC AWARDS (AGMA)

HR Interview Millena Gay Millena Gay is an award-winning producer; award-nominated film, television and stage actress and live event and talk show host. Winning the coveted 2014 Omni Award for Best Producer, Ms. Gay produced and co-starred in Clarissa's Gift, a short film about bullying directed and co-written by the legendary Obba Babatunde.    Featured Song " Best Case Scenario"  www.SaintTone.com

William Powell, The King of DC Media, welcomes playwright and actor Fred Thomas Jr., the seven-time NAACP Theatre Award nominee and winner of “Best Director,” “Best Playwright” and “Best Producer” for the prison-themed stage show 12’x9'. Learn more about Fred here: Who is Fred Thomas Jr.? I am a seven time 2012 N.A.A.C.P Theatre Award nominee and winner of Best Director, Best Playwright and Best Producer for my play 12’ x 9’. I graduated from Lincoln Univesity PA and also an alumnus of Temple University, where I received my Masters in Film and Media Arts. I am the founder of Temple University’s Black Media Collective, and was part of the ensemble cast with director Charles Stone III (Drumline, Mr. 3000) in Stone's short film TRUE starring as one of the Whassup Guys. That short film spawned the iconic Budweiser Whassup Guys! commercials which would go on to become one of the most successful and memorable ad campaigns for Budweiser with a total of 17 commercials, and garnered the 2000 Cannes Film Festival Golden Lion Award for the Best Commercial in the World.

Rene Rodrigezz is an Austrian deejay, producer and remixer, who thrilled the crowds with his inimitable DJ sets, his bootlegs and his own tracks! The musical story of Rene Seidl started at the age of eight. Classically trained at the St. Florian Boys‘ Choir gave him insight into the music in the early years. In 2010 he was nominated as Best Newcomer, Best Remixer and Best Producer at the Austrian Dance Awards, a prestigious award for upcoming artists. After several single releases, with all of them reaching the top dance charts, Rene Rodrigezz released his debut album in 2011. With a worldwide DJ tour spanning from Italy to Korea, he's becoming one of Electro House's biggest stars. Tune in and let me know what you think in the comments! TRACKLISTING00:00 - Rene Rodrigezz & Dipl.Inch - Only One (Rene Rodrigezz Mix) 04:06 - Klaas - This Hurt Will End 08:13 - Rene Rodrigezz - Go 12:20 - Ronen Dahan - I Keep It Cool (DDei & Estate Remix) 16:26 - Niels Van Gogh - Pornstar (Rene Rodrigezz Remix) 20:33 - DJ E-Maxx - Dirty (Jerry D. Remix) 24:40 - Rene Rodrigezz - Bang Bang! 28:46 - Otto Le Blanc & Alain Prideux - Loco (DJ Kuba & Ne!tan Remix) 32:53 - Javi Mula - Boom

Rene Rodrigezz is an Austrian deejay, producer and remixer, who thrilled the crowds with his inimitable DJ sets, his bootlegs and his own tracks! The musical story of Rene Seidl started at the age of eight. Classically trained at the St. Florian Boys‘ Choir gave him insight into the music in the early years. In 2010 he was nominated as Best Newcomer, Best Remixer and Best Producer at the Austrian Dance Awards, a prestigious award for upcoming artists. After several single releases, with all of them reaching the top dance charts, Rene Rodrigezz released his debut album in 2011. With a worldwide DJ tour spanning from Italy to Korea, he's becoming one of Electro House's biggest stars. Tune in and let me know what you think in the comments! TRACKLISTING00:00 - Rene Rodrigezz & Dipl.Inch - Only One (Rene Rodrigezz Mix) 04:06 - Klaas - This Hurt Will End 08:13 - Rene Rodrigezz - Go 12:20 - Ronen Dahan - I Keep It Cool (DDei & Estate Remix) 16:26 - Niels Van Gogh - Pornstar (Rene Rodrigezz Remix) 20:33 - DJ E-Maxx - Dirty (Jerry D. Remix) 24:40 - Rene Rodrigezz - Bang Bang! 28:46 - Otto Le Blanc & Alain Prideux - Loco (DJ Kuba & Ne!tan Remix) 32:53 - Javi Mula - Boom

Rene Rodrigezz is an Austrian deejay, producer and remixer, who thrilled the crowds with his inimitable DJ sets, his bootlegs and his own tracks! The musical story of Rene Seidl started at the age of eight. Classically trained at the St. Florian Boys‘ Choir gave him insight into the music in the early years. In 2010 he was nominated as Best Newcomer, Best Remixer and Best Producer at the Austrian Dance Awards, a prestigious award for upcoming artists. After several single releases, with all of them reaching the top dance charts, Rene Rodrigezz released his debut album in 2011. With a worldwide DJ tour spanning from Italy to Korea, he's becoming one of Electro House's biggest stars. Tune in and let me know what you think in the comments! TRACKLISTING00:00 - Rene Rodrigezz & Dipl.Inch - Only One (Rene Rodrigezz Mix) 04:06 - Klaas - This Hurt Will End 08:13 - Rene Rodrigezz - Go 12:20 - Ronen Dahan - I Keep It Cool (DDei & Estate Remix) 16:26 - Niels Van Gogh - Pornstar (Rene Rodrigezz Remix) 20:33 - DJ E-Maxx - Dirty (Jerry D. Remix) 24:40 - Rene Rodrigezz - Bang Bang! 28:46 - Otto Le Blanc & Alain Prideux - Loco (DJ Kuba & Ne!tan Remix) 32:53 - Javi Mula - Boom

Michelin-starred chef Angela Hartnett prepares a hearty winter's meal for Sheila Dillon using ingredients from the Best Producer category of the 2010 BBC Food and Farming Awards. On the menu was pumpkin soup, spiced up with a spoonful of chutney from finalists The Tracklements Company, and served with a rather superior cheese on toast made with ciabatta from winner and artisan baker Alex Gooch and cheese from finalist Brenda Leddy's Stichill Jersey cows. For the main course (in Monday's programme), there was a roasted loin of rare breed Gloucester Old Spot pork from Richard Lutwyche, winner of the Derek Cooper category, an example of successful conservation of a breed through consumption of its meat. And for dessert, a blow-out of lemon posset made using cream from Stichill Jersey cows, and a crostata combining the Tracklement Company's seasonal medlar jelly, with spiced poached pears. A perfect feast for a cold winter's day.Producer: Rebecca Moore.

Jamaican born Playwright, Producer and Actor David Heron has been called one of the most successful Caribbean artists of the last decade.He first came to the attention of Jamaican theatre audiences as a playwright, with the runaway success of his first play "Ecstasy", which ran for two years and toured three continents, emerging as one of the most popular Jamaican plays ever. Since then he has penned five more stage plays, all of which have earned him great commercial and critical acclaim in his homeland and internationally- "Intermission" , "Against His Will" , "Love and Marriage and New York City", "Redemption" and "4PLAY" . Heron is the recipient of five International Theatre Institute Awards including Best Producer and Best Script for "Intermission", and Best Production, Best Drama and Best Script for "Against His Will". His biggest international success to date has been his romantic comedy, "Love and Marriage and New York City", which has toured regionally in the USA as well as throughout Great Britain in both 2002 and 2003, playing to packed houses and excellent reviews, and prompting British critic Terry Grimley to christen Heron "Jamaica's own Neil Simon." The 2006 revival of the show at The Billie Holiday Theatre in New York was nominated for the prestigious AUDELCO Award, New York's highest accolade for Off Broadway Black Theater. That production then triumphed as an Official Selection of the 2007 National Black Theatre Festival held in Winston Salem North Carolina in August, 2007.Heron is only the second Jamaican playwright, after Trevor Rhone, to have his work showcased at the festival, one of the largest in the world."Love and Marriage and New York City" went on to enjoy a highly successful limited run in Toronto, Canada in May of 2008, where Heron made the cover of PRIDE Magazine, of the nation's foremost Black publications.As an actor, Heron's credits include "Ecstasy", "Intermission", "Love and Marriage and New York City", (in Jamaica, Britain and Off Broadway) the US regional production of the Broadway hit "Cheaters and Redemption" (Jamaica and US regional tour).Migrating to the USA, he immediately received high praise for his role as Friday in the World Premiere production of "Robinson Crusoe" at the prestigious Orlando Shakespeare Festival in 2006, and played Hotspur in "H", a modern day adaptation of Shakespeare's Henry IV Parts 1 and 2 at the Bric Studios, New York.In 2007, he made his Shakespearean debut as Laertes in Take Wing and Soar's critically acclaimed production of "Hamlet" at The Workshop Theater Off Broadway, and received excellent notices for his role as Prince in The New Federal Theater's revival of Errol John's classic Caribbean drama, "Moon On A Rainbow Shawl".In 2008, he earned further critical acclaim for his performance as The Messenger in the Off Broadway revival of "Medea" at the National Black Theater in Harlem, as well as in Othello and "The Taming of The Shrew" at The Virginia Shakespeare Festival.In 2009, he appeared in the Off Broadway premiere of John Patrick Shay's acclaimed drama, "Trickster At The Gate", as Harlem Jazz musician Roy "Lucky" Luckwood. In August of 2006, Heron received one of the highest accolades of his career when the City Council of New York honored him with a Proclamation and Award at City Hall, in recognition of his "Outstanding theatrical career and his invaluable contribution to the betterment of society."He is a proud member of the Actors Equity Association and The Jamaica Association of Dramatic Artists. If you would like to see David performing live, he will be starring in the first play that he wrote, "Ecstasy" (directed by Douglas Prout and produced by Kingston 6 Entertainment), which is playing in a number of locations in the Greater Toronto area between October 15 - October 24 (see details below)."Ecstasy" locations and showtimes:October 15, 2010 (North York, Ontario):Jamaican Canadian Association (995 Arrow Road) at 8:00 p.m.October 16, 2010 (Barrie, Ontario)::Georgian College Theatre (1 Georgian Drive) at 8:00 p.m.October 17, 2010 (Mississauga, Ontario):Glenforest Secondary School (3575 Fieldgate Drive) at 6:00 p.m.October 23, 2010 (Ajax, Ontario):J. Clarke Richardson College (1355 Harwood Avenue North) at 8:00 p.m.October 24, 2010 (Brampton, Ontario):Central Peel Secondary School (32 Kennedy Road North) at 6:00 p.m. Ticket Prices: $30.00 (In Advance) $40.00 (Day Of) Ticket Locations: Loc' N Twist: 49 Hillcrest Avenue, Brampton, Ontario - (905) 463-1747 and 14 St. Andrews Street, Toronto, Ontario - (416) 850-0336 Majestic Barber & Salon:: 289 Dundas Street East, Mississauga, Ontario - (905) 268-1111 Nicey's Food Mart - 50 Morcambe Gate, Scarborough, Ontario - (416) 497-9717 Ticket Information Online: http://www.ticketweb.ca/snl/Search.action?query=david+heron+ecstasy (Ticket Web) Feel free to email us at info@blackcanadianman.com. If you live in North America, you can leave us a voice mail at 1-866-280-9385 (toll free). God bless, peace, be well and keep the faith, Vibe and Vegas info@blackcanadianman.com http://thevibeandvegasshow.wordpress.com/ Twitter: http://twitter.com/vibeandvegas