Podcasts about marlborough gallery

This week: after 80 years in business, Marlborough Gallery, one of the most historic commercial galleries in London, New York and beyond, has announced that it is closing. Host Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper, about what happened and what, if anything, it tells us about the market. The New Mexico-based sculptor Rose B. Simpson revealed newly commissioned public art works in Madison Square Park and Inwood Hill Park in New York on Wednesday, called Seed. The Art Newspaper's editor, Americas, Ben Sutton went to meet her. And this episode's Work of the Week is the final painting ever made by Caravaggio: The Martyrdom of Saint Ursula, made in 1610. The painting is travelling to London for an exhibition opening at the National Gallery next week, called The Last Caravaggio. Francesca Whitlum-Cooper, the gallery's acting curator of later Italian, Spanish and 17th-century French Paintings and the curator of the exhibition, tells us more.marlborougharchive.com.Rose B. Simpson: Seed, Madison Square Park and Inwood Hill Park, New York, until 22 September. The Whitney Biennial: Even Better than the Real Thing, Whitney Museum of American Art, New York, until 11 August. Rose B. Simpson: Strata, Cleveland Museum of Art, Ohio, US, 14 July-13 April 2025; Rose B. Simpson: LEXICON, De Young, San Francisco, US, 16 November-29 June 2025.The Last Caravaggio, National Gallery, London, 18 April-21 JulySubscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print (or the equivalent in your currency). Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Kyle Dunn lives and works in Brooklyn, NY and received his BFA in Interdisciplinary Sculpture from the Maryland Institute College of Art, Baltimore, MD. His work has been included in exhibitions at P·P·O·W, New York, NY; Marlborough Gallery, London, UK; GRIMM, Amsterdam, the Netherlands; and Maria Bernheim, Zurich, Switzerland; among others. He is the recipient of grants from The Elizabeth Greenshields Foundation and The Pollock-Krasner Foundation, and his work is in the collections of the Fondazione Sandretto Re Rebaudengo, Turin, IT; Museum of Contemporary Art, Miami, FL; the Sunpride Foundation, Kowloon, Hong Kong; Pond Society, Shanghai; and X Museum, Beijing, China.

Untitled Collage 2 John J. O'Connor was born in Westfield, MA and received an MFA in painting and an MS in Art History and Criticism from Pratt Institute in 2000. He attended The MacDowell Colony, the Skowhegan School of Painting and Sculpture, was a recipient of New York Foundation for the Arts Grants in Painting and Drawing, the Pollock-Krasner Foundation grant, and the Marie Walsh Sharpe Foundation Studio residency. John has been in numerous exhibitions abroad, including The Lab (Ireland), Martin Asbaek Gallery (Denmark), Neue Berliner Raume (Germany), Rodolphe Janssen Gallery (Brussels), the Louhu District Art Museum (Shenzhen, China), TW Fine Art (Australia); and in the US at Andrea Rosen Gallery, Pierogi Gallery, Arkansas Arts Center, Weatherspoon Museum, Ronald Feldman Gallery, Marlborough Gallery, White Columns, the Museum of Contemporary Art in Baltimore, the Queens Museum, and the Tang Museum. His exhibitions have been reviewed in Bomb Magazine, The New York Times, Artforum, the Village Voice, Art Papers, the Brooklyn Rail, and Art in America. John presented his work in discussion with Fred Tomaselli at The New Museum, and his work is included in the collections of the Museum of Modern Art, Whitney Museum of American Art, Weatherspoon Museum, Hood Museum, Southern Methodist University, and the New Museum of Contemporary Art. A catalogue spanning 10 years of John's work was published by Pierogi Gallery with essays by Robert Storr, John Yau, and Rick Moody. He teaches at Sarah Lawrence College. The upcoming shows mentioned in the interview will be at False Flag Gallery and Pierogi Gallery. O'Connor also has a 2-person show upcoming at Pazo Fine Art. The books referenced in the interview were Daniil Kharms, "Today I Wrote Nothing" and Antonio Damasio, "Feeling and Knowing." "I Shot," 82.25 x 70.25 inches, colored pencil and graphite on paper, 2020 "Charlie (Butterfly, day 3)," 86 X 70 inches, colored pencil and graphite on paper, 2018

Wells Fray-Smith, Assistant Curator: Special Projects at Whitechapel Gallery in London UK is Noah's guest host for a conversation with legendary artist Maggi Hambling. This episode is brought to you by Whitehot Magazine and Marlborough Gallery. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

Ressam Ahmet Güneştekin'in, 2015 Mayıs'ında, 55. Venedik Bienali kapsamında, Kültür ve Turizm Bakanlığı ile Çalık Holding'in sponsorluğunda Venedik'te bir sergisi açılmıştı. Düşkünlüğünde Vivaldi'ye de ev sahipliği yapmış olan Santa Maria della Pieta'daki bu sergisinin açılışına davetli olarak katılmış ve hemen ardından orada sergilenen eserleri üzerine 10 ve 12 Mayıs 2015 tarihlerinde bu sütunda iki yazı yazmıştım. Güneştekin'in 2019 Ekim ayında, Bakü'de açılan ve Ölümsüzlük Odası adlı enstalasyonunu da kapsayan Bellek Alfabesi / Yaddaşın Elifbası / The Alfabet of Memory adlı sergisini de yine davetli olarak yerinde görmüştüm. Küratörlüğü Emin Mahmudov tarafından yapılan ve Zaha Hadid'in imzasını taşıyan Haydar Aliyev Merkezi'nin açık alanında konumlandırılan bu sergi de Dubai merkezli uluslararası bir şirket olan Daax Corporation'ın sponsorluğu ile Marlborough Gallery'nin sunumunda gerçekleşmişti. Sergideki, 35 ton alüminyum kullanılarak imal edilen 22.000 parça boynuz ile kurukafadan oluşan Ölümsüzlük Odası'nın, İstanbul'dan Bakü'ye 4 TIR ile taşındığını ve 20 kişilik bir ekibin beş günlük çalışmasıyla ancak yerleştirilebildiğini söylediğimde söz konusu sponsorluğun maddi planda ne anlama geldiği kolayca anlaşılacaktır.

From his unlikely casting in Larry Clark's movie “Kids” at 16 to his cult status as an actor and consummate art world outsider, Leo Fitzpatrick's don't-give-a-shit ethos has worked, landing him a role in the Wire and a co-director gig at the blue-chip Marlborough Gallery. Though he recently shut his St. Mark's Pl. gallery, his commitment to youth-driven culture continues unabated. We talk about New York's mean streets and the tragic loss of his friend, artist Dash Snow, his reverence for Larry Clark, the “Beautiful Losers” generation, and being the father of a five-year-old boy. See acast.com/privacy for privacy and opt-out information.

Alice Aycock has lived in New York City since 1968. She received a B.A. from Douglass College and an M.A. from Hunter College. She was represented by the John Weber Gallery in New York City from 1976 through 2001 and has exhibited in major museums and galleries nationally as well as in Europe and Japan. Currently she is represented by Marlborough Gallery, New York and Galerie Thomas Schulte, Berlin. She had her first solo exhibition of new sculptures with Marlborough in the fall of 2017. Her works can be found in numerous collections including the Museum of Modern Art, the Whitney Museum, the Brooklyn Museum, the LA County Museum, the National Gallery of Art, the Sheldon, Storm King Art Center, the Louis Vuitton Foundation, and the Sprengel Museum in Hannover, Germany. She exhibited at the Venice Biennale, Documenta VI and VIII and the Whitney Biennial. She has had three major retrospectives. The first was in Stuttgart in 1983 ,the second retrospective entitled “Complex Visions” was organized by the Storm King Art Center in Mountainville, NY. In 2013, a retrospective of her drawings and small sculptures was exhibited at the Parrish Art Museum in Water Mill, New York coinciding with the Grey Art Gallery in New York City.From March 8th through July 20th 2014, a series of seven sculptures were installed on the Park Avenue Malls in New York City, entitled Park Avenue Paper Chase, in collaboration with Galerie Thomas Schulte, Berlin. Alice’s public sculptures can be found in many major cities in the U.S. Some of her public commissions include a roof top sculpture for the 107th Police Precinct House in Queens, NY, associated architects Perkins, Eastman (1992); and East River Roundabout (1995/2014) for the East River Park Pavilion at 60th Street in New York City. Star Sifter, a large architectural sculpture for the rotunda of the Terminal One at JFK International Airport was completed in 1998 and resited above the entrance to the security zone in 2013. Other public installations include a suspended work for the Philadelphia International Airport (2001).She has received numerous awards including four National Endowment for the Arts Fellowships. Aycock was a member of the New York City Design Commission from 2003 to 2012 and she has also been appointed to the GSA’s National Register of Peer Professionals. She received the Americans for the Arts Public Art Award in 2008 for Ghost Ballet for the East Bank Machineworks in Nashville, Tennessee. She was inducted into the National Academy, New York City, in 2013. Aycock has taught at numerous colleges and universities including Yale University (1988-92) and as the Director of Graduate Sculpture Studies (1991-92). She has been teaching at the School of Visual Arts in NY since 1991, and was a visiting artist Maryland Institute College of Art in Baltimore from 2010 to 2014. The International Sculpture Center presented her with a Lifetime Achievement Award in Contemporary Sculpture in 2018, and she received an Academy of the Arts Achievement Award in Visual Arts from Guild Hall in March 2019. Sound and Vision is supported by the New York Studio School, where drawing, painting and sculpture are studied in depth, debated energetically, and created with passion. The School’s full-time programs: a two-year MFA and a three-year Certificate prioritize experimental learning and perception. Beginning in Fall 2021, the Studio School welcomes artists from around the world to join its inaugural Virtual Certificate Program. Combining the studio-centric emphasis of the School’s teaching methods with an individual, real-time approach to online learning, this full-time program is designed for serious artists, and dedicated aspiring artists, who seek to cultivate the studio skills and methods that will prepare them for a lifetime of art-making. The priority application deadline is April 30th, 2021 - apply online today at nyss.org.

This week, we talk to the critics and curators Barry Schwabsky and Aindrea Emelife about the four-year delay to the show Philip Guston Now at the National Gallery of Art in Washington, the museums of fine arts in Houston and Boston and Tate Modern in London. What does the postponement of a big show of the American artist’s work tell us about museums’ response to art and race in the wake of Black Lives Matter? Also, Louisa Buck meets Maggi Hambling as a new show of her work opens at Marlborough Gallery in London. And in our Work of the Week, the artist Martha Tuttle talks about a medieval Visitation in the Metropolitan Museum of Art in New York. See acast.com/privacy for privacy and opt-out information.

This week we came back to sad news last week we lost a great friend of the show and a unique NYC based voice, Michael Anderson. To honor his passing we represent his interview from 2009. We miss you buddy! https://whitehotmagazine.com/articles/pictures-from-pandemic-michael-anderson/4680 Original post: Holla! NYC correspondents Amanda Browder and Tom Sanford hang out with artist Michael Anderson in his Harlem studio. Born in the Bronx in 1968, Mr. Anderson began his artistic career fusing painting and collage but has concentrated on collage since the early 1990s. Since that time his materials have consisted solely of posters and billboards found on the streets of international cities and physically torn down by the artist. (text from Michael’s Blog). To prep you when you go see Michael’s show at Marlborough Gallery in Chelsea which opened on March 26th, 2009, Tom and Amanda talk to Michael about his work and end the conversation with a boxing match, as a way to get out their inner feelings. Michael watches in fear….or is it hilarity! Michael Anderson Marlborough Gallery The Short Life of Trouble Gayle Gates Art Collective Dumbo Collage Geomancy Changing Role Gallery Media Violence Jack Da Vinci Johnson Miami Ink Leatherman Bloomberg Paul Rodgers Gallery Mad Collectors Richard Prince Interview magazine Lucien Freud Jackson Pollock digital TV Size Matters Mike Weiss Michelle Stern Tom Fruin Jeff Sugg Harlem King Abraham The Dark Knight Philip Seymour Hoffman In Cold Blood VW Bug Birdman’s 5 * Stunna Tony Fitzpatrick Time magazine Shepard Fairey Bruce Nauman

Episode Fourteen features Paula Crown, a multimedia artist with a practice encompassing drawing, painting, video, and sculpture. She incorporates cutting-edge technology, social activism, collaboration, and a commitment to sustainability in her studio practice. Crown has had several solo exhibitions including the Aspen Institute, Dallas Contemporary, Marlborough Gallery, New York, Venice concurrent with the 16th Venice Architectural Biennale, and Fort Gansevoort, New York, to name a few. She has also participated in various group exhibitions nationally, including For Freedoms, Jack Shainman Gallery, New York, Mount Analogue, Aspen, and the Elmhurst Museum of Art, Illinois. Crown's Public Art Installations include being featured during EXPO Chicago 2014, the Miami Design District several years and Thoughts & Prayers, with For Freedoms, Chicago in 2018. Most recently, she had a public art installation at the For Freedoms Congress in LA (2020). In 2009, President Barack Obama appointed Paula to the President’s Committee on the Arts and the Humanities. She is a trustee of the Museum of Modern Art and serves on the Aspen Institute Committee of the Arts. Upcoming projects in 2020 include large-scale installations in the United States, the United Kingdom, and India. Crown's works are in numerous public and top-100 private collections. Please read more about Paula Crown in links provided below. https://www.atelierpaulacrown.com/ https://www.aspenideas.org/speakers/paula-crown https://www.galeriemagazine.com/paula-crown-venice-dallas-contemporary/ https://hauteliving.com/2014/03/paula-crown-shares-journey-wall-street-art-world/457891/ https://forfreedoms.org/partners/for-freedoms/

Tony Matelli is an artist who was born in Chicago and lives and works in New York City. Tony received his BFA from the Milwaukee Institute of Art & Design in 1993 and his MFA from the Cranbrook Academy of Art in 1995. He is represented by the Marlborough Gallery. He’s had solo shows at Marlborough, The State Hermitage Museum in Russia, The Aldrich Museum in Connecticut, The Davis Museum in Massachusetts, the Bergen Kunstmuseum in Denmark, Palais de Tokyo in Paris and many, many more. He’s shown in group shows too numerous to list. He’s received an NYFA Grant and is in the collections of over twenty museums around the world. Brian stopped by Tony’s Long Island City studio for a chat about art school, the lure of New York City, rock and roll, Color Aid and a lot more. Sound & Vision is supported by Topo Designs. Based in Denver Colorado, Topo is committed to creating quality bags and clothing that stand the test of time. Check out their products at topodesigns.com Sound & Vision is also brought to you by Charter Coffeehouse. Charter is on Graham Avenue in East Williamsburg, just one block from the Graham L Stop. Find out more at www.chartercoffee.com, follow them on Instagram at @charter_bk

Steven Charles is a British-born artist who recently returned to Dallas after twenty years in New York. He received his BFA in Painting from the University of North Texas and his MFA from Temple University. During his time in New York, Steven was the recipient of both a Pollock-Krasner Foundation Grant and an Artist’s Fellowship from the New York Foundation for the Arts. In addition, he has repeatedly served as a guest lecturer at the School of the Visual Arts in New York. After selling out his first solo shows in Brooklyn, Steven was added to the roster at Marlborough Gallery in Chelsea where he was part of multiple group and solo exhibitions over the course of a decade. His work has been reviewed in many of the art world’s top publications, including the Los Angeles Times, The New York Times, and Art in America. He is currently represented by Cris Worley Fine Arts in Dallas. I recently sat down with Steven in his Dallas studio where we discussed his childhood in Liverpool, adjusting to life in Texas, blue-collar work ethic, formative years studying art in Rome, sold-out shows, black town cars, reaction-based art process and trying to live a life without regrets.

Steven Charles is a British-born artist who recently returned to Dallas after twenty years in New York. He received his BFA in Painting from the University of North Texas and his MFA from Temple University. During his time in New York, Steven was the recipient of both a Pollock-Krasner Foundation Grant and an Artist’s Fellowship from the New York Foundation for the Arts. In addition, he has repeatedly served as a guest lecturer at the School of the Visual Arts in New York. After selling out his first solo shows in Brooklyn, Steven was added to the roster at Marlborough Gallery in Chelsea where he was part of multiple group and solo exhibitions over the course of a decade. His work has been reviewed in many of the art world’s top publications, including the Los Angeles Times, The New York Times, and Art in America. He is currently represented by Cris Worley Fine Arts in Dallas. I recently sat down with Steven in his Dallas studio where we discussed his childhood in Liverpool, adjusting to life in Texas, blue-collar work ethic, formative years studying art in Rome, sold-out shows, black town cars, reaction-based art process and trying to live a life without regrets.

Lauren Luloff received her MFA from the Milton Avery School for the Arts, Bard College and her BFA from Pennsylvania State University. Her recent solo exhibitions have been with Ceysson & Benetiere, New York, Geneva and Luxembourg; Halsey McKay Gallery, East Hampton, NY; Marlborough Chelsea, New York, Annarumma Gallery, Naples, and the Hole, New York. Recent group exhibitions include Galerie Lelong, New York; Tanya Bonakdar Gallery, New York, CANADA Gallery, New York, Marlborough Gallery, Madrid, The Queens Museum, Queens, NY, and The Knoxville Museum of Art, Knoxville, TX. Her work been reviewed and featured in The New York Times, Art in America, Vogue, The Village Voice and The Brooklyn Rail among others. She lives and works in Brooklyn, NY.

The inaugural episode of Explain Me, an art podcast with critic Paddy Johnson and artist William Powhida! A round of woos and hoos please! Explain Me looks at politics, money and the moral of responsibility of artists working in the art world. In this episode, we discuss Documenta's massive overspending and near bankrupcy, the closure of Bruce High Quality Foundation University, and a new development along the 7 line describing itself as New York's best installation. We also talk about a few shows we've seen recently in Chelsea, Kara Walker at Sikkema Jenkins, Christian Marclay at Paula Cooper, Tom Friedman at Lurhing Augustine, Franklin Evans at Ameringer | McEnery | Yohe,  Maya Lin at Pace, Robert Motherwell at Paul Kasmin, and Celeste Dupuy Spencer at Marlborough Gallery. Expect opinions. 

Bio from Devening Projects...  (born 1942) Gary Stephan has been showing his painting and sculpture since the late sixties in the United States and Europe. He has had solo shows in New York at Bykert Gallery, Mary Boone Gallery, Hirschl and Adler and Marlborough Gallery; in Los Angeles at Margo Leavin Gallery and Daniel Weinberg Gallery; and in Berlin at Galerie Keinzle and Gmeiner among many others. His work can be found in the collections of The Guggenheim Museum of Art, The Metropolitan and the Museum of Modern Art, as well as museums nationwide. He is the recipient of awards from the National Endowment of the Arts, the Guggenheim Foundation and the American Academy of Arts and Letters. He teaches in the MFA program at School of Visual Arts in NYC and is currently represented by Kienzle Art Foundation in Berlin. Gary Stephan lives and works in New York City and Stone Ridge, NY. Image from... Structure and Imagery All your bases belong to us.

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