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Aus dem Dschungel der Neuveröffentlichungen - heute mit: Steve Swell & Matthew Shipp: Space Cube Jazz | Simon Spiess Quiet Tree: Euphorbia | Perico Sambeat: Roneando (Sendung vom 25.1.)
Abrimos número de Noviembre de Libertad Jazzera con el descubrimiento de la música de Nudo, el dúo formado por el batería y compositor Federico Isasti y el pianista y compositor Mariano Sarra. El dúo publicó recientemente este 2023, Inhabitante. Después nos acercamos a los años 80 y a uno de los representantes icónicos y genuinos de la New Wave como fueron Tuxedomoon. A través del sello Crammed y su primer volumen de la serie Made to Measure, volvimos a escuchar algo de la música de los californianos. Seguir leyendo Libertad Jazzera 09.2023. Nudo. Made To Measure – Tuxedomoon. Steve Swell, Mark Tokar, Klaus Kugel. Sunny Murray. Paul Flaherty. en La Montaña Rusa Radio Jazz.
Hosts, bassists David C. Gross & Tom Semioli discuss the trombone's role in experimental and improvisatory music with its greatest practitioner Steve Swell. And yes, we make trombone jokes aplenty! A Conversation with Steve Swell Playlist
"You inspire us to work hard to improve the service we do for the music community." In this episode of MFM Speaks Out, Dawoud Kringle offers a retrospective of the progress of the MFM Speaks Out podcast in 2022. The guests mentioned, and / or whose music was included, include Ken Butler, Ariel Hyatt, Neel Murgai, Banning Eyre, Baba Don Eaton Babatunde, William Parker, Bruce Lee Gallanter, Jeff Slatnick, Hubert Howe, and April Centrone.The progress and accomplishments of MFM as a whole during the year 2022 were also briefly discussed. Topics discussed:Our guest for episode 35 in January was musician, experimental musical instrument builder, and visual artist Ken Butler. He builds hybrid musical instruments and other artworks that explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence.He is internationally recognized as an innovator of experimental musical instruments created from diverse materials including tools, sports equipment, and household objects.February's episode 36 featured Ariel Hyatt. Ariel is a digital marketer, writer, and teacher who assists independent musicians in career development. She is the author of Music Success in 9 Weeks, Cyber PR For Musicians, Crowdstart, and other books. Hyatt worked at New York City's WNEW-FM, and the What Are Records? record label. She moved to Boulder CO, where she managed and handled publicity for the funk band, Lord of Word. She is also the founder and owner of the New York-based public relations firm Cyber PR. Her clients included the Toasters and George Clinton.Neel Murgai was our 37th guest in March. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective.Banning Eyre is a writer, guitarist and producer, and the senior editor and producer of the public radio program Afropop Worldwide. He has traveled and done music research in over 20 African countries, as well as in the Caribbean, South America and Europe. His latest initiative is the launch of Lion Songs Records, an independent label dedicated to uplifting overlooked, mostly acoustic music from the African universe. He is the author of several books, and the co-author of AFROPOP! An Illustrated Guide to Contemporary African Music. Eyre is a contributor to National Public Radio's All Things Considered, and his writing has been published in Billboard, Guitar Player, Salon, the Boston Phoenix, College Music Journal, Option, The Beat, Folk Roots, Global Rhythm, and other publications. He also has a background in technology, and worked for 10 years as a software technical writer. Eyre is also on the Advisory Committee of Musicians for Musicians. Baba Don Eaton Babatunde. He is a percussionist and master of African Drumming and the rhythms of the African Diaspora in the Americas. Baba Don has performed and recorded with Abidun Oyewole and The Last Poets, Pattie Labelle, Joe Henderson, Donald Brown, Jason Linder, Tyrone Jefferson, Tevin Thomas, James Spaulding, Ron Carter, George Clinton, Pharaoh Sanders, the Metropolitan Orchestra, Bill Laswell, and Philycia Rashadto name a few. His work with dance companies and choreographers includes The Dance Theatre of Harlem, Alvin Ailey Dance Theatre, Maurice Hines, Gregory Hines, Andy Williams, Chuck Davis Dance theatre, Frank Hatchet, Geoffrey Holder, Louis Johnson, and Pyramid Dance Company.Episode 40 featured free jazz bass master William Parker. He has also performed and recorded with Cecil Taylor, Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He was the leader of the Little Huey Creative Music Orchestra and In Order to Survive, a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. Our guest for episode 41 was Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music.Jeff Slatnick was our 42nd guest. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments. Hubert Howe graced the annals of our podcast as our 43rd guest. Hubert was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama. He has been a member of the Society of Composers, Inc. , President of the US section of the League of Composers / International Society of Contemporary Music, a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College, a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director.Our final guest for for 2022 was April Centrone. April Centrone is a multi-instrumentalist (specialising in the riqq, darbuka, frame drum, trap drum, and oud), co-founder of the New York Arabic Orchestra, teacher, composer, film producer and director, and music therapist. She is a Carnegie Hall World Explorer musician and educator, business owner and founder of 10PRL, arts/film/event space on the Jersey Shore. Shehas performed in venues such as the United Nations, NYC Opera House, Carnegie Hall and Lincoln Center, and has toured throughout Europe, the Americas, Middle East and Far East.Music on this episode:"Aurora" by Adam Reifsteck / Sonic Fear"Building a Desert Blizzard" by Ken Butler"Bagheshri Unbound" by Neel Murgai"Today is a New Day" by Voyagers"25 Years" by Abiodun Oyewole, featurning Baba Don Eaton"Give Me Back My Drum" by William Parker"Warm Arms to Hold You" by Dawoud the Renegade Sufi (a.k.a. Dawoud Kringle)"Inharmonic Fantasy No. 7" by Hubert Howe"New Moon" by April Centrone"Welcome New Iran" by SoSaLa (a.k.a. Sohrab Saadat Ladjevardi)(All music used by permission)
"Music is Defined as Anything that is Beautiful, and What Makes Something Beautiful is Music"Our guest for this episode of MFM Speaks Out is free jazz bass master William Parker. Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instruments were the trumpet, trombone and cello. Parker had no formal training as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis and Wilbur Ware.In the 1980s, he first came to public attention playing with Cecil Taylor. He has also performed and recorded with Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He also led several groups, such as the Little Huey Creative Music Orchestra and In Order to Survive.His discography is extensive, with dozens of albums as a leader and co-leader, and with the aforementioned artists. They received very favorable reviews from publications such as Downbeat, The Village Voice, The Wall Street Journal, Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, dancer / choreographer Patricia Nicholson. He is also a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. He has performed at many prestigious venues and music festivals around the world. In addition to double bass, Parker also plays trumpet, tuba, bamboo flutes, shakuhachi, flute, double reeds, Kora, gembri, and donso ngoni.In 2006, Parker was awarded the Resounding Vision Award from Nameless Sound. In March 2007, his book of political thoughts, poems, and musicological essays, Who Owns Music?, was published by Buddy's Knife Jazzedition in Cologne, Germany. In June 2011, Parker's second book, Conversations, a collection of interviews with notable free jazz musicians and forward thinkers, mainly from the African-American community, was published by RogueArt. Parker is frequently noted for his community dedication, mentorship, and status as "unofficial mayor of the New York improvisational scene." The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and Downbeat has called him "one of the most adventurous and prolific bandleaders in jazz."Topics discussed:His beginnings as a musician and what led him to free jazz, his work with Cecil Taylor, Roy Campbell, Hamid Drake, Jimmy Garrison, and many others, his work and long association with Arts for Art (AFA), the Vision Festival, the Other Dimensions in Music Cooperative, AFA's kinship with other musician's organizations, his thoughts on hip hop, social media, and modern music technology, racism in America, the spiritual essence of music (especially free / improvised music), the future of free jazz, and his experience, thoughts, and advice about the political and economic climate of the the music business.Music on this episode:"Give Me Back My Drum""It's A Great Day to Be Dead""Canyons of Light"All Music by William Parker
This time we speak to Peter Brötzmann. We talk about how it all started, the reactions to his first concerts, his "beef" with Klaus Doldinger and his musical advice to young musicians. Be sure to check out his latest releases: His solo album "I Surrender Dear""Sparrow Nights" with Heither Leigh"Live in Copenhagen" , "Live in Tel Aviv" with Steve Swell and Paal Nilssen-Love"The Catch of a Ghost" with Maalem Moukhtar Gania and Hamid Drake
Desde Tomajazz realizamos en JazzX5 un homenaje sonoro a Jemeel Moondoc, fallecido a finales de agosto de 2021. Suena el tema "The Blue Dog - Blues for Earl Cross". Jemeel Moondoc Tentet Jus Grew Orchestra: Live at the Vision Festival (Ayler Records, 2003) Jemeel Moondoc, Zane Massey, Michel Marcus, Roy Campbell, Nathan Breedlove, Steve Swell, Tyron Hill, Bern Nix, John Voigt, Gerald Cleaver. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Adolphus van Tenzing recomendó live at the vision festival: https://www.tomajazz.com/web/?p=5884 En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.
Guru dell'"Associazione per la promozione dei musicisti creativi" di Chicago, l'ambito da cui sono emerse figure ancora oggi di punta come Anthony Braxton, Roscoe Mitchell, Henry Threadgill e Wadada Leo Smith, il pianista Muhal Richard Abrams, mancato nel 2017, è stato a partire dagli anni sessanta uno dei protagonisti cruciali dell'avanguardia. Su commissione di Bobby Zankel, leader di una formazione di Philadelphia, The Warriors of the Wonderful Sound, Muhal scrisse una composizione, Soundpath, che con la sua direzione fu presentato con successo appunto a Philadelphia nel 2012. Qualche mese prima di morire Muhal incoraggiò Zankel a riprendere il lavoro e a continuare a interpretarlo. Nel 2018 effettivamente Soundpath è stato riproposto a Philadelphia, con la direzione di Marty Ehrlich, forte di una lunga confidenza con la musica di Abrams, e con una formazione comprendente alcuni dei Warriors, e musicisti che avevano lavorato con Muhal a New York. Il giorno dopo la presentazione dal vivo Soundpath è stato inciso in studio, ed è adesso un album pubblicato dall'etichetta portoghese Clean Feed, che ci fa il regalo di una creazione prima inedita su disco di un musicista tanto importante, amato e rispettato. Fra i musicisti dell'orchestra, oltre a Ehrlich e Zankel, diversi nomi di tutto rilievo come Graham Haynes, Steve Swell, Michael Formanek e Chad Taylor.
Guru dell'"Associazione per la promozione dei musicisti creativi" di Chicago, l'ambito da cui sono emerse figure ancora oggi di punta come Anthony Braxton, Roscoe Mitchell, Henry Threadgill e Wadada Leo Smith, il pianista Muhal Richard Abrams, mancato nel 2017, è stato a partire dagli anni sessanta uno dei protagonisti cruciali dell'avanguardia. Su commissione di Bobby Zankel, leader di una formazione di Philadelphia, The Warriors of the Wonderful Sound, Muhal scrisse una composizione, Soundpath, che con la sua direzione fu presentato con successo appunto a Philadelphia nel 2012. Qualche mese prima di morire Muhal incoraggiò Zankel a riprendere il lavoro e a continuare a interpretarlo. Nel 2018 effettivamente Soundpath è stato riproposto a Philadelphia, con la direzione di Marty Ehrlich, forte di una lunga confidenza con la musica di Abrams, e con una formazione comprendente alcuni dei Warriors, e musicisti che avevano lavorato con Muhal a New York. Il giorno dopo la presentazione dal vivo Soundpath è stato inciso in studio, ed è adesso un album pubblicato dall'etichetta portoghese Clean Feed, che ci fa il regalo di una creazione prima inedita su disco di un musicista tanto importante, amato e rispettato. Fra i musicisti dell'orchestra, oltre a Ehrlich e Zankel, diversi nomi di tutto rilievo come Graham Haynes, Steve Swell, Michael Formanek e Chad Taylor.
This week: Selim Sesler; Marika Ninou; Marika Kanaropoulou; Thouraya; Sara Serpa; Rosa Eskenazi; Martin Küchen & Landæus Trio; David S. Ware; Skip James; Parween Sultana; Szilard Mezei; Steve Swell; Dave Holland; Siama Matuzungidi; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. ***Apologies for pronunciation inconsistencies of late! I suffered a broken dental bridge in March for which no dental assistance has been available due to the pandemic. We will restore the more customarily articulate mumbling when circumstances permit. In response to the COVID-19 pandemic, Conference of the Birds will be broadcasting remotely, with little to no back-announcing, for the foreseeable future. Playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page: https://spinitron.com/WRFI/pl/10972428/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com
Por Pachi Tapiz. "Fit To Be Tied" Matana Roberts: Coin Coin Chapter Four: Memphis (Constellation) Matana Roberts,, Hannah Marcus, Sam Shalabi, Ryan Sawyer, Steve Swell, Ryan White, Thierry Amar © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html.
Today’s episode of The Jazz Hole with Linus consists of a mix of different styles. Artists like Rich Halley, Satoko Fujii & Ramon Lopez and Gebhard Ullmann Basement Research represent today’s more experimental jazz, while The Pete McGuinness Jazz Orchestra and Miki Yamanaka are more straight ahead-based. This episode features brand new music from new releases such as “Along For The Ride” (by The Pete McGuinnes Jazz Orchestra), “Confluence” (by Satoko Fujii & Ramon Lopez) and “Terra Incognita” by Rich Halley. ----- Miki Yamanaka - Stuffed Cabbage Album: Miki Miki Yamanaka (p), Orlando Le Fleming (b) and Bill Stewart (d) Miki Yamanaka - Mr. Pancake Album: Miki Miki Yamanaka (p), Steve Nelson (vib), Orlando Le Fleming (b) and Bill Stewart (d) ----- Gebhard Ullmann Basement Research - Shifting Tonalities: Impromptu #3 Album: Impromtus and Other Short Works Gebhard Ullmann (ts, b-cl), Steve Swell (tb), Julian Argüelles (bs), Pascal Niggenkemper (b) and Gerald Cleaver (d) The Pete McGuinness Jazz Orchestra - Old Roads Album: Along For The Ride Pete McGuinness (dir, comp, arr), Bill Mobley, Jon Owens, Tony Kadleck (tp, flh), Chris Rogers (tp, flh, soloist), Jeff Nelson, Matt Haviland, Bruce Eidem, Mark Patterson (tb), Dave Riekenberg, Rob Middleton, Dave Pietro, Mark Phaneuf, Tom Christensen (ww), Paul Meyers (g), Mike Holober (p, soloist), Andy Eulau (b) and Scott Neumann (d, soloist) Satoko Fujii & Ramon Lopez - Asatsuyu Album: Confluence Satoko Fujii (p, comp) and Ramon Lopez (d) Satoko Fujii & Ramon Lopez - Road Salt Album: Confluence Satoko Fujii (p) and Ramon Lopez (d, comp) Rich Halley - “Forager” & “Centripetal” Album: Terra Incognita Rich Halley (ts, comp), Matthew Shipp (p, comp), Michael Bisio (b, comp) and Newman Taylor Baker (d, comp) 00:00 - The Jazz Hole with Linus 02:14 - Stuffed Cabbage - Miki Yamanaka 06:12 - Mr. Pancakce - Miki Yamanaka 11:42 - Shifting Tonalities: Impromptu #3 - Gebhard Ullmann Basement Research 17:44 - The Jazz Hole with Linus 20:31 - Old Roads - The Pete McGuinness Jazz Orchestra 31:46 - Asatsuyu - Satoko Fujii, Ramon Lopez 36:46 - The Jazz Hole with Linus 38:38 - Road Salt - Satoko Fujii, Ramon Lopez 47:06 - Forager - Rich Halley 58:31 - The Jazz Hole with Linus 60:12 - Centripetal - Rich Halley 66:33 - Finish
Grammy nominated drummer, producer, bandleader, composer and arranger Gerry Gibbs guests on today’s episode of The Jazz Hole with Linus. Gerry talks about his brand new album “Our People” (Whaling City Sound) with his group “Gerry Gibbs & Thrasher People”, whichs sounds like a full orchestra, but is in fact the work of five gifted multi-instrumentalists. Other artists today include Gebhard Ullmann and Basement Research, as well as J3PO (aka Julian Waterfall Pollack). J3PO - Ruminations Album: Small Plates Julian "J3PO" Pollack (kbds, syn, d prog, prod) J3PO - Jazz Mustache Album: Small Plates Julian "J3PO" Pollack (kbds, syn, d prog, prod), Billy Buss (tp) and Chase Baird (ts) Gerry Gibbs & Thrasher People - “The Calm Before The Storm”, “The Journey Begins”, “Our People” & “The Final Message” Album: Our People Gerry Gibbs (d, perc, syn, prog, elect soundscape, tp, ...), Alex Collins (all solos, p, kbds, syn, vib, as, ss, g, acc, perc, voc ...), Gianluca Renzi (b, e-b, sting section, perc, ...), Mayu Saeki (picc, fl, alto fl, voc), Kyeshie Gibbs (voc, perc, ...) Gebhard Ullmann Basement Research - “Impromptu #1” & “Kleine Figuren” Album: Impromptus and Other Short Works Gebhard Ullmann (ts, b-cl), Steve Swell (tb), Julian Argüelles (bs), Pascal Niggenkemper (b) and Gerald Cleaver (d) 00:00 - The Jazz Hole with Linus (Rumin - J3PO) 03:07 - Jazz Mustache - J3PO 05:43 - The Jazz Hole with Linus 08:16 - The Calm Before The Storm - Gerry Gibbs & Thrasher People 10:23 - The Journey Begins - Gerry Gibbs & Thrasher People 16:47 - The Jazz Hole with Linus - Interview with Gerry Gibbs, Part I 30:02 - Our People - Gerry Gibbs & Thrasher People 34:18 - The Jazz Hole with Linus - Interview with Gerry Gibbs, Part II 42:14 - The Final Message - Gerry Gibbs & Thrasher People 48:50 - Impromptu #1 - Gebhard Ullmann, Basement Research 53:59 - The Jazz Hole with Linus - Bloopers with Gerry Gibbs 58:25 - Kleine Figuren - Gebhard Ullmann, Basement Research 61:37 - Finish
"Blood" es una meditación sobre los traumas emocionales de la guerra y el nuevo proyecto del violinista Jason Kao Hwang con su grupo Burning Bridge, un octeto conformado por Joseph Daley (tuba), Andrew Drury (batería y percusión), Ken Filiano (contrabajo), Steve Swell (trombón), Sun Li (pipa), Taylor Ho Bynum (corneta y fliscorno) y Wang Guowei (Erhu). Con ellos cerramos esta edición de 'Club de Jazz' del 1 de febrero de 2019. El pianista Jamie Saft soñó en azul y reunió un cuarteto excepcional para firmar "Blue Dream". Colaborador de John Zorn o Joe Morris, Saft invita al saxofonista Bill McHenry, al bajista Brad Jones y al baterista Nasheet Waits. Tenemos llamada desde Londres. En el London Calling de Fernando Ortiz de Urbina, la música del saxofonista y clarinetista Jacob Zimmerman. Alumno de Roscoe Mitchell y Joe Morris, entre otros, el músico, asentado en Seattle, se decanta sin embargo por el estilo de transición entre el swing y el bop. Escuchamos música de sus últimas grabaciones: "Recording ban" y "More of that". Al norte de Seattle, al otro lado de la frontera, se encuentra la provincia canadiense de Alberta. Allí el saxofonista Jim Brenan lidera un grupo de doce músicos representativos de la región en un disco bajo el título de "50/50". Toda la información y derechos: http://www.elclubdejazz.com
"Blood" es una meditación sobre los traumas emocionales de la guerra y el nuevo proyecto del violinista Jason Kao Hwang con su grupo Burning Bridge, un octeto conformado por Joseph Daley (tuba), Andrew Drury (batería y percusión), Ken Filiano (contrabajo), Steve Swell (trombón), Sun Li (pipa), Taylor Ho Bynum (corneta y fliscorno) y Wang Guowei (Erhu). Con ellos cerramos esta edición de 'Club de Jazz' del 1 de febrero de 2019. El pianista Jamie Saft soñó en azul y reunió un cuarteto excepcional para firmar "Blue Dream". Colaborador de John Zorn o Joe Morris, Saft invita al saxofonista Bill McHenry, al bajista Brad Jones y al baterista Nasheet Waits. Tenemos llamada desde Londres. En el London Calling de Fernando Ortiz de Urbina, la música del saxofonista y clarinetista Jacob Zimmerman. Alumno de Roscoe Mitchell y Joe Morris, entre otros, el músico, asentado en Seattle, se decanta sin embargo por el estilo de transición entre el swing y el bop. Escuchamos música de sus últimas grabaciones: "Recording ban" y "More of that". Al norte de Seattle, al otro lado de la frontera, se encuentra la provincia canadiense de Alberta. Allí el saxofonista Jim Brenan lidera un grupo de doce músicos representativos de la región en un disco bajo el título de "50/50". Toda la información y derechos: http://www.elclubdejazz.com
El 1 de mayo de 2018 el sello Aerophonic Records publica dos grabaciones: Dodecahedron (doble CD de The Rempis/Daisy Duo & Guests, entre los que se encuentran Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young y Aaron Zarzutzki), y Empty Castles (a nombre de Spectral, grupo integrado por Dave Rempis, Darren Johnston y Larry Ochs). En HDO 402 escuchamos dos temas de esta última grabación, un tema -magnífico- del dúo formado por Dave Rempis y Tim Daisy, y dos piezas de estos dos músicos en compañía de Fred Lonberg-Holm y Aaron Zarzutzki. Además, suenan un par de temas de Empty Castles. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.
Tres grabaciones, muy recomendables todas ellas, en las que la composición tiene un papel esencial, y con formaciones más amplias que lo habitual en los terrenos de la “vanguardia” jazzística (nótense las comillas), suenan en HDO 397: Trajectory (The Vinny Golia Sextet; Ninewinds Records & Orenda Records. 2CD); Music for Six Musicians. Hommage A Olivier Messiaen (Steve Swell; Silkheart); Resonant Geographies (Jason Robinson Janus Ensemble; pfMentun). Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast editado, presentado y producido por Pachi Tapiz.
Centrado en el free jazz y la libre improvisación, el sello portugués Clean Feed no cesa de publicar magníficas referencias que se mueven por los terrenos mencionados, en las que es habitual encontrar a primeras figuras de la improvisación internacional. En HDO 395 (segunda parte del especial dedicado en abril de 2018 a las novedades de esta discográfica), suenan dos de las últimas referencias de este sello: Traveling Moving Breathing del Samo Salamon Bassless Trio (con Tony Malaby, Samo Šalamon y Roberto Dani) que muestra cómo el guitarrista esloveno se mueve por diversos terrenos jazzísticos; y el directo Bop Stop del Frode Gjerstad Trio + Steve Swell (con Frode Gjerstad y Steve Swell, más Paal Nilssen-Love y Jon Rune Strøm), que camina con total soltura tanto por los terrenos del free como de la impro libre. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast editado, presentado y producido por Pachi Tapiz.
9e émission de la 38e session... Cette semaine, jazz modal, spirituel, solo piano, solo sax et free! En musique: Koichi Matsukaze Trio ; Kiyoshi Sugimoto ; Takeo Moriyama sur la compilation J-Jazz; Deep Modern Jazz from Japan 1969-1984 (BBE, 2018); Nat Birchall sur l'album Cosmic Language (Jazzman, 2018); Brad Mehldau sur l'album After Bach (Nonesuch, 2018); Kang Tae Hwan sur l'album Live At Café Amores (No Business, 2018, enr. 1995); Jon Rune Strøm Quintet sur l'album Fragments (Clean Feed, 2018); Kidd Jordan, Alvin Fielder, Joel Futterman and Steve Swell sur l'album Master of Improvisation (Valid, 2018)...
9e émission de la 38e session... Cette semaine, jazz modal, spirituel, solo piano, solo sax et free! En musique: Koichi Matsukaze Trio ; Kiyoshi Sugimoto ; Takeo Moriyama sur la compilation J-Jazz; Deep Modern Jazz from Japan 1969-1984 (BBE, 2018); Nat Birchall sur l'album Cosmic Language (Jazzman, 2018); Brad Mehldau sur l'album After Bach (Nonesuch, 2018); Kang Tae Hwan sur l'album Live At Café Amores (No Business, 2018, enr. 1995); Jon Rune Strøm Quintet sur l'album Fragments (Clean Feed, 2018); Kidd Jordan, Alvin Fielder, Joel Futterman and Steve Swell sur l'album Master of Improvisation (Valid, 2018)...
En HDO 238 (15 de febrero de 2017), catamos las cuatro últimas novedades del catálogo de Leo Records, en las que aparecen distintas visiones de la improvisación, a saber, las de Loz Speyer’s Inner Space en Life On the Edge (Chris Biscoe, Rachel Musson, Olie Brice, Gary Willcox, Loz Speyer); Ensemble 5 en Live — Featuring Elliott Levin (Heinz Geisser, Elliott Levin, Fridolin Blumer, Reto Staub, Robert Morgenthaler); Frank Gratkowski – Simon Nabatov en Mirthful Myths; y Stuart Popejoy en Pleonid (Sarah Bernstein, Avram Fefer, Steve Swell, Kenny Wolleson, Stuart Popejoy). © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz. Toda la información de HDO 238 en http://www.tomajazz.com/web/?p=29320. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298
9e de la 25e session... Cette semaine, retour de Marie-Eve Boulanger avec en entrevue la pianiste Julie Lamontagne. Musicalement, détour swing-bop, post-bop et free-jazz ! En musique: Harry "Sweets" Edison sur l'album Sweets (Clef, 1956); Julie Lamontagne sur l'album Noël (Disque Juliette, 2013); Open 5 sur l'album Pentasonic (Criss Cross, 2012); Tom Jackson et Benedict Taylor sur l'album Songs from Badly-Lit Rooms (Squib-Box, 2013); Paul Flaherty, Steve Swell, C. Spencer Yeh, Weasel Walter sur l'album Dragonfly Breath (Not Two, 2013)... En entrevue: Julie Lamontagne nous parle de son nouveau disque de Noël;
9e de la 25e session... Cette semaine, retour de Marie-Eve Boulanger avec en entrevue la pianiste Julie Lamontagne. Musicalement, détour swing-bop, post-bop et free-jazz ! En musique: Harry "Sweets" Edison sur l'album Sweets (Clef, 1956); Julie Lamontagne sur l'album Noël (Disque Juliette, 2013); Open 5 sur l'album Pentasonic (Criss Cross, 2012); Tom Jackson et Benedict Taylor sur l'album Songs from Badly-Lit Rooms (Squib-Box, 2013); Paul Flaherty, Steve Swell, C. Spencer Yeh, Weasel Walter sur l'album Dragonfly Breath (Not Two, 2013)... En entrevue: Julie Lamontagne nous parle de son nouveau disque de Noël;
El saxofonista Jimmy Greene perdió a su hija Ana, de seis años, en la matanza del pasado viernes en Connecticut. A ella y todas las víctimas de ese sinsentido dedicamos esta edición de "Club de Jazz" del 19 de diciembre de 2012 en la que escuchamos "The overcomer´s suite" de Greene. Además, música para desbordar nuestros oídos: Enrico Rava baila a Michael Jackson en "On the dance floor"; "Ritmos Latinos" y brasileños con el trío de Albert Sanz y con el del italiano Paolo di Sabatino; también brasileña la música del pianista David Feldman que selecciona Alberto Varela; Han Bennink sigue en plena forma con su trío junto a Joachim Badenhorst y Simon Toldam; el espíritu de Albert Ayler brota del saxo de Charles Gayle "desde mi cadiera" con Jesús Moreno; el bajista Jordi Gaspar regresa con "Gemini" junto a Jordi Bonell y Roger Blàvia: "Standards" es el descriptivo título del disco en trío del guitarrista Albert Vila junto a Reinier Elizarde y Jorge Rossy; "Elastic" es el jazz del último disco de Perico Sambeat; Platform 1, una de las múltiples encarnaciones de Ken Vandermark, comparte "Takes off" con Magnus Broo, Steve Swell, Michael Vatcher y Joe Williamson; al "Tren Azul" de Luis Díaz García se sube la voz de Bessie Smith en compañía de Louis Armstrong. Toda la información y derechos: http://www.elclubdejazz.com
El saxofonista Jimmy Greene perdió a su hija Ana, de seis años, en la matanza del pasado viernes en Connecticut. A ella y todas las víctimas de ese sinsentido dedicamos esta edición de "Club de Jazz" del 19 de diciembre de 2012 en la que escuchamos "The overcomer´s suite" de Greene. Además, música para desbordar nuestros oídos: Enrico Rava baila a Michael Jackson en "On the dance floor"; "Ritmos Latinos" y brasileños con el trío de Albert Sanz y con el del italiano Paolo di Sabatino; también brasileña la música del pianista David Feldman que selecciona Alberto Varela; Han Bennink sigue en plena forma con su trío junto a Joachim Badenhorst y Simon Toldam; el espíritu de Albert Ayler brota del saxo de Charles Gayle "desde mi cadiera" con Jesús Moreno; el bajista Jordi Gaspar regresa con "Gemini" junto a Jordi Bonell y Roger Blàvia: "Standards" es el descriptivo título del disco en trío del guitarrista Albert Vila junto a Reinier Elizarde y Jorge Rossy; "Elastic" es el jazz del último disco de Perico Sambeat; Platform 1, una de las múltiples encarnaciones de Ken Vandermark, comparte "Takes off" con Magnus Broo, Steve Swell, Michael Vatcher y Joe Williamson; al "Tren Azul" de Luis Díaz García se sube la voz de Bessie Smith en compañía de Louis Armstrong. Toda la información y derechos: http://www.elclubdejazz.com
Première de la dixième session. Cette semaine une bonne variété avec les artistes suivants: Eric Le Lann (trompette, France, groove urbanjazz) Drew Gress (contrebasse, USA, modern-avant jazz) Steve Swell's Fire into Music (Chicago free-jazz) John Coltrane (saxophone, USA, new thing)...