Podcast appearances and mentions of Lydia Lunch

Today's guest has made a career playing with some of the most avant garde musicians in the world. But he didn't start off with music in mind. Welcome drummer Bob Bert to the podcast. He grew up in a house that wasn't super musical. In fact, his father, Angelo, was more into sports than music. He was so into sports that he won the Heisman trophy in 1943. But Bob had other ideas. Bob played some drums but was more interested in fine art, eventually printing for Andy Warhol. His music career began when his wife volunteered him for an impromptu gig. Bob talks about how he got the Sonic Youth gig, was fired, and then rehired. He talks about some other projects he was in and how Thurston Moore named one of them. Bob discusses his time in Pussy Galore, Chrome Cranks, Jon Spencer & The Hitmakers, Lydia Lunch's Retrovirus, and more. Bob has released his first true solo album called Beach Bongo Bloodbath. And the consensus is…it's a fun album. It's a mix of covers and originals and highlights Bob's singular take on music, like his guitar-free version of Mountain's Mississippi Queen. It's out on Bar None Records. Find it, buy, it, stream it, whatever you need to do. And follow Bob @therealbobbert on Instagram. Follow us @PerformanceAnx and grab some merch at performanceanx.threadless.com. Or just slide us some money at ko-fi.com/performanceanxiety. Now please welcome Bob Bert on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Bert is a New Jersey based drummer, writer, and punk rock veteran whose resume includes Sonic Youth, Pussy Galore, Knoxville Girls and Lydia Lunch. His debut solo record Beach Bongo Bloodbath is due out June 12th via Bar None Records. Bob shares the process and inspiration behind the new record, which is largely made up of an eclectic collection of covers. We learn how a specific percussion setup shaped the record, how he chose the songs to record and why Beach Bongo Bloodbath is a guitar-free recording.The two discuss Bob's recording process, Bob shares the details for the jam-packed record release event and we hear some new tunes. Bob BertBar None RecordsTour Stories would like to welcome our newest sponsor Kuma Coffee. Kuma Coffee is a 100% Independently owned roasting company right here in Seattle since 2008. Kuma is a 5-person team, roasting over 100,000lbs of exclusively high scoring coffee each year. They source their coffees direct from origin and pay well over fair trade pricing to farmers. This guarantees the highest quality, while supporting rural farming communities throughout the Global SouthThey also just launched an instant coffee… (Joe's favorite instant)Find everything Kuma at Kumacoffee.comEpisode supported by our friends Izotope This episode is produced with Ozone 12, the newest from Izotope. Head over to izotope.com now for savings on all their production software. Go check out Ozone 12 and RX 12 and master with the best and solve the unsolvable 20 plug-ins for mastering mastery. Use code FRET10 at checkout.Ep supported by @distrokid. Distrokid now offers Bandzoogle where you can build your bands website and store in minutes. @thetourstories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH @distrokidEp supported by Heil Sound. For 60 years, Heil Sound has provided innovative, professional quality sound for stage, studio, broadcast, and podcast. Grammy-winning artists and sound engineers worldwide trust Heil microphones for their legendary sound. To find out more about the full line of Heil microphones and products, visit heilsound.com.Mentioned in this episode:DistrokidKuma CoffeeHeil sound"For 60 years, Heil Sound has provided innovative, professional quality sound for stage, studio, broadcast, and podcast. Grammy-winning artists and sound engineers worldwide trust Heil microphones for their legendary sound. To find out more about the full line of Heil microphones and products, visit heilsound.com.Izotope

Bob Bert is a New Jersey based drummer, writer, and punk rock veteran whose resume includes Sonic Youth, Pussy Galore, Knoxville Girls and Lydia Lunch. His debut solo record Beach Bongo Bloodbath is due out June 12th via Bar None Records. Bob shares the process and inspiration behind the new record, which is largely made up of an eclectic collection of covers. We learn how a specific percussion setup shaped the record, how he chose the songs to record and why Beach Bongo Bloodbath is a guitar-free recording.The two discuss Bob's recording process, Bob shares the details for the jam-packed record release event and we hear some new tunes. Bob BertBar None RecordsTour Stories would like to welcome our newest sponsor Kuma Coffee. Kuma Coffee is a 100% Independently owned roasting company right here in Seattle since 2008. Kuma is a 5-person team, roasting over 100,000lbs of exclusively high scoring coffee each year. They source their coffees direct from origin and pay well over fair trade pricing to farmers. This guarantees the highest quality, while supporting rural farming communities throughout the Global SouthThey also just launched an instant coffee… (Joe's favorite instant)Find everything Kuma at Kumacoffee.comEpisode supported by our friends Izotope This episode is produced with Ozone 12, the newest from Izotope. Head over to izotope.com now for savings on all their production software. Go check out Ozone 12 and RX 12 and master with the best and solve the unsolvable 20 plug-ins for mastering mastery. Use code FRET10 at checkout.Ep supported by @distrokid. Distrokid now offers Bandzoogle where you can build your bands website and store in minutes. @thetourstories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH @distrokidEp supported by Heil Sound. For 60 years, Heil Sound has provided innovative, professional quality sound for stage, studio, broadcast, and podcast. Grammy-winning artists and sound engineers worldwide trust Heil microphones for their legendary sound. To find out more about the full line of Heil microphones and products, visit heilsound.com.Mentioned in this episode:DistrokidKuma CoffeeHeil sound"For 60 years, Heil Sound has provided innovative, professional quality sound for stage, studio, broadcast, and podcast. Grammy-winning artists and sound engineers worldwide trust Heil microphones for their legendary sound. To find out more about the full line of Heil microphones and products, visit heilsound.com.Izotope

Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion. Australian tour tickets and show info here. Topics Include: Lydia Lunch is touring Australia and New Zealand in June She's performing Suicide and Alan Vega covers across multiple cities Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends Lydia considers herself a comedian; most people are just too afraid to laugh Words are her primary art — music is just the machine gun She sleeps in two-hour shifts and wakes famished at 5am every day Creativity has no fixed time — she writes song lyrics in five minutes flat She self-publishes through 48-hour printing, selling books for $20, cost $4 True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet Suicide and Mars were already playing when she arrived in New York Suicide actually coined the term "punk rock" on flyers back in 1972 No Wave wasn't a movement — it was personal insanity in a decaying city The name "No Wave" just came out of her mouth in one interview If you couldn't play, you had to be brutally tight — or else She taught a homeless man she'd befriended to play drums for Teenage Jesus Teenage Jesus songs were written on a borrowed bass she barely understood She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse Teenage Jesus singles on Migraine Records likely preceded the No New York compilation Beirut Slump was horror rock — described as a slug over a razor blade She arrived in New York with $200, a suitcase, and zero contacts Seeing Suicide at Max's Kansas City with ten people changed everything instantly Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from Lou Reed — always a dick; Warhol — vapid, but his car crashes were great She owns every recording, every publishing right — everything she's ever made Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

My guest this week is NYC-based musician, author, and performance artist Joseph Keckler (NPR's Tiny Desk, tours with Lydia Lunch & Sleater-Kinney), who chose the 1929 two-reeler short St. Louis Blues, which is the legend Bessie Smith's first and only film appearance. We discuss Joseph's iconic performance on NPR's Tiny Desk Concert Series, how he came to unleash his powerful vocal range on a wide range of audiences, choosing to write and sing in German about the adult moments where he was relapsing into a teenage Goth, befriending and touring with Lydia Lunch, Bebe Hansen, the current No-Wave scene in NYC, the excitement of having a standoff with an audience, opening for Sleater-Kinney, confusing but life-altering concert billings, where we both were when first hearing Bessie Smith and the imprint it left on us, why this 1929 short film of Bessie Smith was almost destroyed in the 50s, tape trading with The Residents, hearing Aretha Franklin's voice coming up through the floorboards and being obsessed with Cab Calloway & Bessie Smith as a child, Bessie's acting chops and the unique direction of this performance & more.So let's sing at the top of our lungs into the bottom of our beer mug on this week's Revolutions Per Movie.Joseph will be performing on May 31st 2026 in NYC at TV EYE w/ Genre Is DeathTickets available at tveyenyc.com/calendarJOSEPH KECKLER:josephkeckler.com/BESSIE SMITH in ST. LOUIS BLUES:youtube.com/watch?v=xIGscPYfEGsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In this episode of Music Matters host Darrell Craig Harris speaks with percussion outlaw and influential creative Bob Bert, a veteran of Sonic Youth and Pussy Galore among many other determinedly button-pushing ensembles with an interview. Venerable indie label Bar/None Records is releasing his LONG overdue solo album Beach Bongo Bloodbath which was recorded at Deepsea Studios in Bert's hometown Hoboken, NJ About Bob Bob Bert is a highly influential drummer, artist, and multidisciplinary creative whose work helped define the downtown New York art and alternative music scenes. Best known for his groundbreaking drumming with Sonic Youth, Pussy Galore, and Lydia Lunch, Bert also worked within the orbit of Andy Warhol's iconic creative world, contributing to one of the most culturally influential eras in modern art and music. Beyond the stage, Bob's work spans visual art, writing, and storytelling, cementing his legacy as a true creative force whose influence continues to resonate across generations. Social Media www.Instagram.com/therealbobbert About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer                  

Cabaret Voltaire are no one thing. Depending on which corner of the internet you found us from, you might know them as the caustic Sheffield noise act who preceded post-punk, the sinister electro-industrial outfit with a penchant for evangelical samples and anti-fascist agitprop, or the dancefloor-adjacent act who fetched up on Factory's Belgian satellite label and made something close to club music. You're all correct.This week, we have a guide. Phil Eaglesham — P6, former front person of Stretchheads and De Salvo, current singer in OMO, musical walking tour operator, man of broad and alarming musical learnings — is here to help us navigate one of the most complex and wilfully uncommercial bands to come out of the UK, via their transitional compilation Eight Crepuscule Tracks.We trace the band's origins in a Sheffield attic in 1973, chart their debts to dub, Black American music, and the sci-fi soundscapes that shaped a generation of working-class ears, and make the case that Cabaret Voltaire — despite their apparent difficulty — were one of the most industrious and fundamentally political bands of their era. We also get into their time at Western Works Studio, which functioned less like a recording facility and more like the gravitational centre of an entire Sheffield scene; their complicated relationship with Rough Trade; and their connections to Joy Division, Lydia Lunch, Clock DVA, and the bands that would become the Human League and ABC.Along the way, Phil brings original artefacts including a signed 1979 TG/Cab Vol/Rema Rema poster from Tottenham Court Road, and the original 12-inches the album is built from. We also ask what would have happened to Cabaret Voltaire without punk — and conclude they'd likely have ended up an academic footnote rather than a foundational text. Highlights: 00:00 Intro03:56 Meet Phil Eaglesham07:47 P6 — The Name and the Character09:29 Queer Identity in the Industrial Scene12:55 Pseudonyms and Rockism17:44 Cabaret Voltaire: The Basics22:32 Sheffield, Western Works, and the Scene25:18 Rough Trade, The Fall, and Being Prolific29:10 Working-Class Roots and Industrial Culture32:33 Sci-Fi Soundscapes and Electronic Prehistory35:11 Musique Concrète to Cab Vol: How Close Were They?36:13 Dadaism, Situationism, and Confrontational Art38:40 Punk's Effect on Audiences (Not Just Music)40:11 The Counterfactual: Cab Vol Without Punk41:43 Black Music, Funk, and the DNA Nobody Talks About43:39 New Wave, No Wave, and New York Connections46:29 Factory Records, Crépuscule, and the Belgian Connection47:49 Original Artefacts: Posters, 12-Inches, and History50:31 Why Eight Crepuscule Tracks?52:54 Looking Towards Next Week and Outro

Lydia Lunch is touring Australia in June, playing the music of Suicide and Alan Vega, as well as performing some spoken word shows with Tex Perkins, hosting a collaborative spoken word workshop in Sydney, and introducing a screening of her documentary in Melbourne. Visit lydia-lunch.net and lydialunch.bandcamp.com for music and art, and pressplaypresents.com for tour info.

Genre Is Death, a limitation-destroying noise band formed by Ty Varesi (guitar, vox) and Tayler Lee (bass, vox), release their debut album, Attractive People out May 1 2026 on In The Red Records.  Their sound is abrasive yet melodic, using heavy distortion, dissonant riffs, and reverberating vocals to create music that feels both minimal and overwhelming. Their newest record Attractive People, recorded by legendary sound producer Martin Bisi, prods and pushes its listener with tongue in cheek lyrics that accuse and indict their audience, cacophonous guitar shrieks of power and madness, and bass lines that oscillate from funky to erratic dissonance. While comparisons to Sonic Youth, Pussy Galore and Teenage Jesus and the Jerks are inevitable (and quite welcome), Genre is Death build's on NYC's legacy without repeating it… eschewing nostalgia and nihilism in favor of total sonic liberation.  The duo moved from the south to NYC in August of 2023 looking for something more than their mundane lifestyle of day drinking and playing doom metal in friends' basements… Their move to NYC, coupled with their desire to express something, anything, led to the inception of Genre is Death. The pair hit the ground running, playing anywhere and everywhere they could… However, it was only after a chance encounter with 80s noise forerunners Live Skull that the pair was introduced to the strange underbelly of NYC noise and began playing regular gigs with The Art Gray Noizz Quintet and Lydia Lunch. In 2025 the pair played toured with Gogol Bordello, embarked on their first East Coast tour, and played gigs with Cherubs, Bush Tetras, and Jon Spencer. The album is out now. Order a copy here.

On this episode, Marc talks with Adele Bertei, author of "No New York: A Memoir of No Wave and the Women Who Shaped the Scene," released today, March 31, 2026. It's an insightful and super-entertaining chronicle of Bertei's journey through New York music and art in the late 70s, including her time in Contortions and The Bloods as well as her solo career. It also delves deep into so many figures of the scene that Bertei worked and associated, particularly women such as Lydia Lunch, Nan Golden, Vivienne Dick, Patti Smith, and so many more.As she writes, "I wrote this book to dig deeper. What truly set No Wave apart from other artistic movements of the 1970s and early '80s? The women. They didn't just participate. They set the tone – and they lit the fuse...resisting tired stereotypes and reinventing according to our individual artistic visions...dismantling art's male-dominated paradigms, we ignored the boundaries of gender and genre."We hope you enjoy Marc's conversation with Adele Bertei!

In this episode we welcome back the marvellous Adele Bertei — five years after she first guested on our show — to talk about her amazing new book No New York. Beginning with a definition of the postpunk sub-genre "No Wave", the former Contortion recalls her experience of living in Manhattan's perilous East Village in the late '70s and playing organ behind the unhinged James Chance. She also pays tribute to the many fearless women who "shaped the scene", first and foremost the formidable Lydia Lunch. Our guest recalls working as a go-fer for Brian Eno and then being a crucial part of the No New York album the former Roxy Musician oversaw in 1978. We hear not just about Chance's Contortions and Lunch's Teenage Jesus & the Jerks but about Mars, DNA, the Bush Tetras and finally Adele's own funky feminist troupe the Bloods. After collective reflections on No Wave's slow dissolution — and Adele's subsequent '80s adventures with the likes of Thomas Dolby — Barney and Jasper rave about the week's featured artist Robyn and the week's featured audio, in which the late Chip Taylor reminisces about such classic hit songs as 'Wild Thing' and 'Try (Just a Little Bit Harder)'. Finally, Mark quotes appropriately from a 1978 Talking Heads interview and Jasper enjoys a Caroline Sullivan diss of Eminem's Marshall Mathers LP from 2000. Many thanks to special Adele Bertei. No New York: A Memoir of No Wave and the Women Who Shaped the Scene is published by Faber and available now. Pieces discussed: Nobody Waved Goodbye: Bands At Artists Space, Brian Eno's No New York compilation, Sons and Daughters of No New York: DNA, Robyn: Blonde Ambition, Robyn, Röyksopp: "There's This Idea That You're An Oddball, Far Up At The Top Of The World", Robyn: Brixton Academy, London, Chip Taylor audio, The Talking Heads sing more songs about buildings and food⁠, Eminem: The Marshall Mathers LP and It's no wonder Dylan didn't take the fight to Beijing — he was never very political.

Grab your zines, dust off your stencils and customise your jackets because Jeremy and Tim are continuing our mini-series on post-punk with a healthy dollop of DIY culture. They discuss the infamous Sniffin' Glue magazine, visit Dial House to ponder the ultimate UK DIY heroes Crass, and spin some of the most out-there No Wave cuts NYC had to offer. Elsewhere in the episode they dedicate time to outré post punk pioneers Devo, shout out the pipes on Lydia Lunch, dwell on punk's dub and hip hop influences as expressed through a classic Clash track, and unpick the aesthetics of uptightness. Plus Glen Branca, Epping Forest and… Crosby Stills Nash & Young. Produced by Matt Huxley.Patreon.com/LoveMessagePodwww.loveisthemessagepod.co.ukTracklist:Crosby, Stills, Nash & Young - OhioDevo - Satisfaction Theoretical Girls - You Got Me Alternative TV - Action Time Vision The Clash - White Man in Hammersmith Palais Teenage Jesus and the Jerks - Orphans Crass - Sucks

This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can't Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters' obsessions and tributes to The Girl Can't Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

My guests this week are two absolute legends, Jackie Sharp and Jill Hoffman-Kowal of the punk rock video team Target Video (who documented hundreds of incredible live performances by Iggy Pop, The Screamers, Black Flag, Throbbing Gristle, minutemen, The Cramps, Hüsker Dü, Survival Research Laboratories, Bauhaus, Dead Kennedys, Lydia Lunch, and Young Marble Giants to name just a few). They are lifelong friends to this day… so get ready for jaw-dropping stories galore!We discuss Target Video's origin story & meeting head honcho Joe Rees, how they got their first old-school video camera at the time, Joe's unusual approach to documenting bands, the origin story of The Mutants, their initial cable TV show, how their first color shoot was filming the iconic performance of The Screamers, how they shot The Cramps at the Napa State Mental Hospital, Glenn O'Brien's TV Party, Jello Biafra staying in fancy hotel rooms in the UK, crashing on the floor of The Members, The Stray Cats playing the UK for the first time, how Jackie and Jill gained the trust of bands to film them in an era when bands were suspicious of being filmed, how the SF punk scene changed when Circle Jerks first came up from LA to play there, using fake addresses to keep the cops away from the Target headquarters, having eight-hour viewing parties in Paris, touring Europe with Dead Kennedys, the powerful footage of Throbbing Gristle playing a basketball court, CRIME playing San Quentin, Black Flag being nerds in the studio and making comedy videos with Target, shooting the TV PARTY music video, Target documenting rarely seen tours by Devo and Iggy Pop, being P.I.L.'s tour guides in NYC, Target video reunion shows, hooking up your VHS player to your stereo and more!So let's fly the Target flag high and play this episode loud on this week's episode of Revolutions Per Movie!TARGET VIDEO: targetvideo.blogspot.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it and keep it going is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids. We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Budgie (born Peter Edward Clarke) is an English drummer recognized for his work with Siouxsie and the Banshees (1979–1996) and the percussion-driven project The Creatures (1981–2004). He  lost his mother at age 12, and that early loss becomes a central theme in The Absence: Memoirs of a Banshee Drummer, where he also writes candidly about his marriage with Siouxsie Sioux, struggles with alcohol, and the power dynamics in both his personal and musical life. His drumming is praised for being offbeat, tom-tom-intensive, and for bringing melodic and rhythmic invention rather than just keeping time.

For this episode we're joined online from northwest Massachusetts by the legendary Byron Coley, champion of all things weird and non-mainstream. After describing his somewhat peripatetic childhood, our guest explains – very amusingly – why as a teenager he hated the Beatles and what led him eventually to the more subversive sounds of the Mothers of Invention and their ilk. A digression on the Grateful Dead – whose Jerry Garcia we lost 30 years ago this month – is followed by Byron's memories of first reading R. Meltzer and Nick Tosches in Crawdaddy! and Creem... and how a teaching assistant grad student inspired him to "write like you talk". After Barney reads from Byron's 1980 New York Rocker piece on Lydia Lunch's 8-Eyed Spy – prompting our guest's recall of first seeing her No Wave trailblazers Teenage Jesus & the Jerks live – we hear about his 1978 Rocker interview with the incomparable Captain Beefheart. This in turn leads to clips from Gary Lucas' audio interview with the artist born Don Van Vliet, recorded in January 1972. After a quick late '70s/early '80s detour via his temporarily adopted California, Byron talks about his return to the East Coast and his writing for Boston's Forced Exposure – not to mention his rather more lucrative "Underground" columns for Spin. In passing he explains how his friendship with Sonic Youth led to a declaration of war on Bob ("Dean of American Rock Critics") Christgau. We finish up by paying tribute to blue-eyed-soul man Terry Reid and beloved Salsa star Eddie Palmieri. Finally, Mark and Jasper talk us out with remarks on newly-added library pieces about the Legendary Stardust Cowboy (1968), Ronnie Wood and cronies (1974) and Lana Del Rey (2019). Many thanks to special guest Byron Coley. Find his book C'est La Guerre in all good bookshops and follow him on BlueSky @byroncoley.bsky.social. Pieces discussed: Way Out West With 8-Eyed Spy, Sonic Youth, Captain Beefheart: Grow Fins, Jason Gross interviews Byron Coley, Jerome John Garcia 1942-1995, The Grateful Dead: Burnout Sets In, The Exhumation of The Dead, Captain Beefheart audio, Terry Reid, Terry's Funky Steamer, Eddie Palmieri: The Man Who Stirred Up Salsa, Top Tunes: the Legendary Stardust Cowboy, The Night Ron, Keith, Mac and Rod played a gig without falling over and Lana Del Rey Lives In America's Messy Subconscious.

It's fascinating to look at the entire creative evolution of an artist - how they started and where they are now. Of course, looking at what's been going on in their life, can feel quite invasive and voyeuristic, like prying into the inner sanctum of life, but hey, all in the name of research! Music and art (although I'm by no means an expert) often feels subjective and open to interpretation and honestly, for me, I love it when I'm challenged to think about what it means to me. This brings me on to relatability. Perhaps it's now an overused word that has been diluted of its relevance and meaning. But is it important for an artist to create work that its audience will find relatable in some way? Will it help the audience make their own interpretations if they can relate to it? Or is speaking with truth and honesty equally or more important? And what about good old fashioned escapism? What does that connection between artist and audience look like? I don't know why the work of my guest today makes me ask these questions! Maybe it's because his work often feels like it is accessing what's in the back of his mind but created in a way that feeds my own interpretations and connects in a way that tunes into my own empathy.His art was described as “loose and raw that straightaway imprints itself on the human imagination”. This is interesting because it is the consistency of that rawness - and honesty - that also runs through his music which again gets my imagination fired up. I hope you enjoy this fascinating chat with James Johnston, who came to prominence in the early 90's with Gallon Drunk and has also played with PJ Harvey, The Bad Seeds, Faust and Lydia Lunch as well as releasing solo and collaborative work of his own. He started painting in 2017 which is just going from strength to strength.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

This week we're diving headfirst into the gloriously pretentious world of No Wave - the three-year New York art scene that somehow managed to influence everything that followed. Chris has somehow convinced Mark and our resident Italian punk professor Ferro to explore how a bunch of art school dropouts in a financially bankrupt New York accidentally created one of music's most important movements. We start with New York City in 1978: a proper shithole where you'd genuinely risk your life getting a taxi to Brooklyn, Times Square was basically a war zone, and the city had literally gone bankrupt. Perfect conditions, as it turns out, for a load of bohemian kids to move in, pay bugger all rent, and start making the most deliberately difficult music imaginable. Enter Brian Eno, who's meant to be in New York producing Talking Heads like a normal person, but instead wanders into some art space gig and discovers bands like Teenage Jesus and the Jerks, DNA, Mars, and The Contortions doing something completely mental. Being Brian Eno, he obviously decides to document the whole thing, creating the legendary "No New York" compilation that basically put the entire movement on the map. We get properly stuck into the key figures: Lydia Lunch being an absolute force of nature in Teenage Jesus and the Jerks, James Chance slapping music critics (literally - he assaulted Robert Christgau), and the various weirdos who decided that what punk really needed was to be even more antagonistic to its audience. Ferro brings his encyclopaedic knowledge of the European connections, particularly the parallels between New York's urban decay and Berlin's post-war experimental scene. We explore how Einstürzende Neubauten were literally destroying studio floors with sledgehammers whilst Throbbing Gristle were essentially inventing industrial music in their Yorkshire squat. The conversation sprawls magnificently through Swans' absolutely punishing early albums, the way Sonic Youth emerged from this scene, and how bands like Bush Tetras and Rat at Rat R kept the torch burning. We also dive into some proper tangents about Madonna apparently being in an art punk band with future Swans members (mental) and how this whole movement influenced everything from the Load Records noise rock scene to modern post-metal. This is part two of our anti-rock trilogy. Last week we tackled the prehistory from musique concrète to Captain Beefheart, and next week we'll finally get to US Maple and try to explain why anyone would voluntarily subject themselves to their particular brand of musical torture. Highlights 00:00 Introduction to No Wave and Brian Eno's Influence 00:33 Welcome to the Podcast 01:04 Recap of Previous Episode 02:14 The Rise of No Wave in Late 1970s New York 02:46 Sociological Context of 1970s New York 02:59 Key Figures and Bands in No Wave 03:43 The No New York Compilation Album 07:59 Brian Eno's Role and Impact 11:02 Musical Influence and Legacy of No Wave 20:04 James Chance and The Contortions 22:44 Sonic Youth and Swans: Post No Wave Evolution 25:51 The Influence of Swans on Post-Metal 27:25 Exploring Lesser-Known Bands: Rat at Rat R and Bush Tetras 28:48 The Impact of Foetus and Throbbing Gristle 35:13 Berlin's No Wave Movement and Einstürzende Neubauten 41:08 The Legacy of No Wave in Chicago and Beyond 45:03 Anti-Rock Bands and Their Influence 48:38 Concluding Thoughts and Teasers for Next Episode

2 Kilos & More & Julius Gabriel - KM; Seeding The Clouds Shriekback - Sway שיר אלוני - אדמה SPC ECO - The Last Night Pale Saints - King Fade The Jeffrey Lee Pierce Sessions Project - Time Drains Away (Feat. Lydia Lunch, Jozef Van Wissem & Jim Jarmusch) Filthy Hippies - Mind Pollution Penelope Trappes - Sleep עמנואל והכיסופים - בחלום נשמע הקול Concepcion Huerta - Los Ecos De Las Voces Del Silencio Marianne Faithfull - She Moved Thru' The Fair Toy - Strangulation Day (Cosey Fanni Tutti Remix) Xmal Deutschland - Eiland The Cure - Alone (Ex-Easter Island Head Remix) Mien - How Could You Run Aya - Droplets Yu Ching - Thunder In Heaven Keeley Forsyth & Matthew Bourne - It Seems Lucy Gooch - Night Window (Part One) Lucy Gooch - Night Window (Part Two) Killing Joke - Another Cult Goes Down (Portobello Mix) דרך 12 - חולם חסר אמת Adrian Sherwood - Cold War Skank Mark Stewart & Maffia - Liberty City Cross Record - God Fax 10T - Israel A To Austr - Thumbquake & Earthscrew Jozef Van Wissem & jim Jarmusch - Concerning The Law Of Angels Ryr - Foiled Gazelle Twin - Two Worlds (Keeley Forsyth Mix) נהורה והדס - ימים לבנים David Thomas And Two Pale Boys - Little Sister Cosey Fanni Tutti - Never The Same Nadah El Shazly - Laini Tani Satori - Humiliate Me Tone Of Voice Orchestra - Kom Hjem Til Mig Weird Nightmare - Holding Out https://www.facebook.com/fingeredfloodgate

TVC 683.1: Ed welcomes back David Arnoff, one of the best music photographers of his generation. David's book Shot in the Dark is a collection of photos featuring Patti Smith, The Clash, Devo, Blondie, Lydia Lunch, The Cramps, The Ramones, David Johanson, Misfits, Nick Cave, Siouxsee and the Banshees, Joan Jett, Elvis Costello, and other music artists—all taken circa 1976 to 1985, and nearly of all which capture these performers in seminal moments in their careers. Shot in the Dark is available at DavidArnoff.com. Topics this segment include how the Beatles and other British bands helped shape the music scene of the 1960s, and how shows like Shindig and Hullabaloo helped influence David's decision to become a photographer.

Angela Jaeger in conversation with David Eastaugh https://www.amazon.co.uk/Feel-Famous-Punk-Diaries-1977-1981/dp/1955125570 I Feel Famous: Punk Diaries 1977-1981 is a girl's coming of age story set to the pulse of punk rock. The book tracks 17-year-old Angela Jaeger's exciting discovery of punk music and its accompanying lifestyle in 1977. A music enthusiast living in New York's East Village, Angela's story unfolds chronologically, charting her late adolescence in tandem with her transition from observer of the nascent punk scene to eager participant. Gradually becoming a nightly fixture of her neighborhood's vibrant underground rock milieu at CBGB and Max's Kansas City, by 1978 she had continued to fulfill her punk fantasy abroad. She followed the Clash on a tour across England, finally returning home in 1979 to start her own band. Angela encountered an impressive cast of characters on her adventures, including Lydia Lunch, Joe Strummer, Billy Idol, Klaus Nomi, and Sid Vicious. Laced with humor and wide-eyed curiosity, Angela's daily first-hand accounts take the reader on a personal journey not found in other punk histories. Additional commentary by the author provides context and further anecdotal material. The text is illustrated with the visual expressions of Angela's enthusiasm—her drawings of punk personalities and fans, previously unseen photos and ephemera culled from her personal archive—affording a unique insight into the relationship between the music, the media, and the audience. The diaries touch on a variety of themes including identity politics, downtown NY, anglophilia, fandom, fame, and fashion. Contrasting the stark black and white of 1970s New York with the exuberant beat-up color of a decaying London and its disenchanted youth, a lost era is brought back to life through a dedicated fan's own reportage. Creative, funny and endlessly cool, the result is an unprecedented perspective into an ever-popular moment in contemporary cultural history.

Welcome to faustforward 8 Thanks for the dance, Nat xx   Playlist Lujo Asiatico – Undertones 2 (remix) Aquaserge – N.I.O (New Information Order) Asha Puthli – One Night Affair (Turbotito & Ragz remix) Sriguns – You're Not There The Fall – Theme From Sparta F.C. The Advisory Circle – The Luxury Spectrum The Orchestra (For Now) – Wake Robin Tiny Leaves – Runner, Messenger ii The Jeffrey Lee Pierce Sessions – Time Drains Away (feat. Lydia Lunch, Jozef Van Wissem & Jim Jarmusch) Josef Van Wissem – May the Bright Gate Welcome You Lustmord & Jaye Jayle – Er Eb Es Francesca Heart- Essence Nouvelle Leonard Cohen – Listen to the Hummingbird David Bowie – Blackstar Talk Talk – I Believe in You Nick Cave & The Bad Seeds – Ghosteen Popol Vuh – Lacrime di Re Erland Cooper – Do Birds Dream? (edit) Brian Eno – An Ending (Ascent) ABBA – Dancing Queen

“Hideously hilarious and strangely poetic, On High at Red Tide is the best/worst ride to the Coney Island of the Minds inside delinquent lunatics looking for fun in all the wrong places. I loved it.” —Lydia Lunch” Here’s the full episode with punk noir novelist and troubadour of JAIL WEDDINGS & The STARVATIONS, Gabriel Hart, about his debut novel, ON HIGH AT RED TIDE! Watch the liminalstream: https://youtu.be/NMR5_Wj4csQ GABRIEL’S LINKS: http://www.gabrielhart.net On High at Red Tide (novel): https://pigroastpublishing.com/product/on-high-at-red-tide/ BEYOND THE LAST ESTATE: print only, to order, contact: beyondthelastestate@gmail.com JAIL WEDDINGS: https://jailweddings.bandcamp.com/music About ON HIGH AT RED TIDE: A debauched meditation on death and delinquency that fuses noir, punk/gang culture, and the surrealist drug novel into a caution-nary tale of toxic co-dependence and blurred principle. A mysterious sentient energy lowly reincarnated as red tide—the harmful algal bloom sharing its red phosphorous with methamphetamine—returns to the scenes of its coming-of-age atrocities, narrating this punk rock shadowing of The Secret History and Lord of the Flies from the vantage of its ominous panoramic ocean. In tandem, we observe The Vigil: a gang of neurotic teenagers living on a strict diet of speed, alcohol, and 25-cent pudding pies, craving power and vengeance in a small beach town where the police are closing in on them and “Mom,” their enabling matriarch on her last hurrah. WE LAUNCHED SOMATICK MEDIA! Sign up on PATREON to receive handmade cassettes, zines, and more every couple months! NOTE: I’ll be going on a sabbatical to the foggy coast as I try to make heads or tails of internal and external developments. I hope to return with a plan of attack for finishing both the HAUNTOMANCER / HAUNT MANUAL print text and the REVEL ROSZ record–both have been harrowing in their incessant gnaw and I plan to hexorcise these major works within the next few months. I will be shipping more HOLLERS and HEXKASSETTES upon returning. My bandwidth is a bit fried at the moment. Hope you all have a great horrorday and stay tuned for some more updates via patreon. HAUNT THE HAINTS, AND HAUNT ON. Musick this episode courtesy of DAKOTA SLIM: https://dakotaslim.bandcamp.com/track/and-it-wont GOD GONNA GET ME RIGHT (haunted hymnals 2010 – 2012) by Dakota Slim Photography by Logan Ford. WATCH THE NEW VIDEOMANCY CONJURED FOR THE FULL DIM ∴ TZUM ALBUM: https://youtu.be/6lTWVLiCVcc DOWNLOAD DIM ∴ TZUM “The Mauve Sessions”: BANDCAMP: https://dimtzum.bandcamp.com/ WATCH THE NEW VIDEOMANCY CONJURED FOR THE FIRST REVEL ROSZ SONGSIGIL / E.P. “KARRAS”): https://youtu.be/zH-0xOJH88M?si=DfXM1vTZhVweDCNh Follow REVEL ROSZ for updates on forthcoming songsigils and live dates: BANDCAMP: https://revelrosz.bandcamp.com/ INSTAGRAM: https://instagram.com/revelrosz To support a new era of WE THE HALLOWED and the many media magicks we've conjured, we launched http://HALLOWEDPRESS.ART as a means to collect our many completed projects from Published Literature, Illustration, Albums, Audio Sigils and now, custom apparel and wares designed by WtH Seer Eric J. Millar and Revel∴ Keats Rosz! FIND EVERYTHING PRAG∴MAGICK: http://pragmagick.com SUPPORT VIA PATREON: https://patreon.com/pragmagick PAYPAL: http://www.paypal.me/keatsross WE THE HALLOWED: https://wethehallowed.org I want to give a big thanks to Eric J. Millar for his invaluable partnership in weathering the proud tides of human error. And of course, all the amazing patrons that have stayed with me as I swayed these past couple of months. Thank you Temple of Babalon Choronzon (Bobby, Leah, Stashia & Groucho), Frater Perseus, MetemPsychotic, Saroth The Mage, Tom Whiston, Lya & Azure Edwards, Kendall Esse, JJ Reine De Blanc, Jenny Rocky, SorcerersHomie, Cal Desmond Pearson, Alex Leadbetter, Bibi, CW Chanter, Jonicide, Jilly Beans, Corrie Anne, Spooky, Derek Hunter Vanessa Sinclair, Carl Abrahamsson, Tony Davis, Arnemancy and you, dear ghost, for your ongoing support! You, too, can pledge your support to PRAGMAGICK & WE THE HALLOWED for as little as 1 dollar to help finance all the many artistick mediums we release our works through! http://patreon.com/pragmagick GENERATIVE ARTIFICIAL INTELLIGENCE DID NOT CREATE, AUGMENT or INSPIRE ANY ARTISTIC MEDIUM EXPRESSED WITHIN THIS PODCAST or WE THE HALLOWED ARTWORKS WRIT LARGE. CELEBRATE HUMAN ERROR.

This week, we talk to journalist and author KATHERINE YESKE TAYLOR (She's A Badass: Women In Rock Shaping Feminism) about the much-requested film PURPLE RAIN!!! We get to discuss Katherine's start at interviewing bands at age 16 and fighting against her highschool newspaper to do so, how she put her book together (interviewing Suzie Quatro to Lydia Lunch to Death Valley Girls), seeing Purple Rain in a movie theater vs. seeing it at home on VHS, how the First Avenue (the lengendary music club in Minneapolis) is such a strong character in the film, the cultural saturation of Prince at this time, the genesis of the film getting made, Prince's complete artistic control & how he did not talk to the press for over 2 years after the film came out, Prince's un-finished first film The Second Coming with director Chuck Statler (director of Devo, Elvis Costello and The Time videos), jamming a movie into a 3 1/3 minute music video during the early 80s, Morris Day's film stealing performance and his post-Purple Rain career, the acting stylings of Prince and his band, the confusing plot point of the bands playing only one song at a time at the club in this movie, the competitive nature of bands, the managment of the club telling Prince not bring his personal shit up onto the stage (when that's all he does!), seeing performers have a meltdown on stage, how much of the movie's storyline doesn't work for modern audiences, the difference between the sexuality of this film vs. his albums, how Prince was also a champion for women in music when men weren't, Wendy & Lisa, When Doves Cry, the final freeze frame of the film & the guitar climax that leading up to it, Whitesnake, how Prince followed up Purple Rain with some of his most esoteric work to date & how at the age of twenty-six Prince already knew that he did not want to do Purple Rain 2!So let's whip our heads quickly towards the camera, and then let's go crazy on this week's episode of Revolutions Per Movie!!KATHERINE YESKE TAYLOR:https://bookshop.org/p/books/she-s-a-badass-women-in-rock-shaping-modern-feminism-katherine-yeske-taylor/19792657?ean=9781493072545@kyt_in_nycREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Join our poetry Salon and Open Mic: https://parallax-media-network.mn.co/share/5hSLvQW7bNszFGEo?utm_source=manual About David Herz: Hello. My names are David Salzmann Herz. I was born in Boston 70 years ago when McCarthy was getting his comeuppance. I lived with my family somewhere in Massachusetts before moving to Belo Horizonte, Brazil , as part of the Department of the Interior's Punto Quatro program where my father was instrumental in mapping the geology and training a generation of Brazilian geologists. I began writing aged ten at the American school of Sao Paolo which had scorpions in the sandbox. I won a turtle for my prose. Then we lived in Chevy Chase, Maryland before moving to Athens, Ga. Where I met the poet Colman Barks and other luminaries. I moved to Chicago and studied briefly under Del Close at Second City and David Mamet who was then directing the Goodman Theater. As well as Richard McKeon at the University of Chicago who taught Susan Sontag among others. Then I returned home and drove a car from Selma, Alabama to Warminster Pennsylvania, possibly damaging the transmission while accelerating against the snow and ice. The next three years in a bankrupt New York City were richness incarnate. I worked at the Oh Ho So restaurant in SoHo and as a busboy served Harry Belafonte, one of the reasons God created humans, a glass of water. I had Alice Notley, poetess supreme, for a teacher and read my prose work at the Saint Marks in the Bowery Poetry Project. Those were wild times, buildings burning, trash uncollected, rapes a'plenty, and great generosity from compassionate lawyers, doctors and dentists for the impoverished lot we were. You could easily meet people such as John Cage, Merce Cunningham, John Giorno, Ted Berrigan, David Byrne, Patti Smith, Fred Sherry, Nam June Paik, Allen Ginsberg, Gregory Corso, Charles Bernstein, Tony Towle, Bill Berkson, Eileen Myles, Ted Greenwald, John Cale, Lydia Lunch, Alan Vega, and avoid others such as Valerie Solanas. And then just as I was about to join a rock and roll band I moved to Paris. It's been 45 years. Odd jobs subtitling movies and Sipa Photopress Agency photographs. Doing journalism for English language papers, interviewing the B- 52's, Peter Brook, Zouc, Herbert Achternbusch, Paul Lederman, Boris Bergman and then working for Bull and Alcatel two fine French corporations employing hundreds of thousands who equally vanished into the capitalist sunset. Thanks to a flutist friend in Ircam I got to meet Karlheinz Stockhausen and Pierre Boulez but I don't think they remember me. I did a translation for Sophie Calle before she became Sophie Calle. Also some work for the Royal family of Afghanistan. Back when there was one. At Paris VIII University still in the Bois de Vincennes with the whores whom we did not try to lead to culture I got to attend classes by Lyotard & Deleuze and the Miller Brothers, Lacan's son in laws? Noam Chosmky spoke. I thought to become a consultant in a moment of delusion and ended up teaching for the last 24 years: Polytechnique, SciencesPo, ENST, INT, Supelec, Ecole Centrale, ENPC, ENSTA, Paris V, ICP, ESIEE, ECE, Ecole du Louvre. Before that I was a technical translator, a field I am happy to report that has been almost entirely taken over by machines, bless their soulless bodies. I also got married and my wife and I had two children. But we hadn't really grown up much to the needless suffering of the children and so that marriage went painfully bust...Then I married again and we had a daughter. She's on the phone right now, de rigueur for all 16 year olds. I am a loving observer of the human experiment of which I am inextricably a part, how so ever much I would like to be apart. As we advance, not necessarily progress, into the numbing, memory erasing age of AI, already sinking its canines deep into our pranic jugulars, lose ourselves in our beloved electronic devices, we must look to our hands, our analog writing devices such as pencils and pens and give them a try. Along with all the rest.

We're chatting with Jeff Zentner, author of COLTON GENTRY'S THIRD ACT. Join this lively conversation about his work! ABOUT THE AUTHOR: Jeff Zentner is the author of New York Times Notable Book The Serpent King, Goodbye Days, and Rayne & Delilah's Midnite Matinee. He has won the William C. Morris Award, the Amelia Elizabeth Walden Award, the International Literacy Association Award, and the Westchester Fiction Award. He's a two-time Southern Book Prize finalist, been longlisted for the Carnegie Medal and UKLA, and was a finalist for the Indies Choice Award. He was selected as a Publishers Weekly Flying Start and an Indies Introduce pick. His books have been translated into fifteen languages. Before becoming a writer, he was a musician who recorded with Iggy Pop, Nick Cave, and Debbie Harry. He lives in Nashville, Tennessee. He came to writing through music, starting his creative life as a guitarist and eventually becoming a songwriter. He's released five albums and appeared on recordings with Iggy Pop, Nick Cave, Warren Ellis, Thurston Moore, Debbie Harry, Mark Lanegan, and Lydia Lunch, among others. He became interested in writing for young adults after volunteering at the Tennessee Teen Rock Camp and Southern Girls Rock Camp. As a kid, his parents would take him to the library and drop him off, where he would read until closing time. He worked at various bookstores through high school and college. He speaks fluent Portuguese, having lived in the Amazon region of Brazil for two years.

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

"I hope the adventures in this book inspire you to explore a cemetery. It's good for the cemetery—and I promise it will be good for you." This is how Loren Rhoads welcomes readers to indulge in her latest cemetery book, 'Death's Garden Revisited: Personal Relationships with Cemeteries'. Loren, who is the editor, says the book is a "collection of over two dozen essays and more than two hundred photographs involving twenty-seven contributors, ranging from spoken word diva Lydia Lunch and artist/poet Jane Handel to ceramics artist Mary Jo Bole. The contributorsincluded writers for the LA Weekly, zinesters, underground musicians, and high school girls." Loren, who is also the author of '199 Cemeteries to See Before You Die' and 'Wish You Were Here: Adventures in Cemetery Travel', joins Jennie and Dianne in a delightful discussion about the book and her relationship with those who contributed to it, and how her own relationship with cemeteries began and her Ordinary Extraordinary career as a writer of not only books about cemeteries, but also fiction in the realms of horror, fantasy and sci-fi. Now available on YouTube:https://youtu.be/DyJXVKcB6I0?si=7CylT2EYY6iyT8YbTo purchase an autographed copy of 'Death's Garden Revisited' click here: https://lorenrhoads.com/product/deaths-garden-revisited/To subscribe to Loren Rhoads's newsletter, follow her blogs or learn more about any of her publications, visit her website: https://lorenrhoads.com/

This week we're discussing every album by Foetus. However, there are a million EPs, remix albums, and collabs, so we're just sticking with the core 10 albums. Foetus is the brainchild of JG Thirlwell, whom many will know as the music composer for The Venture Bros. and Archer. But Thirlwell's roots stem all the way back to the New York no wave scene with characters like Lydia Lunch and Nick Cave. Be prepared, this is one hell of a discography.Closing track: “Paper Slippers” from Hide (2010)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, AppleSubstackWebsiteMike's Picks:Hide (2010) — Best Album, Personal FavoriteDeaf (1981) — Worst Album, Least FavoriteAlex's Picks:Nail (1985) — Best AlbumFlow (2001) — Personal FavoriteThaw (1988) — Worst Album, Least FavoriteAlbums we discussed this episode…Deaf (1981)Ache (1982)Hole (1984)Nail (1985)Thaw (1988)Gash (1995)Flow (2001)Love (2005)Hide (2010)Soak (2013)

This week on Cultural Manifesto, listen to an interview with the Indianapolis composer, performer, and multimedia artist Jordan Munson. He has a new album out titled Heartless Fools. The music was recorded at Greenhouse Studios in Reykjavík, Iceland, and features contributions from Indianapolis musicians including Hanna Benn, and Charlie Ballantine. According to Munson, the music on Heartless Fools is a response to the complex social and political landscape of present day America. The album features a constantly shifting sonic palette, reflecting order and chaos, contemplation and impatience. Also, music journalist Katherine Yeske Taylor will discuss her new book She's a Badass: Women in Rock Shaping Feminism. Tomorrow Bookstore will present an author talk with Taylor on February 20th at the Indy Fringe Theatre. She's a Badass: Women in Rock Shaping Feminism features Taylor's interview with 20 influential women in rock music, including Ann Wilson or Heart, Gina Schock of the Go-Go's, Exene Cervenka of X, Amy Ray of the Indigo Girls, Suzanna Vega, Lydia Lunch and others.

This week on Cultural Manifesto, listen to an interview with the Indianapolis composer, performer, and multimedia artist Jordan Munson. He has a new album out titled Heartless Fools. The music was recorded at Greenhouse Studios in Reykjavík, Iceland, and features contributions from Indianapolis musicians including Hanna Benn, and Charlie Ballantine. According to Munson, the music on Heartless Fools is a response to the complex social and political landscape of present day America. The album features a constantly shifting sonic palette, reflecting order and chaos, contemplation and impatience. Also, music journalist Katherine Yeske Taylor will discuss her new book She's a Badass: Women in Rock Shaping Feminism. Tomorrow Bookstore will present an author talk with Taylor on February 20th at the Indy Fringe Theatre. She's a Badass: Women in Rock Shaping Feminism features Taylor's interview with 20 influential women in rock music, including Ann Wilson or Heart, Gina Schock of the Go-Go's, Exene Cervenka of X, Amy Ray of the Indigo Girls, Suzanna Vega, Lydia Lunch and others.

On this episode we have a real treat for you! A feast of a movie all about flesh eating and despair! It's the classic 1980 exploitation flick Antropophagus by the great Joe D'amato. We get into all the gory details on this episode that will leave you hungry for more! Or at least for a sausage. Maybe even a baby. Hear it now and let the horror into your life! ANTROPOPHAGUS : Originally released October 9th, 1980  "Tourists become stranded on an island and are stalked by a gruesome killer that slaughtered the island's former inhabitants. "Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.com ★ Support this podcast on Patreon ★

 On this episode we drift through the depths of the galaxy looking for planets to destroy, beach ball aliens to fight, the wild concept of phenomenology to ponder, sentient bombs to argue with, and all this while OUT of toilet paper! We're talking about John Carpenters 1974 DARK STAR, written by Carpenter and Dan O'Bannon, writer of Alien and director of Return Of The Living DeadBlast off for an absurd and strange episode!  Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? Don't miss out on  WHO SHOT HANK : a special video Q&A available for your viewing displeasure exclusively available on Patreon ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

This week, we had the absolute pleasure of talking to Katherine Yeske Taylor about her new book "She's a Badass: Women in Rock Shaping Feminism" which is coming out tomorrow! Throughout the 20 chapters, she interviewed fundamental women in rock like Suzi Quatro, Ann Wilson (Heart), Exene Cervenka (X), Gina Schock (the Go-Go's), Lydia Lunch, Suzanne Vega, Cherie Currie (The Runaways), Joan Osborne, Donita Sparks (L7), Amy Ray (Indigo Girls), Tanya Donelly (Throwing Muses, the Breeders, Belly), Paula Cole, Tobi Vail (Bikini Kill), Laura Veirs, Catherine Popper, Amanda Palmer, Bonnie Bloomgarden (Death Valley Girls), Orianthi, Fefe Dobson, and Sade Sanchez (L.A. Witch). We talk about the process of writing the book, the struggles of women in the early rock scene, and the fundamental women that shaped the scene. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we had the absolute pleasure of talking to Katherine Yeske Taylor about her new book "She's a Badass: Women in Rock Shaping Feminism" which is coming out tomorrow! Throughout the 20 chapters, she interviewed fundamental women in rock like Suzi Quatro, Ann Wilson (Heart), Exene Cervenka (X), Gina Schock (the Go-Go's), Lydia Lunch, Suzanne Vega, Cherie Currie (The Runaways), Joan Osborne, Donita Sparks (L7), Amy Ray (Indigo Girls), Tanya Donelly (Throwing Muses, the Breeders, Belly), Paula Cole, Tobi Vail (Bikini Kill), Laura Veirs, Catherine Popper, Amanda Palmer, Bonnie Bloomgarden (Death Valley Girls), Orianthi, Fefe Dobson, and Sade Sanchez (L.A. Witch). We talk about the process of writing the book, the struggles of women in the early rock scene, and the fundamental women that shaped the scene. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this fresh from the grave episode of Death By DVD we bring WHO SHOT HANK back! Who Shot Hank is an all original audio drama about the horrific murder of the original host and co-founder of this very show, Hank The Worlds Greatest. Hank was murdered on new years eve 2021, and following his brutal death the haunting investigation would ROCK THE WORLD! Hear Who Shot Hank, the murder that started it all and parts 1-4 completely re-mastered in fresh and filling STEREO audio. The first 5 chapters of the story, together as ONE full episode. The Who Shot Hank pentalogy brings the horror home to you. Listen now to Death by DVD's all original audio drama. ***WE RECOMMEND LISTENING TO WHO SHOT HANK WITH HEADPHONES ON, TO HEAR EVERY DETAIL***Want to hear more WHO SHOT HANK? Just head to our official website www.deathbydvd.com to hear the stunning conclusion of this murder mystery. Just click the page titled WHO SHOT HANK!Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? Don't miss out on  WHO SHOT HANK : a special video Q&A available for your viewing displeasure exclusively available on Patreon ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.com

The first episode of Death By DVD for the year 2024 is here! Have no fear, it's just a "best of" episode! We go through Death by DVD's BEST OF 2023 films on this fresh from the grave episode, awaiting your ear holes, NOW! Click play and make the day with Death! The best films of last year, plus much much more! Be sure to follow DEATH BY DVD on Letterboxd for maximum movies, ALL THE TIME! https://letterboxd.com/deathbydvd/Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

Well, well, well! We have reached the end of yet another year! This is the end of Death By DVD year 14. The last episode of 2023! Next year we turn 15 years old, and I hope you join us for more horror, more movies, more everything! On this fresh from the grave episode we discuss the last year of Death, share our thanks to the audience, our fans, our friends, and tease all the new ghoulish & dreadful things coming your way in 2024 from Death By DVD.Thank you for joining us, thank you for listening and happy new year!Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

This week stars Katherine Yeske Taylor!! Katherine is a journalist and the author of a book I was interviewed for called, She's a Badass: Women in Rock Shaping Feminism, along with Suzi Quattro, Gina Shock, Exene, Lydia Lunch, Donita Sparks, Amy Ray, Toby Vail, Sade Sanchez… among others!! I feel extremely honored to be among these heavy weight heroes, and I think this book is super important, and a fascinating glimpse into what it is like to be a non-male in the music industry, and world! The book is set to release early next month, pre-order it now !!! She's a Badass: Women in Rock Shaping Feminism is currently available for pre-orders at Amazon, Barnes & Noble, Books-A-Million, and via local/independent booksellers at Bookshop.org. EPISODE: https://linktr.ee/DVGpodcastSupport us at https://www.patreon.com/Deathvalleygirls and please join the DVG Podcast page on Instagram (@deathvalleygirlspodcast) Facebook (Death Valley Girls Podcast) Hosted on Acast. See acast.com/privacy for more information.

Ho Ho Ho! It's the 2023 Death By DVD holiday special, Charlie Brown! On this swell seasonal episode we discuss James Cameron's 1989 THE ABYSS, in all of its glory! What does The Abyss have to do with the holiday season, you ask? Nothing! Nothing at all! But, The Abyssmas was a fantastic pun we just couldn't abandon, and thus, the 2023 holiday special was born! Hear everything you needed, and didn't need to know about the movie that almost killed half its cast now on this new merry and bright episode of Death By DVD hosted by the shows classic lineup. Happy Holidays, and thank you for listening! ★ Support this podcast on Patreon ★ New Years is on the rise, which is the perfect time for Death By DVD's all original audio drama WHO SHOT HANK The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows original host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK this holiday season, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  Subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comDid you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★