Podcasts about Southcliffe

Season 2 James Price is an Academy and BAFTA Award Winning Production Designer. His films include Poor Things, The Iron Claw, and The Nest.   FDP Host - Max Lincoln is a Production Designer for Commercials and Music Videos.
 ••• Highlights: From stone masonry to the art department / From Assistant to Art Director / Art Direction to Designer on SOUTHCLIFFE and working with Sean Durkin POOR THINGS: Starting POOR THINGS during COVID / Working as Co-designers and collaboration / Design through collage / Prepping in London and then Budapest / Scheduling massive builds / Composite sets / Texture across the design & creating Lisbon / Shooting in black and white / Creating Paris / Creating the Boat / Working with LED screens & the Volume / The ‘horse' carriage / London exteriors & Baxters / Creating Alfies House / Positives of Wallpaper / How colour changes between film and digital / Keeping up moral with crazy hours and looking after your team / Set decoration on POOR THINGS / Miniatures THE IRON CLAW: The responsibility of recreating reality / The Sportatorium / Creating the Families ranch THE NEST: Creating ‘80s London Closing Questions: Coping with Dyslexia in your professional life / What he looks for in assistants / Life post-OSCAR & BAFTA 
••• 
Credits 
Guest: James Price Website Show's Creator: Max Lincoln instagram.com/maxlincolnart  /  maxlincoln.net Intro Track Composed by Sam McGrail instagram.com/sammcgrail93 Intro Track Mixed by Max Bloom instagram.com/maxbloommusic Art Work by Alec Jagodzinski instagram.com/alec__ok 
••• Links Film & TV Talent Lists for Underrepresented Groups - Worldwide: Lookbeyondthelist.com

"Es muy fácil vender aquí a Christopher Nolan o a Clint Eastwood, pero me parece muy interesante sacar otros nombres de otros directores y directoras que no están en el candelero". Sean Durkin es un joven director de cine que, aunque poco prolífico ha acertado, según Javier Ocaña, en sus tres películas hasta ahora: "Martha, Marcy May Malene", "The Nest" y ahora en cines "El clan de hierro". Tres ejercicios de incertidumbre, sorpresa, narrativa, puesta en escena... A eso le sumamos la serie "Southcliffe" y la dirección de algunos episodios de "Inseparables". Apuntamos además dos estrenos dispares; "How to have sex" y "Tratamos demasiado bien a las mujeres", de la directora Clara Bilbao.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. LUCY BRIGHT: Lucy Bright started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.
 Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on Charlotte Wells' directorial debut AFTERSUN and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra. VOLKER BERTELMANN: Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, and was nominated for multiple awards, including the 2016 Oscar for Best Original Score, the 2016 Golden Globes for Best Original Score, and Best Film Music at the 2016 British Academy Film Awards, or BAFTAs. He has provided music for several leading films and television series, including the score for Patrick Melrose, Showtime's Emmy-and BAFTA nominated mini-series, and for Gunpowder, the HBO mini-series starring Kit Harrington, and the 2020 film Ammonite, co-composed with O'Halloran, which received a spot on the Academy Awards short list for Best Original Score. In 2022, he scored All Quiet on the Western Front for Netflix, the official Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival. A uniquely innovative pianist, who in his solo work goes by the name Hauschka, Bertelmann has worked with, among others. the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, and the Grammy-winning violinist Hilary Hahn. In 2018, he accepted an invitation to join the Academy of Motion Picture Arts and Sciences.

This week, my guest is music supervisor Lucy Bright.  Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown. Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on two forthcoming films: Charlotte Wells' directorial debut AFTERSUN, which is showing at this year's London Film Festival and then coming to UK cinemas via MUBI on 18th November, and I can testify it has a truly phenomenal soundtrack and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra.It recently premiered to critical acclaim at the Venice Film Festival and is one of my most hotly anticipated films of the year. We spoke about how Lucy got her start in the music industry and then gradually discovered the role of music supervision, getting her first credit as a music supervisor on Samantha Morton's TV film THE UNLOVED, how she collaborates with directors and other HoDs to build a soundtrack, why certain songs cost more than others, how needle drops happen and what song she is particularly proud of clearing for use in a film…

One of my rituals when I go to the cinema (remember the cinema? The place with the big screen where you sit in the dark next to lots of people and have a collective experience?) Well, when I go I like to sit through all the credits at the end because I'm always amazed at how many people it takes to make something that's 90 minutes long. It's such a vast network of vital, interconnecting people. And one of those vital people is a music supervisor. I like to think of them as a DJ or selector for a movie but of course it's far more complicated than that. Which is why I have on today's episode, Lucy Bright to tell us more about it.With a degree in History of Art, Lucy started out at Mute Records during her gap year Mute records represent the likes of Nick Cave, New Order, Depeche Mode, and Goldfrapp. She then moved to Warner Classics for six years before leaving to manage acclaimed composer Michael Nyman - he wrote the music for the Oscar winning film The Piano & The 2018 Alexander McQueen documentary amongst many others. She was at music publishing company Music Sales for 10 years overseeing an extraordinary roster of film composers including Gabriel Yared (Cold Mountain,The English Patient), Ludovico Einaudi, Philip Glass, Nico Muhly (The Reader), Hildur Guðnadóttir (the woman who won the Oscar and every award going this year for her scoring of Joker). This year Lucy is starting a new venture with the launch of her own music publishing company, Bright Notion Music.Lucy has music supervised some of the most critically-acclaimed British films of recent years: Samantha Morton's directorial debut The Unloved, Lynne Ramsey's The Swimmer, John Maclean's Slow West, Justin Kurzel's Assassin's Creed, Michael Almereyda's Marjorie Prime and Sean Durkin's The Nest starring Jude Law and Carrie Coon which premiered at Sundance Film Festival 2020. Her work in television is equally renowned including Southcliffe, McMafia and Shane Meadows's This is England ‘90 and The Virtues. She is currently working on TV drama Little Birds for Sky Atlantic and LIFE for BBC One (jointly with Catherine Grieves).We talk about her journey into music supervision, what inspires her, the role of a composer within the context of film, the under-representation of female composers in the film industry, and the lessons learned along the way.Guest: Lucy BrightTitle: The artist is the film director and you are there to serve their visionInstagram: @lightlightbrightAlbums/Artists on playlist: Bob Dylan Oh Mercy, Leonard Cohen, Memories from the album Death of a Ladies' Man and Rob Simonsen ReveriesTo support the podcast click here See acast.com/privacy for privacy and opt-out information.

This episode’s guest is Ian Bonar. Ian is an actor and playwright who has played a wide variety of stage, TV and big screen roles. He is conwn for appearing in TV shows such as New Blood, Southcliffe and Black Mirror and has just finished recording January 22nd. On the big screen he can be seen in films such as atonement, Kon-Tiki and the Bond classics Spectre and Skyfall. He is also a seasoned stage actor who is currently appearing in Death of a Salesman in London’s West End and is the creator and star of the solo show Be Prepared, a darkly comic story exploring memory, grief and the consequences of a phone number being one digit off. Recorded backstage at the Piccadilly Theatre, London.Support the show (https://www.patreon.com/stevexoh)

038 – Driving to Sleep – Southcliffe Manor 02   The Lady of the house is learning to drive, but will the Butler’s introspection be enough to stop you from sleeping? The story is a snooze, but will give you pleasant dreams.   Story 17:12   Support this podcast Patreon   I’m running a couple of time limited bonuses here. Up till the end of November all new $5 patrons will receive a postcard in the mail. So, if something touristy from Africa sounds appealing, sign up.   Also, if the Patreon reaches $50 a month by the end of the November I will do a video episode! The video will be for Patrons, but audio will be released as a bonus for all subscribers later.   Find it at patreon.com/sleepytimetales   Audible partnership   Treat yourself to a free audiobook to keep from Audible’s significant range, and help Sleepy Time Tales to keep the lights on and grow. Go to Audibletrial/sleepytime and sign up for a free 30-day trial.   And please, let me know if you sign up so I can thank you on the show.   Please Share   If you’re enjoying the show, and finding it helps you sleep despite the stresses and strains of your life, the absolute best thing you can do is share it with your friends, families, acquaintances, cellmates etc. Anyone who needs a good night’s sleep might benefit.   So please share it with the people in your life, whether in person or on social media.   $5 Patrons   Wyn Ali Fuller Jess   Find The Show Website: Sleepy Time Tales Patreon: https://www.patreon.com/sleepytimetales Twitter: Sleepy Time Tales Podcast Facebook: Sleepy Time Tales Podcast YouTube: Sleepy Time Tales Music: http://loyaltyfreakmusic.com/ Music Patreon: https://tinyurl.com/loyaltyfreak  

The service staff at Southcliffe Manor can’t get to sleep as they are stressed and uncertain of the effect the new family will have on their bedtime. But it won’t keep you awake. Story 16:39 Support this podcast  Patreon  I’m running a couple of time limited bonuses here. Up till the end of October all new $5 patron will receive a postcard in the mail. So, if something touristy from Africa sounds appealing, sign up.  Also, if the Patreon reaches $50 a month by the end of the November I will do a video episode! The video will be for Patrons, but it will be released as a bonus for all subscribers later.  Check out my Patreon to support my work. With your help I can improve sound quality with some equipment upgrades. Cover costs and hopefully, ultimately do this work full time. There are benefits to all patrons, even those who can only afford $1 a month.  Find it at patreon.com/sleepytimetales  Audible partnership  Treat yourself to a free audiobook to keep from Audible’s significant range, and help Sleepy Time Tales to keep the lights on and grow. Go to Audibletrial/sleepytime and sign up for a free 30-day trial.  And please, let me know if you sign up so I can thank you on the show.  Please Share  If you’re enjoying the show, and finding it helps you sleep despite the stresses and strains of your life, the absolute best thing you can do is share it with your friends, families, acquaintances, cellmates etc. Anyone who needs a good night’s sleep might benefit.  So please share it with the people in your life, whether in person or on social media.  $5 Patrons  Wyn Meghan Hapgood. Ali Fuller   Find The Show Website: Sleepy Time Tales Patreon: https://www.patreon.com/sleepytimetales Twitter: Sleepy Time Tales Podcast Facebook: Sleepy Time Tales Podcast YouTube: Sleepy Time Tales Music: http://loyaltyfreakmusic.com/ Music Patreon: https://tinyurl.com/loyaltyfreak    

After you survive the heart attack, your doctor will tell you to lower your red meat intake and increase your exercise. Should the doctor tell her depressed patient to lay off the darkness and consume more light-hearted stuff? Today, Will and Lauren dive into this question of whether or not they ought to "consume the darkness." They also talk about some of their favorite shows, the Mosul Dam, and North Korea. This episode brought to you by Super Down & Sons, purveyors of imported gourmet meats and cheeses.   In this episode: live from Lauren's bed; I wanna die on a ship; I'll be there for you; Mosul Dam Watch 2016; lost in the darkness; morbid curiosity; "Super Down & Sons."   Mosul Dam: http://bit.ly/1TKtRaP UN Report on North Korea: http://bit.ly/1jsCh7i   Netflix Recommendations: Friends, The Office, Parks and Recreation, Daredevil, The Top of the Lake, Southcliffe, Fringe, House of Cards, Melancholia.   Visit Our Website!  http://superdownpodcast.com Facebook http://facebook.com/superdownpodcast Twitter http://twitter.com/superdownpod   If you are in a crisis or plan to hurt yourself, please reach out for help. You can reach the National Suicide Prevention hotline by calling 800 273 8255. You can also get text message support from the Crisis Text Line by texting the word "start" to 741 741. For more information, visit suicidepreventionlifeline.org and crisistextline.org. If you are outside the US, please visit http://www.iasp.info/resources/Crisis_Centres/ for resources in your country.

Tony Grisoni est un scénariste britannique. Il s’est essayé à divers métiers du cinéma, avant de se tourner vers l’écriture. La dame de coeur, de Jon Amiel (1989) est son premier scénario de long métrage. Puis il travaille aux côtés de réalisateurs tels que Michael Winterbottom (In This World, Ours d’Or à Berlin en 2002), John Boorman, Julian Jarrold, James Marsh, Anand Tucker et Sean Durkin. Il prête également son talent aux créations de Terry Gilliam, Las Vegas Parano, Tideland, Les frères Grimm et les fameuses versions inabouties de The Man Who Killed Don Quixote. En 2008, il réalise son premier court métrage, Kingsland #1: The Dreamer, nommé aux BAFTA. Pour la télévision, il signe la trilogie The Red Riding, maintes fois célébrée. Et en 2013, il crée pour Channel 4 Southcliffe, une mini-série en quatre épisodes au succès que l’on connaît.

Tony Grisoni est un scénariste britannique. Il s’est essayé à divers métiers du cinéma, avant de se tourner vers l’écriture. La dame de coeur, de Jon Amiel (1989) est son premier scénario de long métrage. Puis il travaille aux côtés de réalisateurs tels que Michael Winterbottom (In This World, Ours d’Or à Berlin en 2002), John Boorman, Julian Jarrold, James Marsh, Anand Tucker et Sean Durkin. Il prête également son talent aux créations de Terry Gilliam, Las Vegas Parano, Tideland, Les frères Grimm et les fameuses versions inabouties de The Man Who Killed Don Quixote. En 2008, il réalise son premier court métrage, Kingsland #1: The Dreamer, nommé aux BAFTA. Pour la télévision, il signe la trilogie The Red Riding, maintes fois célébrée. Et en 2013, il crée pour Channel 4 Southcliffe, une mini-série en quatre épisodes au succès que l’on connaît.

Matyas' feature work has been screened at festivals around the world like films featured in Cannes, including Delta, Tender Son, and Miss Bala.   Matyas has worked in television, known for his recent work on Southcliffe. Matyas' recent projects include Josh Mond's dramatic film, James White and he has received praise on Golden Globe winning and Oscar nominated, Son of Saul. Son of Saul takes place in the horror of 1944 Auschwitz, where a prisoner is forced to burn the corpses of his own people who finds moral survival in his attempt to salvage from the flames the body of a boy he takes for his son.

Derniers Films Vus / Sont évoqués Les nouveaux héros de Don Hall et Chris Williams, Southcliffe de Tony Grisoni, Little…

Just a small town girl, living in a lonely world, listening to the new Filmspotting: SVU, as Matt and Alison recommend some movies set in small towns. Plus, a review of the Netflix miniseries SOUTHCLIFFE from "Martha Marcy May Marlene" director Sean Durkin. Filmspotting: SVU is brought to you by Movies On Demand On Cable. Opening Break Coherence Locke Frankie & Alice Queue Shots: Small Town Movies Show Me Love Bernie Waiting For Guffman Shadow Of A Doubt Listeners Choice Review Southcliffe Behind the 8-Ball: 3 New Releases Matt: A Hard Day's Night Mud Midnight Run Alison: You're Next Nancy, Please Lyle 2 Listener Recommendations Matt: The Paradise Lost Trilogy Pilgrim Song Alison: Ray Harryhausen: Special Effects Titan Ping Pong: The Animation 1 Random Film From Our Queues Matt: Basquiat Alison: Is The Man Who Is Tall Happy? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this extra-long catch-up episode, Michael and Ben discuss a few of the films they saw at the Toronto International Film Festival (The Sacrament, Felony, Southcliffe, Blue Ruin, Under the Skin, Why Don't You Play in Hell?, Man of Tai Chi, The Green Inferno, and Blind Detective), James Wan's supposed horror swan-song Insidious: Chapter 2, the breathtaking Gravity, and the long awaited Arnold Schwarzenegger / Sylvester Stallone team-up Escape Plan.

Michael Berkeley's guest is the actor Rory Kinnear. Rory Kinnear is in danger of becoming a national treasure. Audiences across the world know him thanks to two Bond movies, where he plays M15 officer Bill Tanner. He was the journalist in the TV thriller Southcliffe, he was Denis Thatcher in the Margaret Thatcher TV biopic, he's the straight man to Count Arthur Strong... And he's established a reputation as one of our finest Shakespearean actors - his performance as Hamlet at the National Theatre was screened across the UK as part of the National's 50th anniversary celebrations. This summer he played an unforgettably chilling Iago to Adrian Lester's Othello, again at the National. And he's just turned playwright - his first play, The Herd, directed by Howard Davies, has opened in London. He's a difficult actor to pin down. But in conversation with Michael Berkeley he reveals the man behind the theatrical mask. He talks movingly about his father, the actor Roy Kinnear, who was killed during a film stunt, and how he kept sane after the accident by playing the piano. Rory still plays in rehearsal rooms across the world, grabbing his chance at the piano while the other actors eat lunch. He reveals too that music is the key to his relationship with his sister, who was born with profound disabilities; Rory composes music for her, and plays songs as a way of communicating with her. He works increasingly with musicians, at the Proms last year, and in recordings. And, be warned, every morning he walks across London listening to music on his huge headphones - and singing along at the top of his voice. Music choices include Mark Padmore singing Bach, Haydn's Trumpet Concerto, a Beethoven violin sonata, Erroll Garner, and Big Rock Candy Mountain. First broadcast 13/10/2013.

Luke and Matt present a bumped podcast as they discuss the televised reveal of Peter Capaldi as the new Doctor Who, Channel 4's dark drama Southcliffe and the return of New Tricks for a tenth series.  Plus bizarre game show I Love My Country and a duo of new docusoaps 

Screenwriter Tony Grisoni discusses his latest TV drama, Southcliffe. Violinist Nicola Benedetti nominates a favourite concerto for Cultural Exchange. Comedian Milton Jones discusses life on the road and how to write one-liners. Catherine O'Flynn on her new novel, Mr Lynch's Holiday, which focuses on British ex-pats in Spain. John Wilson tours the new £190million Birmingham Library. Acapella group Naturally 7 sing live in the Front Row studio. Ukrainian novelist Andrey Kurkov discusses his new book, The Gardener from Ochakov.

With John Wilson. Tony Grisoni, writer of Fear and Loathing in Las Vegas and the Red Riding TV series, discusses his latest project: Southcliffe is a new four-part drama for Channel 4, about a random killer on the loose in a small English rural town. Architect Richard Rogers nominates a favourite public space for Cultural Exchange, in which leading creative minds share a cultural passion. As the Imperial War Museum London partially re-opens its doors during its major redevelopment, John takes a look at the two new art exhibitions on display. Architecture of War examines the impact of conflict on the landscape and environment, and 5000 Feet is the Best - Omer Fast's multi-layered film about drone warfare - launches IWM Contemporary. Artist and illustrator Ralph Steadman discusses his contribution to a festival about Surrealist artist Marcel Duchamp in Herne Bay, inspired by a trip Duchamp took to the Kentish coast in 1913. He wrote a postcard back to Paris declaring "I am not dead... I am in Herne Bay", and on his return started working on his famous ready-mades, fuelled by his experiences of the English seaside. Steadman reveals why he's donating his own urinal, which started life in the gentlemen's convenience of the Hackney Empire. Producer Jerome Weatherald.