Podcast appearances and mentions of simon fisher turner

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday afternoon for new music from Simon Fisher Turner, Kuma, Bosque Vacio, Terence Fixmer, Spain's I.T.W. / Soma, Richard Begin, Trepaneringsritualen, Robert Rich / Luca Formentini‘s ‘Cloud Ornament‘, Vancouver's Sainerine, and ‘non-music for the non-masses‘ (I like that!) from Fletina.

Simon Fisher Turner in conversation with David Eastaugh https://simonfisherturner.bandcamp.com/album/instability-of-the-signal https://www.youtube.com/watch?v=HMKWlALrBIA English musician, songwriter, composer, producer and actor. After portraying Ned East in the 1971 BBC TV adaptation of Tom Brown's Schooldays and roles in films such as The Big Sleep (1978), Turner rose to fame as a teenage star in Britain when his mentor, Jonathan King, released Turner's eponymous first album on UK Records

Episode 690: May 4, 2024 playlist: Mahogany, "A Scaffold" (A Scaffold single) 2024 Darla Susanna, "Everyone Knows" (Everyone Knows) 2024 [self-released] Caribou, "Honey" (Honey) 2024 Merge Fennesz, "Sognato di Domani (excerpt)" (Sognato di Domani) 2024 Touch Simon Fisher Turner, "Barefeet" (Instability of the Signal) 2024 Mute Windy and Carl, "The Llama's Dream" (Consciousness) 2000 Kranky HTRK, "Dream Symbol (Loraine James Remix)" (Dream Symbol (Loraine James Remix)) 2024 [self-released] France Jobin, "Superposition (excerpt)" (Infinite Probabilities (Particle 2)) 2024 Room40 Explosions in the Sky, "Moving On" (End) 2023 Temporary Residence Limpe Fuchs, "Trommeln" (Amor) 2024 Play Loud Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's broadcast features TENHORNEDBEAST, boycalledcrow, SIMON FISHER TURNER, ARCHAIC, and CELER.

The last instalment of the year arrives from the hands of Furtherset, the musical project of artist and musician Tommaso Pandolfi, with a mix especially suited for the melancholic nights of December. With Furtherset, the artist has defined his personal sound, mainly composed of layers of timbre-modulated sounds and dense rhythmic geometric passages converging towards a single harmonic plane. His music touches on ambient, modern classical and rave, building on his approach to composition with shifting modulations, synthetic clusters and sampling alongside rhythmic and embracing harmonies. Furthersetmentions that the project, which began in 2011, is envisaged as formal research that follows a path towards saturation and layering but is always capable of generating voids in which the listener can take their place and fill them according to their own focus. Furtherset has released several EPs and two albums with the record label OUS, with whom he's signed with. His most recent one, The Infinite Hour, released in October, puts together all the artist's compositional interests over the years. Six compositions resemble the laboured breathing of one who mourns a disappearance and fears oblivion. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with Bienoise. They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri. Furtherset mentions that when preparing mixes, he tries to create listening environments with moments of extreme stillness or sudden changes, but always having the latter have their own general organicity: I also fixate on certain artists, such as Simon Fisher Turner, whom I now propose in every mix. In this case, I added Michèle Bokanowski to my fixations. I found pleasant similarities between Moritz Von Oswald's latest work and Ligeti's. Everything then begins and ends with two voices: with Patti Smith's words and Glenn Gould's whispers over Bach. I look for emotion in the music I listen to. Tracklist: Patti Smith & Kevin Shields - The Coral Sea, pt. 1 Kevin Shields & Brian Eno - Only Once Away My Son Michèle Bokanowski - Tabou Moritz Von Oswald - Luminoso György Ligeti - Clocks & Clouds Michèle Bokanowski - Vers Syracuse Michèle Bokanowski - L'indomptable Marta De Pascalis - Harmonices Infinity Brunhild Ferrari & Jim O'Rourke - Tranquille Impatiences Michèle Bokanowski - Pour Un Pianiste Francis Dhomont - Chambre d'enfants Geinoh Yamashirogumi - Omae Wa Nan No Hana Simon Fisher Turner - The Invisible Frame, a film by Cynthia Beatt Lucy Railton - Rib Cage Jules Reidy - Trances III Ben Vida, Nina Dante & Yarn Wire - Who's Haunting Who Here Luc Ferrari - Cycle Des Souvenirs II Johann Sebastian Bach - Concerto in D minor after Alessandro Marcello, BWV 974- II. Adagio (Glenn Gould)

Today's special episode of Electronically Yours features the composer, musician, producer, singer, songwriter and multi-media artist, Annie Hogan. She is most famous for her crucial involvement with Marc Almond's Marc and the Mambas. One of the first female DJ/promoters to emerge from the post-punk scene of Leeds and London, she spread her infectious enthusiasm for electronic music. Annie has worked with many seminal artists as pianist/keyboardist and arranger, including Simon Fisher-Turner, Nick Cave and Barry Adamson, then she was part of the Willing Sinners and then La Magia, co-producing their 1989 album The Stars We Are, which featured the number one single ‘Something's Got A Hold Of My Heart' featuring Marc Almond and Gene Pitney. Ladies and gentlemen – the unique, talented and prolific Annie Hogan... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

Annie Hogan  in conversation with David Eastaugh https://annihogan.co.uk/ https://annihogan.bandcamp.com/ Annie Hogan studied piano before attending Leeds University in 1979 to study politics. It was while in Leeds she met Marc Almond and Dave Ball at a local music venue. In 1980, Hogan took a year out and began DJing and promoting in local clubs. Some of her first bookings were bands like Soft Cell and the Human League. Later in London, she met Matt Johnson from the The who introduced her to Simon Fisher Turner who she began recording with on an album titled Deux Filles. It was this recording that began her working relationship with Almond, after he had heard Hogan playing on the album. Almond then asked her to collaborate on his solo material. Her first ever live concert was performing with an early line up of Marc and the Mambas at the Theatre Royal, Drury Lane. The line up consisted of Hogan, Almond and Matt Johnson.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features Ralf Wehowsky / Richard Francis, Simon Fisher Turner, AutopsiA, Jerome Noetinger, Xqui, David Lee Myers, Lucie Pachova, and Gianluca Becuzzi's ‘We Can Be Everywhere [2014-2023]‘.

Pour cette émission, Amplitudes part à la rencontre de Cévennes, un compositeur de musique électronique basé à Toulouse. Cévennes a sorti son premier EP Vers quelques Attracteurs étranges sur son propre label Les Disques solubles en 2018. Ce premier projet est un recueil très singulier, tissé d'expérimentations modulaires et incantations spoken word, favorisant une certaine forme d'envoûtement et de dérive chère à l'artiste. Un nouveau projet est également à paraître prochainement. L'émission débute par un échange avec Cévennes ponctué de morceaux choisis pour l'occasion, puis la deuxième partie laisse place à la musique avec une sélection ininterrompue, toujours assemblée par l'artiste. Avec des morceaux de CS + Kreme, The Treshold HouseBoys Choir, Simon Fisher Turner, Sofie Birch et Antonina Nowacka et bien évidemment Cévennes. Bonne écoute. Tracklist de l'interview : Sofie Birch et Antonina Nowacka - Pripugale (Languoria, 2022) Cévennes - Le Voyage des fragiles (Vers quelques Attracteurs étranges, 2021) Susan Campos Fonseca - Refugio (Anthology of Experimental Music From Latin America, 2023) Ak'chamel, the Giver of Illness - Ossuary From the Sixth Extinction (A Mournful Kingdom of Sand, 2023) CS + Kreme feat. Bridget St. John - Would You Like a Vampire (Orange, 2022) Tracklist du mix : Jon Hassell - Blues Nile (Vernal Equinox, 1978) Atelier Radiofónico - Mata Lobos (Antologia de Música Atípica Portuguesa Vol. 3: Canto Devocionário, 2021) loscil - Drained Lake (Monument Builders, 2016) Steve Roach - The Ritual Continues (Now, 1982) The Threshold HouseBoys Choir - A Time of Happening (Form Grows Rampant, 2007) Paul Prudence - Epha (Ficciones, 2019) Heroin in Tahiti - Continuous Monument (Sun and Violence, 2015) Uri Katzenstein - Anna's Assignment (Audio Works, 2021) Andrea Belfi - Oggetti Creano Forme (Natura Morta, 2014) Oren Ambarchi - Salt (Audience of One, 2012) Simon Fisher Turner - Picture From Darkness (Picture From Darkness, 2017) Photo : Cévennes

Pour cette émission, Amplitudes part à la rencontre de Cévennes, un compositeur de musique électronique basé à Toulouse. Cévennes a sorti son premier EP Vers quelques Attracteurs étranges sur son propre label Les Disques solubles en 2018. Ce premier projet est un recueil très singulier, tissé d'expérimentations modulaires et incantations spoken word, favorisant une certaine forme d'envoûtement et de dérive chère à l'artiste. Un nouveau projet est également à paraître prochainement. L'émission débute par un échange avec Cévennes ponctué de morceaux choisis pour l'occasion, puis la deuxième partie laisse place à la musique avec une sélection ininterrompue, toujours assemblée par l'artiste. Avec des morceaux de CS + Kreme, The Treshold HouseBoys Choir, Simon Fisher Turner, Sofie Birch & Antonina Nowacka et bien évidemment Cévennes. Bonne écoute. Tracklist de l'interview : Sofie Birch & Antonina Nowacka - Pripugale (Languoria, 2022) Cévennes - Le Voyage des fragiles (Vers quelques Attracteurs étranges, 2021) Susan Campos Fonseca - Refugio (Anthology of Experimental Music From Latin America, 2023) Ak'chamel, the Giver of Illness - Ossuary From the Sixth Extinction (A Mournful Kingdom of Sand, 2023) CS + Kreme feat. Bridget St. John - Would You Like a Vampire (Orange, 2022) Tracklist du mix : Jon Hassell - Blues Nile (Vernal Equinox, 1978) Atelier Radiofónico - Mata Lobos (Antologia de Música Atípica Portuguesa Vol. 3: Canto Devocionário, 2021) loscil - Drained Lake (Monument Builders, 2016) Steve Roach - The Ritual Continues (Now, 1982) The Threshold HouseBoys Choir - A Time of Happening (Form Grows Rampant, 2007) Paul Prudence - Epha (Ficciones, 2019) Heroin in Tahiti - Continuous Monument (Sun and Violence, 2015) Uri Katzenstein - Anna's Assignment (Audio Works, 2021) Andrea Belfi - Oggetti Creano Forme (Natura Morta, 2014) Oren Ambarchi - Salt (Audience of One, 2012) Simon Fisher Turner - Picture From Darkness (Picture From Darkness, 2017) Photo : Cévennes

Pour cette émission, Amplitudes part à la rencontre de Cévennes, un compositeur de musique électronique basé à Toulouse. Cévennes a sorti son premier EP Vers quelques Attracteurs étranges sur son propre label Les Disques solubles en 2018. Ce premier projet est un recueil très singulier, tissé d'expérimentations modulaires et incantations spoken word, favorisant une certaine forme d'envoûtement et de dérive chère à l'artiste. Un nouveau projet est également à paraître prochainement. L'émission débute par un échange avec Cévennes ponctué de morceaux choisis pour l'occasion, puis la deuxième partie laisse place à la musique avec une sélection ininterrompue, toujours assemblée par l'artiste. Avec des morceaux de CS + Kreme, The Treshold HouseBoys Choir, Simon Fisher Turner, Sofie Birch & Antonina Nowacka et bien évidemment Cévennes. Bonne écoute. Tracklist de l'interview : Sofie Birch & Antonina Nowacka - Pripugale (Languoria, 2022) Cévennes - Le Voyage des fragiles (Vers quelques Attracteurs étranges, 2021) Susan Campos Fonseca - Refugio (Anthology of Experimental Music From Latin America, 2023) Ak'chamel, the Giver of Illness - Ossuary From the Sixth Extinction (A Mournful Kingdom of Sand, 2023) CS + Kreme feat. Bridget St. John - Would You Like a Vampire (Orange, 2022) Tracklist du mix : Jon Hassell - Blues Nile (Vernal Equinox, 1978) Atelier Radiofónico - Mata Lobos (Antologia de Música Atípica Portuguesa Vol. 3: Canto Devocionário, 2021) loscil - Drained Lake (Monument Builders, 2016) Steve Roach - The Ritual Continues (Now, 1982) The Threshold HouseBoys Choir - A Time of Happening (Form Grows Rampant, 2007) Paul Prudence - Epha (Ficciones, 2019) Heroin in Tahiti - Continuous Monument (Sun and Violence, 2015) Uri Katzenstein - Anna's Assignment (Audio Works, 2021) Andrea Belfi - Oggetti Creano Forme (Natura Morta, 2014) Oren Ambarchi - Salt (Audience of One, 2012) Simon Fisher Turner - Picture From Darkness (Picture From Darkness, 2017) Photo : Cévennes

Jack Thorne talks about his new play, The Motive and the Cue, which is about John Gielgud directing Richard Burton in a 1960s production of Hamlet on Broadway. He discusses the relationship between the two famous figures in the world of stage and screen. Composers Debbie Wiseman and Sarah Glass, who have both been commissioned to write music for the King's Coronation, discuss composing for a landmark Royal occasion. To mark 30 years since the release of Derek Jarman's final film Blue - which reflects his battle with HIV - director Neil Bartlett and composer Simon Fisher Turner have created a live performance of the film, called Blue Now. They explain the importance of Jarman and of Blue, both then and now. Presenter: Shahidha Bari Producer: Eliane Glaser

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features Desiderii Marginis, Chaigidel / Neraterræ, Simon Fisher Turner, Ted Reichman, Pepo Galán / David Cordero, and the Fabrizio Modonese Palumbo score for Paola Bianchi‘s ‘ELP' (Ethos, Logos, Pathos) choreography research project.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tonight's broadcast features new Stellarium, Simon Fisher Turner, Margarete Huber, Dead Voices On Air, Chelidon Frame, Void Stasis, BArTc, and Elif Yalvac.

This week, we tell tall tales about one of the all-time greats - 1965's "Liar Liar" by The Castaways (1:30). A song  with rolling organ that opens up with a snare crack, released in the same month as "Like A Rolling Stone"... but this one's way better because of the weird falsetto , the deadpan verses, surf drums, a wild scream and the newly-rediscovered SENSATION NOTE! How do they fit in so much greatness under two minutes?  In 1966, SoCal's Mustangs sped through the song in even less time (1:03:49). The bass in this proto-new wave version is rubbery, and the guitar departure sounds super cool. Perfect for go-go dancing! What's next but to slow the sucker down? This is what Spain's Los Iberos dared to do in '69 (1:21:30). They add horns, xtra percussion and piano and somehow stay true to the original. Finally, in the dark days of 1986, Simon Fisher-Turner, also known as The King of Luxembourg made an even wilder arrangement (1:32:55). There's so many elements here that it reminds us of the studio scene in Smashing Time, a reference the actor/composer King would get. They're all great - no cap!!

Solénoïde (16.01.2023) - Entre minimalisme et gigantisme, préparez-vous à vivre une heure de lévitation musicale, une heure dédiée à l'infini et à l'intangible, une heure de suggestions paysagistes et cosmo-planétaires ! Des Etats-Unis à la Norvège, de l'Ukraine à l'Angleterre en passant par la France, Solénoïde va vous embarquer dans une aventure audio combinant nappes synthétiques et instruments acoustiques, une aventure spécialement conçue pour tous les amateurs de bandes-sons éclectiques.

Polly Scattergood and Katie Melua speak with inspiring  Ivor Novello award winning composer musician/actor Simon Fisher Turner about Aesthetic style and judgement, Looking for authenticity, Not stepping on other people's feet politically and geographically, Creating something moving and fresh, Securing a record deal by becoming two fictional french girls, Meeting and working with film director Derek Jarman, Artist's observation of the world,  Being married to a fellow creative and balancing family life.

Simon Fisher Turner in conversation with David Eastaugh Simon Fisher Turner is an English musician, songwriter, composer, producer and actor. After portraying Ned East in the 1971 BBC TV adaptation of Tom Brown's Schooldaysand roles in films such as The Big Sleep (1978), Turner rose to fame as a teenage star in Britain when his mentor, Jonathan King, released Turner's eponymous first album on UK Records in 1973. For a period of two years Turner was a member of The Gadget and also joined The The. He has used several names as a recording artist, including Simon Fisher Turner, The King of Luxembourg, Deux Filles and Simon Turner. He continues to record albums for Mute Records as Simon Fisher Turner.

Nailing it down securely, with Simon Fisher Turner, Edmund de Waal, Adrianne Lenker, Carlo Giusti, Roger and Brian Eno and Michael Scott Dawson.

Next in our mixtape series comes with Prairie, the project of multi-instrumentalist and producer Marc Jacobs who has prepared a mix to submerge our minds into a semi-awake state, where senses are heightened and we experience sound and reality in a different way. Jacobs, with his Prairie output, has recently published a new album in Denovali Records "And the Bird Said: Cut Me Open and Sing Me", his second release on the experimental German label. With a sound that some have acquainted to a space between Bohren & der Club of Gore and Sunn O))), his releases are infused of a vivid cinematographic narrative. Sonic landscapes provided by layers of synths and instruments that remind us of the passing of time and the persistence of memory. "And the bird said", Jacobs says, "was inspired by the silence of the birds, the tone between a mother and her daughter, the Sandsnipe twins, constant wailing sirens... the memory of a Vangelis track". Composed in several locations from urban in the city, or in his studio Les Lacs and in the mountains of the French Cévennes, the producer integrates his various recording locations into his sound design, creating this ample and revealing sound, resembling the sights of vast fields in the early morning hours, when life is awaking surrounded by a layer of unknown mystery yet to be unveiled. Jacobs also works as a music consultant and as a curator of experimental and electronic music for various venues, events and festivals, among which the Centre for Fine Arts in Brussels (Bozar) and he is also the founder of Le Bureau Electronique, a platform dedicated to the promotion of leftfield music and arts in Belgium. This mixtape consists of various approaches to sound and music, where the artist has combined the different forms of production of the tracks in order to create a feeling of a narcotic or hypnagogic state: "It is a state I particularly enjoy, it enables surprising auditory connections and stimulates the imagination. I have chosen the tracks according to the connections they created with one another, like a cadavre-exquis – or how you can fall into a cascade of images or ideas just before you start dreaming". Tracklist (in order of appearance) Plastikman, Robert Ashley, Godspeed You! Black Emperor, Mt Gemini, Aymeric de Tapol, Francisco Lopez, Simon Fisher Turner, Lionel Marchetti, Kate Carr, Lawrence English, Niedowierzanie, Ernest Hoood

Schliuuurkschplinkplonky, performed live on a BUCHLA 200 system using Dual Oscillator 258 ; Complex Waveform Generator 259 ; Rob Hordijk’s Benjolin adapted for Buchla ; Quad Function Generator 281 ; Source Of Uncertainty 266 ; Frequency Shifter 285 ; Multiple Arbitrary Function Generator 248 - 1602 ; Dual Equalizer Reverb 275 with Spring Reverb in large tanks ; Quad Lopass Gate 292 and the 207 Mixer.Dramatically Yours, performed on a Buchla Music Easel K.I am interested in soundtracks and like to be introduced as a "musical travel agent".Since the early 2000s I have been performing the world, playing festivals all over Europe, Canada, USA, Mexico, Australia & Asia... Feeling lucky to release on several international labels such as Opa-Loka, Aagoo, Southern UK, Monotype, Beta Lactam Ring, Sub Rosa, HomeNormal, Important, Staubgold, etc...I study Electroacoustic music at the CNRR Conservatory of Marseille where I am specialising in multi-channelled diffusion (Acousmatic spatialisation) and Modular Synthesis. I have initiated a platform/label aiming at promoting the genre:https://modulisme.info/sessionsRelying on electricity/amplification to produce, manipulate, work on sound-material, but trying my best to explore various genres and make sure that each of my albums differs from the previous one, trying to avoid routine and surprise my listeners.Not musically trained/educated I lie outside the Classical genre but my scores incorporate traditional classical components in a predominantly unconventional manner which allowed me to being asked by Iancu Dumitrescu & Ana Maria Avram to join forces as a soloist in their Hyperion Ensemble + being invited by Jean-Paul Dessy (Musiques Nouvelles ensemble) and Raoul Lay (Ensemble Télémaque) to become in charge of electronics/turntables in their ambitious E. C. O. (European Chamber Orchestra) formation comprising of 33 soloists...Fortunate enough to work with what people call a dream-team of collaborators: joining Lydia Lunch, Murcof, Eugene Robinson (Oxbow), Edward Ka-Spel (Legendary Pink Dots), Simon Fisher Turner, Cosey Fanni Tutti (Throbbing Gristle), Foetus, Pantaleimon, Graham Lewis (Wire), Barry Adamson, Andy Diagram, Scanner, Machinefabriek, Mira Calix, Kammerflimmer Kollektief, Justin K. Broadrick, James Johnston (Gallon Drunk/Bad Seeds), Mark Cunningham (MARS), Cindytalk, Orkest De Ereprijs,  Stephen O'Malley,  Strings Of consciousness or Faust onstage and-or in studio…Philippe Petit & Michael Schaffer: I (CD + Digital / Opa-Loka) https://philippepetitmichaelschaffer.bandcamp.com/releasesPhilippe Petit: A Space between spaces (Music to create space rather than occupying Space) (Digital / Ante-Rasa Records) ante-rasa.bandcamp.com/album/ante26-philippe-petit-a-space-between-spaces-music-to-create-space-rather-than-occupying-space Philippe Petit : Deep-Sea Creatures (Digital / MUTEANT Records) ​https://muteantsoundsnetlabel.bandcamp.com/album/deep-sea-creatures​ https://philippepetitamusicaltravel-agent.bandcamp.comwww.philippepetit.info

August 28, 2020 at Sommerende @ Stackenschneider 1.Simon Fisher Turner - shishapangma 2.Ivanov - new sky 3.Blackisbeautiful - pergamon 4.Trinidadian Deep - mother 5.Shelter on Wax - untitled (Pbar cut) 6.Sven Weisemann - whatever it is 7.NDF - since we last met 8.Ricardo Villalobos - 808 the bassqueen 9.Sven Weisemann - amity 10.Clever & Smart - filtadelic 11.Chaos in the CBD - digital sound 12.Rudoulpho - touch me 13.C Edits - turn it around 14.Juan Ibbora - house rallante (Hipp-E's dub) 15.Birke TM - the white tree 16.Chateau Flight - rise & fall of Babylon 17.Fuckthegovernment + Belfie + Alex Tea - public enemy 18.Dave Aju - caller # 7 (Seth Troxler & Subb-An remix) 19.Jersey Real Estate feat. Jovonn - what is house (David Oniani remix) 20.Bernard Badie - move to the beat (Club use only) 21.Sebo K - brock wild 22.Frederic Galliano & The African Divas - koukou le (Jori Hulkkonen remix) 23.Gabriel Ananda & Cio D'or - lauschgoldengel 24.Justus Koehncke - timecode 25.Motor City Drum Ensemble - raw cuts (Mike Huckaby remix) 26.Dj W!ld - we must trust 27.Nobody Home - where we come from Mix - @tim_ohta-vinyl-reich Mastering - @unva-1

With Antonia Quirke Antonia's recommendation for a film to watch while the cinemas are closed is The Garden by Derek Jarman. The garden itself and the adjacent cottage have just been saved for the nation after a successful campaign and Antonia recalls her pilgrimage to Dungeness on the 25th anniversary of the film-maker's death, when she spoke to collaborators Simon Fisher-Turner, Spencer Leigh and Seamus McGarvey, and critic Larushka Ivan-Zadeh. Antonia raids the programme's archive to hear from director Ken Russell, who gave Jarman his first job in the film industry.

I'm on the receiving end of a lot of interesting PR blasts, including those from Mute Records. I received a note about A Quiet Corner In Time, a collaboration between sound artist Simon Fisher Turner and ceramicist Edmund de Waal. This was a curious enough project 'statement' that I had to check it out - and I was charmed. It's a beautiful work with surprising detail, and I ended up reaching out to Mute for an interview with Simon. Talking with Simon Fisher Turner was a breeze - he's such a pleasant guy, and has so many stories. Just talking about the sound collection for this new album, with recording trips to Vienna and LA, in-studio sessions with Edmund de Waal's ceramics, and the process of creating the whole sonic fiber of the release - it was all just fascinating. But I also got a chance to talk with Simon a bit about his background, his escape from pop music, and his continued obsession with sound; it all worked its way into a organic whole. Then when we started to talk about live performance, it was clear that he approached that in the same way. Of course! There are so many things that Simon is doing that I would love to share. First, the new release with de Waal - A Quiet Corner In Time - can be experienced here: http://mute.com/mute/simon-fisher-turner-and-edmund-de-waal-breaking-emptiness. Simon also has many other musical releases available - on Mute, Solielmoon and others... a Google search will reveal all. Finally, though, I want to point you to his Guerrilla Audio podcast (https://touch33.net/guerrillaaudio), which gives you some great examples of his collection process. So very charming. Enjoy!

Antonia Quirke and Larushka Ivan-Zadeh embark on a pilgrimage to Dungeness to pay their respects to film-maker Derek Jarman on the 25th anniversary of his death. Along the way, they hear from colleagues of the artist and activist, like actor and director Dexter Fletcher, costume designer Sandy Powell and composer Simon Fisher Turner.

RAUPPWAR, AMELIE DUCHOW, SCHNITT, SIMON FISHER TURNER, KLARA LEWIS, AKHTYA, CORONA BARATHRI, SIGILLUM S.

Episode 391: August 31, 2018 playlist: Charalambides, "True Love" (Charalambides: Tom and Christina Carter) 2018 Drawing Room Klara Lewis and Simon Fisher Turner, "Tank" (Care) 2018 Editions Mego Diamanda Galas, "Round Midnight" (All The Way) 2017 Intravenal Sound Operations Elizabeth Fraser, "Moses (Thighpaulsandra Remix)" (Moses) 2009 Rough Trade break_fold, "21_01_18" (27_05_17 - 21_01_18) 2018 Reject and Fade Marissa Nadler, "Blue Vapor" (For My Crimes) 2018 Sacred Bones Throbbing Gristle, "AB/7A" (D.o.A. The Third And Final Report Of Throbbing Gristle) 1978 Industrial Baby Dee, "And Anne Marie Does Love To Sing" (A Book Of Songs For Anne Marie) 2004 Drag City Swans, "All Lined Up" (Soundtracks For The Blind) 1996 Young God This Mortal Coil, "Carolyn's Song" (Blood) 1991 4AD Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

a cura di Alessandro Achilli. Musiche di Brian Wilson, Pérez Prado, Steve Reich, King Of Luxembourg, Bad Dream Fancy Dress, Metamorphic, Senior Model, Meloche-Archer-Robair-Hodnett, Prince (seconda parte)

a cura di Alessandro Achilli. Musiche di Brian Wilson, Pérez Prado, Steve Reich, King Of Luxembourg, Bad Dream Fancy Dress, Metamorphic, Senior Model, Meloche-Archer-Robair-Hodnett, Prince (seconda parte)

Quattordicesima puntata: I giganti silenziosi. Alberi straordinari delle città italiane. Il centro. Visita ad alcuni dei grandi alberi di Bologna (orto botanico, platano di Piazza Malpighi, platani della Montagnola, sequoia del Parco Melloni e dei Giardini Margherita), Firenze (canfora, pino e taso del Giardino dei Semplici, calocedro del Bobolino, galleria dei glicine di Villa Bardini) e Roma (canforo e platani dell’Orto botanico, platani orientali di Villa Borghese, il fico si Rabin nel parco di Villa Ada). Intermezzo musicale | The Waters Of Forgetfulness di Simon Fisher Turner, dalla colonna sonora al film Caravaggio 1610, El, 1986.

Quattordicesima puntata: I giganti silenziosi. Alberi straordinari delle città italiane. Il centro. Visita ad alcuni dei grandi alberi di Bologna (orto botanico, platano di Piazza Malpighi, platani della Montagnola, sequoia del Parco Melloni e dei Giardini Margherita), Firenze (canfora, pino e taso del Giardino dei Semplici, calocedro del Bobolino, galleria dei glicine di Villa Bardini) e Roma (canforo e platani dell’Orto botanico, platani orientali di Villa Borghese, il fico si Rabin nel parco di Villa Ada). Intermezzo musicale | The Waters Of Forgetfulness di Simon Fisher Turner, dalla colonna sonora al film Caravaggio 1610, El, 1986.

Quattordicesima puntata: I giganti silenziosi. Alberi straordinari delle città italiane. Il centro. Visita ad alcuni dei grandi alberi di Bologna (orto botanico, platano di Piazza Malpighi, platani della Montagnola, sequoia del Parco Melloni e dei Giardini Margherita), Firenze (canfora, pino e taso del Giardino dei Semplici, calocedro del Bobolino, galleria dei glicine di Villa Bardini) e Roma (canforo e platani dell'Orto botanico, platani orientali di Villa Borghese, il fico si Rabin nel parco di Villa Ada). Intermezzo musicale | The Waters Of Forgetfulness di Simon Fisher Turner, dalla colonna sonora al film Caravaggio 1610, El, 1986.

Programme de PIERRE BELOÜIN pour webSYNradio : une sélection de titres extraits de plus d'une soixante d'éditions sonores parues chez Optical Sound entre 1997 et 2016. Avec les sons de Norscq, Servovalve (+ Black Sifichi), Quentin Sirjacq, Sébastien Roux, Ramuntcho Matta, Tsé, El Tiger Comics Group, Wild Shores, Cocoon, Coil, Lionel Maretti, Rainier Lericolais, Olivia Louvel, Cercueil , I Apologize, That Summer, Scanner, Rainier Lericolais Featuring Lili Kim, Simon Fisher Turner, The Grief. L'agencement de cette playlist a été faite en Oct 2016, par Pierre Beloüin.

With Rana Mitter. Bestselling author of Wild Swans, Jung Chang discusses her new biography of the most important woman in Chinese history; Empress Dowager Cixi. Alastair Sooke survey's a new show by The critics' favourite Young British artist, Sarah Lucas. US historian Tim Stanley joins Rana to discuss former Chilean President Salvador Allende along with the author of a new book on the subject, Oscar Guardiola-Rivera. And our latest contribution to the Sound of Cinema season: Simon Fisher Turner discusses his new soundtrack to The Epic of Everest.

This week Libby Purves is joined by Simon Fisher Turner, Maggi Hambling, Sheila Steafel and Rumer. Composer Simon Fisher Turner is a former child actor and teenage pop idol. He has written a new score for the documentary The Great White Silence (1924) which is a record of Captain Scott's last Polar expedition (1910 -1912). The world premiere screening, newly restored by the BFI National Archive, is one of the highlights of the 54th BFI London Film Festival. Maggi Hambling is one of Britain's most celebrated artists. Since the unveiling in 2003, her Scallop sculpture on Aldeburgh Beach in Suffolk has never been far from controversy. In her book, 'The Aldeburgh Scallop' she traces her love of the sea back to her earliest childhood and records how this lifelong passion has fired her work, culminating in the Scallop sculpture. 'The Aldeburgh Scallop' is published by Full Circle Editions. Actress Sheila Steafel grew up in apartheid-torn South Africa during the thirties and forties before coming to London aged seventeen to study drama. She built up a reputation as an accomplished comedy actress, appearing in numerous popular television series including the Frost Report but she's possibly best known as 'Miss Popsy Wopsy' in the BBC's old time music hall, The Good Old Days. Her autobiography 'When Harry Met Sheila' is published by Apex Publishing. Rumer is a Pakistan-born singer-songwriter, brought up in the New Forest. After a decade of trying to make it in the music business she has finally being recognised by such luminaries as Elton John and Burt Bacharach and A-listed by Radio 2. Her new single, 'Aretha' is out now and she is performing at the Radio 2 Electric Proms at the Roundhouse.