Podcasts about hildur gu

Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software#morphagene #spectraphon #dxg #optomix #proworkout #arbharRobert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.https://robertaikiaubreylowe.bandcamp.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

durée : 01:00:07 - Concert Présences électronique 20 ans (1/3) - par : François Bonnet - Le GRM ouvre sa saison Multiphonies 24-25 par les 20 ans du festival PRÉSENCES électronique, dont les musiques ont depuis deux décennies nourri et enrichi l'imaginaire d'un public toujours plus nombreux et fidèle, investiront pendant trois jours le Studio 104 et l'Auditorium de Radio France - réalisé par : Alexandre Bazin

    Thanksgiving is my favorite holiday. Just hanging out all day with family, eating and drinking. Perfect. The songs in this mix were all chosen for the titles, which all fit the Thanksgiving theme. Besides the obvious titles with the word "thanks" my favorite track titles are "my dad's famous potatoes", "Give me cornbread when I'm hungry", and "An Awkward Conversation at a Family Gathering." Play this in the background as you eat way too much food and hopefully not way too much beer. Cheers & Happy Thanksgiving!   T R A C K L I S T : 00:00    Grouper - Thanksgiving Song 02:42    Ólafur Arnalds - Family Stroll 04:30    Massive Attack - Everybody's Got a Family 05:55    Matt Morton - A Special Thank You 08:00    anderegg - thanksgiving 10:14    lawrence - falling down a dam of mashed potatoes 13:33    Lullatone - An Awkward Dinner Conversation at a Family Gathering(piano version) 14:55    TSU! - Dear Stanley, Thank You 17:29    Richard Thompson - Family(guitar version) 20:13    Bill Frisell - Thankful 25:15    Carlos Niño & Friends - Togetherness feat. Jamael Dean & Devin Daniels 28:42    The Circular Ruins & Off The Sky - Giving to You 30:48    Tiny Isles - With Thanks, Petal 34:53    Cliff Martinez - my dad's famous potatoes 37:06    John Fahey - Give me cornbread when I'm hungry 40:13    Loren Connors - Why We Came  41:45    Peter Gregson - Gifts at Dinner 45:42    Hildur Guðnadóttir - Many Secrets in this Family 48:00    Endless Melancholy - Moments We Spent Together 51:51    Sven Laux - Thank You, Goodbye 54:44    Pat Metheny  - Last Train Home  59:18    end

"Joker: Folie à Deux" (2024), música de Hildur Guðnadóttir y varios artistas.

Altijd november, dichtte Bloem, vergeefs negerend hoe de kleurenpracht, langzaam vergaand, de kale takkenstructuur van eeuwenoude woudreuzen onthult. De kou zit in de lucht. De warmte zit van binnen, klinkend in herinneringen en verheugd verwachten. 23.04 CD Who's afraid of… (Berlin Classics 0303298BC) Lera Auerbach: Postscriptum Boulanger Trio 5'47” 23.10 eigen opname Saskia Venegas: Medusa Maya Fridman, Saskia Venegas 12'58 ” 23.25 CD La Lumière (Etcetera KTC 1782) Annelies van Parys: Medea (version for soprane, organ and string quartet)Bauwien van der Meer; Gerrie Meijers; Helikon Quartet 16'00 ” 23.45 CD The Ming Passion (Vonk z.nr.) Nicoline Soeter: The Ming Passion - Wash me / The bottom of the sea / Predator of Fantasy Kaspar Kröner; Sterre Konijn; VONK 2'53” + 1'37' + 2'10” CD Without sinking (Touch TO:70) Hildur Guðnadóttir: Aether + Whiten Hildur Guðnadóttir 5'11” + 4'52”

We celebrate spooky season with an unnerving mix of songs from our favorite horror movie scores, including The Shining, Under The Skin, Hereditary and more.Enjoy the show? Tell a friend and leave us a review wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgFeatured songs and films:1. Wendy Carlos and Rachel Elkind: "Main Title" and "Clockworks (Bloody Elevators)," from The Shining2. Mark Korven: "The Goat & The Mayhem," from The Witch3. Goblin: "Sighs," from Suspiria4. Hildur Guǒnadóttir: "The Door," from Chernobyl5. John Carpenter: "Main Title," from Halloween6. Colin Stetson: "Mothers & Daughters," from Hereditary7. Mica Levi: "Lipstick To Void," from Under the Skin8. Cristobal Tapia De Veer: "Laura Smile," from Smile9. Ben Salisbury and Geoff Barrow: "The Alien," from Annihilation10. Bobby Krlic: "Gassed," from MidsommarLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Our latest episode of Soundtracking sees a welcome return for friend of the show, Hildur Guðnadóttir. Hildur joins Edith to discuss her stunning score for Joker Folie A Deux, following Joaquin Phoenix's recent turn in which we focussed more on the musical numbers.

Academy Award®-winning composer Hildur Guðnadóttir and executive music producer Jason Ruder join our guest host, music journalist Jon Burlingame, to discuss their extraordinary work on “Joker: Folie à Deux.” The sequel to 2019's Oscar-winning “Joker” comes with high expectations, and Hildur and Jason talk about the challenge of evolving the sound of the Joker universe, while incorporating new elements like live-recorded songs and experimental instruments. They discuss how the music helps define the tone of the movie, blurring the lines between score and song to create an immersive experience.“We really wanted to honor the sound world that we had already established [from the first film]... so we didn't want to go too far away from it. We knew that there would be strings and there would be a cello connection… Well, it just so happened that my instrument that I used in the first song got stolen a week before the recording session. So I had actually intended to just use the same instrument, but the Gods of Creativity forced me in a different direction… So I came up with this idea of creating what I call ‘the string prison.' It's literally like an electric fence that's playable... an electroacoustic, large scale, playable string instrument that formed this prison cell of very, very, very hot strings, that I played through another instrument.”—Hildur Guðnadóttir, Composer, “Joker: Folie à Deux”Be sure to check out “Joker: Folie à Deux,” now in theaters, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Á miðvikudag verður frumsýnd ný heimildarmynd um graffitímenningu Reykjavíkur, Göngin. Björgvin Sigurðarson og Hallur Örn Árnason hafa unnið að myndinni í rúman áratug og veitir hún innsýn í upphafsár íslenskrar graffitímenningar. Við höldum niður í göngin undir Miklubraut og veltum fyrir okkur graffití sem er á sama tíma listræn tjáning og uppreisn. Svo fáum við gagnrýni um nýja kvikmynd um Batman-illmennið Jókerinn, Joker: Folie á Deux. Þetta er framhald gríðarvinsællar og umtalaðrar kvikmyndar Todds Phillipp um Jókerinn, mynd sem að tónskáldið Hildur Guðnadóttir fékk óskarinn fyrir. Folie á Deux fer óvæntar leiðir og hefur hlotið bæði lof og last fyrir. Kolbeinn Rastrick ætlar að fella sinn dóm um myndina. Og svo ætlum við að ræða um fækkandi tónleikastaði í miðborg Reykjavíkur. Mál sem að okkur í Lestinni er hugleikið, og er nú komið í erlenda fjölmiðla, en The Guardian fjallaði um málið í vikunni. Við spilum brot úr þætti um útrýmingu miðbæjarrottunnar og tónleikastaða í Reykjavík þar sem rætt er við tónlistarmenn og tónleikahaldara.

Exatos 5 anos atrás, em outubro de 2019, chegava ao mundo Coringa (ou Joker), filme amado, idolatrado, incensado por 10 entre 10 fãs de quadrinhos e filmes de super herois. Aliás, de super heroi e de efeitos especiais ali não tinha nada: seguindo o que foi feito com Logan em 2017, Joker aposta no hiper-realismo para retratar a vida de Arthur Fleck e sua transformação no palhaço mais famoso do mundo depois do Bozo.::O resultado você já sabe, né? 1 bolhão de dólares nas bilheterias mundiais, impressionantes 11 indicações ao Oscar e 2 estatuetas arrebatadas: uma para a trilha sonora de Hildur Guðnadóttir e outra, claro, para a atuação memorável de Joaquin Phoenix que meteu o Oscar debaixo do braço e foi comer um hamburgão na calçada com sua amada Rooney Mara. Pra quem tiver coragem de encarar, quando o SQLVS ainda tava engatinhando, gravamos um programa sobre Joker: episódio 19, depois vai lá dar uma mora.::Pois bem: não demorou nada para começarem os rumores de uma sequência, que rapidamente foi confirmada por Todd Phillips que conseguiu trazer de volta praticamente o time completo do já clássico filme de 2019. A principal adição é a escalação de Lady Gaga para o papel de Harley Quinzel; outros nomes importantes são Brendan Gleeson (o guarda Jackie Sullivan) e Catherine Keener (a advogada Marianne Stewart).::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Well, here we.... go! Joker: Folie à Deux - the sequel to the polarizing but smash hit Joker - has now hit theaters. it's not secret at this point that Todd Phillips and his team had no intention of making a sequel to the first film but Academy Awards, including one for Joaquin Phoenix himself, and a billion-dollar box office run started to turn some heads over at Warner Bros. This is why I've always been very concerned about this sequel, despite still being a BIG fan of that first movie. The trailers certainly looked impressive but my concerns from a story perspective were not swayed. All that being said, the divisive reactions honestly had me so intrigued to go check this one out. I had the pleasure (I guess?) of seeing this one yesterday so let's discuss whether Joker: Folie à Deux is as good as the first film, in spoiler-free fashion! Joker: Folie à Deux: Directed by: Todd Phillips Written by: Scott Silver & Todd Phillips Based on characters created by: Bob Kane & Bill Finger & Jerry Robinson 'Harley Quinn' created by: Paul Dini & Bruce Timm Produced by: Joseph Garner, Todd Phillips, Emma Tillinger Koskoff Executive Producers: Pete Chiappetta, Mark Friedberg, George Kacandes, Andrew Lary, Jason Ruder, Scott Silver, Anthony Tittanegro, Michael E. Uslan Music by: Hildur Guðnadóttir Cinematography by: Lawrence Sher Editing by: Jeff Groth Casting by: Francine Maisler Production Design by: Mark Friedberg Costume Design by: Arianne Phillips Cast: Joaquin Phoenix, Lady Gaga, Brendan Gleason, Catherine Keener, Zazie Beetz, Steve Coogan, Harvey Lawtey Synopsis: While struggling with his dual identity, Arthur Fleck not only stumbles upon true love, but also finds the music that's always been inside him.

Joaquin Phoenix is back reprising his role as the iconic DC Comics villain in Joker: Folie A Deux, the highly anticipated sequel to 2019's Joker, which received critical acclaim, smashed the box office and was celebrated by fans too. The sequel which also stars Lady Gaga as Harley Quinn, promises to be just as quirky, thrilling and deeply disturbing as the first. We discuss if we agree with the 12-min standing ovation the sequel received at the Venice film festival, before exploring how everyone feels about movies and shows that take a walk on the dark side, and finally on The B-Side, doing a deep dive into the music Hildur Guðnadóttir composed for these films.Image Credit: IMDb

Dana and Tom with new guest, Jaylan Salah Salman (Film Critic for In Session Film, Geek Vibes Nation, and Keith Loves Movies) discuss Joker (2019): written and directed by Todd Phillips with Scott Silver, music by Hildur Guðnadóttir, starring Joaquin Phoenix, Zazie Beetz, and Robert De Niro.Plot Summary: Gotham a city drenched in neon lights and shadows, where the line between reality and delusion blurs. Arthur Fleck (Joaquin Phoenix), a failed comedian and part-time clown, navigates this urban labyrinth as his mind unravels further each day. His existence is a series of humiliations and rejections, a slow burn of despair that ignites into a violent, chaotic inferno.In this dreary setting, the narrative delves deep into Arthur's psyche, exploring his transformation from a marginalized outcast into the infamous Joker. The film is a character study of a man pushed to the brink with a meditation on isolation, mental illness, and the corrosive effects of a society that abandons its most vulnerable. Arthur's journey is not just a descent into madness, but a twisted quest for identity and purpose in a world that has stripped him of both. This is a tale of existential dread and the search for meaning in a world that offers none, a dark and haunting reflection of the human condition.Guest:Jaylan Salah SalmanFilm Critic for In Session Film, Geek Vibes Nation, and Keith Loves MoviesAuthor on Amazon@jaylansalman on IG, Letterboxd, @jaylan_salah on TwitterChapters:00:00 Introduction and Welcome to Jaylan Salah01:52 Getting to Know - Jaylan Salah05:53 Cast and Recognition for Joker09:05 Relationship(s) with Joker18:10 What is Joker About?27:04 Plot Summary for Joker28:32 Did You Know?31:01 First Break31:46 What's Happening w/ Jaylan Salah32:43 Ask Dana Anything41:11 Best Performance(s)49:04 Best/Favorite/Indelible Scene(s)57:32 Second Break58:23 In Memoriam59:43 Best/Funniest Lines01:01:22 The Stanley Rubric - Legacy01:06:36 The Stanley Rubric - Impact/Significance01:10:42 The Stanley Rubric - Novelty01:17:10 The Stanley Rubric - Classicness01:22:07 The Stanley Rubric - Rewatchability01:26:01 The Stanley Rubric - Audience Score and Final Total01:28:52 Remaining Questions for Joker01:36:36 Thank You to Our Guest and Final ThoughtsYou can now find this episode in full video on YouTube: You can now follow us on Instagram, Twitter,

Time to talk Joker 2! 00:00 Intro 00:35 Anticipation 01:47 The Good 06:56 The Mixed 07:14 Is it a musical? 08:50 Courtroom drama? 09:50 Elseworld: How DC accurate is it? 11:26 Missing Scenes 12:13 Does Joker 2 have a post-credit scene? 12:26 The Bad 18:57 Final Thoughts CAST & CREW Directed by Todd Phillips Written by  Scott Silver Todd Phillips Based on Characters by DC Comics Produced by  Todd Phillips Emma Tillinger Koskoff Joseph Garner Starring  Joaquin Phoenix Lady Gaga Brendan Gleeson Catherine Keener Zazie Beetz Cinematography Lawrence Sher Edited by Jeff Groth Music by Hildur Guðnadóttir Production companies  Warner Bros. Pictures DC Studios Joint Effort Distributed by Warner Bros. Pictures FIND ME ONLINE INSTAGRAM @seantalksabout TWITTER   @kirkneverdied FACEBOOK https://www.facebook.com/seanchandlertalksabout Patreon https://www.patreon.com/seanchandler FIND THE SEAN CHANDLER PODCAST: ITUNES: https://podcasts.apple.com/us/podcast/the-sean-chandler-podcast/id1498677542 SPOTIFY: https://open.spotify.com/show/3xv87P7IlCwccth177rnM6 GOOGLE PODCASTS: https://play.google.com/music/m/Ivxlw3mprfqlvs2cb3yk3dxxkc4?t=The_Sean_Chandler_Podcast STITCHER: https://www.stitcher.com/podcast/the-sean-chandler-podcast PODBEAN: https://seanchandler.podbean.com My Merch Store https://www.teepublic.com/stores/sean-chandler-talks-about?ref_id=5518&ref_type=aff Check out the complete list of gear I use for creating my YouTube videos here:  https://kit.co/SeanChandler/my-youtube-equipment See a list of my posters (and where to get them) here: https://kit.co/SeanChandler/my-movie-posters See a list of my Funko Pops here: https://kit.co/SeanChandler/my-funko-pop-collection Fan Mail can be sent to:  Sean M. Chandler PO Box 1042  Hutto, TX 78634 VIDEO SUMMARY This video contains Sean Chandler Talks About's Joker: Folie à Deux | Movie Review (Spoiler Free) AFFLIATE DISCLAIMER I may earn a small commission for my endorsement, recommendation, testimonial, and/or link to any products or services from this video.

Alex and Vince chat a bit about Concord despite not playing it, and now no longer having a chance to play it. Then it's off to Germany, Russia, and back to Britain as they talk cool plugins, state orchestras, and progressive rock bands. Other notable mentions include: Yevgeny Svetlanov (Russian Conductor)Lexicon PSP 42 (Delay Plugin by PSP Audioware)Day and Age (Album by Frost*)Rolling Sampler (Plugin by Bird's Things )Concord (Score by Hildur Guðnadóttir) Featuring: Alex May and Vincent Diamante Recorded September 6, 2024

Vince returns from Japan (again?!) to describe what he saw at the CEDEC conference and chat a bit about his talk, Mike looks back with some fondness at 3+ decades of Finale's impact on the music writing scene, and the two make some decisions for their absentee cohort on what his role will be on their group trip abroad. Other notable mentions include: Ted Lasso (Score by Marcus Mumford and Tom Howe)A Haunting In Venice (Score by Hildur Guðnadóttir) Featuring: Michael Gordon Shapiro and Vincent Diamante Recorded August 30, 2024

VENEZIA (ITALPRESS) - "Lavorare con Joaquin Phoenix è stato un gioco da ragazzi. Mi sono divertita. È stata un'esperienza diversa da tutte quelle avute prima con un attore. Joaquin è incredibilmente libero, sciolto". Così Lady Gaga nella conferenza stampa di presentazione all'81esima Mostra del Cinema di Venezia di “Joker: Folie à deux”, il sequel del film che nel 2019 aveva conquistato al Lido il Leone d'Oro e, poi a Hollywood, ben due Oscar, quello per la Colonna Sonora di Hildur Guðnadóttir e soprattutto quello per l'istrionica prestazione di Joaquin Phoenix.tvi/mrv(fonte video La Ragione)

Det er sensommer, bladene er mørkegrønne, græsplænerne afsvedne, og huden knastør. Hjulene derude i verden er allerede løbet løbsk, og et afdæmpet vemod er ved at snige sig ind i sindets stuer sammen med det tørre græs under fødderne. Santaolalla, Tunde Jegede, Galina Grigorjeva og Hildur Guðnadóttir er bare et par af de komponister, der følger med i overgangen. Vært: Minna Grooss.

  The guest mix hits just keep coming! This set come to us courtesy of Old Amica, a two-person band originally from Norrbotten, Sweden. Today they are separated by 1864km with one part in Stockholm, the other in Genève.  https://oldamica.bandcamp.com/ I was familiar with their work on the Whitelabrecs label: https://whitelabrecs.bandcamp.com/album/taiga https://whitelabrecs.bandcamp.com/album/fyr So I was excited to hear about a new album coming out on August 9th. And then I was even more excited when they agreed to create a mix for LLM. Here's what Johan & Linus say about this creation: "This mix is a collection of songs and sounds that have had an influence on our new album “För alltid” (out August 9th via Le Mont Analogue [Dronarivm]). “För alltid” is an album about the passing of time, and we tried to break our sound down to its smallest constituents. Sounds that have always been there as a world of its own, but hid in the background." Thanks so much for this excellent set! Be sure to check out their new release when it drops on the 9th. Cheers!   T R A C K L I S T : 00:00    The Beach Boys - Our Prayer (20/20 1969)  01:06    Jónsi & Alex - Atlas Song (Riceboy Sleeps 2009)  08:27    Julianna Barwick - The Harbinger (Nepenthe 2013)  14:02    Stars of the Lid - Dungtitled(In a major) (And their Refinement of the Decline 2007)  19:07    Oliver Coates - One Without (Aftersun [Original Motion Picture Soundtrack] 2023) 23:51    Foreign Fields - Terrible Times (Reprise) (The Beauty of Survival 2020)  25:17    Old Amica - Mot natten (För alltid 2024)  32:12    Brian McBride - Overture(For Other Halfs) (When the Detail Lost its Freedom 2005)  38:41    Matti Bye - Open Sea (Capri Clouds 2024) 42:20    Hildur Guðnadóttir - 12 Hours Before (Chernobyl [Music from the Original TV Series] 2019)  44:30    Angelo Bandalamenti - Dark Space Low (Twin Peaks [Limited Event Series Soundtrack] 2017) 46:15    Ryuichi Sakamoto - fullmoon- immersion 2023 (async immersion 2023 2017)  51:03    Skator - Ljusa Tiden (excerpt) (År 2020)  52:20    Old Amica - Neckar (För alltid 2024)

Le Crapaud “Intro” Jan Jelinek “Them, Their” Kim Gordon “Paprika Pony” Black Saturn & Grosso Gadgetto “Earth Projet 00” Ben Frost “The Carpathians” Scott Walker & Sunn O))) “Soused” The Haxan Cloak “Excavation (Part 2)” Hildur Guðnadóttir “The Door” OVOD “Final” Biosphere & Deathprod “Warp Warpable” Emma Goldman “des lucioles à l'horizon” Innocent but Guilty & NLC “Celestial Target” Grosso Gadgetto & Philippe Neau “illuminations” Pan America “ivory joe hunter, little walter” Philippe Neau “Eblouissements Nocturnes” The Bug Ft Dis Fig “End In Blue”

[originally published on Patreon May 14, 2023] Today I'm joined by John Brisson of We've Read the Documents (@weve_read) to discuss one of the most notorious groups in parapolitical history: the Finders. To understand the events of 1987, we need to understand Marion Pettie, his milieu, and ultimately his network. Brisson walked me through his exceptional work digging up that information. We begin with a high level overview of the group and then drill down into Pettie's early life, anomalous military career, and strange rise to prominence in the counterculture. From there, we discuss Barbara Marx Hubbard and the World Future Society generally. All of this contributes to a more robust understanding of the events of 1987. [editor's note:  John says Ramirez brothers when he meant to say Menendez brothers] artwork by Dakota Links: https://twitter.com/weve_read https://linktr.ee/weveread Songs: Hoyt's Office by Hildur Guðnadóttir Defeated Clown by '' Meeting Bruce by ''

[originally published on Patreon Today I'm joined by Trash (@bidenbigboi) to discuss the French novel, the Kindly Ones by Jonathan Littell. The novel follows an SS officer through WWII which provides various opportunities to discuss various aspects of the Eastern Front and the Holocaust. Then, later, we discuss Littell's background which points to this being an entry in the Novels as Spycraft series.  *note, I accidentally refer to Friedrich Flick as “Frick”, what are you gonna do Songs: Into Warmer Air by Hildur Guðnadóttir Ascent by ‘' Erupting Light by ‘' Overcast by ‘' De tes yeux bleus perlés by Celeste

Hon var den enda syntharen i den norska småstaden Mysen. Hon skulle bli fotbollsproffs men flyttade till Stockholm där hon inledde en karriär som skådespelare för att sedan sadla om och bli musiker. Hon har gjort fyra soloalbum som spänner mellan dramatisk gothrock och drömsk electronica. Numera är Katharina Nuttall mest känd som filmkompositör. I fjol förtjusades många av hennes soundtrack till dokumentären "Kungen" om Carl XVI Gustaf. Nu hälsar hon på hemma hos Strage för att prata om 1800-talspoesi, om antika synthar, om sin monumentala cover av Depeche Modes "Stripped", om att sampla sitt kylskåp och om att stå stadigt som träden genom alla årstider. Katharina Nuttall spelar också upp favoritlåtar av artister som Wendy Carlos, Laurie Anderson, Hildur Guðnadóttir och Radiohead. Hosted on Acast. See acast.com/privacy for more information.

Y cayó la más oscura de las noches como cae el telón tras el último acto y las tinieblas se cernieron sobre el mundo y los fríos páramos quedaron yermos bajo la bruma, desnudos y ateridos en la más absoluta indigencia. Las almas vagaron sin rumbo a la deriva en la corriente, meciéndose en un agitado mar, ahogándose de prejuicios, naufragando en el abismo. Dolor y agonía de una orfandad súbita, el silencioso llanto desgarrador del eterno deambular en la oscuridad del alma. Débiles susurros que se lleva el viento. Los pasos cansados de recorrer una y mil veces el mismo camino polvoriento; la lucha por levantar el terrible peso de arrastrar una cruz que te doblega y te arroja contra el suelo en la extenuación de la noche más oscura. Música para descender a los abismos. Música para la Semana Santa. Ben Carroll, Glacis and Adrian Lane, Adrian von Ziegler, Endless Melancholy, Scott Holmes, Christopher Larkin, Lewis Lenk, Russell Giffen, Andy Mort, Daniele Bogon, Manchester Collective, Patrick Jonsson, Richard Einhorn, Max LL, Jóhann Jóhannsson, The Beka, Sangnoksu, Hildur Guðnadóttir, Kyle Preston, Simon Daum, Zack Hemsey. El playlist detallado: lostfrontier.org/episodios/2024/1022.

For more than a year now, I've been obsessed with TÁR, the 2022 Todd Field film starring Cate Blanchett as an orchestral conductor whose power plays lead to her devastating downfall. Yes, the story is gripping and suspenseful, but it's the music interlaced throughout the film that keeps me coming back. Aside from the two works performed in the film — Mahler's Fifth Symphony and Elgar's Cello Concerto — which were baked into Field's script, the music you hear throughout TÁR is the result of months of work by the film's music supervisor, Lucy Bright. A specialist in the arenas of film and television scoring, Bright has worked with some of today's biggest composers — including Nico Muhly, Michael Nyman, and Volker Bertelmann — on projects ranging from Assassin's Creed to Aftersun and The Iron Claw. But what exactly does a music supervisor do on a film of this scale? Turns out, it's a lot.  From working with a team of on-set sound engineers who specialize in recording symphony orchestras to developing the film's Deutsche Grammophon concept album and recreating Urbie Green's 1967 recording of "Twenty-one Trombones," Bright was kept busy managing countless aspects of the film's musical atmosphere across three countries. In this episode of the Classical Post podcast, I speak with Bright about the expert levels of coordination and collaboration vital to her work, working with the Icelandic composer Hildur Guðnadóttir to realize Lydia Tár's compositions, and what it was like seeing Cate Blanchett raise a baton to conduct Mahler. Plus, she shares her fascinating history with modern architecture, her go-to burger place in New York City, and the therapeutic benefits of swimming in the natural springs of London's Hampstead Heath. Stream TÁR (Music from and Inspired by the Motion Picture) on Spotify, Apple Music, Amazon Music, or wherever you stream music. - Classical Post® is created and produced by Gold Sound Media® LLC, a New York-based marketing agency for the performing arts industry. Explore how we can grow your audience to make a lasting impact in your community.

Jess Gillam and conductor Robert Ames share some of the tunes they love, with music by Philip Glass, Hildur Guðnadóttir, Makaya McCraven, Pauline Oliveros and J.S. Bach.Playlist: Philip Glass – Aguas da Amazonia - Madeira River [Uakti] Abel Selaocoe – Voices of Bantu Hildur Guðnadóttir - For Petra [London Contemporary Orchestra, Robert Ames] Tchaikovsky – The Tempest, Op. 18; VI. Andante non tanto [BBC Scottish Symphony Orchestra, Alpesh Chauhan] Makaya McCraven – In These Times Camille Saint-Saens – Le lever de la lune Pauline Oliveros / Stuart Dempster / Panaiotis - Suiren J.S. Bach – Aria from Orchestral Suite No. 3, BWV 1068 "Air on a G String" (Arr. Leopold Stokowski) [BBC Philharmonic, Matthias Bamert]

Linton Stephens tries out a classical playlist on comedian Chloe Petts. Chloe's playlist: Fela Sowande - African Suite (1st mvt, Joyful Day) Jasdeep Singh Degun – Ulterior Motives Paul Dukas - The Sorcerer's Apprentice Wilhelmine von Bayreuth - Concerto for harpsichord and strings in G minor (1st mvt) Hildur Guðnadóttir- Fólk fær andlit Emilie Mayer - Piano Quartet in E flat major (1st mvt) Classical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Each week, Linton mixes a bespoke playlist for his guest, who then joins him to share their impressions of their new classical discoveries. Linton Stephens is a bassoonist with the Chineke! Orchestra and has also performed with the BBC Philharmonic, Halle Orchestra and Opera North, amongst many others.

“A Haunting in Venice,” the latest cinematic adaptation featuring novelist Agatha Christie's fictional detective Hercule Poirot, starring and directed by Sir Kenneth Branagh, includes another unforgettable score by multiple award-winning composer Hildur Guðnadóttir. But unlike most of her other groundbreaking work, this score features a more “classical” approach — a creative decision stemming all the way back to Hildur's childhood!“Having grown up reading Agatha Christie and Nancy Drew and Sherlock Holmes and all these classics, I had a really strong feeling for how I felt like this genre should be approached. And how I felt like it should not be approached. And [its] quite the opposite to most of my work, where I'm quite explorative of sounds and instrumentation and building instruments or building sample worlds or found sounds. I feel like the whodunit should really just be a classical form (laughs) that should not be tampered with.”—Hildur Guðnadóttir, Composer, “A Haunting in Venice”Our guest host, music journalist Jon Burlingame, returns to the Dolby Institute Podcast to speak with Hildur about her work on this film as well as her vast knowledge of music history from this period.Be sure to check out A Haunting in Venice, now in theaters, in Dolby Atmos® where available.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

She's back, with that infectious laugh of hers, and we couldn't be more delighted. Hildur Guðnadóttir is one of my very favourite composers of film music, and she joins me to discuss Kenneth Branagh's latest take on Agatha Christie, A Haunting In Venice. Darker and more claustrophobic than the previous two Poirot mysteries he directed and starred in, A Haunting In Venice sees the Belgian detective investigate a murder while attending a Halloween seance at a palazzo in the floating city.

"A Haunting In Venice" is now playing in theaters and marks the third Agatha Christie adaptation by Academy Award-winning filmmaker Kenneth Branagh, who returns for the third time as the world's greatest detective, Hercule Poirot. With an all-star cast that includes Tina Fey, Michelle Yeoh, Jamie Dornan, Kelly Reilly, Camille Cotton, Jude Hill & Riccardo Scmarcio, the film cleverly takes Christie's 1969 novel "Hallowe'en Party" and gives it enough fresh twists to help it stand out from "Murder On The Orient Express" and "Death On The Nile." Below, you will find a series of interviews conducted with some of the film's crew, including Academy Award-winning composer Hildur Guđnadóttir, production designer John Paul Kelly, cinematographer Haris Zambarloukos and the CEO of the Agatha Christie Estate, the great-grandson of Agatha Christie and Executive Producer James Pritchard. Please take a moment to listen to these interviews and check out the film, which is now playing in theaters from 20th Century Studios. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited - https://regmovies.onelink.me/4207629222/937isfrg New subscribers can use code REGALNBP23 for 10% off of Regal Unlimited for the first 3 months Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Today, on The Goggler Podcast, Uma welcomes special guest Hildur Guðnadóttir, the Oscar winning composer of Joker, for a conversation about her latest soundtrack for A Haunting in Venice.

ncarlo Esposito is teasing a possible DCU role. Blue Beetle is holding strong in movie theaters, despite a slow start. Meanwhile, David Ayer is speaking out about his experiences on Suicide Squad, The Dark Knight trilogy is headed back to theaters for Batman Day, and more DC News.Episode Rundown:Blue Beetle hits $100 million globally. David Ayer says Suicide Squad broke him: https://www.tiktok.com/@realonesjonbernthal/video/7271004384337661226 Joker: Folie à Deux composer Hildur Guðnadóttir teases a lot of music in the sequel: https://comicbook.com/dc/news/joker-2-composer-hildur-gudnadottir-folie-a-duex-score-exclusive/ Giancarlo Esposito has talked to James Gunn about possibly being in a movie: https://twitter.com/swshriv/status/1696587015754527076 The Flash debuts lower than Black Adam on Max - sort of: https://deadline.com/2023/08/the-flash-viewership-max-1235530739/ The Dark Knight Trilogy headed back to some theaters for Batman Day: https://www.instagram.com/p/CwqP-kvLibP/SUBSCRIBE ON APPLE, ANDROID, SPOTIFY, RSS, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this SPECIAL EDITION of The Movie Podcast, Daniel and Shahbaz are joined by Academy Award-Winning Composer Hildur Guðnadóttir (Joker), and Cinematographer Haris Zambarloukos (Belfast) of Kenneth Branagh's A HAUNTING IN VENICE. The film is as the sequel to Death on the Nile (2022) and Murder on the Orient Express (2017) in which Branagh portrays the Belgian detective Hercule Poirot, the fictional Belgian detective created by writer Agatha Christie. A Haunting in Venice is set in eerie, post-World War II Venice on All Hallows' Eve. Now retired and living in self-imposed exile in the world's most glamorous city, Poirot reluctantly attends a séance at a decaying, haunted palazzo. When one of the guests is murdered, the detective is thrust into a sinister world of shadows and secrets. The film opens exclusively in theatres September 15, 2023.Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

This is the one with Becca Shack! Becca is an award winning composer, producer, songwriter and singer who is now based in Los Angeles. She specializes in creating music for film, television and media like video games, podcasts and commercials and she also composes concert music. She's worked on shows like Dance Moms, The Young & The Restless and Bones and the recently released film on Apple TV+, iMordecai, which stars among other well known folks, Carol Kane (my fav).  I'm so excited to talk to Becca about the psychological thriller Anne, With Love, that is currently in post production. And she's also a solo performing artist!  "Breaking Big" with Erin Neumeyer is a podcast about working in the entertainment industry. Meet people who work in all areas of show business to find out how they broke into the industry and found success. Working in this creative field can be a roller coaster - there will be laughter, thrills and tears - but these talented people are enjoying the ride! A HUGE Thanks to WhoHAHA.com for featuring our show in the "Podcasts We Love" Section of their App!  And special thanks to FILMCRAFT LA for supporting our show! While you can listen to our show everywhere podcasts are streamed we would be honored if you would open (or download the ⁠⁠⁠WhoHaHa App HERE⁠⁠⁠ if you don't already have it) and listen there this month!  While you're there check out the other lady driven shows - there are lots of great ones!  SHOW LINKS: Anne, With Love (Debut planned for 2023) iMordecai (Available Now on Streaming like Amazon Prime and Apple TV) Musical inspirations - Hans Zimmer, Vangelis, Daft Punk, John Williams, Hildur Guðnadóttir, Germaine Franco, Natalie Holt RECCOMENDS Podcasts: -Mel Robbins podcast -The Big Picture by The Ringer -Score - the podcast Classes: -Yoga with Kassandra on YouTube -The Pro Composer with Robbie Teehan Websites: -https://theawfc.com -https://thescl.com -https://womennmedia.com Books:  -How To Make It in the New Music Business by Ari Herstand SHOUT OUTS: Robbie Teehan, Composer Octopath Traveler 2 - Video Game Erin's SHOUT OUT: Zelda - Tears of the Kingdom LINKS: Keep in touch with BeccaINSTAGRAM: @ becadreams FACEBOOK: @ becadreams TWITTER: @ becadreams WEBSITE: BeccaSchack.com IMDB: https://www.imdb.com/name/nm3740503/?ref_=nv_sr_srsg_0 CONTACT INFO: Breaking Big with Erin Neumeyer Produced by Bex Francis & Erin Neumeyer, Edited by Dylan Neumeyer Show Music composed and performed by Dylan Neumeyer Email us at ThunderTally@gmail.com or Follow us on Instagram @ThunderTally and @BreakingBigWithErinNeumeyer --- Support this podcast: https://podcasters.spotify.com/pod/show/breakingbig/support

  Eles podem ter disfarçado no episódio 11, quando falaram sobre Os Banshees de Inisherin, mas ficou claro que os filmes de "bonequinhos" conquistaram o coração dos nossos apresentadores, e agora, eles chegam com Coringa (Joker). Brincadeiras a parte, Coringa vai muito além de um simples filme de ação. Com um ar autoral, por ter sido escrito e dirigido por Todd Phillips, o filme se aproveita de por ter um grande estúdio (Warner) nos bastidores para poder trabalhar em cada detalhe da produção. Trata-se de uma obra que pode ser vista uma dúzia de vezes, e ainda sim, nos surpreender. Editado por Jeff Groth, com direção de fotografia do excelente Lawrence Sher, outro nome que chama muito a atenção é de Hildur Guðnadóttir, a musicista responsável por dar um Oscar à Coringa, nos entrega uma trilha densa, complexa e muito sentimental.  Gustavo Reinecken e Duca Mendes se reunem mais uma vez para detalhar como Coringa consegue entregar um produto complexo e muito bem produzido, onde traz uma história com profundidade e nuances e acaba fugindo da mesmice dos filmes de super-herói. Então vem dar o play, e não tente segurar o riso. Ouça nosso Podcast também no: • Feed: http://bit.ly/feed-cinemacao• Apple Podcast: http://bit.ly/itunes-cinemacao• Android: http://bit.ly/android-cinemacao• Deezer: http://bit.ly/deezer-cinemacao• Spotify: http://bit.ly/spotify-cinemacao• Google Podcast: http://bit.ly/cinemacao-google• Amazon Music: https://bit.ly/amazoncinemacao Agradecimentos aos patrões e padrinhos: • André Marinho• Anna Foltran• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Lima• Flavia Sanches• Gabriela Pastori• Guilherme S. Arinelli• Gustavo Reinecken• Katia Barga• Luiz Villela• William Saito Fale Conosco: • Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• Twitter: https://bit.ly/twittercinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacao Apoie o Cinem(ação)! Assine o Cinem(ação) e passe a fazer parte de um grupo seleto de ouvintes que têm vários benefícios. Com um valor a partir de R$5,00, você já terá direito a benefícios e o melhor de tudo, depois de 1 ano de contribuição, você ganha um presente exclusivo! Acesse a página Contribua, escolha o plano que melhor lhe atende e venha ser um apoiador do nosso canal.  Apoia.se: https://apoia.se/cinemacao

Today's guest deejay is Anne Chris. Anne's music is a beautiful blend of ambient, experimental, and modern classical styles. I was introduced to Anne's through Soundwave guest deejay Peter van Cooten (listen to his mix here and here), host of Ambientblog and DreamScenes on Concertzender. Based in the Netherlands, Anne Bakker is a multi-instrumentalist, composer, and producer. Her music often incorporates field recordings, found sounds, and electronic elements to create unique and immersive soundscapes. Anne has released several albums and EPs on labels such as Dronarivm, Whitelabrecs, and Rusted Tone Recordings. Her music has been described as “a delicate and hypnotic work that shines with an inner light” and “a moving and atmospheric experience.” Many of the tracks in Anne's mix feature minimalistic arrangements and slowly evolving textures, often exploring the sonic nuances of single notes or simple harmonic progressions. Using drones and sustained tones is also prevalent, creating a sense of sonic stasis or timelessness. Several pieces also feature acoustic instruments, such as piano, guitar, and strings, woven into the electronic soundscapes to create a delicate interplay between the organic and synthetic elements. Join us next week when our guest deejay will be zaké. See you then. Mirrorring “Silent From Above” Windy & Carl “Btwn You + Me” Celer “The delay of intolerance” Akira Rabelais “i” Oren Ambarchi “Fever, A Warm Poison” Morton Feldman “1” Hildur Guðnadóttir “Leyfðu Ljósinu” William Basinski “The Garden of Brokenness” soccer Committee “Moi & Mon Coeur” --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundwavemix/message

Norwegian commandos execute a daring sabotage mission to cripple the Nazi nuclear program. The fall of Werner Heisenberg. Original music for this series by https://mountainstandardtime.substack.com/Additional music by Hildur Guðnadóttir, Max Richter, William Basinski, Moondog, Sølvguttene, Jed Kurzel, Hala Strana, Anne Hytta, Nine Inch Nails, and Nico. Support the showwww.patreon.com/historium

Entramos en el cuarto de Mary, la supercientífica de la que nos habló el filósofo autraliano Frank Jackson en 1982y 1986, con músicas que llenan de colores la habitación.  fields of forever. Chad Lawson, Peter Gregson, Esther Yoo, James Southall What Gorgeous Thing. Chad Lawson Vaya Vaya. Kronos Quartet, Mahsa Vahdat and the swallow. Caroline ShawArs Nova CopenhagenPaul Hillier Fo¿lk fær andlit. Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki Si dolce e'l tormento. Roberta Mameli,La Venexiana Troppo cruda, HWV 198 Infiammate de Handel Rossana Bertini, Claudio Cavina, La Venexiana Fljo¿tavik. Sigur Rós, Dmitri Ensemble, Stephanie Gonley, Graham Ross Untitled 3  Samskeyti. Sigur Rós Spiritus Sanctus Vivificans de Hildegard von Binge Anna Sandström, Christopher Monks Missa adieu mes amours I. Kyrie a 2 voces y vihuela de de Peñalosa Maria Cristina Kiehr, Jonatan Alvarado, Ariel Abramovich Taladh Chriosta de Peter Gregson Daniel Pioro, Grace Davidson, Clara Sanabras y Hannah Cooke     Kad Ja Po¿oh Na Bembašu Božo Vre¿o y Edin Karamazov  Escuchar audio

On this week's The Cultural Frontline we explore the power of music and how artists have been using it to highlight issues including politics and the #MeToo movement. Prakash Neupane is a Nepali rapper and writer who mixes hip hop and R&B with social and political messages. His songs address the issues facing Nepal and his thoughts on the political situation in the country and its complex recent history. Prakash talks to Tina Daheley about why he feels rap is a good way of getting his message across and his role in a flourishing new wave of the Nepali hip hop scene. The Australian actor Cate Blanchett has just won a Golden Globe for her portrayal of a fictitious classical music conductor and composer in Todd Field's new film Tár. It follows the downfall of Lydia Tár who is at the pinnacle of her career when she is accused of bullying and sexual misconduct towards her fellow musicians. Cate speaks to reporter Anna Bailey about why she wanted to take on this role and shares her response to the criticisms the film has faced. They are also joined by the creative force behind Tár's score, the award-winning Icelandic composer Hildur Guðnadóttir. Hildur discusses her own experiences of being a woman creating music. Plus Syrian clarinettist and composer, Kinan Azmeh. He's recently performed his own works with the London Philharmonic Orchestra as part of their A place to call home series, which explores issues of displacement and exile. Kinan speaks to The Cultural Frontline's Andrea Kidd about how his works, including his Clarinet Concerto, have been influenced by the Syrian civil war and the importance of home. (Photo: Cate Blanchett in Tár. Credit: Universal)

    1.ª parte:   1 - Kathryn Joseph - For You Who Are The Wronged - What is Keeping You Alive Makes Me Want To Kill Them For 2 - Romance - Once Upon a Time - I've Been Blown By The Wind 3 - Ian William Craig - Music For Magnesium_173 - Sentimental Drift 4 - Jenny Hval - Buffy - Buffy 5 - Rosa Anschütz - Goldener Strom - Sold Out 6 - Ryuichi Sakamoto - A Tribute to Ryuichi Sakamoto - To the Moon and Back - Grains (Sweet Paulownia Wood) - David Sylvian Remodel 7 - Leya - Eyeline - Glass Jaw (Feat. Julie Byrne) 8 - Mami Sakurai & Midori Hirano - Myth - Myth 9 - Hildur Guðnadóttir - Women Talking Soundtrack - Not All Men 10 - Keeley Forsyth - Limbs - Bring Me Water 11 - Liela Moss - Internal Working Model - Ache In The Middle (Feat. Jehnny Beth) 12 - Trentemøller - Memoria - Linger 13 - SRSQ - Ever Crashing - Abyss   2.ª parte:   14 - Emile Mosseri, Angel Olsen - Kajillionaire (Original Motion Picture Soundtrack) - Mr. Lonely 15 - Emile Mosseri - Kajillionaire (Original Motion Picture Soundtrack) - Infinite Love 16 - The Smile - A Light for Attracting Attention - Open The Floodgates 17 - Rosie Alena - Pixelated Images - Adore Me 18 - Lambchop - The Bible - Daisy 19 - Nick Cave & Warren Ellis - Blonde (Soundtrack From The Netflix Film) - Bright Horses (Instrumental) 20 - Michael Price - The Hope of Better Weather - In Spite of the Weather (Bill Ryder-Jones Re-Imagining) 21 - Greg Dulli, Mark Lanegan - Girl from the North Country - Girl from the North Country 22 - Mark Lanegan - Gargoyle - Goodbye to Beauty 23 - Delaney Bailey - (I Would Have Followed You) - J's Lullaby (Darlin' I'd Wait For You) 25 - Tiny Vipers - American Prayer - Tormentor 26 - Laura Veirs - Found Light - My Lantern 27 - Helena Deland - Swimmer - Swimmer 28 - Nina Nastasia - Riderless Horse - Ask Me   * imagem de (image by) Sergio Larrain

Gotham Knights Trailer, Chucky Gets Third Season, Superman & Lois S3 Trailer, Hildur Guðnadóttir Starts Working on Joker 2. Hosted on Acast. See acast.com/privacy for more information.

Oscar-winning composer Hildur Guðnadóttir talks about her 2019 success on JOKER and CHERNOBYL and how she responded to pandemic slowdown at the breakout moment of her career. Why becoming a mother is something she holds so dearly and credits for some of her approach. Plus, why WOMEN TALKING challenged her to find a quiet inner strength, and TÁR created a mirror opposite of Hildur's approach to her music. Interview by Robert Kraft and Matt Schrader.

  A couple of years ago I watched and read a ton on Ernest Shackleton, the English Explorer who went to Antarctica 3 times. One of those was a journey that saw his ship, Endurance, get stuck in the ice and then crushed by the ice, leaving the crew of 27 adrift on an ice floe. After 6 months of drifting they made their way in the ship's boats to Elephant Island. Shackleton and five crewmates set sail in one of the boats to South Georgia island, a journey of 800 miles (1,300 kilometres) through the Southern Ocean.    Launching from Elephant Island   After a 17-day voyage, the crew and small boat reached the southern coast of South Georgia. Historians regard the voyage of the crew in a 22.5-foot (6.9 m) ship's boat through the "Furious Fifties" as one of the greatest small-boat journeys ever completed. Shackleton and two others crossed the island's mountains on foot to a whaling station where they organized the rescue of the rest of the crew. Ultimately, the entire Endurance crew returned home, without loss of life.  Welp, I hadn't intended on writing that much about Shackleton but it's such an amazing story. That was two years ago when I learned about Shackleton. Fast forward to today & I'm reading a book called "Antarctica" by Kim Stanley Robinson which has rekindled my fascination with the continent. I have now learned about Amundsen and his trek to the pole. And about Scott's tragic expedition in which he made it to the pole but froze to death on the way back. A surviving member of Scott's crew wrote a book about a part of the trip with a great title - "The Worst Journey in the World." Oof, that was a long-winded way of saying that I have had Antarctica on the brain lately. Of course, I had to create a mix to go with my obsession. One way to approach this mix would be to use atmospheric dub tracks. A lot of ambient dub music uses environmental themes and cold, arctic imagery. I thought that was the direction I was going to go until I stumbled on a bunch of tracks from William Ryan Fritch. He had a ton of great titles that fit perfectly, such as "On Frozen Ground" & "Ghosts in the Gale". And a couple of new tracks, "Blistering Wind" & "A Fissure Too Wide", are from his new album, Polarity, coming out this week.  After hearing those tracks I decided to go with a more organic sound. It seemed to fit better when thinking of journeys happening between 1905 to 1917. There are some electronics and synths that show up but generally, the mix has a more acoustic, orchestral feel.  The track titles show how the mix will take the listener on a journey that is a composite of many expeditions in Antarctica. The track by Irezumi is called Endurance, the name of Shackleton's ship. He uses some spoken word in the track that I assume is supposed to be Shackleton. The mix finishes with a whispering wind and the beautiful track "Before My Time" with vocals from Scarlett Johansson and lyrics that work well with the theme. Bundle up and enjoy this excursion to the bottom of the world. Cheers!   T R A C K L I S T : 00:00    Okomotive, Joel Schoch - Sail, my Friend! (FAR: Lone Sails Soundtrack 2018) 03:10    Trigg & Gusset - Sea & Wind (Black Ocean 2021) 06:00    Ben McElroy - The Sailor and the Albatross (The Word Cricket Made Her Happy 2018) 09:45    Ugasanie - Shores Of Antarctica (Ice Breath of Antartica 2018) 10:37    Vangelis - Back To Antarctica (Antarctica 1983) 12:10    John Luther Adams - The Farthest Place (The Light that Fills the World 2002) 15:10    Seabuckthorn - There Was A Vastness (And Spark And Singe 2021) 17:35    William Ryan Fritch - On Frozen Ground (The Old Believers 2017) 19:22    Terje Isungset - Ice Beauty (Igloo 2006) 22:00    William Ryan Fritch - Ghosts In The Gale (Ill Tides 2016) 23:54    Tim Hecker - Left on the Ice (The North Water 2021) 27:23    Jóhann Jóhannsson & Hildur Guðnadóttir & Rutger Hoedemaekers - Trapped (Trapped 2019) 28:44    From the Mouth of the Sun - Snow Burial(while blue skies gather) (Woven Tide 2012) 31:48    John Luther Adams - Dream in White on White (The Far Country 1999) 36:00    Staalklang - The White Plains (The Loneliness of a Polar Expedition Pt 2 2021) 39:20    Tom Heasley - Adrift (Waves/Adrift) 41:40    William Ryan Fritch - Blistering Wind (Polarity 2023) 48:08    William Ryan Fritch - A Fissure Too Wide (Polarity 2023) 49:15    Dan Romer & Benh Zeitlin - Death Bed (Beasts of the Southern Wild 2012)  50:20    Irezumi - Endurance IV (Endurance 2008) 54:18    William Ryan Fritch - A Sad Whispering Wind II (Her Warmth 2016) 57:42    J. Ralph & Scarlett Johansson - Before My Time (Chasing Ice 2012) 61:22    end

On episode 163 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer and Kevin Lee to talk about their favorites of 2022. In the first episode of 2023, the AW crew takes a look back at their favorite movies, performances and theater going experiences of the past year. Lots of love for Aftersun, RRR, TÁR, The Fabelmans. Nope, and more as they also talked about their favorite scenes of the year, favorite opening/endings, and what it means when a movie moves you emotionally over others you see throughout the year. At the end of the conversation, they also mentioned the movies they are looking forward to seeing the most in 2023 too. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.This podcast runs 2h. We will be back next week to give our Golden Globe predictions and talk about M3GAN! Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro) and "Speak Up" by Hildur Guðnadóttir from Original Motion Picture Soundtrack of Women Talking used by permission. This podcast is sponsored by the United Artists Releasing film Women Talking. Critics hail Sarah Polley's Women Talking as “Unlike Any Film You've Seen Before” and “One of the Cinematic Events of the Year,” and it is now nominated for 6 Critics' Choice Awards including Best Picture.  Starring Rooney Mara, Claire Foy, Jessie Buckley, Ben Whishaw, and Frances McDormand, Women Talking has also been named one of the 2022 AFI AWARDS Movies of the Year, one of the Top Films of the Year and winner of Best Ensemble by the National Board of Review, and is nominated for Three Independent Spirit Awards, Including Best Feature.  For Your Consideration in all categories including Best Picture.

Happy holidays, listeners! The crew of My Big Score has gotten together to discuss their favorite film and TV scores of 2022, including: Nope by Michael Abels Triangle of Sadness by Mikkel Maltha & Leslie Ming The Menu by Colin Stetson Crimes of the Future by Howard Shore Women Talking by Hildur Guðnadóttir Babylon by Justin Hurwitz Avatar: The Way of Water by Simon Franglen Andor by Nicholas Britell The Lord of the Rings: The Rings of Power by Bear McCreary Guillermo Del Toro's Pinocchio by Alexandre Desplat and The Fabelmans by John Williams Happy holidays, and join us, won't you? My Big Score was created, hosted, and edited by Christopher Dole. All piano music performed by Christopher Dole. The main theme was composed by Erik Jourgensen. Show artwork by Chandler Candela. Our social media consultant is Ellie Warren. This series is produced in Los Angeles County on the ancestral lands of the Tongva, Tatavium, and Chumash. You can find our website at mybigscore.transistor.fm and on Twitter at @MyBigScorePod. Do you like this show? Do you want to help us make more of it? There are so many ways you can do that! The quickest and easiest way is to toss us a few dollars on Patreon at https://www.patreon.com/mybigscore. You'll get early access to episodes and additional bonus material.

Episode 345."Pig"Composer: Philip Klein.Philip Klein's music has been heard in film and television projects for Sony, Disney, Pixar, Lionsgate, ABC and CBS. Recent projects include Sony Animation's "Wish Dragon", “The Last Full Measure” and Neon's "Pig". He also penned 18 new orchestral arrangements for Aerosmith's Las Vegas residency, “Deuces Are Wild.” As an additional writer, Philip has collaborated with some of the finest composers working in film and TV, including Harry Gregson-Williams, Carter Burwell, Alex Heffes and Fil Eisler.  He is also in demand as an orchestrator, having had the honor of working with James Newton Howard, Alexandre Desplat, Ludwig Göransson, Hildur Guðnadóttir, Steve Jablonsky, David Buckley, Stewart Copeland and several other amazing artists.  Recent orchestration credits include the Oscar winning "Joker", Oscar nominated "News of the World" and Disney's "The Mandalorian".Philip studied trumpet performance and composition at Northwestern University. In 2011 he was selected as one of six fellows for the Sundance Institute's Film Composing Lab.  Philip is infinitely indebted to his mentors: Harry Gregson-Williams, Alan Silvestri, Penka Kouneva and Peter Golub.Welcome, Philip Klein.Darek Thomas.Instagram, YouTube and Facebook:  Monday Morning Critic Podcast.Twitter:@mdmcriticwww.imdb.com/title/tt12597724/www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com

Terrance Hannum, synth-ist and keyboardist in his darkly beautiful drone-core band Locrian, doesn't set out everyday to be the most creative human on earth, but more often than not, something does indeed get made. Between his job as a professor of 3D Printing and digital fabrication and his life in Locrian, he also manages to write award-winning fiction, pulls haunting images out of his soul for his oil paintings and sculptures of dead flowers, and uses cassette tape to powerful effect of structured minimalism. Locrian has a new record called New Catastrphisms out August 12th (Profound Lore) produced and recorded mostly live by none other than J Robbins (Jawbox/Burning Airlines) to profound results. It continues with their string of celebrated records in a vein of music not unlike the beautifully disturbing and heavily weighted pieces of Hildur Guðnadóttir and the Chernobyl soundtrack. 

Icelandic composer Herdís Stefánsdóttir talks about crafting a modern score for the Victorian-era THE ESSEX SERPENT on AppleTV+, alongside co-composer Dustin O'Halloran, and her score to Y: THE LAST MAN on FX. How her path from law-school dropout to writing music for dance students worried her parents. Plus, how Herdís ended up working with the late Jóhann Jóhannsson (ARRIVAL, THE THEORY OF EVERYTHING) and meeting Hildur Guðnadóttir (JOKER) in Reykjavik — and what its like scoring films and television with Icelandic musicians. Interview by Matt Schrader on MORE SCORE.

  I've been a fan of the Deutsche Grammophon label for a long time, ever since I got this Steve Reich box set back in the early 80s in college. I've collected quite a few DG recordings over the years. Over the last 5 years or so I've noticed them branching out and releasing music by a wider variety of artists and music that isn't strictly classical. From Moby to Christian Löffler to Olafur Arnalds to Brian Eno to Clark, the music is surprising for DG but also seems to fit well. After a lot of listening to Parallels by Christian Löffler, I decided to do a mix of recent DG favs. I hope you enjoy it. Cheers!   T R A C K L I S T : 00:00 Peter Gregson - Opening (Blackbird 2020) 02:34 Johann Johannsson - Divine Objects pt. 1 (Drone Mass 2022) 05:00 Agnes Obel - Can't Be(Instrumental (Myopia 2020) 08:20 Christian Löffler - Dir Jehova (Parallels 2021) 12:25 Signum Saxophone Quartet- 1957 award montage (Quartet Echoes 2021) 15:41 Tale Of Us - definizione dell impossibile (Endless 2017) 19:46 Joep Beving - Morpheus' Dream (Henosis 2019) 21:36 Olafur Arnalds - Still _ Sound (Some Kind of Peace 2020) 25:45 Alex Baranowski - Constellations (Project 12 2019) 28:13 Benjamin Gustafsson - Silent In A World Of Talking (Project 12 2019) 31:02 Clark - Citrus (Playground in a Lake 2021) 33:20 Max Richter - War Anthem (Three Worlds Music From Woolf Works 2017) 40:05 Moby - God Moving Over the Face of The Waters (2021) 43:17 Peter Gregson Gifts at Dinner (Blackbird 2020) 47:23 Roger Eno & Brian Eno - Marble (Mixing Colours 2020) 53:20 Johann Johannsson & Yair Elazar Glotman - Slow Destruction Of Neptune (Last And First Men 2020) 56:58 Hildur Guðnadóttir - 12 Hours Before (Chernobyl 2019) 59:19 end

Christopher Ryan (co-author of Sex at Dawn, author of Civilized to Death, and host of Tangentially Speaking) returns to the podcast to discuss spirituality, and the ways we've engaged in this realm in different, yet parallel ways. We speak about psychedelics, astrology, synchronicity, and magic, and how these tools and practices have informed our approach to life. We touch on integration, ego, and humility, plus discuss the conflict between scientific worldviews/mechanistic thinking and the exploration of subjective meaning and belief. Plus, I talk about my inspiration for The Lunar Circle and why I approach and teach astrology in such a nuanced and experiential way.Find Chris at chrisryanphd.com, on Twitter and on InstagramSongs featured: “Bathroom Dance” by Hildur Guðnadóttir from the movie Joker and "Inside I'll Sing” by Shards & Isolation ChoirHow to support the show:Rate, review and subscribe to the podcast on iTunes!Join the Substack community and get access to newsletters, exclusive articles, and a private Discord server just for listeners of the show, which you can join by clicking this link - https://discord.gg/sQHPPVC9 (This Discord link expires in 7 days from the episode date. If it no longer works, send me an email - anyakaats@gmail.com)Join the April Lunar Circle, enrollment closes 3/28 - AnyaKaats.com/LunarCircleVisit my website - AnyaKaats.com & Find me on Instagram Get full access to A Millennial's Guide to Saving the World at anyakaats.substack.com/subscribe