Podcasts about skowhegan school

e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: subject and object; object and image; original and duplicate; freedom and captivity.   Coleman Collins is a 2025 Guggenheim Fellow. He has also received support from the Graham Foundation for Advanced Studies in the Fine Arts, the New York Foundation for the Arts, and Cafe Royal Cultural Foundation. He received an MFA from UCLA in 2018, and was a 2017 resident at the Skowhegan School for Painting and Sculpture. In 2019, he participated in the Whitney Museum's Independent Study Program.  Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d'Art, Nîmes; and the Kunsthalle Wien in Vienna. His work is in the permanent collection of the Hammer Museum, Los Angeles. He is currently an Assistant Professor of Art at the University of California, Irvine. He lives and works in Los Angeles.

Ep.233 Mario Joyce's work is rooted in his genealogical research of his family, going back to the 1600s. Incorporating imagery, memories, and stories from his familial research, Joyce incorporates vintage collage materials and soil from the farm he grew up on into his sumptuously textured paintings, weaving together a rich tapestry of his origins. A self-taught artist, Joyce mines his ancestral lineage as well as his personal experience growing up in rural Ohio as a Queer Black man. His work delves into how memories evolve over time and across generations, transforming into intricate capsules of meaning that convey messages of identity, belonging, and place. Mario Joyce lives and works in Los Angeles. He has participated in several residencies including Sointula House Residency, Sointula, BC (2024); Skowhegan School of Painting and Sculpture, Skowhegan, ME (2023); Pratt Forward, Pratt Institute, Brooklyn, NY (2022); La Brea Studio Residency, Los Angeles, CA (2021). His work has been the subject of solo exhibitions at UTA Artist Space, Los Angeles, CA (2024); Sakhile&Me, Frankfurt, Germany (2023); UTA Art Space, Atlanta, CA (2022). He has been included in numerous group exhibitions at MUZEO Museum and Cultural Center, Anaheim, CA (2024); F2T Gallery, Milan, Italy (2023); New York Culture Club, New York, NY (2022); Over the Influence, Los Angeles, CA (2022), among others. His work is included in public collections including the Columbia Museum of Art, Columbia, SC and the North Dakota Museum of Art, Grand Forks, ND. Portrait credit: Courtesy of Jeff McLane and Vielmetter LA. Artist http://www.mariojoyce.com/ Vielmetter LA https://vielmetter.com/artists/mario-joyce/ Good Black Art https://goodblackart.com/collections/all/mario-joyce Sakhile&Me https://www.sakhileandme.com/artists/mario-joyce.htm Culture Type https://www.culturetype.com/tag/mario-joyce/ Future Fair https://archive.futurefairs.com/journal-posts-2/2024/4/28/future-fair-2024-tastemaker-collections-mario-joyce Campaign Buzz https://campaignbuzz.io/email/vielmetter.com/effea04a-e7f9-4c46-8712-24bb113d1280 UTA Space https://utaartistspace.com/press/2022/08/30/transportive-paintings-from-l-a-artist-mario-joyce-distinguish-first-uta-pop-up-show/ AJC https://www.ajc.com/things-to-do/transportive-paintings-from-la-artist-mario-joyce-distinguish-first-uta-pop-up-show/IG67TNAF7ZDWFP2FND2BNWU4SI/ Meer Art https://www.meer.com/en/78691-mario-joyce-amaryllis-garden F2T Gallery https://www.f2tgallery.com/mario-joyce/ Art Rabbit https://www.artrabbit.com/events/mario-joyce-amaryllis-garden Gallery Platform LA https://galleryplatform.la/galleries/vielmetter-los-angeles/events/in-conversation-mario-joyce-and-dominique-clayton Art| Melanated https://www.artmelanated.com/projects-1/mario-joyce Ohio State University https://art.osu.edu/events/visiting-artist-mario-joyce Art Crawl https://arthag.typepad.com/arthag/2021/08/mario-joyce-unearthing-black-joy-on-governors-island.html Over the Influence https://overtheinfluence.com/artists/mario-joyce/

Tess Bilhartz grew up in Dallas, Texas and currently lives and works in New York City where she teaches art at Borough of Manhattan Community College - CUNY. Recent solo exhibitions include  ‘What on Earth' at Below Grand (2020) and ‘Follow Me Down' at Rubber Factory (2022), which was reviewed in the Brooklyn Rail and BOMB magazine. Her work has also been exhibited at Embajada, San Juan, PR, Primary, Miami, FL, and Island, New York, NY. Residencies include the Skowhegan School of Painting and Sculpture (2017), and the Sharpe Walentas Space Program (2013). Tess Bilhartz, Green, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm Tess Bilhartz, Pink Flash, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm Tess Bilhartz, Spin, 2024 Oil on canvas 30 x 52 in 76.2 x 132.1 cm

Gretchen Scherer  (b. 1979, Indianapolis, IN) received a MFA from Hunter College, NY and a BFA from The University of Illinois at Chicago, IL. Scherer has been awarded residencies at Skowhegan School of Sculpture and Painting, ME and Vermont Studio Center, VT. Recent exhibitions include Richard Heller Gallery, LA; Patricia Low Gallery, Gstaad,Switzerland; Gowen Contemporary, Geneva, Switzerland; Taymour Grahne, London; and Monya Rowe Gallery, NY. Scherer's work was highlighted in Harper's Bazaar Latin Art Issue in “Artists to Follow in 2022”, and in New York Magazine by Jerry Saltz in “The Best Art Shows of 2021”. Scherer's work was recently profiled in the Spring 2024 issue of Juxtapoz magazine (“Gretchen Scherer: If Rooms Could Talk”). Her work is also included in “New Surrealism: The Uncanny in Contemporary Painting” by Robert Zeller, published by Monacelli Press (2024), an imprint of Phaidon. The artist lives and works in West Creek, NJ and Brooklyn, NY. GRETCHEN SCHERER Sir John Soane's Museum, Drawing Office, 2024 oil and acrylic on panel 24 by 30 inches Courtesy of Monya Rowe Gallery, NY. GRETCHEN SCHERER Palazzo Borromeo, Isola Bella, Berthier Gallery, 2024 oil and acrylic on panel 18 by 24 inches Courtesy of Monya Rowe Gallery, NY GRETCHEN SCHERER Palace of Aranjuez, Porcelain Room, 2024 oil and acrylic on panel 18 by 24 inches Courtesy of Monya Rowe Gallery, NY.

In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Episode 450 / Bob Linder Bob Linder received his MFA from Stanford University, his BFA from the San Francisco Art Institute and attended the Skowhegan School of Painting & Sculpture. He lives and works in Los Angeles, California.  Bob is currently the Program Director for gallery Michael Benevento, Los Angeles. Consistent among exhibiting artists is a willingness to take risks, a total commitment to unique practices, and the precise and thoughtful execution of ideas. He is also a co-founder of the art-damaged, post punk, noise project, Total Shutdown.  Bob previously served as Head Curator at The David Ireland House at 500 Capp Street, where he curated challenging, relevant, and forward-thinking exhibitions and public programs. Prior to joining 500 Capp Street, Linder co-owned and directed CAPITAL, a contemporary art gallery located in the Mission District of San Francisco, where he programed more than thirty exhibitions with a focus on emerging and mid-career artists.  Sound and Vision is supported by the New York Studio School. For 60 years students have come to study drawing, painting, and sculpture in the historic building on 8th Street in New York City. The school's full-time programs: a two-year MFA and a three-year in-person or virtual Certificate program, prioritizes learning through creating with a dedicated faculty of active artists. The programs cultivate studio skills, materials knowledge, and self-development methods. Whether you are an aspiring artist or an experienced artist, the rigor, community, and intense art practice taught at the New York Studio School will prepare you for a lifetime of artmaking. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.  

Ep.220 Jake Troyli (b.1990, Boston, MA) received his BFA from Lincoln Memorial University, Harrogate, TN (2013), where he played Division 1 basketball, his MFA from the University of South Florida, Tampa(2019), and attended the Skowhegan School of Painting and Sculpture, ME (2019).Solo exhibitions include moniquemeloche. Chicago, IL (2024/2022); Tempus Projects, Tampa, FL (2018); and ArtsXchange, St. Petersburg, FL. (2018). Troyli's work has been featured in group exhibitions at Perrotin Gallery, New York, NY (2024); Galerie Droste, Düsseldorf, DE (2024);Milwaukee Art Museum, Milwaukee, WI (2023-24); Everson Museum, Syracuse, NY(2023); Galerie Droste, Paris, FR (2021); The Ringling Museum, Sarasota, FL(2021); Contemporary Art Museum, Tampa, FL (2019); San Francisco Art Institute, CA (2018). Troyli's work will be included in the group exhibition Get in the Game: Sports, Art, Culture, curated by Jennifer Dunlop Fletcher, Seph Rodney, and Katy Siegel, at SF MoMA, which travels to the Crystal Bridges Museum of American Art and the Pérez Art Museum Miami and will be accompanied by a scholarly publication. He will have his first solo museum exhibition at the Museum of Fine Arts, St. Petersburg, FL, in 2026. His work is in the permanent collections of the Tampa Art Museum, Tampa, FL; the Ringling Museum, Sarasota, FL; the Nerman Museum of Contemporary Art, Overland Park, KS; and Pierce and Hill Harper Arts Foundation, Detroit, MI. He is the recipient of the Provincetown Fine Arts Fellowship (2019 2020) and the Creative Pinellas Emerging Artist Grant, Largo, FL (2017). Troyli was a 2023 Visual Artist recipient of the Academy of Fine Arts x International City of Arts program in Paris, France. He is resident at Project for Empty Space in Newark, NJ. Photo courtesy of the artist and Monique Meloche Gallery. Photographer Raphael Lugassy Artist - https://www.jaketroyli.com/ moniquemeloche - https://www.moniquemeloche.com/artists/48-jake-troyli/biography/ Perrotin https://leaflet.perrotin.com/view/898/light-of-winter Galerie Droste https://www.galeriedroste.com/exhibitions/92-reading-the-language-of-images-jammie-holmes-andrew-schoultz-jake-troyli/overview/ Newcity https://art.newcity.com/2024/10/15/a-bloodline-through-the-histories-a-review-of-peter-and-jake-fagundo-at-m-leblanc/ NYTimes https://www.nytimes.com/2024/10/18/arts/sfmoma-exhibit-sports-art.html ARTnews https://www.artnews.com/art-news/news/for-freedoms-activates-art-installations-democratic-national-convention-chicago-1234714497/ WBEZ | NPR https://www.wbez.org/arts/2024/07/22/jake-troyli-artist-chicago-mural-dnc-democratic-national-convention-art Cité internationale des arts https://www.citedesartsparis.net/en/jake-troyli Chicago Sun Times https://chicago.suntimes.com/murals-mosaics/2024/07/26/chicago-murals-jake-troyli-dnc-democratic-national-convention-skyart-east-garfield-park Chicago Gallery News https://www.chicagogallerynews.com/news/2024/8/anticipating-a-season-of-art-five-to-talk-to-jake-troyli White House Magazine https://whitehotmagazine.com/articles/slow-clap-at-monique-meloche/5358It's Nice That https://www.itsnicethat.com/articles/jake-troyli-art-170222 Chicago Reader https://chicagoreader.com/arts-culture/jake-troyli-contains-multitudes/ Mana Contemporary https://www.manacontemporary.com/jake-troyli/ Kavi Gupta https://kavigupta.com/artworks/10328-jake-troyli-portrait-of-the-artist-with-hors-doeuvre-2020/ The Province Town Independenthttps://provincetownindependent.org/arts-minds/2020/03/12/show-and-tell-with-jake-troyli/ The TRiiBE https://thetriibe.com/2022/04/painter-jake-troyli-invites-us-into-the-spectacle-of-black-skin-at-expo-chicago/

Ep.212 Erika Ranee received her MFA in painting from the University of California, Berkeley. She is the recipient of a New York Foundation for the Arts (NYFA) Fellowship in Painting/1996 and 2021; an AIM Fellowship from the Bronx Museum and was granted artist residence at the Skowhegan School of Painting and Sculpture and a recipient of “Anonymous Was A Woman” grant in December 2023. She was awarded a studio grant from the Marie Walsh Sharpe Foundation in 2011. Her work has been featured throughout the New York/NYC region in group exhibitions at the Southampton Arts Center, at BRIC/Project Room and at Klaus von Nichtssagend Gallery. In 2019 she exhibited in her first international show at Wild Palms in Dusseldorf, Germany. An encore international group show took place in Paris at the Brigitte Mulholland Galerie, summer 2024. Other selected group shows include The Landing Gallery in Los Angeles, CA, Hollis Taggart Gallery in Southport, CT; the Milton Resnick & Pat Passlof Foundation, NYC and recently at Venus Over Manhattan, NYC. In summer 2024 her work was featured in a solo venture at the Moss Arts Center in Blacksburg, VA. She has been selected by guest co-curator, artist Jeffrey Gibson to participate in the upcoming 200th anniversary exhibition at the Brooklyn Museum, October /2024. Her work has been reviewed in the New York Times and Artforum. She is represented by Klaus von Nichtssagend Gallery and works in New York. Photo credit: Zachary Keeting Artist https://erikaranee.com/ Duck Creek Arts https://www.duckcreekarts.org/2024-erika-ranee | https://www.duckcreekarts.org/2024-group-show-ranee Anonymous Was A Woman https://www.anonymouswasawoman.org/2023 Cultured Magazine https://culturedmag.com/article/2024/07/22/hamptons-art-shows-exhibitions-guide-summer East Hampton Star https://www.easthamptonstar.com/arts/2024725/erika-ranee-shows-feelings-duck-creek 27East https://www.27east.com/events/all-the-things-curated-by-erika-ranee/ Venus Over Manhattan https://www.venusovermanhattan.com/exhibitions/celestial-songs Art Spiel https://artspiel.org/erika-ranee-feelings-at-duck-creek/ The Roanoker https://theroanoker.com/events/erika-ranee-how-are-things-on-my-end/ Klaus von Nichtssagend Gallery https://klausgallery.com/artist/erika-ranee/ Art Rabbit https://www.artrabbit.com/events/erika-ranee-all-natural Coursicle| NYU https://www.coursicle.com/nyu/professors/Erika+Ranee/

About Julia Haft-Candell Julia Haft-Candell (b. 1982, Oakland, California) received a BA from the University of California, Davis, before graduating from the MFA program at California State University, Long Beach, in 2010. She was a summer resident in 2016 at the Skowhegan School of Painting & Sculpture, Madison, Maine, and has been awarded multiple grants from the Center for Cultural Innovation and most recently the California Community Foundation Fellowship in 2019. She lives and works in Los Angeles, California.

Sarah Brenneman (b.1975, Middletown, OH) lives and works in West Orange, New Jersey. She received her degrees in painting from Columbus College of Art (BFA) and Virginia Commonwealth University (MFA). She has had several solo shows including with Garvey|Simon at Artisan Lofts (New York, NY -  a two-person exhibition with Gary Petersen 2024); Gold Scopophilia (Montclair, NJ) in 2020 and with Jeff Bailey Gallery (New York, NY) in 2004, 2006 and 2011. She has exhibited both nationally and internationally most recently with La Grange Gallery, (Reims, France) in 2022. She has been awarded residencies with Skowhegan School of Painting and Sculpture, Millay Colony of the Arts, Chashama, Virginia Center for Creative Arts, Liquitex-Just Imagine Residency and VCCA, Moulin à Nef, Auvillar France. Brenneman's paintings are included in many  private and corporate collections including The Aspen Contemporary Art Collection, Citigroup, Cleveland Clinic, Sprint and The Progressive Corporation. Sarah Brenneman,  Dove, 2024 Acrylic on Canvas 60.0h x 48.0w in. Sarah Brenneman Rust Register 2024, acrylic and watercolor on panel, 20 x 16 in Sarah Brenneman,  Open But Empty, 2023 watercolor on paper 9.0h x 6.0w in.  

Areum Yang (b. 1994 Seoul, South Korea; lives and works in New York) graduated from Hongik University, Seoul, South Korea in 2017 and from the Hunter MFA program, New York, NY in 2021. She recently undertook residency at Skowhegan School of Painting and Sculpture. She has been included in group shows at Long Story Short, Los Angeles, CA; Analog Diary, Beacon, NY: Hauser & Wirth, New York, NY; Margot Samel, New York, NY, and Mamoth, London, UK. Yang was selected as the winner of the Silver Award for AHL T&W Foundation Contemporary Visual Art Awards and the KCC Young Artist Awards in 2021. Her work has been selected for print publication in Art Maze Magazine edition 23, Friend of Artists volume 15, and Whitewaller issue 33. The Day Before, 2024 acrylic, oil, fabric collage, oil pastel, pencil on poly cotton 82 x 74 inches. Courtesy of the artist and Derek Eller Gallery, New York, photo, Adam Reich.  In Between Dreams, 2024 acrylic, oil, fabric collage, oil pastel, and pencil on poly cotton 70 x 60 inches. Courtesy of the artist and Derek Eller Gallery, New York, photo, Adam Reich.  Morning Laundry, 2024 oil, acrylic, pencil, oil pastel, fabric collage on poly cotton 70 x 75 inches. Courtesy of the artist and Derek Eller Gallery, New York, photo, Adam Reich. 

Gail Spaien lives in South Portland, Maine. She earned her B.F.A. from the University of Southern Maine and her M.F.A. from the San Francisco Art Institute. Spaien has received numerous fellowships including the Ucross Foundation; Varda Artist Residency Program; Millay Colony for the Arts; the Djerassi Foundation Resident Artists Program; and the Skowhegan School of Painting and Sculpture. Over four decades, Spaien's work has been exhibited nationwide and abroad, including Taymour Grahne Projects (London); Vardan Gallery (Los Angeles, CA); the DeCordova Sculpture Park and Museum (Lincoln, MA); Provincetown Art Association and Museum (Provincetown, MA); Crocker Art Museum (Sacramento, CA); the Portland Museum of Art (Portland, ME); Ogunquit Museum of American Art (Ogunquit, ME); and Colby College Museum of Art (Waterville, Maine). After thirty years as faculty at the Maine College of Art and Design she is now full-time in the studio. Turquoise Window, 2024, acrylic on linen, 48 x 45 inches Pearl with Boots and Pheasants, 2024, acrylic on linen, 34 x 36 inches The Season Called Locking, 2024, acrylic on linen, 48 x 48 inches

Sarah talks with NY based artist and recent MFA grad Alexander Brewington about his solo show "What Burns Beneath", leaving grad school and the significance of fire in his paintings. The conversation was recorded in April 2024. About Alexander Brewington Alexander Brewington is a Brooklyn based figurative painter, received his MFA from Pratt Institute, 2023.  His painting practice is about forming a contemporary narrative between the intersection of classical mythology and urban environments.  Brewington was commissioned to paint the Joseph Branch Creek mural in Silver Spring, MD. His work has been featured in Hyperallergic and E-flux Education. He was recently awarded a Pratt Fellowship to attend the 2023 Skowhegan School of Painting and Sculpture. His solo show "What Burns Beneath" opened at Thierry Goldberg Gallery in March 2024. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

Photographer and educator, Harlan Bozeman and I recorded at Penumbra Foundation at the end of his residency there. Harlan is a 2024 Catchlight Global Fellow and we talk mostly about his work in Elaine, Arkansas that was recognized by Catchlight. The years of work that Harlan created and still creates in Elaine is now called “Out the E” and Harlan speaks extensively about how this town, its people, its history, and the photographs he's made has impacted his life and his own identity. We also talk about Harlan's family ties to the Wadmalaw Island and Gullah communities.  https://www.harlanbozeman.com/ | https://www.catchlight.io/news/visual-storytellers-awarded-2024-catchlight-global-fellowship | https://www.catchlight.io/about-the-global-fellowship This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Harlan Bozeman is a lens-based artist whose research-driven practice has focused on confronting the erasure of Black culture and its histories, and investigating the legacies of slavery and its aftermath in the American South. His previous work explored the Gullah Sea Islands communities, specifically Wadmalaw Island where his family is from, and the narratives that serve to prolong their cultural significance. A graduate of the University of Arkansas, Bozeman earned an MFA in Studio Art and attended the Skowhegan School of Painting and Sculpture in 2023. Bozeman holds a BA in Journalism from DePaul University in Chicago. His work has been featured in The Atlantic, British Journal of Photography, Der Grief, The New York Times, and The Wall Street Journal. Bozeman is currently a Visiting Assistant Professor of Photography at the University of Arkansas at Little Rock. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

On this episode I'm joined by Sedrick Chisom as we discuss his latest exhibition at C L E A R I N G gallery, And 108 Prayers of Evil. Sedrick Chisom (b. 1989, Philadelphia) lives and works in Brooklyn, NY. He received a full scholarship to study at Cooper Union, where he completed his BFA in 2016 and was awarded the Jacques and Natasha Gelman Foundation Award for Exceptional Ability. In 2018, he received his MFA from the Mason Gross School of the Arts at Rutgers University. Chisom was awarded the 2018–2019 VCU Fountainhead Fellowship in Painting and Drawing at the Macedonia Institute and was a 2019 resident at the Skowhegan School of Painting and Sculpture.At the center of Sedrick Chisom's practice is a commitment to confounding racial origin myths and pseudosciences toward creating apocalyptic fantasies in writing and painting. Appropriating imagery from Black Lives Matter demonstrations, medieval Christian iconography, and Greek mythology, Chisom questions who has the power to construct natural and social worlds, upending the authority of those worlds in the process. Chisom appoints himself a new mythmaker, one whose motivation is fundamentally pro-Black and who is committed to the acceleration of new imaginative possibilities. - Pilar Corrias gallery 

After receiving his BFA from University of Louisville in 2005, James Robert Southard worked for years as a freelance photojournalist and artist. In 2008 he left for Pittsburgh for graduate school in Fine Arts at Carnegie Mellon University. After graduating in 2011he was invited to international exhibitions such as the Moscow Biennale for Young Art, Hel'Pitts'Sinki'Burgh in Finland, Camaguey Cuba's 5th International Video Art Fest and he has participated in the Internet Pavilion at the 54th Venice Biennale in Venice Italy. After receiving his MFA in 2011, James taught as a photography professor at University of Louisville, Kentucky School of Art and Carnegie Mellon University as a professor of fine arts. In the winter and spring of 2012, James continued his series Tooth and Nail with the collaboration of the city of Seoul, Korea at Seoul Art Space Geumcheon. Soon after he took his project to Maine where he was a participant at Skowhegan School of Painting and Sculpture, then later at MacDowell Colony in New Hampshire, Yaddo Retreat in New York, Jentel in Wyoming, Vermont Studio Center and to the MASS MoCA residency in North Adams, MA.He has since returned to academia by teaching photography at the University of Kentucky.

Alexander Brewington (b. 1996, Silver Spring, MD), lives and works in Ridgewood, NY. He holds an MFA from Pratt Institute, and a BFA in visual art from St. Johns University. His work was previously included in the group exhibition ‘Departure' at Thierry Goldberg. Brewington has been in residence at Skowhegan School of Painting and Sculpture, and his work was featured in Hyperallergic and Canvas Rebel Magazine. Alexander Brewington She Who Walks out of the Dark, 2024 oil on wooden panel 36 x 48 inches Alexander Brewington End on a High Note, 2023 oil on wooden panel 36 x 24 inches Alexander Brewington Back on Track, 2023 oil on wooden panel 36 x 24 inches

On this episode I'm joined by Mario Joyce. Mario Joyce is a self-taught African American artist based in Los Angeles. His process began early and was heavily influenced by prejudices experienced growing up Black and Queer in rural Ohio. He uses genealogical research, soil from the Ohio he grew up on, carefully sourced vintage collage materials and oil paint to explore how American History is steeped in selective storytelling that neglects to share the experiences of marginalized communities. Mario is a 2023 alum of Skowhegan School of Painting and Sculpture, has recently completed the Pratt>FORWARD residency at New Lab in Brooklyn Navy Yard, in New York City. Joyce's latest show at UTA Artist Space in Los Angeles closed a few weeks prior when we sit down to talk about his work and practice. 

Ep.196 Jacob Mason-Macklin lives and works in Queens, New York. Mason-Macklin graduated from the Columbus College of Art & Design in 2017. He is a 2016 alumnus of the Yale-Norfolk Summer School of Art and a 2019 alumnus of the Skowhegan School of Painting and Sculpture. In 2021-2022, Mason-Macklin was an Artist-in Residence at The Studio Museum in Harlem, Harlem, New York, USA. Recent exhibitions include: “Underground” at Mamoth Gallery in London, UK (2023), “The Future Won't Be Long Now” at SOMEDAY, Lower Manhattan, New York, USA (2023), and “It's Time For Me To Go” at MOMA PS1, Long Island City, New York, USA (2022-2023). A dou-exhibition with artist Ryan Huggins at Page gallery, New York, USA (2021). “Soul Procession” at Interstate Projects, Brooklyn, New York, USA (2020). “Pure Hell” at No Place Gallery in Columbus, Ohio, USA (2020); “Bounty” with Cudelice Brazelton at the Jeffrey Stark Gallery in New York, USA. Curated by Amanda Hunt (2017). Photo credit for headshot: Ally Caple Studio Museum Harlem https://www.studiomuseum.org/artists/jacob-mason-macklin MoMA https://www.moma.org/slideshows/626 MAMOTH https://www.mamoth.co.uk/exhibitions/42/installation_shots/image1586/ MAMOTH https://www.mamoth.co.uk/blog/47-watch-jacob-mason-macklin-s-residency-journey-in-london/ Art Rabbit https://www.artrabbit.com/events/jacob-masonmacklin-underground Artfacts https://artfacts.net/exhibition/jacob-mason-macklin:-underground/1143681 Art Viewer https://artviewer.org/jacob-mason-macklin-at-mamoth/ Page NYC https://page-nyc.com/exhibitions/jacob-mason-macklin Jeffrey Stark https://www.jeffreystark.nyc/project/cudelice_brazelton_jake_mason_macklin/

Ep.193 Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement. Her work integrates archives, somatic studies, and dialogical practices, creating overlooked narratives that amplify BIPOC/femme bodies. Metaferia received her MFA from Tufts University's School of the Museum of Fine Arts and attended the Skowhegan School of Painting and Sculpture. Recent solo exhibitions and projects include RISD Art Museum (2022-2023); Museum of Fine Arts, Boston, MA (2021-2022); New York University's The Gallatin Galleries, New York, NY (2021); Michigan State University's Scene Metrospace Gallery, East Lansing, MI (2019); and Museum of African Diaspora, San Francisco, CA (2017). Metaferia's work was included in the Sharjah Biennial in the United Arab Emirates (2023), the Tennessee Triennial through the Frist Art Museum and Fisk University Art Gallery (2023). Her work is in the permanent collection of institutions including Los Angeles County Museum of Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Sharjah Art Foundation, United Arab Emirates; Kadist, San Francisco, CA and Paris, France; and the Schomburg Center for Research in Black Culture, New York, NY. Metaferia's work has been supported by several residencies including MacDowell, Yaddo, Bemis Center for Contemporary Art, and MASS MoCA. She is currently a 2021-2023 artist-in-residence at Silver Art Projects at the World Trade Center in New York City. Her work has been written about in publications including The New York Times, Financial Times, The Washington Post, The Boston Globe, Artnet News, The Art Newspaper, and Hyperallergic. Metaferia is an Assistant Professor at Brown University in the Visual Art department, and lives and works in New York City. Photo credit: Tommie Battle Artist https://www.helinametaferia.com/ NYTimes https://www.nytimes.com/2021/06/24/arts/things-to-do-this-weekend.html Artsy Helina Metaferia Honors the Activist Legacies of Black Women across Collage and Performance | Artsy Artnet News https://news.artnet.com/art-world/how-do-you-judge-the-value-of-social-practice-art-artist-helina-metaferia-developed-metrics-to-determine-if-a-project-is-successful-2181336 Vanity Fair Leisure, Adornment, and Beauty Are Radical Acts in “Resting Our Eyes” | Vanity Fair The Cut ‘Resting Our Eyes': 10 Black Artists at ICA San Francisco (thecut.com) Chicago Tribune 4 female artists mount a Chicago exhibit on climate issues: ‘Activism work is care work' – Chicago Tribune Sugarcane Magazine Ritual and Remembrance in Sharjah Biennial 15 - Sugarcane Magazine ™| Black Art Magazine Interior Design Magazine Artist Helina Metaferia Celebrates Black Women Activists in Two Solo Shows - Interior Design The Art Newspaper https://www.theartnewspaper.com/2021/06/16/black-artists-and-performers-take-over-fort-greene-park-for-juneteenth-jubilee Financial Times ( First) https://www.ft.com/content/9b75fdcd-9f1a-4c3f-ae70-b1140fc9cdad Financial Times (Second) https://www.ft.com/content/e8030f71-2925-4fbb-8e0a-96d6ce1cf774 Contemporary And https://contemporaryand.com/magazines/helina-metaferia-weaving-and-resisting-in-more-than-a-few-ways/

Luanne Stovall is an artist and color theorist with an MFA in painting from Tufts University and the School of the Museum of Fine Arts Boston. She attended the New York Studio School of Drawing, Painting, and Sculpture (New York City), and Skowhegan School of Painting and Sculpture (Skowhegan, Maine).Luanne is a member of the Steering Committee of the global Colour Literacy Project and a visiting lecturer in the School of Design and Creative Technologies at the University of Texas in Austin. Currently she is teaching Color Literacy as an upper level interdisciplinary course in the School of Design and Creative Technologies at the University of Texas at Austin. She has taught color courses and workshops in many locations including UT Austin, The Contemporary Austin; School of the Museum of Fine Arts, Boston; Wellesley College, MA; and MIT Sloan School of Business. Her paintings and works on paper have been exhibited widely, and are in private and public collections, including the Art Museum of South Texas; El Paso Museum of Art; Blanton Museum, Austin, TX; Moakley Cancer Care Center, Boston; and the Estee Lauder Collection.Luanne's website: https://www.luannestovall.com/The Colour Literacy Project, Steering Committee member:https://colourliteracy.org/Inter-Society Color Council, Board of Directors member; Team leader, Fluorescent Fridayshttps://www.iscc.org/2023 International Colour Association (AIC), volume 33, Special issue on contributions by the Colour Literacy Project Team:https://aic-color.org/journal-issuesLuanne's contribution to the 2023 AIC volume 33:Prologue: one artist's journey from traditional colour theory to the Colour Literacy Project (PDF)University of Texas Color Literacy courseDesigned as four modules:Color PerceptionColor InteractionColor PsychologyColor Design / Portfolio Project.University website: AET Courses (Search under the Upper Division tab.) Flower Color Theory, by Darroch and Michael PutnamPlease find more information to each episode on the Chromosphere website.

Tom Burckhardt was born in New York City in 1964. He attended SUNY Purchase and graduated with a BFA in painting in 1986, after which he attended the Skowhegan School of Painting and Sculpture. His work has been the subject of over thirty solo exhibitions at institutions including the McNay Art Museum in San Antonio, TX; the Hudson River Museum in Yonkers, NY; and the Knoxville Art Museum in Knoxville, TN. Burckhardt was a participant of the 2016 Kochi-Muziris Biennale in Kerala, India and an artist in residence at the Yaddo Foundation in New York State in 2019 and Pepper House, Kochi, India in 2020. He has received numerous grants and awards, including three grants from the New York Foundation for the Arts, a Joan Mitchell Foundation Grant, a Guggenheim Foundation Grant, two Pollock-Krasner Foundation Grants, and the Richard and Hinda Rosenthal Foundation Award from the American Academy. He currently teaches part-time at SUNY Purchase. Tom Burckhardt, Gruntled, 2023  Oil on linen 34 x 28 inches Tom Burckhardt, Future Rapture, 2023 Oil on linen 77 x 64 inches Tom Burckhardt,  Shabby Lingo, 2023 Oil on linen 70 x 60 inches

Portrait of the artist. Photo credit: Jenny Gorman Elizabeth Hazan is a New York based visual artist. Hazan was awarded a fellowship to the Skowhegan School of Painting and Sculpture and has twice been a resident of Yaddo. Recent shows include High Noon, at the Duck Creek Art Center in Springs, NY, Heat Wave at Johannes Vogt Gallery, NY, Body to Land at Turn Gallery, NY, Psychedelic Landscape at Eric Firestone Gallery, NY, Sundown at the Madoo Conservancy in Sagaponack, NY and Trodden Path at HESSE FLATOW East. Her work has been written about in Hyperallergic, Forbes, Two Coats of Paint, Art Critical, The Brooklyn Rail and the Art Newspaper. She was born and raised in New York City and attended Bryn Mawr College and the New York Studio School. She serves as the director and founder of Platform Project Space in Brooklyn, NY. Elizabeth Hazan, Floodtide, 2023 Oil on linen 76 x 70 in 193 x 177.8 cm Elizabeth Hazan, Glade, 2022 Oil on linen 66 x 55 in 167.6 x 139.7 cm Elizabeth Hazan, Nightshade, 2023 Oil on linen 66 x 55 in 167.6 x 139.7 cm

Molly Lowe (b. 1983, Palo Alto, CA) received her MFA from Columbia University and her BFA from Rhode Island School of Design (RISD). She has had solo exhibitions and performances at the Hammer Museum, Los Angeles, CA; Lilith Performance Studio, Malmo, Sweden; Pioneer Works, Brooklyn, NY; Anat Ebgi, Los Angeles CA; Suzanne Geiss Company, New York, NY; SculptureCenter, Long Island City, New York; and Performa 13, New York, NY. Her films have screened at the Museum of Modern Art, New York, NY and JOAN, Los Angeles, CA. Lowe has participated in residencies at the Shandaken Project, Storm King Art Center, New Windsor, NY; Pioneer Works, Brooklyn, NY; Recess Art, New York, NY; and the Skowhegan School of Painting and Sculpture, Skowhegan, ME. In 2015, she received the New York Foundation for the Arts interdisciplinary artist fellowship award, and she was recently nominated for a Louis Comfort Tiffany Foundation award. Lowe lives and works in New York. Molly Lowe, Wrestle in the Grass, 2023, Oil on canvas, 68 x 80 in, 172.7 x 203.2 cm Molly Lowe, Domestic Embrace, 2023, Oil on canvas. 48 x 56 in, 121.9 x 142.2 cm. Molly Lowe, 2024, LAP, 83 x 66 in.  

James Everett Stanley is a New England-based painter whose work has been exhibited most recently at Sean Horton Presents, New York (2023); Hirschl & Adler Modern, New York (2023); Provincetown Arts Society, Provincetown (2023); EXPO Chicago (2022); Art Basel Miami Beach (2021); Gaa Gallery, Provincetown (2020); and his work is included in the permanent collection of The Studio Museum in Harlem. A graduate of the MFA program at Columbia University, Stanley is the recipient of fellowships from the Sharpe-Walentas Studio Program, Skowhegan School of Painting and Sculpture, and The Fine Arts Work Center in Provincetown. He is associate professor of painting at Massachusetts College of Art and Design in Boston, Massachusetts. LINKS:  jameseverettstanley.com www.instagram.com/jamesestanley I Like Your Work Links: Check out our sponsor for this episode: The Sunlight Podcast at https://www.sunlighttax.com/podcast Chautauqua Visual Arts: https://art.chq.org/school/about-the-program/two-week-artist-residency/ 2-week residency https://art.chq.org/school/about-the-program/ 6-week residency   Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Gregg Louis received a Master's of Fine Arts degree from the School of Visual Arts in New York City in 2009. His work has been featured in exhibitions around the world, including Nohra Haime Gallery in New York; NH Galería in Cartagena; Hverfisgalleri in Reykjavik; The World Chess Hall of Fame in Saint Louis; Postmasters Gallery in New York; Galerist in Istanbul; Frieze London; Vienna Contemporary; and Art Bogotá. In 2009, Louis was an artist-in-residence at the Skowhegan School of Painting and Sculpture. The New York Times, The Wall St Journal, and Sculpture Magazine have all covered his work. Louis currently lives and works in Saint Louis, and is represented by Nohra Haime Gallery in New York City. Fires in the Sky, 2023 Summer Nights, 2023 Midnight in Wonder Valley, Deep Sky & Like a Moth Drawn to a Flame, 2023

Painters Christina Quarles and Jenna Gribbon join curator and host Gemma Rolls-Bentley in discussing their methods for constructing queerness in their lives and artworks, the importance of holding a viewers gaze, lesbian intensity, and CAMP! This episodes title is a line from “School Note,” a poem by Audre Lorde.Jenna Gribbon's oil paintings constitute an important new entry in the long lineage of figurative art, extending its narrative possibilities to explore the act of looking. Her vivid portraits, frequently nudes or partial nudes, depict those closest to her, and sometimes the artist herself, in candid poses, during uncanny moments. Her recent work most prominently features her partner, Mackenzie Scott, whose recurrence both personalizes and simultaneously establishes her as a kind of avatar; shifting the focus of the painting away from the figure and toward the way the figure is framed. By painting otherwise fleeting scenes, the artist adds texture, depth, and a sense of permanency to these temporal images, highlighting themes of pleasure, joy, and expanding the lexicon of queer iconography. Recent exhibitions include Living Histories: Queer Views and Old Masters, The Frick Collection, New York (2022); and I will wear you in my heart of heart, FLAG Art Foundation, New York (2021); and Paint, also known as Blood: Women, Affect and Desire in Contemporary Painting, Warsaw Museum of Modern Art, Poland (2019). Find her on IG @jennagribbon.Christina Quarles lives and works in Los Angeles. She received an M.F.A. from the Yale School of Art in 2016 and holds a B.A. from Hampshire College. Quarles was a 2016 participant at the Skowhegan School for Painting and Sculpture. She was the inaugural recipient of the 2019 Pérez Art Museum Miami Prize and in 2017 she received the Rema Hort Mann Foundation Emerging Artist Grant. In 2021 Quarles joined the board of trustees of the Museum of Contemporary Art, Los Angeles. Learn more about her practice at www.christinaquarles.com. Find her on IG @cequarles.Christina's work in the exhibition, Tilt/Shift, is acrylic on canvas, see the work here.Jenna's works, Me looking at her looking at me, and To share a common memory, are two of three pieces in the exhibition.A full transcript of the episode is available here.This podcast series is produced by the Leslie-Lohman Museum of Art. Dreaming of Home is on view September 7–January 7, 2024. Learn more about the show at leslielohman.org/exhibitions/dreaming-of-homeShow music: Fantasy Island Obsession by Tom Rasmussen ft. Kai-Isaiah Jamal, with thanks to Globe Town Records. Hosted on Acast. See acast.com/privacy for more information.

Ep.180 features KAVERI RAINA (b.1990, New Delhi, India). She received an MFA from the School of the Art Institute of Chicago and a BFA from Maryland Institute College of Art. Select solo and group exhibitions include: The Big Picture (2023) Night Gallery, Los Angeles, CA; A soft place to land (2023), Museum of Contemporary Art Cleveland, Cleveland, OH; Deep! Down! Inside! (2023) Hales Gallery, New York, NY; Kaveri Raina and Coral Saucedo Lomelí: What Do You Remember About the Earth (2023), Lighthouse Works, NY; image as a burden, death as a womb (2022), Chapter NY, New York, NY; Heft (2022), PATRON, Chicago, IL; E/Merge: Art of the Indian Diaspora (2021), National Indo-American Museum, Lombard, IL; Partings, Swaying to the Moon (2020), PATRON, Chicago, IL; NO LACKS, ME AND MY SHADOW (2020), M+B Gallery, Los Angeles, CA; A Space for Monsters (2021), Twelve Gates Arts, Philadelphia, PA; Hildur Ásgeirsdóttir Jónsson and Kaveri Raina (2020), Abattoir Gallery, Cleveland, OH; Linger to Gaze (2019), Annarumma Gallery, Naples, Italy; Linger Still (2019), Assembly Room, New York, NY; Here or There (2019), Paolo Arao, Rata Projects, New York, NY; Sarah.Canright / Kaveri.Raina (2019), Permanent Collection/Co-Lab Projects, Austin, TX; spaceless (2019), Deli Gallery, Brooklyn, NY; Paint School (2019), Shandaken Projects, Klaus von Nichtssagend, New York, NY; garcia, raina, shore, tossin (2019) at Luhring Augustine, New York; Pleasure at a Distance (2018), Irvine Fine Arts Center, Irvine, CA. Raina has received several fellowships and awards including the James Nelson Raymond Fellowship, the Ox-bow Residency Award, and the Skowhegan School of Painting & Sculpture Fellowship Award. Photo credit Terrance James Jr. Patron Gallery https://patrongallery.com/artist/kaveriraina Patron Gallery "Songs of Silence yet bluebirds hum" https://patrongallery.com/exhibition/413/songs-of-silence-yet-bluebirds-hum Patron Gallery "Heft" https://patrongallery.com/exhibition/323/heft Casey Kaplan Gallery https://caseykaplangallery.com/artists/kaveri-raina/ Chicago Gallery News https://www.chicagogallerynews.com/events/kaveri-raina-songs-of-silence-yet-bluebirds-hum MOCA Cleveland "A soft place to land" https://www.mocacleveland.org/a-soft-place-to-land Night Gallery "the big picture" https://www.nightgallery.ca/exhibitions/the-big-picture/press-release Chapter "image as burden, death as womb" https://chapter-ny.com/exhibitions/image-as-a-burden-death-as-a-womb/ Artforum Review https://www.artforum.com/events/kaveri-raina-2-250873/ Lighthouse works https://lighthouseworks.us/exhibitions/kaveri-raina-coral-saucedo-lomeli-what-do-you-remember-about-the-earth Office "The wistful edge of silence" https://officemagazine.net/wistful-edge-silence-kaveri-raina NewCIty https://art.newcity.com/2020/03/16/ambiguity-of-form-a-review-of-kaveri-raina-at-patron/ Maake Magazine https://www.maakemagazine.com/issue-14

Nat Meade is a Brooklyn-based painter and educator who uses his work to reflect on the complex feelings that surround the experience of moving through different phases of life. Nat received his BFA from the University of Oregon and his MFA from Pratt Institute. His work has shown in numerous group and solo exhibitions nationally and internationally, and has been reviewed in publications such as Artforum, Juxtapoz, The Boston Globe, Artsy and Hyperallergic. He attended the Skowhegan School for Painting and Sculpture 2009, the Sharpe-Walentas Studio Program in 2016, the Siena Art Institute in 2018, and the James Castle House Summer Residency in Boise, Idaho in Summer 2021. Meade lives and works in Brooklyn, NY.

In this episode we chat with full-time artist Stephanie Sachs to learn essential strategies for increasing art sales. Stephanie shares powerful strategies that have helped her to consistently earn 100K per year from selling her paintings. This episode is a MUST LISTEN for artists of all experience levels! Here's what we discuss:1. What inspired Stephanie to move to Maui and pursue a career as a full-time artist.2. Best practices for cultivating genuine, lasting relationships with collectors, and the power of email marketing to stay connected.3. How to get more comfortable and confident presenting your work and selling directly from the studio.4. Why Stephanie decided to launch her online program Artists Make Money.About Stephanie:Stephanie Sachs has always been a seeker. After art school, Sachs hopped on a seeking adventure and found a home in Maui. Sachs brings the same sense of adventure into her studio. Sachs paints radical joy in the form of abstract landscape paintings, where she tells stories celebrating the sublime power of nature and the mysteries of life. Sachs' paintings immerse the viewer in a dreamy world filled with multicolor caverns, misty rains, sweeping seas, and twinkling skies. Her paintings invite the viewer to explore a range of emotions from mediative to exuberant. Stephanie Sachs has a BFA from Washington University in St. Louis. She has been a resident at the Skowhegan School of Painting and Sculpture. Sachs' oil paintings are in collections across the world. She has shown in Chelsea, New York, Miami, and Palm Springs. Sachs currently shows at the Four Seasons in Wailea Maui. In 2022 Sachs was selected for the West Coast edition of New American Paintings. Now, Sachs has created an online class to help artists around the world learn how to build their careers and create long-term collector relationships. Her flagship course, “Artists Make Money - How to Sell Your Art Without Selling Out,” is a self-paced online course teaching artists, revenue streams, operations, sales, and marketing. This is Sachs' love song to her fellow artists. Website(s): stephaniesachs.comartistsmakemoney.coInstagram: @sachsmaui@artists_make_moneyVisit our website: visionaryartcollective.comFollow us on Instagram: @visionaryartcollective + @newvisionarymagJoin our newsletter: visionaryartcollective.com/newsletter

Join Kat in this enlightening episode as she chats with artist and educator Stephanie Sachs. Stephanie's journey from art school to Maui led her on a path of adventure and discovery, where she learned to embrace the unexpected in her creative process. Tune in for an inspiring conversation that sheds light on nurturing relationships with art collectors, advancing your career independently, and turning your passion into a sustainable livelihood as an artist. Stephanie Sachs paints radical joy through her abstract landscape artworks, which weave tales of nature's awe-inspiring power and life's enigmatic mysteries. Her paintings transport viewers to dreamlike realms adorned with multicolored caverns, misty rains, vast seas, and sparkling skies, evoking a spectrum of emotions from meditation to exuberance. With a BFA from Washington University in St. Louis and a residency at the prestigious Skowhegan School of Painting and Sculpture, Stephanie Sachs has made a global impact with her oil paintings, gracing collections worldwide. She's exhibited in renowned art hubs like Chelsea, New York, Miami, and Palm Springs. Currently, you can experience her art at the Four Seasons in Wailea, Maui. Notably, in 2022, Stephanie was featured in the West Coast edition of New American Paintings and Create Magazine's Issue 37. Links: Stephanie Sachs Official Website Artists Make Money Masterclass Instagram: Stephanie Sachs: @sachsmaui Artists Make Money: @artists_make_money www.createmagazine.com  

To Sanford Biggers, the past, present, and future are intertwined and all part of one big, long now. Over the past three decades, the Harlem-based artist has woven various threads of place and time—in ways not dissimilar to a hip-hop D.J. or a quilter—to create clever, deeply metaphorical, darkly humorous, and often beautiful work across a vast array of mediums, including painting, sculpture, video, photography, music, and performance. Among his standout works are “Oracle” (2021), a 25-foot-tall cast bronze sculpture that combines a Greco-Roman form with an African mask; his “BAM” series (2015) of gunshot statuettes; and his ongoing “Codex” series of quilts, which have, over his past decade of making them, become an especially potent and ritualistic part of his art-making.On this episode, Biggers talks about the influence that musicians such as Mahalia Jackson, Ray Charles, and Stevie Wonder have had on his art; why he thinks of himself as a “material polyglot”; and why religious and spiritual works like reliquaries, shrines, and “power objects” are the bedrock of his practice.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes:[00:26] Sanford Biggers[03:55] “Sanford Biggers with Yasi Alipour”[07:14] “The Playful, Political Art of Sanford Biggers”[12:34] Moon Medicin[13:36] Mahalia Jackson[13:39] Ray Charles[13:40] Charles Mingus[13:41] Thelonious Monk[15:32] Stevie Wonder[16:06] Prince[18:00] Dick Gregory[18:01] Richard Pryor[18:02] Redd Foxx[18:47] “BAM” series[27:17] “re:mancipation”[29:05] Skowhegan School of Painting & Sculpture[30:08] John Biggers[31:41] “Codeswitch” at the California African American Museum[33:28] Dr. Leslie King-Hammond[33:30] Maryland Institute College of Art[37:47] University High School[38:23] Morehouse College[38:33] Art Institute of Chicago[47:34] Isamu Noguchi[47:36] Martin Puryear[49:06] “Lotus”[50:31] “Orin”[55:52] “Meet Me on the Equinox”[55:52] “Back to the Stars”

Welcome back to ARTMATTERS: The Podcast for ArtistsToday's guest is Brooklyn artist, Nat Meade. Together we discuss Nat's practice and technique in depth. His painting surface, medium,  composition and scale; his small studies, drawings and casein sketches. Later in the episode, Nat and I talk about before and after he came a full-time artist, his early career and what it means to find the confidence to paint for yourself and making your weakness your thing. We finish up talking trends, social media, and curating. About Nat Meade:Meade's work explores the complex experience of moving through the phases of one's life. The figures in his paintings become stand-ins for himself as he investigates the experience of becoming an adult, a husband, and a parent, each character viewed through the dual lens of self-scrutiny and societal expectation.Meade received his BFA from the University of Oregon and his MFA from Pratt Institute. His work has shown in numerous group and solo exhibitions nationally and internationally, and has been reviewed in publications such as Artforum, Juxtapoz, The Boston Globe, and Hyperallergic. He attended the Skowhegan School for Painting and Sculpture 2009, the Sharpe-Walentas Studio Program in 2016, the Siena Art Institute in 2018, and the James Castle House Summer Residency in Boise, Idaho in summer 2021.Note:Nat Meade's solo exhibtion "Hank Stanoer's Bones" at Hesse Flatow is currently in its' last days. If you're a NYC listener, check it out by Oct 14, 2023 at 508 W 26 Street, Suite 5G, New York, NYIf you're enjoying the podcast so far, please rate, review and subscribe and tell your friends!     If you have an art question you want answered, write in to artmatterspodcast@gmail.com- About the Podcast -      host: Isaac Mannwww.isaacmann.cominsta: @isaac.mannguest: Nat Meadehttps://www.natmeade.com/insta: @natmeade

We meet legendary artist Sylvia Snowden from her home in Chicago where she has been painting for the past 60+ years!Known for her use of abundantly thick, layered paint, Snowden has developed a visual language in which gems of colour and texture emerge from densely-worked under layers. From dark and earthy tones to the vibrant and artificial, Snowden's command of chromatic range is the fuel of her expressionistic style. Over the course of her more than five-decade-long career, in which she has always painted in series, Snowden developed an adroitness with her medium. She initially employed oil paint and pastels then moved toward acrylic–a less toxic and faster-drying alternative–after having children. Snowden paints sculpturally, her compositions range from larger-than-life to portrait-sized. Her process allows visible evidence of constructed layers and employs impasto that interacts with her bold figures caught in motion with physical weight.Snowden's voluminous bodies, often contrapposto, are surrounded by peaks of shifting chroma in a physical manifestation of feeling; she depicts the tension and intensity of life, and the troubled, optimistic, and dramatic elements of our sublime existence. Snowden encapsulates the psychological essence of her subjects–some of whom were unhoused and transient, displaced by gentrification, others with whom she had intimate or long-term relationships–their triumphs, paranoia, agony, and anger are all visible; these works convey an emotionally turbulent environment. Snowden's expressive paintings reference the immediate lives of these individuals, and act as interpretations of each subject's psyche. As a serial painter, Snowden alternates between representation and abstraction, exhausting her emotional self between each mode as she articulates the struggles and successes of humanity.Snowden received a scholarship to Skowhegan School of Painting and Sculpture in Skowhegan, ME and has a certificate from La Grande Chaumier in Paris, France. She holds both a Bachelor of Arts and a Master of Fine Arts degree from Howard University. At Howard University she studied under David C. Driskell.[1] She has taught at Howard University, Cornell and Yale, has served as an artist-in-residence, a panelist, visiting artist, lecturer/instructor and curator in universities, galleries and art schools both in the United States and internationally. She has exhibited at the National Gallery of Art, the Corcoran Gallery of Art, Women's Museum, Montclair Art Museum, Baltimore Museum of Art, Herbert F. Johnson Museum of Art at Cornell University, The Phillips Collection, Heckscher Museum of Art, and the Mary McLeod Bethune Memorial Museum and National Archives for Black Women's History [1]. Her works have been shown in Chile, the Netherlands, Ethiopia, Australia, the Bahamas, France, Mexico, Italy and Japan.Visit Sylvia's new exhibition 'M Street on White' until 28th October 2023 in London at Edel Assanti: https://edelassanti.com/exhibitions/118-sylvia-snowden-m-street-on-white/Follow Sylvia's galleries @EdelAssanti and @ParraschHeijnen Hosted on Acast. See acast.com/privacy for more information.

Judy Fox is a sculptor who works in the Hudson Valley, with a studio in Rhinebeck, New York. As an undergraduate she studied sculpture at Yale (BA1978) and Skowhegan School of Painting and Sculpture. She received advanced degrees in Art History (MA1983) and Conservation (1985) from the Institute of Fine Arts, New York University (NYU). She is a Senior Critic and professor at the New York Academy of Art. Fox has participated in numerous exhibitions around the U.S. and in Europe. A fellow of both Yaddo and MacDowell residencies, she has received awards from the National Endowment for the Arts, the “Anonymous Was a Woman” Foundation, the National Academy of Design, the John Simon Guggenheim Memorial Foundation, the New York Foundation for the Arts, and the American Academy of Arts and Letters. She has had solo exhibitions at The Contemporary Museum, Honolulu; John Michael Kohler Arts Center, Sheboygan, WI; and Kunsthalle im Pallazo, Liestal, Switzerland. She has been the subject of many reviews and articles, including features in Art in America (2000), Artnet (2007), Sculpture Review (2010), O Magazine (2012), Ceramics: Art and Perception (2013), New Ceramics (2015), and Artforum (2019). Her work has been featured in several books, including David Ebony et al, Curve/The Female Nude Now (2003), Veronica Gunter, 500 Figures in Clay (2004), the Dutch publication Het Grote Boek 2 (2017), Judith Schwartz, Confrontational Ceramics (2008), and Cristina Cordova, The Figure in Clay (2022). She contributed essays to The Figure: Painting, Drawing and Sculpture: Contemporary Perspectives (Rizzoli 2014). Judy Fox, Broccoli, 2023, terra cotta, casein paint 4 x 10 x 7 inches Judy Fox, Naval Orange, 2023, terra cotta, casein paint 8 x 8 x 8 inches Judy Fox Pumpkin, 2023, terra cotta, casein paint 11 x 15 x 12 inches

Ep. 168 features Chase Hall's (b. 1993, St. Paul, Minnesota). His paintings and sculptures respond to generational celebrations and traumas encoded throughout American history. Responding to a variety of social and visual systems, each of which intersects with complex trajectories of race, hybridity, economics, and personal agency, Hall generates images whose materiality is as crucial to their compositional makeup as their indelible approach to representation. A central body of paintings, made with drip-brew techniques derived from coffee beans and acrylic pigments on cotton supports, is notable for both its conceptual scope and its intimacy. The use of brewed coffee carries powerful symbolic weight since it evokes centuries-old geopolitical systems associated with the commodification of a plant native to Africa, but in Hall's hands, it also becomes a means of achieving subtle visual textures, a range of brown skin tones, and a mark-making vocabulary precipitated on the closeness of touch. Above all, however, it is his improvisational willingness to immerse himself in the indefinable personal hieroglyphics of each picture that gives his work its resonance and impact. Chase Hall was the subject of a solo exhibition at the SCAD Museum of Art, Savannah, Georgia in 2023. In 2022, Hall was commissioned by the Metropolitan Opera to produce a large-scale artwork, the monumental diptych Medea Act I & II, for its opera house in New York, on view through June 2023. Hall has been included in group exhibitions including Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum (2023), Los Angeles; Black American Portraits, Los Angeles County Museum of Art (2021); Young, Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art, University of Illinois Chicago (2021); and This Is America | Art USA Today, Kunsthal KAdE, Amersfoort, the Netherlands. Hall has been an artist-in-residence at The Mountain School of Arts, Los Angeles; Massachusetts Museum of Contemporary Art (MASS MoCA), North Adams, Massachusetts; and Skowhegan School for Painting and Sculpture, Maine. Hall's work is in the permanent collections of institutions including the Los Angeles County Museum of Art; Dallas Museum of Art; Institute of Contemporary Art, Miami; Fondation Louis Vuitton, Paris; Baltimore Museum of Art; Brooklyn Museum, New York; Hammer Museum, Los Angeles; High Museum of Art, Atlanta; Montreal Museum of Fine Arts; Walker Art Center, Minneapolis; The Studio Museum in Harlem, New York; and Whitney Museum of American Art, New York. Hall lives and works in New York. Artist https://chasehallstudio.com/ David Kordansky Gallery https://www.davidkordanskygallery.com/exhibitions/chase-hall2 Pace Prints https://paceprints.com/2023/chase-hall-melanoidin Galerie Eva Presenhuber https://www.presenhuber.com/selected-public-exhibitions/chase-hall#tab:slideshow Aspen Art Museum https://www.aspenartmuseum.org/artcrush/live-auction/chase-hall Met Opera https://www.metopera.org/visit/exhibitions/current-exhibition/ Whitney Museum of Art https://whitney.org/artists/20278 Document Journal https://www.documentjournal.com/2023/03/chase-hall-the-close-of-the-day-scad-moa-art-exhibition-painting-black-culture-savannah-american-south/ New York Times https://www.nytimes.com/2022/06/02/arts/television/the-wire-20th-anniversary.html New York Times Opinion https://www.nytimes.com/2021/04/16/opinion/sunday/george-floyd-daunte-wright-minnesota.html New York Magazine https://nymag.com/author/chase-hall/ Cultured Mag https://www.culturedmag.com/article/2023/06/20/painter-chase-hall-met-opera The Art Newspaper https://www.theartnewspaper.com/2023/07/13/curator-playing-matchmaker-emerging-artists-aspen-collectors Hollywood Reporter https://www.hollywoodreporter.com/lifestyle/arts/frieze-week-2023-artists-shows-los-angeles-1235325588/

I am so excited to say that my guest is one of the most renowned painters working in the world right now, Christina Quarles. A painter of bodies that stretch, condense, tangle, and meld into shapes that range from fleshy to stringy, Quarles is globally hailed for transposing this warm-blooded vessel onto a flat surface with ambiguity and effervescence. Her paintings make us feel, viscerally react both physically and emotionally with their fluorescent colouring, limbs that dismantle from the body, faces devoid of detail that exist between reality and surreality, all while echoing the constantly in flux body that we all live within. Born in 1985 in Chicago, and based in Los Angeles, Quarles emphasises through paint her and our multitudinous positions in the world. Working with acrylic paint and programmes such as adobe illustrator for the background and structures that surround the figures, her process, like her chosen subject, is full of dichotomies, between the historic and contemporary, absence and presence, night and day, in locations that exist in water and on land, in bodies that are both shadow and the full figure. A graduate of Hampshire College, for which she completed dual BA degrees in Philosophy and Studio Art, an MFA graduate of Yale School of Art and Skowhegan School of Painting and Sculpture, Quarles in the past few years has exhibited across the globe in some of the most prestigious institutions and group exhibitions, from the landmark Radical Figures at Whitechapel Gallery to last year's Venice Biennale, and has had solo exhibitions at the Hepworth Wakefield and Hammer Museum in Los Angeles, but today we meet her in Menorca, at Hauser & Wirth, for her newly opened exhibition Come In From An Endless Place, which I can't wait to find out more about. THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/ ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield https://www.thegreatwomenartists.com/

The Exhibit, on MTV and the Smithsonian Channel, introduced America to the wonderful, brilliant Baseera Khan, and she joins Studio Noize to talk all about it. Baseera has been making her performances, sculptures, and installations for years, and her work explores materials and their intersections with identity. She talks about being on the show, her approach to exploring materials, and her life's many facets. We discuss her solo exhibition, I Am an Archive, at the Brooklyn Museum and the ways that experience changed her view of her work and herself. We learn more about her psychedelic prayer rugs, her upcoming project for Highline Park in New York, and some of the work from The Exhibit. Listen, subscribe, and share!Episode 167 topics include:making art on The Exhibitmeeting all the artistsusing identity in artpsychedelic prayer rugsI Am an Archive exhibition at the Brooklyn Museumbeing an artist during the pandemicdealing with rejection as an artistthe excitement of exploring materials how your practice can change after a big projectBaseera Khan is a New York-based performance, sculpture, and installation artist who makes work to discuss materials and their economies, the effects of this relationship to labor, family structures, religion, and spiritual well being. Khan is currently working on a public art commission on The High Line for fall 2023. Khan mounted their first museum solo exhibition at the Brooklyn Museum of Art, New York (2021-22), and opened their first solo touring exhibition in Houston, Texas at Moody Arts Center for the Arts, Rice University (2022-2023). Khan has representation at Simone Subal Gallery, New York where they mounted their first solo exhibition called Snake Skin (2019). They have exhibited in numerous locations such as Wexner Center for the Arts (2021), New Orleans Museum of Art (2020), Munich Documentation Centre for the History of National Socialism, Munich, Germany, Jenkins Johnson Projects, Brooklyn, NY (2019), Sculpture Center, NY (2018), , Aspen Museum (2017), Participant Inc. (2017). Khan's performance work has premiered at several locations including Brooklyn Museum of Art, Whitney Museum of American Art, and Art POP Montreal International Music Festival. Khan completed a 6 week performance residency at The Kitchen NYC (2020) and was an artist in residence at Pioneer Works (2018-19), Abrons Art Center (2016-17), was an International Travel Fellow to Jerusalem/Ramallah through Apexart (2015), and attended the Skowhegan School of Painting and Sculpture (2014). Khan is a recipient of the UOZO Art Prize (2020), BRIC Colene Brown Art Prize and the Joan Mitchell Painters and Sculptors Grant (2019), was granted by both NYSCA/NYFA and Art Matters (2018). Their works are part of several public permanent collections including the Solomon R. Guggenheim, Whitney Museum of American Art, Brooklyn Museum of Art, the Walker Art Center, MN, and the New Orleans Museum of Art, LA. Khan's work is published in 4Columns, The New York Times, The New Yorker, Artforum, Art in America, BOMB, Brooklyn Rail, and TDR Drama Review. Khan is an adjunct professor of sculpture, performance, and critical theory, and received an M.F.A. from Cornell University (2012) and a B.F.A. from the University of North Texas (2005)See more: www.baseerakhan.com + Baseera Khan IG @baseerakhanPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Bridget Mullen is a visual artist who grew up in Minnesota. She received her BAE from Drake University and her MFA from Massachusetts College of Art. She has been awarded many residencies including Skowhegan School of Painting and Sculpture, The Fine Arts Work Center, The Jan Van Eyck Academie, The Lighthouse Works, The Sharpe Walentas Studio Program, and MacDowell. Bridget has exhibited in the US and abroad at Shulamit Nazarian, LA; Helena Anrather, NY; Nathalie Karg, NY; Annet Gelink, Amsterdam, Netherlands; Fahrenheit Madrid, Madrid, Spain; Anne Barrault, Paris, France; Wild Palms, Düsseldorf, Germany; and Bosse & Baum, London, UK. She is the 2022 recipient of the Chiaro Award from Headlands Center For the Arts and a 2021 recipient of a painting fellowship from The New York Foundation for the Arts. Reviews of her work can be found in Artforum, Hyperallergic, Juxtapoz, and The Brooklyn Rail. Upcoming projects include a book of her “Birthday Series” paintings, a print project with Avant Arte, and a solo presentation at The Armory Show, NY in the fall of 2023. Bridget lives and works in Brooklyn, NY and is represented by Shulamit Nazarian in Los Angeles, CA.

In this episode of Broken Boxes we talk about the life and current projects of Cherokee/Muscogee artist and composer Elisa Harkins. From her experience of being an adopted child to surviving a near fatal bike accident, Elisa shares both foundational and vulnerable life experiences which gave her strength as an artist. Elisa also reflects on grad school, noting artists who inspired her through insight and mentorship. We speak on how she has used language as a tool in her practice and as a way to access belonging and participation in community. She walks us through Radio III, a collaborative performance project which recently toured Europe. In closing, Elisa reminds us that as we strive to do things in a good way as creatives, we should also not be afraid to take a chance on bold ideas that push our comfort levels. Elisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Harkins uses the Cherokee and Mvskoke languages, electronic music, sculpture, and the body as her tools. She is the first person to use the Cherokee language in a pop song. Harkins received a BA from Columbia College, Chicago, and an MFA from CalArts. She has since continued her education at the Skowhegan School of Painting and Sculpture. She has exhibited her work at Crystal Bridges, documenta 14, The Hammer Museum, The Heard Museum, and MoMA. In 2020, She created an online Indigenous concert series called 6 Moons and published a CD of Muscogee (Creek)/Seminole Hymns. She is also the DJ of Mvhayv Radio, an Indigenous radio show on 99.1FM in Indianapolis, IN, and streaming from OK#1 in Tulsa, OK. Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ is a dance performance that features music and choreography by Harkins. With support from PICA and Western Front, songs from the performance have been collected into a limited edition double LP, which can be found on Harkins' Bandcamp. Harkins resides on the Muscogee (Creek) Reservation and is an enrolled member of the Muscogee (Creek) Nation. Song Featured: Deadly by Elisa Harkins

Art has long been a lever for working class solidarity and social justice. It's also a collaborative form of labor that props up some workers and devalues others. This week, we're taking a long, hard look at two works of art: Rodrigo Valenzuela: New Works for a Post Worker's World, an exhibition on view at BRIC House through December 23rd, and 7 MINUTES, a play produced by Waterwell that premiered at HERE Arts Center last spring. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Justin Bryant, Elizabeth Ferrer, Marc Enette, Waterwell, Lee Sunday Evans, Arian Moayed, Andrew Tilson, and Matthew Munroe aka Superlative Sain. • LINKSBorn in 1982, Santiago, Chile; based in Los Angeles, CA Rodrigo Valenzuela has presented solo exhibitions at the New Museum and Asya Geisberg Gallery, both NY; Light Work, Syracuse, NY; University of South Florida, Tampa, FL; Santa Cruz Museum of Art and History, CA; Orange County Museum of Art, Santa Ana, CA; Museum of Art and History, Lancaster, CA; Luis de Jesus, Los Angeles, CA; Jordan Schnitzer Museum of Art, Eugene, OR; and the Portland Art Museum and UPFOR, both Portland, OR. He has participated in group exhibitions at The Kitchen, The Drawing Center, Wave Hill, and CUE Art Foundation, all NY; Museum of Contemporary Art North Miami, FL; Bemis Center for Contemporary Arts, Omaha, NE; Frye Art Museum, Seattle, WA; and The Museum of Fine Arts, Houston, TX, among others. He has also exhibited his work in solo shows internationally at Arróniz Arte Contemporáneo, Mexico City; Peana Projects, Monterrey, NL, Mexico; Galería Patricia Ready and Museo de Arte Contemporàneo, Universidad de Chile, Santiago, Chile; and Galerie Lisa Kandlhofer, Vienna, Austria. Valenzuela has participated in residencies at Dora Maar, Fountainhead, Light Work, MacDowell, Glassell School of Art, Bemis Center for Contemporary Arts, Kala Art Institute, Vermont Studio Center, Center for Photography at Woodstock, and the Skowhegan School of Painting and Sculpture. He is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship in Photography, the Smithsonian Artist Research Fellowship, and the Joan Mitchell Fellowship. His work is included in numerous public and private collections, including those of the Whitney Museum of American Art, J. Paul Getty Museum, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, The Nelson-Atkins Museum of Art, Frye Art Museum, Tacoma Art Museum, and The Center for Photography at Woodstock. He is an Associate Professor and Head of the Photography Department at UCLA. Valenzuela received his BFA in Art History and Photography from the University of Chile, his BA in Philosophy from Evergreen State College, and his MFA in Photo/Media from the University of Washington.Ebony Marshall-Oliver is an actress, singer, and storyteller. She began singing in church as a little girl. After being cast in her first musical- Bubbling Brown Sugar- in her mid twenties, she decided that acting would be her career. She enrolled in the Integrated Program at AMDA NY. Her first professional job after graduating was Seussical the Musical with TheatreWorksUSA. With this role, she became a member of Actors Equity Association. Broadway credits include Ain't No Mo' and Chicken and Biscuits. Off Broadway theaters she's worked at are Waterwell, Clubbed Thumb, The Public Theater, to name a few. She can be seen on season 2 of The Ms. Pat Show (BET+) and season 3 of Evil (Paramount+).Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. Their critically-acclaimed work has been seen at The Bushwick Starr, Waterwell, The Shed, Shakespeare's Globe, Woolly Mammoth, Theaterworks Hartford, Belgium's Festival de Liege, the Edinburgh Fringe, Beijing Int'l Festival, among others. Awards include LPTW Josephine Abady award and the inaugural Lily Fan Director Lilly Awards. They are an Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.Sarah Hughes has played many roles in her short time in the labor movement, including steward, officer, organizer, and workshop facilitator. She has worked for the National Education Association (NEA), the Professional Staff Congress at the City University of New York (AFT), and university labor studies programs, including CUNY's NY Union Semester. She has also taught a variety of workshops to city workers, electricians, women workers, and others. She holds a masters in labor studies from UMass Amherst. Prior to joining the Labor Notes staff in 2021, Sarah had been a long time fan, subscriber, volunteer trainer and donor. She attended her first Labor Notes conference in 2008, and is excited for many more. She lives in Flatbush with her labor lawyer husband and their toddler, who also loves picket lines. Waterwell is a group of artists, educators and producers dedicated to telling engrossing stories in unexpected ways that deliberately wrestle with complex civic questions. Founded by Andrew Tilson, the Workers Unite Film Festival, now in its 11th season, is a celebration of Global Labor Solidarity.  The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice.Superlative, meaning the best of, and Sain meaning to bless, is a multi-talented creative, born in the UK (United Kingdom, England) and raised in Hollis Queens, New York. Born Matthew Munroe, Sain always connected with music by singing with his mother, a vocalist in a church choir who grew up singing. As a child, art was always a passion of Sain's life. Art was always a staple in his life, from drawing full-length comic books to designing logos. Picking up the art of rapping in his early college years, Sain continued with his love of the arts and always wanted to bring his friends with Him wherever he went. Co-creating the creative collective group OGWN with long-time friend Diverze Koncept, he began expanding his ever-growing catalog simply because he loved making music. While pursuing music, he also manages his visual company MMunroeMedia, directing, filming, and editing music videos for other artists, capturing the moment and enhancing the vision with graphics and photography. Superlative Sain takes the term "Artist" to an entirely new level by designing his merch/clothing line, "Be|SUPERLATIVE," Check out this talented artist and be a part of his Rise.• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

Breaking into a creative field, whether you choose to be self-employed or not, can really leave you feeling like you're up the creek without a paddle. Who are you supposed to talk to, and when? Also, where do you find them? What are you supposed to do in the meantime until things...happen? And once you start doing that thing, how you do know when to stop? We talked about it all at this panel discussion I moderated with three dynamic young artists, Brendan Keen, Mariel Capanna, and Brittany Bennett, about navigating the difficult transition from school to the working world. Each of them is following a unique path, and has tons to share about what they did wrong...and right! About our guests Brendan Keen https://www.brendankeenstudio.com/ Brendan Keen is an artist and fabricator currently based in West Philadelphia. He was a transfer student at PAFA, where he majored in sculpture. He graduated with a BFA 2012, and was awarded the William Emlen Cresson Memorial Travel scholarship, which meant he stayed a fifth year at PAFA and received a certificate in 2013. When he finished school, he joined the West Philadelphia-based arts collaborative studio and workshop, the Philadelphia Traction Company. Along with the other artists at Traction, he exhibited his sculpture and collaborative works in Philadelphia and San Francisco. For the past eight years Brendan has worked full time as a self-employed Artist and fabricator, creating sculptural installations for public and private clients, including the Logan hotel, the W hotel, the Discovery Center, and private residences. In between jobs, Brendan travels whenever possible, including across Western Europe and around Iceland via bicycle, and most recently across the U.S. in a DIY sprinter camper van. Mariel Capanna https://marielcapanna.com/ Mariel Capanna is a fine artist specializing in fresco who graduated with a BFA from PAFA 2012, and she was awarded the William Emlen Cresson Memorial Travel scholarship, which means she spent an extra year at PAFA and was awarded a certificate in 2013. She received her MFA from Yale School of Art in 2020. She attended Skowhegan School of Painting and Sculpture in 2017. She's exhibited many places, including Adams and Ollman (Portland), Central Park (Los Angeles), Gross McCleaf Gallery (Philadelphia), and Good Weather (North Little Rock), COOP (Nashville) and at the Bowtie Project (Los Angeles). And has been the recipient of numerous residencies and fellowships (in addition to the Cresson): the 2019 Robert Schoelkopf Memorial Traveling Fellowship Recipient, the 2018 Haverford College VCAM Philadelphia Artist-in-Residence, a 2016 Tacony LAB Artist-in-Residence, a 2014 Independence Foundation Visual Arts Fellow, the Guapamacátaro Arts & Ecology Residency and The Mountain School of Art in 2016. Mariel currently serves as a Mellon Postdoctoral Fellow in Studio Art at Williams College, and a Fresco Instructor at Skowhegan School of Painting and Sculpture. Her ongoing project Little Stone, Open Home, with Good Weather is a long-term and perpetually changing fresco in a single-car garage in North Little Rock, Arkansas. Brittany Bennett https://bennettbc.wixsite.com/rad-river https://www.streamstudioschop.com/ https://www.brittanycbennett.com/ Brittany Bennett is a medical illustrator who graduated from the joint PAFA/PENN program in 2014. At PAFA, Brittany focused on academic oil painting and graphite drawing. Her work from this time is the result of meticulous observation of textures in nature and a celebration of details. After graduating, she completed a graduate program for Medical and Biological Illustration at Johns Hopkins. She currently works at the Children's Hospital of Philadelphia (CHOP), where half her week is in Stream Studios servicing the hospital network at large, and the other half she runs RIVER: a medical illustration service just for the Radiology Department. She is an artist with training in biology, anatomy, and visual communication who creates didactic illustrations and other visual aids. Brittany works with medical professionals at CHOP to produce patient education materials, figures for scientific literature, illustrated surgical training guides, 3D anatomical models, and more.

Brief summary of episode:Zoë Charlton (Baltimore, MD) creates figure drawings, collages, installations, and animations that depict her subject's relationship to culturally loaded objects and landscapes.  Charlton received her MFA degree from the University of Texas at Austin and participated in residencies at Artpace (TX), McColl Center for Art + Innovation (NC), Ucross Foundation (WY), the Skowhegan School of Painting (ME), and the Patterson Residency at the Creative Alliance (MD). Her work has been included in national and international exhibitions including The Delaware Contemporary (DE), the Harvey B. Gantt Center (NC), Crystal Bridges Museum of American Art (AR), Studio Museum of Harlem (NY), Contemporary Art Museum (TX), the Zacheta National Gallery of Art (Poland), and Haas & Fischer Gallery (Switzerland). She is a recipient of a Pollock-Krasner grant (2012) and a Rubys grant (2014). Museum collections include The Phillips Collection (DC), Crystal Bridges Museum of American Art (AR), Birmingham Museum of Art (AL), and Studio Museum in Harlem (NY). Charlton co-founded ‘sindikit, a collaborative art initiative, with artist Tim Doud to engage their respective research in gender, sexuality, and race. Charlton is a Professor of Art at American University in Washington, D.C., holds a seat on the Maryland State Arts Council, a board member at the Washington Project for the Arts (DC), and a national board member at Threewalls (IL).Her work is included in “A Movement in Every Direction: Legacies of the Great Migration”, a traveling group exhibition co-curated by Chief Curator Ryan Dennis of the Mississippi Museum of Art, and Curator and Department Head of Contemporary Art Jessica Bell Brown of the Baltimore Museum of Art.  Charlton was an artist in-residence at The Brodsky Center at the Pennsylvania Academy of the Fine Arts in spring 2022 and participated in the Crosstown Arts residency in Nashville, TN in summer 2022.  Charlton is serving on an 8-member steering committee at the Baltimore Museum of Art to reimagine equitable and accountable structures and functions of cultural institutions within diverse local and regional communities.As ‘sindikit, Zoë Charlton and Tim Doud co-edited Out of Place: Artists, Pedagogy, and Purpose available through Punctum Books.  Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. **photo Credit Grace Roselli, Pandora's BoxX ProjectThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Zoë Charlton To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Jose Lerma was born in Spain and grew up in Puerto Rico. He earned an MFA from the University of Wisconsin Madison and BA from Tulane University, and attended the CORE Residency Program, Museum of Fine Arts, Houston, TX, and Skowhegan School of Painting & Sculpture, ME. He lives and works in Chicago and San Juan, Puerto Rico. His work has been in solo exhibitions at the Kemper Museum of Art in Kansas City, the Museum of Contemporary Art in Chicago and the Museo de Arte Contemporáneo de San Juan, Puerto Rico, among others; as well as in group exhibitions at the Milwaukee Art Museum, WI; Institute Valecia d'art Modern, Spain; Museo de Arte de Ponce, Puerto Rico; Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain; DESTE Foundation for Contemporary Art, Athens, Greece; Museo del Barrio, New York, NY; and Museum of Fine Arts Houston, TX, and others. His work has been written about extensively in the press, including in The New Yorker, The New York Times, and Artforum.

Andrew Ross received his BFA from The Cooper Union in 2011, where he was awarded the Gelman Trust Award for Excellence in Sculpture. He attended Skowhegan School of Painting and Sculpture in 2011. He's been a resident and/or fellow of programs including The Triangle Arts Association, The Drawing Center's Open Sessions, LMCC's Swing Space, The Macedonia Institute, The Bruce High Quality Foundation, and he is a current awardee of Two Trees' Cultural Space Subsidy Program. Ross has exhibited in group exhibitions at The Hessel Museum, The Drawing Center, The Studio Museum in Harlem, Artists Space, Center for the Humanities at CUNY, White Columns, and Greene Naftali. He has staged solo exhibitions at Signal (Brooklyn, NY), American Medium (NY, NY), Clima Gallery (Milan, Italy), and False Flag (Long Island City, NY). Ross' work has been reviewed in Artforum, Art in America, Cultured, Flash Art, Mousse, and the Brooklyn Rail. Ross is a sculptor and new media artist who creates fragmentary constructions with figurative elements and everyday objects. With attention to metaphoric associations that his imagery elicits Ross' tableau scenes oscillate between speculative fiction and cartoonish satire. His figures are chimeric and mythical in appearance yet typically occupied with some form of work and juxtaposed with commonplace detritus. Joining traditional sculpture, assemblage and digital imaging, Ross's works capture existential issues regarding the conundrum of representation in our age of many avatars.

Dana Lok is a visual artist who lives and works in Brooklyn, NY. In her paintings and drawings, she aims to capture the magic and unease found in the gap between signs and the things they represent. Her recent work imagines metaphors for how we create knowledge and draw conceptual schemes together. Solo exhibitions include Part and Parse, Miguel Abreu Gallery, New York (2022) One Second Per Second at PAGE, New York (2020); Words Without Skin at Clima, Milan (2019); Mind's Mouth at Bianca D'Allessandro, Copenhagen (2018); Soft Fact at Clima, Milan (2017); and The Set of All Sets at Chewday's, London (2016). Group shows include Gravity, a proposal at Sikkema Jenkins & Co. (2022); Regroup Show at Miguel Abreu Gallery (2021); Fifteen Painters at Andrew Kreps Gallery (2021); PAGE (NYC) at Petzel Gallery (2021), all in New York. Dana received her MFA from Columbia University (2015) and her BFA from Carnegie Mellon University (2011), and attended the Skowhegan School of Painting and Sculpture (2016). In 2018, she was awarded the Rema Hort Mann Emerging Artist Grant. Lok's work has been covered in Hyperallergic, Cura and Frieze.

In this episode of PhotoWork with Sasha Wolf, Sasha talks to photographer, D'Angelo Lovell Williams about the experiences they had at the various art schools they attended as well as their rapid ascent in the art world at large after joining the roster of Higher Pictures Generation gallery. D'Angelo has a new brand new book out with Mack Books, Contact High, and they touch on many of the images in this new monograph. https://www.dangelolovellwilliams.com https://www.mackbooks.us/products/contact-high-br-d-angelo-lovell-williams D'Angelo Lovell Williams (b. 1992, Jackson, Mississippi) is a Black, HIV-positive artist expanding narratives of Black and queer intimacy through photography. They earned their BFA in photography from Memphis College of Art in 2015, an MFA in photography from Syracuse University in 2018, and are a 2018 Skowhegan School of Art alum. They live and work in New York City. D'Angelo Lovell Williams has had four solo exhibitions with Higher Pictures in 2017, 2018, 2019 and 2020. The 2020 exhibition, Papa Don't Preach, was presented in collaboration with Janice Guy at her gallery in Harlem. Find out more at https://photowork.pinecast.co

Ep.115 features Beverly Semmes. She is a sculptor whose work incorporates painting, drawing, film, photography, and performance. These complementary elements adhere in surprising ways, probing the paradoxes and complexities of the female body and its representation. Current exhibitions include inclusion in a group show at Canada gallery curated by Kahlil Robert Irving titled SUMMER Nights, which opened on July 8th, 2022. Semmes recently participated in an exhibition titled Process on view at the Alexander McQueen flagship location on Old Bond Street in London. For this presentation 12 visual artists from around the world were invited to respond to the upcoming Alexander McQueen collection. In May 2022 Semmes created Pool in collaboration with Jennifer Minniti and Emily Mast at JOAN exhibition space in Los Angeles. Pool was on view through mid June 2022. Semmes' paintings and sculptures were also recently on view in Witch Hunt at the Hammer Museum in Los Angeles; a Hammer Museum billboard announcing the Witch Hunt exhibition continues to loom over the historic corner of Hollywood and Sunset Boulevards. The artist has had dozens of solo exhibitions at institutions such as MoMA PS1, ICA Philadelphia, Sculpture Center, the MCA Chicago, the Wexner Center for the Arts, Artist's Space, the Fabric Workshop and Museum, the Irish Museum of Modern Art, the Frances Tang Teaching Museum and Art Gallery at Skidmore College, and the Hirshhorn Museum and Sculpture Garden. A solo exhibition of paintings titled Pot Peek was on view at Susan Inglett Gallery in New York through mid March 2022. Semmes received her M.F.A. in Sculpture from the Yale School of Art (1987). She also studied at the New York Studio School, the Boston Museum School, and at the Skowhegan School of Painting and Sculpture where she now serves on the Governors Board. Semmes is represented by Susan Inglett Gallery in New York and Shoshana Wayne Gallery in Los Angeles. She was born in Washington, D.C. Photo Credit: Ross Collab Artist Beverly Semmes (beverlysemmesstudio.com) Brooklyn Rail Beverly Semmes: POT PEEK – The Brooklyn Rail Alexander McQueen https://www.alexandermcqueen.com/en-us/beverly-semmes Youtube https://www.youtube.com/watch?v=YfUcQHRCsZY&ab_channel=Rain https://www.youtube.com/watch?v=wkbnuQfp2Cc&ab_channel=AlexanderMcQueen The Guardian https://www.theguardian.com/fashion/gallery/2022/jun/09/process-alexander-mcqueen-fashion-and-the-art-it-inspired-in-pictures Joan Los Angeles https://joanlosangeles.org/carwash-collective-and-emily-mast-pool/ Susan Inglett Gallery https://www.inglettgallery.com/artists/190-beverly-semmes/overview/ Hammer Museum https://hammer.ucla.edu/exhibitions/2021/witch-hunt Wikipedia Beverly Semmes - Wikipedia Artnet Beverly Semmes | Artnet

Deborah Wasserman was born in Sao Paulo, Brazil, she grew up in Tel Aviv, Israel, and is currently living and working in NYC. Wasserman is a graduate of the California Institute of the Arts, the Whitney Museum Independent Study Program and the Skowhegan School of Painting and Sculpture.  She has exhibited in the USA at The Queens Museum Of The Arts, The Bronx Museum Of The Arts, White Columns, Pierogi 2000, Socrates Sculpture Park, and A.I.R gallery. Internationally, Wasserman has shown in Brazil, the Netherlands, Germany, and Israel.    Wasserman is a grant recipient of the Experimental Television Center, Aljira Center for the Arts, the A.I.M. Program at the Bronx Museum and the America-Israel cultural foundation. She received an IAP Social Practice fellowship from NYFA in 2017, a grant from the Puffin Foundation in 2018, a grant from the Citizens committee for New York in 2019, and a Queens Council On The Arts New Work grant in 2020. Wasserman has been awarded a Su- Casa award from the New York State Department Of Cultural Affairs every year since 2015. In 2021 she was invited to attend Aunt Karen's Farm residency as well as the Skowhegan Alumni Residency. In addition, Wasserman is a Finalist for the NYSCA/NYFA Artist Fellowship 2020 in the category of Printmaking/Drawing/Book Arts.     “Throughout my life, I've been a wander woman, a nomad, and a seeker. I paint landscapes as a way to deepen and extend my roots, ruminate on the places I've seen, and express my impressions of the landslides of the present day.   A person is a mold of the landform of their birth but also a creator of their own terrain. I wish to fuse my personal impressions of the Brazilian, “Indigenous” and lush lands, where I was born, and the war-torn coasts in the Middle East, where I was raised, with collective narratives of roaming on this shared terrain, at this landmark.    Not above, but below, the landscape is our body, a mother, a womb, origin, and destination. I paint the ground to hold and capture the world in a frame, to mold the pigments as a living, breathing clay, that shapes my native land.   My painting process entails multiple actions of layering, pouring, dripping, spilling, erasure and mark-making. Surfaces and images get erased as they emerge, painted over as they solidify, and then altered again, leaving behind the rich soil of the under-paint. My impulse to destroy is as fierce as my motive to create.I paint on the wall, floor, and table, mimicking the wanderer's frequent relocations, traveling on the canvas, North, South, East, and West, where the flow of image and gestures I've picked up along the way, spring up.    Applying layers of translucent paint from brightly colored grounds to nuanced earth tones I merge modernism with the traditional application of oil paint.Stained rags and torn clothes, ‘lowly,' and 'discarded,' aids in my humble labor, worn on my and my children's skin, get adhered to the surface, as ‘body,' as abandon, as an alchemical process, as recycled form and matter, as evidence of process, a woman's labor, unseen.   My paintings and drawings, realistic, abstract, and magical, depict inner and outer terrains that allude to the body, to the earth, to paths and physical quests. Flora, fauna, and the elements of fire, water, earth, and sky are all manifestations of inner vistas as much as outer typographies, rooted in meditations of life, cycles of time, and change.   The lands which I paint are often hybridized, conjuring multiple sources, climates and terrains, a synthesis, a migrant's mind. I weigh on the personal and collective narratives of wanderings on our life-giving earth, the grounds which are rapidly cracking under the heavy stomping of our feet.     With striking paint marks, suggestive and realistic imagery, I depict sunken houses, mountains speckled with tents, piles of stones, cut trees, and rings of smoke. I often meddle with perspective, merging the ‘horizon line' into a swirling tapestry of shifting forms, like our crumbling terrains.    Alongside these prophecies, are utopian vistas of another materiality, with fervent beauty, untouched and unburdened by our hardened reality. With paint and a brush, through colors, movement, and depth of emotion, I enter a doorway, away from relativity, where I'm in the perfection behind this duality. It's my passion, inspiration and striving to share this vista that sparks so brightly, an invitation to another actuality.”         LINKS:  https://www.facebook.com/deborah.wasserman1/ www.instagram.com/deborahwassermanart www.deborahwasserman.com     I Like Your Work Links:   Exhibitions Studio Visit Artists I Like Your Work Podcast Instagram Submit Work Observations on Applying to Juried Shows Studio Planner

Episode 104 features painter Lavar Munroe (b. 1982, Nassau, Bahamas). He earned his BFA from Savannah College of Art and Design in 2007 and his MFA from Washington University in 2013. In 2014, Munroe was awarded a postdoctoral research fellowship at the University of North Carolina at Chapel Hill. He was included in Prospect.4: The Lotus in Spite of The Swamp, the New Orleans triennial curated by Trevor Schoonmaker, and the 12th Dakar Biennale, curated by Simon Njami, in Senegal. In 2015, Munroe's work was featured in All the World's Futures, curated by Okwui Enwezor as part of the 56th Venice Biennale. His work has been included in museums such as the Nasher Museum of Art in Durham; Perez Art Museum, Miami; National Gallery of Bahamas, Nassau; MAXXI Museum of Art, Rome; Museum of the African Diaspora, San Francisco; Virginia Museum of Modern Art, Virginia Beach; Ichihara Lakeside Museum Ichihara, Japan; and The Drawing Center, New York. Munroe was awarded residencies at the Skowhegan School of Painting and Sculpture, MacDowell Colony, the Headlands Center for the Arts, Joan Mitchell Center, Thread: Artist Residency & Cultural Center (a project of the Josef and Anni Albers Foundation), a recipient of the Joan Mitchell Foundation Painters and Sculptors Grant. and was an inaugural Artists in Residence at the Norton Museum of Art. He is included in upcoming exhibitions at The Centre Pompidou-Metz (France) , The Zeitz Museum of Contemporary Art Africa (South Africa) and a solo exhibition in London, among others things. Lavar Munroe lives and works between Baltimore, Maryland and Nassau, Bahamas. Headshot photo credit: Thomas Towles Artist https://lavar-munroe.com/home.html Joan Mitchell foundation https://www.joanmitchellfoundation.org/lavar-munroe M+B https://www.mbart.com/exhibitions/216/overview/ Jack Bell Gallery https://www.jackbellgallery.com/artists/64-lavar-munroe/works/7963-lavar-munroe-today-the-last-boy-2020/ ArtForum https://www.artforum.com/picks/lavar-munroe-84697 Artnet http://www.artnet.com/artists/lavar-munroe/ Wikipedia https://en.wikipedia.org/wiki/Lavar_Munroe Baltimore Art News https://bmoreart.com/2021/06/lavar-munroe-2021-sondheim-finalist.html Kampala Art Biennale 2020 https://kampalabiennale.org/artists-3/masters2020/ Culture VOLT https://www.culturevolt.co/thebusinessofart/2020/9/15/lavar-munroe