Podcasts about Archaic

We continue to use the historical model of Spiral Dynamics to illustrate how worldviews and their evolution related to the interpretation of God identity.  The first 2 worldviews illustrated by the Spiral model are Archaic and Tribal. These 2 worldviews show up in the Biblical Narrative as Archaic Adam and Tribal Abraham. Both are in the Genesis of the story. These 2 figures set the stage for the evolution of spiritual consciousness with regard to universal God identity. Understanding how Adam and Abraham understood God identity is a necessary first step in the journey. We are proposing that the Biblical Narrative is actually one seamless story that traces the beginnings of spiritual consciousness all the way to our present day map. Spiritual consciousness with regard to God identity did not start with Jesus. To understand how we have a current map of separation, division and denomination in the world religion of Christianity we have to start at the beginning and then see if we can find where the interpretation of the story got off track along the way. 

A new MP3 sermon from SitGMedia is now available on SermonAudio with the following details: Title: Be Ye Holy For I Am Holy: An Archaic Hope or Divine Requirement? Subtitle: Stand in the Gap Today Speaker: Sam Rohrer Broadcaster: SitGMedia Event: Radio Broadcast Date: 4/7/2025 Length: 48 min.

Dr. Champion reveals the hidden reason the IRS can NEVER replace its 1960s-era mainframes. Dave takes it further by explaining what this insane situation tells the American people about who owes income tax and who does not! Dave's books are at https://drreality.news/store/ Use the code 'tariffs' for free shipping on any order containing "Income Tax: Shattering The Myths”.

We open with an interview with Elon Musk over his goal for DOGE and saving taxpayers money, while also keeping the country from going bankrupt. This is why we need that clean CR to pass, to give him and his team at least three more months of data analysis and reporting. While I appreciate Rep. Thomas Massie's (R-KY) stance on never voting on a CR without cuts, this is not the time to play intractable politics. I then dive into a piece by Victor Davis Hanson about how the Democrat leadership is actually helping keep the Trump momentum going. It's amazing to me to see a party so fixated on hatred, that they are polling only 21% favorability and they don't care. Next we look at the arrest of a radical Islamist agitation on the campus of Columbia. While the Left manages to once again find itself in support of the small minority, when we look at Mahmoud Khalil's terrorist actions and affiliations, there is no doubt he is in violation of the law. And there are many more to follow. I even bring up a vote that the sole “no” came from Rep. Rashida Talib (D-MI) when it came to cracking down on border tunnels used for drug and human trafficking. By the way, a big thank you to Ryan Mauro for his work digging into Khalil's background. Seems FEMA diverted more than $1 billion into NGO's whose mission was to funnel illegal aliens into the United States. Once again we see the Biden regime was committed to an open border. It wasn't a mistake, it was the plan. Attorney Alina Habba says the only people who should be losing sleep at night are those who gamed the systems and fraudulently stole from the American people. She feels it will mostly be on the Democrat side of the aisle. CNN is shocked to discover the majority of Americans say that Musk/DODGE should influence government spending and operations. A majority also approves of Trump trying to cut staff at government agencies. As we close, we get word from the CEO of United Airlines. He explains the problems are with the antiquated and understaffed FAA, not the airlines. He explains that he believes the current administration finally has the right people in place to fix the old and broken systems. Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR and TRUTH Social by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

SEGMENT - Arcand reacts to Bert Breer saying that the Patriots are lightyears behind other organizations and are rather "archaic"

Sasha and Evan review the lasted wrestling film to hit the big screen!https://wrestlinganalysis.home.blog/2023/11/28/market-competition-and-why-i-think-streaming-wars-are-bad-for-fans/Music by Josh KasenTwitter: @ArchaicWrestle

Jósa Tamás, vagyis Brother Belmont nagyon sok helyről ismerős lehet: Sztárban Sztár leszek, Iron Maidnem, Archaic, Divided és még megannyi projekt, amiben hallhattad a hangját. Most azonban Tamás szólólemezzel jelentkezik, így bőven volt miről faggassam az úriembert!Brother Belmont CD rendelés:https://grundrecords.hu/brother-belmont-transmissions-through-the-nuclear-ash-cdBrother Belmont a Facebookon:https://www.facebook.com/josa.tamasRic$ a Facebookon: https://facebook.com/szenegetorichard Ric$ blogja: https://ricsandgreen.hu Ha bármi észrevétel, hozzáfűznivaló, témaötlet van, azt a rics@ricsandgreen.hu címre küldhetitek! Ha szeretnéd, hogy több videó készüljön, akkor támogasd a csatornát a https://patreon.com/ricscast oldalon, használd a "köszönet" gombot, vagy vásárolj pólós csomagot a Facebook oldalamon! Ha szeretnéd hamarabb megnézni a videókat, válaszd a csatornatagságot! Köszönöm! Intro zene: Szehoffner PéterIntro hangok: Papp János színművész, Horváth Martina, Danko Jones, Szehoffner PéterA műsor az NKA támogatásával készült!

Parking wars in Lakeland!

In this weeks new episode, new music from Archaic, Rawbeetz, Alex Mills, Toolbox, Eastmynd. The track of the week is Sacred Ground by Dilby. Enjoy! Archaic - Move It (Original Mix) [DREAMODE] Dave Beer, Robert Owens & The Blessed - For The Beloved (Dave Beer Late Night Dub) [Jack Said What] Andy Bach - Whats Going On (Original Mix) [Lisztomania Records] Bosko Balos - Green Yellow Sun (Original Mix) [Airtime Records] EASTMYND - One Thirty (Extended Mix) [Quantum Flux Audio] Andy Bach, Lebedev (RU) - Everybody (Lebedev RU Remix) [Lisztomania Records] Alonso Bierg - The Beginning Of The End (Original Mix) [Xpress Sound] Andrew Macari - Get Me Up [Greenhouse Recordings] Manuel Varey - In The Deep (Extended Mix) [STORK Recordings] Overworked (US) - Ghetto Style (Original Mix) [Arbooreal Records] Ryan Truman - Leave It [Subcommittee Recordings] Alben & LAJE - French Connection [House Of Groove] Saliva Commandos - Don't Call it a Come back (Extended Mix) [Let Me Know] KAFKA (AT) - Asix (Original Mix) [Dobar House Gruv] Mark Funk, Danny Cruz - My Lovin (Original Mix) [Cruise Music] rawBeetz - Lookin Fly (Vybe Mix) [I Records] Jason Rivas, Old Brick Warehouse - Back to Jack (Instrumental Mix) [Kinkanahia Music] Ostrich - Double Dribble (James Dexter Remix) [Sublease Music] Dilby - Sacred Ground (Original Mix) [Selador] Marius Acke - Rumbler (Original Mix) [Crucial Traxx] Toollbox - The Bass Is Moving The Beat Is On Fire [UVAR] Lee Young - Baby Go (Original Mix) [DESIGN_ Records] Constanza Pucheta - Warehouse (Original Mix) [Miaw] Fat Tony, Fierce Child - Men Adore (Catz 'n' Dogz Tribal Extended Dub) [Full Circle] fogo_trax - Retrospect [New Violence Records] Carl The Jackal - What U Need (Extended Mix) [Motive Records] Steve Hammer - Hey Dude! (Original Mix) [Pandemonium] James Alexandr, Penelope - Playing With Knives (Extended Mix) [Vicious] Alex Mills, ESSEL - Give Me Desire (Extended Mix) [Toolroom]

Most results show ancestry back 2000-3000 years from where a family originated from, but now A.I opened a world of prediction based on Cro-Magnon, Denisovan and Neanderthal archaic DNA for even more personalized ancestry analysis. At the same time the economy. ☕ Support Civilization Cycle Podcast Buy As a Double Espresso

In this week new episode, new music from Archaic, Rawbeetz, Alex Mills, Toolbox, Eastmynd. The track of the week is Sacred Ground by Dilby. Enjoy ! For more info and tracklisting, visit: https://thefaceradio.com/club-cozzo/Tune into new broadcasts of Club Cozzo, Saturdays from 10 PM - Midnight EST / 4 - 6 AM CET (Sunday).//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

John Calipari is now considered "Archaic" by an anonymous SEC coach. We preview some college basketball games going around. Sam's headlines include many NFL new hires. Also, Kirk why are you crying? Check out our guests: Sam Sklar: @sklarsam_ on X Jack Foster: @jackfostermedia on X Easton Freeze: @eastonfreeze on X You can find the guys here: Sam: @_beard11 on X Bob: @TheHoundBB on X Don't forget to check out @fanrunsports on Instagram! or 'Fanrun TV' on Youtube. Lots of great writing over at www.fanrunradio.com

The Professor Frenzy Show Episode 340 EC Cruel Kingdom #1 from EC Comics/Oni Press (W) Chris Condon, Al Ewing, Greg Pak, Al Ewing (A) Kano, Leomacs  $4.99  Lucky Devils #1 from Image Comics (W) Charles Soule (A) Ryan Browne $3.99  Prodigy: Slaves of Mars #5 from Dark Horse Comics  (W) Mark Millar (A) Stefano Landini $5.99  Those Not Afraid #1 from Dark Horse Comics (W) Kyle Starks (A) Patrick Piazzalunga $3.99 Welcome to the Maynard #2 from Dark Horse Comics (W) James Robinson (A) J. Bone $4.99  What's the Furthest Place From Here #21 from Image Comics (W) Matthew Rosenberg (A) Tyler Boss $3.99  Vampiress Carmilla magazine #25 (W) Don Glut & Various (A) Others & Various $6.99  Transformers #16 from Image Comics (W) Daniel Warren Johnson (A) Jorge Corona, Mike Spicer $3.99  When I Lay My Vengeance Upon Thee #1 from BOOM! Studios (W) Gus Moreno (A) Jakub Rebelka $4.99  Archaic #2 from Ahoy! Comics (W) Melissa F. Olson (A) Sally Cantirino $3.99      Today's Best Comic Books G.I. Joe #3 from Image Comics (W) Joshua Williamson (A) Tom Reilly, Jordie Bellaire $3.99  Witchblade #7 from Image Comics (W) Marguerite Bennett (A) Giuseppe Cafaro, Arif Prianto $3.99  Behemoth #1 from  Dark Horse  |  Writer(s): Grant Sputore   |  Artist(s): Jay Martin  |  $3.99 FML #3 from  Dark Horse  |  Writer(s): Kelly Sue DeConnick   |  Artist(s): David Lopez  |  $4.99 Doll Parts A Lovesick Tale #2 from  Image  |  Writer(s): Luana Vecchio   | Artist(s):Luana Vecchio  |  $3.99 Feral #9 from  Image  |  Writer(s): Tony Fleecs   |  Artist(s): Trish Forstner Tone Rodriguez Brad Simpson  |  $3.99 Horizon Experiment Finders Keepers #1 (One Shot) from  Image  |  Writer(s):VitaAyala   |  Artist(s): Skylar Patridge  |  $3.99 I Hate Fairyland Vol 2 #19 from  Image  |  Writer(s): Skottie Young   |  Artist(s):Brett Bean  |  $3.99 The Moon Is Following Us #5 from  Image  |  Writer(s): Daniel Warren Johnson   | Artist(s): Riley Rossmo Daniel Warren Johnson  |  $3.99 Grimm Fairy Tales Presents Grimm Tales Of Terror Vol 5 #1 The Black Angel from  Zenescope Entertainment  |  Writer(s): Joe Brusha |  $4.99 Howl #1 from  Ahoy Comics  |  Writer(s): Alisa Kwitney   |  Artist(s): Mauricet  |  $3.99 Minor Arcana #5 from  BOOM! Studios  |  Writer(s): Jeff Lemire   |  Artist(s): Jeff Lemire  |  $4.99 You Wont Feel A Thing #1 from  DSTLRY Media  |  Writer(s): Scott Snyder   | Artist(s): Jock  |  $8.99   Nostalgia  Superman #261 V1 cover dated Feb. ‘73; cover price 20 cents, “Slave of the Star Sapphire” (W) Cary Bates (A) Curt Swan and Murphy Anderson This week's that guy that was in that show is  Joe Regalbuto I Sing the Body Electric, Season 3 Episode 35, Written by Ray Bradbury, Original air date May 18, 1962  

In this episode of the Great Plains Archaeology Podcast, host Carlton Shield Chief Gover explores the Late Archaic period, a time of significant cultural and environmental change on the Great Plains. At the heart of the discussion is the Nebo Hill Site in Missouri, a key archaeological site that sheds light on the innovations and adaptations of Late Archaic peoples. Carlton examines the technological advancements, shifting subsistence strategies, and evolving social organization that defined this period.Links: The Archaeology of the North American Great Plains by Douglas B. Bamforth (2021) Archaeology on the Great Plains Edited by W. Raymond Wood (1998) Carlton's KU Anthropology Faculty BioTranscripts For rough transcripts of this episode, go to: https://www.archpodnet.com/great-plains-archaeology/10Contact: Instagram: @‌pawnee_archaeologist Email: greatplainsarchpodcast@gmail.comAffiliates Motion

TITUS Come, now— As the king does sit upon my throne, Though not a King myself as I, Still cherished among men and many Who are in thine favor, As you seek truth to bear, my King And not your but also yours, Does partake thy bethrotjen nature, To swallow whole a seed a assumption as To vanish by trace, The rather and tide to bond, For truth you seek, And truth I bear, As fruit does grow, By force of not God, But nature, And to thine, the faring way The truth does seek you, too Thus, my God and Queen— But also King, Ruler never captured And gained wisdom by time, Which— None does have, but thyself. And now, Titus. To know,node bearing fruit are I And bearing truth shall you, A lesson gathered, as you as one And I as other— under the assumption of Love What is love? God, this is a sausage feat in here. Let's get some women in this bitch. Oh, there are women— They just don't speak much— Especially in this series Ascension. Because they're perfect. Archaic is this, A truce for the truth I seek. A wage for the war I've bargeouned. Listen now. You tell me. I tell you all that I know, For nothing now, And in nothing's sake, The shared alter. I, too, you. And you to I— Have we parted but some to forge But others? No others remain. And still I gather. With flower. And grow thy seed. The fruit, or truth? No difference. A tree, I am born. To wake. A shadow in the summer's night where autumn azure sun does beem, The wicked truth you lie to pardon Stands in its own awakening; Shallow moon tide's at dawn, And so, you kind folk of Kingdom there And Kingdom come, The truth is said as this, The seed the fruit— The love was born in ritual, And only then, The dance was made, For the song to have been sung as such. Dear Queen, my heart. For never better none has taken guilt in wavering the time has come; Never now but always forward And never there but always bound, To love itself, And so I am. Again. Trust me. I have. The King is slain. —but also lives. As haunted and as haunting no doubt, But to gain is this, my trust And in your waiver— the vow My honor, and sacntity so. The swine. Not of this realm, but others seek. And in this realm and others so The truth of fruit shall parish, Ignored and never eaten Never to have grown from seed, And then, of course, No tree shall I shadow In midnight summer's truth, The blue azure light, Of seeking sun, Soon to align, By midnight dawn, And waking tide— The moon you say. A sworn disaster. And so, I pray. All's fair. And you. [TITUS with a heavy heart exits the corridor.] {Enter The Multiverse} The Strine Force Five assembles in the basement before supper is called SETH, a peckish boy, almost goilish looking, maybe 11 or so steals cookies from OLIVER, who might be about 9, who speaks with a heavy and very proper English accent— Stop stealing my biscuits! Why bring them if you're not going to share? I did share. You lot had the box! You know these are cookies, right? They're my special biscuits. UPSTAIRS, MOM and DAD, very much the classic stereotypical suburban and American everywoman and Everyman prepare for supper. DAD, who resembles almost too much the LATE JOHNNY CARSON, peers into his newspaper conspicuously— Who does mom resemble? Let me — LATER, at the DINNER TABLE. Boys, Say hello to your uncle Steve. [The man heavily resembles Steve Allen] OLIVER Hello, Uncle Steve! UNCLE STEVE …I'm not your uncle. LIL JIMMY (Mumbling) I don't like uncle Steve… BIG JIMMY elbows him. Hard. LIL JIMMY Ow! BIG JIMMY smacks him upside the head, however without harming his very neatly done swooping hair. LIL JIMMY Where's uncle Jack? UNCLE STEVE He's on his way. DAD (Grumbles) …always late. LIL JIMMY (also grumbling, almost mimicking) —that's what I'm saying. BIG JIMMY shoves LIL JIMMY into his seat Also meanwhile, in another alternate dimension. So you're real name is JIMMY WANG. I fucking guess. That's nuts! —it's..:whatever. No, that's nuts— No, it's balls, homie, Your actual name is actually “Dick” twice. Hehehehe. Stop it. Did you have a middle name. No! Let me see. NO. Stop— let me— NO! [he grabs the birth certificate from Jimmy's grip] Let's see. —Jimmy— UGH, Oh, that's interesting, Jimmy and not James, how endearing—let's see— Jimmy—Ah, RICHARD— Wang. Oh my God. Your whole name is just— STOP IT. —it's just dicks. Just—penis words. Tripe dicks. AH! [nearly in tears, JIMMY runs to sulk into the washroom while his buddies continue making dick jokes; it's almost to much to bear—having learned so much about his true identity, most recently, that he was adopted at a very young age from a very nice Asian couple.] SUNNI BLU (Reading newspaper, breaking fourth wall) I told you he was Asian bro. SUDDENLY, Deadpool crashes through the door. SUNNI BLU tosses the super hot model in their lap across the room. YO. DEADPOOL. DEADPOOL YO. SUNNI BLU NOT COOL, BRO. DEADPOOL —what was your name again? SUNNI BLU Ya mutha! DEADPOOL NOT COOL. SUNNI BLU Whateva. {Enter The Multiverse} “Tools of the Trade” Welcome to Hollywood. Who are you? That's not important. It seems important. Now—lessonsz Ok. Tools of the trade: Uh huh. My dick. [he insinuates his crotch] Package. My dyke. [A very pretty lesbian appears out of nowhere.] Hello. My Dick Van Dyke. DICK VAN DYKE also appears out of nowhere. Woah, dude! Careful, he's priceless. I know dude. I can hear you, you know. I hear you too, Dick. Woah! How old are you, dude? Old! Get out of here; Go lay down; Take a nap! They said the gig was till 3. You're off early. Or late. [DICK VAN DYKE turns to leave.] I can still hear you. sweet yellow pinapple and coconut curry over brown rice and lentils sounded like a good Christmas Eve In— “Wait? It is Christmas Eve, isn't it?” I checked the date and time as my phone connected to the wifi. “Yep.” I concurred, slurping the last of the curry broth from my dinner bowl— my second, but most likely out of three. I'd made enough to last however two or three days, and though I had been offline for throught most of now what seemed the entire month, letting my bills lapse over to make nonexistent room in the budget for the peloton, which seemed fair, considering how small I was getting, even cooking and eating myself into the non complacent waking coma that was the vivid and apt focus needed to create music for hours on end—something I had never quite done before in a certain way, and it seemed as though working in this fashion seemed somehow to have moved me solidly forward and sideways through time a bit—some sort of diagonal. I had rested the Sabbath and in the midst of it fallen behind by two days, but making up for it and catching up speed, I had submitted two releases in the early morning on the same day, now coming to an end—and somewhere in the middle, waking up after the fact to a fresh blanket of snow and the whimsy that came with it. A white Christmas afterall, perhaps, if it didn't melt by the following morning, which, judging by the fact that the coffee in the tumbler was still piping hot and not just like warm—I.e., fresh—that I might the same be up early into Christmas morning, also the first day of Hanukkah, and although I had forgone getting a menorah, after the attempt to pick up a free one I had found online over the summer in search of a cat, it didn't seem worth the cost to buy one; I was saving for too many things at once, which meant also nothing, but I couldn't be happier to spend the holidays alone and quietly— I couldn't be with the one person I wanted most, anyway, and so being alone was the next best thing. I almost wished I had've found the cat by now, but it was probably better that I was for the most part, unanchored, and could travel at will if needed. I thought to submit some of my new songs as demos to labels or into contests to try to find a job, but either way I knew in the moment that I would be playing live again by spring, even if it was just barmitsvahe and weddings, the latter of which I actually hoped to avoid, besides the Jewish ones—and my affinity for Jews had become remarkably trademark; as if I had some sort of reason to like them more over time, but I hadn't one—not that I actually knew of, anyway. I had forgotten why I had been checking my email incessantly anyway, besides the new sound packs that seemed to have been magically pouring in, which i became excited to use when the right time struck to dive back into aboleton, learning in broad lessons in how there was a grace period between finishing and submitting tracks and starting again, and being careful not to sink into monotony—until I finally remembered, checking my email—that I had been nervous about samples from one of the latest releases clearing—however—a miracle indeed, it had been approved, and the message sit atop a pile of nonsense in the rest of my email with the news that it had been delivered to stores— I had put out about 15 singles since the beginning of the month and had a week's time more in my subscription to the distribution service—and I planned not to waste any time before my account being terminated— not that eventually I wouldn't renew the subscription, however— it would be at least a few months and probably into the early spring. I had, after all, purchased the subscription around the same time a year sooner, which allowed me to purchase the service at half price— a luxury which no doubt would end before my next payday, and after the payment for my Peloton—however— I thoroughly enjoyed keeping my energy well to myself, and it seemed I was recovering well from having been followed to the gym and harassed, however, now the annoyance was— my neighbor wouldn't leave me alone. She was high maintenance, full of drama, probably a little bit toxic— And now, she wanted to be friends. I thought it best to stay on her good side, and had politely declined the invitation to Christmas at her apartment with her mother, but knew that until one of us moved, I would have to safely navigate the trenches of neighborly rapport; though something told me to be careful with the valitile fragility of the entire thing, it seemed almost the same with anyone, even old friends, that trust itself was rare to have in others, and so my holiday wishes had been simple and humble in truth; it had snowed, and I was alone, and making music— the home gym set-up, complete with yoga mat, Peleton and pink treadmill were simply a bonus. —Tales of a Superstar DJ. [The Festival Project ™] Seven wooky dudes stand candy coated in the VIP section at a major music festival. Who brought them!? U did. Now I wonder ‘What's the difference' Same profession, So much distance I misjudged this; Thought I had it all Wedged behind one ear, Forlorn, (For Lorne) And one finger to the socket Sock puppet watching porn of Elmer Fudd Now, knock it off— I wanna know why god chose the number one, Folders up dollar bill Back of the collections call The corner, a sharp deposit Sure, For figure, full figured dolphins Sawed it all off— A saw tooth lecture; So fire sure a God, But then, A one lost walkie talkie And the other is, of course Without a battery For famine, is it? I also starve. (It's good curry, though.) No more batting practice And no more favors, I'm sure I won't bring it up I've got some kind of trauma In the wallet full of cards I dropped No messages (Still don't know what Ivermectin is.) Refuse to google such an awkward juncture. Sure, the junk worked— Sure the cops called After supper, On you go: The father's Carson. Uncle Parr is at the door. UNCLE JACK I'm back! DAD Sure, you are. [The Man resembles the late Jack Parr.] Here comes old wheats his name, The cousin, tagging alongside big brother A Jon with no H, the cousin— But I just can't call it [A strange looking boy resembling JON STEWART enters alongside his cousin, an even stranger looking whom resembles DAVID LETTERMAN— between the two of them, they are the oldest of the boys, about high school aged—dressed fashionably but odd and both dawning suspenders with their strange and quite ill fitting pants. This is weird. What is this—what is this? What is this here for! Why does this exist at all? What are you doing this for? Skipping suicide another night? Beats the knife in my back. —because, I just don't care anymore. L E G E N D S In an ‘imaginary‘ parallel dimension, the world is torn when the workforce—not just of one Union or another, but the workforce of the entire country goes on strike as a protest against high costs of living in demand of a living wage; a nightly entertainment program is interrupted with a news broadcast which declares a state of emergency—the economy itself on the verge of collapse. Oh. That's what I'm writing. You know, they're gonna kill me for this. —that's why you need therapy! Look, all I want to do is make dance music. Why bother. Why bother at all When big brother is watching, And long gone is Jack Parr, It's all done and divorced, But all sausage party, The festival project. Numb3rs Digital Liquid {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. The Complex Collective ©

TITUS Come, now— As the king does sit upon my throne, Though not a King myself as I, Still cherished among men and many Who are in thine favor, As you seek truth to bear, my King And not your but also yours, Does partake thy bethrotjen nature, To swallow whole a seed a assumption as To vanish by trace, The rather and tide to bond, For truth you seek, And truth I bear, As fruit does grow, By force of not God, But nature, And to thine, the faring way The truth does seek you, too Thus, my God and Queen— But also King, Ruler never captured And gained wisdom by time, Which— None does have, but thyself. And now, Titus. To know,node bearing fruit are I And bearing truth shall you, A lesson gathered, as you as one And I as other— under the assumption of Love What is love? God, this is a sausage feat in here. Let's get some women in this bitch. Oh, there are women— They just don't speak much— Especially in this series Ascension. Because they're perfect. Archaic is this, A truce for the truth I seek. A wage for the war I've bargeouned. Listen now. You tell me. I tell you all that I know, For nothing now, And in nothing's sake, The shared alter. I, too, you. And you to I— Have we parted but some to forge But others? No others remain. And still I gather. With flower. And grow thy seed. The fruit, or truth? No difference. A tree, I am born. To wake. A shadow in the summer's night where autumn azure sun does beem, The wicked truth you lie to pardon Stands in its own awakening; Shallow moon tide's at dawn, And so, you kind folk of Kingdom there And Kingdom come, The truth is said as this, The seed the fruit— The love was born in ritual, And only then, The dance was made, For the song to have been sung as such. Dear Queen, my heart. For never better none has taken guilt in wavering the time has come; Never now but always forward And never there but always bound, To love itself, And so I am. Again. Trust me. I have. The King is slain. —but also lives. As haunted and as haunting no doubt, But to gain is this, my trust And in your waiver— the vow My honor, and sacntity so. The swine. Not of this realm, but others seek. And in this realm and others so The truth of fruit shall parish, Ignored and never eaten Never to have grown from seed, And then, of course, No tree shall I shadow In midnight summer's truth, The blue azure light, Of seeking sun, Soon to align, By midnight dawn, And waking tide— The moon you say. A sworn disaster. And so, I pray. All's fair. And you. [TITUS with a heavy heart exits the corridor.] {Enter The Multiverse} The Strine Force Five assembles in the basement before supper is called SETH, a peckish boy, almost goilish looking, maybe 11 or so steals cookies from OLIVER, who might be about 9, who speaks with a heavy and very proper English accent— Stop stealing my biscuits! Why bring them if you're not going to share? I did share. You lot had the box! You know these are cookies, right? They're my special biscuits. UPSTAIRS, MOM and DAD, very much the classic stereotypical suburban and American everywoman and Everyman prepare for supper. DAD, who resembles almost too much the LATE JOHNNY CARSON, peers into his newspaper conspicuously— Who does mom resemble? Let me — LATER, at the DINNER TABLE. Boys, Say hello to your uncle Steve. [The man heavily resembles Steve Allen] OLIVER Hello, Uncle Steve! UNCLE STEVE …I'm not your uncle. LIL JIMMY (Mumbling) I don't like uncle Steve… BIG JIMMY elbows him. Hard. LIL JIMMY Ow! BIG JIMMY smacks him upside the head, however without harming his very neatly done swooping hair. LIL JIMMY Where's uncle Jack? UNCLE STEVE He's on his way. DAD (Grumbles) …always late. LIL JIMMY (also grumbling, almost mimicking) —that's what I'm saying. BIG JIMMY shoves LIL JIMMY into his seat Also meanwhile, in another alternate dimension. So you're real name is JIMMY WANG. I fucking guess. That's nuts! —it's..:whatever. No, that's nuts— No, it's balls, homie, Your actual name is actually “Dick” twice. Hehehehe. Stop it. Did you have a middle name. No! Let me see. NO. Stop— let me— NO! [he grabs the birth certificate from Jimmy's grip] Let's see. —Jimmy— UGH, Oh, that's interesting, Jimmy and not James, how endearing—let's see— Jimmy—Ah, RICHARD— Wang. Oh my God. Your whole name is just— STOP IT. —it's just dicks. Just—penis words. Tripe dicks. AH! [nearly in tears, JIMMY runs to sulk into the washroom while his buddies continue making dick jokes; it's almost to much to bear—having learned so much about his true identity, most recently, that he was adopted at a very young age from a very nice Asian couple.] SUNNI BLU (Reading newspaper, breaking fourth wall) I told you he was Asian bro. SUDDENLY, Deadpool crashes through the door. SUNNI BLU tosses the super hot model in their lap across the room. YO. DEADPOOL. DEADPOOL YO. SUNNI BLU NOT COOL, BRO. DEADPOOL —what was your name again? SUNNI BLU Ya mutha! DEADPOOL NOT COOL. SUNNI BLU Whateva. {Enter The Multiverse} “Tools of the Trade” Welcome to Hollywood. Who are you? That's not important. It seems important. Now—lessonsz Ok. Tools of the trade: Uh huh. My dick. [he insinuates his crotch] Package. My dyke. [A very pretty lesbian appears out of nowhere.] Hello. My Dick Van Dyke. DICK VAN DYKE also appears out of nowhere. Woah, dude! Careful, he's priceless. I know dude. I can hear you, you know. I hear you too, Dick. Woah! How old are you, dude? Old! Get out of here; Go lay down; Take a nap! They said the gig was till 3. You're off early. Or late. [DICK VAN DYKE turns to leave.] I can still hear you. sweet yellow pinapple and coconut curry over brown rice and lentils sounded like a good Christmas Eve In— “Wait? It is Christmas Eve, isn't it?” I checked the date and time as my phone connected to the wifi. “Yep.” I concurred, slurping the last of the curry broth from my dinner bowl— my second, but most likely out of three. I'd made enough to last however two or three days, and though I had been offline for throught most of now what seemed the entire month, letting my bills lapse over to make nonexistent room in the budget for the peloton, which seemed fair, considering how small I was getting, even cooking and eating myself into the non complacent waking coma that was the vivid and apt focus needed to create music for hours on end—something I had never quite done before in a certain way, and it seemed as though working in this fashion seemed somehow to have moved me solidly forward and sideways through time a bit—some sort of diagonal. I had rested the Sabbath and in the midst of it fallen behind by two days, but making up for it and catching up speed, I had submitted two releases in the early morning on the same day, now coming to an end—and somewhere in the middle, waking up after the fact to a fresh blanket of snow and the whimsy that came with it. A white Christmas afterall, perhaps, if it didn't melt by the following morning, which, judging by the fact that the coffee in the tumbler was still piping hot and not just like warm—I.e., fresh—that I might the same be up early into Christmas morning, also the first day of Hanukkah, and although I had forgone getting a menorah, after the attempt to pick up a free one I had found online over the summer in search of a cat, it didn't seem worth the cost to buy one; I was saving for too many things at once, which meant also nothing, but I couldn't be happier to spend the holidays alone and quietly— I couldn't be with the one person I wanted most, anyway, and so being alone was the next best thing. I almost wished I had've found the cat by now, but it was probably better that I was for the most part, unanchored, and could travel at will if needed. I thought to submit some of my new songs as demos to labels or into contests to try to find a job, but either way I knew in the moment that I would be playing live again by spring, even if it was just barmitsvahe and weddings, the latter of which I actually hoped to avoid, besides the Jewish ones—and my affinity for Jews had become remarkably trademark; as if I had some sort of reason to like them more over time, but I hadn't one—not that I actually knew of, anyway. I had forgotten why I had been checking my email incessantly anyway, besides the new sound packs that seemed to have been magically pouring in, which i became excited to use when the right time struck to dive back into aboleton, learning in broad lessons in how there was a grace period between finishing and submitting tracks and starting again, and being careful not to sink into monotony—until I finally remembered, checking my email—that I had been nervous about samples from one of the latest releases clearing—however—a miracle indeed, it had been approved, and the message sit atop a pile of nonsense in the rest of my email with the news that it had been delivered to stores— I had put out about 15 singles since the beginning of the month and had a week's time more in my subscription to the distribution service—and I planned not to waste any time before my account being terminated— not that eventually I wouldn't renew the subscription, however— it would be at least a few months and probably into the early spring. I had, after all, purchased the subscription around the same time a year sooner, which allowed me to purchase the service at half price— a luxury which no doubt would end before my next payday, and after the payment for my Peloton—however— I thoroughly enjoyed keeping my energy well to myself, and it seemed I was recovering well from having been followed to the gym and harassed, however, now the annoyance was— my neighbor wouldn't leave me alone. She was high maintenance, full of drama, probably a little bit toxic— And now, she wanted to be friends. I thought it best to stay on her good side, and had politely declined the invitation to Christmas at her apartment with her mother, but knew that until one of us moved, I would have to safely navigate the trenches of neighborly rapport; though something told me to be careful with the valitile fragility of the entire thing, it seemed almost the same with anyone, even old friends, that trust itself was rare to have in others, and so my holiday wishes had been simple and humble in truth; it had snowed, and I was alone, and making music— the home gym set-up, complete with yoga mat, Peleton and pink treadmill were simply a bonus. —Tales of a Superstar DJ. [The Festival Project ™] Seven wooky dudes stand candy coated in the VIP section at a major music festival. Who brought them!? U did. Now I wonder ‘What's the difference' Same profession, So much distance I misjudged this; Thought I had it all Wedged behind one ear, Forlorn, (For Lorne) And one finger to the socket Sock puppet watching porn of Elmer Fudd Now, knock it off— I wanna know why god chose the number one, Folders up dollar bill Back of the collections call The corner, a sharp deposit Sure, For figure, full figured dolphins Sawed it all off— A saw tooth lecture; So fire sure a God, But then, A one lost walkie talkie And the other is, of course Without a battery For famine, is it? I also starve. (It's good curry, though.) No more batting practice And no more favors, I'm sure I won't bring it up I've got some kind of trauma In the wallet full of cards I dropped No messages (Still don't know what Ivermectin is.) Refuse to google such an awkward juncture. Sure, the junk worked— Sure the cops called After supper, On you go: The father's Carson. Uncle Parr is at the door. UNCLE JACK I'm back! DAD Sure, you are. [The Man resembles the late Jack Parr.] Here comes old wheats his name, The cousin, tagging alongside big brother A Jon with no H, the cousin— But I just can't call it [A strange looking boy resembling JON STEWART enters alongside his cousin, an even stranger looking whom resembles DAVID LETTERMAN— between the two of them, they are the oldest of the boys, about high school aged—dressed fashionably but odd and both dawning suspenders with their strange and quite ill fitting pants. This is weird. What is this—what is this? What is this here for! Why does this exist at all? What are you doing this for? Skipping suicide another night? Beats the knife in my back. —because, I just don't care anymore. L E G E N D S In an ‘imaginary‘ parallel dimension, the world is torn when the workforce—not just of one Union or another, but the workforce of the entire country goes on strike as a protest against high costs of living in demand of a living wage; a nightly entertainment program is interrupted with a news broadcast which declares a state of emergency—the economy itself on the verge of collapse. Oh. That's what I'm writing. You know, they're gonna kill me for this. —that's why you need therapy! Look, all I want to do is make dance music. Why bother. Why bother at all When big brother is watching, And long gone is Jack Parr, It's all done and divorced, But all sausage party, The festival project. Numb3rs Digital Liquid {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. The Complex Collective ©

TITUS Come, now— As the king does sit upon my throne, Though not a King myself as I, Still cherished among men and many Who are in thine favor, As you seek truth to bear, my King And not your but also yours, Does partake thy bethrotjen nature, To swallow whole a seed a assumption as To vanish by trace, The rather and tide to bond, For truth you seek, And truth I bear, As fruit does grow, By force of not God, But nature, And to thine, the faring way The truth does seek you, too Thus, my God and Queen— But also King, Ruler never captured And gained wisdom by time, Which— None does have, but thyself. And now, Titus. To know,node bearing fruit are I And bearing truth shall you, A lesson gathered, as you as one And I as other— under the assumption of Love What is love? God, this is a sausage feat in here. Let's get some women in this bitch. Oh, there are women— They just don't speak much— Especially in this series Ascension. Because they're perfect. Archaic is this, A truce for the truth I seek. A wage for the war I've bargeouned. Listen now. You tell me. I tell you all that I know, For nothing now, And in nothing's sake, The shared alter. I, too, you. And you to I— Have we parted but some to forge But others? No others remain. And still I gather. With flower. And grow thy seed. The fruit, or truth? No difference. A tree, I am born. To wake. A shadow in the summer's night where autumn azure sun does beem, The wicked truth you lie to pardon Stands in its own awakening; Shallow moon tide's at dawn, And so, you kind folk of Kingdom there And Kingdom come, The truth is said as this, The seed the fruit— The love was born in ritual, And only then, The dance was made, For the song to have been sung as such. Dear Queen, my heart. For never better none has taken guilt in wavering the time has come; Never now but always forward And never there but always bound, To love itself, And so I am. Again. Trust me. I have. The King is slain. —but also lives. As haunted and as haunting no doubt, But to gain is this, my trust And in your waiver— the vow My honor, and sacntity so. The swine. Not of this realm, but others seek. And in this realm and others so The truth of fruit shall parish, Ignored and never eaten Never to have grown from seed, And then, of course, No tree shall I shadow In midnight summer's truth, The blue azure light, Of seeking sun, Soon to align, By midnight dawn, And waking tide— The moon you say. A sworn disaster. And so, I pray. All's fair. And you. [TITUS with a heavy heart exits the corridor.] {Enter The Multiverse} The Strine Force Five assembles in the basement before supper is called SETH, a peckish boy, almost goilish looking, maybe 11 or so steals cookies from OLIVER, who might be about 9, who speaks with a heavy and very proper English accent— Stop stealing my biscuits! Why bring them if you're not going to share? I did share. You lot had the box! You know these are cookies, right? They're my special biscuits. UPSTAIRS, MOM and DAD, very much the classic stereotypical suburban and American everywoman and Everyman prepare for supper. DAD, who resembles almost too much the LATE JOHNNY CARSON, peers into his newspaper conspicuously— Who does mom resemble? Let me — LATER, at the DINNER TABLE. Boys, Say hello to your uncle Steve. [The man heavily resembles Steve Allen] OLIVER Hello, Uncle Steve! UNCLE STEVE …I'm not your uncle. LIL JIMMY (Mumbling) I don't like uncle Steve… BIG JIMMY elbows him. Hard. LIL JIMMY Ow! BIG JIMMY smacks him upside the head, however without harming his very neatly done swooping hair. LIL JIMMY Where's uncle Jack? UNCLE STEVE He's on his way. DAD (Grumbles) …always late. LIL JIMMY (also grumbling, almost mimicking) —that's what I'm saying. BIG JIMMY shoves LIL JIMMY into his seat Also meanwhile, in another alternate dimension. So you're real name is JIMMY WANG. I fucking guess. That's nuts! —it's..:whatever. No, that's nuts— No, it's balls, homie, Your actual name is actually “Dick” twice. Hehehehe. Stop it. Did you have a middle name. No! Let me see. NO. Stop— let me— NO! [he grabs the birth certificate from Jimmy's grip] Let's see. —Jimmy— UGH, Oh, that's interesting, Jimmy and not James, how endearing—let's see— Jimmy—Ah, RICHARD— Wang. Oh my God. Your whole name is just— STOP IT. —it's just dicks. Just—penis words. Tripe dicks. AH! [nearly in tears, JIMMY runs to sulk into the washroom while his buddies continue making dick jokes; it's almost to much to bear—having learned so much about his true identity, most recently, that he was adopted at a very young age from a very nice Asian couple.] SUNNI BLU (Reading newspaper, breaking fourth wall) I told you he was Asian bro. SUDDENLY, Deadpool crashes through the door. SUNNI BLU tosses the super hot model in their lap across the room. YO. DEADPOOL. DEADPOOL YO. SUNNI BLU NOT COOL, BRO. DEADPOOL —what was your name again? SUNNI BLU Ya mutha! DEADPOOL NOT COOL. SUNNI BLU Whateva. {Enter The Multiverse} “Tools of the Trade” Welcome to Hollywood. Who are you? That's not important. It seems important. Now—lessonsz Ok. Tools of the trade: Uh huh. My dick. [he insinuates his crotch] Package. My dyke. [A very pretty lesbian appears out of nowhere.] Hello. My Dick Van Dyke. DICK VAN DYKE also appears out of nowhere. Woah, dude! Careful, he's priceless. I know dude. I can hear you, you know. I hear you too, Dick. Woah! How old are you, dude? Old! Get out of here; Go lay down; Take a nap! They said the gig was till 3. You're off early. Or late. [DICK VAN DYKE turns to leave.] I can still hear you. sweet yellow pinapple and coconut curry over brown rice and lentils sounded like a good Christmas Eve In— “Wait? It is Christmas Eve, isn't it?” I checked the date and time as my phone connected to the wifi. “Yep.” I concurred, slurping the last of the curry broth from my dinner bowl— my second, but most likely out of three. I'd made enough to last however two or three days, and though I had been offline for throught most of now what seemed the entire month, letting my bills lapse over to make nonexistent room in the budget for the peloton, which seemed fair, considering how small I was getting, even cooking and eating myself into the non complacent waking coma that was the vivid and apt focus needed to create music for hours on end—something I had never quite done before in a certain way, and it seemed as though working in this fashion seemed somehow to have moved me solidly forward and sideways through time a bit—some sort of diagonal. I had rested the Sabbath and in the midst of it fallen behind by two days, but making up for it and catching up speed, I had submitted two releases in the early morning on the same day, now coming to an end—and somewhere in the middle, waking up after the fact to a fresh blanket of snow and the whimsy that came with it. A white Christmas afterall, perhaps, if it didn't melt by the following morning, which, judging by the fact that the coffee in the tumbler was still piping hot and not just like warm—I.e., fresh—that I might the same be up early into Christmas morning, also the first day of Hanukkah, and although I had forgone getting a menorah, after the attempt to pick up a free one I had found online over the summer in search of a cat, it didn't seem worth the cost to buy one; I was saving for too many things at once, which meant also nothing, but I couldn't be happier to spend the holidays alone and quietly— I couldn't be with the one person I wanted most, anyway, and so being alone was the next best thing. I almost wished I had've found the cat by now, but it was probably better that I was for the most part, unanchored, and could travel at will if needed. I thought to submit some of my new songs as demos to labels or into contests to try to find a job, but either way I knew in the moment that I would be playing live again by spring, even if it was just barmitsvahe and weddings, the latter of which I actually hoped to avoid, besides the Jewish ones—and my affinity for Jews had become remarkably trademark; as if I had some sort of reason to like them more over time, but I hadn't one—not that I actually knew of, anyway. I had forgotten why I had been checking my email incessantly anyway, besides the new sound packs that seemed to have been magically pouring in, which i became excited to use when the right time struck to dive back into aboleton, learning in broad lessons in how there was a grace period between finishing and submitting tracks and starting again, and being careful not to sink into monotony—until I finally remembered, checking my email—that I had been nervous about samples from one of the latest releases clearing—however—a miracle indeed, it had been approved, and the message sit atop a pile of nonsense in the rest of my email with the news that it had been delivered to stores— I had put out about 15 singles since the beginning of the month and had a week's time more in my subscription to the distribution service—and I planned not to waste any time before my account being terminated— not that eventually I wouldn't renew the subscription, however— it would be at least a few months and probably into the early spring. I had, after all, purchased the subscription around the same time a year sooner, which allowed me to purchase the service at half price— a luxury which no doubt would end before my next payday, and after the payment for my Peloton—however— I thoroughly enjoyed keeping my energy well to myself, and it seemed I was recovering well from having been followed to the gym and harassed, however, now the annoyance was— my neighbor wouldn't leave me alone. She was high maintenance, full of drama, probably a little bit toxic— And now, she wanted to be friends. I thought it best to stay on her good side, and had politely declined the invitation to Christmas at her apartment with her mother, but knew that until one of us moved, I would have to safely navigate the trenches of neighborly rapport; though something told me to be careful with the valitile fragility of the entire thing, it seemed almost the same with anyone, even old friends, that trust itself was rare to have in others, and so my holiday wishes had been simple and humble in truth; it had snowed, and I was alone, and making music— the home gym set-up, complete with yoga mat, Peleton and pink treadmill were simply a bonus. —Tales of a Superstar DJ. [The Festival Project ™] Seven wooky dudes stand candy coated in the VIP section at a major music festival. Who brought them!? U did. Now I wonder ‘What's the difference' Same profession, So much distance I misjudged this; Thought I had it all Wedged behind one ear, Forlorn, (For Lorne) And one finger to the socket Sock puppet watching porn of Elmer Fudd Now, knock it off— I wanna know why god chose the number one, Folders up dollar bill Back of the collections call The corner, a sharp deposit Sure, For figure, full figured dolphins Sawed it all off— A saw tooth lecture; So fire sure a God, But then, A one lost walkie talkie And the other is, of course Without a battery For famine, is it? I also starve. (It's good curry, though.) No more batting practice And no more favors, I'm sure I won't bring it up I've got some kind of trauma In the wallet full of cards I dropped No messages (Still don't know what Ivermectin is.) Refuse to google such an awkward juncture. Sure, the junk worked— Sure the cops called After supper, On you go: The father's Carson. Uncle Parr is at the door. UNCLE JACK I'm back! DAD Sure, you are. [The Man resembles the late Jack Parr.] Here comes old wheats his name, The cousin, tagging alongside big brother A Jon with no H, the cousin— But I just can't call it [A strange looking boy resembling JON STEWART enters alongside his cousin, an even stranger looking whom resembles DAVID LETTERMAN— between the two of them, they are the oldest of the boys, about high school aged—dressed fashionably but odd and both dawning suspenders with their strange and quite ill fitting pants. This is weird. What is this—what is this? What is this here for! Why does this exist at all? What are you doing this for? Skipping suicide another night? Beats the knife in my back. —because, I just don't care anymore. L E G E N D S In an ‘imaginary‘ parallel dimension, the world is torn when the workforce—not just of one Union or another, but the workforce of the entire country goes on strike as a protest against high costs of living in demand of a living wage; a nightly entertainment program is interrupted with a news broadcast which declares a state of emergency—the economy itself on the verge of collapse. Oh. That's what I'm writing. You know, they're gonna kill me for this. —that's why you need therapy! Look, all I want to do is make dance music. Why bother. Why bother at all When big brother is watching, And long gone is Jack Parr, It's all done and divorced, But all sausage party, The festival project. Numb3rs Digital Liquid {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. The Complex Collective ©

In this episode of the Great Plains Archaeology Podcast, host Carlton Shield Chief Gover delves into the fascinating Middle Archaic period through the lens of some of its most enigmatic features: medicine wheels and cairns. Carlton explores the Bighorn Medicine Wheel in Wyoming, the Majorville Cairn and Medicine Wheel in Alberta, and the British Block Cairn and Medicine Wheel in Saskatchewan. These remarkable structures, rich with cultural and spiritual significance, offer a glimpse into the lifeways and belief systems of the Middle Archaic peoples.Links: The Archaeology of the North American Great Plains by Douglas B. Bamforth (2021) Archaeology on the Great Plains Edited by W. Raymond Wood (1998) Carlton's KU Anthropology Faculty BioTranscripts For rough transcripts of this episode, go to: https://www.archpodnet.com/great-plains-archaeology/09Contact: Instagram: @‌pawnee_archaeologist Email: greatplainsarchpodcast@gmail.comAffiliates Motion

Welcome one and all as we start the winter month of right! We sit down with Melissa F Olson as we hear about her stunning story of ARCHAIC from Ahoy comics! A story of Tess and her family as they are down on their luck untill fortune or ruin? come find them. this was a dazzling story with incredible art and a fun story! I hope you enjoy the story and follow Melissa and ARCHAIC as it comes out! 

In this episode of the Great Plains Archaeology Podcast, host Carlton Shield Chief Gover examines the Early Archaic period, a transformative era in the history of the Great Plains. Marked by significant climatic shifts following the end of the Ice Age, this period saw dramatic adaptations in human lifeways. Carlton delves into how these environmental changes influenced hunting strategies, as communities shifted from targeting megafauna to a broader range of game and plant resources. The episode also explores the intensification of space modification, with evidence of advanced land-use strategies emerging during this time. Join us as we uncover how early peoples navigated the evolving landscapes of the Plains and developed innovative solutions to sustain their communities. Whether you're intrigued by climate history, early human ingenuity, or the archaeology of adaptation, this episode sheds light on a pivotal chapter in the Plains' deep past.Links: The Archaeology of the North American Great Plains by Douglas B. Bamforth (2021) Archaeology on the Great Plains Edited by W. Raymond Wood (1998) Carlton's KU Anthropology Faculty BioTranscripts For rough transcripts of this episode, go to: https://www.archpodnet.com/great-plains-archaeology/08Contact: Instagram: @‌pawnee_archaeologist Email: greatplainsarchpodcast@gmail.comAffiliates Motion

The boys are back. Dennis talks more in depth about Archaic and some other truth speakers.

Episode 948 - Jason Interviews Melissa F. Olson - Archaic - Ahoy ComicsThis modern-day action-adventure follows the newest residents of a sentient island populated by the gods and monsters of dead civilizations: a harried single mom and her three kids. From writer Melissa F. Olson (Project: Cryptid, Dead Spots), artist Sally Cantirino (I Walk With Monsters), and colorist Gab Contreras (Witchblood), the fast-paced mystery explores what happens to legends once the world no longer has use for them.After Tess Halliday's crooked ex-husband steals from some bad people, Tess is off-grid in snowy Chicago with her teenage stepson Teo and ten-year-old twins Audrey and Liam. Then life-changing news arrives on the doorstep: The biological father she never met has left Tess a tiny coastal island off North Carolina called Demonde, which includes a mansion and trust — and a guarantee that Tess and her family will have complete safety. Tess is grateful for a temporary escape to sunnier shores — but the island has her own plans for the Hallidays, and they don't include sunbathing. After the mysterious death of Tess's father Phillip, the sentient, controlling Demonde needs a human trustee to deal with the resident frustrated gods and squabbling legends. Now that she's here, Tess is bound by blood to stay forever…at least according to the island's two-faced (literally) butler and the local goddess of the dead. Caught between a sentient rock and a criminal hard place, Tess and the kids race to find Phillip's killer and understand their place on an island of retired magicLike & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofit  Merch https://comicsfunprofit.threadless.comYour Support Keeps Our Show Going On Our Way to a Thousand EpisodesDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/ 

An international collaboration of researchers have discovered how archaea can form tissue-like structures from simple mechanical compression, unlocking a major secret to evolution. In ThePrint #̦PureScience, Sandhya Ramesh explains the findings and their significance.----more----Subscribe to the Pure Science Telegram Channel https://t.me/PureScienceWithSandhyaRamesh----more----Sources and further reading: BioRxiv preprint: Tissue-Like Multicellular Development Triggered by Mechanical Compression in Archaea https://www.biorxiv.org/content/10.1101/2024.10.19.619234v1----more----Project lead Alex Bisson's visual explanation https://x.com/archaeon_alex/status/1848309481068753294?s=61

pathetic  /pəˈθet̬.ɪk/arousing pity, especially through vulnerability or sadness.miserably inadequate; of very low standard.ARCHAIC - relating to the emotions.This episode, dear listeners, is our conversation about which characters in the Shakespeare canon can be considered pathetic. As you can see, there's a range - do you agree or disagree with us???To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!

In this episode of the Great Plains Archaeology Podcast, host Carlton Shield Chief Gover provides an overview of the major cultural periods that have shaped the Great Plains' rich history. Starting with the Paleoindian period, we delve into the earliest known inhabitants, exploring their hunting practices and survival strategies in a changing landscape. We then journey through the Archaic period, marked by a shift in subsistence strategies and adaptation to diverse environments. As we move into the Woodland period, we'll discuss the introduction of new technologies and social complexities, followed by the Plains Village period, where agricultural practices and settled communities became more prominent. Carlton also introduces listeners to the concept of the Ceramic Period, which combines the Woodland and Plains Village periods, highlighting the evolution of pottery and other cultural developments that defined this era. This episode offers a brief look at the timeline of human occupation on the Great Plains, providing insights into how these periods are interconnected and how they have been interpreted through the archaeological record. Whether you're new to Plains archaeology or looking to deepen your understanding of these cultural periods, this episode offers a fascinating exploration of the region's past.Youtube Version: https://youtu.be/LvD3NQ4SQmMLinks: The Archaeology of the North American Great Plains by Douglas B. Bamforth (2021) Archaeology on the Great Plains Edited by W. Raymond Wood (1998) Carlton's KU Anthropology Faculty BioTranscripts For rough transcripts of this episode, go to: https://www.archpodnet.com/great-plains-archaeology/03Contact: Instagram: @‌pawnee_archaeologist Email: greatplainsarchpodcast@gmail.comAffiliates Motion

Beck Lawrence owns and operates the Serpent's Key Shoppe and Sanctuary in Hanover, PA. Having practiced witchcraft since their teenage years, Beck is proud to offer an inclusive space filled with sustainably sourced metaphysical items, and art from local artisans. With various products, events, and services to offer, The Serpent's Key is committed to being a resource to the witchy community in southern Pennsylvania. Beck Lawrence went viral in Fall 2023 after being warned by Hanover's police chief that they could face charges over an arcane law from 1861 outlawing fortune telling for profit in Pennsylvania. The Hanover Police chief saw Lawrence's tarot shop — billed online as a “witchery and apothecary” — featured in a local magazine and visited the business to inform Lawrence that offering tarot readings was illegal, even though Lawrence has a sign that states “for entertainment purposes only” displayed prominently in the shop. To save their business and insulate themselves from further legal trouble, Lawrence has sued both the police chief and the Borough of Hanover, challenging the law's constitutionality by arguing it violates their First and Fourth Amendment rights. Welcome to Phantoms & Monsters Radio Hi. My name is Lon Strickler. I hope that you enjoy listening to Phantoms & Monsters Personal Reports. I have a question for you. Have you ever had an unexplained sighting or encounter? Do you have photographic and/or video evidence of your experience? Would you like to share your unique story with our readers and listeners? Please feel free to forward your account to me, either through my email lonstrickler@phantomsandmonsters.com or call me at 410-241-5974. You can also visit my website at https://www.phantomsandmonsters.com and use the contact link on the homepage. Your personal information will be kept confidential if requested. I have been a paranormal and anomalies researcher & investigator for over 45 years. My reports & findings have been featured in hundreds of online media sources. Several of these published reports have been presented on various television segments, including The History Channel's 'Ancient Aliens,' Syfy's 'Paranormal Witness', 'Fact or Faked: Paranormal Files,' Destination America's 'Monsters and Mysteries in America,' and, more recently, 'Unsolved Mysteries' on Netflix for 'The Mothman Revisited' episode. I have been interviewed on hundreds of radio & online broadcasts, including multiple guest appearances on 'Coast to Coast AM.' One of my encounters was featured on Destination America's 'Monsters and Mysteries in America' television show for 'The Sykesville Monster' episode. I am a published author of 9 books on various cryptid & supernatural subjects. In addition, I am an intuitive who has worked with hundreds of clients who sought help with their personal hauntings and unexplained activities. I never charge for my services. If you feel that I can help answer your questions, please feel free to contact me. Thanks for your consideration. Do you have a report or encounter that you would like to be read on 'Personal Reports' & featured on the Phantoms & Monsters blog? Contact me at lonstrickler@phantomsandmonsters.com Find me at https://linktr.ee/phantomsmonsters Become a Phantoms & Monsters Radio member - just $2.99 monthly, and receive these perks. Do you have perk suggestions? LMK! Thanks for your support! -Members-only live chats -Exclusive members-only videos -Priority reply to comments Would you like to help us out? https://www.buymeacoffee.com/lonstrickl0 Phantoms & Monsters Homepage & Blog - https://www.phantomsandmonsters.com Books by Lon Strickler - https://www.amazon.com/~/e/B009JURSD4 You can also support us by using PayPal at https://bit.ly/4bXQgP8 Credits: All content licensed and/or used with permission. --- Support this podcast: https://podcasters.spotify.com/pod/show/lon-strickler/support

Send a text message to Rev. Ali.Wondering what makes a good school? Archaic teaching methods designed for factory workers to follow orders and therefore never think - that is how it started. Why  do patterns still blame the kinds who cannot conform?A good school includes nature, animals, plants and real life participation.As a spiritual being having a human experience, know only when you come from your heart and not your mind that you manifest your desires by connecting directly to the Universe. Audible FREE trial gets a free audiobook. this week Rev, Ali recommends The Art of Living Discover how to communicate with the Universe, your guides and angels. Rev. Ali makes it easy.Join Rev. Ali's private club for special videos and gifts not available elsewhere Click Rev. Ali's link for a FREE audiobook of your choice and a 30 Day trial to explore Audible's vast adventures you will not find any place else.To listen to and follow transcript go here then click on the episode(s) you desire to followReady to heal without chemicals, drugs, lotions or potions ? Contact Rev. Ali to eliminate whatever frustrates you physically, emotionally, spiritually or financially. Protect your home, your car, your devices from 5G and EMF devices in your home and environment? Need someone to talk to about your spirituality who won't think you're nutsy? Join our Facebook group Watch or listen to any episode and leave a review on our show siteSome of the links may earn a small amount for Rev. Ali without adding to your costs.

Evan and Sasha recap the Olympics, check in with Stanford Wrestling, get some pointers from Amit Elor, and completely solve all the issues with Greco.Music by Josh KasenTwitter: @ArchaicWrestleArchaicWrestling.com

I had no idea how wild human history was before chatting with the geneticist of ancient DNA David Reich.Human history has been again and again a story of one group figuring ‘something' out, and then basically wiping everyone else out.From the tribe of 1k-10k modern humans who killed off all the other human species 70,000 years ago; to the Yamnaya horse nomads 5,000 years ago who killed off 90+% of (then) Europeans and also destroyed the Indus Valley.So much of what we thought we knew about human history is turning out to be wrong, from the ‘Out of Africa' theory to the evolution of language, and this is all thanks to the research from David Reich's lab.Buy David Reich's fascinating book, Who We Are How We Got Here.Watch on YouTube. Listen on Apple Podcasts, Spotify, or any other podcast platform. Read the full transcript here.Follow me on Twitter for updates on future episodes.SponsorThis episode is brought to you by Stripe, financial infrastructure for the internet. Millions of companies from Anthropic to Amazon use Stripe to accept payments, automate financial processes and grow their revenue.If you're interested in advertising on the podcast, check out this page.Timestamps(00:00:00) – Archaic and modern humans gene flow(00:21:22) – How early modern humans dominated the world(00:40:57) – How the bubonic plague rewrote history(00:51:04) – Was agriculture terrible for humans?(01:00:14) – Yamnaya expansion and how populations collide(01:16:26) – “Lost civilizations” and our Neanderthal ancestry(01:32:18) – The DNA Challenge(01:42:32) – David's career: the genetic vocation Get full access to Dwarkesh Podcast at www.dwarkeshpatel.com/subscribe

A Clare Irish language enthusiast blames what he calls the State's "archaic" approach to teaching the language for young people's lack of interest in it. The comments come as a new report has found one third of teenagers would like to see Irish removed as a compulsory subject in second-level education. Marking the 20th anniversary of the the Ombudsman for Children's Office, the OCO has conducted a new survey called 'Tomorrow Starts With Us" in collaboration with Amárach Research. The survey sought the opinions of over 1,000 12 to 18 year-olds on topics such as education, bullying, racism and discrimination, mental health in schools, online safety, accessibility, public transport, the student voice and how Ireland rates as a country for young people. The findings of the survey are predictably broad - with 47% saying they've experienced bullying at some stage and 36% saying they've experienced discrimination - while 71% said Ireland is a good country to reach their full potential in and 62% rated the education system as good or very good. When it came to the finer points of the education system however, 33% said they'd like to see Irish become a choice subject and 15% said they think changes are needed in the approach taken to teaching the language. Ennis-based Irish language enthusiast and presenter of Clare FM's Chúl Chaint Dónal Ó Loinsigh believes the Department of Education urgently needs to overhaul the way in which Irish is taught. Statistics would suggest Clare's chuid Ghaeilge is stronger than most counties' - with the most recent Census indicating the Banner has the second-highest proportion of Irish speakers nationwide at 47%. According to Census figures, there are 54,437 Irish speakers in Clare which is up 3% on 2016. Ardnacrusha Fianna Fáil Councillor Rachel Hartigan - who attended an Irish language secondary school - says an immersion approach should be taken to teaching Irish in the classroom.

Episode 183 it is, and we're going to take stock as we enter 1851. In war, truth is the first casualty. It's a military maxim attributed to Aeschylus (“ES-kuh-lus"), the father of Greek tragedy. Aeschylus actually fought in the front lines against the Persians at Marathon in 490 BC. We don't know much about the rest of his life, but we do know that his work called Persians which was financed by Pericles was such a success that he was invited to Sicily by Hieron of Syracuse to restage the play. His life bridged the Archaic and Classical ages. Considered even by the ancients to be difficult and old-fashioned, Aeschylus was also quite innovative in the structures, personnel, and even subjects of his 89 plays, of which we have only seven. Later, in In 1758 the famous lexicographer Samuel Johnson penned a short item in “The Idler which included the following this statement .. ‘ “Among the calamities of War may be justly numbered the diminution of the love of truth, by the falsehoods which interest dictates and credulity encourages.” Credulity. A willingness to believe whatever is dished up. The lovers of social media are infected by a disease called credulity. In this series I have endeavoured to avoid relying on credulity by constantly referring to original sources, documents, oral history, cross-referencing where I can. There is nothing more important than deploying verification. Credulity is the tendency to be too ready to believe that something is real or true, often without sufficient evidence or critical examination. It refers to a person's inclination to accept claims or assertions with little skepticism or questioning. Southern African history is full of credulity being punctured by reality. Most politicians make a living out of abusing credulity. With that melodromatic introduction, let us dive into the deep pool of tangibility regarding Mlanjeni's War, the 8th Frontier War which broke out on Christmas day 1850. The military villages along the Thyumie River were gone, burned down, dozens of British soldiers were dead, killed in Boma Pass or killed in their military villages named Auckland, Juanasburg and Woburn. In the mountains above Thyumie River, missionary Niven and his family had walked out of Keiskamma hoek and straight into a party of amaXhosa warriors. It is true that respected Rharhabe chief Ngqika had declared the missionaries and their homes protected, but that was twenty years ago and the respected chief was long gone. Into our story steps one of the most remarkable characters we've heard about thus far, a man called Hermanus Matroos. Brown was to remark later later that Matroos “… spoke English more precisely than I have ever heard any other native do…” Hermanus Matroos, otherwise known as Ngxukumeshe enters our tale, a large and imposing man, broad shouldered, powerful. Hermanus means army man, warrior, brave warrior and comes from the German, Herman. Matroos means sailor. And Ngxukumeshe means in the vanguard - at the front. These names fit the man, a warrior born of a slave sailor, a man who was always at the front of everything.

How does faith call us to both right action and right emotion? Sonya Mann joins me again to discuss the layered meanings of biblical parables. Some themes I liked: the paradoxical nature of faith, the generousity of God, the interplay bt obligation and grace, freedom within constraint, the parable of workers in the vineyard and talents, lay utilitarianism, the nature of praise, phenomenology in faith, the metaphor of weddings, viserality and the flesh, specificity, sacred modes, acceptable woo, cheap grace. (Recorded October 2020) Transcript: https://hopeinsource.com/feeling(00:00) - Right Feeling (Sonya Mann) (02:30) - Come to the table: God's generosity (05:21) - Orthopathos: a change of heart (08:53) - Freedom and Responsibility within the Body (12:42) - On obligation: asking something of you (15:41) - The freedom of the woodcarver (18:36) - formative moments of intimacy (22:37) - integrating with tradition, Christian art, Kanye (25:37) - Archaic on the outside, Alive inside (27:34) - Fruits: the form of faith (30:18) - Auras: acceptable woo and phenomelogy (33:25) - Sacredness as a mode of being (37:26) - Communities of praise (40:05) - One can't help but laugh (41:34) - cheap grace, coming prepared for the wedding (44:09) - A vibration throughout the whole stack ★ Support this podcast ★

Join us for a captivating episode as we journey back in time to explore the Archaic period at the Falls of the Ohio, guided by the expertise of Ms. Bader, a distinguished archaeologist with nearly five decades of experience in the field. With a deep understanding of both Native American and historical archaeology, Ms. Bader has been at the forefront of numerous archaeological investigations, bringing to light the secrets of the past in both private and public sectors.Corn Island Archaeology https://ciarchaeology.com/Our Links: https://linktr.ee/Kyhistorypod

[12:38] In this episode, Andy, Larry, and Chance discuss a recent case from the Fifth Circuit Court of Appeals in Mississippi regarding the restoration of voting rights. Mississippi has some of the strictest disenfranchisement laws in the U.S., which bar individuals convicted of certain felonies from voting. The court’s majority upheld the state’s law, stating […]

Sasha and Evan connect with Nijel to explore this not so ancient martial art and interrogate the connections with wrestling...Judo HistoryKano JigoroKodokan HistoryRulesJudo and the Process of Nation Building in JapanThe BudokwaiOlympic HistoryUnderstanding Leg Grab ChangeMusic by Josh KasenTwitter: @ArchaicWrestleArchaicWrestling@gmail.com

Alan Saunders and Zachary discuss all things Pittsburgh Steelers. On today's episode, Nick Farabaugh and Derrick Bell join the show to discuss if the Steelers offense under Arthur Smith is too "archaic" for today's standards due to the run first nature. We also discuss if Breiden Fehoko can be part of the team's plans in 2024 and the changing archetype of what they are looking for along the defensive line. Finally, Nick makes a big announcement regarding his future. Let's go for another Steelers Afternoon Drive and discuss! Learn more about your ad choices. Visit megaphone.fm/adchoices

Every wonder what a tyrant was, how a tyrant became a tyrant and if there were any benefits in having a tyrant run your city? In this episode I answer these questions as I examine some tyrants from the Archaic period to the mid-5th century BC.  A main source for this episode which I mention is James F McGlew: 'Tyranny and Political Culture in Ancient Greece'. Make sure to rate or review wherever you can. Visit my website www.ancientblogger.com for more content and find me on TikTok, Instagram, X and YouTube as ancientblogger. Music by Brakhage (Le Vrai Instrumental).

(Aloka Earth Room) Short Reflection & Guided Meditation | Earthworm Practice for the Anthropocene II | Online Wednesday-Mornings

(Aloka Earth Room) Short Reflection & Guided Meditation | Earthworm Practice for the Anthropocene II | Online Wednesday-Mornings

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How do religion and religious freedom arguments interact with cases about abortion access? The legal landscape here is beyond complex, and in this episode, Amanda Tyler and Holly Hollman look at how conscience protections were discussed in two recent Supreme Court cases about abortion. There is a deepening religion and policy conversation in our country, and they discuss how that conversation is reflected in these oral arguments – from Church Amendments to the doctrine of preemption.    SHOW NOTES Segment 1 (starting at 00:38):  U.S. Food and Drug Administration v. Alliance for Hippocratic Medicine Amanda and Holly discussed state laws after the Dobbs decision two weeks ago – in episode 26 of season 5: Archaic laws and new theories emerge from state abortion debates Learn more about the Arizona legislature's repeal of the 1864 law in this article by Stacey Barchenger and Ray Stern in the Arizona Republic: Arizona abortion ban repeal signed by Gov. Katie Hobbs, but 1864 law will linger for months. What's next? Learn more about the 6-week ban on abortions in Florida in this article by Stephanie Colombini for NPR: Florida's 6-week abortion ban is now in effect, curbing access across the South We played a series of clips from the oral arguments in U.S. Food and Drug Administration v. Alliance for Hippocratic Medicine, which the Supreme Court heard on March 26, 2024. You can hear the audio at this link. The clips we played featured: Solicitor General Elizabeth Prelogar (from 00:00:48 into the arguments) Justice Brett Kavanaugh and Solicitor General Elizabeth Prelogar (from 00:28:31 into the arguments) Justice Amy Coney Barrett and Solicitor General Elizabeth Prelogar (from 00:29:11 into the argument) Justice Ketanji Brown Jackson and Attorney Erin Hawley (from 01:16:40 into the argument) Read an overview of conscience protections from the U.S. Department of Health and Human Services at this link.   Segment 2 (starting at 19:26): Moyle v. United States Moyle v. United States is a consolidated case with Idaho v. United States. “EMTALA” stands for “Emergency Medical Treatment and Labor Act.” Read what the American Medical Association says about the case and EMTALA at this link.  We played a series of clips from the oral arguments in Moyle v. United States, which the Supreme Court heard on April 24, 2024. You can hear the audio at this link. The clips we played featured: Justice Elena Kagan and Attorney Joshua Turner (from 00:06:09 into the argument) Attorney Joshua Turner and Justice Elena Kagan (from 00:08:02 into the argument) Justice Amy Coney Barrett and Attorney Joshua Turner (from 00:23:54 into the argument) Justice Amy Coney Barrett and Attorney Joshua Turner (from 00:48:43 into the argument) Respecting Religion is made possible by BJC's generous donors. You can support these conversations with a gift to BJC.

Revisiting past episodes featuring myths born of the cultural memory of the Bronze Age. Find the full Bronze Age playlist here.  CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: See the individual episodes' descriptions for sources. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

The intersection of abortion and religion often grabs headlines, and this episode of Respecting Religion looks at recent developments in two states: Arizona and Indiana. Amanda and Holly discuss an Indiana case that involves free exercise arguments under state law to support abortion, and they examine the impact of Arizona's 1864 law that criminalizes abortion. Both situations are resulting from the tremendous change in the law after the Dobbs decision in 2022, leading to some unexpected situations.    SHOW NOTES Segment 1 (starting at 00:38): The Arizona situation Our next episode will be our 100th episode! It's your chance to ask Amanda and Holly anything – send in your questions by April 29 to RespectingReligion@BJConline.org. Amanda and Holly previously discussed the aftermath of the Dobbs decision in episode 4 of season 4, released in October 2022. The show was titled “A religious freedom right to an abortion?”  The New York Times has this helpful resource that shows the differences in the laws regarding abortion in states across the country.  Amanda and Holly mentioned this article for Vox written by Nicole Naera: The history of Arizona's Civil War-era abortion ban After we recorded this program, the Arizona House voted to repeal the 1864 law, and the Arizona Senate is expected to vote on it next week. Read more in this Washington Post article by Caroline Kitchener and Yvonne Wingett Sanchez.    Segment 2 (starting at 12:12): The Indiana litigation For a more in-depth discussion of the Religious Freedom Restoration Act (RFRA), check out episode 6 of season 5: RFRA at 30. Read the opinion from the Indiana Appeals Court and the concurrence at this link. Respecting Religion is made possible by BJC's generous donors. You can support these conversations with a gift to BJC.

On this week's episode, host Johanna Maska speaks with a political panel featuring Adam Hodge, former Spokesperson for the National Security Council in the Biden administration, and Amy Tarkanian, former Chairwoman of the Nevada State Republican Party. They discuss the White House response to Iran's drone and missile strikes against Israel and pushback from the progressive wing of the Democratic party on U.S support for Israel, former President Donald Trump's legal troubles and if voters are paying attention, and abortion access in Arizona after the state's Supreme Court ruled a Civil war-era abortion ban can be enforced. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of Discologist, Eduardo and Kevin are checking in on new music from Aaron Abernathy, Prefuse 73, The Messthetics with James Brandon Lewis, The Mad Archaic, and more. PLUS! Is AI about to take over music? The launch of Suno may cause to sound the alarm so we're taking a look at what exactly it does, how it may disrupt the industry, and what we should be doing about it. .------We're able to bring you great conversations like this and more because of your generous support. Please consider making a one time gift or a recurring donation today!SUPPORTSupport this show http://supporter.acast.com/discologist. Hosted on Acast. See acast.com/privacy for more information.

Chris and Lachlan have the pleasure of getting to know Archaic, the Webmaster of Bulbapedia, a bit better! They discuss website management, the history of Pokémon fandom sites, Bulbapedia's incredible presence online, and much more! Bulbapedia, of Bulbagarden - https://bulbapedia.bulbagarden.net/wiki/Main_Page Bulbagarden Twitch Channel - https://www.twitch.tv/bulbagarden Visit our website - ⁠⁠⁠⁠www.gocastpodcast.com⁠⁠⁠ Support us - ⁠⁠⁠⁠www.patreon.com/gocastpodcast⁠⁠⁠ ⁠⁠⁠Email us - ⁠⁠⁠⁠mail@gocastpodcast.com⁠⁠ Follow us on Twitter - ⁠⁠⁠⁠@gocastpodcast⁠⁠⁠⁠ Leave us a voicemail - (262) 586-7717‬ P.O. Box address: GOCAST PODCAST PO Box 367 301 E Congress Pkwy Crystal Lake, IL 60039 --- Send in a voice message: https://podcasters.spotify.com/pod/show/gocastpodcast/message

Welcome to Occult of Personality: esoteric podcast extraordinaire. I'm Greg Kaminsky. Now, in episode number 225, author P.D. Newman returns to the show after an eight year hiatus to discuss his recent book Theurgy: Theory & Practice—The Mysteries of the Ascent to the Divine, Homeric Epics, the Chaldean Oracles, and Neoplatonic Ritual - https://www.amazon.com/Theurgy-Theory-Practice-Mysteries-Ascent/dp/164411836X/.This interview was a real treat because P.D. Newman gives us a great depth of insight into the history, theory, and methods of theurgy—magic of the gods! There were some technical issues with the recording that I did my best to work around. My apologies for that but I know that the content of the conversation more than makes up for it."P. D. Newman has been immersed in the study and practice of alchemy and theurgy for more than two decades. A member of the Masonic Fraternity, the Society of Rosicrucians, and the Martinist Order, he lectures internationally and has published articles in many esoteric journals, including The Scottish Rite Journal, The Masonic Society Journal, and Invisible College. The author of Alchemically Stoned and Angels in Vermilion, Newman lives in Tupelo, Mississippi."The research Newman did in support of this book is really astounding and quite interesting. His scholarship has really made it clear that theurgy as we understand it did not originate in the second century A.D. but has its roots in beginningless time. Furthermore, the understanding of this activity and its context is laid out beautifully in a way that is both scholarly and valuable for practitioners. For me, what made the book so special was that contemplating the implications of his arguments helped me to see and understand that the way I defined theurgy was limiting and inaccurate, but with Newman's words, I can more fully appreciate what is known as the Western esoteric tradition. I heartily recommend Theurgy: Theory & Practice, just like all of Newman's books."In this detailed study, P. D. Newman pushes the roots of theurgy all the way back to before the time of Homer. He shows how the Chaldean Oracles were not only written in Homeric Greek but also in dactylic hexameter, the same meter as the epics of Homer. Linking the Greek shamanic practices of the late Archaic period with the theurgic rites of late antiquity, the author explains how both anabasis, soul ascent, and katabasis, soul descent, can be considered varieties of shamanic soul flight and how these practices existed in ancient Greek culture prior to the influx of shamanic influence from Thrace and the Hyperborean North. The author explores the many theurgic themes and symbolic events in the Odyssey and the Iliad, including the famous journey of Odysseus to Hades and the incident of the funeral pyre of Patroclus. He presents a close analysis of On the Cave of the Nymphs, Porphyry's commentary on Homer's Odyssey, as well as a detailed look at Proclus's symbolic reading of Homer's Iliad, showing how both of these Neoplatonists describe the philosophical theory and the technical ritual praxis of theurgy. Using the Chaldean Oracles as a case study, Newman examines in detail the methods of telestikē, a form of theurgic statue animation, linking this practice to ancient Egyptian and Greek traditions as well as theurgic techniques to divinize the soul." Occult of Personality podcast is made possible by you, the listeners, and by the subscribers to chamberofreflection.com, our membership website who aids us in the cause of informed, authentic, and accessible interviews about western esotericism. Thank you again! Because of your support, we're able to bring you recordings of this caliber and many more to come.The intro music is “Awakening” by Paul Avgerinos (http://magnatune.com/artists/albums/avgerinos-gnosis?song=3) and the outro music is "Calliopeia - kithara (Ancient Greek)" by Tim Rayborn.In the Chamber of Reflection, P. D. Newman and I continued the conversation spending considerable time discussing statue animation as part of religious ritual and got rather contemplative. This part of the interview was outstanding, so please join us for that exclusive second half. Also remember that we're in the midst of our Meditations on the Tarot Study Circle that is open to all Chamber of Reflection paid members. In March, we're meeting to discuss the Moon, and you should join us! I want to remind you that although you're able to listen to this podcast at no charge, it costs time and money to create. We ask you to support our efforts and the creation of future podcasts by joining the membership section at https://chamberofreflection.com or subscribing via Patreon at https://www.patreon.com/occultofpersonality. As always, if you're already supporting the show or have done so in the past—my heartfelt thanks and I salute you! Greg Kaminsky Linktree – https://www.linktr.ee/brothergregOccult of Personality website – http://occultofpersonality.netChamber of Reflection (Occult of Personality membership section) – https://chamberofreflection.comPatreon – https://www.patreon.com/occultofpersonalityEmail – occultofpersonality@gmail.comYouTube - https://www.youtube.com/@OccultofPersonalityTelegram - https://t.me/occultofpersonalityTwitter - https://www.twitter.com/occultofprsnltyInstagram - https://www.instagram.com/occultofprsnlty/Facebook - https://www.facebook.com/OccultofPersonalitySupport My Work / Venmo – https://venmo.com/u/Gregory-Kaminsky-5Support My Work / PayPal – https://paypal.me/occultofpersonality

Zac Efron Gets a Star on The Hollywood Walk of Fame (24:58)'Pump Rules' Season 11 Trailer (34:28)'Bridgerton' Season 3 Sets Two-Part Premiere in Spring 2024 (Variety) (40:03)Prince William and Kate Middleton's kids look so grown up in 2023 royal family Christmas card (Page Six) (46:41)Hermes heir awarding 51-year-old gardener $11B fortune, $5.9M in properties (NY Post) (50:10)The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) The Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Rilke's most immediate and obvious influence has been upon diction and imagery. [He expressed ideas with] physical rather than intellectual symbols. While Shakespeare, for example, thought of the non-human world in terms of the human, Rilke thinks of the human in terms of the non-human, of what he calls Things.” -W.H. Auden Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Holmberg's Morning Sickness - Friday December 1, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices