Podcast appearances and mentions of Hilary Hahn

A personal solo episode where I (Mary) share my “small joys” i.e. little acts of self-care that have made a big difference. Each one has become a gentle anchor, a little nudge to remember who I am and what I need. And through them, I'm realizing how the act of keeping promises to myself—no matter how small—has become a declaration of self-worth.You will hear about... 6 teeny tiny self-care practices that have made a big difference in my mental healththe books I've been reading lately (including my unpopular opinion about The Women by Kristin Hannah)reflections on relationships and making new friendshow to cultivate a positive mindsetAt the core of this episode is the idea that keeping promises to yourself is a declaration of self-worth. Every time you follow through on taking care of yourself, you are signaling that you are WORTHY of the time, energy, money, and attention self-care demands.Tune in for a gentle invitation to remember that your life is YOURS to shape, nurture, and enjoy. A positive mindset could be just a small step away.Deepen your self-love journey with Mary's books:1. The Gift of Self-Love, an interactive workbook that will help you build confidence, recognize your worth, and learn to finally love yourself.2. 100 Days of Self-Love, a guided journal with 100 prompts to help you calm self-criticism and learn to love who you are.Follow Mary on IG: @maryscupofteaa and @maryspodcastIf you're craving more conversations like this—about self-care, mental health, positive mindset, relationships, women's empowerment, and living in alignment with your authentic self—make sure to subscribe to this self-love podcast and leave a review. Your support helps this show reach more women and spread the gift of self-love.Mentioned In This Episode... Hilary Hahn performing J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Double (Presto)Ep. 243: How to Stay Hopeful, Joyful, and Soulful with Victoria Hutchins on Apple, Spotify, and YouTubeEp. 234: Finding Myself in the Unlikeliest of Places (Cuba) on Apple, Spotify, and YouTube

Kala Ramnath is a world-renowned Indian violinist who performs in both the Hindustani classical tradition, and in collaborations that incorporate many styles with Ray Manzarek of The Doors, Bela Fleck and Edgar Meyer, Hilary Hahn, Kronos Quartet with Reena Esmail and veena player Jayanthi Kumaresh, and  leading orchestras such as my own National Arts Centre, to name but a few. You'll hear about her childhood, and how she became a disciple of the legendary vocalist Pandit Jasraj, leading her to revolutionize her approach to Hindustani violin technique. As a teacher she has put together an incredible resource with an extensive video library that she's created of Indian music, Indianclassicalmusic.com  When I recorded this interview with Kala, she had just the day before returned from the celebration of life for the legendary tabla master Zakir Hussain, who died this past December, and was one of the most important musicians in both Indian music and in bringing a global audience to Indian music. He had moved to San Francisco in the 1960s and was involved in too many projects to begin to list; in 2024 he was the first musician from India to receive 3 Grammys at one ceremony, including his collaboration with Bela Fleck and Edgar Meyer. Zakir Hussain was an incredibly important mentor of Kala, and you'll hear in her words about what his guidance and collaborations meant to her. Kala talked to me about some of her many cross-genre collaborations, including her fantastic albums with tabla master Bikram Ghosh  and her inventive trio with George Brooks and Gwyneth Wentink and you'll hear some of that music as well (albums linked below).  Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript : YouTube and TranscriptKala Ramnath Website Indianclassicalmusic.com Raag Ahir Bhairav  Paperboats album Elements trio albumOther episodes I've linked directly to this one, which I think may interest you: Karnatic violinist Suhadra VijaykumarSitar and tabla player Mohamed Assani Bansuri player Milind DateSarod player Avi KishnaIt's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity.  Please buy me a coffee? Or check out my merch store Sign up for my newsletter and get exclusive sneak peeks! Timestamps:(00:00) Intro(02:41)Zakir Hussain, Triveni with Jayanthi Kumaresh(10:53) Kala's childhood(15:17) Indianclassicalmusic.com resource(17:56) Kala Ramnath Collective world music (19:13) albums with Bikram Ghosh(20:28) A Better Place from Paperboats with Bikram Ghosh (26:30) Pandit Jasraj, changing her approach to the violin(34:46) Raag Ahir Bhairav (video linked in show notes) (46:16) Kala's Singing Violin style(48:12) other episodes you'll enjoy and different ways to support this series(49:05)Concerto for Hindustani Violin and Orchestra written with Reena Esmail(54:32) Ragas according to the time of day(57:43) Ray Manzarek of The Doors, ragas with other musical traditions(01:02:31) why Kala uses viola strings and tunes low(01:04:21) trio with George Brooks and Gwyneth Wentink(01:05:42) Better Than Coffee from Elements, George Brooks, Gwyneth Wentink (link in show notes)(01:10:15) Bela Fleck, Edgar Meyer, importance of consistent practice(01:13:54) Kalashree foundation(01:15:28) pandemic shutdowns, performing with Zakir Hussain 

J. S. Bach (1685-1750) – Concerto per clavicembalo in re maggiore, BWV 1054 1.       Allegro 2.       Adagio e piano sempre (07:42)3.       Allegro (14:30)The English Concert Trevor Pinnock, conductor e cembalo ********** J. S. Bach (1685-1750) - Concerto per violino n.1 in la minore, BWV 1041 1.       Allegro (17:07)2.       Andante (21:07)3.       Allegro assai (28:03) Hilary Hahn, violino Deutsche Kammerphilharmonie BremenOmer Meir Wellber, conductor

World-renowned violinist Hilary Hahn plays a musician with a miraculous gift in this whimsical folktale from South America, North Africa, Europe and the US.

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Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

EPISODE 118: Volker Bertelmann aka Hauschka is an international acclaimed pianist, composer and experimental musician. In 2023 he was honored with an Academy Award and a BAFTA in the Best Score category for his work on All Quiet on the Western Front (directed by Edward Berger). His score to Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, was nominated for multiple awards: Oscar for Best Original Score, Golden Globe for Best Original Score, Best Score at the Critics' Choice Awards, and for Best Film Music at the BAFTAs. Bertelmann has provided music for several leading films and television series. He composed the score for Patrick Melrose, The Old Guard, Stowaway, the episode “Red Book” from Black Mirror, and Life After Life for BBC. He also composed film scores for Adrift, the 2018 romantic drama directed by Baltasa Kormákur, and, again in collaboration with O'Halloran, for Ammonite, which was short-listed for The Academy Awards in 2020. In 2022, he scored War Sailor, which was an official selection at the Toronto International Film Festival. Volker Bertelmann has just worked with Oscar-winning director Edward Berger again on the film Conclave, which was presented at the Toronto Film Festival in 2024. Bertelmann, who in his solo work goes by the name Hauschka, is a uniquely innovative pianist; he is renowned both for his trademark sound, which he achieves by preparing the piano with various small objects, and his ability to improvise entire performances. His output is prodigious: he tours extensively, and has produced over twenty albums and EPs, both solo and in collaboration with others. He has worked, among many others, with the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, with Múm, the Icelandic experimental musical group, and with the Grammy-winning violinist Hilary Hahn. hauschka-net.deContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Forbidden love is in the air as Andrés Orozco-Estrada takes listeners from the streets of Bernstein's New York to Tchaikovsky's fantasy on Shakespearean Verona. The Argentine Pampas region is the setting of Ginastera's vibrant ballet about a city boy who wins the heart of a rancher's daughter. Barber's lush and virtuosic Violin Concerto features Benjamin Beilman, whose “rich sound conveys both dreamy lyricism and heated intensity” (The New York Times). Please note: Hilary Hahn must regrettably withdraw from her planned September 19 and 20 performances with the Chicago Symphony Orchestra. Earlier this summer, Hahn suffered from a double pinched nerve; as part of her treatment, her medical team advised her to abstain from performing. While Hahn is expected to recover in time for the majority of her fall engagements and is improving steadily, she is not yet cleared to perform. Original ticket orders for this concert remain valid; no additional action is needed. For order adjustments, please contact Patron Services. Learn more: cso.org/performances/24-25/cso-classical/orozco-estrada-conducts-romeo-juliet

Michael and David speak of many things ... part of the reason they always seem to have so much fun. Among other things Michael speaks of how he manages to invite "the muses" and keeps his art both open and discreet at the same time.  He also speaks of his work as musical composer for the brand new Disney series, Star Wars: The Acolyte.  I always have speaking with Michael: our times always feel rich and multi-dimensional.2023 Pulitzer Prize-winning and Emmy- and Grammy-nominated composer Michael Abels is best known for his genre-defying scores for the Jordan Peele films GET OUT, US and NOPE.  The score for US won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, multiple critics awards, and was named “Score of the Decade” by The Wrap.  Both US and NOPE were shortlisted for the Oscar for Best Original Score.  In 2022, Abels' music was honored by the Vancouver International Film Festival, the Middleburg Film Festival, and the Museum of the Moving Image.  NOPE was awarded Best Score for a Studio Film by the Society of Composers & Lyricists.  Other recent projects include the films BAD EDUCATION, NIGHTBOOKS, and the docu-series ALLEN v. FARROW.  Current releases include CHEVALIER (Toronto Intl Film Festival) and LANDSCAPE WITH INVISIBLE HAND (Sundance 2022), his second collaboration with director Cory Finley.  Upcoming projects include THE BURIAL (Amazon), and a series for Disney Plus.Abels' creative output also includes many concert works, including the choral song cycle AT WAR WITH OURSELVES for the Kronos Quartet, the Grammy-nominated ISOLATION VARIATION for Hilary Hahn, and OMAR, an opera co-composed with Grammy-winning recording artist Rhiannon Giddens.  The New York Times named OMAR one of the 10 Best Classical Performances of 2022 and said, “What Giddens and Abels created is an ideal of American sound, an inheritor of the Gershwins' “Porgy and Bess” but more honest to its subject matter, conjuring folk music, spirituals, Islamic prayer and more, woven together with a compelling true story that transcends documentary.”Abels other concert works have been performed by the New York Philharmonic, the Chicago Symphony, the Los Angeles Master Chorale and many others.  Some of these pieces are available on the Cedille label, including DELIGHTS & DANCES, GLOBAL WARMING and WINGED CREATURES.  Recent commissions include EMERGE for the National Symphony and Detroit Symphony, and a guitar concerto BORDERS for Grammy-nominated artist Mak Grgic.Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.https://michaelabels.com/

In Episode 106 of the Space Cafe Podcast, host Markus engages with Dr. Mark Clampin, astrophysics director at NASA. They discuss the significant advancements and future plans in space exploration, capturing the raw ambiance of a busy evening in Austin, Texas, during the South by Southwest festival (SXSW)... Guest Background: Dr. Mark Clampin has an extensive career in space science, particularly noted for his work with the James Webb Space Telescope. His insights shed light on the complexity and achievements of current space missions and what the future holds for NASA. Key Topics Covered:James Webb Space Telescope's Achievements: Insight into the operational success and the cutting-edge images it has produced.Future NASA Projects: Discussion on upcoming missions influenced by the decadal survey, focusing on the Roman Space Telescope and its objectives.Technological Advancements in Space: Overview of new technologies, including the active coronagraph, enhancing the exploration capabilities of future space telescopes. Memorable Quotes:"Webb is doing really well, better than our wildest dreams... it's just a dream come true to see the quality of the science it's been doing." — Dr. Mark Clampin"The Roman Space Telescope will fundamentally change our understanding of dark matter and dark energy." — Dr. Mark ClampinKey References and Must-Click Links:NASA: Learn more about current projects and future missions here.James Webb Space Telescope: Explore detailed information and view stunning images from the telescope here.Habitable Worlds ObservatoryRoman Space Telescope Featured Media and Cultural References:Music Choice by Dr. Mark Clampin: Bach's Violin Concerto No. 1, specifically the second movement performed by Hilary Hahn. This piece resonates with the calming yet profound nature of space travel.Follow Our Journey:Host: Markus MooslechnerGuest: Dr. Mark Clampin About Us: SpaceWatch.Global is dedicated to bringing space closer to the global audience through detailed discussions and insights into the evolving landscape of space exploration and development. Contact Us:Email: podcast@spacewatch.globalWebsite: www.spacewatch.global Make sure to follow us on Spotify and Apple Podcasts for more insightful discussions. Visit SpaceWatch.Global for updates and subscribe to our newsletter. Connect with us on LinkedIn and Twitter to engage with our space community.Send us a Text Message.You can find us on Spotify and Apple Podcast!Please visit us at SpaceWatch.Global, subscribe to our newsletters. Follow us on LinkedIn and Twitter!

Surveillance capitalism is ubiquitous. If we're not being watched by Google or Facebook, then we are watching movies warning about how these digital platforms are watching us. David Donnelly's new documentary, COST OF CONVENIENCE, trots all the familiar charges that we've heard over the years from KEEN ON guests like Shoshana Zuboff , Jaron Lanier, Nick Carr and Roger McNamee. It's good stuff, I guess, even if we've heard these existential warnings many times before. The problem is what to do about it. Like most Silicon Valley critics, Donnelly's fixes - from more education and regulation to greater self control - aren't very realistic. Ultimately, I guess, we'll find something else to worry about. The real question, however, is if we forget about the screen, will the screen forget about us? DAVID DONNELLY is an American filmmaker renowned for his impactful documentaries in the classical music realm, notably his award-winning debut, Maestro, featuring stars like Paavo Järvi, Joshua Bell, Hilary Hahn, and Lang Lang. This film, translated into multiple languages and has been broadcast worldwide, is highly regarded as an educational tool in music education. Following Maestro, Donnelly directed Nordic Pulseand Forte, completing a trilogy offering an unparalleled glimpse into classical music. His work, relevant amid the Ukraine invasion, includes narratives on Estonia's Singing Revolution, showcasing his storytelling's depth. Donnelly's films have been showcased at prestigious venues like the Whitney Museum and the Kennedy Center, underlining his status in both the art and film communities. In 2021, he co-founded CultureNet and announced The Cost of Convenience, the first in a new trilogy exploring technology's cultural implications. Donnelly's career extends beyond filmmaking; he's a sought-after speaker, sharing insights from interviews with global thought leaders across over 30 countries.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this mini episode Christine Goodner discusses the importance of knowing both how far we've come AND where we're headed. Striking that balance as a musician and as an adult supporting a young musician is so important.  You can read this episode in written form HERE The Gap and The Gain book (affiliate link) Hilary Hahn on Instagram Connect with Christine and share your takeaways on Instagram

Erich Wolfgang Korngolds Violinkonzert ist zwar hochvirtuos, aber auch sehr gesanglich. Die Geigerin Hilary Hahn spielt das Werk am 22. Februar in Nürnberg. Im BR-KLASSIK-Interview verrät sie unter anderem, was sie als Kind wirklich motiviert hat, Geige zu spielen, und warum sie sich heute auf Instagram beim Üben zuschauen lässt.

durée : 00:20:38 - Hilary Hahn Bach-Concertos Los Angeles Chamber Orchestre Jeffrey Kahane - Jean-Sébastien Bach, Concertos pour violon par Hilary Hahn, Jeffrey Kahane et l'Orchestre de Chambre de Los Angeles.

In Memoriam - Composers we lost in 2023Playlist: Akira Nishimura - Matra for Solo Marimba, Solo Timpani, & Five PercussionistsKaija Saariaho, Finnish Radio Symphony Orchestra - True FireCatherine Christer Hennix - The Well-Tuned MarimbaJocelyn Morlock, National Arts Centre Orchestra, Alexander Shelley - My Name is Amanda ToddFriedrich Cerha, Vienna Philharmonic - Konzert fur Schlagzeug und OrchesterDavid Del Tredici, (Hilary Hahn, violin / Cory Smythe, piano) - Farewell

We sit down with one of our favorite returning guests, Bill Brownlee. He's an amazing blogger, a contributor to KCUR 89.3, he's the biggest music nerd I know, and he's a great human.He's picked out some of his favorite recordings of 2023 and we'll share them on the show. Also, we'll talk about some of his favorite shows of the year and discuss his current piece for KCUR about Charlie Parker and his famous plastic saxophone.Hear music from SleazyWorld Go, Willi Carlisle, Danielle Nicole, Hilary Hahn, Joshua Redman, Jamila Woods, and Militarie Gun who are stopping by recordBar on February 25.

CSO Artist-in-Residence Hilary Hahn illuminates Brahms' Violin Concerto, with its ardent beauty and fiery finale. Mikko Franck conducts Wagner's ecstatic Prelude to Tristan und Isolde before concluding with Sibelius' Seventh Symphony, an awesome, “time-bending journey” (The Guardian), and the Finnish composer's crowning symphonic achievement. Learn more: cso.org/performances/23-24/cso-classical/hilary-hahn-plays-brahms

durée : 00:17:00 - Disques de légende du jeudi 09 novembre 2023 - À seulement 17 ans, la prodigieuse Hilary Hahn enregistre une sonate et deux partitas de Jean-Sébastien Bach. Les réactions à la sortie de ce CD : « La jeune violoniste s'impose de plus en plus comme l'une des très grandes interprètes de notre époque. Ce disque Bach en est une preuve frappante.»

New Classical Tracks - James Newton Howard by James Newton Howard – Night After Night (Sony Classical), featuring pianist Jean-Yves Thibaudet, violinist Hilary Hahn and cellist Maya Beiser“I've been so lucky,” composer James Newton Howard says. “I've done over 140 movies at this point. Things for television, record and producing. I've been so lucky to get all these ideas writing concert music. I may have checked all the boxes that go on a bucket list with music, and I just want to keep going. I guess that's my bucket list: It's to have remaining and continuing passion for what I do.”Newton Howard is a composer and pianist who made a name for himself in the late ‘70s by touring with and orchestrating for Elton John. He made his way into film score composition at a time when the field was wide open. He's scored more than 140 movies, from Pretty Woman to the Hunger Games franchise. His latest passion project features eight suites from all the films he's scored for M. Night Shyamalan, a director known for his emotional thrillers.How would you describe your signature style?“Strong melody is part of my signature. But I think also, and I say this with tremendous humility — although it may not sound like humility — that I'm very versatile. I think I've done a lot of successful romantic comedies, from Pretty Woman to My Best Friend's Wedding to Dave and all that. So when you do that, you become the ‘rom-com' guy. And then I did The Fugitive, and I became the action guy. I suppose the clearest thing that I get back from people is my more emotional interior music.”In an interview that you did a few years ago you admitted to being a little arrogant on occasion early in your career, and then you said you became a good listener. What happened that allowed you to become a good listener?“Yeah, I was arrogant because I was always coming up with ideas and then I was just running into situations where I was getting a lot of rewriting requests from the director. And some of the rewrites that were getting made were really good ideas. And then it just occurred to me that the director might actually have important things to say to me. I'm much more collaborative now, and that's really the nature of the game; it's all down to being part of a team.”You've collaborated with director M. Night Shyamalan on at least eight films, and you've now taken music from those films and turned them into suites.“Night makes films that are about things that really interest me, such as revelation, catharsis, love, courage and triumph. There's always an element of these very strong emotions. That's what really appealed to me. But, surprisingly, all these ideas and feelings took place in movies that were somewhat creepy. But then there's a very emotional core to it. I had never encountered that before.“And so, I took the scores, I took out all the scary bits and made it quite meditative. I got Jean-Yves Thibaudet to play the piano on every track. Hilary Hahn came in and revisited my score for The Village and played the beautiful violin solos throughout that piece.“But what I love about Night was the closeness of our collaboration and his appreciation for what I was doing. We just ended up having this connection from the very beginning where I felt challenged and I felt inspired and he felt inspired, and we worked so closely together that it just was kind of a dream relationship.” Listen on YouTubeTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesJames Newton Howard – Night After Night (Amazon)James Newton Howard – Night After Night (Sony Classical)James Newton Howard (official site) Related Items Listen: Acclaimed classical pianist surprises with Elton John

Legends of Halloween draws to a close with a classic from the master of twists, M. Night Shyamalan himself! An isolated 19th century village is surrounded by mysterious woods filled with threatening creatures, but when a terrible crime is committed, a young woman uncovers the village's dark secret. Starring Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt, Sigourney Weaver, and Brendan Gleeson, Shymalan's third film since his breakout hit The Sixth Sense was a box office success but disappointed critics, with Roger Ebert placing it on his "Most Hated" list. Yet with a haunting score from James Newton Howard, featuring violinist Hilary Hahn, and cinematography by Roger Deakins, there's plenty to speak of. Except for Those We Don't Speak Of. Welcome to The Village!   Donate to the Entertainment Community Fund here:https://entertainmentcommunity.org/      For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Episode 330 - A Conversation with Author & Composer Tina Davidson on Story & Music Link to Video on YouTube:       https://youtu.be/nlMBE4qktvc  About Tina https://www.tinadavidson.com/  I am a classical composer and writer, now for 45 years. I am articulate about my unique life (traveling in many countries, meeting Ernest Hemingway as a child) and the traumas I experienced as a child - being adopted by my birth mother, but not told about my true identity. I share my story (in my memoir) of years of depression and dissociation, until I started working to reclaim myself through therapy and spiritual practice. All the while, I am a single parent, composing and creating works with major ensembles and orchestras, such as The Philadelphia Orchestra, American Composers Orchestra, St. Paul Chamber Orchestra, Kronos Quartet, Cassatt Quartet, as well as have recordings with Albany Music and on Deutsche Grammophon  (performed by Grammy winner violinist, Hilary Hahn).       Order NOW: https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376974   Tina Davidson is three-and-a-half when she is adopted from her foster home in Sweden by a visiting American professor. Soon she is the oldest of five children, living with her mother and stepfather in Turkey, Germany, and Israel. She studies music and becomes a prolific pianist and composer. But something about her birth remains unnamed and hidden. When she returns to Sweden, she contacts the Swedish adoption agency. "Come," says the voice on the phone, "I have information for you." https://www.tinadavidson.com/ 

Tina Davidson stands out as an acclaimed American composer with over 45 years in the industry. Celebrated for her evocative and lyrical compositions, her work has graced esteemed stages worldwide, garnering praise from major publications like the New York Times. Tina's collaborations include renowned names like the National Symphony Orchestra and Grammy-winner Hilary Hahn. A passionate educator and community builder, she's founded key initiatives like the Philadelphia Chapter of the American Composers Forum and nurtured young talents through innovative residencies. Beyond music, Tina has encapsulated her journey in her 2023 memoir, "Let Your Heart Be Broken." Born in Stockholm and enriched by experiences in Oneonta, NY, and Pittsburgh, PA, Tina's life and work serve as an inspiration for many.Here are links for you to bookmark, save, follow, memorize, write down, and share with others:https://amzn.to/3Q9deLiComposer - Tina DavidsonFacebookTina Davidson (@tinadavidson.music) • Instagram photos and videosTina Davidson | LinkedInTina Davidson - YouTubeTina Davidson | SpotifyStream Tina Davidson music | Listen to songs, Join the 30 Days of Courage NOW, and you'll be part of a powerful FREE online event starting October 1st-30th30 Days of Courage — Courage 365 Tar Heel Construction Group Harford County Living Stamp of Approval for Roofing, Siding and Exterior Services Your Pet AuPair Doing It for the Sits & Wiggles! At Your Pet AuPair our mission is to give your pets the same Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett & Harford County LivingFacebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett & Harford County LivingInstagram – Harford County LivingTikTok – CWRB (@conversationsrichbennett) | TikTok Sponsors, Affiliates, and ways we pay the bills:Recorded at the Freedom Federal Credit Union StudiosHosted on BuzzsproutRocketbookSquadCast Contests & Giveaways Subscribe by Email ...

“I collaborate with the music.” Composer Tina Davidson explores in her memoir Let Your Heart Be Broken: Life and Music from a Classical Composer, described as “a lyrical reckoning with what it takes to compose a life of cohesion and beauty, out of shattered bits and broken stories.”  In Let Your Heart Be Broken, Tina juxtaposes memories, journal entries, and insight into the life of an artist—and a mother—at work. Along the way, she meets Ernest Hemingway and Carl Sandburg, survives an attack by nomads in Turkey, and learns her birth father is a world-famous scientist. And throughout, there is the thread of music, an ebb and a crescendo of a journey, out of the past, and into the present, through darkness and into the light. Tina is a writer and classical composer, now for 45 years, whose works have been performed by ensembles and orchestras across the country, including The Philadelphia Orchestra, American Composers Orchestra, Kronos Quartet, St. Paul Chamber Orchestra, Cassatt Quartet, as well as recordings with Albany Music and on Deutsche Grammophon, performed by Grammy winning violinist, Hilary Hahn - all while being a single parent. Her life is filled with experiences that are as amazing as they are touching, heart-wrenching as they are instructive, as she shares her dealing with depression and dissociation, and her work to reclaim herself through therapy and spiritual practice. Let Your Heart Be Broken has also been described as a “lyrical reckoning with what it takes to compose a life of cohesion and beauty out of shattered bits and broken stories” and we discussed her writing process as well, along with forgiveness, grieving and spiritual connection.  Tina has written that “we are, in the end, a measure of the love we leave behind.” I cannot think of any better way to live a life in full.

Welcome to "Give a Heck"! In today's captivating episode, join Dwight as he delves into the inspiring world of Tina Davidson, the acclaimed American composer who dares you to create yourself anew in her memoir, "Let Your Heart Be Broken." Discover how Tina's real music, blending structure, mood, novelty, and harmonic sophistication with haunting melodies rooted in complex rhythms, captivates listeners. Explore her remarkable journey as an artist and mother as she shares profound insights. Brace yourself for an extraordinary episode filled with music, emotion, and the transformative power of self-expression. In this episode, you'll learn about… The Power of Secrets: Tina's Adoption Journey and Emotional Honesty The Healing Power of Music: Tina's Personal Experience and Collaborative Expression Navigating Secrets and Discovering Truth: Tina's Journey of Self-Discovery Embracing Creativity and Helping Others: Tina's Role as a Composer and Advocate Hands to Work, Hearts to God: Finding Purpose and Kindness in Everything We Do And so much more! About Tina Davidson: Tina Davidson creates music that stands out for its emotional depth and lyricism. She has been acclaimed for her authentic voice, her “vivid ear for harmony and colors” (New York Times) and her works of “transfigured beauty” (OperaNews). Winner of the prestigious PEW Fellowship, Davidson has been commissioned and performed performers and ensembles such as Hilary Hahn, Kronos Quartet, Cassatt Quartet, VocalEssence, The Philadelphia Orchestra and National Symphony. Connect with Tina Davidson on… Website: https://www.tinadavidson.com/ Facebook: https://www.facebook.com/tina.davidson.5205/ Instagram: https://www.instagram.com/tinadavidson.music/ LinkedIn: https://www.linkedin.com/in/tina-davidson-6040971b/ Connect with Dwight Heck! Website: https://giveaheck.com (Free Book Offer) Instagram: https://www.instagram.com/give.a.heck Facebook: https://www.facebook.com/dwight.heck Facebook Group: https://www.facebook.com/groups/Giveaheck YouTube: https://www.youtube.com/channel/UCF0i LinkedIn: https://www.linkedin.com/in/dwight-raymond-heck-65a90150/

In this episode, nationally acclaimed composer and author, Tina Davison, discusses her personal growth story and how trauma shaped her life. She reads incredible passages from her memoire, "Let Your Heart Be Broken". She talks about how we need to stop resisting our brokenness because it will bite you anyway. It's best to meet it.In regard to illness, it is a great teacher, and you also have to let it go. Also, share rather than teach and share your joy!BIOI am a classical composer and writer, now for 45 years. I am articulate about my unique life (traveling in many countries, meeting Ernest Hemingway as a child) and the traumas I experienced as a child - being adopted by my birth mother, but not told about my true identity.I share my story (in my memoir) of years of depression and dissociation, until I started working to reclaim myself through therapy and spiritual practice. All the while, I am a single parent, composing and creating works with major ensembles and orchestras, such as The Philadelphia Orchestra, American Composers Orchestra, St. Paul Chamber Orchestra, Kronos Quartet, Cassatt Quartet, as well as have recordings with Albany Music and on Deutsche Grammophon  (performed by Grammy winner violinist, Hilary Hahn).Composer - Tina DavidsonFacebook(52) Tina Davidson | LinkedIn(14) Tina Davidson - YouTubeTina Davidson (@tinadavidson.music) • Instagram photos and videos#composer #bestsellingauthor #illness #joy #book #amazon #artist #music #orchestra #childhoodtrauma #survivor #love #joy #personalgrowth #positivity #forgiveness #mentalhealthawareness #spiritualgrowth #communitybuilding #podcast #podcastshow #alittlelessfearpodcast #podcaster This is Dr. Lino Martinez the host for A Little Less Fear Podcast. For more information, please use the information below. Thanks so much for your support!Author | A Little Less FearWriters Work | Write Your Way to the Life You WantA Little LESS FEAR Podcast (@alittlelessfearpodcast) • Instagram photos and videosLino Marinez (@alittlelessfear) TikTok | Watch Lino Marinez's Newest TikTok Videos

Tina Davidson, a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms.” Tina Davidson's music can be heard on Albany Records, CRI, Mikrokosmik, Callisto, and Opus One recording labels – most recently recorded by Hilary Hahn on Deutsche Grammophon. Her memoir, Let Your Heart Be Broken, Life and Music from a Classical Composer, is now available from Boyle & Dalton. Her memoir traces her extraordinary life in equally lyrical language, juxtaposing memories, journal entries, notes on compositions in progress, and insights into the life of an artist – and a mother – at work. 3 Top Tips 1. Let your heart be broken - all yourself to set into you grief, trauma Heartbreakingly, your heart breaks, & in the two halves, rocking on the table, is revealed rich earth. Moist, dark soil, ready for new life to begin. 2. Family/friends may resist you getting happy, sober - find new friends, support 3. It takes many things to heal - do therapy, AA, but also healthy eating, sleeping, friends, yoga, dancing, long baths and walks. Social Media  https://www.facebook.com/tina.davidson.5205/ https://www.instagram.com/tinadavidson.music/ http://www.tinadavidson.com https://open.spotify.com/artist/2y5Z17bEilAiViMp9FMuJh https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376966/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1677079964&sr=1-1

Trotz ihres randvollen Konzertkalenders ging die Geigerin Hilary Hahn Ende 2022 immer wieder in Boston ins Studio, um noch vor Weihnachten nach und nach alle sechs Sonaten von Eugène Ysaÿe für die "Deutsche Grammophon" aufzunehmen. Das Ergebnis kann sich hören lassen, meint Fridemann Leipold.

Hilary Hahn - Eugène Ysaÿe: Six Sonatas for Violin (Deutsche Grammophon) Jump to giveaway form New Classical Tracks - Hilary Hahn by “This was my grand homage. And I really put so much love and time and energy and respect into the recording,” violinist Hilary Hahn says. “I really wanted to focus on that aspect, almost like giving a gift to a relative on their birthday. This is my gift to my musical grandfather on his hundredth birthday.”Hahn is talking about her new recording featuring the violin sonatas of Belgian violinist and composer Eugène Ysaÿe. He composed these masterpieces 100 years ago this month. Each one was dedicated to a top violinist of the day.“I am one generation removed from him musically. He was born in the 1850s. I was born in 1979, but my teacher was born in 1907 and studied with him. So there was something about listening to him, listening to the early recordings of his I when I hadn't heard them for a while, that was very surprising for me.“I have spent most of my career trying to get closer to my own way of playing, my own sense of expression and my own sense of freedom within the instrument. And I realized that instead of getting closer to myself as an individual, I've gotten closer to myself as part of a long history. Because when I heard Ysaÿe, it was like opening a box in your grandparents attic and looking at a photo of an ancestor. But it is also like looking in the mirror, because they might be wearing different clothing but there's something about them that's just like you.“While listening to his recordings, I realized there is musical DNA. Somehow, deep in my soul, I have internalized a set of values in my playing that I must have inherited.“Ysaÿe also wanted to lift up some incredible violinists of his day, and he dedicated these sonatas to several of those. I don't know if it's obvious to the listener or the performer, but the deeper you get into the pieces, the more you realize it's customized for different players. The feeling of playing the instrument is different in each piece, and it's a bit of an insight into what it must have felt like to be that person. Also, there are lots of hidden messages in these pieces that were never written down in the music. So it's kind of a little game of Clue.“A very good example of that is the beginning of the Sonata No. 2, Obsession, which was dedicated to a violinist who played fast but also practiced in a very fragmented way. So he would kind of start with one thing and quickly work on a phrase of something else and go back to the other thing. A sort of free-flowing mentality is in practice that Ysaÿe brings that into his writing for that particular violinist.”You said listening back to yourself playing these pieces gave you goose bumps. What were you hearing that caused that?“I think the most goose bumpy thing for me was just listening to Ysaÿe's own playing and then getting as close as I wanted to these pieces in a total immersion studio situation. Listening to the playback and drawing these connections back to the past, but also knowing that what I do now is very much geared toward the future. And so that feeling of inheriting this sense of mission, of passing things on from the past to the future generations.” Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 6 in E MajorTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.GiveawayMaya Beiser New Classical Tracks GiveawayYou must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules.ResourcesHilary Hahn - Eugène Ysaÿe: Six Sonatas for Violin (Deutsche Grammophon)Hilary Hahn - Eugène Ysaÿe: Six Sonatas for Violin (Amazon)

Interpreten: Hilary Hahn Label: DG EAN: 028948641765 Mit ihrem letzten Album Eclipse hat sich Hilary Hahn, wie sie selbst sehr offen im Begleittext geschildert hat, nach den psychischen Anstrengungen der Coronapause wieder freigespielt. Noch vor Erscheinen der letzten CD hatte sie bereits die Idee für ein Nachfolgealbum, das kürzlich erschienen ist und eindrucksvoll zeigt, dass Hilary Hahn nach wie vor zur absoluten Geigenweltspitze gehört! Michael Gmasz ist beeindruckt. Gerüchte sagen, dass der belgische Geigenvirtuose und Komponist Eugène Ysaÿe, nach einem Bach-Soloabend seines Geigenkollegen Joseph Szigety dazu angeregt wurde, selbst auch sechs Sonaten für Violine solo zu schreiben und dass er die Skizzen dazu sogar noch in einer einzigen Nacht angefertigt hat. Ganz so wird's wohl nicht gewesen sein, aber fest steht, die sechs Sonaten für Violine solo Op. 27 sind im Sommer 1923 entstanden und feiern somit dieser Tage sozusagen ihren 100. Geburtstag. Das war für Hilary Hahn schon Grund genug, sich nach vielen Jahren wieder mit diesen hochvirtuosen Werken zu beschäftigen. Dazu kommt, dass sie quasi in direkter Linie zu Eugène Ysaÿe steht, war ihr Lehrer am Curtis Institute in Philadelphia Jascha Brodsky doch selbst Schüler des großen Meisters. Die sechs Solosonaten sind sechs großen Geigenvirtuosen Eugène Ysaÿes Zeit gewidmet. Dem schon erwähnten Joseph Szigeti, Jacques Thibaut, George Enescu, Fritz Kreisler, Matthieu Crickboom und Manuel Quiroga. Heute würden die Widmungsträgerinnen vielleicht Leonidas Kavakos, Julia Fischer, Maxim Vengerov und sicher eben auch Hilary Hahn heißen. Faszinierend, mit welcher Sicherheit, absolut sauberer Intonation, packendem Zugriff und flotten Fingern sie sich durch die an Bachs Solosonaten orientierten Werke spielt. Sämtliche technische Finessen gehen im wahrsten Sinne des Wortes problemlos von der Hand. Und Hilary Hahn schafft es sogar, die Virtuosität nicht in den Vordergrund zu stellen, sondern Musik aus diesen Werken herauszuholen. Wie könnte man den Hunderter so prägender Werke besser feiern, als in einer würdigen Aufnahme? Ganz und gar nicht! (mg)

Tina Davidson, a highly regarded American composer, creates music that stands out for its emotional depth and lyrical dignity. Lauded for her authentic voice, The New York Times has praised her “vivid ear for harmony and colors.” Opera News describes Tina Davidson's music as, “transfigured beauty,” and the Philadelphia Inquirer writes that she writes “real music, with structure, mood, novelty and harmonic sophistication – with haunting melodies that grow out of complex, repetitive rhythms.”Tina Davidson's music can be heard on Albany Records, CRI, Mikrokosmik, Callisto, and Opus One recording labels – most recently recorded by Hilary Hahn on Deutsche Grammophon. She stopped by to talk about how she got started in music, her upbringing, and other gifts she possesses. Reach out to Tina via her website: Tina Davidson. Com Get bonus content on Patreon Become a member so we can continue to bring you content and interviews that nourish the mind and heart. It is our mission to bring good to the world by educating ourselves and others from the inside out. Truly, the heart matters. https://plus.acast.com/s/the-heart-matters-with-life-coach-louis-morris. Hosted on Acast. See acast.com/privacy for more information.

Original Air Date: 2/19/23 - For 20 years, the Irene W. & CB Pennington Foundation has underwritten a series of concerts with the Baton Rouge Symphony featuring the likes of Itzhak Pearlman, Yo-Yo Ma, Dianna Ross, Johnny Mathis, Chris Botti, Renée Fleming, Natalie Cole, Kristin Chenoweth, Trisha Yearwood and Chicago. Maestro Emeritus Timothy Muffitt and Diane Tate, who chairs the Irene W. & C.B. Pennington Great Performers in Concert Series, join host Pam Bordelon to talk about how this series has become one of the most-anticipated events in town and the upcoming 20th anniversary performance starring GRAMMY® award-winning and international renowned violinist Hilary Hahn, who joins the orchestra in performing Tchaikovsky's Violin Concerto in D major, Op. 35.

CSO Artist-in-Residence Hilary Hahn returns for Sarasate's brilliant and sultry arrangement of Bizet's Carmen and two beguiling serenades by the late Finnish master Einojuhani Rautavaara. Returning conductor Thomas Adès frames the program with Richard Strauss' Der Rosenkavalier Suite — a loving and graceful tribute to the Viennese waltz — and the profoundly stirring and vivid Night Ride and Sunrise by Sibelius. Please note: Conductor Thomas Adès will step in for Mikko Franck, who had to withdraw due to a knee injury, and lead the Orchestra in this program. Learn more: cso.org/performances/22-23/cso-classical/hilary-hahn-carmen-fantasy

Whether or not we plan to make a career of music, this series will be relevant for everyone! If we keep at it, we all reach a point where we're ready to take our music beyond the practice room, but as one of Laurel's students recently asked: "What can I do with this violin besides become Hilary Hahn or TwoSet?" Thankfully, there are many more options, and hopefully something for everyone, including for those who enjoy being in the spotlight, those who prefer group dynamics, those who want to be self-employed, and those who'd prefer to not have to think too much about the business side of their musical activities. In this first installment of her Music Careers series, violinist/violist, teacher, and host Laurel Thomsen explores performance based roles that require us to be skilled on our particular instrument. In future episodes in this series, we'll explore options that will require knowledge and skill in music, but not necessarily on one particular instrument. As Laurel has found herself, piecing together a variety of activities within our career is a great way to ensure our financial security as musicians, and stay passionate about everything we're doing. Show notes: Laurel's new "Colfax Harbor" music video https://youtu.be/moYNxsEfBac Angela Myles Beeching career coaching/resources https://angelabeeching.com Berklee School of Music careers articles https://www.berklee.edu/careers ~ For more information and info about her performances, recordings, and teaching, please visit host Laurel Thomsen's website https://www.laurelthomsen.com To check out Laurel's Violin Geek Blog, a companion to the podcast, sharing tips, insight and inspiration since 2007, please visit https://www.laurelthomsen.com/violin-geek-blog If you have a violin, viola, fiddle, music biz, or practice related question or topic you'd like to have covered on the Violin Geek podcast or in the blog, have someone you'd like Laurel to interview, or have a   story or insight to share, please send Laurel an email at laurel@laurelthomsen.com. Also, please reach out if you'd like to inquire about violin, viola, or fiddle coaching or lessons with Laurel via Skype, FaceTime, or   Zoom.  You're also welcome to post your success story, comments, or suggestions to https://www.facebook.com/laurelthomsenmusic. Happy Practicing! --- Support this podcast: https://podcasters.spotify.com/pod/show/violingeek/support

We've learned so much about the trauma experienced by children who've been abused. We know about their clinical symptoms. We know how these affect their functioning at home and at school. And we know about the lifelong impacts of leaving these trauma symptoms untreated. We're grateful that not only child abuse professionals but your average citizen is now aware that victims of child abuse can develop PTSD at rates and severity to those of soldiers who've been to war.But is that cycle of abuse, trauma symptoms, and PTSD development inevitable? Is it possible to interrupt that cycle in such a way that symptoms reduce and PTSD never develops in the first place? CFTSI—the Child and Family Traumatic Stress Intervention—is an evidence-based intervention that can do just that for some kids. We speak with Carrie Epstein, co-director of the Yale Center for Traumatic Stress and Recovery and co-developer of CFTSI about how this brief, early intervention can help reduce symptoms in children and caregivers.Topics in this episode:Origin story (1:30)The development of CFTSI (5:42)What is CFTSI? (12:25)Different perceptions of symptoms: child and caregiver (19:18)The benefit to caregivers (21:40)Really? A short-term treatment? (29:15)Recent study of how CFTSI helps different groups (40:31)What's up next in research (47:30)For more information (53:33)Links:Carrie Epstein, LCSW-R, is the co-director of the Yale Center for Traumatic Stress and Recovery, an assistant professor at the Yale Child Study Center, and co-developer of the Child and Family Traumatic Stress Intervention (CFTSI)Safe Horizon (NY)Trauma-Focused Cognitive Behavioral Therapy (TF-CBT)National Child Traumatic Stress Network (NCTSN)Steven Marans, MSW, Ph.D., is the co-developer of CFTSI with Epstein“Child and Family Traumatic Stress Intervention (CFTSI) reduces parental posttraumatic stress symptoms: A multi-site meta-analysis; Hilary Hahn, Karen Putnam, Carrie Epstein, Steven Marans, and Frank Putnam; Child Abuse & Neglect, June 2019; doi: 10.1016/j.chiabu.2019.03.010“The Child and Family Traumatic Stress Intervention: Factors associated with symptom reduction for children receiving treatment”; Carla Smith Stover, Hilary Hahn, Kaitlin R. Maciejewski, Carrie Epstein, Steven Marans; Child Abuse & Neglect, December 2022; doi: 10.1016/j.chiabu.2022.105886Youth mental health: Current priorities of the U.S. Surgeon GeneralFor more information about National Children's Alliance and the work of Children's Advocacy Centers, visit our website at NationalChildrensAlliance.org. Or visit our podcast website at OneInTenPodcast.org. And join us on Facebook at One in Ten podcast.Support the showDid you like this episode? Please leave us a review on Apple Podcasts.

Hilary Hahn — Eclipse (DG) Jump to giveaway form New Classical Tracks - Hilary Hahn by Every 10 years or so, violinist Hilary Hahn takes a one-year sabbatical from performing. It's a way for her to remove herself from the whirlwind of professional music-making, and re-evaluate what's working, and what's not. When she began her most recent sabbatical in September 2019, she had no idea what lay ahead. She'd always thought, as a creative person, she'd always find some creative outlet if she found herself unable to perform. It turns out that playing onstage with an orchestra for an audience fills her tanks. The absence of that emotional outlet wasn't the only loss. She said she'd also lost her connections with colleagues around the world, her sense of self as a musician and her confidence. Her latest album, Eclipse, is a testament to facing that challenge with vulnerability and the support of trusted colleagues. The introduction you wrote for your new album revealed a vulnerability that artists haven't always shared. “I made a huge change in how I perceived the way we communicate as artists with our audiences and our fellow musicians with the project 100 Days of Practice. In this project, I shared my practice, read the comments, and realized that there was a certain relationship to practice that was very vulnerable. When people also saw that vulnerability as normal for a professional, they felt much more connected to their own practice. That's what cued me into the idea of finality presented in our field as we learn the way to do it. But music is an art form about emotions and people. When we don't tell our emotions, we don't tell stories about people.” Why do you consider playing the Dvorak concerto as coming home? “The joy of playing together again was similar to being away from your home country, and then you come back. It's as if you have an extensive lively family you haven't seen for two years, and you're all in the room together. That was the homecoming aspect. That was something that I had missed that I hadn't been able to replicate, and suddenly we were all in it together. It was great. The room's energy was dimensional. They were also returning to a format they hadn't had for a while. They didn't have to sit apart from each other. The return to the big stage with the home audience was significant in ways I don't think we had challenged before, so it was nice to be part of that.” Why do you describe Pablo de Sarasate's Carmen Fantasy as finicky? “You think you have the piece figured out and then practice it the next day. You're like, ‘Where did it go?' In that sense, it is finicky. You have to play with a lot of accuracy, but also with a lot of spatial freedom around the instrument. That's a complicated combination. It's like walking on a balance beam that isn't just one balance beam. You're walking and then suddenly you're over in another area on another balance beam and then suddenly you're back. At the same time, the music is very free. You're trying to be a singer and virtuoso violinist at the same.” Watch: Sarasate - Carmen Fantasy, Op. 25: I. Moderato To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Hilary Hahn New Classical Tracks Most coveted releases of 2021 New Classical Tracks Hilary Hahn memorializes her time in Paris Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Hilary Hahn — Eclipse (DG Store) Hilary Hahn — Eclipse (Amazon)

Dalia Stasevska leads the CSO in Bartók's glittering late masterpiece — which shows off every section of the orchestra — and the scampering, playful sounds of Tarrodi's Birds of Paradise II. CSO Artist-in-Residence Hilary Hahn joins the Orchestra for Tchaikovsky's thrilling and tender Violin Concerto. Ticket holders are invited to a free preconcert conversation featuring Carl Grapentine in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Learn more: cso.org/performances/22-23/cso-classical/hilary-hahn-tchaikovsky-and-bartok

All Classical Portland Program Director John Pitman shares his latest review of a new album by violinist Hilary Hahn, which includes Dvořák's Violin Concerto, the Violin Concerto by Alberto Ginastera, and Pablo de Sarasate's Carmen Fantasy for violin and orchestra. The album, Eclipse, is available now on Deutsche Grammophon. Keep reading on the All Classical Portland Arts Blog: https://www.allclassical.org/john-pitman-review-hilary-hahns-eclipse/

Die Geigerin Hilary Hahn hat mit "Eclipse" gerade ein neues Album rausgebracht, und mit dem Finnish Radio Symphony Orchestra ist sie in diesen Tagen für zwei Konzerte in Bayern.

For violinist Hilary Hahn, finding success as an international soloist has never been about sticking to the same menu of concertos by Beethoven, Mendelssohn, and Sibelius. Now in the fourth decade of her storied career, the three-time Grammy Award winner has consistently worked to expand the scope of the violin canon — commissioning a slate of new works from composers like Edgar Meyer, Jennifer Higdon, and Lera Auerbach. But on Eclipse, her latest release on Deutsche Grammophon, the centerpiece of the album isn't a work written for her. In fact, it's not even by a living composer. It's the violin concerto of Alberto Ginastera — a work that's seldom performed, and one Hahn immediately fell in love with when she first heard it years ago. Ever since then, she knew she had to record it. "It felt like one of those pieces I needed to take on for my own reasons, but also that it wasn't played very much," Hahn says on the latest episode of the Classical Post podcast. "I was enamored with the work, felt like it was written for me, even though I never met the composer. It's exactly what I like to dive into emotionally in music, and it requires a very specific relationship to the instrument that I feel is a strength of mine." Part of the reason Hahn was eager to record the work was not only the chance to add to the concerto's story with her performance — but also to allow everyone who listens to contribute their personal perspective to the work. "Music is a way to connect you with your own experience. As a listener, you are part of the interpretation of that music's history. When you listen to a piece, you add to the diversity of stories that it tells, just by being present in its space." In this discussion, we talk more about Eclipse and why another work on the album, Dvořák's Violin Concerto, deserves much more time in the spotlight as well. Plus, she shares how her wellness routine is all about tuning into the daily ebb and flow of her body, and the facial massage stone that helps her undo the neck and jaw tension that comes with years of playing the violin. Listen to Eclipse on Spotify, Apple Music, or wherever you stream and download music. — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. LUCY BRIGHT: Lucy Bright started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.
 Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on Charlotte Wells' directorial debut AFTERSUN and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra. VOLKER BERTELMANN: Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, and was nominated for multiple awards, including the 2016 Oscar for Best Original Score, the 2016 Golden Globes for Best Original Score, and Best Film Music at the 2016 British Academy Film Awards, or BAFTAs. He has provided music for several leading films and television series, including the score for Patrick Melrose, Showtime's Emmy-and BAFTA nominated mini-series, and for Gunpowder, the HBO mini-series starring Kit Harrington, and the 2020 film Ammonite, co-composed with O'Halloran, which received a spot on the Academy Awards short list for Best Original Score. In 2022, he scored All Quiet on the Western Front for Netflix, the official Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival. A uniquely innovative pianist, who in his solo work goes by the name Hauschka, Bertelmann has worked with, among others. the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, and the Grammy-winning violinist Hilary Hahn. In 2018, he accepted an invitation to join the Academy of Motion Picture Arts and Sciences.

Hilary Hahn, Award-winning Violinist, speaking about her most recent album titled, "Eclipse," released by Deutsche Grammophon in October 2022, featuring the Dvorak and Ginastera Violin Concertos & the "Carmen Fantasy" by Sarasate. Andres Orozco-Estrada leads the Frankfurt Radio Orchestra. For more information: www.hilaryhahn.com

Auf ihrem neuen Album kombiniert die Geigerin das Violinkonzert von Dvořák mit Werken von Ginastera und de Sarasate.

Ein Corona-Album der besonderen Art präsentiert Star-Geigerin Hilary Hahn mit "Eclipse - Finsternis". Zusammen mit dem hr-Sinfonieorchester unter Andrés Orozco-Estrada hat sie sich 2021 ins Licht der Öffentlichkeit zurückgekämpft. Vor allem Alberto Ginasteras Violinkonzert, das sie als "nahezu unspielbar" bezeichnet, bezwingt sie mit unfassbarer Virtuosität.

Hilary Hahn's latest album, Eclipse, celebrates the power of authenticity. Recorded with the Frankfurt Radio Symphony and its Music Director (2014-2021), Andrés Orozco-Estrada, it sees the triple Grammy-winning violinist deliver interpretations of three works charged with universal emotions yet rooted in their composers' musical heritage: Dvorák's Violin Concerto, a tour de force from the Czech composer's “Slavic period,” Ginastera's Violin Concerto, a strikingly original 20th-century gem, and Sarasate's Carmen Fantasy, among the greatest virtuoso show.Purchase the music (without talk) at:Eclipse (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

WQED-FM's Jim Cunningham spoke with violinist Hilary Hahn about her new CD on Deutsche Grammophon tiled "Eclipse."  The CD features music of Dvorak, Ginastera and Sarasate with the Frankfurt Radio Symphony conducted by Andrés Orozco-Estrada.   Hilary talks about the CD and recalls her many trips to Heinz Hall to play with the Pittsburgh Symphony Orchestra.   Her new CD is out today (October 7, 20220) and can be purchased here:   https://www.amazon.com/dp/B09X99XPGH/?tag=umgklassik-21&ascsubtag=0028948623839_B09X99XPGH_hilary+hahn_hilary+hahn+-+eclipe_www.universal-music.de  

Our guest today is Grammy-award winning violinist Hilary Hahn. She collaborated with the Frankfurt Radio Symphony and director Andres Orozco-Estrada...

Playlist: Laura Snowden, Joo Yeon Sir - Through the FogPhilip Glass, Quatuor Molinari - String Quartet No. 4 'Buczak'Elena Kats-Chernin, Emily Granger - Blue SilenceClark Ross, Vernon Regehr - LamentationsHelena Winkelman, Lockenhaus Artists - AtlasJames Newton Howard, Hilary Hahn - 133... At LeastJlin, Third Coast Percussion - PerspectiveAlgirdas Martinaitis, St. Christopher Chamber Orchestra - Valse Trist

Considered one of the world's great violinists, American Hilary Hahn is a three-time Grammy Award winner passionate about making classical music more accessible.

Korea24 – 2022.05.10. (Tuesday) News Briefing: President Yoon Suk Yeol pledged to rebuild the nation to one that truly belongs to the people, based on a liberal democracy and the market economy. He made the remarks in his inauguration address after he was sworn into office. (Eunice KIM) In-Depth News Analysis: President Yoon Suk Yeol takes office with a KBS poll showing 52.2% of respondents expect him to manage state affairs well, which is the lowest among recent presidents in comparative polls. With that in mind, we discuss the challenges that lie ahead for the Yoon administration and ask ‘What do the Korean people want from a Yoon Presidency?’ with Karl Friedhoff, the Marshall M. Bouton Fellow for Asia Studies at the Chicago Council on Global Affairs. Special Inauguration Day Segment with Jenny Suh: To mark Inauguration Day, instead of Korea Trending today, we take a look back at the inauguration speeches of past South Korean presidents, from Rhee Syng-man to Moon Jae-in, and see how they reflect the spirit of the times, as well as offer a glimpse into a president’s vision for his five years in office. Touch Base In Seoul: Korean-American violinist Jennifer Koh joins us via video for this week, to talk about her Grammy Award winning work, “Alone Together”, created in response to the hardships faced by artists during pandemic. She also tells us about how she started her journey in music, what motivates her, and her latest project, “Everything Rises”, with bass-baritone Davone Tines that explores their experiences in classical music as people of color. Morning Edition Preview with Richard Larkin: - In tomorrow’s Korea Herald, Park Ga-young reports on how two Grammy-winning artists, violist Richard Yongjae O’Neill and violinist Hilary Hahn, are scheduled to perform in South Korea in the next couple of months.

Composer and conductor of the Los Angeles Youth Orchestra Russell Steinberg explores music by Barber, Pärt and Dvořák. This talk was given at the performance of Hilary Hahn Plays Barber at Walt Disney Concert Hall. Pieces discussed: Arvo PÄRT Silhouette BARBER Violin Concerto, Op. 14 DVOŘÁK Symphony No. 7 See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.