Podcast appearances and mentions of Anthony Powell

What a pleasure it was to talk to Ruth Scurr, author of John Aubrey: My Own Life, about the great man himself, who was born four hundred years ago this month. Aubrey is best know for his splendid Brief Lives but he preserved a huge amount of knowledge which historians still rely on. There are many things we only know because of Aubrey—things about people Hobbes and Hooke, Stonehenge, architectural history. We also talked about Janet Malcom, the genre of biography, and modern fiction.HENRY OLIVER: Today I'm talking to Ruth Scurr. Ruth is a fellow of Gonville and Caius College in the University of Cambridge, where she specializes in the history of political thought. But more importantly, she is the biographer of John Aubrey, one of my favorite writers, who is celebrating 400 years of his birth this year. Ruth, hello.RUTH SCURR: Hi, Henry.OLIVER: Can you begin by giving us a brief life of John Aubrey?SCURR: So born in 1626, 17th-century antiquarian, collector, early fellow at the Royal Society. Well connected to scientific and the literary circles of his day. Someone who sees himself more as a whetstone: a person who could help sharpen other people's ideas. As a recorder, someone who treasured the details, the minutiae of the lives he encountered, and pass those details on to posterity.He's nonjudgmental, witty, kind, inventive. Very, very sociable. Very good friend. But he's hopeless at self-advancement. Begins his life as a gentleman, but he inherits debts from his father and he can never really achieve financial stability.Never marries, ends up homeless and worried about being arrested for his debts. And he has to sell his precious collection of books periodically through his life to raise some much-needed cash, but he keeps his manuscripts safe. And he does this at the end of his life by putting them into the Ashmolean Museum in Oxford, afterwards known as the Bodleian, and where they still are today.OLIVER: So how many manuscripts did he save for us?SCURR: Of his own manuscripts or other people's manuscripts?OLIVER: Other people's. Because he was collecting all sorts of precious things.SCURR: Oh, absolutely. He was the person who, when someone died, would go round if he could to their house and ask what was happening about the manuscripts. He's particularly concerned, obviously, with his friends. So he had a close relationship with Robert Hooke and he wanted to make sure that Hooke's many inventions and scientific contributions were recorded.And he has this wonderful line in the life of Hooke where he says, “It's so hard to get people to do right by themselves.” And in his childhood, he had seen the fallout from the dissolution of the monasteries. He'd become very troubled by the habit of using manuscript pages which had been displaced in the dissolution. He saw them being used in schools to cover textbooks. He saw them being used to—or he heard about them at least being used—to wrap up gloves or to create stoppers in bottles. And this really troubled him from, from a very early age.And I think he has another beautiful line where he says after the dissolution of the monasteries, whereas these manuscripts had been kept safe, they flew around like butterflies. And he wanted to catch them and preserve them and to stop people letting the papers and the precious manuscripts of their relatives do the same. So he was very instrumental in rescuing manuscripts, other people's manuscripts. And then fortunately with his own, he knew Ashmole and they had the shared astrology interest.Ashmole was a very different sort of person who basically said to Oxford, look, I'll give you my collections, but there has to be a museum for them. And luckily Aubrey was able to use that museum as a safe place for his own manuscripts.OLIVER: So we know things about Robert Hooke and Thomas Hobbes and all these other luminaries of the 17th century, thanks to Aubrey. What else do we know, thanks to him?SCURR: We know what Stonehenge looked like in his day because he was a very good draftsman. He drew pictures of Stonehenge. He'd grown up in Wiltshire, he'd known those stones from childhood. He understood that Avebury nearby was a comparable monument, and he took Charles II to see it, and persuaded the king to get the locals to stop breaking up the stones, to reuse the stones, which was the practice.He also made drawings of windows because he was possibly the first person as a historian of architecture to realize that you could date buildings by the style of their windows. So we have those drawings. He was also interested in the history of costume. He did a survey of Surrey, of Wiltshire.So these are all sort of focuses in his manuscripts and people who've used them come to really appreciate how pioneering Aubrey was. But of course he doesn't finish them. He doesn't publish those manuscripts. So it's very easy really to overlook the innovation and the contribution and the wonderful imagination that he had.OLIVER: You mean if he'd published a book, he would have a much bigger reputation?SCURR: Well, I think there's two things. Yes, but in a sense, you know, the Brief Lives have been published after his death in various forms. But I think one of the most engaging things about Aubrey is that he's a modest and self-effacing person. And I already mentioned the idea he had of himself as a whetstone to other people's talents.There aren't that many people—certainly not in my life, maybe there are in yours—but who would effortlessly describe themselves as a whetstone to other people's talents. Most people want to be at the center. They're happy to have clever and literary friends, but they want a place there at the table as well.And Aubrey really was very, very invested in helping other people to do right by themselves, as he said about Hooke. And he very movingly—this is one of the inspirations really for my book that I wrote about him—he spent all that time collating the information about other people's lives. And for his own life, he puts down a few lines, a couple of facts and everything.He says, well, this could be used as the binding of a book. You know, it's sort of waste paper really. So he doesn't write his own life. Other people's lives he's going to convey to posterity. He doesn't see his own life as really being at that level of needing the attention that he gave, for example, to Milton or to Harvey or Hobbes, as you mentioned.OLIVER: He's born the year after Charles I comes to the throne. So he obviously lives through a fairly terrible period of history and very tumultuous, changeable in lots of different ways. The new world, the new learning, new religion, new politics, everything is changing. And he's obsessed with the old ways. How did these historical events—is he reacting against his time? Is he just born in a lucky time in a way?SCURR: So he was a student in Oxford during the Civil War. And you are right. The upheaval is very disturbing for his generation. It means he gets called back from Oxford by his father because it's dangerous to be there. And he's really, really upset by that because, it's like us, when we were students or our students today. You finally get away from your family and there you are in this place with all these exciting peers and access to books that you've never had before or at least to that extent, libraries, et cetera.And suddenly there's a war on and you've got to go home. So there's that disturbance. Then there is the fact that actually he was close to Hobbes. Hobbes actually was a Malmesbury man, so Wiltshire, very near Aubrey. And had come back to visit the school where Hobbes had been, which was where Aubrey was at school. And so they had met in Aubrey's childhood, and then he would've been aware of Hobbes having to go into exile. And then Hobbes coming back, of course. And that's a very important time in his life.And it's not an accident that Hobbes asks Aubrey to write his life because Hobbes knows how careful Aubrey is. And he knows that Aubrey has information that he can convey in the life. So that is really the first life that he writes. And it's different from the others. There's a different sort of origin. And it's after he's done that, that he starts to think, well, actually, you know, I can think of at least 50, 55 other people's lives. And now I've got my hand in, I might start on those as well.So in that period of upheaval there are wonderful stories. Maybe we'll look at some of the Brief Lives, but there's this amazing story that he captures in the life of William Harvey, which is a description of Harvey having been at the battlefield in Edgehill and recording one of the people who had been fighting and wounded, surviving by having the good sense to pull a dead body on top of himself, to keep himself warm on the battlefield. Things like that, which make the war very much alive. This is brutal, this civil war. It's a long time ago and we think we passed over it, but the really brutal reality of war is captured in the Brief Lives through the anecdotes and the stories of that generation that Aubrey preserves.OLIVER: How English is he?SCURR: Well, as opposed to what?OLIVER: Welsh.SCURR: Okay. Well he goes to Wales often and is very interested in Wales. I think he sees himself as English. I think he's very invested in English customs and stories and people. He's not nationalistic in any sense like that. What he's interested in is the inherited ways of living.And he's very interested in language and different dialects. That's one of the other things; he starts to collect different words. He was very aware of the Cornish dialect, for example. So I'd say it's a very decentered England that's rooted in customs, traditions, inherited stories.And there's a big place there for both the future and the past. Huge excitement about The Royal Society, English science, what can be achieved through the sharing of knowledge. But again, Aubrey's not an insular person in that respect. So, he wished he could go on the Grand Tour when he was a student. He would really have loved to have done that. It's one of the things that he actually talked to Harvey about, going and traveling as his contemporaries, for example, John Evelyn did.But Aubrey actually says—this is very typical of Aubrey—that his mother persuaded him out of it. His mother didn't want him going off on the Grand Tour. She was afraid for him. And he regretted it later in life. But it's so typical of Aubrey that he would pay attention to his mother and her anxieties.OLIVER: This interest in the present and the past—so he loves all the history, but he's in the Royal Society. One thing I like in your book is the way he talks about, oh, my grandfather still dresses in the old ways, like he's an Elizabethan, but at the same time he's doing a very sort of Baconian project. He's influenced by Bacon. Is Aubrey a sort of paradox? Does this make sense in a way?SCURR: Only in so far as lots of other people are as well. I was just looking at the Harvey life, and there's a story there about how when Harvey was a student he was meant to be setting sail with some friends. And he's stopped and told, “No, you can't get on this boat. You have to wait.” And he says, “Well, what have I done wrong? Why can't I get on this boat?” He said, “No, honestly, we need to have a word with you. You are not going on the boat.” And then the boat sinks, everyone dies. And this is apparently because the guy who stopped him had a dream that he needed to stop Harvey going. Harvey told Aubrey that story.Harvey also is—as Aubrey sort of slightly inaccurately puts it, is the inventor of the circulation of the blood. And you think, well, that's going a little bit far, perhaps not actually the inventor, but certainly the first person to discover, to understand about circulating blood.So there's another example of someone's life includes, I wouldn't be alive unless somebody had had this premonition and dream that I was about to die. Which is from a completely different world, from the rational, scientific understanding of the body or the other scientific advances that are going on at the time.OLIVER: And Aubrey's happy to just sort of coexist with both of those because of his interest in astrology?SCURR: And not just astrology. He's very interested in astrology and nativities, as he called it. In some of the Brief Lives, you see the sort of recording of the information that would be needed to cast an astrological shape for the life.But he is also interested in the fact that people believe in fairies and ghosts. He doesn't look down on those beliefs. Nor does he say that he necessarily believes in the presence of fairies or the interventions of the supernatural. But he's got a very open mind in relation to that. And certainly being simultaneously interested in early astronomy and astrology together is, to us, very striking. But then I think it was much more normal.OLIVER: Why do you think he resisted ordination?SCURR: Because he said the cassock stinks. He considered ordination several times because he knew it would be a living, it would be a way of being able to have some income, probably not very onerous duties. Some of his friends say to him, “Come on, Aubrey, it really won't be that much work. You'll just get a curate who'll do it all, and you'll get the living, and then you won't have to be worrying all the time about your paycheck. You haven't got a paycheck. It would be a living coming to you.”And on one occasion, one of the reasons he gives for not doing that is he thinks well, what if there's another religious upheaval and I have to change sides again? What if Roman Catholicism comes back and I ended up on the wrong side of it?And, again, would it really have been that difficult to go with the flow? But I think, in his own way, he had found his way of living, which was intensely sociable. And perhaps he didn't want that constraint of being a member of the clergy around him.OLIVER: Do you think he was a nonbeliever?SCURR: Well. I don't know the answer to that. I don't think so at all. I think he probably was a straightforward Christian believer. I think perhaps he'd seen enough of the religious conflicts and wars to be afraid of fanaticism on both sides. And that would fit certainly with his relationship with Hobbes.I don't have any reason to think he's an atheist. He's got a beautiful way of writing about death and there's this wonderful line he has when he says, “God bless you and me in our in and out world.” So the fact that we refer to his works as the Brief Lives because they're short, but everybody's life is brief.And even those who live, as he did, into his 70s, it feels brief. And there's these very moving descriptions of him at funerals. I was thinking about this the other day because he often records where someone's buried. And I recently wrote my first entry for the Dictionary of National Biography. I did the one for Hilary Mantel, which was a great honor and extremely interesting.And when I came back to the Brief Lives, I thought, gosh, I wish I'd put at the end of that DNB entry where she's actually buried, that would've made sense to do that. And I didn't do it because the DNB is quite formalized; they've got their formula and you need to stick to it.But maybe I'll add it in. Because it seems to me very moving to record where people are actually buried. That would fit I think with her religious sensibility, with a regard for the afterlife, and with the rites of passage at the end of life.OLIVER: What is it that makes Aubrey such a good biographer?SCURR: So I think the modesty that is in his spirit, the noticing, the minutiae that he both notices and values and his wit. He has a sensitivity to these funny and revealing quirky stories about the people that he knows. Or he finds them in the stories he's told by people who did know them.There's an eyewitness account aspect to it as well. Or at least it's an oral history. “I was told this by . . .” He's extremely precise. He'll try to assemble the facts so far as he can, and then he'll tell you what people's close friends said about them, and he will do so very, very carefully so that you know this is a story that he's been told that he's passing on.And then he doesn't pass moral judgment. He doesn't adjudicate. And finally, he thinks of himself as doing all of this for posterity and that posterity, i.e. us or the people who come after us, will find things there and he's not going to tell them what to find. He's not going to shape the life and say, this is what you should think about it.He will give you the raw materials, he'll give you the stories, he'll give you a flavor of the details of the life, and then posterity can look there and can see, for example, the disagreements between Hobbes and Isaac Newton. There are people who've written lives of Hooke and Newton. And there are people who've written lives and you can be team Newton or team Hooke. Interestingly, Aubrey is team Hooke. He doesn't write a life of Newton. And he wants, as I said, to do well by Hooke. But his way of doing that isn't to say Mr.Hooke was fantastic and Newton robbed him of lots of his ideas. He says, let me show you, let me assemble and make a catalog, if I can, of all these hundreds of contributions that Hooke made.OLIVER: When did you discover Aubrey?SCURR: So I discovered Aubrey because I was reviewing for the LRB, The Biographer's Tale, and I had come across a really interesting—and it's still in the introduction to my book—a really interesting reflection on the difference between Aubrey and Lytton Strachey, a reflection made by Anthony Powell, and I had quoted it or alluded to it in my review. And I had gone and started to read Aubrey as a result of that. So I was led to it through reviewing, via Anthony Powell, and then into the Brief Lives.But then another very strange thing happened, which is I met for the very first time, Janet Malcolm, who is someone who became very important in my life. And because she knew or had been told that I'd written this review, she read the review before we met. And she said to me, she said, “Ruth, I read your review”—and I doubt Janet Malcolm was a massive fan of A.S. Byatt, to be absolutely honest. We never really discussed that further, but she said, “I read your review and I was really interested in this Aubrey. I was so interested in what you quoted about Aubrey and the difference between his biographical approach and Lytton Strachey.”And then it sort of stuck in my mind and suddenly as I was coming toward the end of my first book, which was a totally different book on Robespierre and the French Revolution, I just knew I wanted to write about Aubrey. And I think at the time my then-husband really thought I'd gone mad actually, because you're not supposed to do that, are you?I mean, you're supposed to stick in your period and certainly build on it. So, you know, a book on Marra or even Napoleon would've been okay, that would've made sense. But to circle back to the 17th century and write about Aubrey seemed extremely eccentric.OLIVER: Well, what was Janet Malcolm like?SCURR: Oh, Janet was absolutely wonderful. She has this reputation of being sort of terrifying. And, of course, I was extremely interested in her forensic examination of biography which we had very interesting conversations about. She was a deeply kind person, extremely nurturing of younger writers, and extremely funny as well.That's the other thing that you don't associate with her sometimes from this sort of public image of a very austere interviewer, The Journalist and the Murderer, In the Freud Archives, et cetera. Actually, she was a really warm and extremely witty person.OLIVER: A lot of historians don't think biography is real history. Why do you take biography seriously?SCURR: Well, Michael Holroyd writes Works on Paper—and I love Michael Holroyd so much. And he has this wonderful line—I won't remember it exactly—but it's about biography being the b*****d offspring of history and the novel, and both are ashamed of it.And I think some of those distinctions actually have broken down. I know lots of historians who are very interested in biographical writing. I think it depends. There are certain historical schools that maybe are not so interested in lives.And to be fair, the history of ideas is—which I belong to, and in a sense I'm a rebel from—is one of those. I remember there coming a point where I had spent so much time thinking about the constitutional ideas for the representative republic in the middle of the French Revolution, that actually the French Revolution could have been happening on Mars for all it mattered about the actual sequence of events. What mattered was the structure of the ideas.And it's difficult because the school I belong to in Cambridge wants to put the ideas into context all the time. But again, by context you don't really mean people's lives; more the discourses and the conversations and the ideas of the time that are the landscape, the intellectual landscape, if you like.So I rebelled at a certain point and I was like, well, you know, I'm actually going to go through the revolution day by day because that period is short. And I think it really matters, the lived experience there. I think many, many history books quote Aubrey with enormous respect and say, “as Aubrey says,” or, “according to Aubrey,” and pull those details forwards.I suppose some history is quite instrumental in its use of biography, so it wants to draw the reader in with a few anecdotes and a little bit of what does somebody wear on their head? And who was their first love, that kind of thing. But it's perhaps not very engaged with the real work of trying to capture the shape or the feel of a life.OLIVER: And of a temperament, right? I think one thing biography gives us is that sense that a lot of these big decisions or events in history are quite temperamental. As well as being based in ideas and events.SCURR: Oh, yeah. Absolutely.OLIVER: Your life of Aubrey, at one point you tried to write as a novel.SCURR: Yeah. I had to stop that quite fast.OLIVER: Why?SCURR: Because Aubrey is too important. I didn't want to make up things for him. As someone who's come right up to that line of the history and the novel, I do think it's very clear to be on one side or the other. And again, going back to Hilary Mantel, she wrote those wonderful Reith Lectures on historical fiction.And, like her, I think that it's not about ignoring the facts or embellishing the facts. It is about the gaps. It's about imagining what isn't in the record and should have been, and trying to reconstruct that inside the novel. But at the time, I felt that the gaps with Aubrey didn't actually matter that much.There was so much there that I could pull together to give a sense of him and his sensibility. Now actually, scholars in this field will all be very, very keen to advance our knowledge of those gaps. And that's wonderful. You know, what exactly was Aubrey doing when he visited France? You know, at the time I wrote my book that seemed very unclear.I think my colleague in Oxford, Kate Bennett, knows that now and will write her own biography. And she will fill in many of these gaps that I sort of happily included in the form that I'd found for his life because giving him that first person voice, I was able to focus on the evidence that I thought had been very underused at that point.OLIVER: Now Kate Bennett did a wonderful edition of the Brief Lives with lots of excellent footnotes and investigations. And you wrote that it gave us a new understanding of Aubrey.SCURR: Absolutely. And of the lives themselves. And Kate and I got to know each other and became friends while we were both writing our books. And people we knew before we met were very keen to sort of set us against each other. So they would wind us up. I would meet someone and they'd say, “Ruth, there you are. You've written a book about the French Revolution and now you are going to write a book about Aubrey. But don't you know there is a scholar in Oxford who spent her entire academic life working on Aubrey?” And it built up a picture of fear that you shouldn't trespass on somebody else's ground.And then people would do a sort of reverse thing to her that they would say, “Oh, Kate, gosh, you've been working a long time on Aubrey and where is your Clarendon edition after all? And did you know there's somebody in Cambridge who's going to write this popular book about Aubrey?”Anyway, finally we met at a conference and we really actually just liked each other and we decided it's fine. I was doing my thing. She's doing something very different. And we became friends, and I see that as a triumph over a sort of more traditional, maybe even dare I say, male and territorial approach to academic life and to knowledge in general actually.OLIVER: Yeah. Because the two books are great complements to each other. They're not rivalrous in that sense.SCURR: Absolutely not. Kate's book, it's not just an addition. It's as much as you can ever do. It's a reconstruction of the manuscript as Aubrey left it and intended it with all the gaps and the notes to himself to fill this in. And his changes of mind and his deletions and all of that. And so it's an astonishing thing. Because it's not just a copy of it. It takes you in, it helps you understand what he was intending with those collections, as you called them, my pretty collections.And so that edition that she had been working on for a very long time came out in 2015, the same year as my book came out. And it felt like an amazing year for Aubrey. And now, we'll be celebrating the 400th anniversary of his birth. But that year, 2015, was a very special, obviously for us, but I think for Aubrey more broadly.OLIVER: How much of an influence has Aubrey had on English biography?SCURR: As we know, there's the huge influence in terms of “Aubrey says.” Open any book on the 17th century, and it will be “Aubrey says,” “according to Aubrey,” et cetera. So a huge influence in that respect. With regard to the actual form, I think it's very, very pervasive and important, and we have to look at it very carefully.I mentioned earlier the very important difference between what Aubrey does and what Lytton Strachey did. There are some similarities in so far as Strachey will go for the vivid detail. He give you these powerful anecdotes. But actually he spins them as well.And that's what Anthony Powell so brilliantly showed. And the example was of Francis Bacon, the life of Francis Bacon who Aubrey has a description of Bacon right at the end of his life, the circumstances leading up to Bacon's death where he is on Highgate Hill and he decides to conduct an experiment to see if snow will preserve a chicken or a hen as well as salt. So he is stuffing this carcass of the hen with snow. Catches a cold, ends up having to stay with a friend, sleeps in a bed that hasn't been aired for a long time, and dies. And that's the end of Lord Bacon.So Aubrey gives us all this, and then along comes Lytton Strachey. And he takes it, and he says an old man disgraced, shattered, alone on Highgate Hill, stuffing a dead foul with snow, which makes it sound like he's lost his mind at the end of his life. And then Anthony Powell examined that and he said, look, the story of stuffing the hen with snow is Aubrey's.Bacon was certainly an old man at the time of the incident. He was disgraced. He may have been shattered. No doubt at times he was alone. But Aubrey's story of stuffing the foul on Highgate Hill shows Bacon accompanied by the king's physician, conducting a serious experiment to test the preservative properties of snow and, on becoming indisposed, finding accommodation in the house of the Earl of Arundel.And so you take that same story and, as Anthony Powell says, you combine the story, the fragment preserved by Aubrey with some epithets, and you convey an oblique point. It's a biographical method for actually building up a picture of the person. And it really matters what you do with those fragments.So I think the fact that Aubrey is pretty pure about this, he gives you the fragments and another biographer might come along and think, okay, what's going on here with Venetia Stanley and dying in her bed after drinking Viper wine? Let's build up a story about that. And there was a rumor at the time that her husband had murdered her, et cetera. Aubrey doesn't comment. He just gives you the fragment. And I think afterwards, people have not only used the fragments in their own work, but they've also developed a technique of working up those fragments into whatever picture you decide as a biographer you are going to draw.OLIVER: Now as well as a historian, you are a literary critic. You review novels. You are a Hilary Mantel admirer. Who else among the modern fiction writers do you admire?SCURR: Amongst the modern fiction writers? I'm getting quite old, Henry. Lots of my people are dead now. Alice Monroe is someone I'm extremely interested in. Hilary Manel, obviously, Beryl Bainbridge, Penelope Fitzgerald. And I love the fact Penelope Fitzgerald was a biographer simultaneously with becoming a novelist.And I was thinking back to this actually, that Charlotte Mew and Her Friends—that's the title. And then the Anthony Powell is John Aubrey and His Friends. And I was thinking, is there something about these people who have a lot of friends and the biographical genre? It's interesting.In terms of younger people writing, I just read a wonderful short story by Gwendoline Riley in the latest Paris Review. “A–Z” it's called—very disturbing. Very, very good story. And Gwendoline has a novel coming out later this year, which I shall read with enormous interest. It's going to be called Palm House. I absolutely revered George Saunders, although I haven't yet read Vigil. I'm only on Substack for George Saunders and you Henry. That's it, basically.OLIVER: That shows very good taste.SCURR: Very good taste. Yeah. And a couple of others. My friend Danielle Allen's The Renovator, I also subscribe to, but very few. But George Saunders wrote a wonderful post on his Substack about maybe a year and a half, maybe more even ago, about how he found the solution to the beginning of Lincoln in the Bardo. And he wanted to find a way to tell the story of the death of Lincoln's son. It's so typical of him—and I love this—he said he didn't want the ghosts. He knew it was going to be narrated by the ghosts in the morgue. And he couldn't have them coming home one evening saying, “Oh, you know, I just popped over the wall and had a look in through the White House window. And guess what I saw?” So how was he going to get the voices in?And then he said he'd got these extracts from the letters and from the literature that he needed. And he ended up putting them all on the floor and thinking, what order shall I put them in? And that reminded me of when I was struggling to find a way to write about Aubrey. I suddenly had the idea that I could just put them as diary entries without comment.I would sort of curate these entries and things like that. So, that was a very interesting moment for me about sort of the construction and the choices that go in both to writing a novel and to writing, in my case, a sort of experimental biography.OLIVER: So Hilary Mantel, Lincoln in the Bardo, Penelope Fitzgerald, Beryl Bainbridge—there's a lot of historical fiction here. This is the genre you most enjoy. It's been a sort of golden age for historical fiction.SCURR: But those people aren't just historical fiction writers. It's very important. They have all written historical fiction, but actually they write other novels as well. It doesn't matter the order in their careers, they go in and out of it. So I would say that actually it's those people as writers and sensibilities that attract me.Anita Brookner is another example. I love Anita Brookner's novels. I also love her book on David, the revolutionary painter, that she wrote—Jacques-Louis David—that's a fantastic book. So there's a sense in which I see them as writers and the genre of historical fiction, you are right, it does cut across, but I don't think that's what I'm following. I think I'm following what I find on the page from a particular sensibility and of course a command of language, which is in all of those cases, absolutely extraordinary.OLIVER: Because they're all quite innovative as historical novelists as well. And it's not the main part of what is recognized as their achievement in a way.SCURR: No, no.OLIVER: It's been quietly a second great period of the historical novel. It seems crazy to say Hilary Mantel is our Walter Scott, but that is quite high praise.SCURR: So I think you deal much more definitely than I do with these sort of epoch-defining ideas. I think I'm just more intermittently focused on particular things that I like. I used to do an enormous amount of reviewing. I've had to stop it because—talk about being the whetstone.I was constantly reviewing when I was in my 30s and much of my 40s actually. And I don't regret it in the least. And one of the reasons I don't regret it, especially with novels, was because I would never have read all those novels if I hadn't been reviewing them.And even some of the nonfiction, I wouldn't. But here's an example: Because I'd been reviewing so much, I ended up quite early 2007, becoming a Booker judge. And part of that process is that anyone who's been on the list before they automatically get entered by the publisher—McEwen and Barnes, et cetera. Fine.And then the publisher can put forward two books they choose and they can be anything. And then they assemble a list of so-called call-ins. And those are the books where the publisher says, “Oh, please, please call this in. I mean, we didn't make it one of our two, but we think it's absolutely amazing and you must read it.” And you think, well, if it's so amazing, what were you doing not making it one of your two. But anyway, whatever, we call it in. And on that call-in list there was actually, Anne Enright's novel, The Gathering, and that ended up winning the year I was a judge.And I knew Anne Enright's writing because I had reviewed several of her earlier books, especially one called What Are You Like?, which is quite obscure. It's not the book people think of when they think about Anne Enright. But I knew because I'd done all that time in the reviewing trenches, as it were, how extraordinary Anne Enright is as a writer. And we were able to say, well, absolutely go ahead and call this in. And then sure enough it won.OLIVER: What about biography? Modern biography? You like Michael Holroyd?SCURR: Well, we've already talked about Janet Malcolm. She's a sort of anti-biographer in some respect, sort of subversive of the entire genre. I very much like and respect Antonia Fraser's historical biographies and especially her one of Marie Antoinette which, again, came out very close to when my Robespierre book came out. And it's like seeing the other side of the story and that was absolutely extraordinary.And one of the biographies I go back to over and over again I'm extremely interested in Virginia Woolf. You are obviously a fan with The Common Reader. I was looking at it, preparing for this, that she's got this absolutely hilarious short biography of John Evelyn, and it is called Rambling Round Evelyn. Do you know it?OLIVER: Yes.SCURR: It's so beautifully constructed. It's got the butterflies landing on the dahlias pretty much throughout the actual text of the short biography. But then it's got this brilliant bit where she sort of makes fun of John Evelyn. And she says, the difference between then and now is, if we saw a red admiral, we would admire it, but we wouldn't—and this is very mean of her—we wouldn't rush into the kitchen and get a kitchen knife in order to dissect the red admiral's head. Right? It's so ridiculous and it so makes fun of Evelyn.I was listening to the podcast you made with Hermione Lee. And Hermione was saying that she thought what made Woolf such a good critic was that she was very empathetic. But I also think she's capable of that kind of sharp, wicked distance as well, where she goes, I see you, John Evelyn, you are so proud of your garden, and you're actually—looked at from my point of view—a bit of an idiot in some respects as well.OLIVER: I like her because she's so judgmental, which is not a very popular thing to say, but she is. She is really capable of saying that, you know, as long as prose will be read, Addison will be read. But on the other hand, he's boring and rambling and not very good in many ways. Absolutely cutting.SCURR: No, totally, totally. Yeah.OLIVER: What about some of the sort of big names: Richard Holmes, Claire Tomalin?SCURR: Yeah. Oh, Claire, absolutely. I mean, goodness, they've been such influences on me, both of them. Absolutely Richard and his Footsteps and then of course, and those other books, The Ratters of Lightning Ridge and then The Age of Wonder. That's so important, so wonderful.Claire, I revere, I loved and still recommend to my students her book on Mary Wollstonecraft. I also, by the way, love Virginia Woolf's essay on Mary Wollstonecraft. I think that's a different sort of thing where Woolf describes Mary Wollstonecraft pursuing her lover like a dolphin. She won't let him go. He thought he'd hooked a minnow. He wasn't expecting a dolphin to come after him. It was Mary Wollstonecraft. So, Claire Tomalin, her Peyps, Hardy, absolutely hugely important books and deeply, deeply humane actually.And that's the other thing, I think biography, by definition, you do get the sharpness of Woolf or Strachey, but I think to put someone else's life at the center of your book, that's a humane act. It's to say, no, I'm going to spend this number years of my life preserving and communicating this other person's life. And that's a very wonderful thing to do.OLIVER: What do you think of the sort of standard criticism of biography, that it's just not accurate enough? So, for example, Austen Scholars will point to various things in the Tomalin biography where she's deleted the facts or said things to make the narrative flow, but it's just not really accurate enough. The novelistic tendency overwhelms the historical one or whatever. You've obviously avoided that with various decisions you made in the Aubrey book, but as a genre.SCURR: I'd never say that. That would be a real hostage to fortune, wouldn't it?OLIVER: Well, you know what I mean?SCURR: And saying, look at, look at this—OLIVER: Page 28.SCURR: —at this piece of nonsense you introduced. Well, accuracy is extremely important. What I think about that is it all contributes to knowledge. If someone comes along and finds a mistake or wants to bring in some other evidence—And actually Kate Bennett, she does this with Aubrey as well. She says that, oh, Aubrey's really got this wrong, or he's gotten in a muddle about that. She's not saying, and therefore let's just chuck it out because it's inaccurate. You need to see this as well as that. So I think of it more as a collaborative relationship about adding to knowledge and if somebody corrects a previous book or previous claim or something, or point something, then that's fine actually.Again, going back to Holroyd, he thought that that biography was an art form constrained by the facts. So he's got a place for art in it. And I know what he means by that. And I think ultimately that's probably why I couldn't write a novel about a biographical subject because of being constrained by the facts. And yet Hilary Mantel has written many historical novels that are absolutely constrained by the facts. It's just what they're doing besides the facts, alongside the facts. So perhaps some people are going to come along and contribute other information and other people will come along and contribute some imaginative answer to the whole. And both are fine. I think we should be liberal broad church here.OLIVER: Is the genre dying?SCURR: Not so far as I'm aware. We are always doing this about genres dying, aren't we? Those things are always dying.OLIVER: People talk about biography dying a lot.SCURR: Well, perhaps they do. I haven't been listening to that. Why do they say it's dying?OLIVER: Because you can't sell these 700-page lives of people.SCURR: We can't sell most books. I mean, if we're going to go buy sales . . .OLIVER: This, yeah. Well, this story in The Times recently as well, that all the nonfiction that sells now is trash and that the serious books aren't there. And the whole civilization's dying routine.SCURR: Well if it is, we just have to carry on doing what we are doing.OLIVER: Yeah. What do you think is going to be the future of biography? Because I think more than a lot of other nonfiction genres, it's so changeable, it's so flexible. If you look at any decade, you see so much variety in structure and form. What do you think is coming next?SCURR: I'm like Aubrey; I think that's going to be for posterity to decide. As long as there are human beings, we will tell stories and we will want to tell stories about ourselves, and we will want to tell stories about the people we have loved and or hated, or the people who we think matter, for whatever reason, in science, in art, in literature. There will always be a need for the story of the human life.I think it will inevitably change enormously in ways that we couldn't possibly imagine. Just as Aubrey knew that he couldn't possibly imagine what posterity was going to make of the information that he had collected, and he didn't think that was something that he should be constrained by. He thought it was about passing it on.OLIVER: And what will Ruth Scurr do next?SCURR: I'll ask her. I think she's supposed to be writing about Rousseau and is very excited about that, but has been massively distracted by the Royal Society of Literature and becoming chair of that. So, I'm trying to pull myself back into my project. And I was very excited actually, because again, when I was looking at The Common Reader I saw Woolf refer to the Montaigne, Pepys, and Rousseau as people who had provided these spectacular portraits of themselves. And I was very excited by that. So I'm going to write a book about Rousseau and his time in England.OLIVER: Very exciting. I look forward to it. Ruth Scurr, author of John Aubrey: My Own Life, thank you very much.SCURR: Thank you, Henry. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

Nick has been reading his way through Anthony Powell's twelve volume Dance to the Music of Time because Rowling mentioned it in a 2017 tweet and he thought there were interesting connections between that Roman Fleuve and Rowling-Galbraith's series-writing. And it turns out he was right! Rowling tweeted about her favorite book in Dance and her favorite character in the epic (see links below).Two weeks ago, Rowling tweeted at some length about her ‘Lake and Shed' writing process. Nick and John dive into those messages that muddied the water considerably about what exactly she means by her ‘Lake' and the possible meanings of ‘Universal Psyche,' a phrase new to Rowling's descriptions of her writing process, not to mention of her core beliefs. Jung? Coleridge? Anaxagoras? St Maximos the Confessor? Again, see the links below.Nick and John then share their reading lists for the short time remaining before the publication of Hallmarked Man and talk about three options for how we will read the book here at Hogwarts Professor. Those options in thumbnail sketches are:* Read It Like Everybody Else — Straight Through — and Write a Review* Read It As If It Were a Dickens Novel Release, One Part at a Time* Read It Straight Through and then Read It As If It Were a Dickens NovelNick and John discuss the advantages and disadvantages of each and decide to post a poll inside this post for readers to voice their preference (please share your thinking in the comment boxes and place your vote in the poll below!).Next time out, we'll be (1) trying headsets to improve the audio quality, (2) discussing the results of the poll with comments as well as our tentative plans for the release, and (3) the most important tools to have in hand (in mind?) when reading a Rowling-Galbraith novel for the first time.Until then, thank you for listening and for your support! Links To Subjects Discussed Above:Rowling's 15 August Tweet about Anthony Powell's Dance to the Music of Time* Rowling 2017 tweet about Dance (‘Rowling's Admitted Literary Influences')* A Dance to the Music of Time (Wikipedia)* ‘Roman-fleuve' (Wikipedia)* Anthony Powell (Wikipedia)* Casanova's Chinese Restaurant (Wikipedia)* ‘Hugh Moreland' aka Constant Lambert (Wikipedia)* ‘Dr Trelawney' aka Aleister Crowley (Wikipedia)* S. J. Perelman (Wikipedia), The Most of S. J. Perelman, 1957 (Amazon)* Fred Tremallo (‘Exeter Unafraid')Rowling's 7 August ‘Lake and Shed' Tweets* Writing Characters is “a doubly subconscious process,” Lake as “subconscious part of my process”* The Lake as “mysterious source of inspiration, ability to tap into something in the universal psyche that animates the best stories”“Universal Psyche”?* Rowling belief in “permanent soul” (El Pais, 2008)Q: You said that you saw your soul as something undeniable.A: Yes, that's true. But I also have said that I have many doubts regarding religion. I feel very attracted by religion, but at the same time I feel a lot of uncertainty. I live in a state of spiritual flux. I believe in a permanent soul. And that is reflected in the last book....* Rowling belief in “indestructible soul” (Leaky Cauldron, 2007)Do you see death as the end of everything?No. I lead an intensely spiritual life, and even though I don't have a terribly clear and structured idea about it, I do believe that after you die some part of you stays alive some way or other. I belief (sic) in something as the indestructible soul. But for that subject we should reserve about six hours: It's something I struggle with a lot.* Universal Mind (Wikipedia)* Panpsychism (Wikipedia)* Anima Mundi (Wikipedia)* Jungian Archetypes and the Universal Patterns of the Psyche (Psychologs)* Coleridge's Philosophy: The Logos as Unifying Principle, Perkins, 1994 (Amazon)* St Maximus the Confessor on Essence, Energies, and Logoi (Jean-Claude Larchet)Louise Freeman Davis about ‘John Oxenham' Sark Novels* First Epigraph posted: John Oxenham* A Maid of the Silver Sea* Carette of Sark, Part One and Part Two* Oxenham and HoffmanElsie Oxenham ‘Abbey Girls' Novels* The Thirty Eight Books in the Series (Fantastic Fiction)* Elsie J. Oxenham (Wikipedia)* Abbey Series (Wikipedia)* Elsie Oxenham Appreciation Societies (Wikipedia)Cormoran Strike Ten Book Series Structure Ideas* Why the Cormoran Strike Novels are a Ten Book Series: Mythological Clues and Tetractys Parallelism with a Touch of Tarot (Evan Willis, July 2023)* Is Tetractys Theory the Best Explanation of Why the Cormoran Strike Series is Ten Books in Length? (July 2023)* The Double Wedding Band Model (Louise Freeman Davis, October 2023)* The First Seven Strike Novels as a Closed Ring Composition (November 2023)* Rowling's Parallel Series Swan and Heart Structure: Happy Valentine's Day! (February 2025) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

In today's episode, Ernesto is live with serial entrepreneur & sales genius Anthony Powell to chat doing $2 Billion in sales, how he became a millionaire by 26, helping over 200 people become millionaires, learning to lose, from sleeping on the floor to $100,000/month, creating value through hardship, creating processes, the art of delegation and duplication, learning how to close & more!NEW MBH MERCH IS LIVE:https://mbhtv.com/SUBSCRIBE HERE: https://www.youtube.com/channel/UCcQijWgy0S1vyfPm_BhYNPwSUBSCRIBE TO MBH DAILY: https://www.youtube.com/@mbhdailyLISTEN ON:APPLE: https://podcasts.apple.com/ca/podcast/money-buys-happiness/id1513827461SPOTIFY: https://open.spotify.com/show/4DzyFZDvEHVT8ArGusePGs?si=38129137034440ecHOSTS INSTAGRAM:ERNESTO: https://www.instagram.com/Ernestogaita/ANTHONY: https://www.instagram.com/AnthonysorellaPODCAST: https://www.instagram.com/moneybuyshappinessGUEST:  ANTHONY: https://www.instagram.com/anthonypowell1/SUBSCRIBE TO MBH SNAPCHAT: https://www.snapchat.com/p/58f66f01-5acf-4d09-a4ca-652bad95554a/1534108993710080:

In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Hey, mamas! We know money stress is REAL. But today, I've got a guest who's going to change the game for you! Anthony Powell, known as the "Millionaire Maker," joins me to share his powerful story and strategies to help you step out of scarcity and into financial freedom!

There's a profile about me and Second Act in the New Zealand Listener. It's very good so if you're in NZ and have a subscription (it's paywalled) do take a look. I chuckled at this line: “Speaking by Zoom from London, Oliver is a serious fellow, and has the manner of someone older.” This was nice too: “He also has a strong sense of his own mortality. For someone still in their 30s, this seems surprising until he talks about his penchant for poetry… Our interview is peppered with quotes from poems.” My thanks to Sarah Catherall for a lovely write up!When I asked to interview Nabeel, he asked to interview me. How could I refuse? Nabeel is a well-read literary enthusiast so of course we had a good time covering many topics such as favourite books, autofiction, Harold Bloom, modernism, subjectivity culture post-1945, Anthony Powell, The Englishness of Robert Frost, modern novels, George Eliot, viewquakes, novels about older people, and being self-authorised. And then I turned it round and ask Nabeel questions about tech reading lists, entertainment and learning, the utilitarian value of Shakespeare, and whether AI will be good for literature. He's a visiting fellow in AI at the Mercatus Centre, with a background in tech companies, so his answers are well-considered and interesting. And I got a book recommendation! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico ⁠cronicaslunares.sun@hotmail.com⁠ y nos encargaremos de borrarlo inmediatamente.  Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC 

Today Bunny Guinness is in the gardens of Badminton House, with Her Grace, The Duchess of Beaufort. In this episode Bunny talks to Georgia, Duchess of Beaufort, about the gardens. Hear about the stunning tulip planting Georgia has been in charge of, to give the garden more spring appeal. Georgia Somerset, Duchess of Beaufort, married Henry Somerset, 12th Duke of Beaufort in 2018. Georgia is the grand daughter of the novelist Anthony Powell, she studied classics at Oxford University, before becoming a columnist and obituarist for The Daily Telegraph.  Georgia, a keen gardener, is cataloguing the plants in the amazing gardens of Badminton House. There are many as Mary, Duchess of Beaufort, was one of Britain's earliest distinguished women gardeners. Mary got into horticulture as she was trying to find a plant to ease her melancholy. She then began seriously collecting plants from many countries in the 1690's, introducing more than 1500 plants, including Pelargonium zonale. Mary Somerset commissioned Everad Kickius to illustrate her choice exotics, and these are in her two volume florilegium which is still in the library at Badminton. Georgia is arranging for high quality prints to be made of a selection of these, so that they can be more widely appreciated.  These fine gardens have been enhanced by a range of designers, including Charles Bridgeman, Capability Brown, Russell Page, and François Goffinet. Georgia's husband's mother, Caroline, was a keen and knowledgeable gardener, as is his step mother, Miranda, both who have put their stamp on the stunning gardens.  In addition, the Badminton Estate are now working with the Royal Horticultural Society to create a new flower show in the historic grounds of the house in 2026, alternating with RHS Hampton Court Palace Garden Festival which will become a biennial event in two years.  To see what the garden looks like, Bunny Guinness's YouTube ‘How the new Duchess of Beaufort is shining a light on the gardens of Badminton House.' Is up now…  For more episodes like this please subscribe. 

Anthony Powell, Knowledge Capital Group, and Eugene Hong, MUSC Heath, discuss the governance models and design principals used in acquiring community hospitals, as well as the issues and mitigations that arose in the effort to drive long term value and effectively manage the integration.

SynopsisOn today's date in 1948, at a Proms concert at the Royal Albert Hall, the London Symphony gave the premiere performance of the Serenade in G Major by the British composer Ernest John Moeran. Moeran was born in 1894 in London, but Ireland became his adopted home and musical inspiration during the last decades of his life.Moeran was fascinated by folksongs, and his method of collecting them was to sit in a country pub and wait until an old man started singing. He would note down the song and ask for more. In the 1920s, Moeran became drinking companion of another British composer, music critic, and fellow folk song aficionado Peter Warlock, a talented but rather notorious character who was the model for the outrageously Bohemian composer depicted in Anthony Powell's string of novels collectively titled A Dance to the Music of Time.Warlock's most famous work was his Capriol Suite, an affectionate reworking of Renaissance tunes, and Moeran's Serenade, similar in tone, was perhaps a tribute to his old boon companion. Moeran's 1948 Serenade proved to be last major work, as he died suddenly two years later, at 55, in his beloved Ireland.Music Played in Today's ProgramE. J. Moeran (1894 - 1950) Serenade in G Northern Sinfonietta of England;Richard Hickox, cond. EMI 74991-2

In Different Speeds, Same Furies, Perry Anderson measures the achievement of Anthony Powell’s Dance to the Music of Time against Proust’s more celebrated In Search of Lost Time – and finds Powell to be superior in certain key respects. Anderson discusses why a comparison between two writers at once so similar and dissimilar sheds new light on their greatest work, and literary construction more generally. He was joined by novelist and LRB contributing editor John Lanchester, for whom both writers have been lifelong touchstones. Find more events at the Bookshop: lrb.me/events Hosted on Acast. See acast.com/privacy for more information.

A real, raw and authentic conversation with my brilliant friend and colleague, Anthony Powell, CEO of EVO Asset Consulting, focused on forging a new path in the OREO world for distressed properties powered by state-of-the-art cloud-based software, Zoocom.  A college dropout with a love for extreme sports and editing, Tony was inspired to make dirt bike movies. Then he set that aside to be a Vice President of Marketing, but realized quickly it wasn't the place for him.  He bought his first house in his early 20s and flipped it, making a cool $100K and knew he'd found his home in real estate. Although he knew nothing about foreclosures, he could see logic in the numbers and trends in history.  Tony strongly believes a win is a win. And he wants to help people understand the nuances of investing. Because there's always going to be another intentional dump as he calls it. So listen carefully as Tony divulges his own personal investing secrets and how he uses his AMP waves algorithm to determine not only the best investments, but also the best timing for the greatest return.      EVO comprises OREO experts, bankers, lawyers, and real estate professionals who are readily available to assist you with every transaction in any market. Whether you have one or one million properties, they have you covered.    Connect further with Tony and his team at https://www.joinevo.com/  To learn more, visit:https://billbymel.com/Listen to more episodes on Mission Matters:https://missionmatters.com/author/bill-bymel/  

Watch the Live Interview Here: Click here Meet Tiffany Powell and Anthony Powell with Ambulance Academy, the coolest siblings you'll meet. Tiffany and Anthony are the founders of Ambulance Academy, where they help people start and run profitable private ambulance services through consulting and software.  Tiffany has a Bachelors degree from Florida Atlantic University and has been in the private ambulance industry since 2013 She took a leap of faith in 2016, when she started her very own private ambulance service. After much success, she's helped several people start and operate ambulance services over the years including her husband and brother, Anthony.  Anthony, has a bachelors degree from Miles College and a Masters degree in Information Technology Management from George Washington University. Anthony started an ambulance business after watching his sister's success. He now uses his software background to run Simpler (by Ambulance Academy), an app that allows non-emergency ambulance services to easily manage their business.  They're on a mission to change peoples lives by teaching the most efficient way to build a sustainable $50k - $100K+ a month ambulance service. Want more great ways to support the channel. Consider becoming a VIP Youtube Channel Sponsor and reap some really awesome perks....TODAY! Subscribe & Sponsor Here! You can support the show via several different ways. You can support us on Youtube or on our newest platform "GLOW" just by clicking the link below: Support the Show  

In this episode, we finish up reading Mansfield Park, with Chapters 46 to 48. We talk about contrasts within the book, the attitude to Maria and Henry, Edmund and Fanny's views of Mary, Sir Thomas's reflections in the final chapter, the wrapping up of the other characters and how we are told about Edmund falling in love with Fanny.We discuss Fanny Price, then Ellen talks about principle and education, and Harriet looks at how adaptations and modernisations treat these chapters. Things we mention: General and character discussion:Margaret Drabble,  “Introduction”,  Mansfield Park (1996 – Signet Classics edition)Anthony Powell, Casanova's Chinese Restaurant [volume 5 of A Dance to the Music of Time] (1960)William Shakespeare, Henry IV Parts 1 and 2Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Tony Tanner, various works including “Introduction”, Mansfield Park (1966 – Penguin Books edition)Marvin Mudrick, Jane Austen; irony as defense and discovery (1952)Mary Brunton, Self-Control (1810)Linda V Troost and Sayre N Greenfield, “A History of the Fanny Wars”, Persuasions 36 (1), 2014, pp. 15–33.D W Harding, ‘Regulated Hatred: An aspect of the work of Jane Austen', Scrutiny, 8 (4), 1940, pp. 346–362.C S Lewis, ‘A Note on Jane Austen', Essays in Criticism, IV (4), October 1954, pp. 359–371.Lionel Trilling, “Mansfield Park“, Partisan Review 21 (September-October 1954): 492-511. Also published in Encounter, September 1954: 9-19.Kingsley Amis, “What Became of Jane Austen?”, The Spectator, 4 October 1957 – republished in What Became of Jane Austen? And Other Questions (1970)Historical discussion:Maria Edgeworth, Moral Tales: Angelina; Or L'amie Inconnue. the Good French Governess. Mademoiselle Panache. the Knapsack (1801)Popular culture discussion:Adaptations:BBC, Mansfield Park (1983) – starring Sylvestra Le Touzel and Nicholas Farrell (6 episodes)Miramax, Mansfield Park (1999) – starring Frances O'Connor and Jonny Lee MillerITV, Mansfield Park (2007) – starring Billie Piper and Blake RitsonModernisations:YouTube, Foot in the Door Theatre, From Mansfield With Love (2014-2015)D.E. Stevenson, Celia's House (1943)For a list of music used, see this episode on our website.    

Highlights from five games around the state as some teams finish out the regular season. Anthony Powell racked up nearly 270 yards rushing for Rogers as the Royals ran past Moorhead 58-41. The Spuds took a halftime lead of 21-14, but a strong second half and five touchdowns for Powell propelled Rogers to the win, and more.

1. Personal background (1:25-3:15) 2. Take control of your body (3:15-4:00) 3. Shifting your mindset (4:00-7:24) 4. Finding the right mentor and make him want to help you (7:24-11:25) 5. Understanding the real numbers that you want (11:25-14:10) 6. How can you know that you have a good perspective to your current goal? (14:10-16:20) 7. How can you market yourself in today's world? (16:20-17:30) 8. The importance of targeting and being specific with your nitch (17:30-22:00) 9. Handling rejections (22:00-23:40) 10. Can people really change in a moment? (23:40-26:00) 11. Working with Herbalife and the decision to start on his own. (26:00-36:00) 12. Don't focus on the victory, focus on the journey. (36:00-37:35) 13. Anthony's Legacy (37:35) You can also check Anthony Powell at his site: www.anthonypowell.com/ And also on social media: Facebook: www.facebook.com/anthonyvpowell Instagram: www.instagram.com/anthonypowell1/

Siebert, Davidwww.deutschlandfunkkultur.de, LesartDirekter Link zur Audiodatei

Anthony Powell, 29, pulled out a shotgun and murdered McGowan in an otherwise empty classroom at Henry Ford Community College in Dearborn, Michigan in April 2009. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/rexitrucrime/message Support this podcast: https://anchor.fm/rexitrucrime/support

The city of Cleveland has probably experienced more serial killers in a short amount of time than any other city in the United States. There was Ariel Castro, the kidnapping rapist, and Anthony Powell, the serial strangling murderer who killed 11 women. Well the city of Cleveland produced another serial killer…. Who kidnapped, Raped, AND MURDERED. JOIN US as we discuss a murderer named Michael Madison. Access Video Episode: https://youtu.be/I6gL8xVSZo4 JOIN OUR PATREON: patreon.com/blacktruecrimepodcast --- Send in a voice message: https://anchor.fm/blacktruecrimepodcast/message Support this podcast: https://anchor.fm/blacktruecrimepodcast/support

Anthony Powell has worked in Antarctica for 10 years of his life. Over that time he documented life on the frozen continent eventually turning the footage into his award winning film "Antarctica: A Year on Ice” (currently available on Amazon Prime) Support NZ podcasters at www.beardyboy.nz/DOC with world class coffeewww.theDOC.nzwww.instagram.com/patbrittendenwww.twitter.com/patbrittenden

Aatif Rashid, author of the novel Portrait of Sebastian Khan, joins the podcast to profess his love for Anthony Powell's A Dance to the Music of Time. The one with, like, a million volumes? The one that's jam-packed with the subtleties of human interactions, relationships, and communications (or lack thereof)? The one that you saw on all of those “great books” lists, but has since slipped away from the shelves of contemporary readers? Yes, that one indeed. Listen in as Aatif and David chat about why this movement of all movements is still a must-read. You can find out more about Aatif Rashid here and you can find Portrait of Sebastian Khan via 7.13 Books.   Also, for anyone curious about the article Aatif refernces in the episode, here it is:  "A Text of Arrested Desire: The Anticlimax of Extended Narrative in Anthony Powell's "A Dance to the Music of Time" (1988) by Lynette Felber https://www.jstor.org/stable/42945736

Vor 25 Jahren gründeten die Studenten Ingo Držečnik und Roman Pliske den Elfenbein Verlag in Heidelberg, vor 20 Jahren erfolgte der Umzug nach Berlin. Das anspruchsvolle Programm beinhaltet deutsche Gegenwartsliteratur, zeitgenössische Lyrik, Übersetzungen (v.a. aus dem Portugiesischen) sowie Werksausgaben (u.a. von Luís de Camões, Anthony Powell und Simon Raven). Marc Lippuner blickt mit Ingo Držečnik zurück auf die Anfangsjahre, in denen sich die Programmpolitik etablierte, und spricht mit ihm über Berlin als Verlagsstadt, die Herausforderungen des Buchmarktes heute und holt zuletzt noch fünf Berlin-Buchempfehlungen aus der Verlagsgeschichte ein.

n this behind-the-scenes commentary, showrunner Edward Champion discusses "Marching Orders." Subjects discussed: foolish optimism, Anthony Powell's A Dance to the Music of Time, the vast historical plan for Season 3, the thrill and challenge of writing historical dialogue, how George Dangerfield's The Strange Death of Liberal England served as an influence, Rebecca West's The Return of the Soldier, PTSD and World War I, the literary style that might have been if modernism had never happened, approaching reputation as a theme, working against the "fast dialogue" style, dance and animals, inventing a character's political perspective from reading, writing too many British characters, Anglophilia, Leonard Rossiter, the amazing talents of Rob Garson, listening to hundreds of pop songs in 1911 to find the right one, frustrations about copyright, the difficulty of finding a horse carriage sound divorced from 2021 sounds, Captain Finney in Barry Lyndon, thieves and gentlemanly language, the failure of time travel stories to address cultural differences, the Terminator movies, writing letters to critics as a teenager, Joe Baltake, getting in trouble in high school because of a Terminator 2 script, the naivety of life before World War I, why memory injections are plausible, balancing gravitas and quirkiness, Gene Wolfe's influence, the references to Prince Keval, how an accident with a light fixture determined the sound design, Fugazi, deliberate references to Star Trek II: The Wrath of Khan, and efforts to mimic the Blakes 7 teleporter effect. (Running time: 19 minutes, 29 seconds.)

“If Adorno was alive today, he'd be writing about football. I don't think he'd like it… but he'd be writing about it. And Gramsci for sure”In this, our 40th episode, we've got a special Euro 2020 edition of Unsound Methods, where we speak to writer and academic David Goldblatt. David is the author of non-fiction works which cover sport, particularly football, through a fascinating lens of history, sociology and politics. His books include the Ball is Round (2006), the Game of our Lives (2014) and, most recently, the Age of Football (2020).Our discussion takes us on a path through football and the Frankfurt school, the Colonization of the Life-world, the roots of Anthony Powell's antipathy to sport, the growth of interest in football from Britain's literary culture, and sport as an entry point to Bretton Woods, the IMF and Globalisation. The Age of Football is published by Picador - you can find out more here.You can find more about David Goldblatt at his website here: https://davidstephengoldblatt.com/David is also on Twitter: @DavidsgoldblattFind us on Twitter: @UnsoundMethods - @JaimieBatchan - @LochlanBloomJaimie's Instagram is: @jaimie_batchanWe have a store page on Bookshop, where you can find our books, as well as those of previous guests: https://uk.bookshop.org/shop/unsoundmethodsThanks for listening, please like, subscribe and rate Unsound Methods wherever you get your podcasts. Our website is: https://unsoundmethods.co.uk/We are teaming up with the Institute of English Studies at the School of Advanced Study, University of London. With the current uncertainty in the world, why not check out their Literature in Lockdown page? : https://www.ies.sas.ac.uk/about-us/ies-virtual-community/literature-lockdown

Hello and welcome to episode 30!!In this episode, Lizz tells the story of Asia McGowan, a 20 year old aspiring actress and YouTuber who’s chance at success was stolen from her by a fellow student turned stalker, Anthony Powell.Shayna awards Christopher Ian Iverson the well deserved badge of Scumbag of The Week for taking advantage of young girls by promising them gifts and drugs.Don’t forget to check out Hush Hush Society Conspiracy Hour podcast!And as always thank you to the 50 x 50’s for our intro music, you can find them on instagram and twitter @the50x50sEnjoy the show :)

This is the fifth episode of the Kladecast podcast. Blake Klade talks with Beckman Nigg and retired influencer Anthony Powell also know on instagram as AnthonyJPowell who used to do flips and other gymnastics. In this episode we talk about behind the scenes of experiences of Influencer experiences from Bryce Hall and Tanner Fox to other influencers like the Funk Boys. In this episode we also explore ideas of skydiving, Body positivity, Furries and more. Thank you all for watching the podcast and make sure to leave a like on the video, subscribe, and leaving a rating on Apple Podcast.Full podcasts website https://www.buzzsprout.com/1540681Kladecast Instagramhttps://www.instagram.com/kladecast/Kladecast TickTockhttps://vm.tiktock.com/ZMJGP39ND/Listen on Spotifyhttps://open.spotify.com/show/5tjLowBalBLWqS89BrLFHRsi=FZhud6ArTXWSzUGkkUGcYQListen on Apple Podcasthttps://podcasts.apple.com/us/podcast/kladecast/id1546588932Watch the video and highlightshttps://www.youtube.com/channel/UC1zydiCoKVvJhkNI2YcojCQ

This is the second episode of the Kladecast podcast. Blake Klade talks with Beckman Nigg, Anthony Powell, and Austin Endicott. In this episode we discuss guns, and elaborate on gun laws and if teachers or factuality should own guns. We also ask the question " What is happiness?" We did deep into conspiracy theories about Michael Jackson's death and talk about personal stories about advice about drugs, abuse, and addiction. Thank you all for watching the podcast and make sure to leave a like on the video, subscribe, and consider leaving a rating on Apple Podcast.Full podcasts website https://www.buzzsprout.com/1540681Kladecast Instagramhttps://www.instagram.com/kladecast/Kladecast TickTockhttps://vm.tiktock.com/ZMJGP39ND/

I’ve told you before about the time I got by eating granola bars and drinking water for several days. Truth is that starting a business isn’t always sunshine and rainbows. There are tough times, especially at the start.   And if you don’t want to believe me listen to my friend Anthony Powell. He has similar struggles, no money, no food, simply tough times while getting off the ground.   So learn from our experiences, even if you think you have nothing there are ways to move forward. Just take the next step and go hard, don’t give up.   You can work an extra job if you are really strapped for cash, learn to live below your means, pick a business that you really believe in enough to go hard and love what you do.   Finally, keep your mind on the things that really matter. There’s no point in getting to a million dollars in a year if you spend it all and end up hurting yourself and your business because of it. Keep your head in the game and protect your business and your money. The important part is to learn how to make the business last.   I would love to help you out fam, help you avoid being stuck with some of those pitfalls so many entrepreneurs fall into. I fell before and got back up, and I can teach you how you can avoid those mistakes so you can get to where you want to be faster than you would if you go in blind. Just send me a DM @pena and let me know what you are struggling with on your business and me and my team of experts are ready to help you out!

Anthony Powell is back for his second stint with Sidekicks. He joins Sidekicks Direct to discuss his individual and team goals, fashion, gaming and what it would mean to make an MASL all-star team.

Anthony Powell comes on to talk about Legal Linda

A wide ranging discussion of the anathemas against biography perpetuated by modern writers, including Henry James, Virginia Woolf, Somerset Maugham, Jean-Paul Sartre, and Anthony Powell.

On today’s date in 1948, at a Proms concert at the Royal Albert Hall, the London Symphony gave the premiere performance of the “Serenade in G Major” by the British composer Ernest John Moeran. Moeran was born in 1894 in London, but Ireland became his adopted home and musical inspiration during the last decades of his life. Moeran was fascinated by folksongs, and his method of collecting them was to sit in a country pub and wait until an old man started singing. He would note down the song and ask for more. In the 1920s, Moeran became drinking companion of another British composer, music critic, and fellow folk song aficionado Peter Warlock, a talented but rather notorious character who was the model for the outrageously Bohemian composer depicted in Anthony Powell’s string of novels collectively titled “A Dance to the Music of Time.” Warlock’s most famous work was his “Capriol Suite,” an affectionate reworking of Renaissance tunes, and Moeran’s “Serenade,” similar in tone, was perhaps a tribute to his old boon companion. Moeran’s 1948 “Serenade” proved to be last major work, as he died suddenly two years later, at age 55, in his beloved Ireland.

On today’s date in 1948, at a Proms concert at the Royal Albert Hall, the London Symphony gave the premiere performance of the “Serenade in G Major” by the British composer Ernest John Moeran. Moeran was born in 1894 in London, but Ireland became his adopted home and musical inspiration during the last decades of his life. Moeran was fascinated by folksongs, and his method of collecting them was to sit in a country pub and wait until an old man started singing. He would note down the song and ask for more. In the 1920s, Moeran became drinking companion of another British composer, music critic, and fellow folk song aficionado Peter Warlock, a talented but rather notorious character who was the model for the outrageously Bohemian composer depicted in Anthony Powell’s string of novels collectively titled “A Dance to the Music of Time.” Warlock’s most famous work was his “Capriol Suite,” an affectionate reworking of Renaissance tunes, and Moeran’s “Serenade,” similar in tone, was perhaps a tribute to his old boon companion. Moeran’s 1948 “Serenade” proved to be last major work, as he died suddenly two years later, at age 55, in his beloved Ireland.

Anne and Kateri discuss teaching theater online, and then Anne talks with guests about the pandemic's impact on the Colorado theater community. Guests: Lynne Collins, Anthony Powell, and Allison Watrous

“Some of the best of us are quite unambitious.”― Anthony Powell, Afternoon MenSCRYFALL.COM Random Magic Card Generator | Random Word GeneratorEmail the podcast at: podcast.hooked@gmail.comSubscribe to us on ITUNES, STITCHER, SPOTIFY, RADIOPUBLIC or your podcatcher of choice.Find us on FACEBOOK, TWITTER or INSTAGRAM.HOOKED PODCAST IS PRODUCED UNDER A CREATIVE COMMONS ATTRIBUTION-NONCOMMERCIAL-NODERIVATIVES 4.0 INTERNATIONAL LICENSE - CC BY-NC-ND 4.0This means that you are free to share and redistribute the material in any medium or format if you give appropriate credit, do not use the material for commercial purposes and do not remix, transform, or build upon the material in any way. Copyright for the original stories remains with the author and may not be used, duplicated or changed in any way without specific, written permission from the author.

In which Mark Ellen and David Hepworth talk about Joni Mitchell, Krakatoa and the importance of dressing properly while WFH.Since they're spending a proportion of the Current Unpleasantness talking to each other anyway. Mark Ellen and David Hepworth thought they may as well record some of it, explaining what's happening with Word In Your Ear in the light of the current situation, how they're getting by at home, what they're reading, what they've been listening to and what it might all mean for the return of long form listening. Well, it's not as if they've got anything else to do.Joni Mitchell in concert at the BBC in 1970https://www.youtube.com/watch?v=dAxjPfWOiqIJoni Mitchell doing "Me And My Uncle" i n 1965https://www.youtube.com/watch?v=1k6OYIvLLcAHere's a good place to start on the books of Simon Winchester.http://www.simonwinchester.com/And here's an introduction to Anthony Powell.http://anthonypowell.org/David's book "A Fabulous Creation" is out in paperback.https://amzn.to/39gVWmOPlease leave a comment on iTunes or anywhere else that allows you to post. We read all of them and really appreciate it. If you've got any particular favourites among the old Word podcasts please let us know which at wiye.london@gmail.comP.S. Here's Ronnie Lane and Pete Townshend singing "Annie"https://www.youtube.com/watch?v=uYoqT-RJLDo Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In which Mark Ellen and David Hepworth talk about Joni Mitchell, Krakatoa and the importance of dressing properly while WFH.Since they're spending a proportion of the Current Unpleasantness talking to each other anyway. Mark Ellen and David Hepworth thought they may as well record some of it, explaining what's happening with Word In Your Ear in the light of the current situation, how they're getting by at home, what they're reading, what they've been listening to and what it might all mean for the return of long form listening. Well, it's not as if they've got anything else to do.Joni Mitchell in concert at the BBC in 1970https://www.youtube.com/watch?v=dAxjPfWOiqIJoni Mitchell doing "Me And My Uncle" i n 1965https://www.youtube.com/watch?v=1k6OYIvLLcAHere's a good place to start on the books of Simon Winchester.http://www.simonwinchester.com/And here's an introduction to Anthony Powell.http://anthonypowell.org/David's book "A Fabulous Creation" is out in paperback.https://amzn.to/39gVWmOPlease leave a comment on iTunes or anywhere else that allows you to post. We read all of them and really appreciate it. If you've got any particular favourites among the old Word podcasts please let us know which at wiye.london@gmail.comP.S. Here's Ronnie Lane and Pete Townshend singing "Annie"https://www.youtube.com/watch?v=uYoqT-RJLDo Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

In which Mark Ellen and David Hepworth talk about Joni Mitchell, Krakatoa and the importance of dressing properly while WFH. Since they're spending a proportion of the Current Unpleasantness talking to each other anyway. Mark Ellen and David Hepworth thought they may as well record some of it, explaining what's happening with Word In Your Ear in the light of the current situation, how they're getting by at home, what they're reading, what they've been listening to and what it might all mean for the return of long form listening. Well, it's not as if they've got anything else to do. Joni Mitchell in concert at the BBC in 1970 https://www.youtube.com/watch?v=dAxjPfWOiqI Joni Mitchell doing "Me And My Uncle" i n 1965 https://www.youtube.com/watch?v=1k6OYIvLLcA Here's a good place to start on the books of Simon Winchester. http://www.simonwinchester.com/ And here's an introduction to Anthony Powell. http://anthonypowell.org/ David's book "A Fabulous Creation" is out in paperback. https://amzn.to/39gVWmO Please leave a comment on iTunes or anywhere else that allows you to post. We read all of them and really appreciate it. If you've got any particular favourites among the old Word podcasts please let us know which at wiye.london@gmail.com P.S. Here's Ronnie Lane and Pete Townshend singing "Annie" https://www.youtube.com/watch?v=uYoqT-RJLDo

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House's International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the Lost Girls? All coming from broken or failed Upper-middle Class families; the Lost Girls were all chic, glamorous, and bohemian, as likely to be found living in a rat-haunted maisonette as dining at the Ritz, Lys Lubbock, Sonia Brownell, Barbara Skelton, and Janetta Parlade cut a swath through English literary and artistic life at the height of World War II. Three of them had affairs with Lucian Freud. One of them married George Orwell. Another became for a short time the mistress of the King of Egypt. They had very different―and sometimes explosive―personalities, but taken together they form a distinctive part of the wartime demographic: bright, beautiful, independent-minded women with tough upbringings who were determined to make the most of their lives in a chaotic time. Ranging from Bloomsbury and Soho to Cairo and the couture studios of Schiaparelli and Hartnell, the Lost Girls would inspire the work of George Orwell, Evelyn Waugh, Anthony Powell, and Nancy Mitford. In his new book The Lost Girls: Love and Literature in Wartime London (Pegasus Books, 2020), D. J. Taylor, the author of the Prose Factory and an award winning biography of George Orwell, shows the reader how these four adventuresome young ladies were the missing link between the Lost Generation and Bright Young People and the Dionysiac cultural revolution of the 1960s. Sweeping, passionate, and unexpectedly poignant, this is their untold story. A must read for anyone interested in the history of the 20th century English literary Intelligentsia. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Themen der Sendung: Jón Kalman Stefánsson "Ástas Geschichte", Piper Verlag, 24 Euro, 464 Seiten // Rainer Wieland "Das Buch der Feste: Von der Antike bis heute", Propyläen Verlag, 48 Euro, 400 Seiten // Annie Ernaux "Eine Frau", Suhrkamp Verlag, 18 Euro, 88 Seite // Autoren sind auch nur Leser. David Wagner über "Der Klang geheimer Harmonien: Ein Tanz zur Musik der Zeit - Band 12" von Anthony Powell, Elfenbein Verlag, 22 Euro, 312 Seite // Ausgesetzt: "Weihnachten mit Punkt Punkt Punkt: Achtzehn eigenwillige Weihnachtsgeschichten", Rowohlt Verlag, 12 Euro, 272 Seiten // Alain Mabanckou "Petit Piment", Liebeskind Verlag, 20 Euro, 240 Seiten

This week I sat down with Anthony Powell of Tampa, founder of Legal Linda. Legal Linda is the most advanced artificial intelligent chatbot for law firms. This technology has been designed specifically to help law firms convert more leads 24/7 and streamline their intake processes. Join us as Anthony explains his inspiration for Legal Linda, how it's saving solo practitioners and small firms time and money, and what differentiates his product from others. Learn more at www.trylinda.com

On May 24th, over 260 students will graduate from Amherst County High School.  To honor their accomplishments, the Every Child, Every Day Podcast will talk to eight extraordinary graduates.  They will discuss future plans as well as the people and moments that shaped their Amherst County Public Schools experience.  This “Senior Series” will be a two-part podcast.  In Part I, Dr. Arnold interviews Anthony Powell, Charmila Meesala, Shaun McBride, and Chris Thomason.  In Part 2, he sits down with Indeya Paige, Jacob Dalton, Trevor Crews, and Devante Hudson-Sandidge. 

On May 24th, over 260 students will graduate from Amherst County High School. To honor their accomplishments, the Every Child, Every Day Podcast will talk to eight extraordinary graduates. They will discuss future plans as well as the people and moments that shaped their Amherst County Public Schools experience. This “Senior Series” will be a two-part podcast. In Part I, Dr. Arnold interviews Anthony Powell, Charmila Meesala, Shaun McBride, and Chris Thomason. In Part 2, he sits down with Indeya Paige, Devante Hudson-Sandidge, Jacob Dalton, and Trevor Crews.

John and Andy are joined by novelist Philip Hensher and biographer Hilary Spurling for a discussion of Books Do Furnish a Room by Anthony Powell, first published in 1971, the tenth instalment of A Dance to the Music of Time. This special Christmas episode was recorded live at the LRB Bookshop in London on December 6th 2018.

Pastor Anthony speaks about how we need to realize that our Spirit is more powerful than our weak flesh.

Pastor Anthony speaks about how we need to realize that our Spirit is more powerful than our weak flesh.

Filming in extreme environments as a doc filmmaker can be a challenging thing. Shooting in Antarctica? A whole other ballgame. Just ask https://vimeo.com/antz (Anthony Powell), who has been working on the continent for over a decade, and has recently released the award-winning doc http://frozensouth.weebly.com/ (Antarctica: A Year on Ice). He has taken what started out as a hobby shooting timelapses of the Antarctica skies and terrain, and turned it into a fulfilling career as a preeminent Director of Photography and doc filmmaker on the continent.   We had the pleasure of holding conversation with Anthony (or Antz, as he's known to his friends and colleagues) for this week's episode of the podcast.   Topics Discussed shooting in extreme cold environs how the cold affects your camera gear how to shoot better timelapses how to live and work in Antarctica for a full calendar year   5 Tips for Shooting in Hot Environments & Harsh SunlightWhile I don't necessarily have much experience in the colder extremes of the world, I do have plenty of experience working in the opposite spectrum of the thermometer. So in our opening segment I lay out 5 Tips for Shooting in Hot Environments & Harsh Sunlight. Don't shoot in middle of the day Keep your camera cool Wear appropriate clothing Wear sunscreen Bring a photo reflector   Related ResourcesAnthony Powell's timelapses and other videos: https://vimeo.com/136179939 https://vimeo.com/93102009 https://vimeo.com/38416148   Subscribehttps://podcasts.apple.com/us/podcast/the-documentary-life/id1112679868 (Apple) | https://open.spotify.com/show/0wYlYHJzyk3Y7fHzDDwvmp (Spotify) | https://www.stitcher.com/podcast/thedocumentarylife/the-documentary-life (Stitcher) |  Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the https://itunes.apple.com/us/podcast/documentary-life-filmmaking-documentary-films-documentary/id1112679868?mt=2 (link) and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!    

With Stig Abell and Thea Lenarduzzi – Who reads Anthony Powell now? A. N. Wilson celebrates the muted comedy of a British novelist best-known (only known?) for his twelve-novel sequence A Dance to the Music of Time; TLS Fiction editor Toby Lichtig talks to the novelist and essayist Geoff Dyer at the 2017 Hay Festival in Arequipa, Peru; Imogen Russell Williams rounds up the brightest and most inspiring new children's books See acast.com/privacy for privacy and opt-out information.

With Hilary Spurling, author of a new biography of Anthony Powell. Presented by Sam Leith.

Anthony Powell has spent several years photographing Antarctica, heading down there for months at a time since his first trip back in 1997. He's just spent another icy Christmas on Scott Base with the rest of the current team of hardy souls. You can get a feeling for what they get to experience there in his feature film Antarctica: A Year On Ice where he uses time lapse photography to dramatic effect.

In this week's podcast episode I chat with the Network Marketing legend "Anthony Powell" who has created a tonne of millionaires and lead 100's of 1,000's to a life of freedom through residual income. Anthony was mentored by one of the self development greats "Jim Rohn" and is shares his advice on how you can become a dynamic leader in the Network Marketing industry. Head over to for the show notes and links: http://addicted2success.com/podcasts/what-it-takes-to-be-a-network-marketing-legend-anthony-powell

On today’s episode of Modern Notion Daily, we talk to guest Anthony Powell, director of Antarctica: A Year on Ice. Powell started working in Antarctica as a communications tech. He quickly realized that the true experience of living in Antarctica—particularly in the winter—had never been captured. So, he taught himself to shoot video and time-lapse…

Faith: Live by faith, not by sight.

Faith: Live by faith, not by sight.

We're joined by musician and novelist Wesley Stace (who you may also know as John Wesley Harding) to discuss the first book in Anthony Powell's 12-novel cycle A Dance to the Music of Time. Mike geeks out over meeting one of his favorite musicians, then we talk about Powell's book, Stace's career, and people's general distrust of actors and musicians who write novels. Plus a lightning round featuring cricket, apple pie beds, and Mr. Bean.

Virtual Memories – season 4 episode 8 - The Slippery Animal "I'm always in the middle of a struggle with a short story. You'd think I'd have the hang of it by now. It's a slippery animal.'" Literary legend Bruce Jay Friedman joins the Virtual Memories Show for a fun conversation about his literary career, which encompasses six decades of short stories, novels, plays and Oscar®-nominated screenwriting. We talk about his newest projects, how both the writing and the sale of short stories have changed over the course of his career, and why he's happier in that form than the novel. Why was he successful in Hollywood when F. Scott Fitzgerald and Anthony Powell crapped out there? Listen in to find out! "Hollywood to me was fun. Like a boy being let loose in a candy store. I was offended when I'd get called in off the tennis court to write a few scenes. I can tell you: there is no one who had more fun than I did in Hollywood." We also talk about how stories begin, where he sees himself in the continuum of Jewish American writers, why Dustin Hoffman hates him, whether he's ever been tempted to write The Big Novel, why he's getting more Jewish as he gets older, why he prefers the Franco-Prussian war over other wars, and how to find the right kind of pistachio nuts. "I always feel guilty about being entertained. I feel like I should be reading Suetonius." Bonus: I rant about leaving my job and ask you for money! Enjoy the conversation! Then check out the archives for more great episodes! Related conversations: Josh Alan Friedman Kipp Friedman Drew Friedman Mark Feltskog Phillip Lopate Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS! About our Guest Novelist, playwright, short story writer and Oscar-nominated screenwriter Bruce Jay Friedman was born in New York City. Friedman published his first novel Stern in 1962 and established himself as a writer and playwright, most famously known for his off-Broadway hit Steambath (1973) (TV) and his 1978 novel The Lonely Guy's Book of Life. In addition to short stories and plays, Mr. Friedman has also published seven other novels, and has written numerous screenplays, including the Oscar-nominated Splash (1984). His memoir, Lucky Bruce, came out in 2011. He resides in New York City with his second wife, educator Patricia J. O'Donohue. Check out his Amazon page for info on his books and plays. Credits: This episode's music is Frenesi by Artie Shaw. The conversation was recorded at Mr. Friedman's home on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Friedman by me.

Roy Plomley's castaway is writer Anthony Powell. Favourite track: Rio Grande by Constant Lambert Book: A Hero of Our Time by Mikhail Lermontov Luxury: Wine